Pseudonym without anonymity

A unicorn salient, quarterly per saltire Or and Sable. Motto: «ASC» bendwise Sable, between the hoofs.

Badge created with: the unicorn and the motto painted with flat color sable and metal or; and the whole set with an old parchment finish.

The original design of this badge, along with other coats of arms and heraldic pieces, is registered as intellectual property in [Salmerón Cabañas, A.; 2015a; page 9]. Additionally this badge with a Unicorn per saltire Or and Sable, is used as what the Intellectual Property Registry calls a «pseudonym without anonymity» to sign documents.

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Blazon keywords: Quarterly per saltire, Sable, Or, Unicorn, Salient, Motto (identification), Bendwise and Hoof.

Style keywords: Old parchment.

Classification: Badge, Created and Personal.

Bearer: Salmerón Cabañas, Antonio.

The starship of this video is based on the «Narcissus», the lifeboat of the «Nostromo», designed by Ron Cobb for the film «Alien». The music is «Also sprach Zarathustra», Opus 30, from Richard Strauss, interpreted by Kevin MacLeod.

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Credits:

• Kevin MacLeod is the author of the music.
• Ron Cobb is the designer of the original starship.

Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale, Number, Unicorn, Mullet and Compass rose.

Style keywords: Semi-circular and Freehand.

Classification: Video, Map, Created and Personal.

Bearer: Salmerón Cabañas, Antonio.

I hold a PhD cum laude, a Masters degree, a Specialization and an Academic Grade from four different universities:

• Doctor and Graduate by the Technical University of Madrid (UPM),
• Master by the IESE at the University of Navarra (UNAV),
• University Specialist by the Department of Private Law of the University of Burgos (UBU), and
• University Graduated by the Catholic University San Antonio.

Martino Antoine del Rio, Societis Jesu, «Disquisitionum Magicarum Libri Sex: Quibus continetur accurata curiosarum artium et vanarum superstitionum confutatio, utilis Theologis, Jurisconsultis, Medicis, Philologis», Lugduni: apud Horatium Cardon, 1608.

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There are other editions of this book, for example, the edition by Henning with 1,070 pages, from the year 1617.

The collage of images that accompanies this article corresponds to the inner cover of the 1608 edition of this book, that has been photographed by me, you can see my ex libris on the bottom of the of photography.

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Bibliographical reference of century XVII.

Author: Rio, Martino del.

External resource:

• Cervantes Virtual.

The creation of your coat of arms admits many possibilities, being the basic one the creation of the blazon, that is, its heraldic description. From there,

• you can choose all the ornament of your shield, for example, whether or not it has a crest, whether or not it has a mantling, that your arms have supporters, or tenants, moreover
• you can choose your own complements, for example, wish to have a flag according to your coat of arms, create your own badge, your personal seal, your ex libris, etc.

My heraldic art covers all of the above, from initial conception to final design, both in digital support and through a printed heraldic document which contains all the pieces created for you in a personalized way and even other tangible complements, such as, for framing or sealing.

While writing and illustrating «The book of the coat of arms of the Wolves Sable and the Unicorns Argent», I established the foundation for a work process that has now become my signature methodology in heraldic creation. Recognizing the importance of a methodological approach to consistently produce quality artwork, I continue to refine it with the experience I accumulate.

My methodology can be summarized as a 3-phase process, each containing 3 distinct activities, with the flexibility to revisit any phase for continual improvement.

The diligent execution of these nine activities ensures that the final product meets the expectations of the future bearer of the heraldic coat of arms.

The three phases are as follows:

• Conception, which encompasses: elicitation and ideation, heraldic research and critique, creation of a preliminary coat of arms sketch.
• Plastic execution, which includes: layout and tincture application, ornamentation and detailing, lighting effects and final artwork production.
• Completion and fulfillment, which involves: heraldic editing, final review and artwork delivery, documentation and archival closure.

Baron of Valdeolivos Emblematic Chair, of the Fernando el Catolico Institution, of the Centre of Scientific Research (C. S. I. C.) and of the Government of Zaragoza, «Emblemata», Volume 4^th, Emblemata Aragonese Magazine about Emblems (E. R. A. E.), 450 pages, 135 pictures, ISSN 1137-1056, Legal deposit Z.3.937 1996, printed by the Cooperativa de Artes Gráficas Librería General, Zaragoza, 1998.

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Bibliographical reference of century XX.

Classification: Magazine and Castilian language.

The author is Cátedra de Emblemática Barón de Valdeolivos.

External link:

• Abstract in the Fernando el Catolico Institution.

Sigue por: Heraldic classification.