Or

All shields has the quarters 2 and 3 equal

Blazon A = G

Quarterly: 1 Gules; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Argent.

Blazon B = E

Quarterly: 1 Or; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Gules.

Blazon C = H

Quarterly: 1 Gules; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Gules.

Blazon D = F

Quarterly: 1 Or; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Argent.

Categories: Riddle solution, Gules, Or, Argent, Quarterly and Chequey.

In the following image there are painted 8 shields, but how many different blazons are there? First, think your answer, then write the different blazons and, finally, check if your initial answer was correct.

Write the coats of arms and check your answer

Think before you move the cursor or click on the following link and see the solution.

Categories: Riddle, Gules, Or, Argent, Quarterly and Chequey.

There is a series of nine coats of arms in the ballroom of the castle:

• Or, three Fleurs de lis Azure.
• Azure, a Bendsinister Or.
• Or, a Fleur de lis Azure.
• Azure, a Cross Or.
• Or, five Fleur de lis Azure in saltire.
• Azure, a Fess Or.
• Or, two Fleur de lis Azure in bend.
• Azure, a Saltire Or.
• Or, four Fleur de lis Azure.

There are so many Fleurs de lis that everyone, except the joker, calls it the «fleurdelisée» room. Nobody knows the reason why the joker says there is none, do you?

Think before you move the cursor or click on the following link and see the solution.

Categories: Riddle, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.

Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.

Ackerson and Akers lineages.

Sable, a Bend between three Acorns Or.

Illuminated and freehand finishing.

The coat of arms of Ackerson and Akers lineages emblazoned by me and extracted from [Burke, B.; 1989].

Unless the blazon specifies another layout, when a bend is between three charges, this charges are ordered, two in the chief and one in the base, as the three acorns do in this case.

[Rietstap, J. B.; 1861] escribe el blasón de «Ackers ou Akers» como «de sable, à une bande d'or, acc. de trois glands du mesme».

Blazon keywords: Sable, Bend, Between, Three, Acorn, Or and Ordered.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Interpreted.

Ackhurst lineage.

Argent, on a Bend Sable three Acorns Or.

Illuminated and freehand finishing.

The coat of arms of Ackhurst lineage emblazoned by me and extracted from [Burke, B.; 1989].

Unless the blazon specifies another direction, the charges in a bend follow the direction of their bend, as the acorns do in this case.

Blazon keywords: Argent, Bend, Sable, Three, Acorn, Or and Bendwise.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Interpreted.

Arthur Adams, PhD, F. S. A., «Cheshire Visitation Pedigrees, 1663», 141 pages, edited by J. Whitehead and Son Limited, series Publications of the Harleian Society, volume 93, London, 1941.

This book includes some illustrations, but in black and white. The coat of arms that illustrates this bibliographic reference is a color interpretation of one of those recorded in this book, based on the recreations by Martin S. J. Goldstraw. It specifically corresponds to the coat of arms of Allen de Brindley, with the difference that here its crest is not included.

Bibliographical reference of century XX.

Author: Adams, Arthur.

Bibliographic reference mentioned in the following articles:

• Allen de Brindley
• Cheshire Heraldry
• Cheshire, County of
• Gleyve de High Ligh and Gleave de High Lea

Adrian Ailes, «The Origins of the Royal Arms of England: Their Development to 1199», foreword by Rodney Dennys, includes 27 black and white illustrations, Graduate Centre for Medieval Studies, Reading University, 126 pages, ISBN 07-049077-6-3, Reading, Berkshire, 1982.

An article reviewing this book is: Brigitte Bedos Rezak, Archives nationales de Paris and Metropolitan Museum of Art, «The Origins of the Royal Arms of England, their Development to 1199 by Adrian Ailes», Speculum, volume 60, number 2, pages 373-376, Medieval Academy of America, Cambridge, Massachusetts, April of 1985.

Bibliographical reference of century XX.

The author is Ailes, Adrian.

Bibliographical reference mentioned in the following article:

• Henry II of England

External link:

• Google Books.

Coat of arms of Ajay Gopal Valecha granted by the College of Arms, and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Quarterly Or and Argent, overall a peacock in his splendour proper.

Escudo cuartelado de oro y plata, sobre el todo un pavo real ruante al natural.

Blazon keywords: Argent, Or, One, Quarterly, Overall, Peacock, In his splendour and Proper.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Valecha, Ajay Gopal.

Gules, a cross flory voided Or; within a bordure Gules with eight saltires couped Or.

Escudo de gules, una cruz hueca flordelisada de oro; bordura de gules, ocho sotueres de oro.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.

Ancient arms of Alarcon of Cantabria emblazoned by me.

Blazon keywords: Argent, Sable, Or, Gules, Three, Cross, Flory, Voided, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alarcon of Cantabria, lineage.

Purpure, three dragons passant, in pale Argent; a bordure Gules, eight saltires couped Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Without divisions, Purpure, Three, Dragon, Passant, In pale, Argent, One, Bordure, Gules, Eight, Saltire, Or, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Trujillo Jiménez, Hermanos.

Blazon of the Aldam lineage of England.

Azure, a ray of the sun bendwise, issuant from the dexter chief Or.

Escudo de azur, un rayo de sol puesto en banda, naciente de la diestra del jefe de oro.

Illuminated with lights and shadows and with a freehand finish.

Described in [Burke, B.; 1989; page 9, column 1, entry 11].

Blazon keywords: Without divisions, Azure, One, Ray of the sun, Bendwise, Nascent, Dexter, Chief and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of England.

Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.

Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Alea Capital.

Or, four bell towers issuant from base Gules, windows Or.

Coat of arms of Alejandra Espeja Amieva designed by Juan Lanzagorta Vallín and emblazoned by me. As shown in the image, the structure of this coat of arms is based on the arms «Or shield with four pallets Gules» of Ramon Berenguer IV, Count of Barcelona, which are the arms of the Crown of Aragon. Regarding this coat of arms and my previous sentence, Joaquim Verde i Llorente tells me: «...or, four pallets gules, besides being the arms of the dynasty of the Counts of Barcelona (first found on a shield of Ramon Berenguer IV, although the proto-heraldic palleted design already appears on the Romanesque tombs of Ermesinda and Ramon Berenguer II), are those of the County of Barcelona / Principality of Catalonia and of the Crown of Aragon. But not of the Kingdom of Aragon, whose own kings considered that its ancient arms were the Cross of Íñigo Arista (senyal antich de rey d'Aragó ~ senyal antich d'Aragó ~ ancient emblem of the King of Aragon ~ ancient emblem of Aragon) and its modern arms the Cross of Alcoraz (armes d'Aragó ~ arms of Aragon). Although in the end, they ultimately became the quarterly shield of the Tree of Sobrarbe, the Cross of Íñigo Arista, the Cross of Alcoraz, and the Royal emblem (nostre senyal real ~ our royal emblem)...».

Blazon keywords: Or, Gules, Four, Pallet, Bell tower, Issuant from base and Port and windows.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Espeja Amieva, Alejandra.

Azure, a cross flory voided Argent; a bordure Gules charged with sixteen saltires couped Or.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a texturized finishing.

Alfonso Sánchez de Perella, first mayor of Burgos emblazoned by me. He appears as the [Cofradía de Santiago; Century XIV; 4^th knight, 1^st of the page 21 V], from this 14^th century Book of the Brotherhood of Knights of Santiago de la Fuente. This was a brotherhood founded by the Burgos citizens at the time of King Alfonso XI of Castilla, 1311-1350. In the book, there are 14 saltires instead of 16, as it appears that one is missing on the sinister side of the base, and there are 4 in the chief instead of 5.

Blazon keywords: Azure, Argent, Gules, Or, One, Sixteen, Cross, Flory, Voided, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Sánchez de Perella, Alfonso.

Born on November 11, 1155, in Soria and died on October 6, 1214, in Gutierre-Muñoz, Avila.

Gules, a castle triple towered Or, port and windows Azure, masoned Sable.

Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.

Existing arms interpreted by me as follows: the shield’s shape is pointed and rounded; the field has been enameled Gules; the castle is outlined, illuminated, and shaded; the whole composition features a heavily hammered metal finish.

This ancient coat of arms of Castile can be consulted, among other sources, in [Argote de Molina, G.; 1588; chapter XLII].

Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.

Style keywords: Ogee, Illuminated, Shaded, Outlined in sable and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.

Bearer: Alfonso VIII of Castile.

Alfonso X of Castile, The Wise, «The Seven-Part Code», its estimated completion year is 1265.

This is the copy I can consult, as it is available in the Hispanic Digital Library, it is a manuscript measuring 42 by 30 centimeters that once belonged to Álvaro de Zúñiga y Guzmán, first Duke of Arévalo, which later came into the possession of the Catholic Monarchs, initially Queen Isabella I of Castile, and after her death, King Ferdinand reclaimed it for the price of 5,251 maravedis. The original is housed in the National Library, in display case 4/6.

This copy, in addition to its numerous capital letters, has 8 illustrated pages, which according to its subsequent hand-numbering in pencil are:

• Page 6, among its illustrations can be seen 2 coats of arms of the Zúñiga family «Argent, a bend Sable, over all, a chain in orle Or», in this case formed by 16 links, 8 round and 8 more elongated placed in profile.
• Pages 106 and 191, on the latter can be seen a curious bishop-lizard climbing.
• Pages 294 and 331, on the 2^nd at the bottom, a maiden is seen walking a monkey to relieve itself and to her right a fight of men with beast bodies.
• Page 379 and on its previous unnumbered page, and finally, on page 415 which begins with a tournament where the 2^nd knight bears the ancient arms of France «Azure, semy of fleurs de lis Or».

The coat of arms that illustrates this bibliographic reference is that of Álvaro de Zúñiga y Guzmán. For the creation of his chain, I followed the illustration of his 2 coats of arms on the already mentioned page 6 of this manuscript.

It is one of my favorite manuscripts and, perhaps, the one with which I have created the most things.

Bibliographical reference of century XIII.

Classification: Castilian language, Manuscript and In color.

Author: Alfonso X of Castile.

The following article cites this bibliographic reference:

• Zúñiga y Guzmán, Álvaro de

External resources:

• National Library of Spain.
• Indirect access to the Library of Congress of the United States of America.
• Direct access to the Library of Congress of the United States of America.

Internal resources: AlfonsoXDeCastilla1265.7Partidas.10642.pdf.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the King Alfonso X of Castile, 1221–1284, 1^st son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The order of the quarters is first the castle of his grandmother, Queen Berenguela of Castile, and second the lion of his grandfather, King Alfonso IX of León; however, the other day I discovered that on the map by [Martineau du Plessis, D.; 1700; volume II, illustration 30, page 126], in the shield framed between parallels 37 and 36 and meridians 21 and 22, the lion occupies the 1^st quarter and the castle the 2^nd quarter; that is, their order appears reversed.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Alfonso X of Castile.

County of Cheshire, visitation of 1663.

Party per bend sinister: 1 Or, three martlets Sable; 2 Sable, three martlets Or.

Escudo tajado: 1^o de oro, tres marletas de sable; 2^o de sable, tres marletas de oro.

Coat of arms interpreted with: a rounded base; the field illuminated in Or and Sable; the martlets outlined of the field and illuminated in Sable and Or; and the whole with a leather finish.

A coat of arms recorded in [Adams, A.; 1941] which Cheshire Heraldry blazons as follows: «Per bend sinister Or and Sable, six martlets counterchanged», note that no specific arrangement is specified for the martlets.

There is also an entry for «Allen de Brindley» in [Armytage, G. J.; Rylands, J. P.; 1909], but it only records the family tree without specifying the coat of arms.

Blazon keywords: Party per bend sinister, Or, Sable and Martlet.

Style keywords: Rounded, Illuminated, Outlined in the field tincture and Leather.

Classification: Interpreted, Personal and Cheshire County.

Bearer: Allen de Brindley.

Of the twelve lineages of Noblemen, it is the first, and they bear as arms, on a golden field, three pales Azure.

Or, three Pallets Azure.

Escudo de oro, tres palos de azur.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.

Based on the first coat of arms of the «ricoshombres» of Navarre in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Los Almorauides» it can also be consulted in [Vega, P. J. de; 1702; folio 1 of the manuscript].

Blazon keywords: Without divisions, Or, Three, Pale and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Almorrabides of Navarre.

Known as the Wise, King of Castile and Leon from 1252 to 1284.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.

Armories of the Wise King of Castile interpreted by me with the following characteristics: the external shape of the coat of arms ends in an ogee arch; the field, the 2 castles, and the 2 lions are outlined and enameled in flat colors; and the texture seems fabric.

This coat of arms, but with a pointed external shape, can be seen in the 2^nd part of the so-called armorial [Wijnbergen; 1265; cuat of arms number 1,289], with the title «Le roy Despaingne», which in this context is understood to refer to Castilla y León.

The 2^nd part of this armorial was made between 1270 and 1285 and, being Alphonse X king of Castile and Leon from 1252 to 1284, it is to Him that the title «Le roy Despaingne» seems to refer.

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed and Langued.

Style keywords: Ogee, Plain tincture, Outlined in sable and Fabric.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.

Bearer: Alphonse X of Castile.

Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules.

Escudo de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the lineage Alpoim. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Alpoim are in the 2^nd quarter.

Blazon keywords: Azure, Argent, Or, Gules, One, Crescent, Reversed, In the dexter chief, Fleur de lis and Bordure.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Alpoim, lineage.

Party per pale: 1 Or, a Georgian dancer proper; 2 Gules, a church Or, ports and windows Azure.

Escudo partido: 1^o de oro, un bailarín georgiano al natural; 2^o de gules, una iglesia de oro, aclarada de azur.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.

Coat of arms of Graziano Alu designed by Angelo Musa and emblazoned by me. The blazon in Italian is «Arma: Partito: 1^o d'oro, un ballerino georgiano al naturale; 2^o di rosso, una chiesa d'oro, finestrata e portata d'azzurro».

Blazon keywords: Or, Gules, Azure, One, Party per fess, Male figure, Proper, Church and Port and windows.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alu, Graziano.

Lord of Zúñiga and Mendavia and of Béjar and Bañares and of Gibraleón, 1^st Duke of Arévalo, 1^st Duke of Plasencia, 1^st Count of Bañares, 1^st Duke of Béjar, 2^nd Count of Plasencia, and Grandee of Castile.

Argent, a bend Sable; overall a chain orlewise Or.

Escudo de plata, una banda de sable; brochante sobre el todo una cadena puesta en orla de oro.

Personal coat of arms interpreted by me as follows: the shield has a semicircular (round) base; both the field and the bend have been illuminated in flat tinctures Argent and Sable; the links of the chain are enameled and illuminated in Or; and the whole is made of beaten metal.

In [Argote de Molina, G.; 1588; page 94 according to the numbering of the book, or page 93 according to the numbering accompanying the illustrations] this coat of arms appears under the title «Zúñigas» with the overlying chain formed only by 8 long links.

In [Anonymous; 1800a; page 46] the blazon of «the Zúñigas» is described, where in this book, curiously, the letter Z is ordered after C and before D.

Blazon keywords: Without divisions, Argent, Sable, Or, One, Bend, Chain, Orlewise and Overall.

Style keywords: Semi-circular, Illuminated and Metal beaten.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Zúñiga y Guzmán, Álvaro de.

Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper.

Escudo cortado angrelado y partido: 1^o de plata, un pergamino al natural inscrito con los nombres del linaje en letras de sable; 2^o de gules, una palmera sostenida por dos alfanjes alzados, en sotuer todo de oro; 3^o de sinople, un creciente sumado de una estrella de diez puntas ambos de oro; 4^o de plata, un minarete naciente de la punta al natural.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.

This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. In an ordinary, I distinguish between engrailed and invected from the ordinary's point of view; for instance, I define a bordure as invected if, from the interior of the bordure, the edge appears invected (meaning the arcs appear concave); conversely, I say a bordure is engrailed if the arcs appear convex from its interior point of view; in this specific case, regarding a line of division, I describe it as engrailed because, from the perspective of the base of the coat of arms, the arcs of the partition line appear convex [Nisbet, A.; 1816; page 21, pictures 1 and 2].

Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret and Issuant from base.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alyahya, Abdulelah.

Blazon of the Amancier lineage of Genevois, Haute-Savoie, France.

Gules, three bars per pale Or and Azure.

Illuminated and a freehand finishing.

Its French blazon «de gueules, à trois fasces parties d'or et d'azur» can be found at [Rietstap, J. B.; 1861; page 40].

Any fess party per pale of metal and color or color and metal will always have a metal on metal or color on color conflict whether the field of the coat of arms is color or metal. There isn't conflict if the field of the coat of arms is also party per pale with metal under the color of the fess and with color under the metal of the fess or if the field is fur.

Blazon keywords: Without divisions, Gules, Three, Fess, Party per pale, Or and Azure.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

Blazon of the André lineage of France.

Gules, a millstone Or.

Escudo de gules, una piedra de molino de oro.

Illuminated and a watercolor finishing with shadow in the hole.

For its better identification, I have painted the millstone with the ring that fixes it to its axis. This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone. Millrinds may appear on coats of arms independently of millstones. Another heraldic element related to the previous ones is the millwheel, which is a toothed gear that is part of the mill mechanism but should not be confused with the millstone that grinds the grain.

Blazon keywords: Without divisions, Gules, One, Millstone and Or.

Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

A dexter lion's paw Azure, armer, grasping in its claws by its lowest point a mullet of six points Or, between two branches of laurel Vert.

Heraldic device interpreted by me, illuminated with lights and shadows, contoured in Sable, and with a freehand finish.

G0066, Chief Herald of Arms of Malta's grant of Andrea Pompili's badge, whose heraldic badge has been emblazoned by me.

Blazon keywords: Azure, Or, Vert, Two, One, Dexter, Lion, Paw, Armed, Grasping, Claw, Mullet, Between, Branch and Laurel.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Pompili, Andrea.

Or, an eagle displayed Azure.

Arms painted by me, in plain tinctures, contoured in Sable, with a rounded trapezoidal external shape and with a texturized finishing.

The coat of arms of Andrés Cruz Carballo designed by his father-in-law Juan Lanzagorta Vallín and emblazoned by me.

Blazon keywords: Or, Azure, One, Eagle and Displayed.

Style keywords: Outlined in sable, Plain tincture and Rounded trapezoid.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Cruz Carballo, Andrés.

Gules, a cross Argent charged with four ermine spots in cross Sable, in the dexter of the chief a lion’s head erased Or. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a chapeau Gules turned up ermine, a demi-lion, double queued Or, grasping in its dexter paw a pennon Gules, bearing a canton Azure, charged with a saltire Argent. Mantling: Gules doubled Argent. War cry above the crest: «ΑΛΑΛΑ ΑΛΑΛΑ». Motto: «Mieux vaut s’user que rouiller». Supporters: Two knights in three-quarter armour affronty proper, each holding with his outer hand a spear Argent bearing a banner, the dexter Sable, a panther rampant guardant Argent, incensed Or, collared, pendent therefrom a bell Azure, the sinister a banner barry of six Or and Azure, a canton Ermine.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.

G0116, Chief Herald of Arms of Malta's grant for the arms of Andrew Ronald McMillan Bell of Auchinreoch, United Kingdom. These arms have been emblazoned by me for such grant.

Blazon keywords: Gules, Argent, Sable, Or, Azure, One, Four, Six, Cross, Charged, Ermine, In cross, Dexter, Chief, Lion, Head, Erased, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Chapeau, Demi, Double queued, Grasping, Canton, Saltire, War cry, Above the crest, Motto, Supporter (human form), Supporter, Knight, Affronty, Proper, Spear, Panther, Rampant, Guardant, Enflamed, Collar, Suspended, Bell and Barry.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms, Pennon, Flag and Banner of arms.

Bearer: McMillan Bell of Auchinreoch, Andrew Ronald.

Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent. The shield is surrounded by an annulet Argent inscribed in chief with the motto «Linaje Lanzagorta Otxoa» and in base with «2Ð3H · Iker · 1985» Sable.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.

Blazon keywords: Vert, Argent, Or, One, Two, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief, Adze, Surrounded, Annulet, Fimbriated, Inscribed, In base and Motto (identification).

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Lanzagorta Ochoa, Iker.

Anonymous, «Armerías de España», 124 double pages, title in the page 9, provenance Duke of Osuna and Infantado, 1800.

Content

The book has no index and its content, written by hand, is as follows:

• Pages 1 through 8 are blank.
• On page 9, title, the letter A begins and surnames Abarca, Abendaño, Abeo, Ablitas and Abrego in large handwritten and the blazon in small handwritten (except for the end of the book on page 123, the unknown author seems to write more about surnames than about lineages).
• On page 10, the surnames with the letter A continue and their blazon both in small handwritten.
• On page 23, the letter B begins, its surnames and their blazons, for example, the Barrasas, in the page 25, «Or, six Lions proper, combatant».
• On page 30, the letter C begins, it is followed by the letter Z on page 42, 29 surnames with Z was written before the letter D and Cocas and Cuacas, with the letter C, are inserted inside the letter Z.
• It follows in alphabetical order of surnames from page 46, where the letter D begins, to page 97 with the letter S, including in the S the surname Sánchez on page 99, as a lineage will be included at the end of the book, and it follows with the letter S until the page 104.
• On page 105 the letter T begins, surname Tabixas, Taboadas, Tafuxes, ...
• On page 109 jump from the letter T to the letter V, with the surnames Vacas, Vadillos,... and skipping the letter U.
• On page 119, it returns from letter V to U, in an unordered manner and without including the title with the capital letter U.
• On page 120, begins the letter X and also the letter Y.
• On page 122, the letter Z and only 3 additional surnames with Z, recall that the majority of the surnames with Z were included after the letter C.
• On page 123 he returns to the surname Sánchez by testimony of Pedro de Soto owner of the books of Armory of Spain of Andreas Heredia, King of Arms, and finally the unknown author copies the text for the surname Sánchez, those who were «hijosdalgos, en Cangas de Gobadonga» ~ Covadonga of Asturias and ends with a poem of 8 verses. Andreas Heredia, also known as Andrés Heredia, was King of Arms during the reign of Philip III of Spain, [Nieto y Cortadellas, R.; 1957a; Page 4]
• Beginning on page 124 are blank.

Bibliographical reference of century XVIII.

Classification: Manuscript, Armorial roll, In black and white and Castilian language.

Author: unknown.

Bibliographical reference mentioned in the following article:

• Álvaro de Zúñiga y Guzmán

External links:

• Detail of this Armorial in the National Library of Spain.
• Bibliographic record of the National Library of Spain.
• Scanned Armorial in the National Library of Spain.

Internal resources: Osuna1800.ArmeriaEspaña.Manuscrito.pdf.

Emblem containing a [ shield de gules, una Justicia de plata, vestida de oro, en su diestra una espada de plata, alzada, guarnecida de oro y en su siniestra una balanza de oro. Crest: An open royal crown Or ]. Two banners and two mottos surround the shield.

Emblema que contiene un [ escudo de gules, una Justicia de plata, vestida de oro, en su diestra una espada de plata, alzada, guarnecida de oro y en su siniestra una balanza de oro. Timbrado de una corona real abierta ]. Dos divisas y dos lemas rodean el escudo.

Image of the heraldic catalog, which I have made for the ANPC, of 8 pages; 2 double-sided DIN A3; which includes 6 different heraldic pieces for color printing; with the drafting of its blazon and the texts are in sable lettering with gules highlights; and sealed, signed, dated and numbered and registered.

The description of the emblem that appears in this article corresponds to the odd page of the heraldic catalog whose image is attached.

Credits: Dr.ª Marianne Steinbauer tiene los derechos del tipo de letra.

Blazon keywords: Without divisions, Gules, Argent, Or, Female figure, One, Justice, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Crest, Open royal crown, Crown, Motto (identification) and Motto.

Style keywords: Watercolor, Illuminated, Shaded, Semi-circular and Outlined in the field tincture.

Classification: Catalogue, Heraldic document, Created and Socioeconomic.

Bearer: ANPC.

Or, four pallets Gules.

Escudo de oro, cuatro palos de gules.

Recreated coat of arms of Aragón in the following manner: the escutcheon shape is pointed and rounded; the field is rendered in flat Or; the pallets are illuminated; and the whole has a parchment-like finish.

This rendition of the coat of arms is based on [Portolés, J.; Molino, M. del; 1590].

Blazon keywords: Without divisions, Or, Four, Pale and Gules.

Style keywords: Ogee, Illuminated and Parchment.

Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.

Bearer: Aragon.

Azure, a lion rampant Argent, in chief a mullet of four points Or; a bordure Gules charged with eight saltires couped Or.

Escudo de azur, un león rampante de plata, surmontado de un lucero de oro; una bordura de gules cargada de ocho sotueres de oro.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

These are the ancient arms of the lineage Araneta emblazoned by me. They are from the Basque Country and there is a branch in the Philippines. This star is known as mullet of four points.

Blazon keywords: Azure, Argent, Or, Gules, One, Eight, Lion, Rampant, Mullet of four points, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Araneta, lineage.

Or, an oak tree proper, fructed Or, with a boar supporting it Sable; on a chief Gules, three eagles displayed Or.

Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; en un jefe de gules, tres águilas de oro.

Escudo interpretado por mí, en tinturas planas, delineado de sable, con un contorno exterior medio punto y con un terminado texturizado.

Coat of arms of Manuel Maria Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Chief, Gules, Three and Eagle.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Aras Quirce, Manuel Maria.

Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.

Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».

Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argudo of Guipuzcoa, lineage.

Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it.

Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Coat of arms of the lineage Argüello of Extremadura emblazoned by me. Its blazon may be found in the books [Atienza y Navajas, J. de; 1959; page 171] and [Cadenas y Vicent, V. de; 1987; page 167], where it is described as Vert with its acorns and roots Or. In this rendition, I have interpreted the holm oak as proper, but also fructed and eradicated Or.

Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Tree, Proper, Fructed, Eradicated, Goat and Supporting.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argüello of Extremadura, lineage.

Quarterly: 1 Azure, a cross Or; 2 Vert, a saltire Or; 3 Vert, a bend sinister Or; 4 Azure, a fess Or.

Escudo cuartelado: 1^o de azur, una cruz de oro; 2^o de sinople, un sotuer de oro; 3^o de sinople, una barra de oro; 4^o de azur, una faja de oro.

Imaginary coat of arms that I have created featuring: a semicircular external shape; a field enamelled with flat azure and green inks; all pieces in metal Or, outlined in Sable and illuminated; and the entire design finished with a watercolor effect.

This coat of arms symbolizes the fundamental area of mathematical science, whose object of study is numbers and the elementary operations that can be performed with them: addition, subtraction, multiplication, and division.

Blazon keywords: Quarterly, Azure, Vert, Or, Cross, Saltire, Bend sinister and Fess.

Style keywords: Illuminated, Outlined in sable and Watercolor.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Arithmetic.

Party per pale: 1 per fess indented perlong Or and Azure overall on a fess Azure a mullet Or, and on a chief cousu Or an eagle displayed, a crown Or above [for Tamburelli]; 2 Azure, a lion rampant Or supporting a lance palewise Argent, in chief three mullets Or [for Lanzara]; enté en point Or, three pallets Vair [for Prato di Arnesano].

Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a texturized finish.

Coat of arms of Andrea Tamburelli Lanzara di Pietragavina, Marquis of Prato di Arnesano, painted by me. The design of this coat of arms is based on the coat of arms of Andrea Tamburelli Lanzara di Pietragavina, combined with a enté en point corresponding to the Marquis Prato di Arnesano. This way of combining them was an idea jointly developed by Andrea Tamburelli Lanzara di Pietragavina and myself.

Blazon keywords: Or, Azure, Sable, Argent, One, Three, Party per pale, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Lion, Rampant, Grasping, Spear, Point upwards, Enté en point, Pale and Vair.

Style keywords: Outlined in sable, Illuminated, Ogee and Cousu.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Tamburelli Lanzara di Pietragavina, Andrea.

Quarterly: 1 Gules, a chevron Argent, between three fleurs de lis Or; 2 Or, five mullets in saltire Gules; 3 Argent, four escutcheons in cross Azure, each charged with nine plates, those in flank with points to center, overall a carbuncle and orle of knotted cords Purpure debruised by the center escutcheon; 4 Sable, on a mount issuant from the base Vert, a tower Argent, port, windows and masoned sable, between two wolves Or supporting it; enté en point Or, three bars wavy Gules. Crest: a crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

Blazon keywords: Or, Gules, Argent, Azure, Purpure, Sable, Vert, One, Two, Three, Four, Five, Nine, Quarterly, Chevron, Between, Fleur de lis, Mullet, In saltire, Escutcheon, In cross, Charged, Plate, In each flank, Center, Overall, Carbuncle, Orle, Knotted, Cord, Debruised, Mount, Issuant, Base, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Bar, Wavy, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Surrounded and Collar.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Frazão Coutinho Dias, Hugo.

Or, a wolf passant Gules; on a chief Gules, three bells Or.

The coat of arms of Jean-Christophe Loubet del Bayle. The image combines a photograph of a drawing of a wolf passant along with his coat of arms, both painted by me.

Blazon keywords: Or, Gules, One, Three, Wolf, Passant, Chief and Bell.

Style keywords: Outlined, Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Loubet del Bayle, Jean-Christophe.

Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet».

The arms of Darryn Carlo and Roberto Luchoro have been featured on page 2 of Ireland's Genealogical Gazette, volume 19, number 4, registered in the Armorial Register, registration 0693, volume 4, included in the Commoners' Roll of Arms, registration 407, and emblazoned by me.

Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Boa and Collage.

Bearer: Luchoro and Darryn Carlo, Roberto.

[Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent]; [Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules]; [Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced]; [Azure, a sun in splendour, irradiated of sixteen ears of wheat Or]; [Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent]; [Or, four bell towers issuant from base Gules, windows Or]; [Or, a sun in splendour party per pale Azure and Argent, its rays Azure; a bordure Azure]; [Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable]; [Argent, a multi-rose, which is a rose charged with ten roses conjoined in orle Rose, barbed Vert, seeded Or; a bordure Azure]; and [Or, an eagle displayed Azure].

Poster with the coats of arms of the members of the Lanzagorta Otxoa family, from Jalisco, Mexico, all designed by their bearers and by Juan Lanzagorta Vallín and emblazoned and signed by me, exhibited at the 5^th International Congress of Genealogy and Heraldry (5^th ICGHV), Vilnius. The 5^th ICGHV was held at the historic National Museum - Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas. This family armorial composition presents ten personal coats of arms, each one created for a specific member of the family, while preserving a shared visual and heraldic language. The arms are those of Iker Lanzagorta Ochoa, Teresa Otxoa Magaña, Ixai Lanzagorta Ochoa, María de los Ángeles Carrillo Padilla, Itziar Lanzagorta Ochoa, Alejandra Espeja Amieva, the youngest granddaughter of Jon Lanzagorta Vallín, Juan Lanzagorta Vallín himself, the eldest granddaughter of Jon Lanzagorta Vallín, and Andrés Cruz Carballo.

Blazon keywords: Vert, Argent, Or, One, Two, Azure, Sable, Gules, Sixteen, Four, Rose, Ten, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief, Adze, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed, Udder, Chevron, Ouroboros, Langued, Interlaced, Sun in splendour, Irradiated, Ear of wheat, Wheat, Semé, Mullet, Voided, Conjoined, Bell tower, Issuant from base, Port and windows, Party per pale, Ray of the sun, Bordure, Masoned, Wolf, Combatant, Charged, In orle, Barbed, Seeded, Eagle and Displayed.

Style keywords: Outlined in sable, Plain tincture, Semi-circular, Oval, Ogee, Rhombus and Rounded trapezoid.

Classification: Personal, Interpreted, Boa and Photographic.

Bearer: Lanzagorta Vallín, Juan.

Or, a eagle displayed Sable.

Arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.

Coat of arms of the Arrano Beltza, the black eagle, emblazoned by me. Historically, it is associated with the Kingdom of Navarre and its king, Sancho VII the Strong, 1154-1234, although there is no definitive documentary evidence that it was used as an official coat of arms.

Blazon keywords: Or, Sable, One, Eagle and Displayed.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Arrano Beltza.

Kingdom of Sweden.

Gules, a grenade Or.

Escudo de gules, una bomba de oro.

Illuminated with lights and shadows and with a iridescent and metallic finish.

Blazon keywords: Without divisions, Gules, One, Grenade and Or.

Style keywords: Metal beaten, Iridescent (nacar), Outlined in sable, Illuminated and Pointed.

Classification: Interpreted, Military and Kingdom of Sweden.

Bearer: Artillery Combat School of the Swedish Army.

Gules, three lozenges Or.

Escudo de gules, tres losanjes de oro.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.

Coat of arms of the lineages Asuncion and de la Asuncion emblazoned by me.

Blazon keywords: Gules, Or, Three and Lozenge.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Asuncion and de la Asuncion, lineages.

Blazon of the Avelar lineage of Portugal.

Or, three bars Gules charged each one with three mullets of six points Argent.

Illuminated and a freehand finishing.

It can be found at [Cró, J. do; 1509; page 127].

Blazon keywords: Without divisions, Or, Three, Fess, Gules, Charged, Mullet and Argent.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of Portugal.

Of the twelve lineages of Noblemen, they are the third great and ancient barony, where the first King of Aragon had his mother; they make a shield of Or without any mixture of colour or device, but a field of gold as painted in this shield.

Or.

Escudo de oro.

A coat of arms that leaves little room for interpretation, which I have recreated with: a semicircular (round) base; the field in flat Or; and finished in highly-hammered metal.

Based on the third coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Aybar» it can also be consulted in [Vega, P. J. de; 1702; folio 3 of the manuscript].

Blazon keywords: Without divisions and Or.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Aybar of Navarre.

This video shows the ideation of this coat of arms step by step, its field, chief cousu, figures, motto and it supporter. The music is «Sonata No. 8 in G major – 1. Allegro» of Ludwig van Beethoven interpreted by Paul Rosenthal, violin, and Edward Auer, piano, available under an «Open Audio License».

Credits:

• Paul Rosenthal violin performance.
• Edward Auer piano performance.

Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Vert, Tree, Erased, Supporter (thing), Supporter, Motto and Scroll.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Video, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

An annulet flory Or debruised by a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules.

Heraldic device emblazoned by me, illuminated with lights and shadows, outlined in Sable, and with a leather finishing.

The heraldic badge of Randy David Lee Xavier Potts emblazoned by me.

Blazon keywords: Azure, Argent, Or, Gules, One, Annulet, Flory, Debruised, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered and Langued.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Potts, Randy David Lee Xavier.

A mermaid proper, holding in her dexter a sword Argent, hilted Or, and in her sinister a comb Or.

Heraldic device designed by me, highlighted with lights and shadows, contoured in Sable, and with a rough finishing.

The heraldic badge of The Knights of Cristina designed under her directions and emblazoned by me.

Blazon keywords: Argent, Or, One, Mermaid, Proper, Grasping, Dexter, Sword, Hilted, Sinister and Comb.

Style keywords: Outlined in sable, Illuminated and Rough.

Classification: Imaginary, Created, Boa and Badge.

Imaginary bearer: Cristina, The Knights of.

Quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 chequey Or and Sable.

Escudo cuartelado en sotuer: 1^o y 4^o de oro, cuatro palos de gules; 2^o y 3^o ajedrezado de oro y sable.

Arms interpreted with: a lozenge-shaped shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.

Balaguer is the capital of the comarca of La Noguera in the province of Lleida. It was the capital of the county of Urgell under Ponce I of Urgell.

The quartering per saltire, which could also be called quartered in cross, is defined in English as «per saltire», [The Heraldry Society; 2013; page 8].

This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 15].

Blazon keywords: Quarterly per saltire, Pale, Chequey, Or, Gules and Sable.

Style keywords: Tiled, Plain tincture and Hard metal.

Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.

Bearer: Balaguer, municipality of.

Gules, an eagle displayed Or.

Escudo de gules, un águila de oro.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.

Blazon keywords: Gules, Or, One, Eagle and Displayed.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Baldovino from Venecia, lineage.

Banner Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Pendón cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Banner interpreted by me as follows: a rectangle with proportions between its width and height of 5x6; the field is illuminated in flat tinctures Gules and Argent; the two castles and the two lions are illuminated; the lion and its crown are outlined in the colour of the field; the castle is masoned in Sable; and the whole has a parchment-like finish.

In the armorial for the coronation of [Edward IV of England; 1461; column 2, row 25] a banner of these characteristics can be found, the reason for which was Edward IV’s aspiration to this kingdom, an aspiration inherited from his predecessors.

This armorial was produced by different artists, and the one who was assigned to paint the banner of Castile and León seems to have depicted the lions in gold, although this gold is not as yellow as that which colours the castles, whose castles have two very small windows and a door Azure. Because of this difference in shade between lions and castles, one might consider the hypothesis of a degradation of an original purple tincture into an ochre hue.

At the beginning of the armorial these lions also appear in an equestrian representation of Edward IV, where a pinkish tone could recall an original purple and, therefore, support the hypothesis of such degradation.

Finally, there is a third appearance of these lions in another banner combining the arms of Castile and León with those of England, where the colour of the lions more closely resembles that of the banner than that of the equestrian representation.

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.

Style keywords: Illuminated, Rectangular and Old parchment.

Classification: Interpreted, Civic, Flag, Banner of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castile and León.

Gules, on a trimount issuant from the base Argent a bighorn sheep salient Or, horned Argent.

The coat of arms of the Barrio Alto of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. This image combines a photograph of my hand-drawn bighorn sheep salient with the corresponding heraldic arms, all designed, drawn, and painted by me.

Blazon keywords: Gules, Or, Argent, One, On, Trimount, Issuant from base, Bighorn sheep, Salient and Horned.

Style keywords: Outlined in sable, Illuminated and Chasuble.

Classification: Civic, Created, Boa, Hand-drawn, Collage and Photographic.

Bearer: Barrio Alto of Mon'Tarena.

Of the twelve lineages of Noblemen, it is the fourth, and they bear as arms a chessboard, that is, a field chequy Argent and Sable, which is black, in the same form and design as this shield is now painted.

Chequey Argent and Sable.

Escudo ajedrezado de plata y sable.

Coat of arms recreated with: a semicircular (round) base; the field in flat Argent; the chequy or checky pattern illuminated in Sable; and finished in highly-hammered metal.

Coat of arms based on the fourth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613], but, unlike the original, adjusting the height of each square to its width so that they are perfect squares, since in Juan del Bosque’s version—actually in its copy, because the original was stolen—they appear somewhat narrow and elongated. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Baztan» it can also be consulted in [Vega, P. J. de; 1702; folio 4 of the manuscript], although in this case the numbering is not clearly legible; it is the folio following 3, preceding the one also numbered 4 but marked with a letter B, which in turn is followed by folio 6, the number 5 being missing — though not folio 5, which would be 4B.

Baztanes and the Valley of Baztan are mentioned in [Garaycoa Raffo, L.; 2011; pages 8, 29, 30, 33, 37, and 38].

The geometric construction of this coat of arms can be found in [Messía de la Cerda y Pita, L.; 1990; page 108].

Blazon keywords: Without divisions, Or, Chequey and Sable.

Style keywords: Semi-circular, Illuminated and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Baztanes of Navarre.

Or, an eagle displayed Sable.

Escudo de oro, un águila de sable.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the Queen Beatrice of Swabia, 1205–1235, baptized as Elisabeth, wife of King Ferdinand III of Castile, 1199–1252. The eagle Sable on an Or field is a distinctive symbol of the Holy Roman Empire. This coat of arms has been emblazoned by me.

Blazon keywords: Or, Sable, One and Eagle.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Beatrice of Swabia.

Gyronny Azure and Argent, a Sun in splendour between three Ancient coronets Or.

Illuminated and metal finishing.

Blazon keywords: Gyronny, Azure, Argent, Sun in splendour, Between, Three, Ancient coronet, Crown and Or.

Style keywords: Metal beaten, Outlined in sable and Illuminated.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bedgood, Alvin J..

Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged.

Escudo partido de azur y oro, un árbol arrancado y deshojado del uno al otro acompañado de dos estorninos afrontados del uno en el otro.

Coat of arms emblazoned by me with a ogee ended shape, illuminated, and with a leather finishing.

The Spanish blazon uses the unique term «afrontados» when 2 animals are facing each other looking at each other and in English 2 different heraldic terms are used:

• «combatant» for lions, heraldic beasts, animals of prey and goats, and
• «respectant» for less aggressive animals like fish or birds, for example, the starlings of this coat of arms.

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Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant and Counterchanged (side-by-side).

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bendel, Nathaniel.

247^th Pope of the Church, from 1740 to 1758. «Benedictus XIV», named Prospero Lorenzo Lambertini, born in Bologna.

Or, three pallets Gules.

Escudo de oro, tres palos de gules.

Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the pales outlined in Sable and illuminated in Gules enamel; and the whole with a raised stroke finish.

Blazon keywords: Without divisions, Or, Three, Pale and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Benedict XIV.

Quarterly: 1 and 4 Gules, a fess Azure; 2 and 3 Or, a fess dancetty Argent.

Escudo cuartelado: 1^o y 4^o de gules, una faja de azur; 2^o y 3^o de oro, una faja encajada de plata.

Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems watercolor.

According to the armiger «the origin of this coat of arms is from Austria and hence the unusual combination of colors and metals».

Blazon keywords: Quarterly, Gules, One, Fess, Azure, Or, Dancetty and Argent.

Style keywords: Colour on colour, Metal on metal, Semi-circular, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Beninger, Manuel.

Born in 1179 in Segovia and died on November 8, 1246 in the Monastery of Las Huelgas in Burgos.

Gules, a castle triple towered Or, port and windows Azure, masoned Sable.

Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.

Arms of the Queen of Castile, as interpreted by me: the shape of the shield is rounded; the field and the castle have been enamelled and illuminated; and the whole composition features a watercolor finish.

Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.

Bearer: Berenguela of Castile.

Party per pale Or and Gules.

Arms painted by me, in plain tinctures, outlined in Sable, with an ogee external shape and with a texturized finish.

The coat of arms of the city of Bergamo, Lombardy, emblazoned by me.

Blazon keywords: Or, Gules and Party per pale.

Style keywords: Outlined in sable, Plain tincture and Ogee.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Bergamo.

Or, a chief Gules.

Escudo de oro, un jefe de gules.

Blazon keywords: Or, Chief and Gules.

Style keywords: Outlined in sable, Semi-circular and Plain tincture.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Tremelay, Bernard de.

Berry of Molland, Devonshire.

Or, three fesses Gules.

Escudo de oro, tres fajas de gules.

It is possible that an English-speaking herald would have blazoned it as «Or, three bars Gules.» using the term «bars» instead of «fesses», just as in Castilian one sometimes uses the term «barras» instead of «palos», perhaps because these terms were not completely settled from the outset.

Blazon keywords: Without divisions, Or, Fess and Gules.

Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Berry of Molland.

Blazon equivalent to: Clement V.

Barry of four per pale counterchanged Or and Gules.

Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.

Style keywords: Outlined in sable, Semi-circular, Tricking, Hatching and Plain tincture.

Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.

Bearer: Blanchefort, Bertrand de.

Quarterly: 1 Azure, a lion rampant Or; 2 Argent, a falcon rising, grasping in its paws a serpent Sable; 3 Or, a tower Azure, port, windows, and masoned Sable; 4 Gules, a fox passant Or; a chief Gules semé of mullets Argent.

Escudo cuartelado: 1^o de azur, un león rampante de oro; 2^o de plata, un halcón azorado, teniendo en sus garras una sierpe ambos de sable; 3^o de oro, una torre de azur, aclarada y mazonada de sable; 4^o de gules, un zorro pasante de oro; un jefe de gules sembrado de estrellas de cinco puntas de plata.

Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems watercolor.

Blazon keywords: Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five and Base (lower 1/3).

Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bessières, Jean-Baptiste.

Nine of my interpretations of the coat of arms of His Majesty King Felipe VI of Spain, together with three constructive diagrams illustrating my execution of this coat of arms, were documented, edited, and printed in book form. Two unique copies were hand-bound in leather, with the cover engraved with this coat of arms. One of them was delivered to the Household of His Majesty, and I received a letter conveying His Majesty the King’s gratitude for my heraldic interpretation of his coat of arms based on the golden ratio.

Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Surrounded and Collar.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Kingdom of Spain, De bibliotheca, In color, Castilian language, Interpreted, Schema, Boa, Collage and Photographic.

Bearer: Felipe VI of Spain.

From 1992 to 1998

Azure, a bendlet Argent between six fleurs de lis Or.

Illuminated with lights and shadows and with a metallic and iridescent finish.

Coat of arms of Stephen Tvrtko I (circa 1338-1391) of the House of Kotromanic and 1^st King of Bosnia and it was also the coat of arms of Bosnia and Herzegovina from 1992 to 1998.

The bendlet is a diminutive of the bend. It is a diminished bend, narrower, and typically reduced to 1/2 (as in this case) or to 1/3 of the width of a normal bend. This piece is called «cotiza» in Castilian, «cotice» in French, and «cotissa» in Italian. Remember that the width of the bend is usually 1/3 of the width of the coat of arms, therefore the width of the bendlet is between 1/3 * 1/2 = 1/6 and 1/3 * 1/3 = 1/9 of the width of the coat of arm.

Stephen Tvrtko I of Bosnia, from the House of Kotromanic, was a vassal of Louis I of Hungary. Louis I or Louis of Anjou, known as «the Great», from the Royal House of Anjou-Sicily, of the Capetian Dynasty, hence his coat of arms's 2^nd quarter is seeded with fleur de lis, a feature also present in his father Charles I's arms, known as Charles Robert or Caroberto of Anjou. The Kotromanic family had in their coat of arms fleur de lis Or on a Azure field as a symbol of subordination to the Hungarian royal family.

Blazon keywords: Azure, One, Bendlet, Argent, Six, Fleur de lis and Or.

Style keywords: Metal beaten, Iridescent, Outlined in sable, Illuminated and Pointed.

Classification: Civic, Interpreted and Coat of arms.

Bearer: Bosnia and Herzegovina.

Juan del Bosque, «Libro de Armería del Reino de Navarra», which is currently missing and whose subsequent copy, commissioned in 1572, is kept in the Royal and General Archive of Navarre, estimated year of creation 1540.

The origin of this armorial dates back to 1527, when the Navarrese Courts requested that the Royal Council and the Chamber of Comptos ~ Chamber of Accounts and Fiscal Control, record in a book the coats of arms of the kingdom of Navarre starting with that of the king of Navarre and the houses and lineages of the so-called «ricoshombres», Almorrabides, Guebara, Aybar, Baztanes, Urroz, Lete, Subiça, Rada, Vidaurre, Qasqante, Monteagudo, and Mauleón, also including the coats of arms of other manors, houses, valleys, towns, and nobles [Valverde Ogallar, P. B.; 2001; page 326].

According to [Martinena Ruiz, J. J.; 1982; page 35] the book was compiled around the year 1540, and this is the date I use for referencing this armorial.

This first manuscript created by Juan del Bosque was taken by the royal visitor Hernán Suárez de Toledo, under the pretext of taking it to Emperor Charles V, despite being requested back by the Navarrese Courts, it was never returned and was definitively lost. The armorial that has come down to us is a recreation commissioned in 1572 [Valverde Ogallar, P. B.; 2001; page 327].

According to [Menéndez Pidal de Navascués, F.; 1974; page 19] the recreation of this armorial was carried out based on certifications, such as those from the herald Azcárraga, and notes and partial copies of the stolen book, like the copy kept in the monastery of Leyre.

Another noteworthy bibliographic reference about this armorial, in addition to those previously mentioned, is [Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001].

The image illustrating this bibliographic reference is the coat of arms of the king of Navarre, which I recreated based on the illustration in this armorial, on its first folio according to the numbering given to it in 1613.

Bibliographical reference of century XVI.

Author: Bosque, Juan del.

Bibliographic reference mentioned in the following articles:

• Almorrabides of Navarre
• Aybar of Navarre
• Baztanes of Navarre
• Guebara of Navarre
• Lete of Navarre
• Martinena Ruiz, J. J.; 1982
• Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001
• Mauleón of Navarre
• Menéndez Pidal de Navascués, F.; 1974
• Menéndez Pidal de Navascués, F.; 1985
• Menéndez Pidal de Navascués, F.; Martínez de Aguirre, J.; 2000
• Monteagudo of Navarra
• Navarra, closed carbuncle
• Navarre
• Noblemen of Navarre
• Qasqante of Navarre
• Rada of Navarre
• Subiça of Navarre
• Urroz of Navarre
• Vidaurre of Navarre

Azure, a bend between six covered cups Or.

Escudo de azur, una banda acompañada de seis copas todo de oro.

Illuminated with lights and shadows and with a freehand finish.

Around 1155, Beatrix de Villers married Richard le Boteler Pincerna, who became the 4^th Baron of Warrington. The heir of Beatrix and Richard took the surname «le Boteler» and ruled the Warrington region, bearing arms Azure, a bend between six covered cups Or.

In Castilian, a «copa» has a lid and is referred to as a «covered cup» in English. When it doesn't have a lid, it's called a «cup» in English and a «cáliz» or «copón» in Castilian, the latter being a less preferred term for me. In English, the term «chalice» is also used, especially if it's adorned with gemstones, although that's more of an artistic license.

Naipes Heraclio Fournier is a renowned Spanish playing card manufacturer based in Villareal de Álava. The countless hours I have spent holding its cards in my hands are incalculable, whether playing with friends, opponents, or performing magic tricks. Its influence on my heraldic artwork is significant. For instance, in this covered cup.

The following image shows my covered cup and my two interpretations of his arms: 1) the most commonly viewed, and 2) my alternative layout.

Blazon keywords: Without divisions, Azure, One, Bend, Between, Six, Covered cup and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted and Kingdom of England.

Bearer: Boteler of Warrington.

Azure, three annulets interlaced Or.

Illuminated, with a watercolor finishing and with a pointed shape.

You can found it at [Avilés, J.; 1725a; page 76 and illustration 177]], and at [Avilés, J.; 1780a; page 85 and illustration 177]].

Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.

Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.

Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.

Azure, three annulets interlaced Or.

Escudo de azur, tres anilletes entrelazados de oro.

Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.

Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.

Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.

Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.

Barry wavy Argent and Azure; on a chief wavy Murrey, three sea-lions sejant-erect in fess Or.

G0144, Chief Herald of Arms of Malta's grant of the coat of arms of Brian Andrew Beck, USA. The photograph shows my hand-drawn study of the sea-lion sejant-erect. The visible drawing corresponds to the final version, while a first earlier version can be seen beneath it through the translucent paper. This reflects my usual working method: I draw directly in ink, without a preliminary pencil sketch, using long continuous strokes and lifting the pen as little as possible. I work on successive sheets of tracing paper, one laid over another, refining the drawing from one version to the next until I reach a result that satisfies me. The first attempt is rarely successful; the stronger drawings usually emerge in the second or third version, sometimes the fourth, and occasionally after more iterations.

Blazon keywords: Argent, Azure, Murrey, Or, Three, Barry, Wavy, Chief, Sea-lion, Sejant-erect and In fess.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Beck, Brian Andrew.

Party per chevron Gules and Argent, two acorns slipped Or and in base a fleur de lis Azure.

Escudo de gules, mantelado en punta de plata, en jefe dos bellotas talladas y hojadas de oro y en punta una flor de lis de azur.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a double pointed outer contour and with a leather finishing.

Blazon keywords: Gules, Or, Argent, Azure, Two, One, Party per chevron, Acorn, Slipped, Base and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Double pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Brim-DeForest, Brady.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.

Escudo cuartelado: 1^o y 4^o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2^o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3^o de azur, un arpa de oro cordada de plata.

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

These are arms of the British Monarchy emblazoned by me.

Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: British Monarchy.

Quarterly Or and Argent, overall a cross Gules, cantoned by: in 1 and 4, a lion rampant Gules, armed and langued Azure; in 2 and 3, a black grouse perched proper.

Escudo cuartelado de oro y plata; brochante sobre la partición, una cruz plena de gules cantonada: en 1^o y 4^o, de un león rampante de gules, armado y lampasado de azur; en 2^o y 3^o, de un gallo lira posado al natural.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a watercolor finish.

Coat of arms of Albert de Bruijn emblazoned by me. Note that the black grouse in this coat of arms is characterized by two tail feathers recalling a lyre; the term in heraldry «moorcock» denotes a heraldic black grouse, a conceptual representation, sometimes depicted with the tail formed by two pointed feathers; finally, the capercaillie is larger and its tail is less distinctive; in this case, it is a black grouse proper.

Blazon keywords: Or, Argent, Gules, Azure, One, Quarterly, Overall (line of division), Cross, Cantoned, Lion, Rampant, Armed, Langued, Black grouse, Perched and Proper.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Bruijn, Albert de.

Or, on a pile issuant from the base Gules a sword point upwards Argent.

Escudo de oro, una pira de gules cargada de una espada alzada de plata.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].

Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Burr, lineage.

Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1^o de azur sembrado de flores de lis de oro; 2^o y 3^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Personal, Army and Navy and Kingdom of France.

Bearer: Cerda, Carlos de la.

A Castle Or, triple towered, embattled, port and windows Azure, and masoned Sable.

Un castillo de oro, aclarado de azur, mazonado de sable.

Some of the characteristics of the Castilian castle are specified in the coat of arms in English, for example, «triple towered, embattled», but they are omitted in the Spanish blason, because the Spanish blason considered that the Castilian castle can not be otherwise. These local characteristics, that decades ago were not necessary to specify, could begin to have to be in this global and interconnected heraldic world. [Valero de Bernabé, L.; 2009a] describe the different characteristics between the Castilian, the French, and the English castles among others.

Blazon keywords: Castle, Or, Port and windows, Azure, Masoned and Sable.

Style keywords: Freehand.

Classification: Schema.

Key Characteristics in Castilian Heraldry

Some of the main characteristics of the heraldry of Castile are:

• the rounded shapes, with a semicircle at the base,
• the importance of bordures,
• the inclusion of words and also letters in the coat of arms,
• the 2^nd most common animal, after the lion, is the wolf [Valero de Bernabé, L.; 2010], and, of course,
• our castle triple-towered Or, port and windows Azure, masoned Sable [Valero de Bernabé, L.; 2009a].

The following image shows 4 examples of coats of arms, each of which has some of these characteristics, including one Castilian castle.

Comparing Castilian and English Heraldry

In the United Kingdom, there are several heraldic traditions, one of them being English heraldry.

In the Kingdom of Spain, there are several heraldic traditions, for example, the Castilian tradition.

In my humble opinion, we should compare at the same level, English heraldry with, for example, Castilian heraldry, but not with all Spanish heraldry. We shouldn't do it for the same reason we don't mix Scottish heraldic tradition with English, as they are so different.

In the case of Castilian heraldry, the 8 main differences with English heraldry are:

• The rounded shapes, with a semicircle at the base.
• The importance of bordures and the existence of the diminished bordure, called in Castilian «filiera».
• The inclusion of words and also letters in the coats of arms.
• The wolf is the 2^nd most common animal, after the lion.
• The castle, triple-towered, which is different from the English and French types of castles.
• We can inherit arms from our mother and/or father; for example, the castle in the 1^st quarter of the coat of arms of Castile and the coat of arms of Spain comes from a mother, Queen Berenguela of Castile, mother of King Fernando III, the Saint.
• There are 3 kinds of supporters with their owns heraldic names: «tenantes», human forms; «soportes», animals; and «sostenes», plants and things.
• Our quarterings do not necessarily mean that the arms are marshalled by inheritance. [Williams, N.; 2017; page 135, paragraph 26.02] describing the arms of Éamon de Valera, 1882-1975, President of Ireland, writes «Those arms are Spanish in appearance. The quartering without functions as a means of marshalling, is distinctively Iberian».

Categories: Criterion, Semi-circular, Bordure, Letter, Lion, Wolf, Castle, Triple-towered, Port and windows, Masoned, Or, Azure, Sable, Diminished bordure, Quarterly, Supporter (human form), Supporter, Supporter (animal) and Supporter (thing).

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent.

Escudo partido: 1^o de Gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o de plata.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.

The coat of arms of Castilla-La Mancha emblazoned by me.

Blazon keywords: Gules, Argent, Or, Azure, Sable, One, Party per pale, Castle, Triple-towered, Port and windows and Masoned.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Castilla-La Mancha.

Personal, governance, military, religious, socioeconomic, and, imaginary heraldry.

Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.

Escudo cuartelado en sotuer: 1^o de púrpura, una corona de oro; 2^o de sinople, una espada alzada de oro; 3^o de azur, un báculo de oro; 4^o de sable, un bezante de oro; un escusón de oro cargado de un corazón de gules; una filiera de plata.

Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a watercolor finish.

Within the article on my approach to heraldic classification, you can find the symbolism contained within this shield and its category within heraldry.

The original shield design, along with many others, is registered in [Salmerón Cabañas, A.; 2015a; page 30].

All colors and metals

The heraldic colors Gules, Azure, Vert, Sable, and Purpure can be divided into two sets:

• the energetic colors Gules, Azure, and Vert, and
• the neutral colors Sable and Purpure.

Therefore, the Sable-Purpure combination is not the most vibrant.

I use both Sable and Purpure in this design because it incorporates all five colors and both metals, Or and Argent, representing different heraldic disciplines. Note that I have placed Purpure and Sable far apart, precisely due to the initial explanation.

Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.

Style keywords: Illuminated, Outlined in sable and Watercolor.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Categories of heraldry.

Argent, three bars Sable; within a bordure countercompony Or and Gules. 2 versions for the same blazon.

Escudo de plata, tres fajas de sable; bordura ajedrezada de oro y gules. 2 versiones para el mismo blasón.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Ancient arms of the lineage Ceballos of Cantabria emblazoned by me.

Blazon keywords: Argent, Sable, Or, Gules, Three, Bar, Bordure and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ceballos of Cantabria, lineage.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or.

Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, where I serve. I interpreted now this coat of arms with a pointed shape. This kind of shape for this coat of arms are not usual.

Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant and Crowned.

Style keywords: Pointed, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.

Bearer: Central Military Region.

Lino Chaparro D'Acosta, «Heráldica de los Apellidos Canarios», foreword by Vicente de Cadenas y Vicent, 2 volumes, Volume I from A to L, 285 surnames, 293 pages, Volume II from M to Z and a heraldic dictionary, 387 surnames, 439 pages, edited by Estudios Tecnicos del Blason, ISBN of the complete work 84-300-2000-4, ISBN of Volume I 84-300-1989-8, ISBN of Volume I II 84-300-418010-8, Las Palmas de Gran Canaria, 1979.

Bibliographical reference of century XX.

Classification: Black and white with color plates and Castilian language.

Author: Chaparro D'Acosta, Lino.

Bibliographical reference mentioned in the following article:

• Lazcano, lineage of the Canary Islands

Motto: Stand and Be Counted

Gules fretty Argent; on a chief wavy Bleu celeste, a rising sun Or.

Escudo de gules fretado de plata; en un jefe ondado de celeste, un sol saliente de oro.

Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a iridescent finishing.

The sun used to be emblazoned with a human face, with its eyes, mouth, and nose, but in all the interpretations that I know of this blazon, the sun appears without a human face.

Schema for the fretty

Blazon keywords: Without divisions, Gules, Fretty, Argent, One, Chief, Wavy, Bleu celeste, Sun, Issuant and Or.

Style keywords: Iridescent, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted.

Bearer: Charles Dunne, Chas.

Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Motto: «Ad rem».

Escudo de sable, un cabrio de plata con tres puntas de lanza de gules; en jefe, dos cabezas de unicornio arrancadas de plata, cabelladas y acornadas de oro, lampasadas de gules; en punta, una pila de oro, saliente del cabrio, cargada de una cabeza de unicornio de sable, lampasada de gules. Lema: «Ad rem».

Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile and Motto.

Style keywords: Outlined in sable, Pointed, Illuminated and Watercolor.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Wright, Charles F. M..

Banner Azure, three fleurs de lis Or.

Pendón de azur, tres flores de lis de oro.

Banner interpreted as follows: rectangular in shape with a 5x6 proportion; the field enamelled in flat Azure; the three fleurs-de-lis illuminated in Or and outlined in Sable; and the whole piece finished with an aged parchment effect.

Starting in 1376, the field sown with fleurs-de-lis was replaced by only three fleurs-de-lis. This change took place during the reign of Charles V of France (1338–1380, King of France from 1364 to 1380).

Edward III Plantagenet (1312–1377, King of England from 1327 to 1377) had incorporated the semé of fleurs-de-lis into his arms as a sign of his claim to the French throne, and Henry IV of England (1367–1413, King of England from 1399 to 1413) again changed the semé into three fleurs-de-lis in his own arms.

These three fleurs-de-lis remained in the royal arms of England until George II (1683–1760, King from 1727 to 1760).

They remained in the royal arms of the French kings until their prohibition during the so-called «Hundred Days», that is, from March 20, 1815, the date of Napoleon’s return to Paris from his exile in Elba, until June 28, 1815, the date of the Second Restoration of Louis XVIII as King of France, when they were reinstated. Finally, after the Revolution of 1830, Louis Philippe I of Orléans decreed their abolition by Order of February 10, 1831.

This banner is a recreation of the one appearing in the armorial [Edward IV of England; 1461; row 23, column 2], although in that armorial the banner seems to be associated with Louis IX of France, perhaps because of the prestige of the saintly King of France, whose arms bore a semé of fleurs-de-lis rather than three.

Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.

Style keywords: Rectangular, Illuminated, Outlined in sable and Old parchment.

Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of France and House of Valois.

Bearer: Charles V of France.

King of France from 1429 to 1461.

Azure, three fleurs de lis Or.

Escudo de azur, tres flores de lis de oro.

Coat of arms interpreted with: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a mother-of-pearl effect.

This coat of arms is based on the one appearing in the armorial [Ingeram, H.; 1459; page 34, 1^st shield], under the inscription «küng von franckrich» (franckrich ~ Frankreich ~ France).

Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.

Bearer: Charles VII of France.

Chequey.

Chequey Or and Gules.

Escudo ajedrezado de oro y gules.

I have encountered several ways of writing the term «chequey» in English, such as «chequy», removing one «e», or «checky», and even other variants like «checkered», «checkie», «chequered», «cheque», «cheques» or «checquy».

[The Heraldry Society; 2013; pages 8 and 11] uses the term «chequey», and that is the one I strive to use.

Categories: Criterion, Tiled, Plain tincture, Hard metal, Chequey, Or and Gules.

Azure, a sword erect Or, between three garbs Or, 2 and 1.

Escudo de azur, una espada alzada de oro, acompañada de tres gavillas de trigo de oro, 2 y 1.

Coat of arms interpreted with: a rounded base; the field illuminated in Azure; the motto and charges illuminated in Or and outlined in Sable; and the whole with a leather texture.

In England, Wales and Ireland, the term «heraldic visitations» ~ «visitas heráldicas» referred to the inspection tours carried out by the officers of the kings of arms, or even by the kings of arms themselves, with the aim of recording and sanctioning the family trees and coats of arms of the nobility, the counties and the bourgeoisie who bore them.

These journeys took place mainly between the year 1530 and the year 1688. The results of these inspections were recorded in books that could be considered a roll or heraldic census of the upper classes. For this reason, and since then, these records have been a valuable source of information for historians, genealogists and heraldists.

• The 1^st in 1533 visited part of the county of Chester, as part of a journey covering other areas. It is a visitation ordered by the king of arms Thomas Benolte (Benalt) and carried out by the herald William Fellow. This visitation is recorded, for example, in the book [Langton, W.; 1876].
• The 2^nd in 1558, the visitation was carried out by the king of arms Lawrence Dalton himself, accompanied by William Colbarne, a pursuivant ~ official of arms.
• The 3^rd in 1566, by the herald Robert Glover.
• The 4^th in 1580, by the king of arms William Flower and the herald Robert Glover.
• The 5^th in 1591, visiting Chester, the capital, by Thomas Chaloner. This 5^th visitation and the earlier 1^st, 3^rd, 4^th, but not the 2^nd, are recorded in the book [Rylands, J. P.; 1882] and also in [Goldstraw, M. S. J.; 2013a].
• The 6^th in 1613, carried out by the king of arms himself Sir Richard Saint George accompanied by his son and pursuivant Henry Saint George. This visitation is recorded in the book [Armytage, G. J.; Rylands, J. P.; 1909] and also in [Goldstraw, M. S. J.; 2013b].
• The 7^th and last in 1663 by the king of arms William Dugdale. This visitation is recorded in the book [Adams, A.; 1941].

Blazon keywords: Without divisions, Azure, Or, Sword, Point upwards, Between, Wheat, Garb and Ordered.

Style keywords: Rounded, Illuminated, Outlined in sable and Leather.

Classification: Interpreted, Civic and Cheshire County.

Bearer: Cheshire, County of.

Party per fess: 1 Azure, an acorn leaved and slipped Or, between two ravens addorsed and regardant Argent; 2 Vert, a stag's massacre Or. Crest: Upon a helm lined Purpure with a wreath Or and Azure, a comedy mask bendwise Vert conjoined in fess with a tragedy mask bend sinisterwise Azure. Mantling: Azure doubled Or. Supporters: Upon two bunches of grapes Purpure, leaved Vert, and slipped Or, one on each side, two cats rampant Argent in the dexter and Sable in the sinister.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a watercolor finish.

Blazon keywords: Azure, Or, Argent, Vert, Purpure, Sable, One, Two, Party per fess, Acorn, Leaved, Slipped, Between, Raven, Addorsed, Regardant, Stag's massacre, Crest, Upon (wreath), Helm, Lined, Wreath, Comedy mask, Bendwise, Conjoined in fess, Tragedy mask, Bend sinisterwise, Mantling, Supporter (thing), Supporter, Supporter (animal), Bunch, Grape, Cat, Rampant, Dexter and Sinister.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Edwards, Christopher.

Coat of arms of the city of Almeria, Andalusia, emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. Starting from the section at the dexter chief as number 1, I number the sections of the bordure clockwise. In this particular case, as in others where the number of different charges is an exact divisor of the total number of sections, the numbering coincides even if counted counterclockwise.

Argent, a cross Gules; a bordure compony of fifteen sections: 1, 6, and 11 Argent, a pomegranate seeded, slipped and leaved proper; 2, 7, and 12 Or, an eagle displayed Sable; 3, 8, and 13 Gules, a castle triple-towered Or, port and windows Gules, masoned Sable; 4, 9, and 14 Argent, a lion rampant Gules, crowned Or; 5, 10, and 15 Or, four pallets Gules. Crest: A closed royal crown. Motto: «Muy noble, muy leal y decidida por la libertad» Sable, with initial letters Gules.

Escudo de plata, una cruz de gules; una bordura componada de quince compones: 1o, 6o y 11o de plata, una granada al natural, tajada de gules, tallada y hojada de sinople; 2o, 7o y 12o de oro, un águila de sable; 3o, 8o y 13o de gules, un castillo de oro, aclarado de gules, mazonado de sable; 4o, 9o y 14o de plata, un león rampante de gules, coronado de oro; 5o, 10o y 15o de oro, cuatro palos de gules. Timbrado de una corona real cerrada. Lema: «Muy noble, muy leal y decidida por la libertad» de sable, con letras iniciales de gules.

Blazon keywords: Argent, Gules, Or, Sable, Vert, One, Four, Fifteen, Cross, Bordure, Compony, Pomegranate, Slipped, Leaved, Proper, Eagle, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Closed royal crown, Crown, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.

Classification: Civic, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Almeria, city of.

City of Ceuta, Spain, Africa, with a crown of Marquis

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1. Crest: A crown of Marquis.

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta. Timbrado de una corona de marqués

Illuminated and a leather finishing.

Coat of arms of Ceuta from the coat of arms of Portugal

The Portuguese conquered Ceuta in the year 1415. This event represents an important step in the development of the Portuguese Empire in Africa. Then Ceuta received its arms from those of Portugal but with the castles in another order. In the image, the 1^st coat of arms of Portugal, and the 2^nd coat of arms of Ceuta.

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Spain.

Bearer: Ceuta.

195^th Pope of the Church, from 1305 to 1314. «Clemens V», born Bertrand de Got, born in Villandraut, in the southwest of France, was the first pope to reside in Avignon in a stable manner.

Or, three fesses Gules.

Escudo de oro, tres fajas de gules.

Papal coat of arms interpreted with: a rounded triangular top; the field in plain Or enamel; the bars illuminated in Gules and outlined in Sable; and with a heavily hammered metal finish.

Blazon keywords: Without divisions, Or, Three, Fess and Gules.

Style keywords: Triangular curved, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Religious and Papal States.

Bearer: Clement V.

Blazon equivalent to: Fernández de Córdoba y Carrillo, Diego.

Grandson of Blanche of Castile, 6^th son of Saint Louis IX, founder of the House of Bourbon, husband of Beatrice of Burgundy, Lady of Bourbon.

Azure semé of fleurs de lis Or, a bend Gules.

Escudo de Azur sembrado de flores de lis de oro, banda gules.

Coat of arms that I have interpreted with:: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lys illuminated in Or; the bend illuminated in Gules; the whole is outlined in Sable; and the freehand drawing.

Blazon keywords: Without divisions, Azure, Or, Semé, Fleur de lis, Bend and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Bourbon.

Bearer: Clermont, Robert of.

Quarterly: 1 per pale: 1 Argent, a madrone tree (Arbutus unedo) Vert, fructed Gules; 2 Azure, a tower Argent; 2 Vert, on a wall Or, masoned Sable, by five archers Argent in shooting stance; 3 barry wavy Azure and Argent, three caravels in pale Or, sails and pennons Argent charged with crosses Gules, between two flanches Vert; 4 Azure, a tower Argent, port and windows Azure, masoned Sable, between two lozenges Or, each charged with four pallets Gules, in chief four towers in fess Or, port and windows Gules, masoned Sable. Crest: Upon a helm with a wreath Argent and Vert, a bleeding heart Gules, debruised by a crown of thorns Or, tipped by a flame Or, fimbriated Gules, charged with a Latin cross Azure. Mantling: Vert doubled Argent. Motto: «Pro Deo et Patria». Supporters: Two knights in full plate armor Argent, lined Gules. Suspended from the shield the cross of Knight of the National Monarchist Brotherhood of Spain, the cross of Merit of the Noble Chapter of Ferdinand VI and the insignia of Honorary Lieutenant of the Duke of Braganza Regiment of the Legion of Frontiersmen.

It has been devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a texturized finish.

This photo shows a close-up of a giclée colour test for the coat of arms of Ilmo. Sr. D. Manuel Novo Dabrio, designed by him and me and emblazoned by me. Colour tests are printed at a reduced size to check the colours before the final giclée. They are printed on Hahnemühle Torchon paper, from a mill founded in 1584, 285 gsm, 100% cotton, using natural pigment inks. The final giclée is printed on DIN A3+ paper, slightly larger than DIN A3, sealed, dated, and signed by me.

Blazon keywords: Argent, Vert, Azure, Or, Gules, One, Five, Three, Four, Two, Quarterly, Party per pale, Madrone tree, Tree, Fructed, Tower, Masoned, On, Wall, Archer, In shooting stance, Barry, Wavy, Caravel, Ship, In pale, Sail, Charged, Cross, Between, Flanched, Port and windows, Lozenge, Pallet, Crest, Upon (wreath), Helm, Wreath, Vulned, Heart, Crown of thorns, Crown, Flame, Latin cross, Motto, Supporter (human form), Supporter, Knight, Full plate armor, Lined, Mantling, Doubled, Suspended and Decoration.

Style keywords: Outlined in sable, Illuminated, Diapered, Chinapieria and Ogee.

Classification: Personal, Created, Boa, Giclée, Pennon and Flag.

Bearer: Novo Dabrio, Manuel.

Or, a roe deer springing Gules, in base a triple mount Vert.

Escudo de oro, un corzo brincante de gules, en punta un monte de tres peñas de sinople.

Tongues out

This is a reflection on tongues protruding in animals in heraldry. I will rely on the representations in [Fox-Davies, A. C.; 1909], which include numerous depictions of animals in a wide range of heraldic attitudes.

In heraldry, tigers [Fox-Davies, A. C.; 1909; figures 322–325], lions, wolves, bears, etc., are commonly shown with their tongues out. These are heraldic beasts and carnivores.

However, the fox [Fox-Davies, A. C.; 1909; figures 343–345] is not shown with its tongue out. It is classified as a heraldic beast and is also carnivorous.

The boar is an omnivore, a heraldic beast, and is depicted with its tongue out [Fox-Davies, A. C.; 1909; figures 353–358].

From this, it’s clear that having the tongue out is not uniformly associated with being a heraldic beast or being carnivorous.

On the other hand, [Fox-Davies, A. C.; 1909; figures 446–449] classifies eagles as birds, not beasts. They are carnivorous and shown with their tongues out.

Dolphins, which are carnivorous fish, are also depicted with tongues protruding [Fox-Davies, A. C.; 1909; figures 479–480].

Some heraldists claim that herbivores are never shown with their tongues out.

But donkeys, mules, and especially horses —all herbivores— can indeed be shown with tongues out. For example, [Fox-Davies, A. C.; 1909; figures 360 and 362] depict horses with tongues out, though figure 361, where the horse is running, does not. In no case are horses classified as heraldic beasts.

[Fox-Davies, A. C.; 1909; figures 368 and 370] show the talbot, the mythical heraldic dog, with its tongue out when rampant or passant, but not when standing or seated. This might suggest that a protruding tongue is related to dynamic postures. However, we saw in the previous paragraph that a running horse isn’t necessarily drawn that way.

The bull [Fox-Davies, A. C.; 1909; figures 375–376] is not depicted with its tongue out. Nevertheless, I do paint bulls with tongues protruding. And although bulls are herbivores, I defend the heraldic bull as one of the most beastly figures in heraldry.

Stags never appear with tongues out in any of their postures [Fox-Davies, A. C.; 1909; figures 379–386], nor do other cervids [Fox-Davies, A. C.; 1909; figures 387–390] as the roe deer of this coat of arms.

Rams, sheep, lambs, and goats also do not [Fox-Davies, A. C.; 1909; figures 395–403].

The badger, like the fox, is carnivorous [Fox-Davies, A. C.; 1909; figure 409], yet also lacks a protruding tongue.

In conclusion, a protruding tongue cannot be consistently associated with heraldic beasts or carnivores. Nor can the absence of a tongue be linked solely to herbivores or to peaceful postures. For instance, lions are always shown with tongues out, even in their calmest attitudes [Fox-Davies, A. C.; 1909; figures 304–309].

Ultimately, it is up to the heraldic artist to decide whether to depict the tongue, depending on what they want to express. Greater aggression, motion, or liveliness may justify a protruding tongue. As a symbol of liveliness and agility, in this case, but perhaps not in others, I paint this roe deer with its tongue hanging out.

Credits:

• Stephan Urs Breu is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount and Vert.

Style keywords: Outlined in sable, Semi-circular and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Rehberger, Alena.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper. Motto above the arms: «Del Fabbro Universidad» Gules.

Coat of arms of Del Fabbro Universidad designed and emblazoned by me. It has now been faithfully executed and placed on the walls of its century-old building (190 × 160 cm), reproducing with precision the original design as I painted it.

Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed, Proper, Motto (identification) and Above the shield.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Socioeconomic, Created, Boa, Collage and Photographic.

Bearer: Del Fabbro Universidad.

Or, a double rose Gules and Argent, barbed Vert, and seeded Or within six fleurs de lis in orle, five Gules and one in chief Azure.

Escudo de oro, una rosa doble de gules y plata, barbada de sinople y botonada de oro, rodeada de seis flores de lis en orla, cinco de gules y una de azur en jefe.

Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, Double rose, Gules, Argent, Barbed, Vert, Seeded, Six, Fleur de lis, Orle, Five, One, Azure and In chief.

Style keywords: Semi-circular, Iridescent, Outlined in sable and Illuminated.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Yñigo-Genio, Noelia.

Party per bend sinister Or and Gules, a clenched gauntlet Sable.

Escudo tajado de oro y gules; brochante sobre la partición un guantelete de sable, puesto en palo.

Blazon keywords: Party per bend sinister, Or, Gules, Surmounted, Gauntlet, Sable and Palewise.

Style keywords: Pointed, Outlined in sable and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Wilkins, Tim.

Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.

The Commoners' Certification of Arms for Bradlee Tatym LaRue Botkin with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Botkin, Bradlee Tatym LaRue.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.

The Commoners' Certification of Arms for Easton Michael Jones with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Jones, Easton Michael.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a crescent Gules.

The Commoners' Certification of Arms for Hudson Hayes Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Lasco, Hudson Hayes.

Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or. Crest: A ribbon Azure doubled Argent.

The Commoners’ Certification of Arms for Kimberley Ann Potts of Stountenburg, a heraldic heiress, with her arms emblazoned by me.

Blazon keywords: Gules, Argent, Or, Azure, Six, One, Fleur de lis, In chief, Between, In fess, In base, Bordure, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Potts, Kimberley Ann.

Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure. Crest: Upon a helm with a wreath Or and Azure, a cross of Lorraine patty Or. Mantling: Azure doubled Or. Motto: «Marche dans ta voie avec Dieu».

This is the Commoners' Certification of Arms of Dr. Jacques William Normand Delfin, his arms have been designed by him and me, and emblazoned by me.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise, Upon (wreath), Helm, Wreath, Cross of Lorraine, Patriarchal cross, Cross couped, Patty, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Created, Boa, Certification and Heraldic document.

Bearer: Normand Delfin, Jacques William.

Party per pale: 1 quarterly: 1 Azure, a lion rampant Or, 2 Argent, a falcon rising, grasping in its paws a serpent Sable, 3 Or, a tower Azure, port, windows, and masoned Sable, 4 Gules, a fox passant Or, a chief Gules semé of mullets Argent; 2 Orange, a mullet of six points voided, interlaced Sable.

Escudo partido: 1^o cuartelado: 1^o de azur, un león rampante de oro, 2^o de plata, un halcón azorado, teniendo en sus garras una sierpe ambos de sable, 3^o de oro, una torre de azur, aclarada y mazonada de sable, 4^o de gules, un zorro pasante de oro, un jefe de gules sembrado de estrellas de cinco puntas de plata; 2^o de naranjado, una estrella de seis puntas, hueca y entrelazada de sable.

Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems watercolor.

Blazon keywords: Party per pale, Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five, Base (lower 1/3), Orange, Six, Voided and Interlaced.

Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Correa, Lorena.

Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.

Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Coulot, Fabian.

Argent, in base three bars wavy Azure, overall, an oak eradicated Vert, fructed Or, to its dexter a cauldron suspended from a branch, and in front of its trunk a boar passant Sable. Crest: Upon a helm in profile with visor bars Or, and a wreath Argent and Vert, five ostrich feathers alternately Vert and Argent. Mantling: Vert doubled Argent. Motto: «Fijosdalgo del Solar d'Yraeta» depicted as Sable with initial letters Gules over a scroll Argent.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finish.

Blazon keywords: Azure, Argent, Vert, Or, Sable, Gules, Three, One, In base, Bar, Wavy, Overall, Oak, Tree, Eradicated, Fructed, Dexter, Cauldron, Suspended, Branch, In front (tree), Trunk, Boar, Passant, Crest, Upon (wreath), Helm, Barred, Wreath, Ostrich feathers, Alternately, Mantling, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Idareta Goldaracena, Francisco.

Lozengy Or and Gules.

Escudo losanjado oro y gules.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Lozengy, Or and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Craon, Robert de.

Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.

Escudo partido: 1^o de gules, en punta un castillo de oro, aclarado de azur y mazonado de sable; 2^o de plata, en punta un león rampante de gules, coronado de oro; brochante sobre la partición una letra psi de gules; una filiera de oro.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finishing.

Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, where I was stationed during my military service. These arms were designed by my lieutenant colonel and friend Miguel Angel Nuñez Amador, and in this image, they have been emblazoned by me. The Crepsi was a pioneer in its functions: a) the identification of soldiers at psychological risk, among tens of thousands of soldiers, using advanced information systems, including Artificial Intelligence (an area where I contributed during my service in 1989), and b) the evaluation and individualized attention of soldiers at risk through mobile units. The Crepsi has provided trained personnel and methods that are being used for the psychological care of troops deployed to conflict zones and for the psychological care of civilians in massive humanitarian disasters such as terrorist attacks or plane crashes with hundreds of affected people.

Design rationale

The psi letter of psychology and the arms of the Central Military Region: Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. These two fields, in turn, Gules and Argent, charged with a castle triple-towered and a crowned lion, originate from the Kingdom of Castile and León. The diminished bordure is for difference.

Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Military, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Crepsi.

Azure, issuant from base a frog's head and from flanks its forelegs in chevron Or, in chief a mullet of seven points Argent. Crest: Upon a helm with a wreath Or and Azure, a demi-frog erect Or, grasping with its forelegs an apple and a closed book Azure. Mantling: Azure doubled Or.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Arturo Taborda, Venezuela, emblazoned by me.

Blazon keywords: Azure, Or, Argent, One, Seven, Issuant from base, Frog, Head, Flank, Foreleg, In chevron, In chief, Mullet, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Erect, Grasping, Apple, Closed book, Book, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Taborda, Arturo.

Vert, on three chevrons Or nine oak leaves Vert, 3, 3, and 3. Crest: Upon a helm with a wreath Or and Vert, a demi-fox guardant, holding in its dexter paw a federschwert bend sinisterwise proper. Mantling: Vert doubled Or.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a rough finish.

Coat of arms of Jason Landers Northam from Illinois, emblazoned by me.

Blazon keywords: Vert, Or, Three, Nine, One, Chevron, Oak, Tree, Leaf, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Guardant, Federschwert, Sword, Proper, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Northam, Jason Landers.

Vert, a chevron Argent between three linden sprigs, three-leaved, enarched bend sinisterwise Or. Crest: Upon a tilting helm with a wreath Or and Vert, a blackbird (Turdus merula) proper, armed, membered and beaked Gules, holding in the beak over its back a linden sprig, three-leaved, enarched Or. Mantling: Vert doubled Argent.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a watercolor finish.

Coat of arms of Lukas Podlipny, Slovakia, emblazoned by me. These are canting arms, in Slovak, «lipa» ~ linden tree, and the surname Podlipný would mean «under the linden tree», «pod» ~ under, «lip-» ~ linden, hence the arched linden sprigs in the coat of arms and the blackbird beneath another linden sprig.

Blazon keywords: Vert, Argent, Or, Gules, One, Three, Chevron, Between, Linden, Tree, Sprig, Leaved, Enarched, Bend sinisterwise, Crest, Upon (wreath), Tilting helm, Helm, Wreath, Mantling, Blackbird, Proper, Armed, Membered, Beaked, Grasping and Beak.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lukas Podlipny.

Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or. Crest: Upon a helm issuant from a crown of Noble above the shield a with a wreath Argent and Gules, a Cirneco dell’Etna hound passant proper, gorged of a collar of meanders motifs Azure and Argent. Mantling: Gules doubled Argent.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finishing.

Blazon keywords: Gules, Argent, Or, Azure, One, Two, Three, Fess, Between, In chief, Eight-pointed cross, Cross couped, Mullet, In base, Bendlet, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Dog, Gorged and Mantling.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Bella, Giovanni de.

Or, a peacock’s head erased Azure, beaked Argent, between in dexter an increscent Azure and in sinister a rose Azure, barbed and seeded Argent. Crest: Upon a helm with a wreath Or and Azure, a peacock in his splendour proper. Mantling: Azure doubled Or.

Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.

Blazon keywords: Or, Azure, Argent, One, Peacock, Head, Erased, Beaked, Dexter, Increscent, Sinister, Rose, Barbed, Seeded, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, In his splendour and Mantling.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Hatsis, Mark Antony.

Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or.

Arms devised by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.

Coat of arms of Matthew Nelson designed by him and me and emblazoned by me. Alternative blazon: «Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or».

Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis, Palewise, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Horse, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Nelson, Matthew.

Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox rampant proper, grasping dexter four ears of wheat Or. Mantling: Azure doubled Argent.

Arms designed by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a rough finish.

The coat of arms of the family Milian, created by me following their suggestions.

Blazon keywords: Or, Azure, Argent, One, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar, Wavy, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Ear of wheat, Wheat and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular, Rough and Ratio.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Milian, family.

Sable, a dolphin naiant Or; a chief embattled Vert, fimbriated Or. Crest: Upon a helm, with a wreath Or and Vert, a cornish chough speaking proper, his dexter foot grasping the point of a mullet Gules. Mantling: Vert doubled Or. Motto: «Siempre Adelante».

Blazon keywords: Sable, Dolphin, Naiant, Or, Chief, Embattled, Vert, Fimbriated, Crest and mantling, Helm, Mantling, Wreath, Crest, Speaking, Proper, Grasping, Mullet, Gules and Motto.

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms and Castilian language.

Bearer: Shorey, David Ryan.

Azure, two quills in saltire Argent, in chief an ancient coronet Or. Crest: Upon a wreath Or and Azure, a demi-lynx regardant Or, caped Azure, maintaining in dexter a lantern Azure, enflamed proper.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finishing.

The coat of arms of Dario Postolovski, Macedonia, emblazoned by me. [Cadenas y Vicent, V. de; 2002] states that «capa» is a garment and also a synonym for «cortinado» ~ «chapé», and also defines lantern as a «farol».

Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown, Crest, Upon (wreath), Wreath, Demi, Lynx, Regardant, Caped, Grasping, Dexter, Lantern, Enflamed and Proper.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Postolovski, Dario.

Azure, a saltire Argent between in chief an escallop Or, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure Or. Crest: A ribbon Azure doubled Argent.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finishing.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Escallop, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts, Konstånz Chantal Leóné.

Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper. Crest: Upon a wreath Argent and Azure a demi-unicorn Azure, horned, crined and semé of mullets Or.

Credits:

• SkyL.designer.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout, Proper, Wreath, Crest, Demi, Horned, Crined, Mullet and Or.

Style keywords: Outlined in sable, Pointed, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Sparkles, Marie Unicorn.

Sanguine, a lion rampant, double queued Argent, tufted Or and langued Gules holding in its paws by the bows three keys fesswise bows interlaced wards to dexter facing downwards Or, in chief a mullet of eight points Or; all within a tressure Or. Crest: Upon a wreath Argent and Gules, a griffin segreant Argent langued Gules, beaked, armed, winged and tufted Or, supporting in its talons a rose Or, slipped and leaved proper.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.

Crest and coat of arms of Rick Kasparek emblazoned by me.

Blazon keywords: Sanguine, Argent, Or, Gules, One, Three, Eight, Lion, Rampant, Double queued, Tufted, Langued, Grasping, Paw, Key, Fesswise, Interlaced, In chief, Mullet, Tressure, Crest, Upon (wreath), Wreath, Griffin, Segreant, Beaked, Armed, Winged, Talon, Rose, Slipped, Leaved and Proper.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Kasparek, Rick.

Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable. Crest: Upon a wreath Or and Azure, a raven's head Sable, charged upon the neck with three gouttes, 1 and 2, and holding in its beak an annulet Or.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee triple-pointed external shape and with a leather finishing.

Blazon keywords: Azure, Sable, Or, One, Three, Party per fess, Overall, Four-towered, Castle, Port and windows, Crest, Wreath, Raven, Head, Charged, Neck, Goutte, Grasping, Beak and Annulet.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Rawson, lineage.

Quarterly: 1 Argent, a dolphin haurient Azure; 2 Azure, a sunflower Or; 3 Azure, on a closed book Or a diamond Azure; 4 Argent, a lark Azure. Crest: Upon a helm with a wreath Argent and Azure a quetzal perched in a tree branch proper, leaved Or. Mantling: Azure doubled Argent. Motto: «Luctor et Emergo».

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.

Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond, Lark, Crest, Upon (wreath), Helm, Wreath, Quetzal, Perched, Tree, Branch, Proper, Leaved, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ruiz Porras, Antonio.

Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or. Crest: Upon a helm, with a wreath Or, Azure, Gules, and Vert, a sun in splendour Or. Mantling: Azure, Gules, and Vert doubled Or. Motto: «Allahumma inni as'saluka al Afiyah» Sable over a scroll Argent doubled Or.

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finish.

Coat of arms of Dr. Tariq Abbasi MBE FRSA, United Kingdom, designed by Vittorio Gifra, Italy, and emblazoned by me, Spain.

Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé, Fleur de lis, Crest, Upon (wreath), Helm, Wreath, Sun in splendour, Mantling, Doubled, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Abbasi, Tariq.

Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable. Crest: Upon a helm lined Gules, with a wreath Or and Azure, five ostrich feathers, alternately three Azure and two Or. Mantling: Azure doubled Or. Motto: «Honor et Veritas Semper Prorsus» Sable, with initial letters Gules, over a scroll Argent.

Arms devised by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.

Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Two, Three, Four, Five, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head, Caboshed, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Wreath, Ostrich feathers, Alternately, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Gutiérrez Benítez, Jose Manuel.

Party per fess wavy: 1 Azure, a dolphin naiant; 2 Argent, three escallops Azure. Crest: Upon a helm lined Azure with a wreath Argent and Azure, an owl Tenné, armed, beaked, membered, the eyes, and wearing a necklace with a pendant heart Or, grasping with its dexter foot a bluebonnet proper. Mantling Azure doubled Argent. Motto: «Compasión · Honor · Sabiduría» Azure, over a scroll Argent doubled Azure, fimbriated Or.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.

Design rationale

She is an Associate Professor and Assistant Professor at the University of Houston-Clear Lake. She studied Marine Biology at the University of Puerto Rico, Humacao (1991–1995), and the marine motifs reflect both her academic training and career. The dolphin on the shield refers to her Puerto Rican heritage, her birthplace in Fajardo, and her personal value of honor. At her request, the shield ends in a semi-circular arch, in keeping with Hispanic heraldic tradition. The three escallops symbolize her family and her compassion. She currently resides in Houston, Texas, which is why the owl in her crest holds a bluebonnet (Lupinus texensis), the state flower of Texas since 1901. The owl represents her profession and her wisdom. A small gold heart on the chain pendant indicates her cadency as first daughter.

Blazon keywords: Azure, Argent, One, Three, Or, Party per fess, Wavy, Dolphin, Naiant, Escallop, Crest, Upon (wreath), Helm, Lined, Wreath, Owl, Tenné, Armed, Beaked, Membered, The eyes, Collar, Heart, Grasping, Dexter, Talon, Bluebonnet, Flower, Proper, Mantling, Doubled, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Santiago-Vazquez, Lory.

Paly of six Gules and Argent; overall, a fess Or charged with a lance Gules. Crest: Upon a helm with a wreath Argent and Gules, an arm vambraced, bendwise Argent, grasping, bend sinisterwise, a bow Gules, cord Or, and an arrow point sinister Argent. Mantling: Gules doubled Argent. Motto: «Inter Primos».

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a chasuble outer contour and with a freehand finish.

Blazon keywords: Gules, Argent, Or, Six, One, Paly, Overall, Fess, Charged, Spear, Crest, Upon (wreath), Helm, Lined, Wreath, Arm, Vambraced, Bendwise, Grasping, Bend sinisterwise, Bow, Cord, Arrow, Point sinister, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Chasuble and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lancefield, Rex.

Per fess, the base per pale: 1 Or, an eagle displayed Sable; 2 Gules, a sun in splendour Or; 3 Or, an increscent Gules; all within a bordure Sable, charged with eight fleurs de lis Or. Crest: Upon helm affronty Argent, fimbriated and barred Or, lined Gules, with a wreath Or and Sable, a crown of Duke. Mantling: Sable doubled Or. Motto: «Virtus Nobilitatis Fidelitas» Sable, with initial letters Gules over a scroll Argent.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.

This is his coat of arms Vitéz László Gábor emblazoned by me. Per fess is the horizontal division into two parts, and per pale is the vertical division into two; therefore, per fess and per pale in base means that the shield is first divided horizontally, with the upper part as the first quarter, and the lower part is then divided vertically into two, forming the second and third quarters. The heraldic crescent is a moon with its horns pointing upward (to chief); to distinguish it from the natural crescent moon, in Spanish heraldry it is called «creciente tornado», while in English the equivalent term is increscent. The Castilian «filiera» is a narrow bordure, thinner than the ordinary one; in English it has no specific name and is usually referred to simply as a bordure, or rarely as a diminished bordure or fillet bordure. In the crest, fimbriated and barred Or indicates that the border details and grill-bars of the helm are gold, while lined refers to its interior, here Gules.

Blazon keywords: Or, Sable, Gules, Argent, One, Eight, Party per fess, the base per pale, Eagle, Displayed, Sun in splendour, Increscent, Bordure, Fleur de lis, Crest, Helm, Affronty, Barred, Lined, Wreath, Crown, Mantling, Doubled, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: László Gábor.

A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem

Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Schema.

Party per fess indented perlong Or and Azure overall on a fess Azure a mullet Or; on a chief cousu Or an eagle displayed, a crown Or above. Crest: A crown of Baron. Mantling: Azure doubled Or. Motto: «Virtus Honor Imperium» Sable, with initial letters Gules, over a scroll Argent.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

The ancient arms of the family Tamburelli, Lords of Pietra Gravina, as used by Don Eugenio Ugo Augusto Tamburelli, emblazoned by me. These arms have been requested by Andrea Tamburelli Lanzara di Pietragavina.

Blazon keywords: Or, Azure, Sable, One, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Crest, Crown of Baron and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee, Freehand and Cousu.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Tamburelli, family.

Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or. Crest: A crown of a Baroness of the Serene Princely House of Saint-Marc in the capacity of dynastic heirs of the former Haitian Empire, issuant three ostrich feathers Argent shafted Or.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a corset outer contour and with a watercolor finish.

Coat of arms of Amber Martinez, California, designed by her, improved by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me. The heraldic charge known in English as the «estoile», from the Old French «estoile», modern French «étoile», and in Castilian as the «estrella ondada», is the traditional heraldic representation of a star in English heraldry. It is distinguished by its wavy rays, in contrast to the straight rays of the «mullet» ~ «estrella». The «estoile» is documented from the thirteenth century, when it was often used interchangeably with the «mullet». Over time, however, English heraldry came to distinguish the two charges, the «estoile» becoming the conventional representation of a star with wavy rays, while the «mullet» represented a star with straight rays. Unless otherwise specified in the blazon, the «estoile» ~ «estrella ondada» is traditionally depicted with six wavy points, one point directed to chief, as in the arms shown here, although heraldic practice also admits other numbers of points whenever they are expressly blazoned.

Blazon keywords: Or, Azure, Argent, Four, Two, One, Three, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point, Estoile, Crest, Crown of Baron, Crown, Issuant, Ostrich feathers and Shafted.

Style keywords: Outlined in sable, Illuminated, Corset and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Martinez, Amber.

Quarterly: 1 Or, a lion rampant, facing sinister Sable, armed and langued Gules; 2 and 3 Gules, an anchor proper; 4 Or, a lion rampant Sable, armed and langued Gules; overall, a pile issuant from base Azure charged with a mount proper issuant from water issuant from base Argent, in chief, a mullet of six points Or. Crest: A crown of untitled nobility.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finishing.

Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Six, Quarterly, Lion, Rampant, Facing sinister, Armed, Langued, Anchor, Proper, Overall, Pile issuant from base, Charged, Mount, Issuant, Water, Issuant from base, In chief, Mullet, Crest, Crown of Noble and Crown.

Style keywords: Outlined in sable, Illuminated, Bull's hide and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Stiebel, Amitay Edward von.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent. Crest: A crown proper.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me. Saint Edward Crown, the fundamental piece used in the anointing ceremony of British monarchs, was reconstructed in 1661 after the Restoration. This crown is distinguished by its four depressed or downward-curving arches, three visible, which rise from a circular base decorated with four cross patty, three visible, alternating with four fleurs de lis, two visible. Like the Tudor, its arches, adorned with pearls, converge at the center to support an orb, a cross on a world. The crown's base is lined with ermine, and the cap or inner lining is traditionally represented in Purpure. It is the heaviest piece among the Crown Jewels and its use is reserved exclusively for the culminating moment of the coronation. The main visual difference between Saint Edward Crown and the Tudor Crown lies in their arches: Saint Edward Crown features depressed arches or downward curves, and its inner cap is typically represented in Purpure. Conversely, the Tudor Crown features ascending or semi-circular arches, and its inner cap is colored Gules.

Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp, Stringed, Saint Eduard crown, Closed royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Elizabeth II of the United Kingdom.

Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.

Coat of arms of Marilena Marinanza, Italy, emblazoned by me. These arms have been requested by her husband Andrea Tamburelli Lanzara di Pietragavina.

Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Marinanza, Marilena.

Argent, a bear rampant Sable, langued and armed Gules. Crest: A mural crown with eight vine leaves, five visible, Or.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a rounded trapezoidal outer contour and with a freehand finish.

Blazon keywords: Argent, Sable, Gules, Or, One, Eight, Five, Bear, Rampant, Langued, Armed, Mural crown, Crown, Vine and Leaf.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Berlin.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules; a bordure compony of sixteen sections: eight Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable, eight Or, an eagle displayed Sable. Crest: An open royal crown.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a metal beaten finish.

Coat of arms of the Infanta Berenguela of Castile, 1228–1279, 5^th daughter of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The coat of arms of Infanta Berenguela of Castile, besides being beautiful, has always seemed to me the epitome of the Castilian arms: quartered, bearing Leon and Castile, and surrounded by a bordure compony with castles. This coat of arms has been emblazoned by me.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Sixteen, Eight, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Bordure, Compony, Eagle, Crest, Open royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Berenguela of Castile, Infanta.

Quarterly: 1 and 4 Gules, a hand Carnation, embowed, vambraced and winged Or, holding a sword point upwards Argent, hilted Or; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules. Crest: An open royal crown.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the Infante Manuel of Castile, 1234–1283, 7^th son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me.

Blazon keywords: Gules, Or, Argent, Purpure, One, Quarterly, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards, Hilted, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Manuel of Castile, Infante.

Gules, a lion rampant Or, langued and armed Vert; a bordure Azure charged with six escallops Argent. Crest: A crown.

Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finishing.

Historical origin

The coat of arms of Jean-Philippe Sendat reflects his lineage, tradition, and family symbolism, as described below.

His family coat of arms dates back to 1667 and is associated with the former Barony of Sendat. This coat of arms includes lions quartered in the style of Castile and León, and, as a crest, a lion.

The 6 scallop shells, pilgrim's shells, represent the connection to the Camino de Santiago, as pilgrims were hosted in the family castle.

Count palatine crown

Jean-Philippe Sendat, as a Knight of the Equestrian Order of the Holy Sepulchre of Jerusalem, is granted the privilege of adorning his coat of arms with a Count Palatine crown.

This crown is composed of 4 large pearls, 3 of which are visible, alternated with 4 groups of smaller pearls, of which 2 are visible.

According to the heraldic rules of the order, this crown symbolizes the tradition of Pontifical nobility and spiritual proximity to the Holy See.

Registrations

Since 2020, this coat of arms has been registered in the Armorial of France and Europe, with legal deposit in the National Library of France, under reference 2020-2234.

Since 2022, it has been registered in the Armorial of Spanish Knights and Dames of the Holy Sepulchre, by the King of Arms Luis Valero de Bernabé y Martín de Eugenio, Marquess of Casa Real, Director of the College of Arms of Spain and the Indies, to whom I express my profound respect and gratitude.

Blazon keywords: Gules, Or, Vert, Azure, Argent, One, Six, Lion, Rampant, Langued, Armed, Bordure, Charged, Escallop and Crown.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Sendat, Jean-Philippe.

Party per pale: 1 Argent, an elm eradicated Vert; 2 Gules, a castle with an embattled tower Or. Crest: A crown of Marquis.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a rough finish.

Design rationale

The arms of Castilla-La Mancha and many of its towns are party per pale; the 1^st quarter is a canting elm = olmo = Casas del Olmo; the 2^nd quarter symbolizes that historically, until 1861, this village belonged to Alarcón town whose castle, of Muslim origin, has a single tower; this area was owned for centuries by the Marquis of Villena and hence the crown of Marquis. My heraldic artwork has been supervised by the Casas del Olmo Residents Association.

Blazon keywords: Argent, Vert, Gules, Or, One, Party per pale, Elm, Tree, Eradicated, Castle, Embattled, Tower, Crest, Crown of Marquis and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Rough.

Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Casas del Olmo.

Azure, a terraze in base Or, overall a gazelle springing Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family bendwise.

De azur terrazado de oro, brochante sobre el todo una gacela brincante de plata, acollarada de una cadena extendida hacia la siniestra de oro unida a la cruz de la familia Cruz puesta en banda.

Coat of arms of Rosalía Cruz Carballo designed by Juan Lanzagorta Vallín and refined and emblazoned by me. In heraldry, a gazelle springing represents a broader and more dynamic leap than a gazelle salient, since in the springing attitude none of the hooves touch the ground, whereas in the salient attitude the hind legs, usually held close together, remain grounded while propelling the body upward. The English heraldic term «springing» is commonly used to describe a quadruped depicted in mid-leap, with all four legs clear of the ground, since there is no fully established Castilian translation for this heraldic attitude, I translate it as «brincante». The broad and energetic leap of the gazelle reflects Rosalía’s sporting spirit, vitality, and fondness for running and overcoming obstacles. The gazelle bears around its neck the cross designed by Jon Lanzagorta for his co-father-in-law, Mr. Cruz, her father. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or.

Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Springing, Collared, Chain, Sinister, Conjoined, Cross couped and Bendwise.

Style keywords: Outlined, Outlined in sable and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Cruz Carballo, Rosalia.

Philip Daubeney ~ Philip Daubeny.

Gules, a fess of five fusils Argent, in chief three mullets Or.

Escudo de gules, una faja de cinco fusos de plata, en jefe tres estrellas de oro.

Coat of arms interpreted with: the semicircular base shape; the field illuminated in Gules; the fusils illuminated in metal Argent, outlined in Sable; the fess of 5 fusils; the 3 mullets in chief of 5 points, illuminated in Or and outlined in Sable; and the whole with a raised-stroke effect.

The English term «mullet» used in this blazon refers to a 5-pointed, non-wavy star.

Blazon keywords: Gules, Fusil, Argent, In fess, Mullet, Or and In chief.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Daubeny, Philip.

Azure, fretty raguly Or. Motto: «Melior nullo nullus melior».

Escudo de azur, un fretado ecotado de oro. Lema: «Melior nullo nullus melior».

Coat of arms interpreted with: a semicircular (round) base; the field in plain Azure, watercoloured and shaded by the fretty; the said fretty and its cut branches illuminated in beaten gold metal and outlined in Sable; and the whole mounted on a warm golden chinoiserie.

Vicente Cadenas y Vicent

As can be read at davidwooten.com, the arms of David R. Wooten are certified by protocol 3/1995, folios 149-151, of the Cronista de Armas Vicente Cadenas y Vicent, of Madrid and, therefore, by the Ministry of Justice of the Kingdom of Spain.

The complete blazon, crest included, written by Vicente Cadenas y Vicent for his coat of arms is: «Escudo de azur, una celosía ecotada de oro. Timbrado de un yelmo con bordura, grilletas y clavos de oro, forrado de gules, sumado de un burelete y lambrequines de azur y oro, sumado de una cabeza de sátiro, sanguino, barbado al natural, orejado con alas de murciélago de azur y sumado de una corona de hojas de olivo de sinople» and his motto is «Melior nullo nullus melior».

Chinoiserie

In this article his coat of arms is mounted on a chinoiserie bearing registration number 099 within my catalogue of chinoiseries.

Blazon keywords: Without divisions, Azure, Fretty, Raguly and Or.

Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated, Shaded, Watercolor, Metal beaten and Chinapieria.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Wooten, David Robert.

County of Cheshire, The Vale Royal, 1656.

Sable, a crozier Or, between three garbs Or.

Escudo de sable, un báculo de oro, acompañado de tres gavillas de trigo de oro.

Coat of arms interpreted with: a rounded base; the field illuminated in Sable; the crozier illuminated in Or, facing right on the shield and outlined in Sable; the garbs illuminated in Or and outlined in Sable; and the whole with a leather texture.

A coat of arms recorded in [King, D.; 1656] which in Cheshire Heraldry is blazoned as follows: «Sable a crozier in pale between three garbs Or».

As a curiosity, it can be observed that in [King, D.; 1656] and in Cheshire Heraldry, the croziers ~ báculos are depicted with their head facing left on the shield, whereas, in general, it is more common to represent them facing right; for my interpretation I have chosen this latter arrangement.

Since the three garbs are arranged in the usual heraldic manner, it is possible to omit the expression «2 y 1» or «ordered», though it may also be included to avoid any doubt.

Blazon keywords: Without divisions, Sable, Or, Crozier, Between, Wheat, Garb and Ordered.

Style keywords: Rounded, Illuminated, Outlined in sable and Leather.

Classification: Interpreted, Religious and Cheshire County.

Bearer: Delacres, Abbey of.

Design ideas

The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.

One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.

Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.

Gules, a fess vair between four water-bougets Or, two in chief and two in base.

Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.

Water-bouget

In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».

There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.

In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».

Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Interpreted, Schema and Coat of arms.

Azure, a palm tree eradicated, between in sinister a lion rampant supporting it Or, in dexter three millwheels, 2 and 1, and in chief a crescent Argent. Motto: «Deo gratias».

Escudo de azur, una palmera arrancada, acompañada a la siniestra de un león rampante empinado a ella ambos de oro, a la diestra de tres ruedas de molino, 2 y 1, y en jefe un creciente todo de plata. Lema: «Deo gratias».

Blazon keywords: Azure, One, Palm tree, Tree, Erased, Between, Sinister, Lion, Rampant, Supporting, Or, Dexter, Three, Millwheel, Ordered, In chief, Crescent, Argent and Motto.

Style keywords: Ogee, Outlined in sable, Illuminated and Parchment.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Spanò, Diego Pantaleone.

My heraldic Discord wall is The Discord Roll of Arms # Antonio.

Categories: Technology, Social networks, Party per pale, Vert, One, Compass rose, Argent, Between, In chief, Ancient coronet, Crown, In base, Sun in splendour, Or, Sable, Overall (line of division), Spear, Shafted, Helm, Mantling, Doubled, Wreath, Lynx, Couchant, Proper, Langued, Azure, Motto and Giclée.

Party per fess, the chief per pale: 1 Or; 2 Gules; 3 Argent.
Party per pale, the sinister per fess: 1 Argent; 2 Or; 3 Gules.
Party per fess, the base per pale; 1 Argent; 2 Gules; 3 Or.
Per per pale, the dexter per fess: 1 Gules; 2 Or; 3 Argent.

Medio partido y cortado: 1^o de oro; 2^o de gules; 3^o de plata.
Partido y medio cortado: 1^o de plata; 2^o de oro; 3^o de gules.
Cortado y medio partido: 1^o de plata; 2^o de gules; 3^o de oro.
Medio cortado y partido: 1^o de gules; 2^o de oro; 3^o de plata.

In the illustration:

• 11) Party per fess, the chief per pale ~ Medio partido y cortado.
• 12) Party per pale, the sinister per fess ~ Partido y medio cortado.
• 21) Party per fess, the base per pale ~ Cortado y medio partido.
• 22) Per per pale, the dexter per fess ~ Medio cortado y partido.

Each blazon is made up of 2 parts:

• the description of the division of the field and
• the description of the 3 quarters.

Remarks to the description of the division of the field:

• The 4 English blazons write 1^st the full division and 2^nd the partial division.
• The 4 Spanish blazons write the divisions of the field in the numbering order of the quarters.

Remark to the description of the 3 quarters:

• The order of the fields is easy except, perhaps, in the last case, but to remember the order, notice that 1 and 2 belong to the 1^st division in the party per pale.

Blazon keywords: Party per fess, the chief per pale, Party per pale, the sinister per fess, Party per fess, the base per pale, Party per pale, the dexter per fess, Or, Gules and Argent.

Classification: Schema.

Gules, a stag's head caboshed Argent, attired Or, between its attires a dexter hand appaumée, couped at the wrist; on a bordure Argent eight camellias Gules, seeded Or. Crest: Upon a helm with a wreath Argent and Gules, a gamecock, armed, crested and bearded Gules, the neck Argent, beaked, membered and the head Or, supporting with its dexter talon a closed book Sable, leaved Or, garnished Argent. Motto: «Meliores Quotidie».

This is the coat of arms of Donnie Thompson emblazoned by me. The image combines a photograph of a drawing of a closed book along with his coat of arms, all painted by me.

Blazon keywords: Gules, Argent, Or, One, Eight, Stag, Head, Caboshed, Attired, Between, Dexter, Hand, Appaumée, Couped, Wrist, Bordure, Camellia, Seeded, Crest, Upon (wreath), Helm, Wreath, Rooster, Armed, Crested, Bearded, Neck, Beaked, Membered, Grasping, Talon, Closed book, Book, Leaved, Garnished, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Thompson, Donnie.

Or, an atom triple-orbited Gules; on a chief Gules, a falcon displayed and jessed Or

Illuminated and a watercolor finishing.

Jessed means with jesses, the thongs by which bells are fastened to the legs of a falcon.

The falcon use to be belled and jessed, with bells and leather strips on the legs. The attributes used to be citted in the blazon when its tincture is different that the main element to which it belongs. In this case, its leather strips are Or, the same tincture than the falcon Or, but I decided to blazoned it «a falcon displayed and jessed Or» to denote jessed but not belled.

Other falcons are also hooded.

Credits: Rudolf Juchter van Bergen Quast is the designer of the coat of arms.

Blazon keywords: Or, One, Atom, Three, Orbital, Gules, Chief, Falcon and Jessed.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Emirate of Dubai and Coat of arms.

Bearer: Dubai Office of the European Chamber of Digital Commerce.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or.

Escudo cuartelado: 1^o de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules [de Durán]; 2^o de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules [de Alpoim]; 3^o de plata, dos cabras en palo de púrpura, acornadas de sable [de Cabral]; 4^o de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro [de Melo]; un escusón de azur, cinco flores de lis de oro.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.

Arms of the cadet branches of Fernando Durán Cabral de Melo e Alpoim, certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León, and emblazoned by me.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate and Inescutcheon.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo cuartelado: 1^o de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules [de Durán]; 2^o de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules [de Alpoim]; 3^o de plata, dos cabras en palo de púrpura, acornadas de sable [de Cabral]; 4^o de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro [de Melo]; un escusón cuartelado: 1^o y 4^o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2^o y 3^o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Arms of Fernando Durán Cabral de Melo e Alpoim y Ayala-Schiaffino, certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León. This certification also establishes that his daughters are entitled to bear these same arms in the same form. I have had the honour of illustrating coats of arms for this certification.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, Fernando.

Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules.

Escudo de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the lineage Durán. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Durán are in the 1^st quarter.

Blazon keywords: Gules, Or, Azure, Argent, One, Six, Eight, Pale, Upon, Wave, Bordure, Charged, Lion, Head and Erased.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán, lineage.

Blazon of the Duran lineage of Andalucia, Extremadura, and Aragon.

Gules, a lion passant Or; a bordure Or charged with eight lions’ heads erased Gules.

Escudo de gules, un león leopardado de oro; una bordura de oro, cargada de ocho cabezas de león arrancadas de gules.

Illuminated and with a glass finish.

Blazon keywords: Gules, Lion passant, Or, One, Bordure, Charged, Eight, Head and Erased.

Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Coat of arms.

Edmund de Bassingbourne ~ Edmund de Bassingburnn.

Gyronny Or and Azure.

Jironado de oro y azur.

Included in [Vincent, MS; 1285; number 82] also known as [St. George's Roll; 1285; number 82].

Blazon keywords: Gyronny, Eight, Or and Azure.

Style keywords: Pointed, Plain tincture and Outlined in sable.

Classification: Interpreted and Personal.

Bearer: Edmundo de Bassingbourne.

The one with the Cross on his back ~ Crouchback (1245–1296)

Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.

Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.

He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».

In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.

The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.

The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edmund Plantagenet.

First Prince of Wales from 1301 to 1307, King of England and Lord of Ireland from 1307 to 1327.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted as follows: the mouth rounded; the field illuminated Gules; the figures illuminated in Or and Azure, outlined in Sable, and the third leopard slightly smaller; and the whole finished with a plastered effect.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Rounded, Illuminated, Outlined in sable and Gesso.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edward II of England.

Edward IV King of England and Lord of Ireland, «The Armorial of Edward IV», «The Edward IV Roll», armorial in the form of a roll about 6 meters long, created to celebrate the coronation of Edward IV as the first King of England from the House of York and illustrated, probably, by different artists, 1461.

The image illustrating this reference corresponds to the banner, which is number 27 in the 2^nd column, the final one of this armorial. This banner is held by a white deer, which was a personal badge of King Richard II of England, and also, two white deer were the supporters of his shield. The reason for the inclusion of this white deer might be to contribute to the legitimization of Edward IV as king.

It is notable that in row 25 of the 2^nd column of this armorial there is a banner with the arms of the shield of Castilla y León, probably because Edward IV, like his predecessors, claimed their throne. In this version of the shield of Castilla y León:

• The two gold castles, in the 1^st and 4^th quarters of gules, have three towers with the central one taller like the Castilian, but the twin side towers seem to be connected by the wall as in the English castle, [Valero de Bernabé, L.; 2009a; page 2] and [Valero de Bernabé, L.; 2009b; page 33], the wall has a door that is enameled in azure as in the Castilian.
• The two lions, in the 2^nd and 3^rd quarters of silver, seem to be gold, therefore, of «metal on metal» and, furthermore, very different from the purple lion of Castilla y León, it could well be an error by the artist or a degradation of an original purple enamel to ochre, as explained in the pendón de Castilla y León.

This shield of Castilla y León also appears:

• On the banner in row 27 of the 1^st column of this armorial. In this banner, they are combined with the arms of England represented in this article, in a new quartered, under an escutcheon with the imaginary arms of «Brutus of Troy», the also imaginary founder and king of Britain.
• On the caparison of the horse that Edward IV rides in the portrait at the beginning of his armorial. This caparison is a reproduction of the previous banner in row 27 of the 1^st column that combined the arms of England with those of Castilla y León. The presence of these arms in this initial portrait of the armorial of Edward IV denotes the importance he gave to his aspirations to the crown of Castilla y León.

Bibliographical reference of century XV.

The author is Edward IV of England.

Bibliographic reference mentioned in the following articles:

• Banner of Castile and León
• Brutus of Britain
• Brutus of Britain, banner
• Charles V of France
• Edward IV of England
• Edward IV, armorial for His coronation
• Edward IV, quartered con Castile and León
• Heraldica Nova
• King Arthur, 3 crowns in pale
• King Arthur, banner with 3 crowns in pale
• King Arthur, banner with cross flory
• King Arthur, cross flory
• Leonor de Aquitania
• Pendón con inescutcheon de Edward IV

External resources:

• Free Library: Edward.
• Free Library: Banners.
• The Edward IV Roll.
• Brutus of Troy.

Banner quarterly of sixteen: 1, 6, 11, and 16 Azure, three fleurs de lis Or; 2, 5, 12, and 15 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure; 3, 8, 9, and 14 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 4, 7, 10, and 13 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Pendón cuartelado de dieciseis: 1^o, 6^o, 11^o y 16^o de azur, tres flores de lis de oro; 2^o, 5^o, 12^o y 15^o de gules, tres leopardos en palo de oro, armados y lampasados de azur; 3^o, 8^o, 9^o y 14^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4^o, 7^o, 10^o y 13^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Banner interpreted by me as follows: its shape preserves the 5x6 proportions of a shield; the field is enamelled with flat tinctures Gules and Azure; the castles, fleurs-de-lis, and leopards are outlined in Sable; but the lions are outlined in their field; and the finish of the banner is watercoloured.

I have interpreted it from a simplification of the banner appearing in [Edward IV of England; 1461; row 27, 1^st column, final banner], which reflects Edward IV’s aspirations to the throne of Castile and León. In that armorial, this banner is held by a «White Lion of March», which was the personal badge of Edward IV.

Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant and Crowned.

Style keywords: Rectangular, Illuminated, Outlined in sable, Outlined in the field tincture and Watercolor.

Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.

Bearer: Edward IV of England.

King of England and Lord of Ireland from 1272 to 1307.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted with the following features: the mouth is semicircular (round); the field enamelled in a flat tint of Gules; the three leopards illuminated in the metal Or and the colour Azure, outlined in Sable, and the leopard closest to the base has a different shape and size; and the whole finished with a fabric-like texture.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Fabric.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edward I of England.

Or, three bars Azure; the base Gules.

Escudo de oro, tres burelas de azur; la punta de gules.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms of the lineage Egado emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 635].

Blazon keywords: Or, Azure, Gules, Three, Bar and Base (lower 1/3).

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Egado, lineage.

Or, an eight-ball proper on a terrace in base Vert.

Escudo de oro, una bola ocho al natural terrazada de sinople.

Can modern objects appear in a coat of arms?

My rule is: a coat of arms is forever, so any symbol included must be recognizable by future generations. Can you place an iPhone in a coat of arms? No—but not because it’s modern, rather because your grandchildren likely won’t recognize the form of an iPhone; in fact, today’s mobile phones already look quite different from those of a decade ago. Can you include a steam locomotive? Yes, because its form has become anchored in time and in the collective imagination. What about an hourglass, an analog clock, or a black 8-ball from pool? Also yes—their forms are now classics. That is, I believe we can use those symbols that most people already carry in their minds and that are very likely to remain present in the minds of our children and grandchildren. But this is just my humble criterion.

Categories: Criterion, Art, Created, Imaginary, Coat of arms, Semi-circular, Crystalline, Soft metal, Outlined in sable, Illuminated, Without divisions, Or, One, Non-classic artifact, Proper and Terrace in base.

Root: Bola 8.

Argent, a tower with a turret Gules, port and windows Argent, masoned Sable. Crest: A mural crown Or. Supporters: Two palm fronds Vert issuant from an escallop reversed Or. Motto: «Disce et Aspirant» Sable over a scroll Or.

It has been depicted by me, highlighted with lights and shadows, with a semi-circular outer contour and with a leather finish.

The heraldic emblem of the Academia de Letras e Artes da Guiné-Bissau, ALAB, designed by Joseph Crews and emblazoned by me. The motto «Disce et Aspira» is a Latin phrase meaning «Learn and Aspire»

Blazon keywords: Argent, Gules, Sable, Or, One, Two, Tower, Turret, Port and windows, Masoned, Crest, Mural crown, Crown, Supporter (thing), Supporter, Palm frond, Issuant, Escallop, Motto and Scroll.

Style keywords: Illuminated, Semi-circular and Leather.

Classification: Socioeconomic, Interpreted, Boa and Emblem.

Bearer: Academia de Letras e Artes da Guiné-Bissau.

Gules, three lions passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

These are arms of the Kingdom of England emblazoned by me.

Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: England, Kingdom of.

Checky of nine Or and Azure, the checks Or: 1^st, 3^rd, 5^th, 7^th, and 9^th, two cotises Azure; 2^nd, a sun Or; 4^th, 6^th, and 8^th, two martlets Or, palewise. Motto: «Unitas est fortitudo»

Escudo equipolado de oro y azur: 1^o, 3^o, 5^o, 7^o y 9^o, dos cotizas de azur; 2^o, un sol de oro; 4^o, 6^o y 8^o, dos marletas de oro, en palo. Lema: «Unitas est fortitudo»

Coat of arms with its motto that I have created with: the shield mouth rounded; its nine fields enameled in flat tinctures metal Or and color Azure; the rest of the elements illuminated in Azure and Or and outlined in Sable; the motto illuminated in Or and Azure; and the whole assembly with a slightly hammered metal finish.

Blazon keywords: Chequy of nine squares, Or, Azure, Bendlet, Sun in splendour, Martlet, In pale and Motto.

Style keywords: Rounded, Illuminated, Outlined in sable and Soft metal.

Classification: Created, Personal and Coat of arms.

Bearer: Fernández Marqués, Enrique.

Coat of arms of Eóin S. Morgan, UE, emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. He is the youngest son of Commander Stephen T. Morgan.

Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a crescent Argent.

Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un creciente de plata.

Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Crescent.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Morgan, Eóin S..

Count of Urgell, Viscount of Àger, deceased in 1243.

Chequey Or and Sable.

Escudo ajedrezado de oro y sable.

Arms interpreted with: a pointed and rounded shield shape; the chequey pattern enamelled in flat Or and Sable; and a heavily beaten metal finish.

Ermengol IX held the county for a very short time, as he died shortly after the death of his father Ponce I of Urgell, in that same year of 1243.

This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 34].

Blazon keywords: Chequey, Or and Sable.

Style keywords: Ogee, Plain tincture and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: Ermengol IX of Urgell.