All shields has the quarters 2 and 3 equal
Quarterly: 1 Gules; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Argent.
Quarterly: 1 Or; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Gules.
Quarterly: 1 Gules; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Gules.
Quarterly: 1 Or; 2 Chequey Argent and Gules; 3 Chequey Gules and Or; 4 Argent.
Categories: Riddle solution, Gules, Or, Argent, Quarterly and Chequey.
In the following image there are painted 8 shields, but how many different blazons are there? First, think your answer, then write the different blazons and, finally, check if your initial answer was correct.
Write the coats of arms and check your answer
Think before you move the cursor or click on the following link and see the solution.
Categories: Riddle, Gules, Or, Argent, Quarterly and Chequey.
There is a series of nine coats of arms in the ballroom of the castle:
There are so many Fleurs de lis that everyone, except the joker, calls it the «fleurdelisée» room. Nobody knows the reason why the joker says there is none, do you?
Think before you move the cursor or click on the following link and see the solution.
Categories: Riddle, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.
Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.
Azure, on waves of the sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or. Supporter behind the shield: A linden eradicated Sable, leaved Vert, fructed Or.
Coat of arms devised by me, illuminated with lights and shadows, with a pointed external shape and with a freehand finishing.
Blazon keywords: Azure, Argent, Or, Gules, Sable, Vert, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book, Clasped, Supporter (thing), Supporter, Behind the shield, Linden, Eradicated, Leaved, Fructed, Motto and Scroll.
Style keywords: Illuminated, Pointed and Freehand.
Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.
Bearer: Strategy Department of Consultoria.IO.
Ackerson and Akers lineages.
Sable, a Bend between three Acorns Or.
Illuminated and freehand finishing.
The coat of arms of Ackerson and Akers lineages emblazoned by me and extracted from [Burke, B.; 1989].
Unless the blazon specifies another layout, when a bend is between three charges, this charges are ordered, two in the chief and one in the base, as the three acorns do in this case.
[Rietstap, J. B.; 1861] escribe el blasón de «Ackers ou Akers» como «de sable, à une bande d'or, acc. de trois glands du mesme».
Blazon keywords: Sable, Bend, Between, Three, Acorn, Or and Ordered.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Interpreted.
Ackhurst lineage.
Argent, on a Bend Sable three Acorns Or.
Illuminated and freehand finishing.
The coat of arms of Ackhurst lineage emblazoned by me and extracted from [Burke, B.; 1989].
Unless the blazon specifies another direction, the charges in a bend follow the direction of their bend, as the acorns do in this case.
Blazon keywords: Argent, Bend, Sable, Three, Acorn, Or and Bendwise.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Interpreted.
Arthur Adams, PhD, F. S. A., «Cheshire Visitation Pedigrees, 1663», 141 pages, edited by J. Whitehead and Son Limited, series Publications of the Harleian Society, volume 93, London, 1941.
This book includes some illustrations, but in black and white. The coat of arms that illustrates this bibliographic reference is a color interpretation of one of those recorded in this book, based on the recreations by Martin S. J. Goldstraw. It specifically corresponds to the coat of arms of Allen de Brindley, with the difference that here its crest is not included.
Bibliographical reference of century XX.
Author: Adams, Arthur.
Adrian Ailes, «The Origins of the Royal Arms of England: Their Development to 1199», foreword by Rodney Dennys, includes 27 black and white illustrations, Graduate Centre for Medieval Studies, Reading University, 126 pages, ISBN 07-049077-6-3, Reading, Berkshire, 1982.
An article reviewing this book is: Brigitte Bedos Rezak, Archives nationales de Paris and Metropolitan Museum of Art, «The Origins of the Royal Arms of England, their Development to 1199 by Adrian Ailes», Speculum, volume 60, number 2, pages 373-376, Medieval Academy of America, Cambridge, Massachusetts, April of 1985.
Bibliographical reference of century XX.
The author is Ailes, Adrian.
Bibliographical reference mentioned in the following article:
External resource:
Gules, a cross flory voided Or; within a bordure Gules with eight saltires couped Or.
Escudo de gules, una cruz hueca flordelisada de oro; bordura de gules, ocho sotueres de oro.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.
Ancient arms of Alarcon of Cantabria emblazoned by me.
Blazon keywords: Argent, Sable, Or, Gules, Three, Cross, Flory, Voided, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alarcon of Cantabria, lineage.
Purpure, three dragons passant, in pale Argent; a bordure Gules, eight saltires couped Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Without divisions, Purpure, Three, Dragon, Passant, In pale, Argent, One, Bordure, Gules, Eight, Saltire, Or, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Trujillo Jiménez, Hermanos.
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, three anchors Or, 2 and 1.
Escudo cortado: 1o de sable, tres estrellas de plata de ocho puntas, 1 y 2; 2o de azur, tres anclas de oro, 2 y 1.
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Sable, Argent, Azure, Or, Three, Party per fess, Mullet, Disordered, Anchor and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Alborán, Sea of.
Blazon of the Aldam lineage of England.
Azure, a ray of the sun bendwise, issuant from the dexter chief Or.
Escudo de azur, un rayo de sol puesto en banda, naciente de la diestra del jefe de oro.
Illuminated with lights and shadows and with a freehand finish.
Described in [Burke, B.; 1989; page 9, column 1, entry 11].
Blazon keywords: Without divisions, Azure, One, Ray of the sun, Bendwise, Nascent, Dexter, Chief and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.
Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Alea Capital.
King of Castile from 1158 to 1214.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable. Crest: An open royal crown Or.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable. Timbrado de una corona real abierta.
Arms of the king, as interpreted by me, as follows: the shield's shape is pointed and rounded; the field is enameled Gules; the castle is outlined in Sable; and the whole composition features a watercolor finish.
In [Valero de Bernabé, L.; 2009a; page 1] the author specifies the main characteristics of the «Castilian royal castle», which can be summarized as: «with three towers, the middle one taller, and the two flanking it identical», «each tower crowned with three battlements», «one to three doors and one or two pointed windows on each tower», and «masoned and battlemented», as also noted by the same author in [Valero de Bernabé, L.; 2009b; page 33].
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Crest, Open royal crown and Crown.
Style keywords: Ogee, Plain tincture, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Alfonso VIII of Castile.
Alfonso X of Castile, The Wise, «The Seven-Part Code», its estimated completion year is 1265.
This is the copy I can consult, as it is available in the Hispanic Digital Library, it is a manuscript measuring 42 by 30 centimeters that once belonged to Álvaro de Zúñiga y Guzmán, first Duke of Arévalo, which later came into the possession of the Catholic Monarchs, initially Queen Isabella I of Castile, and after her death, King Ferdinand reclaimed it for the price of 5,251 maravedis. The original is housed in the National Library, in display case 4/6.
This copy, in addition to its numerous capital letters, has 8 illustrated pages, which according to its subsequent hand-numbering in pencil are:
The coat of arms that illustrates this bibliographic reference is that of Álvaro de Zúñiga y Guzmán. For the creation of his chain, I followed the illustration of his 2 coats of arms on the already mentioned page 6 of this manuscript.
It is one of my favorite manuscripts and, perhaps, the one with which I have created the most things.
Bibliographical reference of century XIII.
Classification: Castilian language, Manuscript and In color.
The author is Alfonso X of Castile.
Bibliographical reference mentioned in the following article:
External links:
Internal resources: AlfonsoXDeCastilla1265.7Partidas.10642.pdf.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the King Alfonso X of Castile, 1221–1284, 1st son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The order of the quarters is first the castle of his grandmother, Queen Berenguela of Castile, and second the lion of his grandfather, King Alfonso IX of León; however, the other day I discovered that on the map by [Martineau du Plessis, D.; 1700; volume II, illustration 30, page 126], in the shield framed between parallels 37 and 36 and meridians 21 and 22, the lion occupies the 1st quarter and the castle the 2nd quarter; that is, their order appears reversed.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Alfonso X of Castile.
Of the twelve lineages of Noblemen, it is the first, and they bear as arms, on a golden field, three pales Azure.
Or, three Pallets Azure.
Escudo de oro, tres palos de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.
Based on the first coat of arms of the «ricoshombres» of Navarre in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Los Almorauides» it can also be consulted in [Vega, P. J. de; 1702; folio 1 of the manuscript].
Blazon keywords: Without divisions, Or, Three, Pale and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Almorrabides of Navarre.
Known as the Wise, King of Castile and Leon from 1252 to 1284.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Armories of the Wise King of Castile interpreted by me with the following characteristics: the external shape of the coat of arms ends in an ogee arch; the field, the 2 castles, and the 2 lions are outlined and enameled in flat colors; and the texture seems fabric.
This coat of arms, but with a pointed external shape, can be seen in the 2nd part of the so-called armorial [Wijnbergen; 1265; cuat of arms number 1,289], with the title «Le roy Despaingne», which in this context is understood to refer to Castilla y León.
The 2nd part of this armorial was made between 1270 and 1285 and, being Alphonse X king of Castile and Leon from 1252 to 1284, it is to Him that the title «Le roy Despaingne» seems to refer.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed and Langued.
Style keywords: Ogee, Plain tincture, Outlined in sable and Fabric.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Alphonse X of Castile.
Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules.
Escudo de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the lineage Alpoim. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Alpoim are in the 2nd quarter.
Blazon keywords: Azure, Argent, Or, Gules, One, Crescent, Reversed, In the dexter chief, Fleur de lis and Bordure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Alpoim, lineage.
Party per pale: 1 Or, a Georgian dancer proper; 2 Gules, a church Or, ports and windows Azure.
Escudo partido: 1o de oro, un bailarín georgiano al natural; 2o de gules, una iglesia de oro, aclarada de azur.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Coat of arms of Graziano Alu designed by Angelo Musa and emblazoned by me. The blazon in Italian is «Arma: Partito: 1o d'oro, un ballerino georgiano al naturale; 2o di rosso, una chiesa d'oro, finestrata e portata d'azzurro».
Blazon keywords: Or, Gules, Azure, One, Party per fess, Male figure, Proper, Church and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alu, Graziano.
Blazon of the Amancier lineage of Genevois, Haute-Savoie, France.
Gules, three bars per pale Or and Azure.
Illuminated and a freehand finishing.
Its French blazon «de gueules, à trois fasces parties d'or et d'azur» can be found at [Rietstap, J. B.; 1861; page 40].
Any fess party per pale of metal and color or color and metal will always have a metal on metal or color on color conflict whether the field of the coat of arms is color or metal. There isn't conflict if the field of the coat of arms is also party per pale with metal under the color of the fess and with color under the metal of the fess or if the field is fur.
Blazon keywords: Without divisions, Gules, Three, Fess, Party per pale, Or and Azure.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Blazon of the André lineage of France.
Gules, a millstone Or.
Escudo de gules, una piedra de molino de oro.
Illuminated and a watercolor finishing with shadow in the hole.
For its better identification, I have painted the millstone with the ring that fixes it to its axis. This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone. Millrinds may appear on coats of arms independently of millstones. Another heraldic element related to the previous ones is the millwheel, which is a toothed gear that is part of the mill mechanism but should not be confused with the millstone that grinds the grain.
Blazon keywords: Without divisions, Gules, One, Millstone and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Anonymous, «Armerías de España», 124 double pages, title in the page 9, provenance Duke of Osuna and Infantado, 1800.
The book has no index and its content, written by hand, is as follows:
Bibliographical reference of century XVIII.
Classification: Manuscript, Armorial roll, In black and white and Castilian language.
Author: unknown.
Bibliographical reference mentioned in the following article:
External resources:
Internal resources: Osuna1800.ArmeriaEspaña.Manuscrito.pdf.
National Association of Criminology Experts and Experts in Forensic Sciences for the Courts of Justice.
Azure, a Female representing Justice Argent, clothed Or, holding in the dexter hand a Sword Argent, garnished Or, and in the sinister hand Pair of Scales Or. Crest: An open royal crown Or. Motto: «ANPC».
Escudo de gules, una Justicia de plata, vestida de oro, en su diestra una espada de plata, alzada, guarnecida de oro y en su siniestra una balanza de oro. Timbrado de una corona real abierta. Divisa: «ANPC».
Coat of arms that I have organized based on a previous idea from the ANPC, in the following way: the mouth of the shield is rounded and is outlined at double my usual thickness; the whole is enamelled in gules, argent and or, illuminated, outlined in sable and with a watercolor finish; and to separate the letters of the motto a dot «·» is used at mid-height.
[Cadenas y Vicent, V. de; 1975; page 119 and following] dedicates its chapter 7 to «representative heraldry» and, within it, its first section to «professional heraldry», to which this coat of arms belongs according to his classification, and defines it as that which «corresponds to and reflects... all the emblems of the different professions, professional associations, societies where people with the same hobbies or pastimes are grouped». The other 3 categories that, together with «professional heraldry», make up «representative heraldry» are «industrial», «sport» and «tourism».
Personally, I follow my own heraldic classification, which follows to some extent [Cadenas y Vicent, V. de; 1975], in which the coats of arms of associations like the ANPC are classified within what I call socioeconomic heraldry.
Blazon keywords: Without divisions, Gules, Argent, Or, Female figure, One, Justice, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Crest, Open royal crown, Crown and Motto (identification).
Style keywords: Watercolor, Illuminated, Shaded, Semi-circular and Outlined in the field tincture.
Classification: Coat of arms, Created and Socioeconomic.
Bearer: ANPC.
International Register of Arms, Volume Four, by The [Armorial Register, T.; 2025; page 81], ISBN 978-1-8381483-0-0. The coat of arms, standard, and heraldic badge of Antonio Ruiz Porras all emblazoned by me appear in this volume.
Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond, Lark, Crest, Upon (wreath), Helm, Wreath, Quetzal, Perched, Tree, Branch, Proper, Leaved, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Collage and Photographic.
Bearer: Ruiz Porras, Antonio.
1525-1581.
Lozengy Or and Azure, on a pale Gules, three estoiles Or.
Escudo losanjado oro y azur, en un palo de gules, tres estrella ondadas de oro.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; the pale illuminated in Gules and outlined in Sable; the estoiles illuminated in Or and outlined in Sable; and the whole with a raised-stroke effect.
Blazon keywords: Lozengy, Or, Azure, Pale, Gules, Charged and Estoile.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Antrobus, Thomas.
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Recreated coat of arms of Aragón in the following manner: the escutcheon shape is pointed and rounded; the field is rendered in flat Or; the pallets are illuminated; and the whole has a parchment-like finish.
This rendition of the coat of arms is based on [Portolés, J.; Molino, M. del; 1590].
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Ogee, Illuminated and Parchment.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.
Bearer: Aragon.
Azure, a lion rampant Argent, in chief a mullet of four points Or; a bordure Gules charged with eight saltires couped Or.
Escudo de azur, un león rampante de plata, surmontado de un lucero de oro; una bordura de gules cargada de ocho sotueres de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
These are the ancient arms of the lineage Araneta emblazoned by me. They are from the Basque Country and there is a branch in the Philippines. This star is known as mullet of four points.
Blazon keywords: Azure, Argent, Or, Gules, One, Eight, Lion, Rampant, Mullet of four points, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Araneta, lineage.
Or, an oak tree proper, fructed Or, with a boar supporting it Sable; on a chief Gules, three eagles displayed Or.
Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; en un jefe de gules, tres águilas de oro.
Escudo interpretado por mí, en tinturas planas, delineado de sable, con un contorno exterior medio punto y con un terminado texturizado.
Coat of arms of Manuel Maria Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Chief, Gules, Three and Eagle.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Aras Quirce, Manuel Maria.
Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.
Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».
Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argudo of Guipuzcoa, lineage.
Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper. Motto above the arms: «Del Fabbro Universidad» Gules.
Escudo de azur, flanqueado curvo de plata: en jefe, un libro abierto de oro, hojado de plata; en punta, un roble arrancado de plata, frutado de oro; en cada flanco, una antorcha de sinople, encendida al natural. Divisa sobre el escudo: «Del Fabbro Universidad» de gules.
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finish.
Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed, Proper, Motto (identification) and Above the shield.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Socioeconomic, Created, Boa and Coat of arms.
Bearer: Del Fabbro Universidad.
Or, a eagle displayed Sable.
Arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Coat of arms of the Arrano Beltza, the black eagle, emblazoned by me. Historically, it is associated with the Kingdom of Navarre and its king, Sancho VII the Strong, 1154-1234, although there is no definitive documentary evidence that it was used as an official coat of arms.
Blazon keywords: Or, Sable, One, Eagle and Displayed.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Arrano Beltza.
Kingdom of Sweden.
Gules, a grenade Or.
Escudo de gules, una bomba de oro.
Illuminated with lights and shadows and with a iridescent and metallic finish.
Blazon keywords: Without divisions, Gules, One, Grenade and Or.
Style keywords: Metal beaten, Iridescent (nacar), Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Military and Kingdom of Sweden.
Bearer: Artillery Combat School of the Swedish Army.
Azure, issuant from base a frog's head and from flanks its forelegs in chevron Or, in chief a mullet of seven points Argent. Motto: «Clama a mí».
Escudo de azur, moviente de la punta una cabeza de rana y de los flancos sus patas delanteras en chevron todo de oro, en jefe una estrella de siete puntas de plata. Lema: «Clama a mí».
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of Arturo Taborda, Venezuela, emblazoned by me. The motto came from Jeremiah 33:3 «Clama ad me, et exaudiam te, et annuntiabo tibi grandia et firma quæ nescis» ~ «Call to me, and I will answer you, and show you great and mighty things, which you do not know».
Blazon keywords: Azure, Or, Argent, One, Seven, Issuant from base, Frog, Head, Flank, Foreleg, In chevron, In chief, Mullet and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Taborda, Arturo.
Gules, three lozenges Or.
Escudo de gules, tres losanjes de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Coat of arms of the lineages Asuncion and de la Asuncion emblazoned by me.
Blazon keywords: Gules, Or, Three and Lozenge.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Asuncion and de la Asuncion, lineages.
Blazon of the Avelar lineage of Portugal.
Or, three bars Gules charged each one with three mullets of six points Argent.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 127].
Blazon keywords: Without divisions, Or, Three, Fess, Gules, Charged, Mullet and Argent.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Of the twelve lineages of Noblemen, they are the third great and ancient barony, where the first King of Aragon had his mother; they make a shield of Or without any mixture of colour or device, but a field of gold as painted in this shield.
Or.
Escudo de oro.
A coat of arms that leaves little room for interpretation, which I have recreated with: a semicircular (round) base; the field in flat Or; and finished in highly-hammered metal.
Based on the third coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Aybar» it can also be consulted in [Vega, P. J. de; 1702; folio 3 of the manuscript].
Blazon keywords: Without divisions and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Aybar of Navarre.
Quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 chequey Or and Sable.
Escudo cuartelado en sotuer: 1o y 4o de oro, cuatro palos de gules; 2o y 3o ajedrezado de oro y sable.
Arms interpreted with: a lozenge-shaped shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.
Balaguer is the capital of the comarca of La Noguera in the province of Lleida. It was the capital of the county of Urgell under Ponce I of Urgell.
The quartering per saltire, which could also be called quartered in cross, is defined in English as «per saltire», [The Heraldry Society; 2013; page 8].
This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 15].
Blazon keywords: Quarterly per saltire, Pale, Chequey, Or, Gules and Sable.
Style keywords: Tiled, Plain tincture and Hard metal.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.
Bearer: Balaguer, municipality of.
Quarterly: 1 and 4 Vert, a crescent within eight mullets in lozenge Or; 2 and 3 Azure, a chain fesswise throughout between three fleurs de lis, 2 and 1, all the links and fleurs de lis per pale Or and Argent; an inescutcheon Azure, bearing a crown of count, charged with an eagle displayed within a bordure Or.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.
G0067, Chief Herald of Malta's grant of Robert George Alexander Balchin's arms, whose coat of arms has been emblazoned by me.
Blazon keywords: Quarterly, Vert, One, Crescent, Eight, Mullet, In lozenge, Or, Azure, Chain, Fesswise, Throughout, Between, Three, Fleur de lis, Ordered, Party per pale, Argent, Inescutcheon, Crest and mantling, Crown of Count, Crown, Charged, Eagle and Bordure.
Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Balchin, Robert George Alexander.
Banner Argent, a stag trippant Gules, attired and hoofed Sable, standing on a terrace in base Vert charged with a fess Or; on a chief Sable, three geese volant contourné Argent
Pendón de plata, un ciervo pasante de gules, ramado y uñado de sable, terrazado de una campaña de sinople cargada de una faja de oro; en un jefe de sable, tres gansos volantes alterados de plata
The image shows the design created for its production, alongside the finished fabric banner.
Blazon keywords: Argent, One, Stag, Tripant, Gules, Attired, Hoofed, Sable, Terrace in base, Base, Vert, Charged, Fess, Or, Chief, Three, Goose, Volant and Facing sinister.
Classification: Personal, Interpreted, Printed fabric, Collage, Photographic, Banner of arms and Flag.
Bearer: McCarthy, Eugene.
Banner Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Pendón cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
Banner interpreted by me as follows: a rectangle with proportions between its width and height of 5x6; the field is illuminated in flat tinctures Gules and Argent; the two castles and the two lions are illuminated; the lion and its crown are outlined in the colour of the field; the castle is masoned in Sable; and the whole has a parchment-like finish.
In the armorial for the coronation of [Edward IV of England; 1461; column 2, row 25] a banner of these characteristics can be found, the reason for which was Edward IV’s aspiration to this kingdom, an aspiration inherited from his predecessors.
This armorial was produced by different artists, and the one who was assigned to paint the banner of Castile and León seems to have depicted the lions in gold, although this gold is not as yellow as that which colours the castles, whose castles have two very small windows and a door Azure. Because of this difference in shade between lions and castles, one might consider the hypothesis of a degradation of an original purple tincture into an ochre hue.
At the beginning of the armorial these lions also appear in an equestrian representation of Edward IV, where a pinkish tone could recall an original purple and, therefore, support the hypothesis of such degradation.
Finally, there is a third appearance of these lions in another banner combining the arms of Castile and León with those of England, where the colour of the lions more closely resembles that of the banner than that of the equestrian representation.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.
Style keywords: Illuminated, Rectangular and Old parchment.
Classification: Interpreted, Civic, Flag, Banner of arms, Kingdom of Castile and Leon and Canting.
Bearer: Castile and León.
Or semé of millrinds Azure; a chief dancetty of two full points upwards Purpure pierced twice of the field billetwise throughout.
The coat of arms of Baz Manning, John Basil Edward, emblazoned by me in 4 steps. In the English blazon, I followed his style, and in the Spanish blazon, I followed mine, counting the pieces of the chief that fit from the perspective of the chief.
Blazon keywords: Or, Azure, Purpure, One, Two, Three, Semé, Millrind, Chief, Dancetty, Pierced, Billet and Throughout (chief base).
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Manning, Baz.
Of the twelve lineages of Noblemen, it is the fourth, and they bear as arms a chessboard, that is, a field chequy Argent and Sable, which is black, in the same form and design as this shield is now painted.
Chequey Argent and Sable.
Escudo ajedrezado de plata y sable.
Coat of arms recreated with: a semicircular (round) base; the field in flat Argent; the chequy or checky pattern illuminated in Sable; and finished in highly-hammered metal.
Coat of arms based on the fourth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613], but, unlike the original, adjusting the height of each square to its width so that they are perfect squares, since in Juan del Bosque’s version—actually in its copy, because the original was stolen—they appear somewhat narrow and elongated. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Baztan» it can also be consulted in [Vega, P. J. de; 1702; folio 4 of the manuscript], although in this case the numbering is not clearly legible; it is the folio following 3, preceding the one also numbered 4 but marked with a letter B, which in turn is followed by folio 6, the number 5 being missing — though not folio 5, which would be 4B.
Baztanes and the Valley of Baztan are mentioned in [Garaycoa Raffo, L.; 2011; pages 8, 29, 30, 33, 37, and 38].
The geometric construction of this coat of arms can be found in [Messía de la Cerda y Pita, L.; 1990; page 108].
Blazon keywords: Without divisions, Or, Chequey and Sable.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Baztanes of Navarre.
Or, an eagle displayed Sable.
Escudo de oro, un águila de sable.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the Queen Beatrice of Swabia, 1205–1235, baptized as Elisabeth, wife of King Ferdinand III of Castile, 1199–1252. The eagle Sable on an Or field is a distinctive symbol of the Holy Roman Empire. This coat of arms has been emblazoned by me.
Blazon keywords: Or, Sable, One and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Beatrice of Swabia.
Gyronny Azure and Argent, a Sun in splendour between three Ancient coronets Or.
Illuminated and metal finishing.
Blazon keywords: Gyronny, Azure, Argent, Sun in splendour, Between, Three, Ancient coronet, Crown and Or.
Style keywords: Metal beaten, Outlined in sable and Illuminated.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Bedgood, Alvin J..
Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged.
Escudo partido de azur y oro, un árbol arrancado y deshojado del uno al otro acompañado de dos estorninos afrontados del uno en el otro.
Coat of arms emblazoned by me with a ogee ended shape, illuminated, and with a leather finishing.
The Spanish blazon uses the unique term «afrontados» when 2 animals are facing each other looking at each other and in English 2 different heraldic terms are used:
Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant and Counterchanged (side-by-side).
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Bendel, Nathaniel.
247th Pope of the Church, from 1740 to 1758. «Benedictus XIV», named Prospero Lorenzo Lambertini, born in Bologna.
Or, three pallets Gules.
Escudo de oro, tres palos de gules.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the pales outlined in Sable and illuminated in Gules enamel; and the whole with a raised stroke finish.
Blazon keywords: Without divisions, Or, Three, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Benedict XIV.
Quarterly: 1 and 4 Gules, a fess Azure; 2 and 3 Or, a fess dancetty Argent.
Escudo cuartelado: 1o y 4o de gules, una faja de azur; 2o y 3o de oro, una faja encajada de plata.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems watercolor.
According to the armiger «the origin of this coat of arms is from Austria and hence the unusual combination of colors and metals».
Blazon keywords: Quarterly, Gules, One, Fess, Azure, Or, Dancetty and Argent.
Style keywords: Colour on colour, Metal on metal, Semi-circular, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Beninger, Manuel.
[ Argent, a lion rampant Purpure, armed and langued Gules ] accolé with [ Gules, a castle triple towered Or, port and windows Azure, masoned Sable ].
[ Escudo de plata, un león rampante de púrpura, armado y lampasado de gules ] acolado de un [ escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable ].
Arms of the King of Leon and Queen of Castile, as interpreted by me with: the two shields shaped with rounded arches; the fields of both coat of arms, the lion, and the castle illuminated; and the whole composition featuring a watercolor finish.
Representation of the coats of arms of Alfonso IX of León and Berenguela of Castile as accolé arms ~ «escudos acolados». King Ferdinand III created his coat of arms, based on the coats of arms of his parents, through the marshalling of their arms ~ «composición de sus armas». For this purpose, the saintly king invented a type of composition, which later became widely used, known as quarterly ~ «cuartelado». Other ways to combine the coats of arms of two spouses are:
Blazon keywords: Without divisions, Argent, Purpure, Gules, One, Lion, Rampant, Armed, Langued, Or, Azure, Sable, Castle, Port and windows and Masoned.
Style keywords: Semi-circular, Outlined in sable, Tilted shield and Watercolor.
Classification: Interpreted, Personal, Accolé arms, Kingdom of Castile and Kingdom of León.
Bearer: Berenguela of Castile.
Party per pale Or and Gules.
Arms painted by me, in plain tinctures, outlined in Sable, with an ogee external shape and with a texturized finish.
The coat of arms of the city of Bergamo, Lombardy, emblazoned by me.
Blazon keywords: Or, Gules and Party per pale.
Style keywords: Outlined in sable, Plain tincture and Ogee.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Bergamo.
Or, a chief Gules.
Escudo de oro, un jefe de gules.
Blazon keywords: Or, Chief and Gules.
Style keywords: Outlined in sable, Semi-circular and Plain tincture.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Tremelay, Bernard de.
Berry of Molland, Devonshire.
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
It is possible that an English-speaking herald would have blazoned it as «Or, three bars Gules.» using the term «bars» instead of «fesses», just as in Castilian one sometimes uses the term «barras» instead of «palos», perhaps because these terms were not completely settled from the outset.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Berry of Molland.
Blazon equivalent to: Clement V.
Barry of four per pale counterchanged Or and Gules.
Escudo contrafajado de cuatro piezas de oro y gules.
Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.
Style keywords: Outlined in sable, Semi-circular and Ratio.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Blanchefort, Bertrand de.
Escudo de gules, un carbunclo cerrado, pomelado de oro; cargado en el centro de una esmeralda en forma de losange de sinople.
The armorial [Urfé; 15th century] contains only blazons written in French and is not decorated with shields.
The image shows my interpretation of the arms and, beneath it, the blazon of the king of Navarre as follows «Le Roy de Navarre... de gueles à l'escarboucle d'or pommelée alumée de sinoble en la moyenne en guise d'esmeraude» which could be translated as «The King of Navarre... Gules, a carbuncle Or pommetty, illuminated Vert in the middle in the manner of an emerald».
Note that the blazon does not suggest the presence of an emerald, but that the place corresponding to the central boss of the shield, from which the rays of the carbuncle emerge, is enamelled Vert.
In the article Universitas Studiorum Navarrensis about the arms of the University of Navarre I interpret the arms of Navarre borne in profile by the Archangel Saint Michael, which, by my way of painting it, lies halfway between the carbuncle and the chains, with round chain links and long carbuncle rays, where at the centre there is no emerald, but a Vert enamel in the manner of an emerald.
Blazon keywords: Without divisions, Gules, One, Carbuncle, Pommelled, Or, Charged, In the fess point, Emerald, Vert and Lozenge.
Style keywords: Soft metal, Illuminated, Outlined in sable and Shaded.
Classification: Interpreted, Civic and Coat of arms.
Bearer: Navarre.
From 1992 to 1998
Azure, a bendlet Argent between six fleurs de lis Or.
Illuminated with lights and shadows and with a metallic and iridescent finish.
Coat of arms of Stephen Tvrtko I (circa 1338-1391) of the House of Kotromanic and 1st King of Bosnia and it was also the coat of arms of Bosnia and Herzegovina from 1992 to 1998.
The bendlet is a diminutive of the bend. It is a diminished bend, narrower, and typically reduced to 1/2 (as in this case) or to 1/3 of the width of a normal bend. This piece is called «cotiza» in Castilian, «cotice» in French, and «cotissa» in Italian. Remember that the width of the bend is usually 1/3 of the width of the coat of arms, therefore the width of the bendlet is between 1/3 * 1/2 = 1/6 and 1/3 * 1/3 = 1/9 of the width of the coat of arm.
Stephen Tvrtko I of Bosnia, from the House of Kotromanic, was a vassal of Louis I of Hungary. Louis I or Louis of Anjou, known as «the Great», from the Royal House of Anjou-Sicily, of the Capetian Dynasty, hence his coat of arms's 2nd quarter is seeded with fleur de lis, a feature also present in his father Charles I's arms, known as Charles Robert or Caroberto of Anjou. The Kotromanic family had in their coat of arms fleur de lis Or on a Azure field as a symbol of subordination to the Hungarian royal family.
Blazon keywords: Azure, One, Bendlet, Argent, Six, Fleur de lis and Or.
Style keywords: Metal beaten, Iridescent, Outlined in sable, Illuminated and Pointed.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Bosnia and Herzegovina.
Juan del Bosque, «Libro de Armería del Reino de Navarra», which is currently missing and whose subsequent copy, commissioned in 1572, is kept in the Royal and General Archive of Navarre, estimated year of creation 1540.
The origin of this armorial dates back to 1527, when the Navarrese Courts requested that the Royal Council and the Chamber of Comptos ~ Chamber of Accounts and Fiscal Control, record in a book the coats of arms of the kingdom of Navarre starting with that of the king of Navarre and the houses and lineages of the so-called «ricoshombres», Almorrabides, Guebara, Aybar, Baztanes, Urroz, Lete, Subiça, Rada, Vidaurre, Qasqante, Monteagudo, and Mauleón, also including the coats of arms of other manors, houses, valleys, towns, and nobles [Valverde Ogallar, P. B.; 2001; page 326].
According to [Martinena Ruiz, J. J.; 1982; page 35] the book was compiled around the year 1540, and this is the date I use for referencing this armorial.
This first manuscript created by Juan del Bosque was taken by the royal visitor Hernán Suárez de Toledo, under the pretext of taking it to Emperor Charles V, despite being requested back by the Navarrese Courts, it was never returned and was definitively lost. The armorial that has come down to us is a recreation commissioned in 1572 [Valverde Ogallar, P. B.; 2001; page 327].
According to [Menéndez Pidal de Navascués, F.; 1974; page 19] the recreation of this armorial was carried out based on certifications, such as those from the herald Azcárraga, and notes and partial copies of the stolen book, like the copy kept in the monastery of Leyre.
Another noteworthy bibliographic reference about this armorial, in addition to those previously mentioned, is [Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001].
The image illustrating this bibliographic reference is the coat of arms of the king of Navarre, which I recreated based on the illustration in this armorial, on its first folio according to the numbering given to it in 1613.
Bibliographical reference of century XVI.
Author: Bosque, Juan del.
Here are the articles quoting this reference:
Azure, a bend between six covered cups Or.
Escudo de azur, una banda acompañada de seis copas todo de oro.
Illuminated with lights and shadows and with a freehand finish.
Around 1155, Beatrix de Villers married Richard le Boteler Pincerna, who became the 4th Baron of Warrington. The heir of Beatrix and Richard took the surname «le Boteler» and ruled the Warrington region, bearing arms Azure, a bend between six covered cups Or.
In Castilian, a «copa» has a lid and is referred to as a «covered cup» in English. When it doesn't have a lid, it's called a «cup» in English and a «cáliz» or «copón» in Castilian, the latter being a less preferred term for me. In English, the term «chalice» is also used, especially if it's adorned with gemstones, although that's more of an artistic license.
Naipes Heraclio Fournier is a renowned Spanish playing card manufacturer based in Villareal de Álava. The countless hours I have spent holding its cards in my hands are incalculable, whether playing with friends, opponents, or performing magic tricks. Its influence on my heraldic artwork is significant. For instance, in this covered cup.
The following image shows my covered cup and my two interpretations of his arms: 1) the most commonly viewed, and 2) my alternative layout.
Blazon keywords: Without divisions, Azure, One, Bend, Between, Six, Covered cup and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Kingdom of England.
Bearer: Boteler of Warrington.
Azure, three annulets interlaced Or.
Illuminated, with a watercolor finishing and with a pointed shape.
You can found it at [Avilés, J.; 1725a; page 76 and illustration 177]], and at [Avilés, J.; 1780a; page 85 and illustration 177]].
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Azure, three annulets interlaced Or.
Escudo de azur, tres anilletes entrelazados de oro.
Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Party per chevron Gules and Argent, two acorns slipped Or and in base a fleur de lis Azure.
Escudo de gules, mantelado en punta de plata, en jefe dos bellotas talladas y hojadas de oro y en punta una flor de lis de azur.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a double pointed outer contour and with a leather finishing.
Blazon keywords: Gules, Or, Argent, Azure, Two, One, Party per chevron, Acorn, Slipped, Base and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Double pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Brim-DeForest, Brady.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.
Escudo cuartelado: 1o y 4o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3o de azur, un arpa de oro cordada de plata.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
These are arms of the British Monarchy emblazoned by me.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: British Monarchy.
Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.
Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.
Coat of arms interpreted with: a semicircular (round) base; the field and the chief watercolored in the flat tinctures Purpure and Azure; and the charges illuminated, outlined in Sable, with a very hammered metal finish.
Although it is a university of recent creation, in 1994, its best-known campus is the so-called Hospital del Rey, located on the edge of the Way of St. James and originally intended to care for pilgrims and founded, in 1195, by Alfonso VIII of Castile and Eleanor Plantagenet. The effigies of both monarchs decorate the main gate of the Hospital, called the Gate of the Pilgrims, which is, in turn, the symbol of the University of Burgos.
Regarding the escallop (venera), [Valero de Bernabé, L.; Márquez de la Plata, V. M.; 2003; page 197] notes that among the wide variety of shells, it is the scallop or pilgrim’s shell that is most used in heraldry and in blazons it is named «venera», and that it is drawn with its concave side against the field and its convex side visible, with its ribs vertical and its ears (auricles) toward the chief of the shield, and that when the concave side is shown one must specify it in the blazon as «alzada», and when the ears are in a different tincture it is said «orejada», for example, «an escallop Or, its ears Gules».
Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.
Style keywords: Semi-circular, Illuminated, Outlined in sable, Watercolor and Hard metal.
Classification: Interpreted, Socioeconomic and Education.
Bearer: Burgos, University of.
Or, on a pile issuant from the base Gules a sword point upwards Argent.
Escudo de oro, una pira de gules cargada de una espada alzada de plata.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].
Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Burr, lineage.
Arms of Carlos Vidriales García Bustamante painted by me in the Certification of the King of Arms of Castile and Leon Alfonso de Ceballos-Escalera and Gila, Marquess of La Floresta, Viscount of Ayala and grand of Spain. The image shows the cover and the page 6 of this certification.
Credits:
Categories: Certification, Heraldic document, Coat of arms, Interpreted, Personal, Semi-circular, Illuminated, Outlined in sable, Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Lineage, Conjoined in fess, Decoration, Suspended and Base (lower 1/3).
Root: Vidriales García y Bustamante, Carlos.
A Castle Or, triple towered, embattled, port and windows Azure, and masoned Sable.
Un castillo de oro, aclarado de azur, mazonado de sable.
Some of the characteristics of the Castilian castle are specified in the coat of arms in English, for example, «triple towered, embattled», but they are omitted in the Spanish blason, because the Spanish blason considered that the Castilian castle can not be otherwise. These local characteristics, that decades ago were not necessary to specify, could begin to have to be in this global and interconnected heraldic world. [Valero de Bernabé, L.; 2009a] describe the different characteristics between the Castilian, the French, and the English castles among others.
Blazon keywords: Castle, Or, Port and windows, Azure, Masoned and Sable.
Style keywords: Freehand.
Classification: Schema.
Some of the main characteristics of the heraldry of Castile are:
The following image shows 4 examples of coats of arms, each of which has some of these characteristics, including one Castilian castle.
In the United Kingdom, there are several heraldic traditions, one of them being English heraldry.
In the Kingdom of Spain, there are several heraldic traditions, for example, the Castilian tradition.
In my humble opinion, we should compare at the same level, English heraldry with, for example, Castilian heraldry, but not with all Spanish heraldry. We shouldn't do it for the same reason we don't mix Scottish heraldic tradition with English, as they are so different.
In the case of Castilian heraldry, the 8 main differences with English heraldry are:
Categories: Criterion, Semi-circular, Bordure, Letter, Lion, Wolf, Castle, Triple-towered, Port and windows, Masoned, Or, Azure, Sable, Diminished bordure, Quarterly, Supporter (human form), Supporter, Supporter (animal) and Supporter (thing).
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent.
Escudo partido: 1o de Gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.
The coat of arms of Castilla-La Mancha emblazoned by me.
Blazon keywords: Gules, Argent, Or, Azure, Sable, One, Party per pale, Castle, Triple-towered, Port and windows and Masoned.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Castilla-La Mancha.
Personal, governance, military, religious, socioeconomic, and, imaginary heraldry.
Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.
Escudo cuartelado en sotuer: 1o de púrpura, una corona de oro; 2o de sinople, una espada alzada de oro; 3o de azur, un báculo de oro; 4o de sable, un bezante de oro; un escusón de oro cargado de un corazón de gules; una filiera de plata.
Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a watercolor finish.
Within the article on my approach to heraldic classification, you can find the symbolism contained within this shield and its category within heraldry.
The original shield design, along with many others, is registered in [Salmerón Cabañas, A.; 2015a; page 30].
The heraldic colors Gules, Azure, Vert, Sable, and Purpure can be divided into two sets:
Therefore, the Sable-Purpure combination is not the most vibrant.
I use both Sable and Purpure in this design because it incorporates all five colors and both metals, Or and Argent, representing different heraldic disciplines. Note that I have placed Purpure and Sable far apart, precisely due to the initial explanation.
Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.
Style keywords: Illuminated, Outlined in sable and Watercolor.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Categories of heraldry.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. Motto: «Región Militar Centro» over a scroll Or.
Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, also called 1st Military Region, where I serve. I interpreted and emblazoned now this coat of arms with a semi-circular ended shape.
Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant, Crowned, Motto (identification) and Scroll.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.
Bearer: Central Military Region.
Known in England and France as Charles of Spain ~ Charles d'Espagne.
Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Coat of arms of Charles de la Cerda (1326-1354), this coat of arms also could be blazoned as «Quarterly: 1, Francia; 2 and 3, Castile; 4, Leon.».
Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Army and Navy and Kingdom of France.
Bearer: Cerda, Carlos de la.
City of Ceuta, Spain, Africa
Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1.
Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three and In base.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic, Interpreted and Kingdom of Spain.
Bearer: Ceuta.
Lino Chaparro D'Acosta, «Heráldica de los Apellidos Canarios», foreword by Vicente de Cadenas y Vicent, 2 volumes, Volume I from A to L, 285 surnames, 293 pages, Volume II from M to Z and a heraldic dictionary, 387 surnames, 439 pages, edited by Estudios Tecnicos del Blason, ISBN of the complete work 84-300-2000-4, ISBN of Volume I 84-300-1989-8, ISBN of Volume I II 84-300-418010-8, Las Palmas de Gran Canaria, 1979.
Bibliographical reference of century XX.
Classification: Black and white with color plates and Castilian language.
Author: Chaparro D'Acosta, Lino.
The following article cites this bibliographic reference:
Motto: Stand and Be Counted
Gules fretty Argent; on a chief wavy Bleu celeste, a rising sun Or.
Escudo de gules fretado de plata; en un jefe ondado de celeste, un sol saliente de oro.
Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a iridescent finishing.
The sun used to be emblazoned with a human face, with its eyes, mouth, and nose, but in all the interpretations that I know of this blazon, the sun appears without a human face.
Blazon keywords: Without divisions, Gules, Fretty, Argent, One, Chief, Wavy, Bleu celeste, Sun, Issuant and Or.
Style keywords: Iridescent, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted.
Bearer: Charles Dunne, Chas.
Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Motto: «Ad rem».
Escudo de sable, un cabrio de plata con tres puntas de lanza de gules; en jefe, dos cabezas de unicornio arrancadas de plata, cabelladas y acornadas de oro, lampasadas de gules; en punta, una pila de oro, saliente del cabrio, cargada de una cabeza de unicornio de sable, lampasada de gules. Lema: «Ad rem».
Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile and Motto.
Style keywords: Outlined in sable, Pointed, Illuminated and Watercolor.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Wright, Charles F. M..
Banner Azure, three fleurs de lis Or.
Pendón de azur, tres flores de lis de oro.
Banner interpreted as follows: rectangular in shape with a 5x6 proportion; the field enamelled in flat Azure; the three fleurs-de-lis illuminated in Or and outlined in Sable; and the whole piece finished with an aged parchment effect.
Starting in 1376, the field sown with fleurs-de-lis was replaced by only three fleurs-de-lis. This change took place during the reign of Charles V of France (1338–1380, King of France from 1364 to 1380).
Edward III Plantagenet (1312–1377, King of England from 1327 to 1377) had incorporated the semé of fleurs-de-lis into his arms as a sign of his claim to the French throne, and Henry IV of England (1367–1413, King of England from 1399 to 1413) again changed the semé into three fleurs-de-lis in his own arms.
These three fleurs-de-lis remained in the royal arms of England until George II (1683–1760, King from 1727 to 1760).
They remained in the royal arms of the French kings until their prohibition during the so-called «Hundred Days», that is, from March 20, 1815, the date of Napoleon’s return to Paris from his exile in Elba, until June 28, 1815, the date of the Second Restoration of Louis XVIII as King of France, when they were reinstated. Finally, after the Revolution of 1830, Louis Philippe I of Orléans decreed their abolition by Order of February 10, 1831.
This banner is a recreation of the one appearing in the armorial [Edward IV of England; 1461; row 23, column 2], although in that armorial the banner seems to be associated with Louis IX of France, perhaps because of the prestige of the saintly King of France, whose arms bore a semé of fleurs-de-lis rather than three.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Rectangular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of France and House of Valois.
Bearer: Charles V of France.
Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules. The shield is surrounded by the Golden Fleece.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a metal beaten finishing.
Arms of Charles, Holy Roman Emperor, emblazoned by me.
Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed, Scroll, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Charles V, Holy Roman Emperor.
King of France from 1429 to 1461.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a mother-of-pearl effect.
This coat of arms is based on the one appearing in the armorial [Ingeram, H.; 1459; page 34, 1st shield], under the inscription «küng von franckrich» (franckrich ~ Frankreich ~ France).
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Charles VII of France.
Chequey.
Chequey Or and Gules.
Escudo ajedrezado de oro y gules.
I have encountered several ways of writing the term «chequey» in English, such as «chequy», removing one «e», or «checky», and even other variants like «checkered», «checkie», «chequered», «cheque», «cheques» or «checquy».
[The Heraldry Society; 2013; pages 8 and 11] uses the term «chequey», and that is the one I strive to use.
Categories: Criterion, Tiled, Plain tincture, Hard metal, Chequey, Or and Gules.
195th Pope of the Church, from 1305 to 1314. «Clemens V», born Bertrand de Got, born in Villandraut, in the southwest of France, was the first pope to reside in Avignon in a stable manner.
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Papal coat of arms interpreted with: a rounded triangular top; the field in plain Or enamel; the bars illuminated in Gules and outlined in Sable; and with a heavily hammered metal finish.
Blazon keywords: Without divisions, Or, Three, Fess and Gules.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Religious and Papal States.
Bearer: Clement V.
Blazon equivalent to: Fernández de Córdoba y Carrillo, Diego.
Grandson of Blanche of Castile, 6th son of Saint Louis IX, founder of the House of Bourbon, husband of Beatrice of Burgundy, Lady of Bourbon.
Azure semé of fleurs de lis Or, a bend Gules.
Escudo de Azur sembrado de flores de lis de oro, banda gules.
Coat of arms that I have interpreted with:: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lys illuminated in Or; the bend illuminated in Gules; the whole is outlined in Sable; and the freehand drawing.
Blazon keywords: Without divisions, Azure, Or, Semé, Fleur de lis, Bend and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Bourbon.
Bearer: Clermont, Robert of.
Party per pale: 1 Azure, an angel Argent, crowned, crined and vested Or holding an open book Argent; 2 Or, three horses' heads couped, in pale Sable. Crest: Upon a wreath Or and Azur, an owl's head couped at the shoulders Or, beaked Argent. Mantling: Azur doubled Or.. Motto «Club Ecuestre Val’Quirico».
Blazon keywords: Party per pale, Azure, One, Angel, Argent, Crowned, Crown, Crined, Vested, Or, Charged, Book, Open, Three, Head, Horse, Sable, Couped, In pale, Crest and mantling, Wreath, Owl, Nascent, Beaked, Mantling and Motto (identification).
Style keywords: Crystalline, Illuminated, Rounded, Outlined in the field tincture, Outlined in sable and Diapered.
Classification: Created and Socioeconomic.
Bearer: Club Ecuestre Val'Quirico.
Quarterly: 1 Azure, a cross Or; 2 Vert, a saltire Or; 3 Vert, a bend sinister Or; 4 Azure, a fess Or. Motto: «Arithmeticus».
Escudo cuartelado: 1o de azur, una cruz de oro; 2o de sinople, un sotuer de oro; 3o de sinople, una barra de oro; 4o de azur, una faja de oro. Divisa: «Arithmeticus».
I have made this imaginary coat of arms for the Arithmetic with the following characteristics: a semicircular external shape; its enamelled field with flat color Azure and Vert inks; all the pieces are metal Or, the motto is metal Argent with Sable letters; pieces and motto are illuminated and outlined in Sable; and the whole with a very lightly beaten metal finish.
For the division operation, instead of using the piece bend sinister, 2 bezants Or in pale could have been used. However, since the bezant is a diminished piece, I preferred to use 4 pieces, one for each quarter.
Blazon keywords: Quarterly, Azure, Vert, Or, Cross, Saltire, Bend sinister, Fess and Motto (identification).
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Arithmetic.
Sable, a dolphin naiant Or; a chief embattled Vert, fimbriated Or.
Escudo de sable, un delfín nadante de oro; un jefe almenado de sinople y perfilado de oro.
Blazon keywords: Sable, Dolphin, Naiant, Or, Chief, Embattled, Vert and Fimbriated.
Style keywords: Ogee, Outlined in sable and Plain tincture.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Shorey, David Ryan.
Or, six fleurs de lis, three, two, one, five Gules and one in the middle of the chief Azure.
Escudo de oro, seis flores de lis ordenadas, tres, dos y una, cinco de gules y una de azur en el centro del jefe.
Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, Six, Fleur de lis, Ordered, Three, two and one, Five, Gules, One, Azure and In the middle of the chief.
Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Elias.
Or, six fleurs de lis in orle, five Gules and one in chief Azure.
Escudo de oro, seis flores de lis en orla, cinco de gules y una de azur en jefe.
Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, Six, Fleur de lis, Orle, Five, Gules, One, Azure and In chief.
Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Rolando.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Motto environing the columns and behind the shield: «Plus Ultra» Or over a scroll Gules.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.
Arms of the Kingdom of Spain emblazoned by me. On the arrangement of the crowns: a) Royal Decree 1511/1977, of 21 January, enacted during the so-called Transition and approving the Regulations on Flags and Standards, Guidons, Insignia and Distinctive Signs, states: «Rule No. 2. Coat of Arms of Spain… Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one…». b) The subsequent Law 33/1981, of 5 October, regulating the current coat of arms of Spain, likewise states: «…Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one». c) The term «superado» in the heraldic dictionaries in which it appears refers, as a synonym, to «surmontado». d) The definitions of «surmontado» include: «a charge which, at its upper part, has another above it but without touching it», «also said of superado», and «a figure that bears another above it, but without touching it». In light of a), b), c) and d), the two crowns should therefore be painted not touching the columns. However, in the illustrative drawing contained in Royal Decree 1511/1977 the crowns do touch the columns, contradicting its own wording, although in heraldry, when in doubt, the written blazon always prevails; and in most official representations the crowns do indeed touch the columns. Nevertheless, this personal interpretation of both the coat of arms of Spain and of the proper way to write its blazon, where the lateral crowns do not touch the columns, and then I decide that, following the same criterion, the central crown should not touch the shield either, so the result differs from the official version. The expression «waves Azure or blue and Argent», which appears both in the 1977 official definition and in the 1981 one, presents a double peculiarity: it combines the heraldic term «Azure» with the everyday term «blue», and it is also offered as an optional blazon, giving two alternatives, that the waves be only Azure, as I have painted them, or Azure and Argent; optional blazons are extremely rare and, in my view, perhaps not very advisable.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Two, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Imperial crown, Dexter, Sinister, Motto, Environed, Behind the shield and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Civic, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Spain, Kingdom of.
Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; an inescutcheon Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or.
The Commoners’ Certification of Arms for the House of Potts of Wentworth with its arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Inescutcheon, In chief and In base.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Potts of Wentworth, House of.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lys Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.
The Commoners' Certification of Arms for Bradlee Tatym LaRue Botkin with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Botkin, Bradlee Tatym LaRue.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lys Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a crescent Gules.
The Commoners' Certification of Arms for Evander Graham Wylder McCoy with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: McCoy, Evander Graham Wylder.
Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or. Crest: A ribbon Azure doubled Argent.
The Commoners’ Certification of Arms for Kimberley Ann Potts of Stountenburg with her arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Gules, Argent, Or, Azure, Six, One, Fleur de lis, In chief, Between, In fess, In base, Bordure, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Potts, Kimberley Ann.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lys Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a label Gules.
The Commoners' Certification of Arms for Sebastian Artemis Cole McCoy with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Label.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: McCoy, Sebastian Artemis Cole.
Party per pale: 1 quarterly: 1 Azure, a lion rampant Or, 2 Argent, a falcon rising, grasping in its paws a serpent Sable, 3 Or, a tower Azure, port, windows, and masoned Sable, 4 Gules, a fox passant Or, a chief Gules semé of mullets Argent; 2 Orange, a mullet of six points voided, interlaced Sable.
Escudo partido: 1o cuartelado: 1o de azur, un león rampante de oro, 2o de plata, un halcón azorado, teniendo en sus garras una sierpe ambos de sable, 3o de oro, una torre de azur, aclarada y mazonada de sable, 4o de gules, un zorro pasante de oro, un jefe de gules sembrado de estrellas de cinco puntas de plata; 2o de naranjado, una estrella de seis puntas, hueca y entrelazada de sable.
Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems watercolor.
Blazon keywords: Party per pale, Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five, Base (lower 1/3), Orange, Six, Voided and Interlaced.
Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Correa, Lorena.
Lozengy Or and Gules.
Escudo losanjado oro y gules.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Lozengy, Or and Gules.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Craon, Robert de.
Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.
Escudo partido: 1o de gules, en punta un castillo de oro, aclarado de azur y mazonado de sable; 2o de plata, en punta un león rampante de gules, coronado de oro; brochante sobre la partición una letra psi de gules; una filiera de oro.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finishing.
Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, where I was stationed during my military service. These arms were designed by my lieutenant colonel and friend Miguel Angel Nuñez Amador, and in this image, they have been emblazoned by me. The Crepsi was a pioneer in its functions: a) the identification of soldiers at psychological risk, among tens of thousands of soldiers, using advanced information systems, including Artificial Intelligence (an area where I contributed during my service in 1989), and b) the evaluation and individualized attention of soldiers at risk through mobile units. The Crepsi has provided trained personnel and methods that are being used for the psychological care of troops deployed to conflict zones and for the psychological care of civilians in massive humanitarian disasters such as terrorist attacks or plane crashes with hundreds of affected people.
The psi letter of psychology and the arms of the Central Military Region: Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. These two fields, in turn, Gules and Argent, charged with a castle triple-towered and a crowned lion, originate from the Kingdom of Castile and León. The diminished bordure is for difference.
Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Military, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Crepsi.
Azure, two quills in saltire Argent, in chief an ancient coronet Or. Crest: Upon a helm with a wreath Or and Azure, a demi-lynx regardant Or, caped Azure, maintaining in dexter a lantern Azure, enflamed proper. Mantling: Azure doubled Or.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
The coat of arms of Dario Postolovski, Macedonia, emblazoned by me. The blazon in French, translated by Michel Froger, is as follows: «D’azur à deux plumes d’argent posées en sautoir et surmontées d’une couronne antique d’or à 5 pointes. L’écu est timbré d’un casque d’argent taré de trois quart et de lambrequins d’or et d’azur. Le casque est sommé d’un tortil d’or et d’azur soutenant un lynx d’or issant et regardant, vêtu d’une cape d’azur et tenant une lanterne du même allumée au naturel».
Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown, Crest, Upon (wreath), Helm, Wreath, Demi, Lynx, Regardant, Caped, Grasping, Dexter, Lantern, Enflamed, Proper and Mantling.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Postolovski, Dario.
Vert, on three chevrons Or nine oak leaves Vert, 3, 3, and 3. Crest: Upon a helm with a wreath Or and Vert, a demi-fox guardant, holding in its dexter paw a federschwert bend sinisterwise proper. Mantling: Vert doubled Or.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a rough finish.
Coat of arms of Jason Landers Northam from Illinois, emblazoned by me.
Blazon keywords: Vert, Or, Three, Nine, One, Chevron, Oak, Tree, Leaf, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Guardant, Federschwert, Sword, Proper, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Northam, Jason Landers.
Vert, a chevron Argent between three linden sprigs, three-leaved, enarched bend sinisterwise Or. Crest: Upon a tilting helm with a wreath Or and Vert, a blackbird (Turdus merula) proper, armed, membered and beaked Gules, holding in the beak over its back a linden sprig, three-leaved, enarched Or. Mantling: Vert doubled Argent.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a watercolor finish.
Coat of arms of Lukas Podlipny, Slovakia, emblazoned by me. These are canting arms, in Slovak, «lipa» ~ linden tree, and the surname Podlipný would mean «under the linden tree», «pod» ~ under, «lip-» ~ linden, hence the arched linden sprigs in the coat of arms and the blackbird beneath another linden sprig.
Blazon keywords: Vert, Argent, Or, Gules, One, Three, Chevron, Between, Linden, Sprig, Leaved, Enarched, Bend sinisterwise, Crest, Upon (wreath), Tilting helm, Helm, Wreath, Mantling, Blackbird, Proper, Armed, Membered, Beaked, Grasping and Beak.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lukas Podlipny.
Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or.
Arms devised by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.
Coat of arms of Matthew Nelson designed by him and me and emblazoned by me. Alternative blazon: «Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or».
Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis, Palewise, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Horse, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Nelson, Matthew.
Argent, a demi-savage issuant from the base Carnation, crined, bearded and vested Tenné, wreathed of leaves Vert, holding in his dexter a close book, bookmarked Gules, garnished, on its cover a mortar with pestle Or, in his sinister an oak club Tenné, leaved and fructed Vert; a chief wavy Gules. Crest: Upon a helm lined Gules with a wreath Argent and Gules, an oak couped Tenné, leaved and fructed Vert, its trunk charged with a mullet Argent. Mantling: Gules doubled Argent.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.
Blazon keywords: Argent, Or, Gules, One, Demi, Savage, Carnation, Issuant, Base, Crined, Bearded, Vested, Tenné, Wreathed, Leaf, Grasping, Dexter, Closed book, Book, Bookmark, Garnished, Mortar, Pestle, Club, Leaved, Fructed, Chief, Wavy, Crest, Upon (wreath), Helm, Lined, Wreath, Mantling, Doubled, Oak, Tree, Charged, Trunk and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Silvestri, Maximilian.
Quarterly Or and Argent, overall a peacock in his splendour proper. Crest: Upon a wreath Or and Azure, a god Garuda sejant Or, crowned and vested azure. Motto: «Acquiescere et Miserescere».
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finish.
Blazon keywords: Argent, Or, Azure, One, Quarterly, Overall, Peacock, In his splendour, Proper, Crest, Upon (wreath), Wreath, Garuda, Sejant, Crowned, Vested and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Valecha, Ajay Gopal.
Gules, three lozenges Or; a bordure lozengy Gules and Or. Crest: Upon a wreath Or and Gules, an eagle’s head erased Or, langued Gules. Motto: «Integritas Virtus Gratia» Sable, with initial letters Gules, over a scroll Argent.
Arms devised by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.
Blazon keywords: Gules, Or, Argent, Sable, One, Three, Lozenge, Lozengy, Bordure, Crest, Upon (wreath), Wreath, Eagle, Head, Erased, Langued, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Lasuncion Patus, Francisco Javier.
Tierced per fess: 1 Sable, seven mullets Argent arranged as the Plough of Ursa Major; 2 Azure; 3 Sanguine, a demi-sun issuant from base Or. Crest: Upon a wreath Or and Sanguine, a raven proper. Motto: «Incipit Vita Nova» Or, over a scroll Sanguine doubled Or.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finish.
Blazon keywords: Sable, Azure, Sanguine, Argent, Or, Seven, One, Tierced per fess, Mullet, Plough of Ursa Major, Demi, Sun, Issuant from base, Crest, Upon (wreath), Wreath, Raven, Proper, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Nastri, Marcio Vieira.
Or, on a chevron, between three crosses flory Gules, three crescents Argent. Crest: Upon a helm, with a wreath Or and Gules, a pomegranate Proper, seeded Gules, slipped and leaved Vert. Mantling: Gules doubled Or. Motto: «Fides et pietas».
Blazon keywords: Or, One, Chevron, Gules, Charged, Three, Crescent, Argent, Between, Cross, Flory, Crest and mantling, Helm, Mantling, Wreath, Crest, Pomegranate, Proper, Slipped, Leaved, Vert and Motto.
Style keywords: Outlined in sable, Pointed, Illuminated and Rough.
Classification: Personal, Created, Coat of arms and Latin language.
Bearer: Rica II, Nick Allen.
Or, a roe deer springing Gules, in base a triple mount Vert. Crest: Upon a helm affronty, with a wreath Or and Vert, two roe deers' attires barry of four Gules and Or. Mantling: Vert doubled Or..
Credits: Stephan Urs Breu is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount, Vert, Crest and mantling, Helm, Mantling, Wreath, Crest, Two, Roe deers' attires, Barry and Four.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Rehberger, Alena.
Argent, a stag springing, in base an acorn leaved and slipped proper, on a chief invected Gules, a sabre fesswise, point sinister proper, debruised by a rose Or, leaved Vert. Crest: Upon a wreath Argent and Gules, a bald eagle displayed proper.
Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a rough finishing.
Blazon keywords: Argent, Gules, Or, Vert, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised, Rose, Crest, Upon (wreath), Wreath, Bald eagle, Eagle and Displayed.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Knox, Kelly Kathleen.
Azure, a saltire Argent between in chief an escallop Or, in fess two fleurs de lys Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure Or. Crest: A ribbon Azure doubled Argent.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finishing.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Escallop, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Konstånz Chantal Leóné.
Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper. Crest: Upon a wreath Argent and Azure a demi-unicorn Azure, horned, crined and semé of mullets Or.
Credits: SkyL.designer and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout, Proper, Wreath, Crest, Demi, Horned, Crined, Mullet and Or.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Sparkles, Marie Unicorn.
Party per fess: 1 Argent, a rose Gules, barbed and seeded proper; 2 Gules, two swords in saltire Argent, hilted Or. Crest: Upon a helm, with a wreath Argent and Gules, on two wings in vol Gules, their coverts Argent, a rose Gules, barbed and seeded proper. Mantling: Gules doubled Argent.
Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Seeded, Two, Sword, In saltire, Hilted, Or, Proper, Crest and mantling, Helm, Mantling, Wreath, Crest, Two wings in vol, Covert and On.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Breu, Stephan Urs.
Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable. Crest: Upon a wreath Or and Azure, a raven's head Sable, charged upon the neck with three gouttes, 1 and 2, and holding in its beak an annulet Or.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed outer contour and with a leather finish.
Blazon keywords: Azure, Sable, Or, One, Party per fess, Overall, Four-towered, Castle, Port and windows, Crest, Wreath, Raven, Head, Charged, Neck, Grasping, Beak and Annulet.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rawson, Lineage.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or; overall a rose Gules, leaved and seeded Or. Crest: A ribbon Azure doubled Argent.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finishing.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Overall, Rose, Leaved, Seeded, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Tiana Rose Lee.
Party per bend sinister Or and Gules, a clenched gauntlet Sable. Crest: Upon a helm, with a wreath Or and Gules, a peacock in his splendour proper, on a coronet trefoiled Or. Mantling: Gules doubled Or.
Blazon keywords: Party per bend sinister, Or, Gules, Surmounted, Gauntlet, Sable, Palewise, Crest and mantling, Helm, Mantling, Wreath, Crest, Coronet trefoiled, Ancient coronet, Crown, Trefoiled, Peacock, In his splendour and Proper.
Style keywords: Pointed, Outlined in sable, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Wilkins, Tim.
Gules, a stag's head caboshed Argent, attired Or, between its attires a dexter hand appaumée, couped at the wrist; on a bordure Argent eight camellias Gules, seeded Or. Crest: Upon a helm with a wreath Argent and Gules, a gamecock, armed, crested and bearded Gules, the neck Argent, beaked, membered and the head Or, supporting with its dexter talon a closed book Sable, leaved Or, garnished Argent. Motto: «Meliores Quotidie».
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finishing.
Blazon keywords: Gules, Argent, Or, One, Eight, Stag, Head, Caboshed, Attired, Between, Dexter, Hand, Appaumée, Couped, Wrist, Bordure, Camellia, Seeded, Crest, Upon (wreath), Helm, Wreath, Rooster, Armed, Crested, Bearded, Neck, Beaked, Membered, Grasping, Talon, Closed book, Book, Leaved, Garnished, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Thompson, Donnie.
Gules, a lion rampant Or, charged with a pallet gemel chequey Argent and Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-dragon Or, supporting with its sinister a goldfinch speaking proper. Mantling: Gules doubled Or. Motto: «Quem Timebo» Sable with initial letters Gules over a scroll Argent.
Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Blazon keywords: Gules, Or, Argent, Sable, One, Lion, Rampant, Charged, Pallet, Gemel, Chequey, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Dragon, Perched, Sinister, Goldfinch, Speaking, Proper, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Pérez de Bartolome, Ignacio.
Party per fess wavy: 1 Azure, a dolphin naiant; 2 Argent, three escallops Azure. Crest: Upon a helm lined Azure with a wreath Argent and Azure, an owl Tenné, armed, beaked, membered, the eyes, and wearing a necklace with a pendant heart Or, grasping with its dexter foot a bluebonnet proper. Mantling Azure doubled Argent. Motto: «Compasión · Honor · Sabiduría» Azure, over a scroll Argent doubled Azure, fimbriated Or.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.
She is an Associate Professor and Assistant Professor at the University of Houston-Clear Lake. She studied Marine Biology at the University of Puerto Rico, Humacao (1991–1995), and the marine motifs reflect both her academic training and career. The dolphin on the shield refers to her Puerto Rican heritage, her birthplace in Fajardo, and her personal value of honor. At her request, the shield ends in a semi-circular arch, in keeping with Hispanic heraldic tradition. The three escallops symbolize her family and her compassion. She currently resides in Houston, Texas, which is why the owl in her crest holds a bluebonnet (Lupinus texensis), the state flower of Texas since 1901. The owl represents her profession and her wisdom. A small gold heart on the chain pendant indicates her cadency as first daughter.
Blazon keywords: Azure, Argent, One, Three, Or, Party per fess, Wavy, Dolphin, Naiant, Escallop, Crest, Upon (wreath), Helm, Lined, Wreath, Owl, Tenné, Armed, Beaked, Membered, The eyes, Collar, Heart, Grasping, Dexter, Talon, Bluebonnet, Flower, Proper, Mantling, Doubled, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Santiago-Vazquez, Lory.
Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules. Crest: Upon a helm with a wreath Argent and Azure, a dragon passant Azure, armed and langued Or; in front of a sun rising Or. Mantling: Azure doubled Argent. Motto: «In Honorem Victoria» Sable, with initial letters Gules, over a scroll Argent.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.
The coat of arms of Randy David Lee Xavier Potts designed by him and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Two, Saltire, Between, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Crest, Upon (wreath), Helm, Wreath, Sun, Nascent, Debruised, Dragon, Passant, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Randy David Lee Xavier.
Paly of six Gules and Argent; overall, a fess Or charged with a lance Gules. Crest: Upon a helm with a wreath Argent and Gules, an arm vambraced, bendwise Argent, grasping, bend sinisterwise, a bow Gules, cord Or, and an arrow point sinister Argent. Mantling: Gules doubled Argent. Motto: «Inter Primos».
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a chasuble outer contour and with a freehand finishing.
Blazon keywords: Gules, Argent, Or, Six, One, Paly, Overall, Fess, Charged, Spear, Crest, Upon (wreath), Helm, Lined, Wreath, Arm, Vambraced, Bendwise, Grasping, Bend sinisterwise, Bow, Cord, Arrow, Point sinister, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Chasuble and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lancefield, Rex.
Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent. Crest: Upon a helm with a wreath Or, Azure and Gules, five ostrich feathers Argent, Azure, and Gules. Mantling: On the dexter Gules doubled Argent and on the sinister Azure doubled Argent. Motto: «Esfuerzo y Perseverancia» Sable, with initial letters Gules, over a scroll Argent.
Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a rough finishing.
Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship, Full sail, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Mantling, Dexter, Doubled, Sinister and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Dukat, family of Milos.
Per fess, the base per pale: 1 Or, an eagle displayed Sable; 2 Gules, a sun in splendour Or; 3 Or, an increscent Gules; all within a bordure Sable, charged with eight fleurs de lis Or. Crest: Upon helm affronty Argent, fimbriated and barred Or, lined Gules, with a wreath Or and Sable, a crown of Duke. Mantling: Sable doubled Or. Motto: «Virtus Nobilitatis Fidelitas» Sable, with initial letters Gules over a scroll Argent.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.
This is his coat of arms Vitéz László Gábor emblazoned by me. Per fess is the horizontal division into two parts, and per pale is the vertical division into two; therefore, per fess and per pale in base means that the shield is first divided horizontally, with the upper part as the first quarter, and the lower part is then divided vertically into two, forming the second and third quarters. The heraldic crescent is a moon with its horns pointing upward (to chief); to distinguish it from the natural crescent moon, in Spanish heraldry it is called «creciente tornado», while in English the equivalent term is increscent. The Castilian «filiera» is a narrow bordure, thinner than the ordinary one; in English it has no specific name and is usually referred to simply as a bordure, or rarely as a diminished bordure or fillet bordure. In the crest, fimbriated and barred Or indicates that the border details and grill-bars of the helm are gold, while lined refers to its interior, here Gules.
Blazon keywords: Or, Sable, Gules, Argent, One, Eight, Party per fess, the base per pale, Eagle, Displayed, Sun in splendour, Increscent, Bordure, Fleur de lis, Crest, Helm, Affronty, Barred, Lined, Wreath, Crown, Mantling, Doubled, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: László Gábor.
Party per pale Gules and Vert; overall a mermaid proper, holding in her dexter a sword Argent, hilted Or, and in her sinister a comb Or.
Escudo partido de gules y sinople; brochante sobre la partición una sirena al natural, teniendo en su diestra una espada de plata, guarnecida de oro, y en su siniestra un peine de oro.
Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finishing.
Coat of arms of The Knights of Cristina designed under her directions and emblazoned by me.
Blazon keywords: Gules, Vert, Argent, Or, One, Party per pale, Overall, Mermaid, Proper, Grasping, Dexter, Sword, Hilted, Sinister and Comb.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Cristina, The Knights of.
A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem
Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Schema.
Gules, a chevron, between in chief two fleurs de lis Or, and in base an escallop Argent. For crest a crown of Baron. Motto: «Praemium Honor».
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.
Blazon keywords: Gules, Or, Argent, One, Two, Chevron, Between, In chief, Fleur de lis, In base, Escallop, Crown of Baron, Crown and Motto.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Merante Critelli, Luigi.
Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.
Coat of arms of Marilena Marinanza, Italy, emblazoned by me.
Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Marinanza, Marilena.
Argent, a cross Gules; a bordure compony of fifteen sections: 1, 6, and 11 Argent, a pomegranate seeded, slipped and leaved proper; 2, 7, and 12 Or, an eagle displayed Sable; 3, 8, and 13 Gules, a castle triple-towered Or, port and windows Gules, masoned Sable; 4, 9, and 14 Argent, a lion rampant Gules, crowned Or; 5, 10, and 15 Or, four pallets Gules. Crest: A closed royal crown.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finishing.
Coat of arms of the city of Almeria, Andalusia, emblazoned by me. The island of Alboran is geographically part of Africa, but politically it belongs to the city of Almeria. As a result, Almeria is one of the few cities in the world that spans two continents: Europe and Africa.
Blazon keywords: Argent, Gules, Or, Sable, Vert, One, Four, Fifteen, Cross, Bordure, Compony, Pomegranate, Slipped, Leaved, Proper, Eagle, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Almeria, city of.
Argent, a bear rampant Sable, langued and armed Gules. Crest: A mural crown with eight vine leaves, five visible, Or.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a rounded trapezoidal outer contour and with a freehand finish.
Blazon keywords: Argent, Sable, Gules, Or, One, Eight, Five, Bear, Rampant, Langued, Armed, Mural crown, Crown, Vine and Leaf.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Berlin.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules; a bordure compony of sixteen sections: eight Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable, eight Or, an eagle displayed Sable. Crest: An open royal crown.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a metal beaten finish.
Coat of arms of the Infanta Berenguela of Castile, 1228–1279, 5th daughter of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The coat of arms of Infanta Berenguela of Castile, besides being beautiful, has always seemed to me the epitome of the Castilian arms: quartered, bearing Leon and Castile, and surrounded by a bordure compony with castles. This coat of arms has been emblazoned by me.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Sixteen, Eight, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Bordure, Compony, Eagle, Crest, Open royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Berenguela of Castile, Infanta.
Quarterly: 1 and 4 Gules, a hand Carnation, embowed, vambraced and winged Or, holding a sword point upwards Argent, hilted Or; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules. Crest: An open royal crown.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Manuel of Castile, 1234–1283, 7th son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me.
Blazon keywords: Gules, Or, Argent, Purpure, One, Quarterly, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards, Hilted, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Manuel of Castile, Infante.
Sable, upon three bars wavy a four arch bridge Or, masoned Sable, throughout.
Coat of arms designed by me, in flat tinctures, contoured in Sable, with a pointed external shape and with a texturized finish.
The coat of arms of Daniel García Martínez designed by him and me, and emblazoned by me.
Blazon keywords: Sable, Or, Three, Four, Upon, Wavy, Bar, Arch, Bridge, Masoned and Throughout.
Style keywords: Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: García Martínez, Daniel.
The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.
One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.
Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.
Gules, a fess vair between four water-bougets Or, two in chief and two in base.
Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.
In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».
There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.
In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».
Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.
Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Interpreted, Schema and Coat of arms.
Azure, a palm tree eradicated, between in sinister a lion rampant supporting it Or, in dexter three millwheels, 2 and 1, and in chief a crescent Argent. Motto: «Deo gratias».
Escudo de azur, una palmera arrancada, acompañada a la siniestra de un león rampante empinado a ella ambos de oro, a la diestra de tres ruedas de molino, 2 y 1, y en jefe un creciente todo de plata. Lema: «Deo gratias».
Blazon keywords: Azure, One, Palm tree, Tree, Erased, Between, Sinister, Lion, Rampant, Supporting, Or, Dexter, Three, Millwheel, Ordered, In chief, Crescent, Argent and Motto.
Style keywords: Ogee, Outlined in sable, Illuminated and Parchment.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Spanò, Diego Pantaleone.
My heraldic Discord wall is The Discord Roll of Arms # Antonio.
Categories: Technology, Social networks, Party per pale, Vert, One, Compass rose, Argent, Between, In chief, Ancient coronet, Crown, In base, Sun in splendour, Or, Sable, Overall (line of division), Spear, Shafted, Helm, Mantling, Doubled, Wreath, Lynx, Couchant, Proper, Langued, Azure, Motto and Giclée.
Party per fess, the chief per pale: 1 Or; 2 Gules; 3 Argent.
Party per pale, the sinister per fess: 1 Argent; 2 Or; 3 Gules.
Party per fess, the base per pale; 1 Argent; 2 Gules; 3 Or.
Per per pale, the dexter per fess: 1 Gules; 2 Or; 3 Argent.
Medio partido y cortado: 1o de oro; 2o de gules; 3o de plata.
Partido y medio cortado: 1o de plata; 2o de oro; 3o de gules.
Cortado y medio partido: 1o de plata; 2o de gules; 3o de oro.
Medio cortado y partido: 1o de gules; 2o de oro; 3o de plata.
In the illustration:
Each blazon is made up of 2 parts:
Remarks to the description of the division of the field:
Remark to the description of the 3 quarters:
Blazon keywords: Party per fess, the chief per pale, Party per pale, the sinister per fess, Party per fess, the base per pale, Party per pale, the dexter per fess, Or, Gules and Argent.
Classification: Schema.
Argent, a tetrahedron Azure, pierced by a sword bendwise, point downwards Or, garnished Azure.
Heraldic device depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
G0102, Chief Herald of Arms of Malta's grant for the coat of arms of Dr. James Patrick Howard II, USA. This coat of arms has been emblazoned by me over his personal tartan registered in the Scottish Register of Tartans.
Blazon keywords: Argent, Azure, Or, One, Tetrahedron, Geometric solid, Pierced, In bend, Sword, Point downwards and Garnished.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Howard II, Dr. James Patrick.
Or, an atom triple-orbited Gules; on a chief Gules, a falcon displayed and jessed Or
Illuminated and a watercolor finishing.
Jessed means with jesses, the thongs by which bells are fastened to the legs of a falcon.
The falcon use to be belled and jessed, with bells and leather strips on the legs. The attributes used to be citted in the blazon when its tincture is different that the main element to which it belongs. In this case, its leather strips are Or, the same tincture than the falcon Or, but I decided to blazoned it «a falcon displayed and jessed Or» to denote jessed but not belled.
Other falcons are also hooded.
Credits: Rudolf Juchter van Bergen Quast is the designer of the coat of arms.
Blazon keywords: Or, One, Atom, Three, Orbital, Gules, Chief, Falcon and Jessed.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Emirate of Dubai and Coat of arms.
Bearer: Dubai Office of the European Chamber of Digital Commerce.
Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules.
Escudo de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineage Durán. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Durán are in the 1st quarter.
Blazon keywords: Gules, Or, Azure, Argent, One, Six, Eight, Pale, Upon, Wave, Bordure, Charged, Lion, Head and Erased.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán, lineage.
Blazon of the Duran lineage of Andalucia, Extremadura, and Aragon.
Gules, a lion passant Or; a bordure Or charged with eight lions’ heads erased Gules.
Escudo de gules, un león leopardado de oro; una bordura de oro, cargada de ocho cabezas de león arrancadas de gules.
Illuminated and with a glass finish.
Blazon keywords: Gules, Lion passant, Or, One, Bordure, Charged, Eight, Head and Erased.
Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Edmund de Bassingbourne ~ Edmund de Bassingburnn.
Gyronny Or and Azure.
Jironado de oro y azur.
Included in [Vincent, MS; 1285; number 82] also known as [St. George's Roll; 1285; number 82].
Blazon keywords: Gyronny, Eight, Or and Azure.
Style keywords: Pointed, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Edmundo de Bassingbourne.
The one with the Cross on his back ~ Crouchback (1245–1296)
Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.
Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.
He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».
In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.
The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.
The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edmund Plantagenet.
Apodado el Zanquilargo ~ Longshanks.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Escudo de armas que he interpretado con: la boca de medio punto; el campo esmaltado de tinta plana de color gules; los 3 leopardos iluminados de metal oro, color azur y delineados de sable y el que está en punta es algo menor para adaptarse a la forma del escudo; y el conjunto tiene un acabado rugoso.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward I of England.
First Prince of Wales from 1301 to 1307, King of England and Lord of Ireland from 1307 to 1327.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth rounded; the field illuminated Gules; the figures illuminated in Or and Azure, outlined in Sable, and the third leopard slightly smaller; and the whole finished with a plastered effect.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Rounded, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward II of England.
Edward IV King of England and Lord of Ireland, «The Armorial of Edward IV», «The Edward IV Roll», armorial in the form of a roll about 6 meters long, created to celebrate the coronation of Edward IV as the first King of England from the House of York and illustrated, probably, by different artists, 1461.
The image illustrating this reference corresponds to the banner, which is number 27 in the 2nd column, the final one of this armorial. This banner is held by a white deer, which was a personal badge of King Richard II of England, and also, two white deer were the supporters of his shield. The reason for the inclusion of this white deer might be to contribute to the legitimization of Edward IV as king.
It is notable that in row 25 of the 2nd column of this armorial there is a banner with the arms of the shield of Castilla y León, probably because Edward IV, like his predecessors, claimed their throne. In this version of the shield of Castilla y León:
This shield of Castilla y León also appears:
Bibliographical reference of century XV.
The author is Edward IV of England.
Here are the articles quoting this reference:
External links:
Quarterly: 1 and 4 Argent, a wolf rampant Sable; 2 and 3 Gules, a garb Or.
Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems leather.
Blazon keywords: Quarterly, Argent, One, Wolf, Rampant, Sable, Gules, Garb and Or.
Style keywords: Rounded, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Gräupl, Edwin.
Or, three bars Azure; the base Gules.
Escudo de oro, tres burelas de azur; la punta de gules.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Egado emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 635].
Blazon keywords: Or, Azure, Gules, Three, Bar and Base (lower 1/3).
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Egado, lineage.
Imaginary coat of arms for the poolgame called Eight-ball.
Or, a Billiard 8 ball proper.
Coat of arms I created with: the shape semicircular at base; the field with a metallic finishing; and the charge with an iridescent finishing.
Blazon keywords: Without divisions, Or, One, Non-classic artifact and Proper.
Style keywords: Semi-circular, Crystalline, Soft metal, Outlined in sable and Illuminated.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Bola 8.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent. Crest: A crown proper. The shield is surrounded by the Most Noble Order of the Garter.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me. The Most Noble Order of the Garter, founded by Edward III in the 14th century, is Great Britain's oldest and most prestigious order of chivalry. It symbolises honour and loyalty, and its members are chosen by the Sovereign in recognition of their exceptional public service. Its distinctive emblem, a dark blue garter bearing the motto «Honi soit qui mal y pense» ~ «Shame on him who thinks evil of it». Its central insignia features the figure of St George and the Dragon, and its membership is strictly limited to 24 Companion Knights, in addition to the Sovereign and the Prince of Wales.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp, Stringed, Saint Eduard crown, Closed royal crown, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Elizabeth II of the United Kingdom.
Gules, three lions passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
These are arms of the Kingdom of England emblazoned by me.
Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: England, Kingdom of.
This heraldic catalog has 8 DIN A4 format pages; 3 of the pages framed Or with cotises Azure; which includes 6 different heraldic pieces for color printing; and with the texts in Sable and the capital letters in Gules.
Credits: Dr.ª Marianne Steinbauer tiene los derechos del tipo de letra.
Blazon keywords: Or, Azure, Bendlet, Martlet, In pale, Sun in splendour, Supporter (animal), Supporter, Lion rampant guardant, Dexter, Sinister, Armed, Langued, The fangs, The eyes and Motto.
Classification: Created, Personal, Catalogue and Heraldic document.
Bearer: Fernández Marqués, Enrique.
Count of Urgell, Viscount of Àger, deceased in 1243.
Chequey Or and Sable.
Escudo ajedrezado de oro y sable.
Arms interpreted with: a pointed and rounded shield shape; the chequey pattern enamelled in flat Or and Sable; and a heavily beaten metal finish.
Ermengol IX held the county for a very short time, as he died shortly after the death of his father Ponce I of Urgell, in that same year of 1243.
This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 34].
Blazon keywords: Chequey, Or and Sable.
Style keywords: Ogee, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Ermengol IX of Urgell.
Or, an eagle displayed bendy Azure and Argent.
Escudo de oro, un águila bandada de azur y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of María Dolores Escutia Sánchez designed by Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Or, Azure, Argent, One, Eagle, Displayed and Bendy.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Escutia Sánchez, María Dolores.
Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.
Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.
Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.
Coat of arms of Angel España Herranz designed by him and me, and emblazoned by me.
The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.
Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: España Herranz, Angel.
Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent
Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Personal and Interpreted.
Bearer: Espinosa, Diego.
Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable. Motto: «Curae virtus est».
Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise, Sable and Motto.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Coulot, Fabian.
Azure, five fleurs de lis Or. War cry above the shield: «Notre Dame du Puy» Or.
Escudo de azur, cinco flores de lis de oro. Grito sobre el escudo: «Notre Dame du Puy» de oro.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a metal beaten finishing.
«Armas antigas» ~ ancient arms of family d’Alpoim, originally from France, emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me according to his instructions and based on descriptions from armorials such as «Nobiliário da Ilha Terceira» by Eduardo de Campos de Castro de Azevedo Soares, «Pedatura Lusitana», on the noble families of Portugal, by Cristóvão Alão de Morais, the chapter «O Solar dos Alpoins» by A. Nogueira Gonçalves, or «Armaria Portuguesa» that describes it in Portuguese «De azul, cinco flores de lis de oiro. T.: ... o grito Nostre Dame de Puy» and also in French «D'azur à cinq fleurs-de-lis d'or. C.: ... le cri, Nostre Dame de Puy, en lettres d'or».
Blazon keywords: Azure, Or, Five, Fleur de lis, War cry and Above the shield.
Style keywords: Outlined in sable, Illuminated and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: d’Alpoim, family.
Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox proper, grasping dexter four ears of wheat Or. Mantling: Azure doubled Argent. Motto: «Ignis Aurum Probat».
The crest, mantling and coat of arms of the Milian family. It was created and emblazoned by me with a 2:2:3 ratio. The ratio I most commonly use for the crest, helm, and shield is approximately 2:2:3, where 2 represents the height of the crest, 2 represents the height of the helm, and 3 represents the height of the shield.
Blazon keywords: Or, Azure, Argent, One, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar, Wavy, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Ear of wheat, Wheat and Mantling.
Style keywords: Ratio, Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Milian, family.
Quarterly: 1 Argent, an oak eradicated Vert, fructed Or; 2 Azure, a tower with a turret Or, port and windows Azure, masoned Sable; 3 Azure, a hound passant Argent, spotted Sable; 4 Argent, a cross Gules. Motto: «Ut Ferrum Fortes» Sable, with initial letters Gules, over a scroll Argent.
Escudo cuartelado: 1o de plata, una encina arrancada de sinople, frutada de oro, mazonado de sable; 2o de azur, una torre donjonada de oro, aclarada de azur; 3o de azur, un perro pasante de plata, moteado de sable; 4o de plata, una cruz de gules. Lema: «Ut Ferrum Fortes» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
Blazon keywords: Argent, Vert, Or, Azure, Sable, Gules, One, Quarterly, Oak, Tree, Eradicated, Fructed, With a turret, Port and windows, Masoned, Dog, Passant, Spotted, Cross and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Simon-Faus, family.
Or, six fleurs de lis Azure, 3, 2, and 1.
Escudo de oro, seis flores de lis de azur, 3, 2 y 1.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of Alessandro Farnese, 1545–1592, emblazoned by me. In 1956, the fourth Tercio of the Spanish Legion was created and named Tercio Alessandro Farnese in his honor. The coat of arms of that Tercio features the arms of the Farnese in its central inescutcheon, although with its 6 fleurs de lis arranged in orle.
Blazon keywords: Or, Azure, Six and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Farnese, Alessandro.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon].
Escudo cuartelado: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; 2o de plata, un león rampante de púrpura, lampasado y armado de gules, coronado de oro [de León]; 3o de oro, con cuatro palos de gules [de Aragón]; 4o de gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople [de Navarra]; entado en punta de plata, una granada al natural, tajada de gules, tallada y hojada de sinople [de Granada]; un escusón de azur, tres flores de lis de oro, 2 y 1, una bordura de gules [de Borbón].
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
This is my interpretation of the coat of arms of His Majesty King Felipe VI of Spain.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered and Bordure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Felipe VI of Spain.
Son of Berenguela, Queen of Castile, and Alfonso IX, King of León.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules.
Arms of King Ferdinand III of Castile, as interpreted by me, with the following characteristics: the shield’s shape is rounded; the field, the two castles, and the two lions have been illuminated; and the whole composition features a watercolor finish.
It is with King Ferdinand III the Saint of Castile when «the emblematic system reaches its highest degree of perfection, acquiring two characteristics: realism, which becomes a hallmark of Spanish heraldry,... and the tendency to combine coats of arms» with the appearance of quarterly divisions replacing the cadency marks used in the rest of Europe [Valverde Ogallar, P. B.; 2001; page 100].
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed and Langued.
Style keywords: Semi-circular, Illuminated and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Ferdinand III of Castile.
Quarterly: 1 Or, a lion rampant Gules; 2 Gules, a fleur de lis Or; 3 Gules, a sun of May Or; 4 Or, a cross of Bolnisi Gules.
Escudo cuartelado: 1o de oro, un león rampante de gules; 2o de gules, una flor de lis de oro; 3o de gules, un sol de mayo de oro; 4o de oro, una cruz de Bolnisi de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a chasuble external shape and with a texturized finish.
Coat of arms of Silvio Fernández Carrizo emblazoned by me.
Blazon keywords: Or, Gules, One, Quarterly, Lion, Rampant, Fleur de lis, Sun of May, Cross of Bolnisi and Cross couped.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernández Carrizo, Silvio.
Marshal of Castile, first Lord of Baena and plenipotentiary ambassador to the court of Portugal (1355–1435).
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Coat of arms del que fue mariscal de Castilla interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat metal Or; its three fesses illuminated in Gules y outlined in Sable; y el conjunto con un plastered finish.
He served under the kings John I of Castile, Henry III of Castile, and John II of Castile.
These three bars of the Fernández de Córdoba lineage are found, for example, in the first quarter of the coat of arms of Gonzalo Fernández de Córdoba y Enríquez de Aguilar, known as *El Gran Capitán*.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Illuminated, Outlined in sable, Semi-circular and Gesso.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Fernández de Córdoba y Carrillo, Diego.
Blazon equivalent to: Berry of Molland.
Or, three bars Gules.
De oro, tres fajas de gules.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of Gonzalo Fernandez de Cordoba, 1453–1515, known as «The Great Captain», emblazoned by me. The Tercio Great Captain, 1st of the Spanish Legion, is named in honour of Gonzalo Fernandez de Cordoba, and the coat of arms of the unit bears a central inescutcheon with the arms of «The Great Captain».
Blazon keywords: Or, Gules, Three and Fess.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernandez de Cordoba, Gonzalo.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias]. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or. Suspended from the shield, the cross of the Royal Equestrian and Military Order of Saint Michael of the Wing.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony, Vair, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry, Mantling, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, Fernando.
Registered by The International Register of Arms, 1st of December of 2022, Registration number 0690, Volume 4.
In Spanish heraldry, there are three terms for supporters: «sostenes» for objects or plants, «tenantes» for human figures, and «soportes» for animal forms. The following applies to sostenes, tenantes, and soportes. Unlike other heraldic traditions such as English heraldry, in Spanish heraldry there are no rules for the use of supporters; their use is at the armiger's discretion, without specific restrictions. Supporters are not reserved only for nobility; their use is free for all.
In the words of [Cadenas y Vicent, V. de; 1975; page 173] «there is no rule that determines the use of tenantes, soportes, and sostenes».
Categories: Armorial roll, Party per fess, Azure, One, Book, Open, Or, Leaved, Argent, Charged, Mullet, Gules, Tree, Erased, Between, Two, Apple, Diminished bordure, Embattled, Crest and mantling, Helm, Fimbriated, Wreath, Mantling, Dexter, Sinister, Crest, Pegasus, Rampant, Nascent, Flame, Supporter (animal), Supporter, Lion, Langued, Quill, Claw, Parchment (scroll), Rolled, Seal, Letter, War cry and Motto.
External link:
Root: The Armorial Register.
Transform the blazon «Or» into «Or, five Pommes in saltire» and the blazon «Argent» into «Argent, five Hurts in saltire» moving the pommes and hurts through both metals, without breaking the rule of tinctures.
You can change one charge by another one, but only once.
For example, if you change «Sable, a Bend Argent» by «Sable, a Pale Argent», then the Pommes can arrive to «Or» blazon. However, this is not a solution, because the Hurts cannot walk to «Argent» blazon.
Think before you move the cursor or click on the following link and see the solution.
Categories: Riddle, Ogee, Outlined in sable, Freehand, Or, Argent, Vert, Azure, Gules, Sable, Hurt, torteau, pellet, pomme and golpe, Hurt, Pomme, In saltire, Fess, Saltire, Bend sinister, Cross, Pale and Bend.
For example, if you change «Azure, a Cross Argent» by «Azure, a Pall Argent», then the Pommes can arrive to «Or» blazon and the Hurts can arrive to «Argent» blazon. You can view both paths azure and vert in the following image.
Other solution is to change «Azure, a Cross Argent» by «Azure, a Bordure Argent».
Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Argent, Vert, Azure, Gules, Sable, Hurt, torteau, pellet, pomme and golpe, Hurt, Pomme, In saltire, Fess, Saltire, Bend sinister, Cross, Pale, Bend and Pall.
From the House of Valois-Angoulême and with the motto: Nutrisco et extinguo.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the three fleurs-de-lis outlined in Sable and illuminated in Or; and finished with a plaster texture.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Pointed, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Francis I of France.
Or, an oak tree proper, fructed Or, with a boar supporting it Sable; the whole debruised by a label of four points Azure with the second point Argent.
Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; brisado de un lambel de cuatro pendientes de azur, el segundo pendiente de plata.
Coat of arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.
Coat of arms of Francisca Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Cadency, Label, Four, Azure and Argent.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Francisca Aras Quirce.
Party per fess: 1 Or, a tower Gules between in chief a crescent and a mullet of eight points Azure; 2 Azure, three demi-horses courant in bend sinister nascent from the ends of three bars wavy issuant from sinister Argent. Crest: A crown of the Soberana y Muy Noble Orden de la Granada.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a rounded outer contour and with a texturized finish.
Arms of Francisco Jose Bermejo Fernandez Briceño, designed by Ignacio Koblischek, emblazoned by Antonio Salmeron for the Soberana y Muy Noble Orden de la Granada, and carved by Juan Miguel Rocamora Narro.
Blazon keywords: Or, Azure, Gules, Argent, One, Three, Party per fess, Tower, Between, In chief, Crescent, Mullet, Demi, Horse, Courant, In bend sinister, Nascent, Bar, Wavy, Issuant, Sinister and Crown.
Style keywords: Outlined in sable, Illuminated and Rounded.
Classification: Personal, Interpreted, Boa, Coat of arms and Armorial stone.
Bearer: Bermejo Fernandez-Briceño, Francisco Jose.
Blazon of the Freitas lineage of Portugal.
Gules, five mullets of six points Or.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 123].
Blazon keywords: Without divisions, Gules, Five, Mullet and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Party per pale Vert and Sable, a sun in splendour Or issuant from the dexter chief. Motto: «Da Pacem Domine».
Escudo partido de sinople y sable, un sol de oro moviente de la diestra del jefe. Lema: «Da Pacem Domine».
Arms designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finish.
Canting arms of the French family of Fr. Marc Vernoy designed by him and me and emblazoned by me. A field Vert and Sable ~ Vert Noir ~ Vernoy. French blazon by Hyacinthe de Keranrouë: Parti de sinople et de sable, au soleil d'or mouvant de l'angle dextre. Devise: «Da Pacem Domine».
Blazon keywords: Vert, Sable, Or, One, Party per pale, Sun in splendour, Issuant, Dexter, Chief and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Vernoy, French family of Fr. Marc.
Party per fess, 1 Gules, a stag rampant, issuant from base proper, in the dexter chief a Maltese cross Argent; 2 Azure, a mullet of seven points Argent. Crest: Upon a helm befitting his degree issuant from a crown of Noble above the shield, with a wreath Argent and Gules, a demi-lion Gules, crowned Or, grasping in its paws a swallow-tailed pennon lozengy Gules and Argent, shafted Sable. Mantling: Gules doubled Argent. Motto: «Per Aquas Ad Futurum». Suspended from the shield, the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.
G0131, augmentation of G0042, Chief Herald of Arms of Malta's grant for the arms of Jay Geoffrey De Graaf, Australia. The augmentation consists of the addition of a Maltese cross Argent in the dexter chief. These arms have been emblazoned by me for such grant.
Blazon keywords: Gules, Azure, Argent, Or, One, Party per fess, Stag, Rampant, Issuant from base, Proper, In the dexter chief, Eight-pointed cross, Cross couped, Mullet, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Demi, Lion, Crowned, Grasping, Paw, Swallow-tail, Lozengy, Shafted, Mantling, Motto, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.
Bearer: Graaf, Jay Geoffrey De.
Azure, a cross ermine fimbriated Or, between four fleurs de lis Argent, each enfiled in a crown Or. Crest: Upon a helm befitting his degree, issuant from a crown of Baron, with a wreath Or and Azure, a falcon displayed, belled Azure, crowned Or, holding in its dexter talon an hourglass Or and in its sinister talon a fleur de lis Argent. Mantling: Azure doubled Or. Motto: «Per Crucem Triumphans» Sable, over a scroll Argent, doubled Gules. Supporters: Two lions rampant Or, langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
G0128, Chief Herald of Arms of Malta's grant for the arms of Jean-Yves, de Sainte Croix de la Sabliere, UK. These arms have been emblazoned by me for such grant.
Blazon keywords: Azure, Or, Argent, Gules, One, Four, Cross, Ermine, Fimbriated, Between, Fleur de lis, Enfiled, Crown, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Above the shield, Wreath, Falcon, Belled, Crowned, Dexter, Talon, Hourglass, Sinister, Mantling, Doubled, Motto, Scroll, Supporter (animal), Supporter, Lion, Rampant and Langued.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sainte Croix de la Sabliere, Jean-Yves de.
Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a wreath Argent and Gules, two arms embowed proper, vested Sable, cuffed Or, holding aloft a winnowing fan reversed Or. Mantling: Gules doubled Argent. Motto: «Ora et Labora». Supporters: Two lions passant, tails addorsed Sable, armed and langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.
G0129, Chief Herald of Arms of Malta's grant for the arms of Markus Hermann Frank, USA. These arms have been emblazoned by me for such grant.
Blazon keywords: Gules, Argent, Or, Sable, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between, Fleam, Addorsed, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Wreath, Arm, Embowed, Proper, Vested, Cuffed, Grasping, Mantling, Doubled, Motto, Supporter (animal), Supporter, Lion, Passant, Tail addorsed, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Frank, Markus Hermann.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry and Mantling.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.
Azure, in chief a label Or, and in base a fleur de lis Argent.
Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].
Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Gangoiti, lineage.
Imaginary blazon of Sir Gawain, knight of the Round Table.
Gules, a mullet voided, interlaced Or.
Illuminated and a freehand finishing.
This five-pointed mullet, depicted as a pentangle, is the symbol Sir Gawain bears on his coat of arms according to the poem «Sir Gawain and the Green Knight» which reads: «Thenne they shewed hym the schelde, that was of schyre goules Wyth the pentangel depaynt of pure golde hwes. He braydez hit by the bauderyk, aboute his hals kestes, That bisemed the segge semlyly fayre. And quy the pentangel apendez to that prynce noble I am entent yow to telle, thof tary hyt me schulde: Hit is a syngne that Salamon set sumquyle In bytoknyng of trawthe, bi tytle that hit habbez, For hit is a figure that haldez fyve poyntez, And vche lyne vmbelappez and loukez in other, And ayquere hit is endelez; and Englych hit callen Oueral, as I here, the endeles knot».
However, in [Anonymous; 1490a; folio 54 verso], which is a French armorial of imaginary heraldry about the «chevaliers de la Table ronde», Sir Gawain, identified in this text as «Messire Gauvain», is depicted with a «shield argent, a double-headed eagle or, beaked, membered and armed azure», unlike the English tradition, which as we have seen, represents him with the pentacle described in the poem «Sir Gawain and the Green Knight».
Blazon keywords: Without divisions, Gules, One, Mullet, Or, Voided and Interlaced.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Imaginary.
Imaginary bearer: Gawain, Sir.
Azure, six lions rampant Or, 3, 2 and 1.
Escudo de azur, seis leones rampantes de oro, 3, 2 y 1.
Existing armories interpreted by me as follows: the shape of the shield is pointed; the field has been enameled in flat azure; the 6 lions are illuminated and cast shadows on the field; and the entire composition has a hammered metal finish.
The shield of Geoffrey V, Count of Anjou is considered the first documented coat of arms in history, dated to 1127, when Henry I of England gifted it to him on the occasion of his marriage to his daughter Matilda of England [The Heraldry Society; 2013].
There is no direct evidence that Henry I possessed a coat of arms, nor that it featured a rampant lion [Humphery-Smith, C.; 1983], but the gift of a shield with 6 lions to his future son-in-law could be an indication of such.
Geoffrey is buried in the Cathedral of Saint Julian in Le Mans, and his tomb is decorated with an enamel depicting him with his shield, where of his 6 lions: 4 are fully visible, and 2 are suggested by their claws.
However, it is possible that both the wedding gift narrative and the enamel on the tomb are from years after his death in 1151, so [Pastoureau, M.; Garvie, F.; 1997; page 18] asserts that «this account was written after Geoffrey's death... and his funerary enamel commissioned by his widow Matilda between 1155 and 1160... therefore it is possible that Geoffrey Plantagenet never had a coat of arms».
Blazon keywords: Without divisions, Azure, Six, Lion, Or, Rampant and Three, two and one.
Style keywords: Pointed, Illuminated, Shaded, Outlined in the field tincture and Metal beaten.
Classification: Interpreted, Personal, Coat of arms and House of Plantagenet.
Bearer: Godfrey V, Count of Anjou.
Gules, a Saint George nimbed Or, riding a Horse trampling upon a crawling Dragon, Argent.
Interpreted coat of arms: with a rounded and pointed shape; illuminated with metals or and argent and color gules; outlined with sable; and a Watercolor finish.
Blazon keywords: Without divisions, Gules, Saint George, Nimbed, Or, Horse, Dragon and Argent.
Style keywords: Ogee, Illuminated, Outlined in sable and Watercolor.
Classification: Coat of arms, Interpreted, Civic and State of Georgia.
Bearer: Georgia.
Or, a eagle displayed Sable, beaked, langued, armed and membered Gules.
Escudo de oro, un águila de sable, picada, lampasada, armada y membrada de gules.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.
Coat of arms for the Federal Republic of Germany emblazoned by me.
Blazon keywords: Or, Sable, Gules, One, Eagle, Displayed, Beaked, Langued, Armed and Membered.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Germany, Federal Republic of.
Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.
Escudo partido: 1o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
G0093, Chief Herald of Arms of Malta's grant for the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga. This coat of arms has been emblazoned by me.
Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.
Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or. Crest: Upon a helm issuant from a crown of Noble above the shield a with a wreath Argent and Gules, a Cirneco dell’Etna hound passant proper, gorged of a collar of meanders motifs Azure and Argent. Mantling: Gules doubled Argent. Motto: «Pete ex Animo Sapientiam».
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.
G0053, Chief Herald of Malta's grant of Giovanni de Bella's arms, whose full achievement has been emblazoned by me for such grant.
Blazon keywords: Gules, One, Fess, Between, In chief, Eight-pointed cross, Cross couped, Two, Mullet, Eight, Argent, In base, Three, Bendlet, Or, Crest and mantling, Helm, Issuant, Crown of Noble, Crown, On, Mantling, Doubled, Wreath, Crest, Dog, Proper, Collared, Azure, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Bella, Giovanni de.
Sanguine semy of nails Or.
Escudo de sanguíneo sembrado de clavos de oro.
Coat of arms interpreted and emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.
Blazon keywords: Without divisions, Sanguine, Semé, Nail and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted and Kingdom of Denmark.
Bearer: Globe, Richard.
I also had a heraldic wall in Google+ the social network created and closed by Google. Google + taught us that we should not put all our efforts into a single social network.
Categories: Technology, Social networks, Tower, Ordered, Or, Port and windows and Azure.
184th Pope of the Church, from 1271 to 1276. «Gregorius X», born Teobaldo Visconti, was born in Piacenza and convened the 14th Ecumenical Council, known as the Second Council of Lyon.
Azure, a chief embattled Or.
Escudo de azur, el jefe almenado de oro.
Papal coat of arms interpreted by me with: a pointed and rounded shield shape; the field in plain Azure; the chief embattled, illuminated in metal Or and outlined in Sable; and the whole with a marbled finish.
My first version of the blazon in English was «Azure, a chief Or, embattled», but Michael McCartney suggested that it was more correct as «Azure, a chief embattled Or».
Blazon keywords: Without divisions, Azure, Chief, Or and Embattled.
Style keywords: Ogee, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted, Religious and Papal States.
Bearer: Gregory X.
You might belong in Gryffindor, Where dwell the brave. It is their daring, nerve and chivalry that set Gryffindors apart.
Party per pale Gules and Or, overall a lion rampant counterchanged.
Escudo partido de gules y oro, un león rampante del uno al otro.
Imaginary arms of Gryffindor House made with the following characteristics: the mouth of the imaginary coat of arms is rounded; the shield is party per pale; the field is enameled in flat tinctures of Gules and Or; the lion is illuminated in Or and Gules and outlined in Sable; and the whole is finished with a raised-stroke effect.
The initial quote, next to the Hufflepuff coat of arms, is taken from [Rowling, J. K.; 1997] and corresponds to «You might belong in Gryffindor, Where dwell the brave at heart, Their daring, nerve and chivalry Set Gryffindors apart».
This imaginary coat of arms of the Gryffindor House at Hogwarts School of Witchcraft and Wizardry has been interpreted without taking much into account other of the multiple realizations that have been produced and disseminated.
Blazon keywords: Party per pale, Or, Gules, Lion, Rampant and Counterchanged.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.
Imaginary bearer: Gryffindor at Hogwarts.
Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2.
Escudo de plata, un monte de tres peñas de sinople, moviente de la punta, surmontado de las letras «GVA» unidas de Sable; en un jefe de azur, tres estrellas de ocho puntas de oro, 1 y 2.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
R0067, Chief Herald of Malta's register of the coat of arms of Mario Antonio Guallini. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet and Disordered.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Guallini, Mario Antonio.
Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent. Motto: «Hacienda de Triana».
Escudo partido: 1o de plata, un árbol moviente de la punta de morado; 2o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata. Divisa: «Hacienda de Triana».
Arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.
Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief, Arch and Motto.
Style keywords: Illuminated, Chasuble and Watercolor.
Classification: Socioeconomic, Interpreted, Boa and Coat of arms.
Bearer: Triana, Hacienda de.
Or, three puffins proper.
Escudo de oro, tres frailecillos (Fratercula arctica) al natural.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a leather finishing.
He is the founder, owner, and webmaster of Heraldry of the World, since 1995, it is the most important resource for civic heraldry.
Blazon keywords: Without divisions, Or, Three, Puffin and Proper.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Hartemink, Ralf.
Or, a peacock’s head erased Azure, beaked Argent, between in dexter an increscent Azure and in sinister a rose Azure, barbed and seeded Argent.
Escudo de oro, una cabeza de pavo real arrancada de azur, picada de plata, acompañada a la diestra de un creciente tornado de azur y a la siniestra de una rosa de azur, barbada y botonada de plata.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.
Coat of arms of Mark Antony Hatsis designed by him and me and emblazoned by me.
Blazon keywords: Or, Azure, Argent, One, Peacock, Head, Erased, Beaked, Dexter, Increscent, Sinister, Rose, Barbed and Seeded.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Hatsis, Mark Antony.
Gules, two lions combatant Or.
Escudo de gules, dos leones rampantes, afrontados de oro.
Imaginary arms of the Trojan hero that I have interpreted with: the mouth in the form of a semicircular (round) base; the field enameled in flat Gules tincture; the 2 combatant lions illuminated in Or, outlined with the field tincture and shaded; and all with a beaten metal finish.
Coat of arms interpreted from the imaginary blazon described by [Avilés, J.; 1725a; page 7], which is as follows: «of red with two lions combatant Or».
Blazon keywords: Without divisions, Gules, Lion, Or and Combatant.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Shaded and Metal beaten.
Classification: Interpreted, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Hector of Troy.
Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma]. Crest: A crown of Noble. Motto: «Biche délicate».
Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.
G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose full achievement has been emblazoned by me for such grant.
Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet, In orle, Crest and mantling, Crown of Noble, Crown, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.
Henry II Plantagenet, King of England, Duke of Normandy, Duke of Aquitaine, Count of Anjou, Count of Maine, and Count of Nantes.
Gules, a lion rampant Or.
Escudo de gules, un león rampante de oro.
Existing arms interpreted by me as follows: the shield's shape is pointed; the field has been enamelled in flat Gules; the lion in Or has been outlined in Sable; and the whole composition has a rough texture finish.
It is believed that Henry I was the first King of England to have a coat of arms, featuring a single lion rampant, but no documentary evidence has yet been found [Rabbow, A.; 1999; paragraph 8].
[Ailes, A.; 1982; page 62] argues that Henry II may have used three different versions of his arms featuring a) a single lion rampant, b) two leopards, and c) three leopards. However, it remains unclear whether these versions were used sequentially over time or concurrently. For this interpretation, I have chosen the version with the lion rampant.
Blazon keywords: Without divisions, Gules, One, Lion, Or and Rampant.
Style keywords: Pointed, Plain tincture, Outlined in sable and Rough.
Classification: Interpreted, Coat of arms, Personal, House of Plantagenet and Kingdom of England.
Bearer: Henry II of England.
King of England, Lord of Ireland and Duke of Aquitaine from the year 1216 to the year 1272
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth of the shield is semicircular (round); its field has been enamelled in a flat tint of Gules; its leopards are illuminated in Or and Azure and outlined in Sable; and the whole has a finish of aged parchment.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Henry III of England.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a cross flory Purpure.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, una cruz flordelisada de púrpura.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Henry of Castile, 1230–1303, 6th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. He bore his father's arms, replacing the lion Purpure of the Kingdom of León with a cross flory Purpure, likely due to his close association with the Order of Calatrava, whose emblem is a cross flory Gules. However, he retained the metal Argent field in the 2nd and 3rd quarters and the lion's purpure color, suggesting this was more of a conceptual change than a quartering by alliance with the Order of Calatrava.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Cross flory and Cross couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Henry of Castile, Infante.
Heraldic document for the arms of László Linett Regina. Her coat of arms has been created by her, and emblazoned by me, and this heraldic document has been edited, signed, sealed, and dated by me. The image shows 2 pages of this heraldic document.
Blazon keywords: Azure, Or, Argent, Three, One, Eight, Lightning flash, In pall, Debruised, Unicorn, Head, Couped, The eyes, Bordure and Fleur de lis.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Catalogue, Heraldic document and Frame.
Bearer: László Linnet Regina.
Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, within an annulet Or, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre» Sable, in sinister chief, charged with «el Hijo» Sable, in base, charged with «el Espítiru» Sable, and one on the fess point, charged with «Dios» Sable.
Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, dentro de un anillo de oro, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre» de sable, en la siniestra del jefe, cargado con «el Hijo» de sable, en la punta, cargado con «el Espítiru» de sable y uno sobre el corazón, cargado con «Dios» de sable.
Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in watercolor Azure; the rest in heavily beaten metal, outlined of the field and illuminated in Argent, except for the annulet which is illuminated in Or; and its letters all in plain Gules ink.
The circular crown when it is large and in the middle of the shield [Cadenas y Vicent, V. de; 1975] is called an annulet. [Avilés, J.; 1780a; pages 296 and 297] calls it annulet or small annulet depending on its size, if it is large an annulet and if it is small a small annulet. In English and French heraldry it is called «cyclamor» and hence the expression «cyclamor annulet» can also be found.
This annulet is my aesthetic contribution to this imaginary coat of arms as it is normally not represented with this annulet.
In other interpretations the words «non est» go on a bordure or on an orle, the latter being the case blazoned, for example, [Husenbeth, F. C.; 1882; 2nd appendix] in the following way: «Gules, an orle and pall Argent, conjoined and surmounted of four plates, occupying the dexter and sinister chief and the base and fess points respectively; the first inscribed Pater, the second Filius, and the third Spiritus Sanctus, the centre Deus; the connecting portions of the orle between them having the words non est, and those of the pall est».
Blazon keywords: Without divisions, Azure, Cyclamor, Pall, Closed, Argent, Charged, Bezant and plate, Or, Dexter, Sinister, Chief, Base (lower 1/3) and Heart.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Watercolor and Hard metal.
Classification: Religious, Interpreted, Imaginary and Coat of arms.
Imaginary bearer: Holy Trinity.
Quarterly: 1 and 4 Gules, a lion rampant, double queued Argent, armed, langued, and crowned Or; 2 Azure, a letter «G» Or; 3 Azure, a coronet trefoiled Or
Escudo cuartelado: 1o y 4o de gules, un león rampante, de cola horquillada de plata, armado, lampasado y coronado de oro; 2o de azur, una letra «G» de oro; 3o de azur, una corona trebolada de oro
This coat of arms is illuminated with lights and shadows and has a finish like glass.
The Hradec Králové Region is an administrative unit of the Czech Republic. It is located in the historical region of Bohemia. Its capital is Hradec Králové, whose Latin name is «Gradicium», hence its old name «Gradec». The letter «G» seen in both the coat of arms of the Hradec Králové Region and the coat of arms of its capital originates from this historical name. The lion rampant Anrgent, double queued and crowned in the 1st and 4th quarters is the symbol of Bohemia, and it also appears in the 1st and 4th quarters of the coat of arms of the Czech Republic. «Králové» means «of the queen» in Czech and there is a trefoiled crown in the 3rd quarter
Blazon keywords: Quarterly, Gules, One, Lion, Rampant, Tail, Double queued, Argent, Armed, Langued, Crowned, Or, Azure, Letter, Coronet trefoiled, Ancient coronet, Crown and Trefoiled.
Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic and Interpreted.
Bearer: Hradec Králové Region.
Hard work, patience, justice, and loyalty.
Party per pale: 1 Or, a badger rampant Sable; 2 Sable, a badger rampant, regardant Or.
Escudo partido: 1o de oro, un tejón rampante de sable; 2o de sable, un tejón rampante, contornado de oro.
Imaginary arms of the student House Hufflepuff at Hogwarts School of Witchcraft and Wizardry, made with the following differential characteristics compared to other representations: the mouth of the coat of arms is rounded; the shield is party per pale; the field and the badgers are enameled in flat tinctures of Sable and Or; the badgers, facing Dexter and Sinister, are outlined by the field; and the whole is finished with a raised-stroke effect.
This imaginary coat of arms of the Hufflepuff House at Hogwarts has been interpreted without taking much into account other of the multiple realizations that have been produced and disseminated.
Blazon keywords: Party per pale, Or, Sable, Badger, Rampant and Regardant.
Style keywords: Rounded, Plain tincture, Outlined in the field tincture and Freehand.
Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.
Imaginary bearer: Hufflepuff at Hogwarts.
Cecil Humphery-Smith, FHS - Fellow of The Heraldry Society, «Why three Leopards?», Coat of Arms, COA, An Heraldic Quarterly Magazine, issue 126, The Heraldry Society, Baldock, Hertfordshire, summer of 1983.
The coat of arms illustrating this bibliographic reference is that of the Kingdom of England, which was also that of the queen of Castile Leonor Plantagenet.
Bibliographical reference of century XX.
Author: Humphery-Smith, Cecil.
The following articles cite this bibliographic reference:
External resource:
Internal resources: HumpherySmithC1983.3Leopards.docx.
Quarterly: 1 and 4 Or, four pallets Gules; 2 and 3 Gules, two bezants in pale.
Escudo cuartelado: 1o y 4o de oro, cuatro palos de gules; 2o y 3o de gules, dos bezantes en palo de oro.
Coat of arms of IESE interpreted by me as follows: the shield has a semicircular (round) base; the field is illuminated in flat tinctures Or and Gules; the eight pales and the four bezants are illuminated in Gules and Or; and the whole coat of arms has a beaten metal finish.
IESE was founded in 1958 under the name Institute of Higher Business Studies, it is the business management school of the University of Navarra and is currently known as IESE Business School.
Blazon keywords: Quarterly, Gules, Or, Pale, Bezant and plate and In pale.
Style keywords: Semi-circular, Illuminated and Metal beaten.
Classification: Interpreted, Socioeconomic, Education and Coat of arms.
Bearer: IESE.
[ Azure, a mount issuant from the base, in chief a fleur the lis Argent ] and [ Party per chevron Azure and Or, in chief a fleur de lis Argent, in base four pallets Gules ].
The coat of arms of Ignasi Pujol was designed by him based on the ancient arms of the Pujol lineage, 1st image, and refined and emblazoned by me, 2nd image. The comparison of the blazon of the Pujol lineage with the blazon for Ignasi Pujol is the following.
Blazon keywords: Azure, Argent, Or, Gules, One, Mount, Issuant from base, In chief, Party per chevron, Fleur de lis, In base, Pallet and Pale.
Style keywords: Outlined in sable and Illuminated.
Classification: Lineage, Personal, Compare, Interpreted, Coat of arms and Boa.
Bearer: Pujol, Ignasi.
Azure, three crowns in bend, palewise Or.
Escudo de azur, tres coronas en banda, puestas en palo de oro.
Although the crowns are placed palewise, their natural position, since they are also along the bend, then specifying in the blazon that they are placed palewise can avoid the error of placing them rotated.
In the coats of arms of the members of The Heraldry Society, as in many other places, cases of «puesto en palo» ~ «palewise» can be seen, for example:
Blazon keywords: Without divisions, Azure, Or, Crown, In bend and Palewise.
Style keywords: Semi-circular, Outlined in sable and Watercolor.
Classification: Criterion.
Bearer: In and wise.
Azure, a harp Or, stringed Argent
Escudo de azur, un arpa de oro, cordada de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, One, Harp, Or, Stringed and Argent.
Style keywords: Leather, Outlined in sable, Illuminated and Ogee.
Classification: Civic, Republic of Ireland, Interpreted and Coat of arms.
Bearer: Ireland.
The Commoners' Certification of Arms for Manel Gonzalez Lopez with his coat of arms emblazoned by me.
Quarterly: 1 and 4 Gules, a Castle triple towered Or, port, windows and masoned Sable; 2 and 3 Or, thirteen Torteaus, three, three, three, three, and one.
Blazon keywords: Quarterly, Gules, One, Castle, Or, Port and windows, Masoned, Sable, Thirteen and Torteau.
Style keywords: Ogee, Freehand and Outlined in sable.
Classification: Interpreted, Personal, Certification and Heraldic document.
Bearer: González López, Manel.
The Commoners' Certification of Arms for Tomasz Arkadiusz Grzeszkowiak, arms designed by Tomasz Steifer and emblazoned by me.
Gules, a base enarched Vert, overall a cross patty fitchy Or, piercing in base the head of a serpent nowed and facing sinister Sable, langued Gules. Crest: Upon a helm affronty, with a wreath Sable and Gules, in a front of three ostrich feathers alternately Sable and Gules a paschal lamb Argent, haloed Or and Gules, supporting a staff Or, flying a banner Argent charged with a cross Gules. Mantling: Gules doubled Sable. Motto: «Amor vincit omnia»
In the blazon of this certification, I wrote the expression «a Base enarched Vert», it is correct. But the expression «a Mount Vert» it is also possible. In the original expression in the Polish blazon is «na zielonym wzgórkuon» ~ «the green hill».
Blazon keywords: Without divisions, Gules, One, Mount, Vert, Issuant from base, Overall, Cross patty fitchy, Cross couped, Piercing, Head, Serpent, Nowed, Facing sinister, Sable, Langued, Helm, Affronty, Two, Mantling, Doubled, Wreath, Three, Quill, Alternately, Debruised, Paschal lamb, Argent, Nimbed, Or, Grasping, Shafted, Charged, Cross and Motto.
Classification: Interpreted, Personal, Certification, Heraldic document and Flag.
Bearer: Grzeszkowiak, Tomasz Arkadiusz.
King of Aragon, Valencia and Majorca, Count of Barcelona, Count of Urgell, Lord of Montpellier and known as the Conqueror
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms interpreted by me as follows: the escutcheon shape is semicircular; the field is rendered in flat Or with a watercolored effect; and the pallets are illuminated and finished with a crystalline texture.
A semicircular-shaped shield of Aragon can be seen, for instance, in [Argote de Molina, G.; 1588; chapter XLII].
This shield, but with a pointed base, appears in the second part of the armorial [Wijnbergen; 1265; shield no. 1,293], under the title «Le roy Darragon». This second part was compiled between 1270 and 1285 and, since James I was king of Aragon from 1213 to 1276, it could refer to him; although it might also refer to his son Peter III, the Great, who succeeded James I in 1276.
This coat of arms is also the arms of Aix-en-Provence, granted to that French city, according to tradition, by Alfonso II of Aragon [Aix-en-Provence; 1351], grandfather of James I, the Conqueror.
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Watercolor and Crystalline.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: James I of Aragon.
Known as the Unfortunate, Count of Urgell, Viscount of Àger, Baron of Fraga, Antillón and Alcolea de Cinca (1380–1433).
Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.
Escudo dimidiado: 1o de oro, cuatro palos de gules; 2o ajedrezado de oro y sable.
Arms interpreted with: a shield shape of convex-sided triangles; the tinctures of the pallets and the chequey are flat gold, gules and sable; and the whole design has a heavily hammered metal finish.
James II of Urgell, 1380–1433, known as the Unfortunate, Count of Urgell, Viscount of Àger, and Baron of Fraga, Antillón and Alcolea de Cinca, was one of the main claimants to the throne after the death of Martin I of Aragon. His rejection of the Compromise of Caspe led to his defeat and imprisonment.
Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.
Style keywords: Triangular curved, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: James II of Urgell.
Coat of arms of the municipality of Jamilena, province of Jaén.
Or, a cross of Calatrava.
Escudo de oro, una cruz de Calatrava.
Coat of arms interpreted as follows: the shield's shape is a semicircular arch; the field is illuminated in metal Or; the cross of Calatrava is outlined in Sable and illuminated in Gules; and the entire piece has a rough line finish.
Blazon keywords: Without divisions, Or, Cross of Calatrava, Cross couped and Cross.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Civic and Coat of arms.
Bearer: Jamilena.
Gules, a beaver erect Or, armed and tailed Argent, bearing on his dexter shoulder a sword Argent, hilted Or; on a chief embattled of Renaissance crenellations Or three fleurs de lis Azure.
Coat of arms interpreted by me, in plain tinctures, contoured in Sable, with an ogee outer contour and with a texturized finish.
Canting arms of Jan Bobor, Slovakia, emblazoned under his directions. Bobor means Beaver.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Beaver, Erect, Armed, Tailed, Grasping, Dexter, Shoulder, Sword, Hilted, Chief, Embattled and Fleur de lis.
Style keywords: Outlined in sable, Plain tincture and Ogee.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bobor, Jan.
Escudo cuartelado: 1o y 4o de azur, cinco bezantes de oro en sotuer; 2o y 3o de oro, tres corazones de gules ordenados. Timbrado de un yelmo de plata; lambrequines de azur doblados de oro; y burelete de oro y azur; cimado de un león rampante de oro, lampasado y armado de gules. Pendiente de la punta la insignia del Cuerpo de la Nobleza del Principado de Asturias.
Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules, Ordered, Crest and mantling, Helm, Argent, Mantling, Wreath, Lion, Rampant, Langued, Armed, Suspended, Base (lower 1/3) and Decoration.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Fernández-Cortés y Fonseca, Javier.
Quarterly: 1 Azure, a lion rampant Or; 2 Argent, a falcon rising, grasping in its paws a serpent Sable; 3 Or, a tower Azure, port, windows, and masoned Sable; 4 Gules, a fox passant Or; a chief Gules semé of mullets Argent.
Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems leather.
General Jean-Baptiste Bessières, Dukes of Istrie, and Marshal of the Empire.
Blazon keywords: Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five and Base (lower 1/3).
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Bessières, Jean-Baptiste.
Or, a wolf passant Gules; on a chief Gules, three bells Or.
The coat of arms of Jean-Christophe Loubet del Bayle outlined by me.
Blazon keywords: Or, Gules, One, Three, Wolf, Passant, Chief and Bell.
Style keywords: Outlined, Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Loubet del Bayle, Jean-Christophe.
Gules, a lion rampant Or, langued and armed Vert; a bordure Azure charged with six escallops Argent. Moto: «Vade Fortis Anime».
Escudo de gules, un león rampante de oro, lampasado y armado de sinople; una bordura de azur cargada de seis veneras de plata. Lema: «Vade Fortis Anime».
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finishing.
Blazon keywords: Gules, Or, Vert, Azure, Argent, One, Six, Lion, Rampant, Langued, Armed, Bordure, Charged, Escallop and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sendat, Jean-Philippe.
Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Motto: «Nolite Conformari Huic Saeculo» Sable, with initial letters Gules, over a scroll Argent.
Escudo partido de sinople y azur, brochante sobre el todo una espada puesta en faja de plata, guarnecida de oro, acompañada en jefe de un hórreo de oro, y en punta de una venera de plata acompañada de dos hojas de roble en pila de oro. Lema: «Nolite Conformari Huic Saeculo» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.
Per pale Vert and Azure represents the fields of Galicia facing the sea, with its «horreo» ~ granary and the oak leaves as symbols of Galician nature and of the values of strength and nobility of the bearer. The escallop symbolises the Holy Catholic Faith and traditional and conservative values. The sword represents Justice and the bearer’s studies in Law, as well as strength and worth. The bearer’s motto, «Nolite conformari huic saeculo» ~ «Be not conformed to this world», taken from the Epistle of the Apostle Saint Paul to the Romans, chapter 12, verse 2, expresses his personal view of life.
Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Angueira Duro, Jesus.
John de Octon ~ Joan de Okinton.
Or, three cinquefoils Gules.
Escudo de oro, tres quinquefolios de gules.
Included in [Vincent, MS; 1285; number 620] also known as [St. George's Roll; 1285; number 620].
Blazon keywords: Without divisions, Or, Three, Cinquefoil, Gules and Ordered.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Juan de Octon.
Sir John Berry, Admiral of the Royal Navy
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Coat of arms interpreted as follows: the top of the shield is pointed; its field has been painted in flat Or; its fesses have been outlined in Sable and illuminated in Gules; and the whole set has a pearly finish.
The arms of John Berry, and therefore those of Berry of Molland, are equivalent to those of Pope Clement V and to the Castilian arms of Diego Fernández de Córdoba y Carrillo.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Pointed, Illuminated, Outlined in sable and Iridescent (nacar).
Classification: Interpreted, Personal and Army and Navy.
Bearer: Berry, John.
Party per chevron Sable and Argent, in the dexter of the chief a sun in splendour Or, pointed from the sinister by a dexter hand couped at the wrist, bendwise proper, in base three Brach hounds' heads couped Azure, 1 and 2.
Arms designed by me, in plain tinctures, contoured in Sable, with an ogee triple-pointed external shape and with a texturized finish.
The coat of arms of John Brady from Ireland, designed and emblazoned by me. Blazon, Irish style: «Sable, a sun in splendour Or in the dexter chief, and a dexter hand couped at the wrist proper pointing thereto in the sinister base, and per chevron Argent three brach hound's heads couped Azure, 1 and 2».
Blazon keywords: Sable, Or, Argent, Azure, One, Three, Party per chevron, Dexter, Chief, Sun in splendour, Sinister, Hand, Couped, Wrist, Bendwise, Proper, In base, Brach hound, Dog, Head and Disordered.
Style keywords: Outlined in sable, Plain tincture and Ogee Triple-Pointed.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Brady, John.
John Lackland ~ Juan sin Tierra ~ Sans-Terre.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Existing arms interpreted as follows: the mouth of the coat of arms is semicircular (round); the field has been enamelled in a flat tint of Gules; the three leopards are outlined in Sable and illuminated in Or and Azure; and the whole is executed with a raised-stroke effect.
Regarding this version of the shield of John I, [Humphery-Smith, C.; 1983] writes that «Richard's younger brother John... bore two lions because he was a junior member of the Plantagenet line», thus showing his belonging to a second level of the ruling family, although, after his brother Richard I of England, he not only ended up being king but it was also his line of succession that continued to reign in England.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: John I of England.
187th Pope of the Church, from 1276 to 1277. «Johannes XXI», born Pedro Julião, also known as Pedro Hispano, born in Lisbon, Portugal.
Quarterly: 1 and 4 Argent, three crescents Gules; 2 and 3 Sable, two pallets Or.
Escudo cuartelado: 1o y 4o de plata, tres crecientes de gules; 2o y 3o de sable, dos palos de oro.
Coat of arms with: a shield with a pointed and rounded top; the field in plain Argent and Sable; the figures outlined in Sable and illuminated in Gules and Or; and the whole in an elevated line style.
John XXI should have actually been John XX, but Cardinal Pedro Julião, upon being elected pope, decided to skip the number XX and called himself John XXI, with the aim of correcting what was believed to be a historical error, which in the end was not so.
This historical error consisted of the belief in the existence of 2 popes named John XIV, as seemed to be deduced from the records of the «Liber Pontificalis». They were therefore referred to as: the 1st John XIV and the 2nd John XIV bis.
By skipping the number XX, John XXI believed he was correcting this historical error. But the reality is that there was only one Pope John XIV, the same pope with 2 entries in the «Liber Pontificalis», the 1st entry during the time of his pontificate in freedom and the 2nd entry for the time he exercised his pontificate in prison, imprisoned by his enemy, the so-called «antipope» Boniface VII, who, in turn, managed to occupy the papal throne twice, separated by a decade, in 974 and in 984, somewhat like a double «antipope».
Therefore, John XXI, instead of correcting a historical error, made one, and for this reason, there is no Pope John XX in all of history, nor can there ever be one.
Blazon keywords: Quarterly, Argent, Three, Crescent, Gules, Ordered, Sable, Two, Pale and Or.
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: John XXI.
Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or.
Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems leather.
These arms were designed by Felipe Trujillo Jimenez as a derivation of the primitive arms of Pons and Peneque lineages. The Pons lineage has canting arms: «Or, a three arch bridge issuant from base and throughout Sable». The blazon of the ancient arms of Paneque lineage is: «Azure, five fleurs de lis Or, in base two bars Argent».
Credits: Felipe Trujillo Jiménez is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess and Wavy.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Pons Paneque, Jonathan.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un lambel de gules.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
The coat of arms of Easton Michael Jones designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jones, Easton Michael.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a crescent Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un creciente de gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Rhettlee Cooper Jones designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jones, Rhettlee Cooper.
Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable.
Arms designed by me, in flat tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.
This is the coat of arms of Jose Manuel Gutierrez Benitez designed by him and me and emblazoned by me.
Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Three, Four, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head and Caboshed.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Gutiérrez Benítez, Jose Manuel.
Or, a badger rampant Sable.
Coat of arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finishing.
Coat of arms of Jose Manuel Villauriz Alvarez, emblazoned by me under the directions of Alfonso Ceballos-Escalera Gila, Cronista de Armas de Castilla y Leon.
Blazon keywords: Or, Sable, One, Badger and Rampant.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Villauriz Álvarez, José Manuel.
[ Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent ] accolé with [ Or, an eagle displayed bendy Azure and Argent ].
Arms depicted by me, in plain tinctures, contoured in Sable, and with a texturized finish.
These are the coats of arms of the marriage Lanzagorta-Escutia, both designed by Juan Lanzagorta Vallín and emblazoned by me. This image shows the arms of Juan Lanzagorta Aras accolé with those of María Dolores Escutia Sánchez.
Blazon keywords: Azure, Or, Argent, Three, One, Party per pale, Bendy, Wavy, Overall, Fish, Naiant, In pale, Eagle and Displayed.
Style keywords: Outlined in sable and Plain tincture.
Classification: Personal, Interpreted, Boa, Coat of arms and Accolé arms.
Bearer: Lanzagorta-Escutia, marriage.
Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent. Motto: «Quis ut Deus».
Escudo de azur, una trompeta puesta en barra de oro, resaltada de una pez hauriante de plata, resaltado de un espada puesta en banda bajada de oro, todos acompañados de dos flores de lis en faja de plata. Lema: «Quis ut Deus».
Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a watercolor finish.
Blazon keywords: Azure, Argent, Or, Sable, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis, In fess and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Aspe, Julio Hector.
Sanguine, a lion rampant, double queued Argent, tufted Or and langued Gules holding in its paws by the bows three keys fesswise bows interlaced wards to dexter facing downwards Or, in chief a mullet of eight points Or; all within a tressure Or.
Escudo de sanguíneo, un león rampante, de cola horquillada de plata, empenachada de oro, lampasado de gules teniendo en sus patas tres llaves entrelazadas, en palo, puestas en faja, con el dentado hacia la diestra y abajo; en jefe, una estrella de ocho puntas; un trechor, todo de oro.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.
Coat of arms of Rick Kasparek emblazoned by me.
Blazon keywords: Sanguine, Argent, Or, Gules, One, Three, Eight, Lion, Rampant, Double queued, Tufted, Langued, Grasping, Paw, Key, Fesswise, Interlaced, In chief, Mullet and Tressure.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Kasparek, Rick.
Gules, three crowns Or.
Escudo de gules, tres coronas de oro.
Imaginary coat of arms interpreted in the following manner: the mouth of the shield is semicircular; the field has been enameled with flat color Gules; the crowns are illuminated Or and shaded; and the finish is crystalline.
This imaginary coat of arms proposal for King Arthur can be seen in [Ingeram, H.; 1459; page 30, 2nd shield], sharing the page with Charlemagne, 1st shield, and Godfrey I of Louvain and Duke of Brabant, 3rd shield.
This variant of the imaginary coat of arms of King Arthur is one of the 6 that are illustrated, although more are listed, in the article [Scott-Giles, C. W.; 1965; paragraph 8, figure 2nd], with variants of 10 and up to 13 crowns.
Blazon keywords: Without divisions, Gules, Or, Crown and Ordered.
Style keywords: Illuminated, Shaded, Outlined in sable, Crystalline and Ogee.
Classification: Interpreted, Imaginary, Coat of arms and Kingdom of England.
Imaginary bearer: Arthur of Britain.
Daniel King, «The Vale-Royal of England or, The County Palatine of Chester Illustrated, wherein is Contained a Geographical and Historical Description of that Famous County, with all its Hundreds and Seats of the Nobility, Gentry and Freeholders», edited and published by Daniel King, engraver, book sponsored by Peter Venables, Baron of Kinderton, Chester, Cheshire County, 1656.
The book includes around 520 coats of arms of Cheshire, with black and white illustrations, where the metals and colors are indicated by a letter code.
The coat of arms that illustrates this bibliographic reference is one of those recorded in this book and corresponds to the coat of arms of Abadía de Delacres, with the difference that here the crozier faces the right side of the shield, unlike the one represented in this book, which, like other croziers in this book, faces the left side of the shield.
Bibliographical reference of century XVII.
The author is King, Daniel.
External links:
Metal Or over metal Argent.
Argent, a cross potent cantoned of four crosslets potent Or.
Escudo de plata, una cruz potenzada cantonada de cuatro cruces potenzadas todas de oro.
Illuminated with lights and shadows and with a freehand finish.
Perhaps the most classic example of non-compliance with the heraldic rule of tinctures having metal Or over metal Argent. In [Galdiano L.; Century XVII; folio 6], you can see a version of the arms of Jerusalem with the field in Gules, which would indeed follow the rule of tinctures as it is metal on color.
Blazon keywords: Without divisions, Argent, One, Cross potent, Cross couped, Cantoned, Four and Or.
Style keywords: Freehand, Outlined in sable, Illuminated, Semi-circular and Metal on metal.
Classification: Interpreted and Civic.
Bearer: Kingdom of Jerusalem.
Or, the symbol of the Royal House of Kupang Sable.
Escudo de oro, el símbolo de la Casa Real de Kupang de sable.
Coat of arms emblazoned by me with a pointed shape, also called heater, illuminated, and its finishing is that seems watercolor.
Blazon keywords: Without divisions, Or, One, Symbol and Sable.
Style keywords: Pointed, Outlined in sable, Illuminated and Watercolor.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Kupang, Royal House of.
Pierre de La Forcade ~ Pierre de Forcade (XV century).
Lozengy Or and Azure, a pale Gules.
Escudo losanjado oro y azur, un palo de gules.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; the pale illuminated in Gules and outlined in Sable; and the whole with a raised-stroke effect.
Blazon keywords: Lozengy, Or, Azure, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: La Forcade, Pierre de.
Argent, a Mexican cedar tree eradicated proper, fructed Or, its trunk charged with the letters «JML» Or, branded with a branding iron.
Escudo de plata, un cedro macho arrancado al natural, frutado de oro, su tronco cargado de las iniciales «JML» de oro, hechas a hierro de marcar.
Blazon keywords: Argent, Or, One, Mexican cedar tree, Eradicated, Proper, Fructed, Trunk, Charged, Branding iron and Letter.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Aras, José María.
Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent.
Escudo partido: 1o bandado ondado de azur y oro; 2o bandado ondado de azur y plata; brochante sobre el todo tres peces nadantes en palo de plata.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of Juan Lanzagorta Aras designed by Juan Lanzagorta Vallín and emblazoned by me. In the case of bendy fields like these, it is not immediately clear whether they should be blazoned as bendy Azure and Or and bendy Azure and Argent, or rather as bendy Or and Azure and bendy Argent and Azure. I have followed the criterion of starting to list the tinctures from the dexter chief of each quarter, and for that reason I blazon them as bendy, in this case wavy bendy, Azure and Or and wavy bendy Azure and Argent, since in both quarters it is Azure that begins at the dexter chief.
Blazon keywords: Azure, Or, Argent, Three, Party per pale, Bendy, Wavy, Overall, Fish, Naiant and In pale.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Aras, Juan.
D'or à un arbre arraché de sinople, accosté à dextre de la lettre capitale «D» et à senestre de la lettre capitale «L» du même, et une étoile d'azur posée au canton dextre de la pointe.
Or, a tree eradicated Vert between a capital letter «D» and a capital letter «L» Sable, in the dexter of the base a mullet Azure.
Illuminated with lights and shadows and with a leather finish.
Blazon keywords: Without divisions, Or, One, Tree, Erased, Vert, Between, Letter, Sable, Canton, Dexter, Base (lower 1/3), Mullet, Five and Azure.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finish.
The coat of arms of Corey Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Corey Scott.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a crescent Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un creciente de gules.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of Hudson Hayes Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Hudson Hayes.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a label Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un lambel de gules.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of Ryker Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Crescent and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Ryker Scott.
Gules: a warren hound parado statant Or; a base hearty Or.
Escudo de gules: un podenco parado de oro; la campaña encajada de corazones de oro.
Coat of arms that I have created with: the shield’s shape pointed and rounded; its field painted in flat tint gules; the warren hound and the base hearty are illuminated Or and delineated Sable; and the whole is executed in raised-line drawing.
A base made of generous hearts Or, interlocked with hearts Gules, red as blood, gives its support to a Spanish warren hound standing upon it. They are the hearts of those who love, protect and care for the hounds, intertwined with the hearts of the hounds whose noble heartbeats are evoked in the motto.
The founders of this Spanish warren hound shelter did not wish for a dog armed and langued, since those heraldic attributes would imply that the animal is not truly in need of protection. They preferred instead to highlight the podenco’s loyalty and faithfulness.
In English heraldry, ordinary lines of partition such as «almenado» ~ «embattled», «acanalado» ~ «invected», or «angrelado» ~ «engrailed» have well-established names. There is, however, no general rule for blazoning lines formed by repeated and more elaborate figures, such as fir trees, fleurs de lis, or other shapes.
Each case tends to receive a descriptive or newly coined term, such as «sapiné» or «flory» «flory counterflory», in these last two cases depending on whether the figures all point in one direction or alternate upward and downward.
Note that in «sapiné» the charm lies precisely in that alternation: the fir trees point alternately upward and downward, so that the figures interlock with each other.
Therefore, if a new figure appears, such as the heart in this case, with hearts pointing upward, one might say «hearty» or, more specifically, «hearty counterhearty»; but following the example of «sapiné», we shall simply blazon «hearty».
For example, the line formed by dovetail shapes, called «dovetailed» in English, is blazoned in Spanish as «encajada de colas de milano», even changing the name of the bird. Note that in this case they interlock precisely because some point upward and others downward, hence their use in joinery, cabinetry, and related arts.
In Spanish there are classical terms for the most common forms, such as «almenado», «acanalado» or «angrelado», with «encajado» ~ «dancetty» being perhaps the most characteristic, where the angles interlock alternately upward and downward.
When facing new or uncommon shapes, instead of inventing a new term we prefer to use the basic one, «encajado», adding afterwards the specific figure that forms the interlock, for example, «encajado de abetos» ~ «sapiné».
Thus, in this case we blazon «the base hearty», with the hearts alternating upward and downward, just as in the traditional «encajado» the angles alternate both ways.
Blazon keywords: Without divisions, Gules, Or, Warren hound, Dog, Base, Base (lower 1/3), Dancetty and Heart.
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Created, Socioeconomic, Design rationale, Criterion and Coat of arms.
Bearer: Latidos Podencos.
Azure, five flies in saltire Or.
Escudo de azur, cinco moscas puestas en sotuer de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
This is the coat of arms of the lineage Laydin emblazoned by me, as described in [Cadenas y Vicent, V. de; 1987; page 989], whose blazon is equivalent to that of the Zendreros lineage, also described in [Cadenas y Vicent, V. de; 1987; page 1941].
Blazon keywords: Azure, Or, Five, Fly and In saltire.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Laydin, lineage.
Gules, a castle triple-towered Or, masoned Sable, issuant from its port a dragon passant Vert, in chief a pelican in her piety Argent, vulned Gules.
Escudo de gules, un castillo de oro, mazonado de sable y saliendo por su puerta un dragón pasante de sinople, en jefe un pelícano desplegado de plata, la piedad de gules.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Lazaro of Aragon emblazoned by me.
Blazon keywords: Gules, Or, Vert, Argent, One, Castle, Triple-towered, Masoned, Issuant (port), Dragon, Passant, In chief, Pelican in her piety and Pelican.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lazaro of Aragon, lineage.
Blazon of the lineage Lazcano in the Canary Islands.
Vert, nine Poplar leaves ordered, in chief a «T» letter Or.
Illuminated and leather finishing.
It can be consulted at [Chaparro D'Acosta L.; 1979; página 251].
Blazon keywords: Without divisions, Vert, Letter, Poplar leaf, Or and Nine.
Style keywords: Leather, Outlined in sable and Illuminated.
Classification: Interpreted.
[ Gules, a lion rampant Or, ] accolé with [ Gules, a lion passant, guardant Or ].
[ Escudo de gules, un león rampante de oro, ] acolado de un [ escudo de gules, un leopardo de oro].
Existing arms interpreted by me as follows: both coat of arms are rotated ±30o; their shapes are pointed; the field of each coat of arms has been enamelled in flat Gules; the lion and the leopard in Or are outlined in Sable; and the whole composition of both arms has a rough texture finish.
Examples of accolated coat of arms (written as «accolé» in the 18th century) can be seen in [Avilés, J.; 1780a; pages 24 and 25 and plate 1: figures 1 and 2].
Blazon keywords: Without divisions, Gules, One, Lion, Or, Rampant and Leopard.
Style keywords: Pointed, Plain tincture, Outlined in sable, Tilted shield and Metal beaten.
Classification: Interpreted, Personal, Accolé arms, Duchy of Aquitaine, Kingdom of France and Kingdom of England.
Bearer: Leonor de Aquitania.
Princess of England and Queen Consort of Castile from 1170 to 1214.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure. Crest: An open royal crown Or.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur. Timbrado de una corona real abierta.
Armorial bearings of the queen interpreted by me as follows: the shape of the shield is pointed and rounded; both the field, the three leopards, and the open royal crown have been enamelled with flat tints of gules and metal or, with details in azure, vert, and metal argent; the three leopards and the crown are outlined in sable; and the whole composition has a watercolor finish.
She was the daughter of Henry II of England and Eleanor of Aquitaine, wife of Alfonso VIII of Castile, and mother of 10 children documented in historical records, with her eldest daughter being Queen Berenguela of Castile.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Crest, Open royal crown and Crown.
Style keywords: Ogee, Plain tincture, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.
Bearer: Leonor Plantagenet.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; the whole debruised by a label of three points Azure.
Escudo cuartelado: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; 2o de plata, un león rampante de púrpura, lampasado y armado de gules, coronado de oro [de León]; 3o de oro, con cuatro palos de gules [de Aragón]; 4o de gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople [de Navarra]; entado en punta de plata, una granada al natural, tajada de gules, tallada y hojada de sinople [de Granada]; un escusón de azur, tres flores de lis de oro, 2 y 1, una bordura de gules [de Borbón]; brisado de un lambel de tres pendientes de azur.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
This is the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias, Princess of Girona, and Princess of Viana, heiress of the throne of Spain as the elder daughter of King Felipe VI and Queen Letizia. This version of her coat of arms has been emblazoned by me. The coat of arms of the Princess of Asturias is the same as her father's, the King, but with a mark of cadency which, in heraldic terms, is also know as brisure. In this case, the cadency mark is a label Azure with three points, which will be removed in due course. The label of three points is the main and most classic of the brisures, usually assigned to the eldest heir. It is said to originate from a piece of cloth the son would tie at the top of his shield to distinguish it from his father's. Other common brisures include the crescent, the mullet of five point, the marlet, the annulet, or the fleur de lis. In addition to these simple brisures, there are also combined brisures, which are brisures charged with another or others. For example, a crescent charged with a fleur de lis. Labels may also have their points charged with other marks. Many cadency systems become more complicated as generations progress and branches open up, so they tend to be rarely used except in very clear cases like this one.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency and Label of three points.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Leonor Princess of Asturias.
Of the twelve lineages of Noblemen, the sixth is that of Lete, from which descended Don Juan Corbarán de Let: they bear as arms, on a field Or, three pots shaped like cauldrons, slightly elongated, as painted in this shield.
Or, three Fleshpot Sable.
Escudo de oro, tres potes de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the three pots illuminated in Sable with vertical, but not horizontal symmetry; and finished in highly-hammered metal.
It is not easy to find in English a similar figure:
Coat of arms based on the sixth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Although I have not found any reference about it, it could be considered that originally they might have been canting arms and that these three «potes» could have been milk pots, in reference to their bearers «Lete».
Under the title «Surname of Let» it can also be consulted in [Vega, P. J. de; 1702; folio 6 of the manuscript], although the number has been altered, possibly having been a 5 and perhaps interpreted as an 8, it is deduced by being placed after folio 7.
Blazon keywords: Without divisions, Or, Clay pot and Sable.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal, Kingdom of Navarre and Canting.
Bearer: Lete of Navarre.
Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it. Motto: «In Deo Spes Mea».
Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco. Lema: «In Deo Spes Mea».
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.
Coat of arms of the lineage Argüello of Extremadura emblazoned by me. This motto was found by Eleonora on a pair of Chinese porcelain plates made for the Spanish market, Qianlong period, circa 1770, which bear the arms of the Argüello lineage.
Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Proper, Fructed, Eradicated, Goat, Supporting and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argüello of Extremadura, lineage.
Gules, an eagle displayed Or.
Coat of arms of the lineage Baldovino from Venecia, emblazoned by me in 4 steps: guideline drawing, outlined, plain color and metal, and lights and shadows. From Jean-Baptiste Rietstap, «Armorial général», 1st edition, 1861, [Rietstap, J. B.; 1861; P1 CXII B, row 7, column 7].
Blazon keywords: Gules, Or, One, Eagle and Displayed.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Baldovino from Venecia, lineage.
Argent, three bars Sable; within a bordure countercompony Or and Gules.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Ceballos of Cantabria emblazoned by me. 2 versions for the same blazon.
Blazon keywords: Argent, Sable, Or, Gules, Three, Bar, Bordure and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ceballos of Cantabria, lineage.
Or, a holm oak eradicated Vert, fructed Or, in front of its trunk two boars passant, in pale Sable.
Arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Ancient arms of the lineage Peraza of Cantabria emblazoned by me. Around the year 1235, the solar house of Peraza was established in the Carriedo Valley, Cantabria. From this house descended Fernando de Peraza, Castellan and Governor of the Old Fortress of Aguilar in the land of Campo, Judicial District of Villalón, Valladolid, and another Fernando Ibárjez de Peraza, Lieutenant Governor of the Castle of Zurita, on the banks of the Zurita, after it was reconquered by King Alfonso VIII. The Peraza family connected with the Great House of Ayala and adopted the surname Peraza de Ayala.
Blazon keywords: Or, Vert, Sable, Holm oak, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Peraza of Cantabria, lineage.
Quarterly: 1 Azure, a dexter hand appaumée Argent; 2 Gules, a sword point upwards between, in the dexter, a cross patty, and, in the sinister, a Maltese cross Or; 3 Gules, three plough shares affronty, downwards, and disordered Or; 4 Azure, an eagle claw, couped Argent; an inescutcheon Or charged with a fleur de lis Azure.
Escudo cuartelado: 1o de azur, una mano diestra apalmada de plata; 2o de gules, una espada alzada acompañada, a la diestra, de una cruz patada y, a la siniestra, de una cruz de Malta, todo de oro; 3 de gules, tres rejas de arado de frente, bajadas y desordenadas de oro; 4 de azur, una garra de águila, cortada, bajada de plata; un escusón de oro cargado de una flor de lis de azur.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Coat of arms of Laurent Liu-Lecomble designed by him and emblazoned by me.
Blazon keywords: Azure, Argent, Gules, Or, One, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Liu-Lecomble, Laurent.
Argent, five wolves passant Sable; a bordure Azure, charged with eight saltires couped Or.
Escudo de plata, cinco lobos pasantes de sable; una bordura de azur, cargada de ocho aspas de oro.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of María Lobo, Lady of the House of Alvito. This coat of arms has been emblazoned by me. The arms are traditionally associated with the Lobo family of Alvito and are documented in Castilian and Portuguese heraldic and genealogical sources. These arms were equally used by other members of the House of Alvito, such as Ruy Dias Lobo and his descendants. I have emblazoned this coat of arms at the request of Fernando Durán Cabral de Mello d’Alpoim, as he counts the Lobo lineage of Alvito among his ancestors. It is not necessary to say the arrangement of the wolves which is in saltire, that is, 2, 1 and 2, since it is the default arrangement in heraldry for 5 equal charges.
Blazon keywords: Argent, Sable, Azure, Or, Five, Eight, Wolf, Passant, Bordure, Charged, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lobo, María.
Saint Louis, King of France (1214-1270), son of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted by me as follows: the shield has a semicircular (round) base; the field is enamelled in flat Azure; the fleurs-de-lis are outlined in Sable and illuminated in Or; and finished with a watercolor effect.
Toward the end of his reign, the armorial called [Wijnbergen; 1265] was created, whose first part is devoted to recording his coat of arms [Wijnbergen; 1265; shield no. 1], which was also that of his father Louis VIII, husband of Blanche of Castile, and the coats of arms of those who were his vassals.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Louis IX of France.
Gules, two castles triple-towered Or, port and windows Azure, masoned Sable, in chief, seven mullets Argent, 4 and 3.
Escudo de gules, dos castillos de oro, aclarados de azur, mazonados de sable surmontados de siete estrellas de plata de cinco puntas, 4 y 3.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finish.
Coat of arms of the Comunidad de Madrid emblazoned by me. In English blazonry, the arrangement of multiple charges is usually described by rows, whereas in Castilian blazonry it is more commonly expressed by columns. However, in this case, as the 7 mullets are placed in chief, it is understood that a horizontal arrangement in 2 rows is the most reasonable solution. For this reason, in both English and Castilian I blazoned the mullets as 4 and 3, that is, 7 mullets arranged in 2 rows, the upper row of 4 mullets and the lower row of 3. It is then the artistic judgement of the heraldic artist to place each of the 3 mullets of the lower row beneath the space between 2 mullets of the upper row, resulting in an overall quincunx arrangement.
The castles came from Castile and the 7 mullet from the bordure of the city of Madrid, they are the stars of the Plough, the 7 brightest stars of the Ursa Major. This coat of arms was adopted by the Comunidad de Madrid the 23th of December 23 of 1983.
Blazon keywords: Gules, Or, Azure, Argent, Two, Seven, Castle, Triple-towered, Port and windows, Masoned, In chief and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Madrid, Comunidad de.
Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me with a shape known as a vesica piscis, and with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. My experience is that if shield shapes are named after countries, this creates problems in an international context. For example, if the shield with a rounded base is called a «Spanish shield», sooner or later someone will point out that the same shape is also used in Portugal, Hungary, or Poland, making it not exclusively Spanish. For this reason, I avoid assigning shield shapes names based on countries or kingdoms and instead give them names that describe their formal characteristics, which is not always easy. For example, I call the «semi-circular shield» in English and «escudo de medio punto» in Castilian to the commonly referred as «Spanish», or the «ogee shield» one that ends in an inverted ogee arch, «conopial» in Castilian. Despite this, at some point, breaking my own rule, I used the term «Bantu» to refer to the almond-shaped shield, only to be quickly corrected and informed of its connection to other African kingdoms. My mistake was not using the name I had always given it: «mandorla» in Castilian and «vesica piscis» in English.
Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book and Book.
Style keywords: Outlined in sable, Illuminated, Vesica piscis and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Gittel Bas Reuven, Malka.
Azure, a sun in splendour, irradiated of sixteen ears of wheat Or.
This is the coat of arms of María de los Ángeles Carrillo Padilla. This coat of arms has been designed by her and her father-in-law Juan Lanzagorta Vallín. This drawing corresponds to the initial phase of the delineation, in which the relative dimensions are established. The outline has been drawn by me in an oval shape.
Blazon keywords: Azure, Or, One, Sixteen, Sun in splendour, Irradiated, Ear of wheat and Wheat.
Style keywords: Ratio, Outlined and Oval.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Carrillo Padilla, María de los Ángeles.
Or, a fess chequey Gules and Argent.
Escudo de oro, una faja ajedrezada de gules y plata.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a metal beaten finishing.
Coat of arms of the lineage Mark of Germany. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Mark of Germany, lineage.
Or, a fess chequey Gules and Argent.
Escudo de oro, una faja ajedrezada de gules y plata.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.
Coat of arms of the County of Mark, Germany. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Mark, County of.
Or, three pallets Vair.
The coat of arms of the Marquis Prato di Arnesano, requested by Andrea Tamburelli Lanzara and painted by me. When a field is charged with 3 pallets, it results in 7 vertical areas: 4 belong to the field, 1 on the dexter, 2 between the pallets, and 1 on the sinister, and 3 correspond to the pallets themselves. In most cases, and especially in the present one, it is ideal that these 7 areas be of equal width. This allows me to apply a fur pattern like vair using a 7 columns structure, with 7 little bells of vair in the chief, so that each pallet contains the same vair arrangement. In this case, for greater harmony, I have also arranged the vair in 7 rows, although this is not required. The figure illustrates this concept.
Blazon keywords: Or, Three, Pale and Vair.
Style keywords: Outlined, Outlined in sable, Plain tincture and Ogee.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Prato di Arnesano, Marquis.
Juan José Martinena Ruiz, «Book of Armory of the Kingdom of Navarra: Introduction, Study, and Notes», published by the Institución Príncipe de Viana, 350 pages, ISBN 84-235-0557-X, Pamplona, 1982.
Introduction, study, and notes on the armorial [Bosque, J. del; 1540]. On pages 122 and 123, the coats of arms of the «ricoshombres» of Navarra, or «twelve barons of the major houses» as they are also called, surrounding the king's coat of arms in this armorial are compiled and transcribed.
The coat of arms accompanying this bibliographic reference is that of Almorrabides de Navarra following Juan del Bosque.
Bibliographical reference of century XX.
The author is Martinena Ruiz, Juan José.
Bibliographic reference mentioned in the following articles:
External resources:
Party per fess: 1 Gules, five swords erect, in fess Argent; 2 Vairy Or and Gules. Crest: Upon a helm with a wreath Or and Gules, a lion rampant Or, armed, langued, the fangs and the eyes Gules, grasping in its sinister paw a key Argent. Mantling: Gules doubled Or. Supporters: Two lions rampant Or, armed, langued, the fangs and the eyes Gules. Motto: «Veritas filia temporis» Gules over a scroll Argent.
Escudo cortado: 1o de gules, cinco espadas alzadas, en faja de plata; 2o verado de oro y gules. Timbrado de un yelmo, adornado de dos lambrequines de gules doblados de oro, un burelete de oro y gules, cimado de un león rampante de oro, armado, lampasado, fierezado y encendido de gules, teniendo en la siniestra una llave de plata. Soportes: dos leones rampantes de oro, armados, lampasados, fierezados y encendidos de gules. Lema: «Veritas filia temporis» de gules sobre una filacteria de plata.
Arms and ornament created by me as follows: the base of the coat of arms is pointed; its fields have been enamelled with flat inks, Gules and Or; the rest of the elements are illuminated; everything is outlined in Sable; the mantling and the torse have been diapered with chinapiería; and the whole has received a watercolor finish.
This diapered known as «chinapiería» on the torse and on the mantling are registered as automatic painting in [Salmerón Cabañas, A.; 2008] y como marca registrada en [Salmerón Cabañas, A.; 2009].
Blazon keywords: Party per fess, Gules, Or, Argent, Five, Sword, Point upwards, In fess, Vairy, Crest and mantling, Helm, Mantling, Wreath, Crest, Lion, Rampant, Armed, Langued, The fangs, The eyes, Sinister, Grasping, Key, Supporter (animal), Supporter and Motto.
Style keywords: Pointed, Illuminated and Outlined in sable.
Classification: Created, Personal and Coat of arms.
Bearer: Martos García, Juan Carlos.
Blazon of the Mascarenhas lineage of Portugal.
Gules, three bars Or.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 77].
Blazon keywords: Without divisions, Gules, Three, Fess and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Of the twelve lineages of Noblemen, the twelfth bears as insignia and arms, on a shield Or, a rampant lion Gules, as painted in this shield.
Or, a Lion Gules, rampant.
Escudo de oro, un león de gules, rampante.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the lion illuminated in Gules and outlined in the colour of the field, that is, in Or metal; and the whole finished in highly-hammered metal.
Coat of arms interpreted from the last of the shields of the Navarrese «ricoshombres» illustrated in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the text preceding the blazon taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
I consider these to be canting arms, and that this «lion» Gules refers to its bearers «Mauleón».
Under the title «Surname of Mauleon», without an accent on the letter «o», it can be consulted in [Vega, P. J. de; 1702; folio 12 of the manuscript].
Blazon keywords: Without divisions, Or, Lion, Gules and Rampant.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal, Kingdom of Navarre and Canting.
Bearer: Mauleón of Navarre.
Or, a stag trippant Gules, attired Azure; a bordure Azure charged with eight saltires couped Argent.
Escudo de oro, un ciervo pasante de gules, acornado de azur; una bordura de azur cargada con ocho sotueres de plata.
Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a parchment finishing.
Blazon keywords: Without divisions, Or, One, Stag, Tripant, Gules, Attired, Azure, Bordure, Charged, Eight, Saltire and Argent.
Style keywords: Parchment, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Coat of arms.
Bearer: McCartney, Michael.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lys Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules.
Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Britania Anastoshia Korÿn McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McCoy, Britania Anastoshia Korÿn.
Gules, a cross Argent charged with four ermine spots in cross Sable, in the dexter of the chief a lion’s head erased Or.
Escudo de gules, una cruz de plata cargada de cuatro colas de armiño en cruz, en la diestra del jefe una cabeza de león arrancada de oro.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finish.
G0116, Chief Herald of Arms of Malta's grant for the arms of Andrew Ronald McMillan Bell of Auchinreoch, United Kingdom. These arms have been emblazoned by me for such grant.
Blazon keywords: Gules, Argent, Sable, Or, One, Four, Cross, Charged, Ermine, In cross, Dexter, Chief, Lion, Head and Erased.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McMillan Bell of Auchinreoch, Andrew Ronald.
Gules, a double cross throughout Or cantoned by six plates, a bordure Or.
Escudo de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the lineage Melo. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Melo are in the 4th quarter.
Blazon keywords: Gules, Or, Argent, One, Six, Double cross throughout, Cantoned, Plate and Bordure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Melo, lineage.
Faustino Menéndez Pidal de Navascués, «Book of Armory of the Kingdom of Navarra: Transcription and Study», published by La Gran Enciclopedia Vasca, 160 pages, ISBN 84-248-0119-9, Bilbao, 1974.
Transcription and study of the Navarrese manuscript armorial [Bosque, J. del; 1540], preserved in the General Archive of Navarra.
This book contains an introduction, the transcription of the armorial texts, its photographic reproduction, which also includes the Navarrese coats of arms of the Reyneck armorial and the coat of arms of the refectory of the Cathedral of Santa María la Real de Pamplona, an index of names, a heraldic table, and a set of appendices [Martínez de Aguirre, J.; 2007; page 351].
The coat of arms accompanying this bibliographic reference is that of Qasqante de Navarra following, precisely, the armorial of Juan del Bosque.
Bibliographical reference of century XX.
Author: Menéndez Pidal de Navascués, Faustino.
Here are the articles quoting this reference:
External resources:
Coat of arms of Michael W. Morgan, UE, emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. He is the eldest son of Commander Stephen T. Morgan.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Label of three points.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Morgan, Michael W..
My personal Minds wall is minds.com/asalmeron.
Categories: Technology, Social networks, Party per pale, Wavy, Azure, One, Dolphin, Naiant, Argent, Three, Escallop, Or, Stag, Gules, Attired, Bordure, Charged, Eight and Saltire.
Mullet, mullet implies crescent, therefore crescent.
Tierced per fess: 1 Vert, a mullet of eight points Or; 2 Gules, a potent fesswise Argent, between in dexter a mullet of eight points, in siniester a crescent Or; 3 Azure, a crescent Or.
Escudo terciado en faja: 1o de sinople, una estrella de ocho puntas de oro; 2o de gules, una potenza puesta en faja de plata, acompañada a la diestra de una estrella de ocho puntas, a la siniestra de un creciente ambos de oro; 3o de azur, un creciente de oro.
Tierced per fess variant of the coat of arms of Logic with: a semicircular (round) base; the field in plain colours Vert, Gules, and Azure; the 5 figures in Or and Argent, outlined in Sable and illuminated; and the whole with a raised-stroke effect.
Blazon keywords: Tierced per fess, Vert, Gules, Azure, Mullet, Crescent, Or, Potent, Argent, Fesswise and Between.
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Logic.
Endika de Mogrobejo Zabala, «Blasones y Linajes de Euskalerria», 10 volumes, Volume I A-Alcerreca, Volume II Alciba-Angui, Volume III Angulo-Astu, Volume IV Astun-Bun, Volume V Busta-Elua, Volume VI Elus-Gorniz, Volume VII Gordu-Laca, Volume VIII Lacar-Merca, Volume IX Mere-Salez, Volume X Salinas-Z, edited by Editorial Amigos del Libro Vasco, printed by Grafo SA, ISBN of the complete work 84-7886-026-6, legal Deposit BI-469-1991, Bilbao, 1991.
Bibliographical reference of century XX.
Classification: De bibliotheca, Black and white with color plates and Castilian language.
The author is Mogrobejo Zabala, Endika de.
Juan Mogrovejo de la Cerda, «Árbol de los Veras compuesto por Alonso López de Haro, Criado de Su Majestad y Ministro de su Real Consejo de las Órdenes y Cronista de los Reinos de Castilla y León», bound in original parchment, Milan, 1636.
The book contains a total of 66 main genealogical trees, each with an average of 28 nodes/persons, totaling over 1700 nodes. Additionally, it includes 41 lines of descent with approximately 1150 individuals. The content is composed of:
In the previous image, The canting arms of Juan Antonio de Vera y Zúñiga, Count of La Roca, in this book about his genealogy, are canting because «vair~veros~Vera».
The motto in the beak of his sable eagle is «Veritas Vincit», although some authors claim that not all his trees honor this motto [Vera-Ortiz, J.A.; 2009].
The colored version of the coat of arms in this image was painted by me. Blazon: Vair ancient, a bordure gules charged with eight saltires couped Or.
Bibliographical reference of century XVII.
Classification: De bibliotheca, In black and white and Castilian language.
Author: Mogrovejo de la Cerda, Juan.
Here are the articles quoting this reference:
External link:
Internal resources: Physical book..
Chequey of fifteen Or and Azure; a bordure compony of sixteen sections, eight gules, a castle triple-towered Or, port and windows Azure, masoned Sable, eight Argent, a lion rampant Purpure, crowned Or, armed and langued Gules.
Escudo ajedrezado de quince piezas de oro y azur; una bordura componada de dieciséis compones, ocho de gules, un castillo de oro, aclarado de azur, mazonado de sable, ocho de plata, un león rampante de púrpura, coronado de oro, armado y lampasado de gules.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Coat of arm of the municipality of Moguer, Andalusia, emblazoned by me.
Blazon keywords: Or, Azure, Gules, Argent, One, Fifteen, Sixteen, Eight, Chequey, Bordure, Compony, Section, Charged, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Moguer, municipality of.
Azure, a bend Or.
Escudo de azur, una banda de oro.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Azure, One, Bend and Or.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Molay, Jacques de.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 vair ancient.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de veros antiguos.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the municipality of Monroy, Caceres, emblazoned by me with vair ancient. I have painted it using vair ancient, as I wish to illustrate with this coat of arms a reflection on the Virgin of the Sagrario of Plasencia, Caceres, dating from the mid-13th century, and on the forty-four coats of arms made of gilded silver sheet that adorn it, featuring lions, castles, and rounded vair ~ vair ancient, these may be associated with the lords of Monroy, a lineage of considerable importance in the town of Plasencia during the Late Middle Ages, can be seen in The Virgin of the Sagrario of Plasencia and the Monroy vair.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Vair ancient.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Monroy, municipality of.
Of the twelve lineages of Noblemen, the eleventh is the house of Monteagudo; they bear as arms a shield Or, and in the middle a fess Gules, in the manner in which this shield is painted.
Or, a fess Gules.
Escudo de oro, una faja de gules.
Coat of arms interpreted as follows: a semicircular (round) base; the field enamelled in flat Or; the fess outlined in Sable and illuminated in Gules; and the whole finished in highly-hammered metal.
Interpreted from the eleventh coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Monteagudo» this blazon can be consulted in [Vega, P. J. de; 1702; folio 11 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Monteagudo of Navarra.
Coat of arms of the Armored Cavalry Regiment Montesa No. 3, RCAC-3, in 2016.
Or, a cross of Montesa.
Escudo de oro, una cruz de Montesa.
Coat of arms interpreted as follows: the shape of the shield is a semi-circular arch; the field has been illuminated in metal Or; the cross of Montesa is outlined in Sable and illuminated in Gules and Sable; and the whole has a raised line finish.
Blazon keywords: Without divisions, Or, Cross of Montesa, Cross couped and Cross.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Military, Army and Navy and Coat of arms.
Bearer: Montesa, Cavalry Regiment.
Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a crescent Argent.
Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un creciente de plata.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finishing.
Coat of arms of Eóin S. Morgan, UE, emblazoned by me. He is the youngest son of Commander Stephen T. Morgan, and as such, his cadency mark is a crescent, the heraldic difference traditionally assigned to a second son.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Crescent.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Morgan, Eóin S..
Gules, on a trimount issuant from the base Vert, a talbot rampant Argent, collared Or, between two mullets in bend sinister Or. Crest: A crown of the Soberana y Muy Noble Orden de la Granada. The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.
It has been emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a texturized finishing.
This is the coat of arms of Moritz Hunzinger emblazoned by me for the Roll of Arms of the Soberana y Muy Noble Orden de la Granada.
Blazon keywords: Gules, Vert, Argent, Or, One, Three, Two, On, Trimount, Talbot, Rampant, Collared, Between, Mullet, In bend sinister, Crest, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Interpreted, Boa, Armorial roll and Castilian language.
Bearer: Hunzinger, Moritz.
Azure, a tower Or, embattled and masoned Sable, overall a lion rampant barry Purpure and Argent.
Escudo de azur, una torre de oro, almenada y mazonada de sable, brochante sobre el todo un león rampante fajado de púrpura y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Coat of arms of Jean Mortes from Brittany, France, emblazoned by me with a shield with a semi-circular base.
Blazon keywords: Azure, Or, Sable, Argent, Purpure, One, Tower, Embattled, Masoned, Overall, Lion, Rampant and Barry.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Mortés, Jean.
Or, four bell towers issuant from base Gules, windows Or. Motto around the shield: «Linaje Lanzagorta Otxoa · Catalunya · Barcelona» Sable over a scroll Argent.
Coat of arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finishing.
Coat of arms of Alejandra Espeja Avieda, familiarly known as Sandra. This shield, surrounded by an annular scroll Argent inscribed in sable, has been designed byhas been designed by Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Or, Gules, Sable, Argent, Four, One, Bell tower, Issuant from base, Port and windows, Within, Motto (identification) and Scroll.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Espeja Avieda, Alejandra.
Party per fess, the base per pale: 1 Or, a hurt; 2 Gules and 3 Argent, over both a cross of Malta counterchanged.
Coat of arms interpreted by me, in flat tinctures, outlined in Sable, and with a texturized finish.
Coat of arms of the municipality of Candasnos, Huesca, designed by Valeriano Labara Ballestar, approved by the Government of Aragon. [Labara Ballestar, V. C.; 2019; pages 358] «The territory and human community of Candasnos are synthesized in the roel, azure, on a field of gold, which symbolizes the famous 'good pond', a clear representation, now and always, of what the 'water culture' means for Candasnos». It has been an honor for me to emblazon this version for Valeriano Labara.
Blazon keywords: Or, Azure, Gules, Argent, One, Party per fess, the base per pale, Hurt, Eight-pointed cross, Cross couped and Counterchanged.
Style keywords: Outlined in sable and Plain tincture.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Candasnos, municipality of.
Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable. Motto: «Primi entis» Sable, with initial letters Gules, over a scroll Argent.
International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 10], ISBN 978-1-8381483-0-0. The coat of arms of Nilda Ernestina Lucca de Anaya, designed by her son Ernesto Juan Anaya and emblazoned by me appears in this volume, while her son’s badge can be seen next to it on page 11, also painted by me.
Credits:
Categories: Collage, Photographic, Art, Religious, Interpreted, Outlined in sable, Illuminated, Pointed, Coat of arms, Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Freehand, Crest and mantling, Galero, Cord, Tassel, Latin language, Scroll, Charged and Motto.
Root: Lucca de Anaya, Nilda Ernestina.
The King of Navarre, at the time of his new and solemn coronation, is raised and lifted up as King by the hands of twelve barons of the greatest and oldest houses of the said Kingdom, and these are the twelve Noblemen who are named on the other side, with their blazons and coats of arms.
Interpretation and composition of 13 coats of arms that I have created with a parchment-like finish.
A free interpretation, for example, without the central crown over the arms of Navarre, with a different title, written «Navarra» and not «Nabarra», etc., based on the principal plate of [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with texts taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
«Ricohombre», written together, currently means «title that formerly belonged to the highest nobility of Spain», [Real Academia Española; 2001].
Its plural «ricoshombres» is the most commonly used form, but «ricohombres» is also correct and used; and in [Bosque, J. del; 1540] it is written separately, and «honbre» with an «n» before the «b», that is, «ricos honbres».
Blazon keywords: Without divisions, Party per bend, Azure, Gules, Or, Argent, Sable, Vert, Eagle, Chequey, Cross flory, Cross couped, Fess, Chief, Lion, Pale, Poplar leaf, Clay pot and Rampant.
Style keywords: Semi-circular and Old parchment.
Classification: Interpreted and Kingdom of Navarre.
Bearer: Noblemen of Navarre.
Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure.
Escudo de azur, en punta tres burelas ondadas de plata sumadas de un barco normando de oro con vela de plata; en un jefe de gules, dos leopardos de oro, armados y lampasados de azur; una bordura de plata cargada de ocho bellotas puestas en banda de azur.
Arms devised by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a watercolor finish.
Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me. The terms «Norman ship» has been chosen instead of other possible names for this type of vessel in order to create a reference to the surname «Normand» of the armiger, whose family descends from Normandy.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn and Bendwise.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Created, Boa, Coat of arms and Flag.
Bearer: Normand Delfin, Jacques William.
Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo cuartelado: 1o y 4o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2o y 3o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.
Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.
Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Noronha, House of.
Gules, two axes addorsed Argent, hafted Or, issuant from the base; overall, at the nombril, an escutcheon Or.
Escudo de gules, dos hachas adosadas de plata, fustadas de oro, movientes de la punta; brochante sobre el todo, en el ombligo, un escudete de oro.
Interpretation I have made with the following characteristics: the escutcheon is semicircular, in the classic Castilian style; its field is illuminated with the tincture gules; its 2 axes and escutcheon are outlined in sable and illuminated with the metal Or, and the axe heads in Argent; and the execution is in a raised line style.
The term «hafted» in English is specifically used for weapons with handles, such as axes and hammers. This refers to the part of the weapon where the user grips, which is typically made of wood or metal and is essential for wielding the weapon effectively. The haft is integral to the weapon's function, providing the necessary leverage and control during use.
On the other hand, «shafted» is a term used in English for weapons with a shaft, which is a longer, slender part of the weapon, as seen in spears, arrows, and sometimes in lances. The shaft is usually the primary structural component, providing the length and reach, while also serving as the backbone of the weapon.
In both cases, the term indicates that this part of the weapon is of a different tincture from the rest of the figure.
In Castilian, however, both «hafted» and «shafted» translate to «fustadas», which broadly refers to a similar concept where the handle or shaft is of a different color than the head or blade.
Then, I prefer using «hafted» when referring to axes and hammers due to the specificity of the term in English.
This contrasts with the term «guarnezidas» ~ «hilted», which is used for swords, indicating a different color for the guard or hilt, rather than for the shaft or handle.
For the arrangement of the axes in relation to each other, the one on the dexter facing dexter, the one on the sinister facing sinister, I use the term «addorsed» as it is the most common, but I previously used «back to back», which is said of «two animals, rampant, with their backs against each other, each facing the opposite flank. Two keys are also described as back to back when they are positioned with the bits outward, each to its side; the same applies to sickles, or scythes and generally to all long objects that have two faces, like two axes...» [Avilés, J.; 1780a; page 98], this being the case for the axes in this shield.
«Dalla» is a synonym for «scythe» used in and originating from Aragon and Navarra, [Real Academia Española; 2001].
In the English blazon, «adosadas», «de espaldas», is rendered as «addorsed», from the French «adossé», which is said, for example, when «two animals turned back to back» and some also use «endorsed».
Blazon keywords: Without divisions, Gules, Axe, Argent, Hafted, Or, Addorsed, Issuant from base, Overall, At the nombril and Escutcheon.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: Norsk Heraldisk Forening.
Heraldic document, 2 pages.
The pages have a heraldic frame with the elements of his coat of arms.
The motto, which is the beginning of the Gospel of Saint John, can be seen in [Cnut Gospels; 1020; folio 111].
Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale, Number, Gules, Argent, Azure, Crest and mantling, Helm, Mantling, Wreath, Crest, On, Charged, Disordered, Cross, Cross of Burgundy, Cross couped, Book, Open, Motto, Scroll and Fimbriated.
Classification: Created, Personal, Catalogue, Heraldic document and Frame.
Bearer: Salmerón Cabañas, Antonio.
My heraldic NFTs in Objkt objkt.com/profile/antonios.
These historical coats of arms, emblazoned by me in order to be minted as unique Non-Fungible Tokens, are only available in this NFT format. By buying them you acquire an unrepeatable signed piece for your collection.
Categories: Technology, Social networks, NFT, Quarterly, Argent, One, Lion, Rampant, Purpure, Armed, Langued, Gules, Winged hand, Grasping, Sword and Or.
Party per pale: 1 Vair; 2 Sable, a barn owl Argent, the eyes Sable, beaked and armed Or.
Escudo partido: 1o de veros; 2o de sable, una lechuza de plata, encendida de sable, picada y armada de oro.
Blazon keywords: Party per pale, Argent, Azure, Vair, Sable, Or, Barn owl, The eyes, Beaked and Armed.
Style keywords: Rounded, Illuminated, Outlined in sable and Parchment.
Classification: Created, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Odysseus of Ithaca.
It has been interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a rough finishing.
Cross crowned and with the monogram RC of the Ordo Equestris Reginae Caeli emblazoned by me. The OERC's mission focuses on humanitarian aid and support for people and institutions in need.
Blazon keywords: Order, Decoration, Azure, Or, Argent, One, Four, Eight-pointed cross, Cross couped, Fleur de lis, Crowned and Monogram.
Style keywords: Outlined in sable, Illuminated and Rough.
Classification: Interpreted and Boa.
Bearer: Ordo Equestris Reginae Caeli.
Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Motto: «Onida» in Sable letters over a scroll Argent doubled Or.
Escudo de oro, un árbol arrancado al natural, acompañado en punta de un creciente ranversado de plata y una estrella de gules. Divisa: «Onida» en letras de sable sobre una filacteria de plata doblada de oro.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a watercolor finishing.
Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. In Castilian heraldry, the default number of points of a star is 6. In English heraldry, the default number of points of a star is 5. For this reason, in this case I specify six points in English, but I do not do so in Castilian.
Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed and Mullet.
Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Onida, Gian Carlo.
Or, a tower Gules, embattled, masoned and with a turret Sable.
Escudo de oro, una torre de gules, almenada, mazonada y donjonada de sable.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Ormazabal of the Basque Country emblazoned by me.
Blazon keywords: Or, Gules, Sable, One, Tower, Embattled, Masoned and With a turret.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Ormazabal of the Basque Country, lineage.
Or, a pile Gules.
Escudo de oro, una pila de gules.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the lineage Osona emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 1325].
Blazon keywords: Or, Gules, One and Pile.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Osona, lineage.
Royal and Military Order of Our Lady of Mercy and the Redemption of Captives.
Party per fess: 1 Gules, a cross patty Argent; 2 Or, four pallets Gules.
Escudo cortado: 1o de gules, una cruz patada de plata; 2o de oro, cuatro palos de gules.
Existing coat of arms which has been interpreted by me with the following characteristics: the mouth of the shield ends in a semicircular arch shape; the field has been enameled with flat tinctures of Gules color and Or metal; the cross patty and the pales are illuminated with Argent metal and Gules color; the whole has received a watercolor finish; and all within a Gules frame with 22 cross patties Argent, to which the name of its owner and blazon written in Sable and Gules tinctures is added.
In [Medél, R.; 1846; plate 35, illustration 7] can be seen his interpretation of the coat of arms of the Order of Mercy.
The 2nd coat of arms of the Order of Mercy also illustrating this article is the same as the one included within the frame that appears in the 1st illustration of this article.
Another way to write the blazon of the coat of arms of the Order of Mercy could be the following, which simplifies the description of the 2nd quarter by saying that they are the arms of Aragon:
Party per fess: 1 Gules, a cross patty Argent; and 2 Or, four pallets Gules.
This coat of arms has been classified within the category called religious heraldry.
Blazon keywords: Party per fess, Gules, Or, Argent, Cross, One, Cross patty, Cross couped and Pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Religious and Frame.
Bearer: Our Lady of Mercy, Order of.
Gules, three fleur de lis Or.
Escudo de gules, tres flores de lis de oro.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
Coat of arms of the lineage Patus emblazoned by me.
Blazon keywords: Gules, Or, Three and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Patus, lineage.
Pedro IV of Aragon, also known as Pedro III of Aragon as he himself called, «Ordinance made by the very high and excellent Prince and Lord Lord Don Pedro the third King of Aragon, on the manner in which the Kings of Aragon will be consecrated and they themselves will be crowned», in the Royal Aragonese Chancery, 1353.
Bibliographical reference of century XIV.
Author: Pedro IV de Aragón.
The following article cites this bibliographic reference:
External link:
Banner quarterly of sixteen: 1, 6, 11, and 16 Azure, three fleurs de lis Or; 2, 5, 12, and 15 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure; 3, 8, 9, and 14 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 4, 7, 10, and 13 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or; an inescutcheon Azure, three crowns in bend, bendwise Or.
Pendón cuartelado de dieciseis: 1o, 6o, 11o y 16o de azur, tres flores de lis de oro; 2o, 5o, 12o y 15o de gules, tres leopardos en palo de oro, armados y lampasados de azur; 3o, 8o, 9o y 14o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4o, 7o, 10o y 13o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro; un escuson de azur, tres coronas en banda, puestas en banda de oro.
Banner interpreted as follows: with the 5x6 proportions of a shield; the field, including that of the escutcheon, is enamelled with flat tinctures Gules and Azure; the crowns, castles, fleurs-de-lis, and leopards are outlined in Sable; except the lions, which are outlined in their field; and the whole composition is watercoloured.
In the armorial [Edward IV of England; 1461; row 27, 1st column, final banner], these arms appear twice:
Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Crowned, Inescutcheon, Crown, In bend and Bendwise.
Style keywords: Rectangular, Illuminated, Outlined in sable, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.
Bearer: Edward IV of England.
Nigel Pennick, «Pagan Magic of the Northern Tradition: Customs, Rites, and Ceremonies», edited by Simon and Schuster, publicado por Destiny Books, ISBN.13 9781620553909, ISBN.10 1620553902, alternative ISBN.13 9781620553893, 352 pages, New York, 21th of May of 2015
On page 119, Nigel Pennick wrote «According to Aristotelian precepts, each of the metals and tinctures», maybe he should have written heraldic term color, «possesses a spiritual virtue related to a particular planetary sphere. Or signifies and relates to the Sun; Argent, the Moon; Sable, Saturn; Azure, Jupiter; Gules, Mars; Vert, Venus; and Purpure, Mercury».
Bibliographical reference of century XXI.
Author: Pennick, Nigel.
External resource:
Azure, on four bars wavy Argent a barbel bendwise Or and a three arch bridge Or, masoned Sable, throughout, supporting a elm couped Argent leaved Or, between, in dexter a tower Or, port and windows Azure, mazoned Sable, and in sinister three escutcheon Or, 2 and 1.
Coat of arms designed by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.
The coat of arms of Pesquera de Ebro, Burgos, Castile and Leon, designed and emblazoned by me.
Blazon keywords: Argent, Or, Azure, Sable, One, Three, On, Bar, Wavy, Barbel, Bendwise, Bridge, Masoned, Throughout, Upon, Elm, Couped (tree), Leaved, Tower, Port and windows, Escutcheon and Ordered.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Pesquera de Ebro.
Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief, In base, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Gummersbach, Peter Ferdinand.
Count of Urgell, Viscount of Àger, Baron of Entença, Antillón, and Alcolea de Cinca (1340–1408).
Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.
Escudo dimidiado: 1o de oro, cuatro palos de gules; 2o ajedrezado de oro y sable.
Arms interpreted with: the escutcheon in a pointed and rounded shape; the tinctures of the pales and the chequey rendered in flat inks Or, Gules, and Sable; and the whole finished with a highly hammered metal effect.
Peter II of Urgell (1340–1408), Count of Urgell, Viscount of Àger, and Baron of Entença, Antillón, and Alcolea de Cinca, was a prominent figure of 14th-century Catalan nobility and grandson of Alfonso IV of Aragon.
Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.
Style keywords: Ogee, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Peter II of Urgell.
And II of Valencia and of Ampurias, I of Mallorca and Sardinia, and III of Barcelona.
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms of this king of Aragon interpreted by me as follows: the escutcheon shape is curved triangular; the field and the 4 pallets are rendered in flat tinctures Or and Gules; and the whole shield has a watercolored finish.
This curved triangular shape of the escutcheon is inspired by the shield shown in the lower central part of a document issued by the king himself [Pedro IV de Aragón; 1353].
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Triangular curved, Illuminated and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Peter IV of Aragon.
Philip Daubeny ~ Philip Daubeney.
Gules, a fess of five fusils Argent, in chief three mullets Or.
Escudo de gules, una faja de cinco fusos de plata, en jefe tres estrellas de oro.
Coat of arms interpreted in the following manner: the shape of the base is semicircular; the field is illuminated in Gules; the fusils outlined in Sable and illuminated in metal Argent; the fess is 5 fusils in length; the 3 mullets in chief of 5 points, outlined in Sable and illuminated in metal Or; and the whole with an iridescent finish.
This post corresponds to the English post number 61 in the same series.
Blazon keywords: Gules, Fusil, Argent, In fess, Mullet, Or and In chief.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted and Personal.
Bearer: Daubeny, Philip.
King of France from 1270 to 1285, grandson of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a parchment effect.
During his reign, it is believed that the second part of the armorial [Wijnbergen; 1265] was completed, which ends with the coats of arms of several kings, many of them European, beginning this series with the coat of arms of the King of France himself, [Wijnbergen; 1265; shield no. 1,288], which has served as the inspiration for the one recreated here.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Pointed, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Philip III of France.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Or, an eagle displayed Sable.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de oro, un águila de sable.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Philip of Castile, 1231–1274, 7th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me and can be consulted in [Messía de la Cerda y Pita, L.; 1990; page 146] with the field Or in the 2nd and 3rd quarters. He bears a quarterly shield combining the first quarter of his father’s arms, Castile, with his mother’s arms. Among all his siblings, he is the one who most closely combines the arms of both parents.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Philip of Castile, Infante.
Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.
Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms, which I emblazoned for grant G0134, are shown here together with two photographs of the grant’s cover and the page displaying the coat of arms.
Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Collage and Photographic.
Bearer: Spiteri Debono, Myriam.
Gules, three bees Or; a chief azure, an eagle displayed Or.
Escudo de gules, tres abejas de oro; un jefe de azur, un águila de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.
This is the coat of arms of Jean-Eudes Pierra emblazoned by me. Blazon in Italian by Massimo Ghirardi «Di rosso, a tre api d'oro, al capo cucito d'azzurro carico dell'aquila pure d'oro». Blazón in French by Michel Froger «De gueules à trois mouches à miel d'or, 2 et 1; au chef cousu d'azur à l'aigle éployée d'or».
Blazon keywords: Gules, Azure, Or, Three, One, Bee, Ordered, Chief and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee, Cousu and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pierra, Jean-Eudes.
225th Pope of the Church, from 1566 to 1572. «Pius V», named Antonio Michele Ghislieri, was canonized in 1712.
Bendy of six Gules and Or.
Escudo bandado de seis piezas de gules y oro.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the bands outlined in Sable and illuminated in Gules; and the whole with a rough finish.
I have also seen this coat of arms described as «a shield banded of six pieces of Or and Gules».
Blazon keywords: Without divisions, Bendy, Six, Gules and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Pius V.
My heraldic Pixiv wall is Dr.A.Salmeron @antoniosheraldry and pixiv.me/antoniosheraldry.
Pixiv is a Japanese online community for artists. I post in Pixiv 2 or 3 coats of arms per week. They use a strict form to post with many mandatory input fields. This week, they have added a new mandatory field «AI-generated work: Yes / No», AI ~ Artificial Intelligence. In the image, I have highlighted this new field in red.
My animation of the coat of arms of Juan Lanzagorta reached position 33 in Pixiv’s daily Ugoira animation ranking. I am very happy about this, as it is not easy to achieve.
Categories: Technology, Social networks, Quarterly, Gules, One, Chevron, Argent, Between, Three, Fleur de lis, Or, Five, Mullet, In saltire, Four, Escutcheon, In cross, Azure, Charged, Nine, Bezant and plate, Two, Flank, Fesswise, Center, Overall, Carbuncle, Cord, In orle, Knotted, Purpure, Overall (all), Sable, Mount, Issuant from base, Vert, On, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Fess, Wavy, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown and Motto.
Count of Urgell, Viscount of Àger, deceased in 1243.
Chequey Or and Sable.
Escudo ajedrezado de oro y sable.
Arms interpreted with: a shield shaped as a triangle with curved sides; the chequey pattern in flat metal Or and colour Sable; and a heavily beaten metal finish.
[Avilés, J.; 1780a; page 286] states that he will call «Chequey those ordinaries composed of these small squares, which alternate between metal and colour, or vice versa, just like the boards of those Games.» and he also writes regarding the usual number of panes that «it must have six ranks or rows of these squares, though it is not necessary to specify their number, or at least the shield must include more than fifteen panes; it is only required, to properly blazon it, to always observe the first square, which is in the chief dexter; so that, if this is Or, and the one that follows is Gules, it is said to be Chequey Or and Gules, and so with other colours and metals.»
Although Ponce initially proclaimed himself count of the county of Urgell without sufficient rights, the death of the legitimate heiress and his agreements and assistance to king James I of Aragon enabled him to legalise his title. During this process, the capital of the county ceased to be the municipality of Balaguer only to eventually become it once again.
Blazon keywords: Chequey, Or and Sable.
Style keywords: Triangular curved, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Ponce I of Urgell.
Argent, five escutcheons in cross Azure, each charged with ten plates, 3, 3, 3 and 1; a bordure Gules, charged with fourteen castles triple-towered Or, 5, 2, 2, 2, 2 and 1.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finishing.
Coat of arms of the Kingdom of Portugal with 14 castles on the bordure and 10 plates in each escutcheon from 1248 to 1385. This coat of arms has been emblazoned by me. From 3 elements onwards, in English, I usually specify the distribution by rows. In this way I write 5, 2, 2, 2, 2 and 1, which together make a total of 14 castles. The same can be observed in the specification of the 10 plates: by rows in English, 3, 3, 3 and 1, and by columns in Castilian, 3, 4 and 3. In Portuguese these escutcheons are known as «quinas».
Blazon keywords: Argent, Azure, Gules, Or, Ten, Fourteen, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle and Triple-towered.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Portugal.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lys Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent.
Escudo de azur, un sotuer de plata acompañado en jefe de un cardo de oro, florido de plata, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; una bordura jironada de treinta y seis piezas de azur y plata.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with an invected octagon external shape and with a leather finishing.
The coat of arms of Köryn Alexandria Konstånz Potts designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure and Gyronny.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Köryn Alexandria Konstånz.
Blazon keywords: Argent, Purpure, Gules, Or, Azure, Party per pale, Castle, Lion, Port and windows, Masoned, Rampant, Armed, Langued, Crowned, Crest and mantling, Crown, Open royal crown, Behind the shield, Cross, Cross of Alcantara and Cross couped.
Style keywords: Semi-circular, Illuminated and Watercolor.
Classification: Interpreted, Civic, Coat of arms and Structured and parallel blazons.
Bearer: Cáceres, Province of.
Of the twelve lineages of Noblemen, the tenth is that of Qasqante; they bear as arms a shield Or and, on the shield, an eagle Sable, which is black, as it is now painted.
Or, an Eagle displayed Sable.
Escudo de oro, un águila de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the eagle outlined in the colour of the field and illuminated in Sable; and finished in highly-hammered metal.
Based on the tenth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Cascante» it can also be consulted in [Vega, P. J. de; 1702; folio 10 of the manuscript].
Blazon keywords: Without divisions, Or, Eagle and Sable.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Qasqante of Navarre.
The rule of tincture, «metal should not be put on metal, nor color on color», is the most famous rule of the heraldry. In the divisions of the field, for example, party per fess, party per pale, quartered, etc., the tinctures are beside each other, not one on top of the other, because the divisions are not charges, so the rule of tincture does not apply. Although as a rule of aesthetics may be useful in the case of divisions.
Blazon keywords: Quarterly, Argent, Gules and Or.
Style keywords: Freehand, Outlined in sable, Plain tincture and Illuminated.
Classification: Schema.
Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent.
Escudo de gules, un sotuer de oro cargado de un flanquis de sable, acompañado en jefe de tres veneras ranversadas de oro; en la diestra, un brazo diestro doblado, armado de oro, teniendo un ancla de plata; en la siniestra, un navío de guerra de dos mástiles, con troneras, las velas izadas de oro, con dos banderas de gules, plata y azur ondeando hacia la diestra, una en el palo mayor y otra en la popa, en el casco la inscripción «La Liberta» de sable; en punta, un águila bicéfala coronada de oro, teniendo dos borlas, una en cada pico, y dos espuelas, una en cada garra, todas de plata.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa, Coat of arms and Flag.
Bearer: Quast, Johann Anton Freiherr von.
Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess.
Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja.
The original design of this coat of arms, along with many others heraldic devices, is registered in [Salmerón Cabañas, A.; 2015a; page 11].
Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé and Tulip.
Style keywords: Watercolor, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.
Classification: Coat of arms, Created and Personal.
Bearer: Quesada Valles, Bartolomé.
Arnold Rabbow, «The Origin of the Royal Arms of England - a European Connection», Coat of Arms, COA, An Heraldic Quarterly Magazine, número 186, The Heraldry Society, Baldock, Hertfordshire, verano de 1999.
This bibliographical reference is illustrated wit the coat of arms of the Kingdom of England interpreted by me with the with a semi-circle shape.
Bibliographical reference of century XX.
Author: Rabbow, Arnold.
Bibliographical reference mentioned in the following article:
External resource:
Internal resources: RabbowA1999.OriginRoyalArmsEnglandEuropeanConnection.docx.
Of the twelve lineages of Noblemen, the eighth is that of Rada; they bear as arms a shield Or with a flory cross Vert, in the same manner as painted in this shield.
Or, a Cross flory Sinople.
Escudo de oro, una cruz flordelisada de sinople.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the flory cross outlined in Sable and illuminated in Vert enamel; and finished in highly-hammered metal.
Based on the eighth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Rada» it can also be consulted in [Vega, P. J. de; 1702; folio 8 of the manuscript].
Blazon keywords: Without divisions, Or, Cross flory, Cross couped and Vert.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Rada of Navarre.
Azure, two arrows in saltire points upward, the arrow bendwise Or, the arrow bend sinisterwise Argent, overall a double vajra per saltire Or and Argent charged with a bezant per saltire curved Or and Argent.
Escudo de azur, dos flechas alzadas en sotuer, la flecha puesta en banda de oro, la flecha puesta en barra de plata, brochante sobre el todo una vajra doble cuartelada en sotuer de oro y plata cargada de un bezante cuartelado en sotuer curvilíneo de oro y plata.
Coat of arms interpreted and emblazoned by me with different shapes and a freehand finishing.
Blazon keywords: Azure, Two, Arrow, Point upwards, In saltire, Bendwise, Or, Bend sinisterwise, Argent, Overall, One, Double vajra, Quarterly per saltire, Charged, Bezant and plate and Curved.
Style keywords: Outlined in sable, Illuminated, Freehand, Rounded, Ogee and Pointed.
Classification: Interpreted and Coat of arms.
Bearer: Rage from Discord.
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms of the Count of Barcelona interpreted by me with the following features: the escutcheon shape is semicircular; the field is rendered in flat Or; the pallets are illuminated; and the whole has been given a heavily beaten metal finish.
[Menéndez Pidal de Navascués, F.; 1988; page 537] tells us that, unlike other more territorial emblems, «from his earliest seal the pallets appear on the shield of the equestrian figures on both sides, and in line with this configuration the emblem is inherited, without distinction, by his three sons and all his grandsons... it seems one must conclude that the emblem had a familial, not territorial, character from the very beginning».
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal, Coat of arms and County of Barcelona.
Bearer: Ramon Berenguer IV, Count of Barcelona.
RIAG
Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or.
The Registro Internacional de Armas Gentilicias, is also known as RIAG, and riag.com.es is it domain.
It is a private register of coat of arms founded in 2006 in Seville, Spain by the herald Ignacio Koblischek Zaragoza.
Categories: Institution, Socioeconomic, Semi-circular, Illuminated, Outlined in sable, Outlined in the field tincture, Freehand, Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant and Or.
Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Motto: «Liberty Thru Industry».
Escudo de azur, dos flechas alzadas en sotuer acompañadas de, en jefe un creciente, en punta un libro abierto de todo de oro, hojado de plata inscrito de «Domus Virtus Felicitas» de sable. Lema: «Liberty Thru Industry.
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romero, Reynaldo.
Azure fretty Or.
Escudo de azur fretado de oro.
Blazon keywords: Without divisions, Azure, Fretty and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable, Freehand and Hard metal.
Classification: Interpreted and Personal.
Bearer: Ricardo de Mandeville.
Iridescent finishing.
This is an example of my approach to writing structured and parallel blazons in English and Castilian. I use the heraldic term «leopard», instead «lion guardant», because I seek the maximum parallelism between English and Castilian, and in Castilian we also use the heraldic term «leopard».
Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard, Crest and mantling, Wreath, Above, Crown, Between, Two, Wing, Sable and Motto.
Style keywords: Illuminated, Iridescent (nacar), Pointed and Outlined in sable.
Classification: Structured and parallel blazons, Coat of arms, Interpreted and Personal.
Bearer: Stowe, Richard Allen.
Or, six annulets Gules, 3, 2, and 1.
Escudo de oro, seis anilletes de gules, ordenados 3, 2 y 1.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a freehand finishing
Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two and One.
Style keywords: Outlined in sable, Pointed, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Richard, Richard.
Lionheart ~ Corazón de León ~ Cœur de Lion.
Escudo de gules, dos leones de oro, afrontados, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth drawn as a semicircular (round) base; the field enamelled in a flat tint of Gules; the two lions outlined in the colour of the field and illuminated in Or and Azure; and the whole finished with a watercolour effect.
He was born in 1157, being the third of eight children of Henry II of England and Eleanor of Aquitaine, elder brother of Eleanor Plantagenet. He was king of England between 1189 and 1199, although he spent much of his life far from it; in fact, during his ten-year reign, he was on English soil only twice, which together did not amount even to six months. He died in 1199 in Normandy.
In 1198, during the Battle of Gisors, he supposedly used, as watchword or as motto, the expression «Dieu et mon Droit ~ God and my right». This phrase refers to his refusal to bow before Emperor Henry VI, since by his rank Richard acknowledged only God as superior. Later, Henry V of England adopted it as his motto, and since then it has been used by the British monarchy.
According to [Humphery-Smith, C.; 1983], Richard the Lionheart was the first English king who can be proved to have borne arms, although some of his predecessors may also have had them. He bases his statement on the existence of two seals of Richard I: on one, Richard bears a shield with a rampant lion, and on the other there already appear the three lions that are the forerunners of the arms of England. The use of this second seal does not imply that he stopped using the first.
In contrast, there are also British authors who maintain that his shield actually bore two affronted lions; this hypothesis is based on the lion on his first seal facing to sinister. That latter hypothesis is the one interpreted in this shield, remaining a purely artistic interpretation and without my entering into a complex and open discussion about how, when, and why the three leopards, «leones pasantes ~ lions passant» for the English, appeared —a discussion in which there are various alternatives— ranging from the combination of his hereditary arms to the wish to have more lions than his younger brother, who would later be King John I of England, to possible influences from other European realms.
This version of Richard I’s shield is similar to the imaginary shield of Hector of Troy, Gules with two lions Or affronté, which is a term used when «two things are placed facing each other, like two Lions, two Dogs, or other animals that look at one another» [Avilés, J.; 1725a; page 32].
Blazon keywords: Without divisions, Gules, Lion, Or, Combatant, Armed, Langued and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Richard I of England.
Vert, a chevron, between three cross-crosslets; on a chief Argent, three griffins statant Gules, beaked and armed Or. Crest: Upon a helm, with a wreath Argent and Gules, a griffin's head couped Gules, beaked Or. Mantling: Gules doubled Argent. Motto: «Silentium est aureum».
These are the arms of Austin Charles Berry emblazoned by me and crafted as a ring. Austin Charles Berry told me «I don’t plan on using it as seal matrix and therefore declined to have them reverse the engraving».
Blazon keywords: Vert, One, Chevron, Between, Three, Cross-crosslet, Cross couped, Chief, Argent, Griffin, Statant, Gules, Beaked, Armed, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Head, Party per fess and Motto.
Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms, Latin language, Collage and Photographic.
Bearer: Berry, Austin Charles.
Argent, on a cross Gules five fleurs de lis Or.
Escudo de oro, una cruz de gules cargada de cinco flores de lis de oro.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Ancient arms of the lineage Rivas of Aragon emblazoned by me. Alternative blazon: «Argent, a cross Gules charged with five fleurs de lis Or».
Blazon keywords: Argent, Gules, Or, One, Five, Cross, Charged and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rivas of Aragon, lineage.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lys in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or ; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro ; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finish.
The coat of arms of Makayla Danée Robidoux designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Heart.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Robidoux, Makayla Danée.
Gules, six wagon-wheels Or, 2, 2, and 2.
Escudo de gules, seis ruedas de carro de oro, 3 y 3.
I have always thought that they are canting arms because of the similar sounds between «rodelo», «rodar»~«rolling», and «rueda»~«wheel».
The expression «Heralds don’t pun – they cant» is itself a form of wordplay. At first glance, one might think that «cant» derives from «can’t», meaning that heralds cannot make puns. However, in heraldry, «cant» refers to the practice of creating a coat of arms that visually alludes to the bearer’s name, surname, or sometimes to a toponym. Such arms are known as «canting arms» ~ «armas parlantes» in Castilian. For example, if one were to design a coat of arms for someone named Megan Fox, and considering that the name Megan derives from Margaret, meaning «pearl» in Greek, a possible canting design could include a fox surrounded by a bordure of pearls. In this sense, canting arms represent the heraldic equivalent of verbal wordplay. Thus, «heralds do not pun — they cant».
Blazon keywords: Gules, Six, Wagon-wheel and Or.
Style keywords: Outlined in sable, Plain tincture and Pointed.
Classification: Lineage, Interpreted, Canting and Coat of arms.
Bearer: Rodelo lineage from Galicia.
Azure, on a pale Argent, between two lions combatant Or, armed and langued Gules, three chevronels Sable.
Escudo de azur, un palo de plata, cargado de tres tenazas de sable, acostado de dos leones afrontados de oro, armados y lampasados de gules.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.
The coat of arms of Catherine de Romanet emblazoned by me. Blazon in French: «D'azur, au pal d'argent chargé de trois chevrons de sable et accosté de deux lions affrontés d'or, armés et lampassés de gueules». Alternative blazon: «Azure, a pale Argent, charged with three chevronels Sable, between two lions combatant Or, armed and langued Gules».
Blazon keywords: Azure, Argent, Sable, Or, Gules, One, Three, Two, Pale, Charged, Chevronel, Between, Lion, Combatant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romanet, Catherine de.
The Royal Association of Hidalgos of Spain was founded under the name «Asociación de Hidalgos, Infanzones y Noblezas a Fuero de España» by Vicente and Francisco de Cadenas y Vicent, the Marquises of Siete Iglesias and of Zayas, and also by Valentín Dávila Jalón, Marquis of Dávila.
This association brings together nobles of Spanish lineages with the aim of maintaining and promoting the traditional values of the hidalguía and is inspired by the principles of Christian humanism. It fulfills its duty to provide services to Spain, its institutions and its citizens, with loyalty to the Crown and commitment to Spanish culture and history.
Its magazine Hidalgos, also known as «La Gacetilla de Hidalgos de España», or simply «La Gacetilla», as this was its name until the end of 2010, precisely until its issue 524 of October, November and December 2010. This magazine is an excellent source of knowledge and information, and some of its articles are cited throughout Blason.es, for example, those by [Valero de Bernabé, L.; 2009b], [Valero de Bernabé, L.; 2010] and [Valero de Bernabé, L.; 2012b].
In saltire arrangements, I prefer to place the element in bend over the element in bend sinister, since the bend takes precedence over the bend sinister. Therefore, in my interpretation of this coat of arms and unlike other interpretations, the two-handed sword placed in bend is drawn above the one placed in bend sinister.
Categories: Institution, Interpreted, Socioeconomic, Illuminated, Outlined in sable, Metal beaten, Emblem, Two-handed sword, Argent, Hilted, Or, In saltire, Crest, Closed royal crown and Crown.
Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «Limpia, fixa, y da esplendor» Or over a scroll Azure.
Escudo de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro. Timbrado de una corona real cerrada. Lema: «Limpia, fixa, y da esplendor» de oro sobre una filacteria de azur.
Interpretation made from the Royal Academy emblem: transforming it into a semicircular-based shield, instead of its oval shape; with its motto on a scroll beneath the base, instead of surrounding it; keeping the closed royal crown in its place; with everything illuminated except the field which is in plain color; and the whole outlined in sable and with a parchment-like finish.
In this interpretation, on the Argent field, the Gules fire of the bonfire completely surrounds the Argent crucible, to avoid the metal Argent on the same.
To write the blazon for this coat of arms I use the heraldic term «llameante». Therefore, I do not follow [Avilés, J.; 1780a; page 82 and figure 163] when he writes «...y un Fénix de gules sobre una hoguera encendida de lo mismo.». He uses this example to illustrate the 2 fundamental uses of the term «encendido» which is said when «the Eyes of animals... are of a different color» and «also of a burning Bush and the same for a Torch, when the flame is of a different tincture».
Blazon keywords: Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules, Or, Closed royal crown, Crown, Motto, Scroll and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: Royal Spanish Academy.
Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 22nd edition, Espasa Calpe, Madrid, 2001.
The DRAE's latest edition, the 23rd, is from October 2014, but the current online version corresponds to the 22nd edition with amendments incorporated until 2012.
This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española, with its crucible over a bonfire and its motto around it.
Bibliographical reference of century XXI.
Classification: Dictionary and Castilian language.
Author: Royal Spanish Academy.
Bibliographical reference mentioned in the following article:
External resource:
Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 23rd edition, Espasa Calpe, Madrid, 2014.
This bibliographic reference of the DRAE is illustrated with one of my interpretations of the emblem of the Real Academia Española. Oval emblem with its crucible over a bonfire, surmounted by a closed Royal crown and its motto «Limpia, fija y da esplendor», around the emblem in letters of Or on Azure.
Bibliographical reference of century XXI.
Classification: Dictionary and Castilian language.
The author is Royal Spanish Academy.
The following article cites this bibliographic reference:
External link:
Ermine, a lion rampant double queued Or, armed and langued Gules; a chief Gules, three castles triple-towered Or, port and windows Azure, masoned Sable. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Without divisions, Ermine, One, Lion, Rampant, Tail, Double queued, Or, Armed, Langued, Gules, Chief, Three, Castle, Port and windows, Azure, Masoned, Sable, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: González Lara, Rubén.
Gules, three Leopards faces Or, the whole within a Border Or with two Bars Gules.
Watercolor finishing
Blazon keywords: Gules, Three, Head, Leopard, Or, Ordered, Bordure, Two and Bar.
Style keywords: Watercolor, Pointed, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.
Sable, three Towers Or, two and one
The classic heraldic layout for three charges on a coat of arms is two in chief and on in base. The layout one in chief and two at base are considered disordered in many heraldic traditions.
The blazon of this coat of arms, «Sable, three Towers Or, two and one», is disordered, and the entropy refers to disorder, and more entropy means more disorder. Then this imaginary coat of arms is full of entropy, and it could belong to the entropy.
Categories: Riddle solution, Imaginary, Sable, Three, Tower, Or, Two, One and Disordered.
Azure, a carbuncle of twelve rays Argent; on a chief Or, a hop cone Vert between two apples Gules, slipped and leaved Vert.
Escudo de azur, un carbunclo de doce rayos de plata; en un jefe de oro, una flor de lúpulo de sinople acompañada de dos manzanas de gules, talladas y hojadas de sinople.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.
Blazon keywords: Azure, Carbuncle, Twelve, Argent, Chief, Or, Hop cone, Flower, Vert, Between, Two, Apple, Gules, Slipped and Leaved.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Created and Coat of arms.
Bearer: Sales, Robert Edward.
Azure, a cross flory voided Argent; a bordure Gules charged with sixteen saltires couped Or.
Escudo de azur, una cruz hueca flordelisada de plata; una bordura de gules cargada de dieciséis sotueres cortados de oro.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
Coat of arms of Alfonso Sánchez de Perella, 1st Mayor of Burgos, emblazoned by me.
Blazon keywords: Azure, Argent, Gules, Or, One, Sixteen, Cross, Flory, Voided, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sánchez de Perella, Alfonso.
Known as the Brave, king of Castile and León from 1284 to 1295.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
Pre-existing arms interpreted by me as described below: the shield of arms has a rounded (semicircular) base; the field, the two castles and the two lions are illuminated; and the whole has a parchment-like finish.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.
Style keywords: Rounded, Illuminated and Parchment.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Sancho IV of Castile.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo partido: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata, un león rampante de púrpura, armado y lampasado de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the Infante Sancho of Castile, 1233–1261, 8th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. Unlike his siblings, he does not use a quarterly shield but rather impaled arms of Castile and Leon.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Sancho of Castile, Infante.
My heraldic channel on Satellite was https://satellite.earth/@as, but sadly, this social network didn't evolve properly.
Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.
Or, a lion rampant Gules, armed and langued Azure; a double tressure flory counterflory Gules.
Escudo de oro, un león de gules, armado y lampasado de azur; un trechor doble flordelisado y contraflordelisado de gules.
Illuminated and a leather finishing.
The blazon of this coat of arms is usually written with the heraldic term «within». I think it is not necessary because the lion can only be inside the double trechor. Using «within» the blazon is: «Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules».
Blazon keywords: Or, One, Lion, Gules, Armed, Langued, Azure, Double tressure, Flory, Counterflory and Whitin.
Style keywords: Freehand, Outlined in sable, Illuminated and Pointed.
Classification: Civic, Kingdom of Scotland, Interpreted and Coat of arms.
Bearer: Scotland.
Charles Wilfred Scott-Giles, OBE (Officer of the Most Excellent Order of the British Empire), Fitzalan Pursuivant Extraordinary, «Some Arthurian Coats of Arms», Coat of Arms, COA, An Heraldic Quarterly Magazine, issue 64 of October 1965 (which is the date I use as reference) and issue 65 of January 1966, The Heraldry Society, Baldock, Hertfordshire, October 1965.
The coat of arms illustrating this bibliographic reference is one of the variants described in this article attributed to King Arthur, which in Blason.es is cataloged as Arthur of Britain.
Bibliographical reference of century XX.
Author: Scott-Giles, C. W..
The following articles cite this bibliographic reference:
External resource:
Internal resources: ScottGilesCW1965.SomeArthurianCoA.docx.
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, a ship in full sail Or.
Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Coat of arms of the Sea of the Mediterrean designed and emblazoned by me as imaginary heraldry. This coat of arms is one of my very first heraldic designs.
Blazon keywords: Sable, Argent, Azure, Or, Three, Eight, One, Party per fess, Mullet, Disordered, Ship and Full sail.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Mediterranean, Sea of the.
Upon a wreath Argent and Azure, upon a trimount Gules, an eagle wings addorsed and inverted Azure, the head and tail Argent, nimbed Or, grasping a closed book also Or.
The signet ring featuring the crest of the arms of Herbert Leo Buffenbarger, based on his heraldic crest. The crest was designed by his son, John Alan Francis Buffenbarger, and emblazoned by me. The image shows the signet ring featuring the crest upon a wreath, alongside my painting of the crest upon which the ring is based.
Blazon keywords: Crest, Argent, Azure, Gules, Or, One, Three, Upon (wreath), Wreath, Upon, Trimount, Eagle, Wing, Addorsed, Head, Tail, Nimbed, Grasping, Closed book and Book.
Style keywords: Outlined in sable and Illuminated.
Classification: Personal, Interpreted, Boa, Seal, Collage and Photographic.
Bearer: Buffenbarger, Herbert Leo.
Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet» Sable, with initial letters Gules, over a scroll Argent.
Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.
Classification: Personal, Created, Boa, Sealed arms and Heraldic document.
Bearer: Luchoro and Darryn Carlo, Roberto.
Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent. Motto: «Fortificado por el Sol».
Heraldic device designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a sealed finishing.
The arms of Kevin Larkin from Ireland and Spain, designed, emblazoned, and sealed by me.
The creation of these arms has been guided by Kevin Larkin's life journey, connecting Ballinasloe, Dublin, London, and Alicante. Drawing inspiration from the heraldry of Ballinasloe, the armiger's hometown, and Alicante, his current residence, the design reflects significant elements from both places. Ballinasloe's arms feature a triple-towered castle, symbolizing the O Ceallaigh's historic stronghold and the area's legal traditions. Similarly, Alicante's arms prominently display a triple-towered castle, making it a natural unifying element for the design. The wavy lines represent the River Suck and River Shannon in Ireland above, and the Mediterranean Sea below. Adopting a traditional Spanish style for the arms aligns with Mr. Larkin's life in Spain, embracing its rich heraldic heritage and distinctive artistic symbolism.
Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy, In base and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.
Classification: Personal, Created, Design rationale, Boa, Sealed arms and Heraldic document.
Bearer: Larkin, Kevin.
Gules, on a trimount issuant from the base Argent a bighorn sheep salient Or, horned Argent. Motto: «Barrio Alto» Sable with initial letters Gules over a scroll Argent.
Heraldic device designed by me, illuminated with lights and shadows, outlined in Sable, with a chasuble outer contour and with a texturized finishing.
The coat of arms of the Barrio Alto of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me, and emblazoned, dated, signed and sealed by me.
Blazon keywords: Gules, Or, Argent, Sable, One, On, Trimount, Issuant from base, Bighorn sheep, Salient, Horned, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Civic, Created, Boa, Sealed arms and Heraldic document.
Bearer: Barrio Alto of Mon'Tarena.
Gules, a chevron Or.
Arms of Gilbert des Essarts, France, emblazoned by me. This scheme illustrates the drawing of a chevron, highlighting that the lower point of this wide chevron is positioned at the geometric center of the coat of arms.
Blazon keywords: Gules, Or, One and Chevron.
Style keywords: Outlined in sable, Plain tincture, Illuminated and Pointed.
Classification: Personal, Kingdom of France, Interpreted, Schema, Boa and Coat of arms.
Bearer: Gilbert des Essarts.
William Shakespeare, «Coriolanus», Tragedy in 5 acts and 29 scenes, written in verse, dated to either 1608 or 1609, depending on the sources.
It is one of the last works written by William Shakespeare, a tragedy based on the life of Caius Marcius Coriolanus, a legendary Roman general from the 5th century B.C. Some authors consider General Coriolanus to be a historical figure, while others do not.
Initially known only as Caius Marcius, during the war against the Volsci he becomes a hero by entering the city of Corioli with a few soldiers, and from then on, he is called Caius Marcius Coriolanus.
I prithee now, my son,
Go to them, with this bonnet in thy hand;
And thus far having stretch'd it (here be with them)
Thy knee bussing the stones (for in such business
Action is eloquence, and the eyes of the ignorant
More learned than the ears) waving thy head,
Which often, thus, correcting thy stout heart,
Now humble as the ripest mulberry
That will not hold the handling: or say to them,
Thou art their soldier, and being bred in broils
Hast not the soft way which, thou dost confess,
Were fit for thee to use as they to claim,
In asking their good loves, but thou wilt frame
Thyself, forsooth, hereafter theirs, so far
As thou hast power and person.
Bibliographical reference of century XVII.
The author is Shakespeare, William.
External link:
Or, on a bend Sable, a spear Or, headed Argent.
Escudo de oro, una banda de sable, cargada de una lanza de plata, fustada oro.
Coat of arms I have interpreted, unlike others, with: a semicircular (round) base; its field and bend enamelled in flat Or and Sable; its lance is not a tournament lance; the spearhead (the iron) long and broad, to enhance its illuminated Argent; the shaft of the lance illuminated in Or; and the whole finished in watercolor.
Note the different structure of the blazon between Spanish and English, where in the former the lance is Argent with a shaft Or, and in the latter the lance is Or with a spearhead Argent.
[Avilés, J.; 1780a;; page 96, paragraph 2] tells us: «Fustado, said of a tree whose trunk is of a different colour from that of its leaves; and the same is understood of a lance or a pike, whose shaft is of a different tincture from that of the iron.».
Blazon keywords: Without divisions, Or, Sable, Argent, Bend, Bendwise, Spear and Charged.
Style keywords: Parchment and Illuminated.
Classification: Riddle, Interpreted, Personal, Coat of arms, Canting and Literature.
Bearer: Shakespeare, William.
Party per chevron Vert and Or, in chief a sackbut fesswise Or, in base a thistle slipped and leaved proper.
Escudo de sinople, mantelado en punta de oro, en jefe un sacabuche de oro puesto en faja, en punta un cardo de sinople, florido de púrpura.
Illuminated, freehand finishing, and the inner of the thistle is outlined in the metal Or of its field.
Note the different way of writing the blazon in English and Castilian, «...a thistle slipped and leaved proper» ~ «...un cardo de sinople, florido de púrpura».
Blazon keywords: Vert, Party per chevron, Or, In chief, Sackbut, Fesswise, In base, Thistle, Leaved, Slipped and Proper.
Style keywords: Freehand, Outlined in sable, Outlined in the field tincture, Illuminated and Pointed.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Sky, Laird.
Founded in the year 1987, it is the first organisation of its kind in the world
Azure, an inescutcheon Argent, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Or.
Escudo de azur, un escusón de plata, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todas de oro.
The Society of Heraldic Arts is an international organization founded in 1987, committed to the promotion and preservation of heraldic art. The society brings together artists, craftsmen, and enthusiasts who work in various forms of heraldic expression, from painting and sculpture to calligraphy and jewelry. With members worldwide, the SHA encourages the exchange of knowledge and skill development through exhibitions, publications, and events.
Categories: Institution, Interpreted, Socioeconomic, Illuminated, Semi-circular, Coat of arms, Azure, Inescutcheon, Argent, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line, Throughout (all sides) and Or.
Zurich, Switzerland.
Argent, an eagle displayed Gules, crowned, langued, membered and armed, charged on its chest with a mullet of six points voided, and interlaced Or.
Escudo de plata, un águila de gules, coronada, lampasada, membrada y armada, cargada en su pecho de una estrella de seis puntas, hueca y entrelazada todo de oro.
Illuminated with lights and shadows and with a iridescent finish.
Another version of this blazon «Argent, a eagle displayed Gules, crowned, langued, membered and armed, charged on its chest with a star of David Or».
Blazon keywords: Without divisions, Argent, One, Eagle, Gules, Crowned, Langued, Membered, Armed, Charged, Mullet, Six, Base (lower 1/3), Voided, Interlaced and Or.
Style keywords: Iridescent (nacar), Outlined in sable, Illuminated and Pointed.
Classification: Personal and Created.
Bearer: Sosa-Garcia, Rodolfo.
Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.
Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Granada, Soberana y Muy Noble Orden de la.
Structure of this standard:
Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points, Or, Cyclamor, Fimbriated, Motto, Male figure, Demi, Proper, Beret, Vert, Grasping, Hand, Dexter and Wreath.
Classification: Personal, Interpreted, Standard, Flag and English language.
Bearer: Power, Guy Harold.
Heraldic device emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finish.
Heraldic standard of Sean Shriner, designed by The Armorial Register, and revised and emblazoned by me. Structure: Coat of arms; Badge; 1st line of the motto «Fide Gratia»; Crest; 2nd line of the motto «Obedientia»; Badge.
Blazon keywords: Argent, Gules, Sable, Azure, Or, Flanched, Semé, Cross-crosslet, Cross couped, Overall, Bear, Rampant, Regardant, Armed, Langued, Charged, Key, Sword, In saltire, Hilted, Debruised, Crest, Upon (wreath), Wreath, Issuant, Enarched, Bridge, Embattled, Masoned, Above, River, Forepaw, Grasping, Cross fitchy, Bend sinisterwise, Double-headed and Erased.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa, Standard and Flag.
Bearer: Shriner, Sean.
Or, a fess chequey Azure and Argent.
Escudo de oro, una faja ajedrezada de azur y plata.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a rough finishing.
Coat of arms of the lineage Stewart of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Stewart of Scotland, lineage.
Quarterly: 1 Or, a lion rampant, facing sinister Sable, armed and langued Gules; 2 and 3 Gules, an anchor proper; 4 Or, a lion rampant Sable, armed and langued Gules; overall, a pile issuant from base Azure charged with a mount proper issuant from water issuant from base Argent, in chief, a mullet of six points Or.
Escudo cuartelado: 1o de oro, un león rampante, alterado de sable, armado y lampasado de gules; 2o y 3o de gules, un ancla al natural; 4o de oro, un león rampante de sable, armado y lampasado de gules; brochante sobre el todo, una pira de azur cargada de un monte saliente de aguas movientes de la punta, en jefe, una estrella de seis puntas de oro.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a watercolor finish.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Six, Quarterly, Lion, Rampant, Facing sinister, Armed, Langued, Anchor, Proper, Overall, Pile issuant from base, Charged, Mount, Issuant, Water, Issuant from base, In chief and Mullet.
Style keywords: Outlined in sable, Illuminated, Bull's hide and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Stiebel, Amitay Edward von.
Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.
Escudo de oro, una faja ajedrezada de plata, cargada de una cola de armiño, y azur, acompañada en jefe de dos cruces patadas de gules, en base de un cardo al natural; una filiera de azur.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Coat of arms of Reverend John Stuart, XVIII century, emblazoned by me.
Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Stuart, John.
Of the twelve lineages of Noblemen, the seventh is Subiça, and bears as arms a shield Or, with a chief Sable at the upper part of the shield, in the same manner as painted in this one.
Or; a chief Sable.
Escudo de oro; el jefe de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the chief in flat Sable; and the whole finished in highly-hammered metal.
Coat of arms based on the seventh of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading it is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Cubiza» these armorial bearings can be consulted in [Vega, P. J. de; 1702; folio 7 of the manuscript].
Blazon keywords: Without divisions, Or, Chief and Sable.
Style keywords: Semi-circular, Plain tincture and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Subiça of Navarre.
Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or. Supporters: Two lions rampant guardant Or, langued Gules, the one at dexter grasping in his sinister forepaw a quill Argent, the one at sinister grasping in his dexter forepaw a rolled scroll Argent, bearing a wax seal Gules, inscribed with the letters «MB» Sable. Motto: «Officium otium cum dignitate».
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
The coat of arms of Fernando Marán Bié designed by Ignacio Koblischek and emblazoned by me.
Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure, Embattled, Supporter, Dexter, Sinister, Lion rampant guardant, Langued, Grasping, Forepaw, Quill, Rolled, Scroll, Inscribed, Letter and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa, Coat of arms and Seal.
Bearer: Fernando Marán Bié.
Blazon of the Talbot lineage of England.
Escudo de gules, un león rampante dentro de una bordura angrelada todo oro.
Gules, a lion rampant within a bordure engrailed Or.
Illuminated with lights and shadows and with a freehand finish.
[Rietstap, J. B.; 1861] writes it in French as «de gueules, au lion d'or, à la bordure engrelée du même». y [Burke, J.; 1836; volume 3, pages 359-360] writes it in English as «Gu. a lion rampant, within a bordure engr. or».
Blazon keywords: Without divisions, Gules, One, Lion, Rampant, Within, Bordure, Engrailed and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or. Motto: «Allahumma inni as'saluka al Afiyah» Sable over a scroll Argent doubled Or.
Escudo de azur, dos robles arrancados al natural, hojados de sinople, frutados de oro, en jefe, tres estrellas de cinco puntas de oro; entado en punta de plata, un corazón de gules sembrado de flores de lis de oro. Lema: «Allahumma inni as'saluka al Afiyah» de sable sobre una filacteria de plata doblada de oro.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finish.
The coat of arms and motto of Dr. Tariq Abbasi MBE FRSA designed by Vittorio Gifra and emblazoned by me.
Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé, Fleur de lis, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Abbasi, Tariq.
Azure, in base an open book Argent, in chief a sun in splendour Or. Crest: An open royal crown. Motto: «Technica impendi nationi». Motto around the shield: «Universidad de Politécnica de Madrid» fimbriated and depinted Or.
Escudo de azur, un libro abierto de plata surmontado de un sol de oro. Timbrado de una corona real abierta. Lema: «Technica impendi nationi». Divisa alrededor del escudo: «Universidad de Politécnica de Madrid» perfilada y en letras de oro.
Coat of arms interpreted as follows: a semicircular (round) base; the field in flat Azure; the field and charges are illuminated in the tinctures Azure and the metals Argent and Or, all outlined in Sable; my rendition of this coat of arms differs from others in that the sun’s rays, although outlined in Sable, are Or; in the legibility of the text written on the book; and in separating with a dot the words that form the motto; and the whole finished with a beaten-metal effect.
En [Huidobro Moya, J. M.; 2024; página 231] se ilustra esta versión del escudo de armas de la Universidad Politécnica de Madrid realizada por mí. Tanto José Manuel Huidobro Moya como yo somos «alumni» de esta universidad.
Blazon keywords: Without divisions, Azure, Argent, Or, Book, Sun in splendour, Crest and mantling, Crown, Open royal crown, Motto and Motto (identification).
Style keywords: Semi-circular, Oval, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Socioeconomic and Education.
Bearer: Technical University of Madrid.
My heraldic channel at Telegram is t.me/s/AntoniosHeraldry.
Categories: Technology, Social networks, Argent, Or, Azure, One, Quarterly, Overall, Peacock, In his splendour, Proper, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Garuda, Sejant, Crowned, Vested and Mantling.
My interpretation of the arms of the Templar and Humanitarian Order of the Kingdom of Spain with the help of Antonio José Gómez Morillo, on the blog Twelve Lineages of Soria in an article entitled: Beautiful rendering of the Arms of the T.H.O.K.S., created by Mr. Antonio Salmerón Cabañas.
Categories: Link, Watercolor, Freehand, Semi-circular, Closed royal crown, Crown, Supporter (human form), Supporter, Mantle, Sable, Gules, Argent, Or, Ermine, Cross of Saint James, Cross couped, Escallop, Flag and Party per pale.
Root: Twelve Lineages of Soria.
Azure, a cross of Burgundy Or; an inescutcheon Or, six fleurs de lis in orle Azure.
Escudo de azur, una cruz de Borgoña de oro; un escusón de oro, seis flores de lis en orla de azur.
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the Tercio Alessandro Farnese, 4th of the Spanish Legion, emblazoned by me. In honor of Alessandro Farnese, the central inescutcheon bears in orle the 6 fleurs de lis of the Farnese family.
Blazon keywords: Azure, Or, One, Six, Cross of Burgundy, Cross couped, Inescutcheon, Fleur de lis and In orle.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Tercio Alessandro Farnese.
Gules, a cross of Burgundy Or; an inescutcheon Or, three bars Gules.
Arms interpreted by me, in plain tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.
Coat of arms of the Tercio Great Captain, 1st of the Spanish Legion, emblazoned by me. The inescutcheon represents the coat of arms of Gonzalo Fernandez de Cordoba, 1453-1515, known as «The Great Captain». It was Gonzalo Fernandez de Cordoba who reorganized the Spanish infantry, laying the foundations for what would later become the Tercios.
Blazon keywords: Gules, Or, One, Three, Cross of Burgundy, Cross couped, Inescutcheon, Bar and Fess.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Tercio Great Captain.
Countess of Urgell, Viscountess of Ager, Lady of Alcolea de Cinca, died in 1327.
Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.
Escudo dimidiado: 1o de oro, cuatro palos de gules; 2o ajedrezado de oro y sable.
Arms interpreted with: a round-bottom shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.
A dimidiated coat of arms is the result of combining two shields of arms by taking the dexter half of the first and the sinister half of the second.
Dimidiation was used in the 13th and 14th centuries to combine, for instance, the arms of two families.
Its blazoning method does not consist of describing what appears in each of the resulting quarters, but rather, by stating from the beginning that it is dimidiated, describing the original coats of arms. Thus, in this particular case of the arms of Teresa of Entenza, it is not stated that there are only two pallets in the first quarter, but that it is dimidiated and has four pallets, so the reader must know that from the four pallets, only the first two are visible due to the dimidiation.
This method of dimidiating the arms of predecessors results in very beautiful and original designs, but depending on the charges and figures involved, in other cases the result may be unrecognisable or even absurd.
Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.
Style keywords: Semi-circular, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Teresa of Entenza.
Or, three lion’s paws erect and erased Or, 2 and 1, each grasping a Madonna lily Argent.
Escudo de oro, tres garras de león arrancadas y alzadas de oro, ordenadas, 2 y 1, teniendo cada una una azucena de plata.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.
Coat of arms of the lineage Terraza of Aragon, emblazoned by me following the instructions of Enrique de Alzaga Aliena. The fleur de lis ~ «flor de lis» is a stylized or idealized lily. The lily ~ «lirio» is the flower itself, of which there are various species. The Madonna lily ~ «azucena» is a specific kind of lily; I do not call it white lily to avoid redundancy when it is Argent ~ «plata».
Blazon keywords: Azure, Or, Argent, Three, One, Lion, Paw, Erect, Erased, Ordered, Grasping and Madonna lily.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Terraza of Aragon, lineage.
An antiquarian, writing from Rostov-on-Don, sent me this image asking about the coat of arms with the tortoise.
The coat of arms with the tortoise is that of the city of Bugia, or Bujía in Spanish, or Bougie in French. It is a city in Algeria with a port on the Mediterranean. Bugia was conquered by the Crown of Castile in 1510 and remained under its rule until 1555. Therefore, Bugia belonged to Charles I of Spain and V of the Holy Roman Empire (1500–1558), and in some books and documents concerning the territories of Charles V the coat of arms of Bugia is included, whose blazon in English is «Gules, a turtle fesswise Or», and in Castilian, «escudo de gules, una tortuga puesta en faja de oro». For its identification I relied on [Sánchez Badiola, J. J.; 2010; pages 102 and 103].
In my humble opinion, I believe that in this illustration the city of Bugia is given greater importance than it actually had, especially when compared with the rest of the coats of arms represented in it, for example, León, Castile, Aragon, Navarre, Minorca, Sardinia or Granada. It is possible that the city of Bugia was included because it was an African possession.
Categories: Identification, Gules, One, Turtle, Fesswise and Or.
The coat of arms of The Heraldry Society emblazoned by me in 4 steps: 1) ratios, 2) delineation, 3) plain tincture, and 4) lights and shadows. Blazon: Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.
Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.
Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Freehand.
Classification: Interpreted, Socioeconomic, Coat of arms and Schema.
Bearer: The Heraldry Society.
The Heraldry Society, «Education Pack, A brief explanation of Heraldry for teachers together with explanatory sheets and templates for students», Baldock, Hertfordshire, 2013.
This bibliographical reference is illustrated with the quartered coat of arms of The Heraldry Society.
Bibliographical reference of century XXI.
The author is The Heraldry Society.
Bibliographic reference mentioned in the following articles:
External link:
Internal resources: TheHeraldrySociety2013.EducationPack.pdf.
Azure semé of millrinds Or; on a dexter canton Or, a lion rampant Purpure, armed and langued Gules.
Escudo de azur sembrado de anillas de molino de oro; en un cantón diestro de oro, un león rampante de púrpura, armado y lampasado de gules.
This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone.
Blazon keywords: Azure, Semé, Millrind, Or, One, Canton, Dexter, Lion, Rampant, Purpure, Armed, Langued and Gules.
Style keywords: Pointed, Outlined in sable, Outlined in the field tincture and Plain tincture.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Lincoln's Inn, The Honourable Society of.
Vert, an inescutcheon Argent; overall a compass rose Sable and Or.
Escudo de sinople, un escusón de plata; brochante sobre el todo, una rosa de los vientos de sable y oro.
The International Heraldry Society has its Facebook group in the following address facebook.com/groups/int.herald.
Categories: Institution, Without divisions, Vert, Inescutcheon, Argent, Surmounted, Overall (deprecated), Compass rose, Sable and Or.
Quarterly: 1 and 4 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 2 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 3 Azure, a harp Or, stringed Argent.
Escudo cuartelado: 1o y 4o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 2o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 3o de azur, un arpa de oro cordada de plata.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a iridescent finishing.
Coat of arms of His Majesty King Charles III in Scotland emblazoned by me.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Charles III of the United Kingdom.
Thomas de Warbrentone ~ Thomas de Warbleton.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted in the following manner: the shape of the base is a semicircular arch; the field has been enameled with plain metal tint Or; the lozenges with their 4 rectangular and equal angles, are outlined in Sable and illuminated in Azure; the lozengy is 6 lozenges wide by 7 lozenges high, which can also be indicated as 7 lozenges in length by 7 lozenges in latitude; and the whole has received a marble finish.
Lozengy is defined by [Avilés, J.; 1780a; page 101] as «it is said of the Shield and pieces covered with lozenges».
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted and Personal.
Bearer: Warbleton, Thomas de.
Thomas de Warbleton ~ Thomas de Werblintone.
Lozengy Or and Azure.
Escudo losanjado de oro y azur.
Included in [Vincent, MS; 1285; number 245] also known as [St. George's Roll; 1285; number 245].
Blazon keywords: Without divisions, Lozengy, Or and Azure.
Style keywords: Semi-circular, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Tomás de Warbleton.
The painting of the coat of arms of Thomas Grenville in 3 steps tracing, tincture and illumination.
Gules, three Clarions Or.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Freehand, Plain tincture and Illuminated.
Classification: Interpreted, Kingdom of England and Schema.
Bearer: Grenville, Thomas.
My heraldic channel @antoniosheraldry at TikTok is tiktok.com/@antoniosheraldry.
Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.
Illuminated and a rough finishing.
Blazon keywords: Gules, Cross, Or, Lily, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base and Two hands clasped.
Style keywords: Rough, Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Trading Pro School.
Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.
Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2nd and 3rd quarters.
Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Trastámara, House of.
Chapé, embrassé, chaussé, and contre-embrassé.
There are 4 figures based on a triangle that, following the direction of the clock hands, have the following characteristics:
The point of the central isosceles triangle is in the chief of the shield, like the clock hand pointing to 12:00, the base of the triangle is in the point of the shield. The field is the interior of this central isosceles triangle and its 2 adjacent right triangles are the charges. In the coat of arms for the triangulation that illustrates this article, the 6th quarter is chapé, its field is in plain tincture Vert and its 2 charges are illuminated in the metal Or, which is blazoned as «6 Vert, chapé Or».
The point of the central isosceles triangle is in the sinister of the shield, like the clock hand pointing to 3:00, the base of the triangle is in the dexter of the shield. The field is the interior of this central isosceles triangle and its 2 adjacent right triangles are the charges. In the coat of arms for the triangulation that illustrates this article, the 5th quarter is embrassé, its field is in plain tincture Azure and its 2 charges are illuminated in the metal Or, which is blazoned as «5 Azure, embrassé Or».
The point of the central isosceles triangle is in the point of the shield, like the clock hand pointing to 6:00, the base of the triangle is in the chief of the shield. The field is the interior of this central isosceles triangle and its 2 adjacent right triangles are the charges. In the coat of arms for the triangulation that illustrates this article, the 1st quarter is chaussé, its field is in plain tincture Vert and its 2 charges are illuminated in the metal Or, which is blazoned as «1 Vert, chaussé Or».
The point of the central isosceles triangle is in the dexter of the shield, like the clock hand pointing to 9:00, the base of the triangle is in the sinister of the shield. The field is the interior of this central isosceles triangle and its 2 adjacent right triangles are the charges. In the coat of arms for the triangulation that illustrates this article, the 2nd quarter is contre-embrassé, its field is in plain tincture Azure and its 2 charges are illuminated in the metal Or, which is blazoned as «2 Azure, contre-embrassé Or».
Blazon keywords: Quarterly, Chapé, Chaussé, Embrassé, Contre-embrassé, Or, Argent, Vert and Azure.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Imaginary.
Imaginary bearer: Triangulation.
Party per fess Argent and Or, in chief twenty one fleurs de lis Sable, 8, 7, and 6, in base, a stag passant Gules attired proper, holding in its mouth a sprig Vert, gorged with a wreath Argent and Or.
Escudo cortado de plata y oro, en jefe veintiuna flores de lis de sable, 8, 7 y 6, en punta un ciervo pasante de gules, ramado al natural, teniendo en su boca una ramita de sinople, colletado de un burelete de plata y oro.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finishing.
G0130, Chief Herald of Arms of Malta's grant of the coat of arms of Michael Twist, Malta. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Sable, Or, Gules, Vert, Twenty-one, One, Party per fess, In chief, Fleur de lis, Stag, Passant, Attired, Grasping, Sprig, Gorged and Wreath.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Twist, Michael.
My heraldic channel @ntoniosalmeron at Twitter is twitter.com/ntoniosalmeron.
Categories: Technology, Social networks, Castle, Or, Port and windows, Azure, Masoned and Sable.
Azure, a Tryzub Or.
Escudo de azur, un tryzub de oro.
Interpreted coat of arms: with a pointed shape; illuminated with metals or and color azure; outlined with sable; and an iridescent finish for the field and metallic of the tryzub.
Blazon keywords: Without divisions, Azure, Trident and Or.
Style keywords: Ogee, Illuminated, Outlined in sable, Iridescent (nacar) and Soft metal.
Classification: Coat of arms, Interpreted, Civic and State of Ukraine.
Bearer: Ukraine.
Azure, in chief three keys in bend, fesswise, to dexter, facing downwards Or, in base an open book Argent, garnished Or, the pages inscribed «Ad usum per artes» Gules. Motto: «Universitas Peñafortis».
Illuminated and a freehand finishing.
Blazon keywords: Azure, Three, Key, Or, In chief, In bend, Fesswise, Book, Open, Motto and Motto (identification).
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Peñafort, Universidad.
Emblem Azure, Saint Michael Argent, vested and nimbed Or, grasping in his dexter hand a spear Or, point downward, and in his sinister hand bearing [ Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert, of Navarre ], upon a dragon Vert, armed, langued, fanged, and the eyes Gules.
Emblema de azur, un San Miguel de plata, vestido y nimbado de oro, teniendo en su diestra una lanza de oro, con la punta hacia abajo y en su siniestra trae [ escudo gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople, de Navarra ], sostenido por un dragón de sinople, armado, lampasado, fierezado y encendido de gules.
Emblem interpreted by me as follows: an oval shape with proportions 5x6, wider than the original; the field illuminated in Azure; its charges outlined in Sable and illuminated in the colours Gules and Vert and the metals Argent and Or; the Archangel Saint Michael vested in Or, unlike others who appear in Argent; his emerald simplified into an area enameled Vert; and the whole emblem has a lightly beaten metal finish.
Due to its special characteristics, the difficulty in complying with the first rule of heraldry concerning metals and colours, and out of prudence, I categorize it as an emblem rather than a shield.
In a relief of the Church of Saint Michael the Archangel in Estella, Saint Michael can be seen fighting a dragon that represents the devil, in a similar but mirrored arrangement to that of this emblem. In that relief, the Archangel Saint Michael bears a pre-heraldic shield with its umbo. According to [Menéndez Pidal de Navascués, F.; 1963], the umbo of the shield is a reinforcing element that is the predecessor of what would later become the pommelly carbuncle of the shield of the Kingdom of Navarre.
Blazon keywords: Without divisions, Azure, Male figure, Angel, Archangel, Argent, Vested, Nimbed, Or, Grasping, Dexter, Spear, Point downwards, Sinister, Gules, One, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Vert, Upon, Dragon, Armed, Langued, The fangs and The eyes.
Style keywords: Oval, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Socioeconomic, Education, Emblem and Kingdom of Navarre.
Bearer: University of Navarra.
This portrait, attributed by the seller to Frans Pourbus the Younger, was described on the market as that of a Venetian lady holding a «Venetian Lace Fan» and was said to come from a private collection in Florence, Italy. More precisely, its sales title was «Portrait of a Lady with a Venetian Lace Fan c.1595, Remarkable condition 1597».
From a heraldic point of view, the work presents, as a significant element, a coat of arms of oval shape painted on the column accompanying the figure. Oval forms are often associated with the shields of married women; if this late-sixteenth-century shield originated, for example, in England, one could be more confident that there is a relationship between the oval shape of the shield and the lady depicted. Originating in Italy, and more specifically in Venice, this oval shape may have been chosen either because the sitter was a woman or simply as a matter of fashion, since in that period and region oval shields can also be found in ecclesiastical contexts and used by men, the oval then being regarded as a form more architectural and artistic than combative.
I became aware of this painting because I was asked by a university whether I could identify the coat of arms on the column. The identification of coats of arms in historical painting is a slow, uncertain task and, in most cases, an unproductive one. It may require hours, days, weeks or even years, and often does not lead to definitive results. For this reason, I generally try to avoid this type of research.
In this particular case, I was unable to identify it. However, coats of arms, once seen, remain in visual memory; that is precisely what they are designed to do. Twenty months later, while casually reviewing a series of heraldic records published by the Italian heraldist, «Vittorio|Gifra», one of them caught my attention at an unconscious level. I continued moving through the series, but an unmistakable sense arose that something relevant had been overlooked, which led me to go back and examine the entry again with care. At that moment, the lady with the Venetian fan and the coat of arms painted on the column of the portrait immediately came to mind.
The consulted entry stated verbatim: «Stemma famiglia #VOGANZI. @voganzi Arma: d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro. A.S.Mi. Reg. 0002: stemmario Marco Cremosano - 1673; [...] et anco di diverse Famiglie d’Italia, Vol. II°, p. n°333, posizione, 3^ fila e 3° stemma da sx a dx. [Cfr.: Archinto: «de #VOGANZA de Venetia» (I 13 V a)]. Vittorio Gifra. Lun01-12-2025».
Indeed, it had been found: the coat of arms on the column belongs to the Voganzi family of Venice, whose arms are, in Italian «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro» ~ in English «Azure, two tibiae proper in saltire, between four fleurs de lis Or» ~ in Castilian «escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro».
I then proceeded to document the finding and inform the interested parties.
In the Archinto, the form «Voganza» appears, referring to a specific individual or to the nominal origin of the lineage, in the singular; for example, «una dama de la casa Voganza». By contrast, in the stemmario by Marco Cremosano the form «Voganzi» is recorded, which corresponds to the plural commonly used to designate the collective body of members of the Voganza family. Taking into account that only about 70 years elapsed between the portrait (1597) and the stemmario (1673), it is plausible that at the time the painting was made the surname could already appear as «Voganzi» or in a very similar form. Although surnames do evolve over time, the interval considered is not one of centuries, but of 7 decades.
My most important doubt in this identification concerns the colour of the field; when I first saw it, I hesitated between sable and azure. It seemed too light to be sable, I thought; it could be azure, but it is not very azure, so in my notes I left it as: «either sable or azure».
When I depict elements in saltire, I usually give precedence to the bend over the bend sinister, so my natural inclination would be to place the tibia bendwise above the tibia in bend sinisterwise. In this case, however, I have placed the tibia bend sinisterwise above, in order to remain consistent with the coat of arms on the column. In any event, this is merely an artistic detail, with no relevance from the standpoint of heraldic description, which is the same in both cases.
Categories: Identification, Interpreted, Watercolor, Outlined in sable, Illuminated, Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.
182nd Pope of the Church, from 1261 to 1264. «Urbanus IV», born Jacques Pantaleon of Court-Palais, was born in Troyes, France.
Quarterly: 1 and 4 Azure, a fleur de lis Or; 2 and 3 Argent, a rose Gules.
Escudo cuartelado: 1o y 4o de azur, una flor de lis de oro; 2o y 3o de plata, una rosa de gules.
Coat of arms of Urban IV with: a pointed and rounded shield shape; the field in plain Azure and Argent enamels; the figures outlined in the field, shaded and illuminated in Or and Gules; and with a watercolor finish.
Blazon keywords: Quarterly, Azure, One, Fleur de lis, Or, Argent, Rose and Gules.
Style keywords: Ogee, Illuminated, Shaded, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban IV.
200th Pope of the Church, from 1362 to 1370. «Urbanus V», born Guillaume de Grimoard, was born in Le Pont-de-Montvert, in the Languedoc.
Gules, a chief dancetty of four full points Or.
Escudo de gules, un jefe encajado de cuatro piezas enteras de oro.
Papal coat of arms interpreted with: a round-topped shield; the field in plain Gules; the chief indented, illuminated in metal Or, and outlined in Sable; and the whole design in hammered metal.
[Rietstap, J. B.; 1861] blazons it as Grimoard «de gueules, au chef émanché de quatre pièces d'or».
Blazon keywords: Gules, Chief, Dancetty, Or, Three and Two.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban V.
202nd Pope of the Church, from 1378 to 1389. «Urbanus VI», named Bartolomeo Prignano, born in Itri, near Naples, in the Lazio region.
Or, an eagle displayed Azure.
Escudo de oro, un águila de azur.
Papal coat of arms interpreted with: a pointed mouth; the field in flat tincture of metal Or; the eagle illuminated in Azure, shaded and outlined in the color of the field; and the whole with a rough finish.
Blazon keywords: Without divisions, Or, One, Eagle and Azure.
Style keywords: Pointed, Illuminated, Outlined in the field tincture, Shaded and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban VI.
Chequey Or and Sable.
Escudo ajedrezado de oro y sable.
Arms interpreted with: a round-topped shield shape; the chequey pattern in flat metal Or and colour Sable; and a heavily beaten metal finish.
[Avilés, J.; 1780a; page 33] writes about the application of the chequey pattern to shields, ordinaries and charges: «chequey is said of the shield, the principal ordinaries, and even some animals, such as eagles, lions, and other charges, when they are composed of alternating square pieces in the fashion of a chessboard.» On the minimum number of panes he generally specifies that «for a shield to be called chequey, it must have at least twenty chessboard panes; because if it has only nine, it is called equipoll; and if it has fifteen, it is said to be of fifteen panes of chequey» and for its application to ordinaries that «other ordinaries, such as bends, fesses, etc., must have at least two rows of chequey to be considered chequey, otherwise they would be called compony.»
Blazon keywords: Chequey, Or and Sable.
Style keywords: Semi-circular, Plain tincture and Hard metal.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.
Bearer: Urgell, County of.
Or, a port Or, with jambs, enarched lintel, and two open leaves, upon a three-step stairway Azure.
Escudo de oro, una puerta con jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de azur, aclarada de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineages Uschiolo and Ustiolo, emblazoned by me following the blazon published by Vittorio Gifra in Italian: «Arma: d’oro, alla porta di due ante a timpano arcuato d’azzurro, scalinata di tre pezzi del medesimo e aperta del campo».
Blazon keywords: Or, Azure, One, Two, Three, Port, Arched, Enarched, Upon, Step, Stairway and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Uschiolo and Ustiolo, lineages.
Luis Valero de Bernabé y Martín de Eugenio, «Los Castillos en la Heráldica Española», 2009.
I received this article directly from the author, to whom I am grateful for his kind submission. I consider it a preliminary and preparatory work for the article [Valero de Bernabé, L.; 2009b; pages 32-34] published later.
Bibliographical reference of century XXI.
Classification: Castilian language.
Author: Valero de Bernabé y Martín de Eugenio, Luis.
The following articles cite this bibliographic reference:
Internal resources: ValeroBernabeL2009.ElCastilloEnLaHeraldicaEspañola.pdf.
Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or.
Escudo partido de azur y gules, brochante sobre el todo un león rampante de plata, alado de oro, teniendo en su garra diestra una espada alzada de oro.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
Blazon keywords: Azure, Gules, Argent, Or, One, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword and Erect.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Vaz, Rui J..
Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.
Escudo de azur, una Virgen de la Merced teniendo en su mano siniestra una cadena rota de plata, y cargada en su pecho de un escudete cortado, 1o de gules, una cruz patada de plata y 2o de oro, cuatro palos de gules, acostada de dos hojas palmas en pira.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and painted by me. Usually, the English term «between» is translated into Castilian as «acompañado». However, when the 3 elements are elongated in the same direction, the appropriate term in Castilian is «acostado», which means lying down.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond and In pile reversed.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Vega Lanzagorta, Sister Esperanza.
Pedro José de Vega, «Compendio de la Maior Parte Ð los Blassones, Armas, e Ynsignias Ð las Ylustres Casas, Familias, y Apellidos del Reyno Ð Navarra i Parte Ð la Provincia de Gvipvzcoa, Segvn las Vsan y Traen los Svccesores Ðellas» ~ «Compendium of the Greater Part of the Blazons, Arms, and Insignias of the Illustrious Houses, Families, and Surnames of the Kingdom of Navarre and Part of the Province of Guipuzcoa, As Used and Carried by Their Successors», manuscript in 2 volumes, Volume I, catalog number MSS/7835 V.1, and Volume II, catalog number MSS/7836 V.2, in the National Library of Spain, 1702.
As stated on the title page, the Field Master «Pedro Ioseph Ð Vega» was a native of the Kingdom of Navarre, deputy of the Kingdom of Navarre from 1688 to 1691, governor of the provinces of Cotabamba and Parinacochas in Peru, written as «governador», and gentleman of the «Voca de su Majestad» (His Majesty's Voice).
Bibliographical reference of century XVIII.
The author is Vega, Pedro José de.
Bibliographic reference mentioned in the following articles:
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Blazon of the Vera lineage of Aragon.
Vair ancient, a bordure gules charged with eight saltires couped Or.
Escudo de veros antiguos, una bordura de Gules cargada de ocho sotueres cortados de oro.
Illuminated and with a glass finish.
It can be consulted in [Mogrovejo de la Cerda, J.; 1636; cover].
[Friar, S.; 1987; pages 156-157] says of the vair: «originates from the fur of a species of squirrel... which was popular in the Middle Ages as a lining for the garments of those not entitled to wear ermine. The animal was blue-grey on the back and white underneath. By sewing a number of these pelts together, with white and blue-grey alternating,... one which easily translated into the stylized armorial form of Vair and its variants».
Blazon keywords: Vair ancient, One, Bordure, Gules, Charged, Eight, Saltire, Party per fess and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Chequey Or and Azure.
Escudo ajedrezado de oro y azur.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the County of Vermandois, France, emblazoned by me.
Blazon keywords: Or, Azure and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Vermandois, County of.
Of the twelve lineages of Noblemen, the ninth is Vidaurre, who bears as arms a shield Or and, in the middle, a fess Azure, in the same manner as this shield is now painted.
Or, a fess Azure.
Escudo de oro, una faja de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the fess illuminated in Azure and outlined in Sable; and the whole finished in highly-hammered metal.
Interpreted from the ninth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Vidaurre» this coat of arms can be consulted in [Vega, P. J. de; 1702; folio 9 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Vidaurre of Navarre.
Blazon equivalent to: Vernon, barón de Shubbroc.
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Label and Suspended.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, C. M..
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Cantoned and Martlet.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, M. P..
Blazon of the Vilardi lineage of Italy.
Argent, on a pile issuant from the base Azure a saltire Or.
Escudo de plata, una pira de azur cargada de un sotuer de oro.
Illuminated and a free hand finishing.
[Cadenas y Vicent, V. de; 2002; page 138] says that the a pile issuant from the base is «a triangle whose base issues from the base of the shield, being a third of its width», but when it is painted in [Cadenas y Vicent, V. de; 2002; page 268, figure 279] along with the pile the width of the base of both isosceles triangles is 2/3 of the width of the shield. I think the width of 2/3 is, in these 2 cases, better than 1/3 width, because with 1/3 there is not enough room for charges, as shown in the figure below.
There are scholars who say that the pile issuant from the base must not touch the upper edge of the shield and others that its tip should be in the center of the chief. In the previous image, the pile issuant from the base of the 1st shield fulfills the first affirmation, and in the 2nd shield, its tip is in the center of the chief.
I have the doubt if it should not be a saltire raguly.
Blazon keywords: Without divisions, Argent, One, Pile issuant from base, Azure, Charged, Saltire and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Italian Republic.
Almorrabides of Navarre Or, three Pallets Azure.
Paly of six Azure and Or; over all a bend Azure.
For this comparison I make the optical illusion as if the coat of arms of Almorrabides de Navarra was Azure, instead of being Or, and the Pallets Or, instead of being Azure. Para esta comparación hago el juego visual como si el escudo de Almorrabides de Navarra fuera de Azur, en vez de ser de Oro, y que los palos que sobresalen iluminados son los de Oro, en vez de ser los de Azur.
Blazon keywords: Paly, Six, Azure, Or, Surmounted, Overall (deprecated), Bend, Without divisions, Three and Pale.
Style keywords: Semi-circular, Freehand, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted, Personal and Kingdom of Navarre.
Bearer: Gifra, Vittorio.
Blazon of the lineage Voganzi in Venice
Azure, two tibiae proper in saltire, between four fleurs de lis Or
Escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro.
Illuminated and watercolor.
The blazon in Italian is «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro».
Blazon keywords: Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.
Style keywords: Watercolor, Outlined in sable and Illuminated.
Classification: Personal, Lineage, Interpreted and Coat of arms.
Arms of von Harten Family
Azure, three plates, 1 and 2. Crest: Upon a helm affronty, crowned Or, three ostrich feathers Azure, Argent and Azure. Mantling: Azure doubled Argent.
Blazon keywords: Azure, Three, Bezant and plate, Argent, Disordered, Crest and mantling, Helm, Affronty, Mantling, Crowned, Or, Crest and Quill.
Style keywords: Outlined in sable, Rounded trapezoid, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Harten, von.
Baron Walker of Worcester
Party per pale Sable and Or semé of portcullises and three turreted towers all counterchanged.
Escudo partido de sable y oro sembrado del uno al otro de rastrillos y torres tridonjonadas.
Illuminated with lights and shadows and with a metallic finish.
Coat of arms of Peter Edward Walker, Baron Walker of Worcester, emblazoned by me in 4 steps, notice that it is a double semé.
Blazon keywords: Party per pale, Sable, Or, Semé, Counterchanged, Portcullis, Tower, With a turret, Three and Turret.
Style keywords: Soft metal, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted and Schema.
Bearer: Walker, Peter Edward.
Thomas de Warbleton ~ Thomas de Warbrentone.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; and the whole with a raised-stroke effect.
Can be found in [Heralds' Roll, T.; 1280; shield number 647], in [St. George's Roll; 1285; shield number 245] and in [Charles' Roll; 1285; shield number 360].
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Warbrentone, Thomas de.
Wijnbergen, unknown authors, «Wijnbergen Armorial», currently located in The Hague and owned by the Royal Dutch Society of Genealogy and Heraldry, Île-de-France, 1265.
This armorial is called «Wijnbergen» because it was named after one of its early owners, and the names of its authors are unknown. I have retained this name in the key to this bibliographic reference for easier identification.
Among known manuscripts, it is the oldest armorial of French heraldry.
It is composed of 15 parts, although some authors divide it into 23, belonging to 2 different temporal stages of creation: a 1st stage from 1265 to 1270 and a 2nd stage, more difficult to date, from 1270 to 1285.
The armorial is written in French and contains a total of 1,312 coats of arms, of which 256 belong to the 1st stage and 1,056 to the 2nd stage.
Those of the 1st stage belong to the vassals of the Île-de-France under the reign of Luis IX de Francia, Saint Louis King of France.
Those of the 2nd stage, probably already under the reign of Felipe III de Francia, contain coats of arms from Normandy, Anjou and Poitou, Lorraine, Germany, Artois, Champagne, Vermandois, Brittany, Beauvais, Burgundy, Brabant, Hainaut (Belgium), Flanders, and finally, the coats of arms of 25 kings, mainly European.
Bibliographical reference of century XIII.
Author: Wijnbergen, Anonymous.
Here are the articles quoting this reference:
External resources:
Guillermo Bardolf ~ William Bardolf ~ Willem Bardulf.
Azure, three cinquefoils Or.
Escudo de azur, tres quinquefolios de or.
Included in [Vincent, MS; 1285; number 223] also known as [St. George's Roll; 1285; number 223].
Blazon keywords: Without divisions, Azure, Three, Cinquefoil, Or and Ordered.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Guillermo Bardolf.
William de Ferrers, Earl of Derby ~ Cunte de Ferrers.
Vairy Or and Gules.
Escudo verado de oro y gules.
Interpreted coat of arms, the shape of the shield is triangular and curved plain tinctures metal Or and color Gules, outlined in sable; and a free hand finishing.
Included in [Vincent, MS; 1285; number 17] also known as [St. George's Roll; 1285; number 17].
Blazon keywords: Without divisions, Vairy, Or and Gules.
Style keywords: Triangular curved, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Guillermo de Ferrers.
Argent, a lion rampant guardant Vert, armed and langued Gules; on a chief Gules, a mullet of six points voided, interlaced Argent between two hearts Or.
The coat of arms of Yishay Ifrah outlined by me. The internal structure of this design is that the lion's forepaws fall below the center of the dexter heart, the central vertical axis passing through the center of the Star of David runs between the lion's eyes, and the tip of the tail falls below the center of the sinister heart.
Blazon keywords: Argent, Vert, Gules, Or, One, Two, Lion rampant guardant, Armed, Langued, Chief, Charged, Star of David, Mullet, Voided, Interlaced, Between and Heart.
Style keywords: Outlined and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ifrah, Yishay.
Or, a double rose Gules and Argent, barbed Vert, and seeded Or within six fleurs de lis in orle, five Gules and one in chief Azure.
Coat of arms interpreted with a semi-circular shape; metals or and argent and colors gules, sinople and azur; the delineation is color sable; and a freehand finish.
Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, Double rose, Gules, Argent, Barbed, Vert, Seeded, Six, Fleur de lis, Orle, Five, One, Azure and In chief.
Style keywords: Semi-circular, Freehand and Outlined in sable.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Noelia.
Alonso Zamora Vicente, «Historia de la Real Academia Española», Real Academia Española, Espasa Calpe, Madrid, 1999.
This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española. It is an oval emblem in Argent, with its crucible, also in Argent, over a bonfire of Gules and Or and surrounded by its flames, surmounted by a closed Royal crown with 8 arches, 5 of which are visible, and its motto, as originally written «Limpia, fixa, y da esplendor», around it.
Bibliographical reference of century XX.
Classification: Castilian language.
The author is Zamora Vicente, Alonso.
The following article cites this bibliographic reference:
External resource:
Blazon of the Zuzaeta lineage of the Basque Country.
Azure, five mullets Or.
Illuminated and a freehand finishing.
The default arrangement is in saltire, which is why I do not specify it, but if one wished to do so, it could be written as «Azure, five mullets Or in saltire».
Blazon keywords: Without divisions, Azure, Five, Mullet and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Lineage.
Justice and High Sheriff of Castile, first knight of the realm, warden of the fortress of Burgos, administrator of the mastership of the Order of Alcántara, nobleman of Castile, 1410–1488.
Argent, a bend Sable; overall a chain orlewise Or.
Escudo de plata, una banda de sable; brochante sobre el todo una cadena puesta en orla de oro.
Coat of arms of Álvaro de Zúñiga y Guzmán, which I have interpreted as follows: the shield has a semicircular (round) base; the field and the bend are illuminated in flat tinctures Argent and Sable; the chain is illuminated in Or; and the whole is rendered with a raised-stroke effect.
For the crafting of the chain in this coat of arms, which has a total of 16 links, of which 8 are long and 8 are round, I have followed the two coats of arms of Álvaro de Zúñiga y Guzmán that appear in what was his copy of [Alfonso X of Castile; 1265; page 6 of the later pencil numbering].
Blazon keywords: Without divisions, Argent, Sable, Or, One, Bend, Chain, Orlewise and Overall.
Style keywords: Freehand and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Zúñiga y Guzmán, Álvaro de.
Atom, Crescent, Diamond, Emerald, Estoile, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Trimount, Water and Wave.
Acorn, Apple, Apple tree, Ash, Bluebonnet, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Elm, Fleur de lis, Flower, Gourd, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Blackbird, Boar, Brach hound, Bull, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deers' attires, Shoulder, Sprig, Stags' attires, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
Ace of spades, Anchor, Anvil, Arch, Arm vambraced, Armillary sphere, Arrow, Axe, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Carbuncle, Castle, Celtic Trinity knot, Chain, Chess rooks, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Compass rose, Conductor's baton, Cord, Covered cup, Crozier, Crucible, Cuffed, Cup, Cyclamor, Dagger, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Menorah, Millrind, Millstone, Millwheel, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Pair of scales, Parchment, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Trident, Trumpet, Turret, Two-handed sword, Wagon-wheel, Water-bouget, Wheel, Winnowing fan and With a turret.
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Trinity, Triton, Unicorn, Winged hand and Wyvern.
Port and windows, Between, Watercolor, Proper, Pointed, Armed, Azure, Boa, Bordure, Wreath, Head, Charged, Castle, Crest, Ogee, Crown, Created, Quarterly, Outlined in sable, Two, In chief, In base, Coat of arms, Mullet, Fleur de lis, Personal, Gules, Illuminated, Interpreted, Chief, Langued, Motto, Lion, Lineage, Masoned, Semi-circular, Or, Party per pale, Leather, Argent, Without divisions, Rampant, Sable, Vert, Plain tincture, Freehand, Three, One and Eagle.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.