Semi-circular shape

Argent, a lion sejant erect Purpure.

Escudo de plata, un león sentado de púrpura.

Imaginary coat of arms of King Fernando II of León, which I have developed based on his seal and the arms of his successor, with: the shape of the coat of arms is semi-circular; the field enameled in flat argent; the lion enameled in purpure and illuminated; and the whole rendered with a watercolor finish.

For this imaginary coat of arms I have chosen a representation of the lion in a posture similar to that of the great seal appearing in [Fernando II de León; 1167], which is sejant ~ «sentado» in Castilian, although beginning to rise «sejant erect».

It should be noted that we are in a pre-heraldic period where the possible attitudes of the lion were not yet clearly defined, although several of them are already anticipated in the great seals of Fernando II, as can be seen, for example, passant in [Fernando II de León; 1181] and in other attitudes in the photographs of [Martín Fuertes, J. A.; 2002].

Blazon keywords: Without divisions, Argent, Lion, Purpure and Sejant.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.

Classification: Interpreted, Imaginary, Coat of arms and Kingdom of León.

Imaginary bearer: Ferdinand II of Leon.

Born in 1179 in Segovia and died on November 8, 1246 in the Monastery of Las Huelgas in Burgos.

Gules, a castle triple towered Or, port and windows Azure, masoned Sable.

Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.

Arms of the Queen of Castile, as interpreted by me: the shape of the shield is rounded; the field and the castle have been enamelled and illuminated; and the whole composition features a watercolor finish.

Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.

Bearer: Berenguela of Castile.

King of León from January 21, 1188, until his death on September 24, 1230.

Argent, a lion rampant Purpure, armed and langued Gules. Crest: An open royal crown Or.

Escudo de plata, un león rampante de púrpura, armado y lampasado de gules. Timbrado de una corona real abierta.

Arms of the King interpreted as follows: the escutcheon is finished in a semi-circular arch; both the field, the lion, and the crown of the crest have been illuminated; and the ensemble has a hammered metal finish.

Purple lion of the Kingdom of León

In the following image, I show a miniature from the Tumbo A of the Cathedral of Santiago de Compostela, from the 13th century, with the heading reading «Inclitus:Adeffonsus:Rex:Legionensium:et Gallecie:», combined with my interpretation of his coat of arms. The lion of the Kingdom of León can be found depicted in both purple and gules, but images like this confirm that it is purple, and I particularly favor the purple, as it makes it historically unique.

Blazon keywords: Without divisions, Argent, Purpure, Gules, One, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.

Style keywords: Semi-circular, Illuminated and Metal beaten.

Classification: Interpreted, Personal, Coat of arms and Kingdom of León.

Bearer: Alfonso IX of Leon.

Son of Berenguela, Queen of Castile, and Alfonso IX, King of León.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules.

Arms of King Ferdinand III of Castile, as interpreted by me, with the following characteristics: the shield’s shape is rounded; the field, the two castles, and the two lions have been illuminated; and the whole composition features a watercolor finish.

It is with King Ferdinand III the Saint of Castile when «the emblematic system reaches its highest degree of perfection, acquiring two characteristics: realism, which becomes a hallmark of Spanish heraldry,... and the tendency to combine coats of arms» with the appearance of quarterly divisions replacing the cadency marks used in the rest of Europe [Valverde Ogallar, P. B.; 2001; page 100].

Shield in flat ink and illuminated metallic finish

Design of a heraldic document

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed and Langued.

Style keywords: Semi-circular, Illuminated and Watercolor.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.

Bearer: Ferdinand III of Castile.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

This coat of arms can be seen in [Bergshammars; 1440; page 2], in [Lutzelbourg, N. de; 1530; page 35] and in [Tewkesbury; 17^th century; folio 25v].

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.

Style keywords: Semi-circular and Plain tincture.

Classification: Interpreted, Civic, Coat of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castile and León.

Marshal of Castile, first Lord of Baena and plenipotentiary ambassador to the court of Portugal (1355–1435).

Or, three fesses Gules.

Escudo de oro, tres fajas de gules.

Coat of arms del que fue mariscal de Castilla interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat metal Or; its three fesses illuminated in Gules y outlined in Sable; y el conjunto con un plastered finish.

He served under the kings John I of Castile, Henry III of Castile, and John II of Castile.

These three bars of the Fernández de Córdoba lineage are found, for example, in the first quarter of the coat of arms of Gonzalo Fernández de Córdoba y Enríquez de Aguilar, known as *El Gran Capitán*.

Blazon keywords: Without divisions, Or, Fess and Gules.

Style keywords: Illuminated, Outlined in sable, Semi-circular and Gesso.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.

Bearer: Fernández de Córdoba y Carrillo, Diego.

Blazon equivalent to: Berry of Molland.

Party per pale: 1 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo partido: 1^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Civic coat of arms interpreted by me as follows: the shield has a semicircular (round) base; the field, the castle and the lion are illuminated; the lion and its crown are outlined in the colour of the field; the open royal crown and the castle are outlined in Sable, in the case of the castle because it is masoned; and the whole has a canvas texture.

Blazon keywords: Party per pale, Argent, Purpure, Gules, Or, Azure, Castle, Lion, Port and windows, Masoned, Rampant, Armed, Langued, Crowned, Crown and Open royal crown.

Style keywords: Semi-circular, Illuminated and Fabric.

Classification: Interpreted, Civic, Coat of arms and Kingdom of Castile and Leon.

Bearer: Cáceres, Province of.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. Motto: «Región Militar Centro» over a scroll Or.

Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, also called 1^st Military Region, where I serve. I interpreted and emblazoned now this coat of arms with a semi-circular ended shape.

Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant, Crowned, Motto (identification) and Scroll.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.

Bearer: Central Military Region.

King of Aragon, Valencia and Majorca, Count of Barcelona, Count of Urgell, Lord of Montpellier and known as the Conqueror

Or, four pallets Gules.

Escudo de oro, cuatro palos de gules.

Coat of arms interpreted by me as follows: the escutcheon shape is semicircular; the field is rendered in flat Or with a watercolored effect; and the pallets are illuminated and finished with a crystalline texture.

A semicircular-shaped shield of Aragon can be seen, for instance, in [Argote de Molina, G.; 1588; chapter XLII].

This shield, but with a pointed base, appears in the second part of the armorial [Wijnbergen; 1265; shield no. 1,293], under the title «Le roy Darragon». This second part was compiled between 1270 and 1285 and, since James I was king of Aragon from 1213 to 1276, it could refer to him; although it might also refer to his son Peter III, the Great, who succeeded James I in 1276.

This coat of arms is also the arms of Aix-en-Provence, granted to that French city, according to tradition, by Alfonso II of Aragon [Aix-en-Provence; 1351], grandfather of James I, the Conqueror.

Blazon keywords: Without divisions, Or, Four, Pale and Gules.

Style keywords: Semi-circular, Illuminated, Watercolor and Crystalline.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: James I of Aragon.

Or, four pallets Gules.

Escudo de oro, cuatro palos de gules.

Coat of arms of the Count of Barcelona interpreted by me with the following features: the escutcheon shape is semicircular; the field is rendered in flat Or; the pallets are illuminated; and the whole has been given a heavily beaten metal finish.

[Menéndez Pidal de Navascués, F.; 1988; page 537] tells us that, unlike other more territorial emblems, «from his earliest seal the pallets appear on the shield of the equestrian figures on both sides, and in line with this configuration the emblem is inherited, without distinction, by his three sons and all his grandsons... it seems one must conclude that the emblem had a familial, not territorial, character from the very beginning».

Blazon keywords: Without divisions, Or, Four, Pale and Gules.

Style keywords: Semi-circular, Illuminated and Hard metal.

Classification: Interpreted, Personal, Coat of arms and County of Barcelona.

Bearer: Ramon Berenguer IV, Count of Barcelona.

Chequey Or and Sable.

Escudo ajedrezado de oro y sable.

Arms interpreted with: a round-topped shield shape; the chequey pattern in flat metal Or and colour Sable; and a heavily beaten metal finish.

[Avilés, J.; 1780a; page 33] writes about the application of the chequey pattern to shields, ordinaries and charges: «chequey is said of the shield, the principal ordinaries, and even some animals, such as eagles, lions, and other charges, when they are composed of alternating square pieces in the fashion of a chessboard.» On the minimum number of panes he generally specifies that «for a shield to be called chequey, it must have at least twenty chessboard panes; because if it has only nine, it is called equipoll; and if it has fifteen, it is said to be of fifteen panes of chequey» and for its application to ordinaries that «other ordinaries, such as bends, fesses, etc., must have at least two rows of chequey to be considered chequey, otherwise they would be called compony.»

Blazon keywords: Chequey, Or and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.

Bearer: Urgell, County of.

Countess of Urgell, Viscountess of Ager, Lady of Alcolea de Cinca, died in 1327.

Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.

Escudo dimidiado: 1^o de oro, cuatro palos de gules; 2^o ajedrezado de oro y sable.

Arms interpreted with: a round-bottom shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.

A dimidiated coat of arms is the result of combining two shields of arms by taking the dexter half of the first and the sinister half of the second.

Dimidiation was used in the 13th and 14^th centuries to combine, for instance, the arms of two families.

Its blazoning method does not consist of describing what appears in each of the resulting quarters, but rather, by stating from the beginning that it is dimidiated, describing the original coats of arms. Thus, in this particular case of the arms of Teresa of Entenza, it is not stated that there are only two pallets in the first quarter, but that it is dimidiated and has four pallets, so the reader must know that from the four pallets, only the first two are visible due to the dimidiation.

This method of dimidiating the arms of predecessors results in very beautiful and original designs, but depending on the charges and figures involved, in other cases the result may be unrecognisable or even absurd.

Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: Teresa of Entenza.

Quarterly: 1 and 4 Or, four pallets Gules; 2 and 3 Gules, two bezants in pale.

Escudo cuartelado: 1^o y 4^o de oro, cuatro palos de gules; 2^o y 3^o de gules, dos bezantes en palo de oro.

Coat of arms of the IESE Business School, which I have interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat tinctures Or and Gules; the pales and the bezants are illuminated in Gules and Or; and the whole coat of arms has a watercolor finish.

I have the honour of holding a Master’s Degree in Business Administration from IESE of the University of Navarra. I always say that, as a whole, the IESE Executive MBA is the best education I have received throughout my life. I keep very good memories and friends from those two years of study.

Blazon keywords: Quarterly, Gules, Or, Pale, Bezant and plate and In pale.

Style keywords: Semi-circular, Illuminated and Watercolor.

Classification: Interpreted, Socioeconomic, Education and Coat of arms.

Bearer: IESE.

Gules, a cross Argent.

Escudo de gules, una cruz de plata.

Coat of arms of the House of Savoy and the Duchy of Savoy, which I have interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat tincture Gules; the cross is illuminated in Argent; and the whole coat of arms is rendered with a raised-stroke effect.

This coat of arms is both familial and political, for it is also the coat of arms of the French departments of Savoy and Haute-Savoie, both belonging to the Rhône-Alpes region.

The cross in this shield is an honourable ordinary, for it is a full cross, the result of combining a fess and a pale. This full cross is wide and reaches the edges of the shield and is therefore large enough to bear charges. For this reason these ordinaries are called “honourable,” because they may be honoured with additional charges. In English heraldry they are known as «ordinaries», [The Heraldry Society; 2013; page 11].

This coat of arms is recorded in the armorial [Marshal, L.; 1295; shield number 32] together with the text «Le Counte de Sauveys, Gules a cross argent, Amadeus V, Comte de Savoie».

Blazon keywords: Without divisions, Gules, Argent and Cross.

Style keywords: Semi-circular, Illuminated and Freehand.

Classification: Interpreted, Personal, Coat of arms and House of Savoy.

Bearer: Savoy, Duchy of.

Proportions of the cross and its similarity with the pale.

This schema shows two coats of arms, the first with the proportion scheme of a pale, the second with the proportion scheme of a cross, and allows us to observe the common proportions between a pale and a cross.

Blazon keywords: Without divisions, Pale and Cross.

Style keywords: Semi-circular.

Classification: Schema and Coat of arms.

Bearer: Saboya, Ducado de.

Lord of Zúñiga and Mendavia and of Béjar and Bañares and of Gibraleón, 1^st Duke of Arévalo, 1^st Duke of Plasencia, 1^st Count of Bañares, 1^st Duke of Béjar, 2^nd Count of Plasencia, and Grandee of Castile.

Argent, a bend Sable; overall a chain orlewise Or.

Escudo de plata, una banda de sable; brochante sobre el todo una cadena puesta en orla de oro.

Personal coat of arms interpreted by me as follows: the shield has a semicircular (round) base; both the field and the bend have been illuminated in flat tinctures Argent and Sable; the links of the chain are enameled and illuminated in Or; and the whole is made of beaten metal.

In [Argote de Molina, G.; 1588; page 94 according to the numbering of the book, or page 93 according to the numbering accompanying the illustrations] this coat of arms appears under the title «Zúñigas» with the overlying chain formed only by 8 long links.

In [Anonymous; 1800a; page 46] the blazon of «the Zúñigas» is described, where in this book, curiously, the letter Z is ordered after C and before D.

Blazon keywords: Without divisions, Argent, Sable, Or, One, Bend, Chain, Orlewise and Overall.

Style keywords: Semi-circular, Illuminated and Metal beaten.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Zúñiga y Guzmán, Álvaro de.

Gules, a cross vair ancient.

Escudo de gules, una cruz de veros antiguos.

Coat of arms that I have interpreted as follows: the shield has a semicircular (round) base; the field is in flat tincture of Gules; the vair ancient, rounded in the old style, are outlined in Sable and illuminated; and the whole has a raised-stroke drawing.

The coat of arms of the commune of Bailleul is very similar to this coat of arms, with the difference that it is of regular vair instead of ancient, rounded vair, like that borne by Gonzalo Argote de Molina.

Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair ancient.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Personal, Coat of arms and Heraldry and heralds.

Bearer: Argote de Molina, Gonzalo.

Gules, a cross vair.

Escudo de gules, una cruz de veros.

Coat of arms interpreted with: a semicircular (round) base; the field in flat tincture of Gules; the vair illuminated and outlined in Sable; and the whole with a roughened finish.

The commune of Bailleul is located in the district of Dunkirk, in the Nord department, in the Nord–Pas-de-Calais region of France.

The coat of arms of Bailleul, called «Belle» in Flemish, is similar to that of the heraldist Gonzalo Argote de Molina, differing in that the commune’s arms bear vair, while the heraldist’s arms bear rounded vair in the ancient style.

Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Civic, Coat of arms and Kingdom of France.

Bearer: Bailleul, commune of.

Argent, flanched Sable, in chief a mullet of six points Gules.

Escudo de plata, flanqueado curvo de sable, en jefe una estrella de seis rayos de gules

Coat of arms interpreted with: a semicircular (round) base; illuminated in the tinctures Argent, Gules, and Sable; all outlined in Sable; and finished with a raised-stroke effect.

[Avilés, J.; 1725a; pages 92 and figure 197] blazons it as «Argent, and a six-pointed star Gules in chief, flanched in oval Sable». When he illustrates it in [Avilés, J.; 1725a; figure 197], the space left between both flanches is only 1/5 of the base of the coat of arms; this is feasible because the only charge is a mullet in chief. If there were more charges, it would be necessary to leave more space, for example, 1/3 of the base of the shield.

«Oschoven au Rhein» in the book [Menestrier, C. F.; 1659; page 315], it is blazoned «d'argent flanqué arrondi de sable à vne molette de mesme en chef», so the mullet would be Sable, bacause «de mesme» is written, and with a hole in the middle, this hole does not exits in other sources.

In the book [Rietstap, J. B.; 1861], it is blazoned «Argent, flanched in round Sable, Argent charged in chief of a mullet Gules», and in French «d'argent, flanqué en rond de sable, l'argent chargé en chef d'une étoile de gueules».

Some time ago I used to blazon it in English as «Argent, in chief a mullet of six points Gules, between two flanches Sable».

Blazon keywords: Argent, Sable, Gules, Mullet, Chief and Flanched.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Oschoven of the Rhin.

Saint Louis, King of France (1214-1270), son of Blanche of Castile.

Azure semé of fleurs de lis Or.

Escudo de Azur sembrado de flores de lis de oro.

Coat of arms interpreted by me as follows: the shield has a semicircular (round) base; the field is enamelled in flat Azure; the fleurs-de-lis are outlined in Sable and illuminated in Or; and finished with a watercolor effect.

Toward the end of his reign, the armorial called [Wijnbergen; 1265] was created, whose first part is devoted to recording his coat of arms [Wijnbergen; 1265; shield no. 1], which was also that of his father Louis VIII, husband of Blanche of Castile, and the coats of arms of those who were his vassals.

Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.

Bearer: Louis IX of France.

King of France from 1429 to 1461.

Azure, three fleurs de lis Or.

Escudo de azur, tres flores de lis de oro.

Coat of arms interpreted with: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a mother-of-pearl effect.

This coat of arms is based on the one appearing in the armorial [Ingeram, H.; 1459; page 34, 1^st shield], under the inscription «küng von franckrich» (franckrich ~ Frankreich ~ France).

Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.

Bearer: Charles VII of France.

Grandson of Blanche of Castile, 6^th son of Saint Louis IX, founder of the House of Bourbon, husband of Beatrice of Burgundy, Lady of Bourbon.

Azure semé of fleurs de lis Or, a bend Gules.

Escudo de Azur sembrado de flores de lis de oro, banda gules.

Coat of arms that I have interpreted with:: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lys illuminated in Or; the bend illuminated in Gules; the whole is outlined in Sable; and the freehand drawing.

Blazon keywords: Without divisions, Azure, Or, Semé, Fleur de lis, Bend and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Bourbon.

Bearer: Clermont, Robert of.

Proporciones de una bordura y una filiera, una filiera es una bordura con su ancho disminuido en 2/3.

In heraldry, a diminished bordure is a diminished bordure. In the design, it is typically drawn at 2/3 the width of a standard bordure. Since the width of a standard bordure is usually 1/6 of the coat of arms' width, a diminished bordure calculated this way would be 1/9 of the coat of arms' width.

However, diminished bordures can also be found with a width of 1/2 that of a standard bordure, in other words, 1/12 of the coat of arms' width, or 1/3 that of a standard bordure, that is to say, 1/18 of the coat of arms's width.

The so-called bordure of pieces usually has a width of 1/2 that of a standard bordure, which is 1/12 of the coat of arms's width.

Blazon keywords: Without divisions, Bordure and Diminished bordure.

Style keywords: Semi-circular.

Classification: Schema and Coat of arms.

Bearer: Categories of heraldry.

My approach to the method of drawing the bends used by the Spanish Army for the BPAC II coat of arms

Bendy sinister of seven.

Escudo, tres barras.

Note that if the classic width were used for the bends, which is 1/3 of the shield's width, then the bends would cover almost the entire field.

The vertical axis of symmetry has been extended above the chief and below the base, and has been divided into segments of 1/4 of the shield's height, «h» in the diagram that illustrates this article. At the ends of these segments, parallel lines have been drawn to the bend sinister diagonal of the shield. Since the shield has a 5x6 proportion, the angle of inclination of these diagonals is 50.2^o..

Blazon keywords: Without divisions and Bend sinister.

Style keywords: Semi-circular and Freehand.

Classification: Schema and Military.

Bearer: BPAC II.

Argent, three bendlets sinister Azure.

Escudo de plata, tres barras de azur.

Blazon keywords: Without divisions, Argent, Azure and Bend sinister.

Style keywords: Semi-circular, Ogee and Freehand.

Classification: Schema.

Bearer: Lauria, Roger de.

171^st Pope of the Church, from the year 1181 to the year 1185. «Lucius III», born Ubaldo Allucinoli, was born in Lucca in northwest Italy.

Lozengy Argent and Azure.

Escudo losanjado de plata y azur.

Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; checky or squares illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.

Blazon keywords: Without divisions, Lozengy, Argent and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Religious and Papal States.

Bearer: Lucius III.

180th Pope of the Church, from 1243 to 1254. «Innocentius IV», born Sinibaldo dei Fieschi, was born in Manarola in northwest Italy.

Bendy of six Azure and Argent.

Escudo bandado de seis piezas de azur y plata.

Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; bands illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.

Order of tinctures

In the bendy pattern, the tinctures are named starting from the one located at the dexter base of the shield and following an ascending sequence towards the sinister chief, although the most orthodox approach is to have only 2 tinctures, being one color and one metal.

Number of bands

It is said that it is not necessary to specify the number of bands when there are precisely 6, as in this case, and that it should be specified when there are, for example, 4 or 8. I have chosen to specify it for greater clarity of the blazon.

About the bendy pattern and the need to specify or not specify the number of its pieces, [Avilés, J.; 1725a; pages 40 and 41] and [Avilés, J.; 1780a; pages 45 and 46] say that it is «composed of four, six, or eight bends; in such a way that there are as many colors as metals, always specifying the number four and eight bands when blazoning, and not the one composed of six, as it is understood thus, without declaring the number of pieces» and without agreeing with it, and by its wording I believe that he is not entirely in agreement either, he adds «the reason that may exist for not specifying the number of six bends (although the authors do not express it) is that as the bend is one-third of the shield; and having six pieces, or six bends, the resulting number is doubled, as if the three parts were divided, which implies that the shield is filled with three bends; and taking the denomination of the figure infers, that the bendy is of six pieces: which does not happen with this equality in those of four and eight, requiring other proportions and consequently it becomes necessary to specify their number», therefore, note that the bendy of 6 does not follow the proportions of the bend, nor do those of 4 or 8, the only differential property of the one of 6 is being a multiple of 3, being 1/3 the width of the bend.

Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Religious and Papal States.

Bearer: Innocent IV.

186^th Pope of the Church, only 40 days in 1276. «Hadrianus V», born Ottobuono de Fieschi, was born in Genoa.

Bendy of six Azure and Argent.

Escudo bandado de seis piezas de azur y plata.

Papal coat of arms interpreted by me with: a shield with a rounded arch top; the field in plain tincture of Argent; the bands illuminated in Azure and outlined in Sable; and the whole in an elevated line style.

The blazon in French is «Bandé d'azur et d'argent de six pièces».

The banding is defined in [Avilés, J.; 1725a; page 40] and [Avilés, J.; 1780a; page 45] as the shields and also, the chiefs, fesses, pales, and figures, such as animals, etc., that are «covered and filled with bands in equal number, with as many of metal as of color».

Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Adrian V.

197^th Pope of the Church, from 1334 to 1342. «Benedictus XII», born Jacques Fournier, was born in Saverdun, in the south of Occitania.

Argent, a bordure Gules.

Escudo de plata, una bordura de gules.

Papal coat of arms interpreted with: a round-topped shield; the field in plain Argent; the bordure outlined in Sable and illuminated in Gules; and the whole design in raised outline.

Blazon keywords: Without divisions, Argent, One, Bordure and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Benedict XII.

200th Pope of the Church, from 1362 to 1370. «Urbanus V», born Guillaume de Grimoard, was born in Le Pont-de-Montvert, in the Languedoc.

Gules, a chief dancetty of four full points Or.

Escudo de gules, un jefe encajado de cuatro piezas enteras de oro.

Papal coat of arms interpreted with: a round-topped shield; the field in plain Gules; the chief indented, illuminated in metal Or, and outlined in Sable; and the whole design in hammered metal.

[Rietstap, J. B.; 1861] blazons it as Grimoard «de gueules, au chef émanché de quatre pièces d'or».

Blazon keywords: Gules, Chief, Dancetty, Or, Three and Two.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Religious and Papal States.

Bearer: Urban V.

Party per fess Or and Gules dancetty of three full points and two half upwards.

Escudo cortado, encajado de tres piezas enteras y dos medias.

[Avilés, J.; 1780a; page 79], on the appropriate dimensions for outlining an indented shield, he explains that «encaxadas» or «emanchadas» refers to «the partitions of the shield, whose pieces fit into each other in the shape of thick and long triangles, which are regularly one-third of the length», that is, of the width of the shield for parted shields, «or of the height of the shield», that is, the height for fess shields, as in this example, «depending on the direction in which these figures are placed in the parted, fess, bend, and cut shields, etc. but being a Chief, they have half the base and the rest as point; and if it were a Fess, it is formed of alternating triangles, which fill it completely».

[Avilés, J.; 1780a; page 80], on which of the two components of an indented shield acts as the field and which as the piece, he clarifies that «the field of the partition is understood as the one occupying the upper part of the shield, with the lower part at the base considered the piece».

[Avilés, J.; 1780a; page 80], on how the blazon of an indented shield should be drafted, he establishes that «the number of whole and half triangles must be specified when there is more than one, and likewise, the direction in which the partitions are in the parted, fess, etc.», illustrating it with 2 examples that can also be seen in [Avilés, J.; 1725a; plate 8, illustrations 157 and 158].

Blazon keywords: Party per fess, Dancetty, Three and Two.

Style keywords: Semi-circular.

Classification: Schema.

225^th Pope of the Church, from 1566 to 1572. «Pius V», named Antonio Michele Ghislieri, was canonized in 1712.

Bendy of six Gules and Or.

Escudo bandado de seis piezas de gules y oro.

Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the bands outlined in Sable and illuminated in Gules; and the whole with a rough finish.

I have also seen this coat of arms described as «a shield banded of six pieces of Or and Gules».

Blazon keywords: Without divisions, Bendy, Six, Gules and Or.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Religious and Papal States.

Bearer: Pius V.

246^th Pope of the Church, from 1730 to 1740. «Clemens XII», named Lorenzo Corsini, born in Florence and rests in St. John Lateran.

Bendy of six Gules and Argent; over all a fess Azure.

Escudo bandado de seis piezas de gules y plata; brochante sobre el todo una faja de azur.

Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Argent; the fess and the bands outlined in Sable and illuminated in Gules and Azure; and the whole with a textured finish.

All are ordinaries, including the three bands and the fess, and since the blazon specifies that the fess is overall on the bands, therefore, it is not the Gules bands that are overall on the Azure fess, and they should be painted underneath.

Blazon keywords: Without divisions, Bendy, Six, Gules, Argent, Surmounted, Overall (deprecated), One, Fess and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Clement XII.

247^th Pope of the Church, from 1740 to 1758. «Benedictus XIV», named Prospero Lorenzo Lambertini, born in Bologna.

Or, three pallets Gules.

Escudo de oro, tres palos de gules.

Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the pales outlined in Sable and illuminated in Gules enamel; and the whole with a raised stroke finish.

Blazon keywords: Without divisions, Or, Three, Pale and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Benedict XIV.

Light Parachute Infantry Unit.

Argent, a Fleur de lis Gules. Motto: «BPAC. Roger de Flor II».

Escudo de plata, una flor de lis de gules. Divisa: «BPAC. Roger de Flor II».

Coat of arms interpreted with: a shield with a pointed (ogival) base; a fleur de lis outlined in Sable and illuminated in Gules; and an overall rough finish.

Blazon keywords: Without divisions, Argent, Gules, Fleur de lis and Motto (identification).

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: BPAC I.

Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.

Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.

Coat of arms interpreted with: a semicircular (round) base; the field and the chief watercolored in the flat tinctures Purpure and Azure; and the charges illuminated, outlined in Sable, with a very hammered metal finish.

Although it is a university of recent creation, in 1994, its best-known campus is the so-called Hospital del Rey, located on the edge of the Way of St. James and originally intended to care for pilgrims and founded, in 1195, by Alfonso VIII of Castile and Eleanor Plantagenet. The effigies of both monarchs decorate the main gate of the Hospital, called the Gate of the Pilgrims, which is, in turn, the symbol of the University of Burgos.

Regarding the escallop (venera), [Valero de Bernabé, L.; Márquez de la Plata, V. M.; 2003; page 197] notes that among the wide variety of shells, it is the scallop or pilgrim’s shell that is most used in heraldry and in blazons it is named «venera», and that it is drawn with its concave side against the field and its convex side visible, with its ribs vertical and its ears (auricles) toward the chief of the shield, and that when the concave side is shown one must specify it in the blazon as «alzada», and when the ears are in a different tincture it is said «orejada», for example, «an escallop Or, its ears Gules».

Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.

Style keywords: Semi-circular, Illuminated, Outlined in sable, Watercolor and Hard metal.

Classification: Interpreted, Socioeconomic and Education.

Bearer: Burgos, University of.

Azure, in base an open book Argent, in chief a sun in splendour Or. Crest: An open royal crown. Motto: «Technica impendi nationi». Motto around the shield: «Universidad de Politécnica de Madrid» fimbriated and depinted Or.

Escudo de azur, un libro abierto de plata surmontado de un sol de oro. Timbrado de una corona real abierta. Lema: «Technica impendi nationi». Divisa alrededor del escudo: «Universidad de Politécnica de Madrid» perfilada y en letras de oro.

Coat of arms interpreted as follows: a semicircular (round) base; the field in flat Azure; the field and charges are illuminated in the tinctures Azure and the metals Argent and Or, all outlined in Sable; my rendition of this coat of arms differs from others in that the sun’s rays, although outlined in Sable, are Or; in the legibility of the text written on the book; and in separating with a dot the words that form the motto; and the whole finished with a beaten-metal effect.

Metal batido y anacarado

Blazon keywords: Without divisions, Azure, Argent, Or, Book, Sun in splendour, Crest and mantling, Crown, Open royal crown, Motto and Motto (identification).

Style keywords: Semi-circular, Oval, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Socioeconomic and Education.

Bearer: Technical University of Madrid.

The King of Navarre, at the time of his new and solemn coronation, is raised and lifted up as King by the hands of twelve barons of the greatest and oldest houses of the said Kingdom, and these are the twelve Noblemen who are named on the other side, with their blazons and coats of arms.

Interpretation and composition of 13 coats of arms that I have created with a parchment-like finish.

A free interpretation, for example, without the central crown over the arms of Navarre, with a different title, written «Navarra» and not «Nabarra», etc., based on the principal plate of [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with texts taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

«Ricohombre», written together, currently means «title that formerly belonged to the highest nobility of Spain», [Real Academia Española; 2001].

Its plural «ricoshombres» is the most commonly used form, but «ricohombres» is also correct and used; and in [Bosque, J. del; 1540] it is written separately, and «honbre» with an «n» before the «b», that is, «ricos honbres».

Blazon keywords: Without divisions, Party per bend, Azure, Gules, Or, Argent, Sable, Vert, Eagle, Chequey, Cross flory, Cross couped, Fess, Chief, Lion, Pale, Poplar leaf, Clay pot and Rampant.

Style keywords: Semi-circular and Old parchment.

Classification: Interpreted and Kingdom of Navarre.

Bearer: Noblemen of Navarre.

Of the twelve lineages of Noblemen, it is the first, and they bear as arms, on a golden field, three pales Azure.

Or, three Pallets Azure.

Escudo de oro, tres palos de azur.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.

Based on the first coat of arms of the «ricoshombres» of Navarre in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Los Almorauides» it can also be consulted in [Vega, P. J. de; 1702; folio 1 of the manuscript].

Blazon keywords: Without divisions, Or, Three, Pale and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Almorrabides of Navarre.

Of the twelve lineages of Noblemen, it is the second, descendant of Álava, the very ancient and powerful one, in which some served under Navarre, and others under the kings of Castile; they bear for arms and insignia, on a field Gules, which is red, five poplar-leaves (panelas) Argent, in the form and design in which this shield is painted.

Gules, five Poplar-leaves Argent, inverted.

Escudo de gules, cinco panelas de plata.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.

Interpretation based on the second coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the accompanying text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

The «panela» is a figure typical of Spanish heraldry [Valero de Bernabé, L.; 2007; page 11]. It is a leaf shaped like a heart with its stalk pointing upward. It could be a leaf of a tree such as, for example, the poplar, although there is no certainty that it is specifically that tree.

With first appearances prior to heraldry on Hispano-Roman tombstones, the «panela» is of Alavese origin, [Menéndez Pidal de Navascués, F.; 1985; page 474], spreading through the Basque-Navarrese region and from there throughout Spain, with the peculiar name «panela», which was initially called «pannella», [Valverde Ogallar, P. B.; 2001; page 532] derived from «pan», [Real Academia Española; 2001].

In the heraldry of other countries, leaves from different trees are used as heraldic symbols, but usually with the stalk pointing downward; therefore I transcribe in this blazon «panelas» ~ «Poplar-leaves, inverted».

[Menéndez Pidal de Navascués, F.; 1985; page 474] states that the «panela» is a natural figure equivalent to the linden leaf in German heraldry, with the stalk downward, and to the water-lily leaf in French heraldry, with the stalk upward; but since these are such different plants, I do not find it suitable to use linden, and even less water-lily, in the English transcription of this Navarrese blazon.

Under the title «Surname of Guebara» it can be consulted in [Vega, P. J. de; 1702; folio 2 of the manuscript].

Blazon keywords: Without divisions, Gules, Poplar leaf and Argent.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Guebara of Navarre.

Of the twelve lineages of Noblemen, they are the third great and ancient barony, where the first King of Aragon had his mother; they make a shield of Or without any mixture of colour or device, but a field of gold as painted in this shield.

Or.

Escudo de oro.

A coat of arms that leaves little room for interpretation, which I have recreated with: a semicircular (round) base; the field in flat Or; and finished in highly-hammered metal.

Based on the third coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Aybar» it can also be consulted in [Vega, P. J. de; 1702; folio 3 of the manuscript].

Blazon keywords: Without divisions and Or.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Aybar of Navarre.

Of the twelve lineages of Noblemen, it is the fourth, and they bear as arms a chessboard, that is, a field chequy Argent and Sable, which is black, in the same form and design as this shield is now painted.

Chequey Argent and Sable.

Escudo ajedrezado de plata y sable.

Coat of arms recreated with: a semicircular (round) base; the field in flat Argent; the chequy or checky pattern illuminated in Sable; and finished in highly-hammered metal.

Coat of arms based on the fourth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613], but, unlike the original, adjusting the height of each square to its width so that they are perfect squares, since in Juan del Bosque’s version—actually in its copy, because the original was stolen—they appear somewhat narrow and elongated. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Baztan» it can also be consulted in [Vega, P. J. de; 1702; folio 4 of the manuscript], although in this case the numbering is not clearly legible; it is the folio following 3, preceding the one also numbered 4 but marked with a letter B, which in turn is followed by folio 6, the number 5 being missing — though not folio 5, which would be 4B.

Baztanes and the Valley of Baztan are mentioned in [Garaycoa Raffo, L.; 2011; pages 8, 29, 30, 33, 37, and 38].

The geometric construction of this coat of arms can be found in [Messía de la Cerda y Pita, L.; 1990; page 108].

Blazon keywords: Without divisions, Or, Chequey and Sable.

Style keywords: Semi-circular, Illuminated and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Baztanes of Navarre.

De los doce linajes de Ricos Hombres el quinto es la buena villa de Urroz, la torre blanca; y goza en armas un escudo partido por medio, de lo alto ata baxo, a manera de banda, desta forma e deuisas que en este escudo está de presente pintado.

Party per bend: 1 Gules; 2 Argent.

Escudo tronchado: 1^o de gules; 2^o de plata.

Coat of arms with poco margen for the interpretación con: la base of semicircular (round); el field of tintas planas of Gules and Argent; y con a finish of metal muy batido.

Coat of arms basado in the 5^o of los «ricoshombres» of Navarra de [Bosque, J. del; 1540; folio 1^o of the numeración of 1613]. El texto previo a su blasón está extraído of the transcripción realizada por [Martinena Ruiz, J. J.; 1982; páginas 122 and 123].

Bajo the título «Apellido of Vrroz» también puede consultarse en [Vega, P. J. de; 1702; folio 4B of the manuscrito], estando the 4 in the esquina superior izquierda and the B in the base of the coat of arms. Este folio tendría that estar numerado with a 5.

Blazon keywords: Party per bend, Gules and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Urroz of Navarre.

Of the twelve lineages of Noblemen, the sixth is that of Lete, from which descended Don Juan Corbarán de Let: they bear as arms, on a field Or, three pots shaped like cauldrons, slightly elongated, as painted in this shield.

Or, three Fleshpot Sable.

Escudo de oro, tres potes de sable.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the three pots illuminated in Sable with vertical, but not horizontal symmetry; and finished in highly-hammered metal.

It is not easy to find in English a similar figure:

• it could be considered «pote» ~ «pot», although perhaps «pot» is too generic,
• another possibility is «pote» ~ «fleshpot», which, although usually represented with three legs instead of a base and with two handles, is the one I tend to prefer,
• the English term «cauldron», but this corresponds to our «caldero» ~ «cauldron».

Coat of arms based on the sixth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Although I have not found any reference about it, it could be considered that originally they might have been canting arms and that these three «potes» could have been milk pots, in reference to their bearers «Lete».

Under the title «Surname of Let» it can also be consulted in [Vega, P. J. de; 1702; folio 6 of the manuscript], although the number has been altered, possibly having been a 5 and perhaps interpreted as an 8, it is deduced by being placed after folio 7.

Blazon keywords: Without divisions, Or, Clay pot and Sable.

Style keywords: Semi-circular, Illuminated and Hard metal.

Classification: Interpreted, Personal, Kingdom of Navarre and Canting.

Bearer: Lete of Navarre.

Of the twelve lineages of Noblemen, the seventh is Subiça, and bears as arms a shield Or, with a chief Sable at the upper part of the shield, in the same manner as painted in this one.

Or; a chief Sable.

Escudo de oro; el jefe de sable.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the chief in flat Sable; and the whole finished in highly-hammered metal.

Coat of arms based on the seventh of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading it is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Cubiza» these armorial bearings can be consulted in [Vega, P. J. de; 1702; folio 7 of the manuscript].

Blazon keywords: Without divisions, Or, Chief and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Subiça of Navarre.

Of the twelve lineages of Noblemen, the eighth is that of Rada; they bear as arms a shield Or with a flory cross Vert, in the same manner as painted in this shield.

Or, a Cross flory Sinople.

Escudo de oro, una cruz flordelisada de sinople.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the flory cross outlined in Sable and illuminated in Vert enamel; and finished in highly-hammered metal.

Based on the eighth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Rada» it can also be consulted in [Vega, P. J. de; 1702; folio 8 of the manuscript].

Blazon keywords: Without divisions, Or, Cross flory, Cross couped and Vert.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Rada of Navarre.

Of the twelve lineages of Noblemen, the ninth is Vidaurre, who bears as arms a shield Or and, in the middle, a fess Azure, in the same manner as this shield is now painted.

Or, a fess Azure.

Escudo de oro, una faja de azur.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the fess illuminated in Azure and outlined in Sable; and the whole finished in highly-hammered metal.

Interpreted from the ninth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Vidaurre» this coat of arms can be consulted in [Vega, P. J. de; 1702; folio 9 of the manuscript].

Blazon keywords: Without divisions, Or, Fess and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Vidaurre of Navarre.

Blazon equivalent to: Vernon, barón de Shubbroc.

Of the twelve lineages of Noblemen, the tenth is that of Qasqante; they bear as arms a shield Or and, on the shield, an eagle Sable, which is black, as it is now painted.

Or, an Eagle displayed Sable.

Escudo de oro, un águila de sable.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the eagle outlined in the colour of the field and illuminated in Sable; and finished in highly-hammered metal.

Based on the tenth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Cascante» it can also be consulted in [Vega, P. J. de; 1702; folio 10 of the manuscript].

Blazon keywords: Without divisions, Or, Eagle and Sable.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Qasqante of Navarre.

Of the twelve lineages of Noblemen, the eleventh is the house of Monteagudo; they bear as arms a shield Or, and in the middle a fess Gules, in the manner in which this shield is painted.

Or, a fess Gules.

Escudo de oro, una faja de gules.

Coat of arms interpreted as follows: a semicircular (round) base; the field enamelled in flat Or; the fess outlined in Sable and illuminated in Gules; and the whole finished in highly-hammered metal.

Interpreted from the eleventh coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Monteagudo» this blazon can be consulted in [Vega, P. J. de; 1702; folio 11 of the manuscript].

Blazon keywords: Without divisions, Or, Fess and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Monteagudo of Navarra.

Of the twelve lineages of Noblemen, the twelfth bears as insignia and arms, on a shield Or, a rampant lion Gules, as painted in this shield.

Or, a Lion Gules, rampant.

Escudo de oro, un león de gules, rampante.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the lion illuminated in Gules and outlined in the colour of the field, that is, in Or metal; and the whole finished in highly-hammered metal.

Coat of arms interpreted from the last of the shields of the Navarrese «ricoshombres» illustrated in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the text preceding the blazon taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

I consider these to be canting arms, and that this «lion» Gules refers to its bearers «Mauleón».

Under the title «Surname of Mauleon», without an accent on the letter «o», it can be consulted in [Vega, P. J. de; 1702; folio 12 of the manuscript].

Blazon keywords: Without divisions, Or, Lion, Gules and Rampant.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal, Kingdom of Navarre and Canting.

Bearer: Mauleón of Navarre.

Lionheart ~ Corazón de León ~ Cœur de Lion.

Escudo de gules, dos leones de oro, afrontados, armados y lampasados de azur.

Coat of arms interpreted as follows: the mouth drawn as a semicircular (round) base; the field enamelled in a flat tint of Gules; the two lions outlined in the colour of the field and illuminated in Or and Azure; and the whole finished with a watercolour effect.

He was born in 1157, being the third of eight children of Henry II of England and Eleanor of Aquitaine, elder brother of Eleanor Plantagenet. He was king of England between 1189 and 1199, although he spent much of his life far from it; in fact, during his ten-year reign, he was on English soil only twice, which together did not amount even to six months. He died in 1199 in Normandy.

In 1198, during the Battle of Gisors, he supposedly used, as watchword or as motto, the expression «Dieu et mon Droit ~ God and my right». This phrase refers to his refusal to bow before Emperor Henry VI, since by his rank Richard acknowledged only God as superior. Later, Henry V of England adopted it as his motto, and since then it has been used by the British monarchy.

According to [Humphery-Smith, C.; 1983], Richard the Lionheart was the first English king who can be proved to have borne arms, although some of his predecessors may also have had them. He bases his statement on the existence of two seals of Richard I: on one, Richard bears a shield with a rampant lion, and on the other there already appear the three lions that are the forerunners of the arms of England. The use of this second seal does not imply that he stopped using the first.

In contrast, there are also British authors who maintain that his shield actually bore two affronted lions; this hypothesis is based on the lion on his first seal facing to sinister. That latter hypothesis is the one interpreted in this shield, remaining a purely artistic interpretation and without my entering into a complex and open discussion about how, when, and why the three leopards, «leones pasantes ~ lions passant» for the English, appeared —a discussion in which there are various alternatives— ranging from the combination of his hereditary arms to the wish to have more lions than his younger brother, who would later be King John I of England, to possible influences from other European realms.

This version of Richard I’s shield is similar to the imaginary shield of Hector of Troy, Gules with two lions Or affronté, which is a term used when «two things are placed facing each other, like two Lions, two Dogs, or other animals that look at one another» [Avilés, J.; 1725a; page 32].

Blazon keywords: Without divisions, Gules, Lion, Or, Combatant, Armed, Langued and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Richard I of England.

John Lackland ~ Juan sin Tierra ~ Sans-Terre.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Existing arms interpreted as follows: the mouth of the coat of arms is semicircular (round); the field has been enamelled in a flat tint of Gules; the three leopards are outlined in Sable and illuminated in Or and Azure; and the whole is executed with a raised-stroke effect.

Regarding this version of the shield of John I, [Humphery-Smith, C.; 1983] writes that «Richard's younger brother John... bore two lions because he was a junior member of the Plantagenet line», thus showing his belonging to a second level of the ruling family, although, after his brother Richard I of England, he not only ended up being king but it was also his line of succession that continued to reign in England.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: John I of England.

King of England, Lord of Ireland and Duke of Aquitaine from the year 1216 to the year 1272

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted as follows: the mouth of the shield is semicircular (round); its field has been enamelled in a flat tint of Gules; its leopards are illuminated in Or and Azure and outlined in Sable; and the whole has a finish of aged parchment.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Old parchment.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Henry III of England.

The one with the Cross on his back ~ Crouchback (1245–1296)

Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.

Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.

He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».

In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.

The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.

The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edmund Plantagenet.

King of England and Lord of Ireland from 1272 to 1307.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted with the following features: the mouth is semicircular (round); the field enamelled in a flat tint of Gules; the three leopards illuminated in the metal Or and the colour Azure, outlined in Sable, and the leopard closest to the base has a different shape and size; and the whole finished with a fabric-like texture.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Fabric.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edward I of England.

Simon de Vere ~ Simon de Ver.

Gules, three cinquefoils Argent.

Escudo de gules, tres quinquefolios de plata.

Included in [Vincent, MS; 1285; number 85] also known as [St. George's Roll; 1285; number 85].

Blazon keywords: Without divisions, Gules, Three, Cinquefoil, Argent and Ordered.

Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Simón de Vere.

Azure fretty Or.

Escudo de azur fretado de oro.

Blazon keywords: Without divisions, Azure, Fretty and Or.

Style keywords: Semi-circular, Illuminated, Outlined in sable, Freehand and Metal beaten.

Classification: Interpreted and Personal.

Bearer: Ricardo de Mandeville.

Guillermo Bardolf ~ William Bardolf ~ Willem Bardulf.

Azure, three cinquefoils Or.

Escudo de azur, tres quinquefolios de or.

Included in [Vincent, MS; 1285; number 223] also known as [St. George's Roll; 1285; number 223].

Blazon keywords: Without divisions, Azure, Three, Cinquefoil, Or and Ordered.

Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Guillermo Bardolf.

Simon FitzSimon ~ Simon le FizSimon.

Gules, three chess rooks Ermine.

Escudo de gules, tres roques de armiños.

Included in [Vincent, MS; 1285; number 224] also known as [St. George's Roll; 1285; number 224].

Blazon keywords: Without divisions, Gules, Three, Chess rooks, Ermine and Ordered.

Style keywords: Semi-circular, Illuminated and Outlined in sable.

Classification: Interpreted and Personal.

Bearer: Simón FitzSimon.

Thomas de Warbleton ~ Thomas de Werblintone.

Lozengy Or and Azure.

Escudo losanjado de oro y azur.

Included in [Vincent, MS; 1285; number 245] also known as [St. George's Roll; 1285; number 245].

Blazon keywords: Without divisions, Lozengy, Or and Azure.

Style keywords: Semi-circular, Plain tincture and Outlined in sable.

Classification: Interpreted and Personal.

Bearer: Tomás de Warbleton.

William de Handsacre ~ William de Hondeshacre.

Ermine, three chess rooks Gules.

Escudo de armiños, tres roques de gules.

Included in [Vincent, MS; 1285; number 469] also known as [St. George's Roll; 1285; number 469].

Blazon keywords: Without divisions, Ermine, Three, Chess rooks, Gules and Ordered.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Guillermo de Handsacre.

Thomas FitzThomas ~ Thomas le FizThomas.

Lozengy Argent and Gules.

Escudo losanjado de plata y gules.

Included in [Vincent, MS; 1285; number 245] also known as [St. George's Roll; 1285; number 245].

Blazon keywords: Without divisions, Lozengy, Argent and Gules.

Style keywords: Semi-circular, Plain tincture and Outlined in sable.

Classification: Interpreted and Personal.

Bearer: Tomás FitzThomas.

Simon de Croome ~ Simon de Crombe.

Argent, a Chevron Gules, on a Chief Gules, three escallops Argent, in fess.

Escudo de plata: un cabrio de gules; el jefe de azur, tres veneras de plata, en faja.

Included in [Vincent, MS; 1285; number 623] also known as [St. George's Roll; 1285; number 623].

The 3 escallops are in the chief then the description «in fess» are not really needed.

Blazon keywords: Without divisions, Argent, One, Chevron, Gules, Chief, Three, Escallop and In fess.

Style keywords: Semi-circular, Plain tincture, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Simón de Croome.

James de Sutton ~ James de Sottone, le Fitz.

Ermine, a canton Sable.

Escudo de armiños, un cantón de sable.

Included in [Vincent, MS; 1285; number 599] also known as [St. George's Roll; 1285; number 599].

Blazon keywords: Without divisions, Ermine, One, Canton and Sable.

Style keywords: Semi-circular and Illuminated.

Classification: Interpreted and Personal.

Bearer: Jaime de Sutton.

Delineation, ratios and angles of a classic chevron.

Blazon keywords: Without divisions and Chevron.

Style keywords: Semi-circular.

Classification: Schema.

Bearer: Adan de Creeting.

Howel Ap Rhys ~ Howel ap Res.

Gules, a chevron Argent, between three mullets Argent.

Escudo de gules, un cabrio de plata, acompañado de tres estrellas de cinco puntas de plata.

Included in [Vincent, MS; 1285; number 623] also known as [St. George's Roll; 1285; number 623].

The coat of arms of Howel Ap Rhys is the inverse of the coat of arms of Adan de Creeting.

Blazon keywords: Without divisions, Gules, One, Chevron, Argent, Between, Three and Mullet.

Style keywords: Semi-circular, Plain tincture and Outlined in sable.

Classification: Interpreted and Personal.

Bearer: Howel Ap Rhys.

Blazon equivalent to: Juan le Sturmy.

Nicolás Malmains ~ Nicholas Malmains ~ Nicol Malemeins.

Gules, three dexter hands turned up, and appaumée Ermine.

Escudo de gules, tres manos diestras levantadas y apalpadas de armiños.

Included in [Vincent, MS; 1285; number 622] also known as [St. George's Roll; 1285; number 622].

Blazon keywords: Without divisions, Gules, Three, Hand, Dexter, Ermine, Turned up, Appaumée and Ordered.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Nicolás Malmains.

Sable, three dexter hands turned up, and appaumée Argent.

Escudo de sable, tres manos diestras levantadas y apalpadas de plata.

Coat of arms interpreted based on blazon and explanations of [Avilés, J.; 1725a; pages 34 y 35 y sheet 2 figure 38].

Blazon keywords: Without divisions, Sable, Three, Hand, Dexter, Argent, Turned up, Appaumée and Ordered.

Style keywords: Semi-circular, Plain tincture, Outlined in the field tincture and Soft metal.

Classification: Interpreted, Personal and Kingdom of France.

Bearer: Baudry en Francia.

Delineation, ratios and angles of a basic chevron.

Frente a los que denomino cabrio clásico y cabrio abierto, este se traza por el simple cruce de una banda y una barra.

Produce un desigual reparto de los espacios vacíos del campo, amplio por encima, escaso por debajo. Dependiendo del diseño que se haya que realizar, esto puede ser una ventaja o un inconveniente.

Por ejemplo, en este caso del escudo de Juan de Ladbrooke, no hay cargas ni figuras para las que habilitar espacio, sólo es un cabrio de armiños, por lo que esta forma de diseño puede ser adecuada y, más aún, si se desea un clara y patente representación del azur.

Sobre cómo se calculan los 50,2^o del ángulo de este cabrio, empleando el arcotangente de 6/5, puede consultarse el artículo que lleva por título esquema de una banda y una barra.

Blazon keywords: Without divisions, Chevron and Ermine.

Style keywords: Semi-circular.

Classification: Schema.

Bearer: Juan de Ladbrooke.

Known in England and France as Charles of Spain ~ Charles d'Espagne.

Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Coat of arms of Charles de la Cerda (1326-1354), this coat of arms also could be blazoned as «Quarterly: 1, Francia; 2 and 3, Castile; 4, Leon.».

Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Personal, Army and Navy and Kingdom of France.

Bearer: Cerda, Carlos de la.

Or, a stag trippant Gules, attired Azure; a bordure Azure charged with eight saltires couped Argent.

Escudo de oro, un ciervo pasante de gules, acornado de azur; una bordura de azur cargada con ocho sotueres de plata.

Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a parchment finishing.

Blazon keywords: Without divisions, Or, One, Stag, Tripant, Gules, Attired, Azure, Bordure, Charged, Eight, Saltire and Argent.

Style keywords: Parchment, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted and Coat of arms.

Bearer: McCartney, Michael.

Azure, a lion rampant Argent, in chief a mullet of four points Or; a bordure Gules charged with eight saltires couped Or.

Escudo de azur, un león rampante de plata, surmontado de un lucero de oro; una bordura de gules cargada de ocho sotueres de oro.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

These are the ancient arms of the lineage Araneta emblazoned by me. They are from the Basque Country and there is a branch in the Philippines. This star is known as mullet of four points.

Blazon keywords: Azure, Argent, Or, Gules, One, Eight, Lion, Rampant, Mullet of four points, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Araneta, lineage.

Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.

Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».

Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argudo of Guipuzcoa, lineage.

Blazon of the Duran lineage of Andalucia, Extremadura, and Aragon.

Gules, a lion passant Or; a bordure Or charged with eight lions’ heads erased Gules.

Escudo de gules, un león leopardado de oro; una bordura de oro, cargada de ocho cabezas de león arrancadas de gules.

Illuminated and with a glass finish.

Blazon keywords: Gules, Lion passant, Or, One, Bordure, Charged, Eight, Head and Erased.

Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Coat of arms.

Azure, a bend between six covered cups Or.

Escudo de azur, una banda acompañada de seis copas todo de oro.

Illuminated with lights and shadows and with a freehand finish.

Around 1155, Beatrix de Villers married Richard le Boteler Pincerna, who became the 4^th Baron of Warrington. The heir of Beatrix and Richard took the surname «le Boteler» and ruled the Warrington region, bearing arms Azure, a bend between six covered cups Or.

In Castilian, a «copa» has a lid and is referred to as a «covered cup» in English. When it doesn't have a lid, it's called a «cup» in English and a «cáliz» or «copón» in Castilian, the latter being a less preferred term for me. In English, the term «chalice» is also used, especially if it's adorned with gemstones, although that's more of an artistic license.

Naipes Heraclio Fournier is a renowned Spanish playing card manufacturer based in Villareal de Álava. The countless hours I have spent holding its cards in my hands are incalculable, whether playing with friends, opponents, or performing magic tricks. Its influence on my heraldic artwork is significant. For instance, in this covered cup.

The following image shows my covered cup and my two interpretations of his arms: 1) the most commonly viewed, and 2) my alternative layout.

Blazon keywords: Without divisions, Azure, One, Bend, Between, Six, Covered cup and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted and Kingdom of England.

Bearer: Boteler of Warrington.

Or, an eight-ball proper on a terrace in base Vert.

Escudo de oro, una bola ocho al natural terrazada de sinople.

Can modern objects appear in a coat of arms?

My rule is: a coat of arms is forever, so any symbol included must be recognizable by future generations. Can you place an iPhone in a coat of arms? No—but not because it’s modern, rather because your grandchildren likely won’t recognize the form of an iPhone; in fact, today’s mobile phones already look quite different from those of a decade ago. Can you include a steam locomotive? Yes, because its form has become anchored in time and in the collective imagination. What about an hourglass, an analog clock, or a black 8-ball from pool? Also yes—their forms are now classics. That is, I believe we can use those symbols that most people already carry in their minds and that are very likely to remain present in the minds of our children and grandchildren. But this is just my humble criterion.

Categories: Criterion, Art, Created, Imaginary, Coat of arms, Semi-circular, Crystalline, Soft metal, Outlined in sable, Illuminated, Without divisions, Or, One, Non-classic artifact, Proper and Terrace in base.

Root: Bola 8.

Key Characteristics in Castilian Heraldry

Some of the main characteristics of the heraldry of Castile are:

• the rounded shapes, with a semicircle at the base,
• the importance of bordures,
• the inclusion of words and also letters in the coat of arms,
• the 2^nd most common animal, after the lion, is the wolf [Valero de Bernabé, L.; 2010], and, of course,
• our castle triple-towered Or, port and windows Azure, masoned Sable [Valero de Bernabé, L.; 2009a].

The following image shows 4 examples of coats of arms, each of which has some of these characteristics, including one Castilian castle.

Comparing Castilian and English Heraldry

In the United Kingdom, there are several heraldic traditions, one of them being English heraldry.

In the Kingdom of Spain, there are several heraldic traditions, for example, the Castilian tradition.

In my humble opinion, we should compare at the same level, English heraldry with, for example, Castilian heraldry, but not with all Spanish heraldry. We shouldn't do it for the same reason we don't mix Scottish heraldic tradition with English, as they are so different.

In the case of Castilian heraldry, the 8 main differences with English heraldry are:

• The rounded shapes, with a semicircle at the base.
• The importance of bordures and the existence of the diminished bordure, called in Castilian «filiera».
• The inclusion of words and also letters in the coats of arms.
• The wolf is the 2^nd most common animal, after the lion.
• The castle, triple-towered, which is different from the English and French types of castles.
• We can inherit arms from our mother and/or father; for example, the castle in the 1^st quarter of the coat of arms of Castile and the coat of arms of Spain comes from a mother, Queen Berenguela of Castile, mother of King Fernando III, the Saint.
• There are 3 kinds of supporters with their owns heraldic names: «tenantes», human forms; «soportes», animals; and «sostenes», plants and things.
• Our quarterings do not necessarily mean that the arms are marshalled by inheritance. [Williams, N.; 2017; page 135, paragraph 26.02] describing the arms of Éamon de Valera, 1882-1975, President of Ireland, writes «Those arms are Spanish in appearance. The quartering without functions as a means of marshalling, is distinctively Iberian».

Categories: Criterion, Semi-circular, Bordure, Letter, Lion, Wolf, Castle, Triple-towered, Port and windows, Masoned, Or, Azure, Sable, Diminished bordure, Quarterly, Supporter (human form), Supporter (animal) and Supporter (thing).

Blazon of the Amancier lineage of Genevois, Haute-Savoie, France.

Gules, three bars per pale Or and Azure.

Illuminated and a freehand finishing.

Its French blazon «de gueules, à trois fasces parties d'or et d'azur» can be found at [Rietstap, J. B.; 1861; page 40].

Any fess party per pale of metal and color or color and metal will always have a metal on metal or color on color conflict whether the field of the coat of arms is color or metal. There isn't conflict if the field of the coat of arms is also party per pale with metal under the color of the fess and with color under the metal of the fess or if the field is fur.

Blazon keywords: Without divisions, Gules, Three, Fess, Party per pale, Or and Azure.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

Blazon of the Avelar lineage of Portugal.

Or, three bars Gules charged each one with three mullets of six points Argent.

Illuminated and a freehand finishing.

It can be found at [Cró, J. do; 1509; page 127].

Blazon keywords: Without divisions, Or, Three, Fess, Gules, Charged, Mullet and Argent.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of Portugal.

Blazon of the Mascarenhas lineage of Portugal.

Gules, three bars Or.

Illuminated and a freehand finishing.

It can be found at [Cró, J. do; 1509; page 77].

Blazon keywords: Without divisions, Gules, Three, Fess and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of Portugal.

Blazon of the Freitas lineage of Portugal.

Gules, five mullets of six points Or.

Illuminated and a freehand finishing.

It can be found at [Cró, J. do; 1509; page 123].

Blazon keywords: Without divisions, Gules, Five, Mullet and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of Portugal.

Blazon of the Malvin de Montazet lineage of Languedoc, France.

Azure, three mullets Argent, 2 and 1.

Illuminated and a freehand finishing.

Its French blazon «d'azur, à trois étoiles d'argent, 2 et 1» can be found at [Rietstap, J. B.; 1861; page 140].

Blazon keywords: Without divisions, Azure, Three, Mullet, Argent and Ordered.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

Or, a eagle displayed Sable.

Coat of arms of the Arrano Beltza, the black eagle, emblazoned by me in 6 steps: 1) Given a rectangle of any proportion, draw its vertical and horizontal axes of symmetry in Azure. Draw a line parallel to the horizontal axis at any distance; in the figure, it is drawn above the axis and in Vert. To achieve this, draw an arc, in gules in the figure, with its center at the point Pcj and of any radius, where Pd is the intersection of the arc with the dexter side and Ps the intersection with the sinister side. The parallel line runs from Pd to Ps. 2) Draw the diagonal in bend of the 3^rd quarter, from Pd to Pcp, and the diagonal in bend sinister of the 4^th quarter, from Ps to Pcp, both in Gules in the figure. Then draw their two perpendicular bisectors, which will intersect the Pd-Ps line at the points Cs and Cd. 4) With Cd as the center, draw the dexter arc of the base passing through Pd, with a radius of Cd-Pd. Similarly, with Cs as the center, draw the sinister arc of the base passing through Ps, with a radius of Cs-Ps. Both arcs intersect at the point Pcp at the base and are shown in Gules in the figure. 5) Draw in Sable the external shape of the coat of arms, formed by the arcs from Ps to Pcp and Pd to Pcp, the dexter flank from Pd to Pdj at the dexter of the chief, the sinister flank from Ps to Psj at the sinister of the chief, and the upper horizontal line of the chief from Pdj to Psj. 6) Draw an eagle displayed using the rule of plenitude. 7) Finally, paint the field of the shield Or and the eagle Sable.

Blazon keywords: Or, Sable, One, Eagle and Displayed.

Style keywords: Outlined, Outlined in sable, Plain tincture and Semi-circular.

Classification: Civic, Interpreted, Schema, Boa and Coat of arms.

Bearer: Arrano Beltza.

Or, a fess chequey Azure and Argent.

Escudo de oro, una faja ajedrezada de azur y plata.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a rough finishing.

Coat of arms of the lineage Stewart of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.

Blazon keywords: Or, Azure, Argent, One, Three, Nine, Fess and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Stewart of Scotland, lineage.

Azure, a fess chequey Gules and Argent.

Escudo de azur, una faja ajedrezada de gules y plata.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of the lineage Boyd of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.

Blazon keywords: Azure, Gules, Argent, One, Three, Nine, Fess and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Boyd of Scotland, lineage.

Gules, a fess chequey Azure and Argent.

Escudo de gules, una faja ajedrezada de azur y plata.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms of the lineage Janovsti of Janovic of Czechia. It is also the coat of arms of the lineage Klenovsky of Klenove of Czech. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.

Lindsay of Scotland, lineage

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Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Janovsti of Janovic of Czechia, lineage.

Blazon equivalent to: Lindsay of Scotland, lineage.

Gules, a fess chequey Azure and Argent, in chief three mullets of five points Argent.

Escudo de gules, una faja ajedrezada de azur y plata, en jefe tres estrellas de cinco puntas de plata.

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms of the lineage Lindsay of the Byres. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.

Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess, Chequey, In chief and Mullet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Lindsay of the Byres, lineage.

Gules, a fess chequey Azure and Argent.

Escudo de gules, una faja ajedrezada de azur y plata.

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a parchment finishing.

Coat of arms of the lineage Lindsay of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.

Janovsti of Janovic of Czechia, lineage

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Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Lindsay of Scotland, lineage.

Blazon equivalent to: Janovsti of Janovic of Czechia, lineage.

Or, a fess chequey Gules and Argent.

Escudo de oro, una faja ajedrezada de gules y plata.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.

Coat of arms of the County of Mark, Germany. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.

Blazon keywords: Or, Gules, Argent, One, Three, Nine, Fess and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Mark, County of.

Or, a fess chequey Gules and Argent.

Coat of arms of the lineage Mark of Germany. Symmetrical geometry of a fess chequey of 3 traits: a) The height of the fess is 1/3 of the width of the coat of arms. b) The fess is chequey with 3 traits. c) Therefore, the height of each trait is calculated as 1/3 x 1/3 = 1/9 of the width of the coat of arms. d) In a square, the height is equal to the width. e) Consequently, the width of each square in the chequey is also 1/9 of the width of the coat of arms. f) The first trait must contain 9 squares, as the width of the fess allows for an exact division into 9 equal squares, 9 being an odd number. g) If the first square is Gules, the last square of the same row will also be Gules, ensuring symmetry in the design.

Blazon keywords: Or, Gules, Argent, One, Three, Nine, Fess and Chequey.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.

Bearer: Mark of Germany, lineage.

Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.

Escudo de oro, una faja ajedrezada de plata, cargada de una cola de armiño, y azur, acompañada en jefe de dos cruces patadas de gules, en base de un cardo al natural; una filiera de azur.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.

Coat of arms of Reverend John Stuart, XVIII century, emblazoned by me.

Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Stuart, John.

Chequey Or and Azure.

Escudo ajedrezado de oro y azur.

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the County of Vermandois, France, emblazoned by me.

Blazon keywords: Or, Azure and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Vermandois, County of.

Design ideas

The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.

One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.

Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.

Gules, a fess vair between four water-bougets Or, two in chief and two in base.

Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.

Water-bouget

In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».

There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.

In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».

Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Interpreted, Schema and Coat of arms.

Lozengy Or and Gules. Behind the shield a cross patty Gules.

Blazon keywords: Lozengy, Or, Gules, Behind the shield, One, Cross patty and Cross couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Craon, Robert de.

Or, a chief Gules.

Escudo de oro, un jefe de gules.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Or, Chief and Gules.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Tremelay, Bernard de.

Azure, two barbels addorsed Argent. Behind the shield an eight-pointed cross patty Gules.

Blazon keywords: Azure, Two, Barbel, Addorsed, Argent, Behind the shield, One, Eight-pointed cross, Cross couped and Gules.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Montbard, André de.

Barry of four per pale counterchanged Or and Gules.

Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.

Style keywords: Outlined in sable, Semi-circular, Ratio and Plain tincture.

Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.

Bearer: Blanchefort, Bertrand de.

Argent, a cross Azure. Behind the shield a cross patty Gules.

Blazon keywords: Argent, One, Cross, Azure, Behind the shield, Cross patty, Cross couped and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Hérail, Gilbert.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Or, six annulets Gules, 3, 2, and 1.

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de de oro, seis anilletes de gules, ordenados 3, 2 y 1.

Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two, One, Quarterly, Argent, Cross patty and Cross couped.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Richard, Richard.

Vair.

Blazon keywords: Vair.

Style keywords: Outlined in sable, Illuminated, Semi-circular, Plain tincture and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.

Bearer: Vichiers, Renaud de.

Azure, a bend Or. Behind the shield an eight-pointed cross patty Gules.

Blazon keywords: Azure, One, Bend, Or, Behind the shield, Eight-pointed cross, Cross couped and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Molay, Jacques de.

Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.

Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, emblazoned by me, where I was stationed during my military service. In the image: 1988, the original mold (1) with which the first 6 coats of arms were made; one of them is now in my office (2); the design of the badge for the 1^st meeting of veterans (3), all of which were designed and made by my lieutenant colonel and friend Miguel Angel Nuñez Amador; and finally, the coat of arms of Crepsi emblazoned by me (4).

Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Military, Interpreted, Compare, Boa and Coat of arms.

Bearer: Crepsi.

Or, six fleurs de lis Azure, 3, 2, and 1.

Escudo de oro, seis flores de lis de azur, 3, 2 y 1.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms of Alessandro Farnese, 1545–1592, emblazoned by me. In 1956, the fourth Tercio of the Spanish Legion was created and named Tercio Alessandro Farnese in his honor. The coat of arms of that Tercio features the arms of the Farnese in its central inescutcheon, although with its 6 fleurs de lis arranged in orle.

Blazon keywords: Or, Azure, Six and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Farnese, Alessandro.

Or, three bars Gules.

De oro, tres fajas de gules.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of Gonzalo Fernandez de Cordoba, 1453–1515, known as «The Great Captain», emblazoned by me. The Tercio Great Captain, 1^st of the Spanish Legion, is named in honour of Gonzalo Fernandez de Cordoba, and the coat of arms of the unit bears a central inescutcheon with the arms of «The Great Captain».

Blazon keywords: Or, Gules, Three and Fess.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Fernandez de Cordoba, Gonzalo.

Gules, a cross of Burgundy Or; an inescutcheon Or, three bars Gules.

Coat of arms of the Tercio Great Captain, 1^st of the Spanish Legion, emblazoned by me in 12 steps. The inescutcheon represents the coat of arms of Gonzalo Fernandez de Cordoba, 1453-1515, «The Great Captain». To paint the coat of arms of the Tercio Gran Capitán, I applied a geometric method that involves dividing both the width and the height of the shield into three equal parts. This way, the central inescutcheon, bearing the arms of Gonzalo Fernandez de Cordoba, occupies exactly one third of the width and one third of the height of the main shield. Beyond its compositional function, this method also serves as a symbolic nod to the name of this historic military unit. The shield of the Tercio has been quite literally built using thirds. It is a small play on words and shapes that combines geometry with heraldic tradition.

Blazon keywords: Gules, Or, One, Three, Cross of Burgundy, Cross couped, Inescutcheon, Bar and Fess.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Military, Interpreted, Schema, Boa and Coat of arms.

Bearer: Tercio Great Captain.

Azure, a cross of Burgundy Or; an inescutcheon Or, six fleurs de lis in orle Azure.

Escudo de azur, una cruz de Borgoña de oro; un escusón de oro, seis flores de lis en orla de azur.

Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of the Tercio Alessandro Farnese, 4^th of the Spanish Legion, emblazoned by me. In honor of Alessandro Farnese, the central inescutcheon bears in orle the 6 fleurs de lis of the Farnese family.

Blazon keywords: Azure, Or, One, Six, Cross of Burgundy, Cross couped, Inescutcheon, Fleur de lis and In orle.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Military, Interpreted, Boa and Coat of arms.

Bearer: Tercio Alessandro Farnese.

Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purple, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; the whole debruised by a label of three points Azure.

Escudo cuartelado: 1^o de gules, un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; 2^o de plata, un león rampante de púrpura, lampasado y armado de gules, coronado de oro [de León]; 3^o de oro, con cuatro palos de gules [de Aragón]; 4^o de gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople [de Navarra]; entado en punta de plata, una granada al natural, tajada de gules, tallada y hojada de sinople [de Granada]; un escusón de azur, tres flores de lis de oro, 2 y 1, una bordura de gules [de Borbón]; brisado de un lambel de tres pendientes de azur.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finish.

This is the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias, Princess of Girona, and Princess of Viana, heiress of the throne of Spain as the elder daughter of King Felipe VI and Queen Letizia. This version of her coat of arms has been emblazoned by me.

Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency and Label of three points.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.

Bearer: Leonor Princess of Asturias.

This video shows the ideation of this coat of arms step by step, its field, chief cousu, figures, motto and it supporter. The music is «Sonata No. 8 in G major – 1. Allegro» of Ludwig van Beethoven interpreted by Paul Rosenthal, violin, and Edward Auer, piano, available under an «Open Audio License».

Credits:

• Paul Rosenthal violin performance.
• Edward Auer piano performance.

Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Vert, Tree, Erased, Supporter (thing), Motto and Scroll.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Video, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

Or, six fleurs de lis, three, two, one, five Gules and one in the middle of the chief Azure.

Escudo de oro, seis flores de lis ordenadas, tres, dos y una, cinco de gules y una de azur en el centro del jefe.

Credits:

• Rolando Yñigo-Genio is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, Six, Fleur de lis, Ordered, Three, two and one, Five, Gules, One, Azure and In the middle of the chief.

Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Yñigo-Genio, Elias.

Or, a double rose Gules and Argent, barbed Vert, and seeded Or within six fleurs de lis in orle, five Gules and one in chief Azure.

Coat of arms interpreted with a semi-circular shape; metals or and argent and colors gules, sinople and azur; the delineation is color sable; and a freehand finish.

Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, Double rose, Gules, Argent, Barbed, Vert, Seeded, Six, Fleur de lis, Orle, Five, One, Azure and In chief.

Style keywords: Semi-circular, Freehand and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Yñigo-Genio, Noelia.

Or, six fleurs de lis in orle, five Gules and one in chief Azure.

I have interpreted this coat of arms with a semi-circular shape; tintures or, azure and gules; outlined with sable; and a freehand finish.

Rolando Yñigo-Genio publish on his website DeviantArt his interpretation of my coat of arms as I publish here in Blason.es I my interpretation of his arms and those of his brothers Noelia Yñigo-Genio and Elias Yñigo-Genio.

Credits:

• Rolando Yñigo-Genio is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, Six, Fleur de lis, Orle, Five, Gules, One, Azure and In chief.

Style keywords: Semi-circular, Freehand and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Yñigo-Genio, Rolando.

Motto: Stand and Be Counted

Gules fretty Argent; on a chief wavy Bleu celeste, a rising sun Or.

Escudo de gules fretado de plata; en un jefe ondado de celeste, un sol saliente de oro.

Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a iridescent finishing.

The sun used to be emblazoned with a human face, with its eyes, mouth, and nose, but in all the interpretations that I know of this blazon, the sun appears without a human face.

Schema for the fretty

Blazon keywords: Without divisions, Gules, Fretty, Argent, One, Chief, Wavy, Bleu celeste, Sun, Issuant and Or.

Style keywords: Iridescent, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted.

Bearer: Charles Dunne, Chas.

The image shows 6 of my interpretations of his arms.

Paly of six Azure and Or; over all a bend Azure.

Blazon keywords: Paly, Six, Azure, Or, Surmounted, Overall (deprecated) and Bend.

Style keywords: Semi-circular, Parchment, Plain tincture, Freehand, Illuminated, Pointed, Metal beaten, Triangular curved, Iridescent (nacar), Ogee, Crystalline, Rounded, Watercolor and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Gifra, Vittorio.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper. Motto above the arms: «Del Fabbro Universidad» Gules.

Escudo de azur, flanqueado curvo de plata: en jefe, un libro abierto de oro, hojado de plata; en punta, un roble arrancado de plata, frutado de oro; en cada flanco, una antorcha de sinople, encendida al natural. Divisa sobre el escudo: «Del Fabbro Universidad» de gules.

Coat of arms designed by me, in flat tinctures, outlined in Sable, with a semi-circular external shape and with a texturized finish.

Blazon keywords: Azure, Argent, Or, Vert, Gules, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed, Proper, Motto and Above the shield.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Credits:

• Pablo Plaza is the author of the photograph.
• Antonio Salmerón y Cabañas is the author of the heraldic art of the coats of arms photographed.

Categories: Photographic, Coat of arms, Interpreted, Personal, Semi-circular, Illuminated, Outlined in sable, Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Lineage, Conjoined in fess, Decoration, Suspended and Base (lower 1/3).

Root: Vidriales García y Bustamante, Carlos.

Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.

Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Label and Suspended.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales, C. M..

Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.

Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Cantoned and Martlet.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales, M. P..

Blazon of the Talbot lineage of England.

Escudo de gules, un león rampante dentro de una bordura angrelada todo oro.

Gules, a lion rampant within a bordure engrailed Or.

Illuminated with lights and shadows and with a freehand finish.

[Rietstap, J. B.; 1861] writes it in French as «de gueules, au lion d'or, à la bordure engrelée du même». y [Burke, J.; 1836; volume 3, pages 359-360] writes it in English as «Gu. a lion rampant, within a bordure engr. or».

Blazon keywords: Without divisions, Gules, One, Lion, Rampant, Within, Bordure, Engrailed and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of England.

Gules, a rose between in chief a key wards to dexter facing downwards, in base a key wards to sinister facing downwards Argent

The Commoners' Certification of Arms for Francisco Domingo Larrosa Gil with his coat of arms emblazoned by me. Alternative blazon used in the certification: Gules, a rose between two keys fesswise Argent, that in chief with wards to dexter, that in base with wards to sinister.

Blazon keywords: Gules, Argent, One, Rose, Between, In chief, Key, Dexter, Point upwards, In base, Point downwards and Sinister.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Larrosa Gil, Francisco Domingo.

Party per fess: 1 Argent, a rose Gules, barbed and seeded proper; 2 Gules, two swords in saltire Argent, hilted Or. Supporters: Two bears Sable, the eyes, pizzled, langued, armed and gorged Gules. Motto: «Ingenuus et fortis» Sable over a scroll Argent doubled Gules.

Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Seeded, Two, Sword, In saltire, Hilted, Or, Proper, Supporter (animal), Bear, Sable, The eyes, Pizzled, Langued, Armed, Collared, Motto and Scroll.

Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Breu, Stephan Urs.

Quarterly: 1 and 4 Azure, five Bezants in saltire; 2 and 3 Or, three hearts Gules ordered. Motto: «Tan fuerte como valiente y leal es Cortés».

Watercolor finishing

Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules, Ordered and Motto.

Style keywords: Watercolor, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Fernández-Cortés y Fonseca, Javier.

Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.

Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Alea Capital.

Chequey of fifteen Or and Azure; a bordure compony of sixteen sections, eight gules, a castle triple-towered Or, port and windows Azure, masoned Sable, eight Argent, a lion rampant Purpure, crowned Or, armed and langued Gules.

Escudo ajedrezado de quince piezas de oro y azur; una bordura componada de dieciséis compones, ocho de gules, un castillo de oro, aclarado de azur, mazonado de sable, ocho de plata, un león rampante de púrpura, coronado de oro, armado y lampasado de gules.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.

Coat of arm of the municipality of Moguer, Andalusia, emblazoned by me.

Blazon keywords: Or, Azure, Gules, Argent, One, Fifteen, Sixteen, Eight, Chequey, Bordure, Compony, Section, Charged, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Moguer, municipality of.

Argent, a cross Gules; a bordure compony of fifteen sections: 1, 6, and 11 Argent, a pomegranate seeded, slipped and leaved proper; 2, 7, and 12 Or, an eagle displayed Sable; 3, 8, and 13 Gules, a castle triple-towered Or, port and windows Gules, masoned Sable; 4, 9, and 14 Argent, a lion rampant Gules, crowned Or; 5, 10, and 15 Or, four pallets Gules. Crest: A closed royal crown. Motto: «Muy noble, muy leal y decidida por la libertad» Sable, with initial letters Gules, over a scroll Argent.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a metal beaten finish.

Coat of arms of the city of Almeria, Andalusia, emblazoned by me. The motto of the official coat of arms includes the text «Ciudad de Almería», which I have chosen not to include in my rendition, as it is redundant given that the city is already represented by the coat of arms itself.

Blazon keywords: Argent, Gules, Or, Sable, Vert, One, Four, Fifteen, Cross, Bordure, Compony, Pomegranate, Slipped, Leaved, Proper, Eagle, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Closed royal crown, Crown, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Almeria, city of.

Argent, a cross patty Gules charged with a double rose Argent and Gules, barbed Vert, seeded Or, between four double roses Gules and Argent, barbed Vert, and seeded Or.

Escudo de plata, una cruz patada de gules cargada de una rosa doble de plata y gules, barbada de sinople y botonada de oro, acompañada de cuatro rosas dobles de gules y plata, barbadas de sinople y botonadas de oro.

Coat of arms emblazoned by me with a shape ended with semi-circular arch, illuminated, and with a leather finishing.

Blazon keywords: Argent, One, Cross patty, Cross couped, Gules, Charged, Double rose, Barbed, Seeded, Between and Four.

Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.

Classification: Personal, Created and Coat of arms.

Bearer: Gómez Morillo, Antonio José.

Gules, an eagle displayed Or.

Coat of arms of the lineage Baldovino from Venecia, emblazoned by me in 4 steps: guideline drawing, outlined, plain color and metal, and lights and shadows. From Jean-Baptiste Rietstap, «Armorial général», 1^st edition, 1861, [Rietstap, J. B.; 1861; P1 CXII B, row 7, column 7].

Blazon keywords: Gules, Or, One, Eagle and Displayed.

Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.

Bearer: Baldovino from Venecia, lineage.

Gules, a base enarched Vert, overall a cross patty fitchy Or, piercing in base the head of a serpent nowed and facing sinister Sable, langued Gules.

I have interpreted this coat of arms with a semi-circular shape; tintures or, sable, vert and gules; outlined with sable; and a freehand finish.

In Polish heraldic tradition the color Sable can be over other colors, the color Vert in this case. The following bibliographical references can be consulted about the Polish use of the color Sable over other colors:

• [Bakala, K.; 2010; page 17] has written «nie pozwala nakladania metalu na metal, a barwy na barwe, za wyjatkiem barwy czarnej i purpurowej» ~ «does not allow to put metal on metal and color on color, except the color Sable and Purpure», notice that Sable and Purpure are the neutral colors whilst Gules, Azure and Vert are energetic colors.
• [Marecki, J.; 2012; page 67] has written about the rule of colors and metals «wyjatkiem byla czern, która laczono zarówno z metalami, jak i z innymi barwami» ~ «the exception was black, which was combined with both metals and other colors».

Blazon keywords: Without divisions, Gules, One, Mount, Vert, Issuant from base, Overall, Cross patty fitchy, Cross couped, Piercing, Head, Serpent, Nowed, Facing sinister, Sable and Langued.

Style keywords: Semi-circular, Freehand and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Grzeszkowiak, Tomasz Arkadiusz.

Gules, three lozenges Or; a bordure lozengy Gules and Or. Motto: «Integritas Virtus Gratia» Sable, with initial letters Gules, over a scroll Argent.

Escudo de gules, tres losanjes de oro; una bordura losanjada de gules y oro. Lema: «Integritas Virtus Gratia» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Gules, Or, Argent, Sable, One, Three, Lozenge, Lozengy, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Lasuncion Patus, Francisco Javier.

Gules, three lozenges Or.

Escudo de gules, tres losanjes de oro.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.

Coat of arms of the lineages Asuncion and de la Asuncion emblazoned by me.

Blazon keywords: Gules, Or, Three and Lozenge.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Asuncion and de la Asuncion, lineages.

Gules, three fleur de lis Or.

Escudo de gules, tres flores de lis de oro.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

Coat of arms of the lineage Patus emblazoned by me.

Blazon keywords: Gules, Or, Three and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Patus, lineage.

Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox proper, grasping dexter four wheat spikes Or. Mantling: Azure doubled Argent. Motto: «Ignis Aurum Probat».

Arms devised by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a rough finish.

Blazon keywords: Or, Azure, Argent, One, Two, Four, Crest, Tierced per bend, Vairy, Ship, Full sail, Bend, Bar, Wavy, Crest and mantling, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Wheat spike, Wheat, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Milian, family.

Argent, a fess Gules between two Lions passant Azure, langued Gules.

I have interpreted this coat of arms with a semi-circular shape; tintures argent, gules, and azure; outlined with sable; and a iridiscent finishing.

Blazon keywords: Argent, One, Fess, Gules, Between, Two, Lion passant, Azure and Langued.

Style keywords: Semi-circular, Iridescent (nacar) and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Stauffenberg, Claus von.

Or, a holm oak eradicated Vert, fructed Or, in front of its trunk two boars passant, in pale Sable.

Ancient arms of the lineage Peraza of Cantabria. The image shows how I emblazoned it in 3 steps: outlined, plain color and metal, and lights and shadows.

Blazon keywords: Or, Vert, Sable, Holm oak, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.

Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.

Bearer: Peraza of Cantabria, lineage.

Party per pale: 1 Vert, a Castle triple-towered Argent; 2 Gules, two bezants in pale Or. Motto: «In Fide et Devotione»

Blazon keywords: Party per pale, Vert, One, Castle, Argent, Gules, Two, Bezant and plate, Bezant, In pale and Motto.

Style keywords: Semi-circular, Leather and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Giaimo di Prizzi, Carmen.

Or, an atom triple-orbited Gules; on a chief Gules, a falcon displayed and jessed Or

Illuminated and a watercolor finishing.

Jessed means with jesses, the thongs by which bells are fastened to the legs of a falcon.

The falcon use to be belled and jessed, with bells and leather strips on the legs. The attributes used to be citted in the blazon when its tincture is different that the main element to which it belongs. In this case, its leather strips are Or, the same tincture than the falcon Or, but I decided to blazoned it «a falcon displayed and jessed Or» to denote jessed but not belled.

Other falcons are also hooded.

Credits: Rudolf Juchter van Bergen Quast is the designer of the coat of arms.

Blazon keywords: Or, One, Atom, Three, Orbital, Gules, Chief, Falcon and Jessed.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Emirate of Dubai and Coat of arms.

Bearer: Dubai Office of the European Chamber of Digital Commerce.

Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.

Escudo de plata, en jefe un bonete eclesiástico de sable, en punta un corazón llameante de gules.

Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.

Style keywords: Outlined in sable, Semi-circular and Plain tincture.

Classification: Religious, Created and Coat of arms.

Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.

Azure, a cross flory voided Argent; a bordure Gules charged with sixteen saltires couped Or.

Escudo de azur, una cruz hueca flordelisada de plata; una bordura de gules cargada de dieciséis sotueres cortados de oro.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

Coat of arms of Alfonso Sánchez de Perella, 1^st Mayor of Burgos, emblazoned by me.

Blazon keywords: Azure, Argent, Gules, Or, One, Sixteen, Cross, Flory, Voided, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Sánchez de Perella, Alfonso.

Azure, on four bars wavy Argent a barbel bendwise Or and a three arch bridge Or, masoned Sable, throughout, supporting a elm couped Argent leaved Or, between, in dexter a tower Or, port and windows Azure, mazoned Sable, and in sinister three escutcheon Or, 2 and 1. Motto: «El porqué yo me le sé» Sable, with initial letters Gules, over a scroll Argent.

Escudo de azur, en punta cuatro burelas ondadas de plata sumadas de un barbo puesto en banda de oro y un puente de tres ojos moviente de los flancos de oro, mazonado de sable, sosteniendo una olma nurida de plata, hojada de oro, acompañada a su diestra de una torre de oro, aclarada de azur, mazonada de sable y a su siniestra de tres escudetes de oro, 2 y 1. Lema: «El porqué yo me le sé» de sable sobre una filacteria de plata.

Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.

Blazon keywords: Argent, Or, Azure, Sable, One, Three, On, Bar, Wavy, Barbel, Bendwise, Bridge, Masoned, Throughout, Upon, Elm, Couped (tree), Leaved, Tower, Port and windows, Escutcheon, Ordered, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Civic, Created, Boa and Coat of arms.

Bearer: Pesquera de Ebro.

D'or à un arbre arraché de sinople, accosté à dextre de la lettre capitale «D» et à senestre de la lettre capitale «L» du même, et une étoile d'azur posée au canton dextre de la pointe.

Or, a tree eradicated Vert between a capital letter «D» and a capital letter «L» Sable, in the dexter of the base a mullet Azure.

Illuminated with lights and shadows and with a leather finish.

Blazon keywords: Without divisions, Or, One, Tree, Erased, Vert, Between, Letter, Sable, Canton, Dexter, Base (lower 1/3), Mullet, Five and Azure.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.

Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Coulot, Fabian.

Or, a roe deer springing Gules, in base a triple mount Vert.

Escudo de oro, un corzo brincante de gules, en punta un monte de tres peñas de sinople.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

They are canting arms: «Rehberger» ~ «Reh-berger» in Deutsch ~ «Roe deer-from the mountain» in English.

Credits: Stephan Urs Breu is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount and Vert.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Rehberger, Alena.

The coat of arms of Luis Gerardo Oyervides Ochoa, Mexico, designed and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Sable, a kapok tree eradicated and fructed between in base two lozenges Argent.

Escudo de sable, una ceiba arrancada, frutada y acompañada en punta de dos losanjes todo de plata.

Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base and Lozenge.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Oyervides Ochoa, Luis Gerardo.

Argent, a lion rampant guardant Vert, armed and langued Gules; on a chief Gules, a mullet of six points voided, interlaced Argent between two hearts Or.

The coat of arms of Yishay Ifrah outlined by me. The internal structure of this design is that the lion's forepaws fall below the center of the dexter heart, the central vertical axis passing through the center of the Star of David runs between the lion's eyes, and the tip of the tail falls below the center of the sinister heart.

Blazon keywords: Argent, Vert, Gules, Or, One, Two, Lion rampant guardant, Armed, Langued, Chief, Charged, Star of David, Mullet, Voided, Interlaced, Between and Heart.

Style keywords: Outlined and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ifrah, Yishay.

Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced.

The coat of arms of Ixai Lanzagorta Ochoa, designed by him, his father, Juan Lanzagorta Vallin, and me, and emblazoned by me in 4 steps: proportions, delineation, plain colors and metal, and lights and shadows. His favorite version is the flat, classic representation of his coat of arms.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Argent, Sable, Azure, One, Chevron, Ouroboros, Armed, Langued and Interlaced.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Lanzagorta Ochoa, Ixai.

Ermine papelonny, a lion rampant guardant Gules, armed and langued Azure. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Without divisions, Ermine, Papelonny, One, Lion rampant guardant, Gules, Armed, Langued, Azure, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Arjona Berrocal, Rubén.

City of Ceuta, Spain, Africa, with a crown of Marquis

Argent, five escutcheons in cross Azure, each charged with five plates in saltire Argent; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1. Crest: A crown of Marquis.

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta. Timbrado de una corona de marqués

Illuminated and a leather finishing.

Coat of arms of Ceuta from the coat of arms of Portugal

The Portuguese conquered Ceuta in the year 1415. This event represents an important step in the development of the Portuguese Empire in Africa. Then Ceuta received its arms from those of Portugal but with the castles in another order. In the image, the 1^st coat of arms of Portugal, and the 2^nd coat of arms of Ceuta.

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Spain.

Bearer: Ceuta.

Argent, five escutcheons in cross Azure, each charged with five plates in saltire Argent; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, tres en jefe, uno en cada flanco y dos en punta

Illuminated and a leather finishing.

This coat of arms can be seen in [Avilés, T. de; XVI; página 16], [Bergshammars; 1440; page 4], [Lutzelbourg, N. de; 1530; page 37], and in [Gourdon de Genouillac, H.; 1889; page 247].

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Three, In chief, One, In each flank and In base.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Portugal.

Bearer: Portugal.

Quarterly: 1 and 4 Gules, a fess Azure; 2 and 3 Or, a fess dancetty Argent.

Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems leather.

Blazon keywords: Quarterly, Gules, One, Fess, Azure, Or, Dancetty and Argent.

Style keywords: Colour on colour, Metal on metal, Semi-circular, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Beninger, Manuel.

Metal Or over metal Argent.

Argent, a cross potent cantoned of four crosslets potent Or.

Escudo de plata, una cruz potenzada cantonada de cuatro cruces potenzadas todas de oro.

Illuminated with lights and shadows and with a freehand finish.

Perhaps the most classic example of non-compliance with the heraldic rule of tinctures having metal Or over metal Argent. In [Galdiano L.; Century XVII; folio 6], you can see a version of the arms of Jerusalem with the field in Gules, which would indeed follow the rule of tinctures as it is metal on color.

Blazon keywords: Without divisions, Argent, One, Cross potent, Cross couped, Cantoned, Four and Or.

Style keywords: Freehand, Outlined in sable, Illuminated, Semi-circular and Metal on metal.

Classification: Interpreted and Civic.

Bearer: Kingdom of Jerusalem.

Party per pale: 1 Sable, a tower with a turret Argent; 2 Argent, a wyvern erect Sable. Crest: Upon a helm with a wreath Argent and Sable, five ostrich feathers alternately Sable shafted Argent, and Argent shafted Sable. Mantling: Sable doubled Argent.

Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.

The crest, mantling and coat of arms of the Ormazabal Lazaro family, designed by them and me, and emblazoned by me.

Blazon keywords: Sable, Argent, One, Party per pale, Tower, With a turret, Wyvern, Erect, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Alternately, Shafted and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Ormazabal-Lazaro, family.

Gules, a cross flory voided Or; within a bordure Gules with eight saltires couped Or.

Escudo de gules, una cruz hueca flordelisada de oro; bordura de gules, ocho sotueres de oro.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.

Ancient arms of Alarcon of Cantabria emblazoned by me.

Blazon keywords: Argent, Sable, Or, Gules, Three, Cross, Flory, Voided, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alarcon of Cantabria, lineage.

Gules, a castle triple-towered Or, masoned Sable, issuant from its port a dragon passant Vert, in chief a pelican in her piety Argent, vulned Gules.

Escudo de gules, un castillo de oro, mazonado de sable y saliendo por su puerta un dragón pasante de sinople, en jefe un pelícano desplegado de plata, la piedad de gules.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Ancient arms of the lineage Lazaro of Aragon emblazoned by me.

Blazon keywords: Gules, Or, Vert, Argent, One, Castle, Triple-towered, Masoned, Issuant (port), Dragon, Passant, In chief, Pelican in her piety and Pelican.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Lazaro of Aragon, lineage.

Argent, three bars Sable; within a bordure countercompony Or and Gules. 2 versions for the same blazon.

Escudo de plata, tres fajas de sable; bordura ajedrezada de oro y gules. 2 versiones para el mismo blasón.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Ancient arms of the lineage Ceballos of Cantabria emblazoned by me.

Blazon keywords: Argent, Sable, Or, Gules, Three, Bar, Bordure and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ceballos of Cantabria, lineage.

Or, a tower Gules, embattled, masoned and with a turret Sable.

Escudo de oro, una torre de gules, almenada, mazonada y donjonada de sable.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Ancient arms of the lineage Ormazabal of the Basque Country emblazoned by me.

Blazon keywords: Or, Gules, Sable, One, Tower, Embattled, Masoned and With a turret.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Ormazabal of the Basque Country, lineage.

Or, an eagle displayed bendy Azure and Argent.

Coat of arms of María Dolores Escutia Sánchez designed by Juan Lanzagorta Vallín and emblazoned by me. The image shows in 3 steps how I emblazoned an eagle displayed bendy.

Blazon keywords: Or, Azure, Argent, One, Eagle, Displayed and Bendy.

Style keywords: Outlined, Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Escutia Sánchez, María Dolores.

Azure, a tower Or, embattled and masoned Sable, overall a lion rampant barry Purpure and Argent.

Escudo de azur, una torre de oro, almenada y mazonada de sable, brochante sobre el todo un león rampante fajado de púrpura y plata.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.

Coat of arms of Jean Mortes from Brittany, France, emblazoned by me with a shield with a semi-circular base.

Blazon keywords: Azure, Or, Sable, Argent, Purpure, One, Tower, Embattled, Masoned, Overall, Lion, Rampant and Barry.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Mortés, Jean.

Or, a wolf passant Gules; on a chief Gules, three bells Or. Crest: Upon a helm with a wreath Or and Gules, a demi-wolf Gules supporting with both paws an armillary sphere Or. Mantling: Gules doubled Or. Motto: «Varia vivendi cupidus».

The Commoners' Certification of Arms for Jean-Christophe Loubet del Bayle with his arms designed by him emblazoned by me.

Blazon keywords: Or, Gules, One, Three, Wolf, Passant, Chief, Bell, Crest, Upon (wreath), Helm, Wreath, Demi, Supporting, Paw, Armillary sphere, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Loubet del Bayle, Jean-Christophe.

Gules, on a fess invected Argent, a lioness Azure, armed, langued and the udders Gules.

Blazon keywords: Gules, One, Fess, Invected, Argent, Charged, Lioness, Azure, Armed, Langued and Udder.

Style keywords: Semi-circular, Outlined in sable, Diapered and Outlined.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Vallín de Lanzagorta, María Concepción.

Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.

Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.

Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.

Classification: Personal, Interpreted, Coat of arms and Schema.

Bearer: Lanzagorta Escutia, Miguel Francisco.

Coat of arms of the family of Milos Dukat from Czechia and the Basque Country, designed by them and me, and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent.

Escudo partido de azur y gules, sobre el todo en jefe dos leones rampantes, de cola horquillada de plata, armados, lampasados y coronados de oro, y en punta un barco de oro, con velas de plata, sostenido por tres burelas ondadas de plata.

Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship and Full sail.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Dukat, family of Milos.

Quarterly: 1 and 4 Gules, a lion rampant, double queued Argent, armed, langued, and crowned Or; 2 Azure, a letter «G» Or; 3 Azure, a coronet trefoiled Or

Escudo cuartelado: 1^o y 4^o de gules, un león rampante, de cola horquillada de plata, armado, lampasado y coronado de oro; 2^o de azur, una letra «G» de oro; 3^o de azur, una corona trebolada de oro

This coat of arms is illuminated with lights and shadows and has a finish like glass.

The Hradec Králové Region is an administrative unit of the Czech Republic. It is located in the historical region of Bohemia. Its capital is Hradec Králové, whose Latin name is «Gradicium», hence its old name «Gradec». The letter «G» seen in both the coat of arms of the Hradec Králové Region and the coat of arms of its capital originates from this historical name. The lion rampant Anrgent, double queued and crowned in the 1^st and 4^th quarters is the symbol of Bohemia, and it also appears in the 1^st and 4^th quarters of the coat of arms of the Czech Republic. «Králové» means «of the queen» in Czech and there is a trefoiled crown in the 3^rd quarter

Blazon keywords: Quarterly, Gules, One, Lion, Rampant, Tail, Double queued, Argent, Armed, Langued, Crowned, Or, Azure, Letter, Coronet trefoiled, Ancient coronet, Crown and Trefoiled.

Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic and Interpreted.

Bearer: Hradec Králové Region.

Quarterly: 1 Argent, a dolphin haurient Azure; 2 Azure, a sunflower Or; 3 Azure, on a closed book Or a diamond Azure; 4 Argent, a lark Azure. Crest: Upon a helm with a wreath Argent and Azure a quetzal perched in a tree branch proper, leaved Or. Mantling: Azure doubled Argent.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.

Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond, Lark, Crest, Upon (wreath), Helm, Wreath, Quetzal, Perched, Tree, Branch, Proper, Leaved and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ruiz Porras, Antonio.

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed and Proper.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Tierced pallwise inverted Azure, Gules, and Sable; overall a chevron between, in the dexter of the chief, a mullet of six points, in the sinister of the chief a pair of scales, and in base an open book Or.

Terciado en perla invertida de azur, gules y sable; brochante sobre el todo un cabrio acompañado, en la diestra del jefe, de una estrella de seis puntas, en la siniestra del jefe, de una balanza, y en la punta, de un libro abierto todo de oro.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me.

Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book and Book.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Gittel Bas Reuven, Malka.

Supporting document illustrating my proposal, pages 4 and 5.

I have made a suggestion to the Lexicography Institute of the Royal Spanish Academy regarding the heraldic term «pira» in the Dictionary of the Spanish Language. I drafted a document that justified my suggestion, illustrated it, and proposed two ways to refine its definition within the Dictionary. I am honored that they have accepted my proposal and chosen the first of the alternative definitions I suggested. The following images are some of those I used to illustrate the supporting document.

Schema.

Delineation.

Coats of arms of the Burr, Osona, Gangoiti and Egado lineages.

I used the following bibliographical references [Académie internationale d'héraldique; 1952], [Arco y García, F. del; 1996a], [Avilés, J.; 1725a], [Avilés, J.; 1780a], [Cadenas y Vicent, V. de; 1987], [Cadenas y Vicent, V. de; 1975], [Cadenas y Vicent, V. de; 2002], [Messía de la Cerda y Pita, L.; 1990], and [Messía de la Cerda y Pita, L.; 1980].

Categories: Schema, Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Doctor.

Blazon of the Vilardi lineage of Italy.

Argent, on a pile issuant from the base Azure a saltire Or.

Escudo de plata, una pira de azur cargada de un sotuer de oro.

Illuminated and a free hand finishing.

[Cadenas y Vicent, V. de; 2002; page 138] says that the a pile issuant from the base is «a triangle whose base issues from the base of the shield, being a third of its width», but when it is painted in [Cadenas y Vicent, V. de; 2002; page 268, figure 279] along with the pile the width of the base of both isosceles triangles is 2/3 of the width of the shield. I think the width of 2/3 is, in these 2 cases, better than 1/3 width, because with 1/3 there is not enough room for charges, as shown in the figure below.

There are scholars who say that the pile issuant from the base must not touch the upper edge of the shield and others that its tip should be in the center of the chief. In the previous image, the pile issuant from the base of the 1^st shield fulfills the first affirmation, and in the 2^nd shield, its tip is in the center of the chief.

I have the doubt if it should not be a saltire raguly.

Blazon keywords: Without divisions, Argent, One, Pile issuant from base, Azure, Charged, Saltire and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Italian Republic.

Or, on a pile issuant from the base Gules a sword point upwards Argent.

Escudo de oro, una pira de gules cargada de una espada alzada de plata.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].

Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Burr, lineage.

Or, three bars Azure; the base Gules.

Escudo de oro, tres burelas de azur; la punta de gules.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms of the lineage Egado emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 635].

Blazon keywords: Or, Azure, Gules, Three, Bar and Base (lower 1/3).

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Egado, lineage.

Azure, in chief a label Or, and in base a fleur de lis Argent.

Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].

Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Gangoiti, lineage.

Or, a pile Gules.

Escudo de oro, una pila de gules.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of the lineage Osona emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 1325].

Blazon keywords: Or, Gules, One and Pile.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Osona, lineage.

Coat of arms of Ajay Gopal Valecha granted by the College of Arms, and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Quarterly Or and Argent, overall a peacock in his splendour proper.

Escudo cuartelado de oro y plata, sobre el todo un pavo real ruante al natural.

Blazon keywords: Argent, Or, One, Quarterly, Overall, Peacock, In his splendour and Proper.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Valecha, Ajay Gopal.

Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent. Motto: «Fortificado por el Sol».

Escudo de azur, un castillo partido de plata y oro, mazonado de sable, aclarado de azur, acompañado en jefe de dos fajas ondadas de plata, y en en punta de dos fajas ondadas de plata. Lema: «Fortificado por el Sol».

Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

The arms of Kevin Larkin from Ireland and Spain, designed and emblazoned by me. In heraldry, the rule of tinctures states «no color on color, no metal on metal». This means a castle metal Argent cannot bear a castel metal Or as a charge. However, in this design, the castle is divided party per pale, vertically, into Argent and Or. This division allows both metals to coexist, as each metal occupies one side of the charge without violating the tincture rule. Similarly, in a party field, both quarters can be of the same type, either color or metal, making this design heraldically correct.

Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy, In base and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Larkin, Kevin.

Argent, an apple tree, the base of its trunk forming a cross crosslet Azure, fructed Gules.

Arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finishing.

The coat of arms of Heikki Halkosaari, Finland, emblazoned by me.

Blazon keywords: Argent, Azure, Gules, One, Apple tree, Base, Trunk, Cross, Crosslet, Cross couped and Fructed.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Halkosaari, Heikki.

The coat of arms of Maximilian Silvestri emblazoned by me.

Argent, a demi-savage issuant from the base Carnation, crined, bearded and vested Tenné, wreathed of leaves Vert, holding in his dexter a close book, bookmarked Gules, garnished, on its cover a mortar with pestle Or, in his sinister an oak club Tenné, leaved and fructed Vert; a chief wavy Gules.

Escudo de plata, un salvaje moviente de la punta de carnación, cabellado, barbelado y vestido de leonado, tortillado de hojas de sinople, teniendo en su diestra un libro cerrado con cintas marcapáginas de gules, adornado de oro, en su cubierta un almirez con mano de oro, y en su siniestra un garrote de roble de leonado, hojado y frutado de sinople; un jefe ondado de gules.

Blazon keywords: Argent, Or, Gules, One, Demi, Savage, Carnation, Issuant, Base, Crined, Bearded, Vested, Tenné, Wreathed, Leaf, Grasping, Dexter, Open book, Book, Bookmark, Garnished, Mortar, Pestle, Club, Leaved, Fructed, Chief and Wavy.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Silvestri, Maximilian.

Party per fess wavy: 1 Azure, a dolphin naiant; 2 Argent, three escallops Azure. Crest: Upon a helm lined Azure with a wreath Argent and Azure, an owl Tenné, armed, beaked, membered, the eyes, and wearing a necklace with a pendant heart Or, grasping with its dexter foot a bluebonnet proper. Mantling Azure doubled Argent.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

Blazon keywords: Azure, Argent, One, Three, Or, Party per fess, Wavy, Dolphin, Naiant, Escallop, Crest, Upon (wreath), Helm, Lined, Wreath, Owl, Tenné, Armed, Beaked, Membered, The eyes, Collar, Heart, Grasping, Dexter, Talon, Bluebonnet, Flower, Proper, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Santiago-Vazquez, Lory.

Blazon of the André lineage of France.

Gules, a millstone Or.

Escudo de gules, una piedra de molino de oro.

Illuminated and a watercolor finishing with shadow in the hole.

For its better identification, I have painted the millstone with the ring that fixes it to its axis. This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone. Millrinds may appear on coats of arms independently of millstones. Another heraldic element related to the previous ones is the millwheel, which is a toothed gear that is part of the mill mechanism but should not be confused with the millstone that grinds the grain.

Blazon keywords: Without divisions, Gules, One, Millstone and Or.

Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent

Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata

Illuminated and a leather finishing.

Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal and Interpreted.

Bearer: Espinosa, Diego.

Assumed arms

Azure, a bend sinister raguly between, in dexter chief, a Celtic cross, in sinister base, a sword point downwards Argent.

Escudo de azur, una barra ecotada acompañada, en la diestra del jefe, de una cruz celta y, en la siniestra de la punta, de una espada bajada todo de plata.

Coat of arms interpreted by me with a shape ended with an pointed arch, illuminated with color azure and metal argent, and with a rough finishing.

Shapes ended with a semi-circular arch and with an ogee arch

Blazon keywords: One, Bend sinister, Raguly, Between, Dexter, Chief, Celtic cross, Sinister, Base (lower 1/3), Sword, Point downwards and Argent.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Rough.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Reyes, Elijah.

Royal and imperial German dynasty.

Quarterly Argent and Sable.

Escudo cuartelado de plata y sable.

Illuminated with lights and shadows and with a watercolor finish.

Blazon keywords: Quarterly, Argent and Sable.

Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted.

Bearer: House of Hohenzollern.

Blazon of the Aldam lineage of England.

Azure, a ray of the sun bendwise, issuant from the dexter chief Or.

Escudo de azur, un rayo de sol puesto en banda, naciente de la diestra del jefe de oro.

Illuminated with lights and shadows and with a freehand finish.

Described in [Burke, B.; 1989; page 9, column 1, entry 11].

Blazon keywords: Without divisions, Azure, One, Ray of the sun, Bendwise, Nascent, Dexter, Chief and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of England.

Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it.

Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Coat of arms of the lineage Argüello of Extremadura emblazoned by me. Its blazon may be found in the books [Atienza y Navajas, J. de; 1959; page 171] and [Cadenas y Vicent, V. de; 1987; page 167], where it is described as Vert with its acorns and roots Or. In this rendition, I have interpreted the holm oak as proper, but also fructed and eradicated Or.

Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Proper, Fructed, Eradicated, Goat and Supporting.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argüello of Extremadura, lineage.

Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable.

Arms designed by me, in flat tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.

This is the coat of arms of Jose Manuel Gutierrez Benitez designed by him and me and emblazoned by me.

Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Three, Four, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head and Caboshed.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Gutiérrez Benítez, Jose Manuel.

Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.

This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and outlined by me. These arms have a representation of Our Lady of Mercy, celebrated on September 24^th. To identify Our Lady of Mercy, I chose two primary symbols: 1) The arms of the Order of Mercy on her chest, «per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules», and 2) the broken chains, symbolizing the redemption of captives, remember that the complete name of the order is the Royal, Celestial, and Military Order of Our Lady of Mercy and the Redemption of the Captives.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond and In pile reversed.

Style keywords: Outlined and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Vega Lanzagorta, Sister Esperanza.

Azure, a seagull volant Argent, carrying in its feet a sheaf of tobacco proper, bound Gules.

Escudo de azur, una gaviota volante de plata, llevando entre sus patas una gavilla de tabaco al natural, liada de gules.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

The coat of arms of Gregorio Lanzagorta Llaguno, harbor of San Blas, and cigar maker in Nayarit, Mexico. This coat of arms was designed by Juan Lanzagorta Vallín and painted by me.

Blazon keywords: Azure, Argent, Gules, One, Seagull, Volant, Grasping, Foot (palmiped), Sheaf of tobacco, Proper and Bound.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Gregorio Lanzagorta Llaguno.

Azure, a chief wavy and barry wavy of twelve Azure and Argent debruised and interlaced by a fish urinant Argent.

Escudo de azur, un jefe ondado y burelado ondado de doce piezas de azur y plata, resaltado y entrelazado de un pez sumergido de plata.

Coat of arms of Juan Bautista Lanzagorta Escutia designed by Juan Lanzagorta Vallín and emblazoned by me. It recalls the sad story of a shipwreck.

Blazon keywords: Azure, Argent, One, Twelve, Chief, Wavy, Barry, Debruised, Interlaced, Fish and Urinant.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lanzagorta Escutia, Juan Bautista.

Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent.

Escudo partido: 1^o bandado ondado de azur y oro; 2^o bandado ondado de azur y plata; brochante sobre el todo tres peces nadantes en palo de plata.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of Juan Lanzagorta Aras designed by Juan Lanzagorta Vallín and emblazoned by me. In the case of bendy fields like these, it is not immediately clear whether they should be blazoned as bendy Azure and Or and bendy Azure and Argent, or rather as bendy Or and Azure and bendy Argent and Azure. I have followed the criterion of starting to list the tinctures from the dexter chief of each quarter, and for that reason I blazon them as bendy, in this case wavy bendy, Azure and Or and wavy bendy Azure and Argent, since in both quarters it is Azure that begins at the dexter chief.

Blazon keywords: Azure, Or, Argent, Three, Party per pale, Bendy, Wavy, Overall, Fish, Naiant and In pale.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lanzagorta Aras, Juan.

Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or. Crest: Upon a helm lined Gules, its bevor charged with a Latin cross patty and pierced with a Latin cross, and with a wreath Argent and Gules, a dexter winged forepaw Or, grasping an escutcheon quarterly: 1 Azure, a god Garuda sejant Argent; 2 Gules, a castle triple-towered Or, masoned Sable; 3 Argent, six pallets Gules; 4 Azure, five plates. Mantling: Gules doubled Argent. Motto: «Audacia,Veritas et Libertas».

Arms interpreted by me, in plain tinctures, contoured in Sable, displayed as rotated shield, with a semi-circular outer contour and with a leather finish.

Blazon keywords: Azure, Gules, Argent, Or, One, Six, Five, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Bevor, Charged, Latin cross patty, Pierced, Latin cross, Wreath, Escutcheon, Quarterly, Garuda, Sejant, Castle, Triple-towered, Masoned, Pallet, Plate, Mantling, Doubled, Motto and Scroll.

Style keywords: Tilted shield, Outlined in sable, Plain tincture, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Vaz, Rui J..

Or, a badger rampant Sable. Crest: Upon a helm with a wreath Or and Sable, five ostrich feathers alternately Or and Sable. Mantling: Sable doubled Or.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Or, Sable, One, Badger, Rampant, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Alternately and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Villauriz Álvarez, José Manuel.

Or, an oak tree proper, fructed Or, with a boar supporting it Sable; the whole debruised by a label of four points Azure with the second point Argent.

Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; brisado de un lambel de cuatro pendientes de azur, el segundo pendiente de plata.

Coat of arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of Francisca Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Cadency, Label, Four, Azure and Argent.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Francisca Aras Quirce.

Or, an oak tree proper, fructed Or, with a boar supporting it Sable; on a chief Gules, three eagles displayed Or.

Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; en un jefe de gules, tres águilas de oro.

Escudo interpretado por mí, en tinturas planas, delineado de sable, con un contorno exterior medio punto y con un terminado texturizado.

Coat of arms of Manuel Maria Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Chief, Gules, Three and Eagle.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Aras Quirce, Manuel Maria.

Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet» Sable, with initial letters Gules, over a scroll Argent.

Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a sealed finish.

Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Luchoro and Darryn Carlo, Roberto.

Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent.

Escudo cortado de gules, encajado de tres piezas enteras de plata, en jefe, un aventador ranversado de oro acompañado de dos lancetas adosadas de plata.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finish.

G0129, Chief Herald of Arms of Malta's grant of the coat of arms of Markus Hermann Frank, USA. This coat of arms has been emblazoned by me.

Design rationale

The coat of arms of Markus Hermann Frank features a Franconian Rake, a heraldic reference to his surname, making this a case of canting arms. The Franconian Rake is the historical emblem of the Franconia region in Germany, traditionally blazoned as per fess dancetty of three points Gules and Argent. He is a Medical Doctor and an Associate Professor at Harvard Medical School, which is reflected in the two fleams, surgical instruments historically used in medicine.

Blazon keywords: Gules, Argent, Or, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between and Fleam.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Frank, Markus Hermann.

Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Motto: «Nolite Conformari Huic Saeculo» Sable, with initial letters Gules, over a scroll Argent.

Escudo partido de sinople y azur, brochante sobre el todo una espada puesta en faja de plata, guarnecida de oro, acompañada en jefe de un hórreo de oro, y en punta de una venera de plata acompañada de dos hojas de roble en pila de oro. Lema: «Nolite Conformari Huic Saeculo» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.

Design rationale

Per pale Vert and Azure represents the fields of Galicia facing the sea, with its «horreo» ~ granary and the oak leaves as symbols of Galician nature and of the values of strength and nobility of the bearer. The escallop symbolises the Holy Catholic Faith and traditional and conservative values. The sword represents Justice and the bearer’s studies in Law, as well as strength and worth. The bearer’s motto, «Nolite conformari huic saeculo» ~ «Be not conformed to this world», taken from the Epistle of the Apostle Saint Paul to the Romans, chapter 12, verse 2, expresses his personal view of life.

Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Angueira Duro, Jesus.

Argent, three lozenges Sable; on a chief wavy Azure, three snowflakes Argent.

Escudo de plata, tres losanjes de sable; en un jefe ondeado de azur, tres copos de nieve de plata.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finish.

Coat of arms of Jon Sneddon emblazoned by me.

Blazon keywords: Argent, Sable, Azure, Three, Lozenge, Chief, Charged, Wavy, Snowflake and Ordered.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Sneddon, Jon.

Or, three lion’s paws erect and erased Or, 2 and 1, each grasping a Madonna lily Argent.

Coat of arms of the lineage Terraza of Aragon, outlined by me following the instructions of Enrique de Alzaga Aliena.

Blazon keywords: Azure, Or, Argent, Three, One, Lion, Paw, Erect, Erased, Ordered, Grasping and Madonna lily.

Style keywords: Outlined, Outlined in sable and Semi-circular.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Terraza of Aragon, lineage.

Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent. Motto: «Das Blut erinnert, was die Krone vergisst» Sable, over a scroll Argent doubled Azure.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.

Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling, Doubled, Motto and Scroll.