Above

Party per pale: 1 per fess indented perlong Or and Azure overall on a fess Azure a mullet Or, and on a chief cousu Or an eagle displayed, a crown Or above [for Tamburelli]; 2 Azure, a lion rampant Or supporting a lance palewise Argent, in chief three mullets Or [for Lanzara]; enté en point Or, three pallets Vair [for Prato di Arnesano].

Coat of arms of Andrea Tamburelli Lanzara di Pietragavina, Marquis of Prato di Arnesano, painted by me. The design of this coat of arms is based on the coat of arms of Andrea Tamburelli Lanzara di Pietragavina, combined with a enté en point corresponding to the Marquis Prato di Arnesano. The image shows the delineation scheme of the enté en point, together with the painted coat of arms resulting from its application.

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Blazon keywords: Or, Azure, Sable, Argent, One, Three, Party per pale, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Lion, Rampant, Grasping, Spear, Point upwards, Enté en point, Pale and Vair.

Style keywords: Outlined, Outlined in sable, Illuminated, Ogee and Cousu.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Tamburelli Lanzara di Pietragavina, Andrea.

A crown of Baron above a falcon displayed and belled Azure, armed and langued Gules, crowned Or, grasping with its talons a scroll Argent, doubled Gules, inscribed with the motto «Per Crucem Triumphans» Sable.

Heraldic device emblazoned by me, illuminated with lights and shadows, outlined in Sable, and with a texturized finishing.

G0128, Chief Herald of Arms of Malta's grant of Jean-Yves, de Sainte Croix de la Sabliere's badge. This heraldic badge has been emblazoned by me.

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Blazon keywords: Azure, Or, Argent, Gules, One, Crown of Baron, Crown, Above, Falcon, Belled, Armed, Langued, Crowned, Talon, Motto, Scroll and Doubled.

Style keywords: Outlined in sable and Illuminated.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Sainte Croix de la Sabliere, Jean-Yves de.

Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper. Crest: Upon a helm in profile, barred Or, lined Gules, with a wreath Or and Vert, a palm tree Or. Mantling: Gules doubled Or and Vert doubled Argent. Motto: «Alyahya» in letters Gules upon a scroll Argent.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.

This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. These arms exemplify how modern heraldry operates on a global scale, the process involved several countries: a design originating in Italy following the instructions of the armiger in Saudi Arabia, revised by experts in the Netherlands and the United Kingdom, and rendered by me in Spain, it serves as an example of international collaboration within the field. In an ordinary, I distinguish between engrailed and invected from the ordinary's point of view; for instance, I define a bordure as invected if, from the interior of the bordure, the edge appears invected (meaning the arcs appear concave); conversely, I say a bordure is engrailed if the arcs appear convex from its interior point of view; in this specific case, regarding a line of division, I describe it as engrailed because, from the perspective of the base of the coat of arms, the arcs of the partition line appear convex [Nisbet, A.; 1816; page 21, pictures 1 and 2].

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Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret, Issuant from base, Crest, Upon (wreath), Helm, Wreath and Motto (identification).

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alyahya, Abdulelah.

Party per fess indented perlong Or and Azure overall on a fess Azure a mullet Or; on a chief cousu Or an eagle displayed, a crown Or above. Crest: A crown of Baron. Mantling: Azure doubled Or. Motto: «Virtus Honor Imperium» Sable, with initial letters Gules, over a scroll Argent.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

The ancient arms of the family Tamburelli, Lords of Pietra Gravina, as used by Don Eugenio Ugo Augusto Tamburelli, emblazoned by me. These arms have been requested by Andrea Tamburelli Lanzara di Pietragavina.

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Blazon keywords: Or, Azure, Sable, One, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Crest, Crown of Baron and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee, Freehand and Cousu.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Tamburelli, family.

Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.

Coat of arms of Marilena Marinanza, Italy, emblazoned by me. These arms have been requested by her husband Andrea Tamburelli Lanzara di Pietragavina.

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Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Marinanza, Marilena.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma].

Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.

G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose coat of arms has been emblazoned by me.

The image combines a photograph of a drawing of a doe sejeant along with her coat of arms, both painted by me.

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Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet and In orle.

Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.

Classification: Personal, Interpreted, Coat of arms, Hand-drawn, Collage and Photographic.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

Party per pale Azur and Argent: a chevron between in chief a dressage horse salient, and in base three waves of the sea all counterchanged.

Escudo partido de azur y plata: un cabrio surmontado de un caballo de doma saltante y en punta tres ondas del mar, todo del uno al otro.

Coat of arms created with the following form: a pointed base; the field, the horse, the chevron and the sea are enamelled in plain Azure and Argent; the ordinary, chevron, and the 2 charges, horse and sea, are outlined of the field; the horse, in all its representations, is evirated, although this is something I have decided not to blazon; and the shield has a rough finish.

Canting arms

There are not many examples canting arms for 2 surnames, this is an example designed by me in Castilian: a dressage horse [called in Castilian «caballo de DOMA»], and [a conjunction that in Castilian is «y», that sounds «I»] a chevron [in Castilian «CAbrio»] over a sea [in Castilian «MAR»] in 2 pieces broken [in Castilian «ROTO»]. All the previous capital letters together sound «DOMA·I·CA MAR·ROTO» and the 2 surnames of the owner are DOMAICA MAROTO.

Women's arms

The arms of Juana María Domaica Maroto were presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). This presentation included her coat of arms together with the blazon text, and with its symbolism.

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Blazon keywords: Azure, Argent, Party per pale, One, Horse, Chevron, Sea, Counterchanged, Above, Salient, Throughout and In base.

Style keywords: Illuminated, Outlined in the field tincture, Rough and Pointed.

Classification: Coat of arms, Canting, Created and Personal.

Bearer: Domaica Maroto, Juana María.

Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or. Crest: Upon wreath Or, Azure and Gules, a demi-pegasus Argent issuant from flames of fire Gules, fimbriated Or. Warcry above the crest «Epimeleia Heautou». Motto: «Officium otium cum dignitate».

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

The coat of arms of Fernando Marán Bié designed by Ignacio Koblischek and emblazoned by me. This version features both mottos written in Latin, and I have also created versions with the motto above the crest written in Classical Greek.

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Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure, Embattled, Crest, Upon (wreath), Wreath, Demi, Pegasus, Issuant, Flame, Fimbriated, War cry, Above and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Fernando Marán Bié.

Vert, a pall raguly Or between three leopards' faces Or. Crest: Upon a wreath Or and Vert, on a coronet Or a leopard's face Or between two wings Sable.

Escudo de sinople, una perla ecotada de oro entre tres cabezas de leopardo de oro. Timbrado de un burelete de oro y sinople surmontado de una corona de oro surmontada de una cabeza de leopardo de oro acompañada de dos medios vuelos de sable.

Watercolor finishing.

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Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard, Crest and mantling, Wreath, Above, Crown, Between, Two, Wing and Sable.

Style keywords: Illuminated, Freehand, Pointed and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Stowe, Richard Allen.

Argent, flanched Gules crusilly of cross-crosslets Argent, overall a bear rampant regardant Sable, armed and langued Azure, charged with a key and a sword in saltire Argent, hilted Or, the key debruised by the sword. Crest: Upon a helm with a wreath Argent and Gules, issuant from a bridge, enarched, embattled Gules, masoned Sable above a river Azure, a bear’s forepaw Sable, armed Azure, grasping a cross crosslet fitchy bendwise sinister Gules. Mantling: Gules doubled Argent. Motto: «Fide Gratia Obedientia» Gules over a scroll Argent. Suspended from the shield the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finish.

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Blazon keywords: Argent, Gules, Sable, Azure, Or, One, Flanched, Semé, Cross-crosslet, Cross couped, Overall, Bear, Rampant, Regardant, Armed, Langued, Charged, Key, Sword, In saltire, Hilted, Debruised, Crest, Upon (wreath), Helm, Wreath, Issuant, Enarched, Bridge, Embattled, Masoned, Above, River, Forepaw, Grasping, Cross fitchy, Bend sinisterwise, Mantling, Doubled, Motto, Scroll, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Shriner, Sean.

Two columns Argent, capital and base Or, above waves Azure. Moto environing the columns: «Plus Ultra» Or over a scroll Gules.

It has been interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a metal beaten finish.

The Pillars of Hercules of the arms of Charles, Holy Roman Emperor, emblazoned by me. This composition has been deliberately designed so that the entire set can be inscribed within a perfect square, ensuring visual balance and making it suitable for use as a self-contained emblem or badge. [Petra Sancta, S.; 1634; pages 415-420] discusses the Pillars of Hercules and devotes a specific section to them, presenting them as a heroic symbol inherited from classical antiquity and reinterpreted in the early modern period. In this context, the columns are first associated with the classical idea of a boundary and subsequently with modern transcendence, that is, with their re-signification under Charles V and the Spanish Monarchy as an emblem of expansion beyond the limits of the ancient world.

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Blazon keywords: Gules, Azure, Argent, Or, One, Two, Column, Shafted, Above, Wave, Motto, Environed and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.

Classification: Civic, Interpreted and Boa.

Bearer: Charles V, Holy Roman Emperor.