Illuminated

Ackerson and Akers lineages.

Sable, a Bend between three Acorns Or.

Illuminated and freehand finishing.

The coat of arms of Ackerson and Akers lineages emblazoned by me and extracted from [Burke, B.; 1989].

Unless the blazon specifies another layout, when a bend is between three charges, this charges are ordered, two in the chief and one in the base, as the three acorns do in this case.

[Rietstap, J. B.; 1861] escribe el blasón de «Ackers ou Akers» como «de sable, à une bande d'or, acc. de trois glands du mesme».

Blazon keywords: Sable, Bend, Between, Three, Acorn, Or and Ordered.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Interpreted.

Ackhurst lineage.

Argent, on a Bend Sable three Acorns Or.

Illuminated and freehand finishing.

The coat of arms of Ackhurst lineage emblazoned by me and extracted from [Burke, B.; 1989].

Unless the blazon specifies another direction, the charges in a bend follow the direction of their bend, as the acorns do in this case.

Blazon keywords: Argent, Bend, Sable, Three, Acorn, Or and Bendwise.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Interpreted.

186^th Pope of the Church, only 40 days in 1276. «Hadrianus V», born Ottobuono de Fieschi, was born in Genoa.

Bendy of six Azure and Argent.

Escudo bandado de seis piezas de azur y plata.

Papal coat of arms interpreted by me with: a shield with a rounded arch top; the field in plain tincture of Argent; the bands illuminated in Azure and outlined in Sable; and the whole in an elevated line style.

The blazon in French is «Bandé d'azur et d'argent de six pièces».

The banding is defined in [Avilés, J.; 1725a; page 40] and [Avilés, J.; 1780a; page 45] as the shields and also, the chiefs, fesses, pales, and figures, such as animals, etc., that are «covered and filled with bands in equal number, with as many of metal as of color».

Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Adrian V.

Quarterly Or and Argent, overall a peacock in his splendour proper. Motto: «Acquiescere et Miserescere».

Escudo cuartelado de oro y plata, sobre el todo un pavo real ruante al natural. Lema: «Acquiescere et Miserescere».

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finish.

Blazon keywords: Argent, Or, One, Quarterly, Overall, Peacock, In his splendour, Proper and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Valecha, Ajay Gopal.

Gules, a cross flory voided Or; within a bordure Gules with eight saltires couped Or.

Escudo de gules, una cruz hueca flordelisada de oro; bordura de gules, ocho sotueres de oro.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.

Ancient arms of Alarcon of Cantabria emblazoned by me.

Blazon keywords: Argent, Sable, Or, Gules, Three, Cross, Flory, Voided, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alarcon of Cantabria, lineage.

Blazon of the Albero lineage of Aragon.

Vair ancient.

Escudo de veros antiguos.

Illuminated and with a glass finish.

It can be consulted in [Cadenas y Vicent, V. de; 1987; page 62].

[Friar, S.; 1987; pages 157-158] says of the veros: «originates from the fur of a species of squirrel... which was popular in the Middle Ages as a lining for the garments of those not entitled to wear ermine. The animal was blue-grey on the back and white underneath. By sewing a number of these pelts together, with white and blue-grey alternating,... one which easily translated into the stylized armorial form of Vair and its variants».

Blazon keywords: Vair ancient.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Coat of arms.

Purpure, three dragons passant, in pale Argent; a bordure Gules, eight saltires couped Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Without divisions, Purpure, Three, Dragon, Passant, In pale, Argent, One, Bordure, Gules, Eight, Saltire, Or, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Trujillo Jiménez, Hermanos.

Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, three anchors Or, 2 and 1.

Escudo cortado: 1^o de sable, tres estrellas de plata de ocho puntas, 1 y 2; 2^o de azur, tres anclas de oro, 2 y 1.

Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.

Blazon keywords: Sable, Argent, Azure, Or, Three, Party per fess, Mullet, Disordered, Anchor and Ordered.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Imaginary, Created, Boa and Coat of arms.

Imaginary bearer: Alborán, Sea of.

Coat of arms of the Armored Cavalry Regiment Alcantara No. 10, RCAC-10, in 2016.

Argent, a cross of Alcantara.

Escudo de plata, una cruz de Alcántara.

Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in the metal Argent; the cross of Alcantara is outlined in Sable and illuminated in Vert; and the whole has a raised stroke finish.

Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped and Cross.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Alcantara, Cavalry Regiment.

It was founded by Count Henry of Burgundy as a military and religious order, in the year 1093, in Beira Alta, Portugal, near the river Côa with the initial name of «Ordem de São Julião do Pereiro» ~ Order of Saint Julian of Pereiro.

In the year 1214, the defense of the city of Alcantara after its conquest was entrusted to the Order of Calatrava, but in 1218 the Calatravans relinquished it due to Alcantara being far from Calatrava.

To defend Alcantara, King Alfonso IX of León entrusted it to the new Order of the Knights of Saint Julian of Pereiro, requesting in return a certain level of dependency on the Order of Calatrava, which led the Knights of Saint Julian to adopt the Cistercian rule.

Once established in Alcantara, their original name referring to Saint Julian fell into disuse, and by 1253 there were already references to the «masters of the Order of Alcantara», with Saint Julian of Pereiro becoming the foundational center and a secondary commandery of the order.

On the origin and antiquity of the Military Order of Alcantara, and the form of its Commandery

[Avilés, J.; 1780b; treatise IV, chapter V, page 339] describes it as follows: «The Military Order, which we now call of Alcantara, was formerly that of Saint Julian of Pereiro, so named after the place where it was based, along the banks of the river Côa, in the Bishopric of Ciudad-Rodrigo, established in the year 1176 by King Ferdinand II of León, and confirmed in 1177 by Pope Alexander III. And the reason for changing its first name to the second, was because after the Knights of Calatrava had taken the City of Alcantara from the Moors and defended it bravely thereafter, they found it would be difficult to keep it, as their main house was very distant, from which the other Knights and reinforcements could not come whenever needed.».

[Avilés, J.; 1780b; treatise IV, chapter V, page 340] continues by telling us «They discussed this inconvenience with others they had at the time with the King of León, Don Alfonso IX, and it was resolved that the Master of Calatrava would give that town to the Knights of Pereiro so that they might defend it, as they did, under certain conditions in the year 1218, later performing marvels in its defense, earning through their fame and distinguished feats new graces from the Kings; and seeing how essential their residence was, the Knights of Pereiro moved to the town of Alcantara, establishing their Convent there, and thus transformed into Knights of Alcantara, who were previously Knights of Saint Julian of Pereiro».

Categories: Institution, Interpreted, Religious, Military, Illuminated, Outlined in sable, Freehand, Emblem, Cross of Alcantara, Cross couped and Cross.

Blazon of the Aldam lineage of England.

Azure, a ray of the sun bendwise, issuant from the dexter chief Or.

Escudo de azur, un rayo de sol puesto en banda, naciente de la diestra del jefe de oro.

Illuminated with lights and shadows and with a freehand finish.

Described in [Burke, B.; 1989; page 9, column 1, entry 11].

Blazon keywords: Without divisions, Azure, One, Ray of the sun, Bendwise, Nascent, Dexter, Chief and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of England.

Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.

Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Alea Capital.

Born on August 15, 1171, in Zamora and died on September 24, 1230, in Sarria, Lugo.

Argent, a lion rampant Purpure, armed and langued Gules.

Escudo de plata, un león rampante de púrpura, armado y lampasado de gules.

Arms of the king of León interpreted by me as follows: the escutcheon is in a semi-circular arch; the field and the lion have been enameled and illuminated; and the ensemble has a watercolor finish.

This coat of arms of León can be seen, among many other places, for example, in [Argote de Molina, G.; 1588; chapter XLII].

Blazon keywords: Without divisions, Argent, Purpure, Gules, One, Lion, Rampant, Armed and Langued.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.

Classification: Interpreted, Personal, Coat of arms and Kingdom of León.

Bearer: Alfonso IX of Leon.

Born on November 11, 1155, in Soria and died on October 6, 1214, in Gutierre-Muñoz, Avila.

Gules, a castle triple towered Or, port and windows Azure, masoned Sable.

Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.

Existing arms interpreted by me as follows: the shield’s shape is pointed and rounded; the field has been enameled Gules; the castle is outlined, illuminated, and shaded; the whole composition features a heavily hammered metal finish.

This ancient coat of arms of Castile can be consulted, among other sources, in [Argote de Molina, G.; 1588; chapter XLII].

Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.

Style keywords: Ogee, Illuminated, Shaded, Outlined in sable and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.

Bearer: Alfonso VIII of Castile.

Argent, a cross Gules; a bordure compony of fifteen sections: 1, 6, and 11 Argent, a pomegranate seeded, slipped and leaved proper; 2, 7, and 12 Or, an eagle displayed Sable; 3, 8, and 13 Gules, a castle triple-towered Or, port and windows Gules, masoned Sable; 4, 9, and 14 Argent, a lion rampant Gules, crowned Or; 5, 10, and 15 Or, four pallets Gules.

Escudo de plata, una cruz de gules; una bordura componada de quince compones: 1^o, 6^o y 11^o de plata, una granada al natural, tajada de gules, tallada y hojada de sinople; 2^o, 7^o y 12^o de oro, un águila de sable; 3^o, 8^o y 13^o de gules, un castillo de oro, aclarado de gules, mazonado de sable; 4^o, 9^o y 14^o de plata, un león rampante de gules, coronado de oro; 5^o, 10^o y 15^o de oro, cuatro palos de gules.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a iridescent finishing.

Coat of arms of the city of Almeria, Andalusia, emblazoned by me. In 1147, during the Reconquista, the city of Almería was captured by the forces of King Alfonso VII of León, known as «the Emperor», as part of a broader crusading effort declared by Pope Eugene III. The conquest came in response to the Almohad invasion of 1146, which had begun with a landing in Algeciras and quickly seized key territories in the south of the Iberian Peninsula. In reaction, Alfonso VII negotiated an alliance with the Almoravid leader Ibn Ganiya to organize a resistance. He met with Ramon Berenguer IV, Count of Barcelona, and García Ramírez of Navarre, and together they planned the assault on Almería, which at the time was under Almoravid control. Crucial to the success of the operation was the support of the powerful Genoese navy, as well as French crusaders who had responded to the papal call. Subsequently, in recognition of Genoa’s decisive role in the campaign, Almería adopted as the central element of its coat of arms the Genoese emblem: «Argent, a cross Gules».

Blazon keywords: Argent, Gules, Or, Sable, Vert, One, Four, Fifteen, Cross, Bordure, Compony, Pomegranate, Slipped, Leaved, Proper, Eagle, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned and Pallet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Almeria, city of.

Of the twelve lineages of Noblemen, it is the first, and they bear as arms, on a golden field, three pales Azure.

Or, three Pallets Azure.

Escudo de oro, tres palos de azur.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.

Based on the first coat of arms of the «ricoshombres» of Navarre in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Los Almorauides» it can also be consulted in [Vega, P. J. de; 1702; folio 1 of the manuscript].

Blazon keywords: Without divisions, Or, Three, Pale and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Almorrabides of Navarre.

Argent, a double tressure flory Sanguine, overall a raven (Corvus corax) volant saltirewise proper. Motto: «Liberté, Beauté, Vérité, Amour».

Escudo de plata, un trechor doble flordelisado de sanguíneo; sobre el todo, un cuervo (Corvus corax) volando puesto en sotuer al natural. Lema: «Liberté, Beauté, Vérité, Amour».

Arms painted by me, highlighted with lights and shadows, with a pointed external shape and with a rough finish.

Blazon keywords: Argent, Gules, Sable, One, Double tressure, Flory, Overall, Raven, Volant, Saltirewise, Proper and Motto.

Style keywords: Illuminated, Pointed and Rough.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Thompson, Alton.

Party per pale: 1 Or, a Georgian dancer proper; 2 Gules, a church Or, ports and windows Azure.

Escudo partido: 1^o de oro, un bailarín georgiano al natural; 2^o de gules, una iglesia de oro, aclarada de azur.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.

Coat of arms of Graziano Alu designed by Angelo Musa and emblazoned by me. The blazon in Italian is «Arma: Partito: 1^o d'oro, un ballerino georgiano al naturale; 2^o di rosso, una chiesa d'oro, finestrata e portata d'azzurro».

Blazon keywords: Or, Gules, Azure, One, Party per fess, Male figure, Proper, Church and Port and windows.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alu, Graziano.

Lord of Zúñiga and Mendavia and of Béjar and Bañares and of Gibraleón, 1^st Duke of Arévalo, 1^st Duke of Plasencia, 1^st Count of Bañares, 1^st Duke of Béjar, 2^nd Count of Plasencia, and Grandee of Castile.

Argent, a bend Sable; overall a chain orlewise Or.

Escudo de plata, una banda de sable; brochante sobre el todo una cadena puesta en orla de oro.

Personal coat of arms interpreted by me as follows: the shield has a semicircular (round) base; both the field and the bend have been illuminated in flat tinctures Argent and Sable; the links of the chain are enameled and illuminated in Or; and the whole is made of beaten metal.

In [Argote de Molina, G.; 1588; page 94 according to the numbering of the book, or page 93 according to the numbering accompanying the illustrations] this coat of arms appears under the title «Zúñigas» with the overlying chain formed only by 8 long links.

In [Anonymous; 1800a; page 46] the blazon of «the Zúñigas» is described, where in this book, curiously, the letter Z is ordered after C and before D.

Blazon keywords: Without divisions, Argent, Sable, Or, One, Bend, Chain, Orlewise and Overall.

Style keywords: Semi-circular, Illuminated and Metal beaten.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Zúñiga y Guzmán, Álvaro de.

Blazon of the Amancier lineage of Genevois, Haute-Savoie, France.

Gules, three bars per pale Or and Azure.

Illuminated and a freehand finishing.

Its French blazon «de gueules, à trois fasces parties d'or et d'azur» can be found at [Rietstap, J. B.; 1861; page 40].

Any fess party per pale of metal and color or color and metal will always have a metal on metal or color on color conflict whether the field of the coat of arms is color or metal. There isn't conflict if the field of the coat of arms is also party per pale with metal under the color of the fess and with color under the metal of the fess or if the field is fur.

Blazon keywords: Without divisions, Gules, Three, Fess, Party per pale, Or and Azure.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

Argent, a chevron between three crosses flory Sable.

Escudo de plata, un cabrio acompañado de tres cruces flordelisadas todo de sable.

Illuminated with lights and shadows and with a freehand finish.

The coat of arms of Anderson of Erbury emblazoned by me in 4 ways: 1) tricking using abbreviations, 2) hatching using lines, 3) plain tinctures, and 4) lights and shados. It is a preliminary artwork for the arms of Nick Allen Rica II.

Blazon keywords: Without divisions, Argent, One, Chevron, Between, Three, Cross flory, Cross couped and Sable.

Style keywords: Freehand, Outlined in sable, Illuminated, Pointed, Tricking, Hatching and Plain tincture.

Classification: Interpreted, Kingdom of Scotland and Schema.

Bearer: Anderson of Erbury.

Blazon of the André lineage of France.

Gules, a millstone Or.

Escudo de gules, una piedra de molino de oro.

Illuminated and a watercolor finishing with shadow in the hole.

For its better identification, I have painted the millstone with the ring that fixes it to its axis. This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone. Millrinds may appear on coats of arms independently of millstones. Another heraldic element related to the previous ones is the millwheel, which is a toothed gear that is part of the mill mechanism but should not be confused with the millstone that grinds the grain.

Blazon keywords: Without divisions, Gules, One, Millstone and Or.

Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

Coats of arms emblazoned by me with a shapes ended with semi-circular arches, illuminated, and with a leather finishing.

My designs with roses and a cross patty for the coat of arms of Antonio José Gómez Morillo, the design chosen to continue working was that of the 2^nd row and 3^rd column.

Blazon keywords: Argent, One, Cross patty, Cross couped, Gules, Charged, Double rose, Barbed, Seeded, Between and Four.

Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.

Classification: Personal, Created and Coat of arms.

Bearer: Gómez Morillo, Antonio José.

Or, four pallets Gules.

Escudo de oro, cuatro palos de gules.

Recreated coat of arms of Aragón in the following manner: the escutcheon shape is pointed and rounded; the field is rendered in flat Or; the pallets are illuminated; and the whole has a parchment-like finish.

This rendition of the coat of arms is based on [Portolés, J.; Molino, M. del; 1590].

Blazon keywords: Without divisions, Or, Four, Pale and Gules.

Style keywords: Ogee, Illuminated and Parchment.

Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.

Bearer: Aragon.

Azure, a lion rampant Argent, in chief a mullet of four points Or; a bordure Gules charged with eight saltires couped Or.

Escudo de azur, un león rampante de plata, surmontado de un lucero de oro; una bordura de gules cargada de ocho sotueres de oro.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

These are the ancient arms of the lineage Araneta emblazoned by me. They are from the Basque Country and there is a branch in the Philippines. This star is known as mullet of four points.

Blazon keywords: Azure, Argent, Or, Gules, One, Eight, Lion, Rampant, Mullet of four points, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Araneta, lineage.

Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.

Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».

Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argudo of Guipuzcoa, lineage.

Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it.

Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Coat of arms of the lineage Argüello of Extremadura emblazoned by me. Its blazon may be found in the books [Atienza y Navajas, J. de; 1959; page 171] and [Cadenas y Vicent, V. de; 1987; page 167], where it is described as Vert with its acorns and roots Or. In this rendition, I have interpreted the holm oak as proper, but also fructed and eradicated Or.

Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Proper, Fructed, Eradicated, Goat and Supporting.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argüello of Extremadura, lineage.

Argent, flanched Gules crusilly of cross-crosslets Argent, overall a bear rampant regardant Sable, armed and langued Azure, charged with a key and a sword in saltire Argent, hilted Or, the key debruised by the sword. Crest: Upon a helm with a wreath Argent and Gules, issuant from a bridge, enarched, embattled Gules, masoned Sable above a river Azure, a bear’s forepaw Sable, armed Azure, grasping a cross crosslet fitchy bendwise sinister Gules. Mantling: Gules doubled Argent. Motto: «Fide Gratia Obedientia» Gules over a scroll Argent. Suspended from the shield the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.

Coat of arms of Sean Shriner, designed by The Armorial Register, and revised and emblazoned by me. The image combines his full achievement painted by me, and the web page of The Armorial Register, armorialregister.com/arms-us/shriner-s-arms.html, showing the heraldic registration of Sean Shriner’s full achievement, his heraldic badge, his heraldic standard, and his banner of arms, all painted by me for that register.

Blazon keywords: Argent, Gules, Sable, Azure, Or, One, Flanched, Semé, Cross-crosslet, Cross couped, Overall, Bear, Rampant, Regardant, Armed, Langued, Charged, Key, Sword, In saltire, Hilted, Debruised, Crest, Upon (wreath), Helm, Wreath, Issuant, Enarched, Bridge, Embattled, Masoned, Above, River, Forepaw, Grasping, Cross fitchy, Bend sinisterwise, Mantling, Doubled, Motto, Scroll, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa and Collage.

Bearer: Shriner, Sean.

Or, a eagle displayed Sable.

Escudo de oro, un águila de sable.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, and with a freehand finish.

Coat of arms of the Arrano Beltza, the black eagle in Basque, emblazoned by me.

Blazon keywords: Or, Sable, One, Eagle and Displayed.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Arrano Beltza.

Kingdom of Sweden.

Gules, a grenade Or.

Escudo de gules, una bomba de oro.

Illuminated with lights and shadows and with a iridescent and metallic finish.

Blazon keywords: Without divisions, Gules, One, Grenade and Or.

Style keywords: Metal beaten, Iridescent (nacar), Outlined in sable, Illuminated and Pointed.

Classification: Interpreted, Military and Kingdom of Sweden.

Bearer: Artillery Combat School of the Swedish Army.

Gules, three lozenges Or.

Escudo de gules, tres losanjes de oro.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.

Coat of arms of the lineages Asuncion and de la Asuncion emblazoned by me.

Blazon keywords: Gules, Or, Three and Lozenge.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Asuncion and de la Asuncion, lineages.

Blazon of the Avelar lineage of Portugal.

Or, three bars Gules charged each one with three mullets of six points Argent.

Illuminated and a freehand finishing.

It can be found at [Cró, J. do; 1509; page 127].

Blazon keywords: Without divisions, Or, Three, Fess, Gules, Charged, Mullet and Argent.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of Portugal.

Of the twelve lineages of Noblemen, they are the third great and ancient barony, where the first King of Aragon had his mother; they make a shield of Or without any mixture of colour or device, but a field of gold as painted in this shield.

Or.

Escudo de oro.

A coat of arms that leaves little room for interpretation, which I have recreated with: a semicircular (round) base; the field in flat Or; and finished in highly-hammered metal.

Based on the third coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Aybar» it can also be consulted in [Vega, P. J. de; 1702; folio 3 of the manuscript].

Blazon keywords: Without divisions and Or.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Aybar of Navarre.

A lozenge Or, charged with a fox rampant, guardant, holding in its dexter paw a federschwert bend sinisterwise proper, within a bordure Vert.

Heraldic device painted by me, illuminated with lights and shadows, outlined in Sable, and with a rough finish.

Heraldic badge of Jason Landers Northam from Illinois, emblazoned by me. The federschwert, feder sword, or «feather sword» translated from German, is a training sword developed in the late 15^th century and used during the 16^th century in Renaissance fencing schools. Its design allowed safe and realistic practice, reducing the risk of serious injuries while preserving the handling of a real sword. Today it remains in use within Historical European Martial Arts, combining historical fidelity with safety.

Blazon keywords: Or, Vert, One, Lozenge, Fox, Rampant, Guardant, Federschwert, Sword, Proper, Within and Bordure.

Style keywords: Outlined in sable, Illuminated and Rough.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Northam, Jason Landers.

A crown of Baron above a falcon displayed and belled Azure, armed and langued Gules, crowned Or, grasping with its talons a scroll Argent, doubled Gules, inscribed with the motto «Per Crucem Triumphans» Sable.

Heraldic device emblazoned by me, illuminated with lights and shadows, outlined in Sable, and with a texturized finishing.

G0128, Chief Herald of Arms of Malta's grant of Jean-Yves, de Sainte Croix de la Sabliere's badge. This heraldic badge has been emblazoned by me.

Blazon keywords: Azure, Or, Argent, Gules, One, Crown of Baron, Crown, Above, Falcon, Belled, Armed, Langued, Crowned, Talon, Motto, Scroll and Doubled.

Style keywords: Outlined in sable and Illuminated.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Sainte Croix de la Sabliere, Jean-Yves de.

A sea-griffin erect Sanguine, membered, beaked, nimbed, dorsal and tail fins Or, langued Azure, grasping in its talons a mullet of eight points Or.

Heraldic device painted by me, highlighted with lights and shadows, contoured in Sable, and with a iridescent finishing.

Heraldic badge of Rick Kasparek emblazoned by me.

Blazon keywords: Sanguine, Or, Azure, One, Eight, Sea-griffin, Erect, Membered, Beaked, Nimbed, Dorsal fin, Tail fin, Langued, Grasping, Talon and Mullet.

Style keywords: Outlined in sable, Illuminated and Iridescent.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Kasparek, Rick.

Gules, a cross vair.

Escudo de gules, una cruz de veros.

Coat of arms interpreted with: a semicircular (round) base; the field in flat tincture of Gules; the vair illuminated and outlined in Sable; and the whole with a roughened finish.

The commune of Bailleul is located in the district of Dunkirk, in the Nord department, in the Nord–Pas-de-Calais region of France.

The coat of arms of Bailleul, called «Belle» in Flemish, is similar to that of the heraldist Gonzalo Argote de Molina, differing in that the commune’s arms bear vair, while the heraldist’s arms bear rounded vair in the ancient style.

Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Civic, Coat of arms and Kingdom of France.

Bearer: Bailleul, commune of.

Quarterly: 1 and 4 Vert, a crescent within eight mullets in lozenge Or; 2 and 3 Azure, a chain fesswise throughout between three fleurs de lis, 2 and 1, all the links and fleurs de lis per pale Or and Argent; an inescutcheon Azure, bearing a crown of count, charged with an eagle displayed within a bordure Or.

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.

G0067, Chief Herald of Malta's grant of Robert George Alexander Balchin's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Quarterly, Vert, One, Crescent, Eight, Mullet, In lozenge, Or, Azure, Chain, Fesswise, Throughout, Between, Three, Fleur de lis, Ordered, Party per pale, Argent, Inescutcheon, Crest and mantling, Crown of Count, Crown, Charged, Eagle and Bordure.

Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Balchin, Robert George Alexander.

Gules, an eagle displayed Or.

Escudo de gules, un águila de oro.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.

Blazon keywords: Gules, Or, One, Eagle and Displayed.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Baldovino from Venecia, lineage.

Banner Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Pendón cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Banner interpreted by me as follows: a rectangle with proportions between its width and height of 5x6; the field is illuminated in flat tinctures Gules and Argent; the two castles and the two lions are illuminated; the lion and its crown are outlined in the colour of the field; the castle is masoned in Sable; and the whole has a parchment-like finish.

In the armorial for the coronation of [Edward IV of England; 1461; column 2, row 25] a banner of these characteristics can be found, the reason for which was Edward IV’s aspiration to this kingdom, an aspiration inherited from his predecessors.

This armorial was produced by different artists, and the one who was assigned to paint the banner of Castile and León seems to have depicted the lions in gold, although this gold is not as yellow as that which colours the castles, whose castles have two very small windows and a door Azure. Because of this difference in shade between lions and castles, one might consider the hypothesis of a degradation of an original purple tincture into an ochre hue.

At the beginning of the armorial these lions also appear in an equestrian representation of Edward IV, where a pinkish tone could recall an original purple and, therefore, support the hypothesis of such degradation.

Finally, there is a third appearance of these lions in another banner combining the arms of Castile and León with those of England, where the colour of the lions more closely resembles that of the banner than that of the equestrian representation.

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.

Style keywords: Illuminated, Rectangular and Old parchment.

Classification: Interpreted, Civic, Flag, Banner of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castile and León.

Azure, a wolf's head caboshed Argent, in chief three monstrances in fess proper. Motto: «Fiat Voluntas Tua».

A mug featuring the coat of arms and motto of Bárbaro Jonathan López Linares, Cuba, designed by him and emblazoned by me. My emblazonment was used to personalize this mug.

Blazon keywords: Azure, Argent, One, Three, Wolf, Head, Caboshed, In chief, Monstrance, Proper and Motto.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.

Classification: Personal, Interpreted, Canting, Boa, Collage and Photographic.

Bearer: Lopez Linares, Barbaro Jonathan.

Gules, on a trimount issuant from the base Argent a bighorn sheep salient Or, horned Argent.

Escudo de gules, un monte de tres peñas moviente de la punta de plata sumado de un borrego cimarrón saltante de oro, acornado de plata.

Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, with a chasuble external shape and with a watercolor finish.

The coat of arms of the Barrio Alto of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. The bighorn sheep is a symbol of strength and is native to the mountains of northern Mexico. Males, like the one depicted in this coat of arms, can weigh up to 300 lbs and are known for their impressive curved horns.

Blazon keywords: Gules, Or, Argent, One, On, Trimount, Issuant from base, Bighorn sheep, Salient and Horned.

Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.

Classification: Civic, Created, Boa and Coat of arms.

Bearer: Barrio Alto of Mon'Tarena.

Argent, a wolf passant Gules, a chief dancetty Azure.

Escudo de plata, un lobo pasante de gules, un jefe centellado de azur.

Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with a chasuble outer contour and with a watercolor finish.

The coat of arms of the Barrio de los Quereres of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me.

Blazon keywords: Argent, Azure, Gules, One, Wolf, Passant, Chief, Dancetty, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.

Classification: Civic, Created, Boa and Coat of arms.

Bearer: Barrio de los Quereres of Mon'Tarena.

Of the twelve lineages of Noblemen, it is the fourth, and they bear as arms a chessboard, that is, a field chequy Argent and Sable, which is black, in the same form and design as this shield is now painted.

Chequey Argent and Sable.

Escudo ajedrezado de plata y sable.

Coat of arms recreated with: a semicircular (round) base; the field in flat Argent; the chequy or checky pattern illuminated in Sable; and finished in highly-hammered metal.

Coat of arms based on the fourth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613], but, unlike the original, adjusting the height of each square to its width so that they are perfect squares, since in Juan del Bosque’s version—actually in its copy, because the original was stolen—they appear somewhat narrow and elongated. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Baztan» it can also be consulted in [Vega, P. J. de; 1702; folio 4 of the manuscript], although in this case the numbering is not clearly legible; it is the folio following 3, preceding the one also numbered 4 but marked with a letter B, which in turn is followed by folio 6, the number 5 being missing — though not folio 5, which would be 4B.

Baztanes and the Valley of Baztan are mentioned in [Garaycoa Raffo, L.; 2011; pages 8, 29, 30, 33, 37, and 38].

The geometric construction of this coat of arms can be found in [Messía de la Cerda y Pita, L.; 1990; page 108].

Blazon keywords: Without divisions, Or, Chequey and Sable.

Style keywords: Semi-circular, Illuminated and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Baztanes of Navarre.

Or, an eagle displayed Sable.

Escudo de oro, un águila de sable.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the Queen Beatrice of Swabia, 1205–1235, baptized as Elisabeth, wife of King Ferdinand III of Castile, 1199–1252. The eagle Sable on an Or field is a distinctive symbol of the Holy Roman Empire.

Blazon keywords: Or, Sable, One and Eagle.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Beatrice of Swabia.

Gyronny Azure and Argent, a Sun in splendour between three Ancient coronets Or.

Illuminated and metal finishing.

Blazon keywords: Gyronny, Azure, Argent, Sun in splendour, Between, Three, Ancient coronet, Crown and Or.

Style keywords: Metal beaten, Outlined in sable and Illuminated.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bedgood, Alvin J..

Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or.

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.

G0053, Chief Herald of Malta's grant of Giovanni de Bella's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Gules, One, Fess, Between, In chief, Eight-pointed cross, Cross couped, Two, Mullet, Eight, Argent, In base, Three, Bendlet and Or.

Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bella, Giovanni de.

Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged.

Escudo partido de azur y oro, un árbol arrancado y deshojado del uno al otro acompañado de dos estorninos afrontados del uno en el otro.

Coat of arms emblazoned by me with a ogee ended shape, illuminated, and with a leather finishing.

The Spanish blazon uses the unique term «afrontados» when 2 animals are facing each other looking at each other and in English 2 different heraldic terms are used:

• «combatant» for lions, heraldic beasts, animals of prey and goats, and
• «respectant» for less aggressive animals like fish or birds, for example, the starlings of this coat of arms.

---

Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant and Counterchanged (side-by-side).

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bendel, Nathaniel.

197^th Pope of the Church, from 1334 to 1342. «Benedictus XII», born Jacques Fournier, was born in Saverdun, in the south of Occitania.

Argent, a bordure Gules.

Escudo de plata, una bordura de gules.

Papal coat of arms interpreted with: a round-topped shield; the field in plain Argent; the bordure outlined in Sable and illuminated in Gules; and the whole design in raised outline.

Blazon keywords: Without divisions, Argent, One, Bordure and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Benedict XII.

247^th Pope of the Church, from 1740 to 1758. «Benedictus XIV», named Prospero Lorenzo Lambertini, born in Bologna.

Or, three pallets Gules.

Escudo de oro, tres palos de gules.

Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the pales outlined in Sable and illuminated in Gules enamel; and the whole with a raised stroke finish.

Blazon keywords: Without divisions, Or, Three, Pale and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Benedict XIV.

Born in 1179 in Segovia and died on November 8, 1246 in the Monastery of Las Huelgas in Burgos.

Gules, a castle triple towered Or, port and windows Azure, masoned Sable.

Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.

Arms of the Queen of Castile, as interpreted by me: the shape of the shield is rounded; the field and the castle have been enamelled and illuminated; and the whole composition features a watercolor finish.

Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.

Bearer: Berenguela of Castile.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules; a bordure compony of sixteen sections: eight Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable, eight Or, an eagle displayed Sable.

Escudo de cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules; una bordura componada de dieciseis compones: ocho de gules, un castillo de oro, aclarado de azur, mazonado de sable, ocho de oro, un águila de sable.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the Infanta Berenguela of Castile, 1228–1289, 5^th daughter of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. There are discrepancies regarding the year of her death, with sources suggesting either 1279 or 1288. She bore her father's arms with a bordure compony featuring the arms of Castile and those of her mother, from Swabia. I am particularly fond of compony arms, and this one is, to me, among the most beautiful and quintessentially Castilian.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Sixteen, Eight, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Bordure, Compony and Eagle.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Berenguela of Castile, Infanta.

Party per pale Or and Gules.

Escudo partido de oro y gules.

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finish.

Blazon keywords: Or, Gules and Party per pale.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Bergamo.

Or, a chief Gules. Behind the shield a cross patty Gules.

Blazon keywords: Or, Chief, Gules, Behind the shield, One, Cross patty and Cross couped.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Tremelay, Bernard de.

Berry of Molland, Devonshire.

Or, three fesses Gules.

Escudo de oro, tres fajas de gules.

It is possible that an English-speaking herald would have blazoned it as «Or, three bars Gules.» using the term «bars» instead of «fesses», just as in Castilian one sometimes uses the term «barras» instead of «palos», perhaps because these terms were not completely settled from the outset.

Blazon keywords: Without divisions, Or, Fess and Gules.

Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Berry of Molland.

Blazon equivalent to: Clement V.

Admiral Sir John Berry (1635-1690)

Or, three fesses Gules.

Escudo de oro, tres fajas de gules.

Coat of arms interpreted as follows: the shape of the shield is pointed; the field is plain metal Or; the fesses outlined in Sable and illuminated in Gules; and the finish is watercoloured.

Sir John Berry bears the arms of the Berry of Molland family of Devonshire. He was born in Knowstone, North Devon, the second son of Reverend Daniel Berry, and served in the British Navy.

Blazon keywords: Without divisions, Or, Fess and Gules.

Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal and Army and Navy.

Bearer: Berry, John.

Blazon equivalent to: Clement V.

Barry of four per pale counterchanged Or and Gules.

Escudo contrafajado de cuatro piezas de oro y gules.

Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and with a freehand finishing.

Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Blanchefort, Bertrand de.

From 1992 to 1998

Azure, a bendlet Argent between six fleurs de lis Or.

Illuminated with lights and shadows and with a metallic and iridescent finish.

Coat of arms of Stephen Tvrtko I (circa 1338-1391) of the House of Kotromanic and 1^st King of Bosnia and it was also the coat of arms of Bosnia and Herzegovina from 1992 to 1998.

The bendlet is a diminished piece. It is called bendlet («cotiza» in Castilian, «cotice» , and «cotissa» in Italian «cotice» in French, and «cotissa» in Italian) a diminished bend, narrower, reduced to 1/2 (as in this case) or to 1/3 of the width of a normal bend. Remember that the width of the bend is usually 1/3 of the width of the coat of arms, therefore the width of the bendlet is between 1/3 * 1/2 = 1/6 and 1/3 * 1/3 = 1/9 of the width of the coat of arm.

Stephen Tvrtko I of Bosnia, from the House of Kotromanic, was a vassal of Louis I of Hungary. Louis I or Louis of Anjou, known as «the Great», from the Royal House of Anjou-Sicily, of the Capetian Dynasty, hence his coat of arms's 2^nd quarter is seeded with fleur de lis, a feature also present in his father Charles I's arms, known as Charles Robert or Caroberto of Anjou. The Kotromanic family had in their coat of arms fleur de lis Or on a Azure field as a symbol of subordination to the Hungarian royal family.

Blazon keywords: Azure, One, Bendlet, Argent, Six, Fleur de lis and Or.

Style keywords: Metal beaten, Iridescent, Outlined in sable, Illuminated and Pointed.

Classification: Civic, Interpreted and Coat of arms.

Bearer: Bosnia and Herzegovina.

Azure, a bend between six covered cups Or.

Escudo de azur, una banda acompañada de seis copas todo de oro.

Illuminated with lights and shadows and with a freehand finish.

Around 1155, Beatrix de Villers married Richard le Boteler Pincerna, who became the 4^th Baron of Warrington. The heir of Beatrix and Richard took the surname «le Boteler» and ruled the Warrington region, bearing arms Azure, a bend between six covered cups Or.

In Castilian, a «copa» has a lid and is referred to as a «covered cup» in English. When it doesn't have a lid, it's called a «cup» in English and a «cáliz» or «copón» in Castilian, the latter being a less preferred term for me. In English, the term «chalice» is also used, especially if it's adorned with gemstones, although that's more of an artistic license.

Naipes Heraclio Fournier is a renowned Spanish playing card manufacturer based in Villareal de Álava. The countless hours I have spent holding its cards in my hands are incalculable, whether playing with friends, opponents, or performing magic tricks. Its influence on my heraldic artwork is significant. For instance, in this covered cup.

The following image shows my covered cup and my two interpretations of his arms: 1) the most commonly viewed, and 2) my alternative layout.

Blazon keywords: Without divisions, Azure, One, Bend, Between, Six, Covered cup and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted and Kingdom of England.

Bearer: Boteler of Warrington.

Azure, three annulets interlaced Or.

Illuminated, with a watercolor finishing and with a pointed shape.

You can found it at [Avilés, J.; 1725a; page 76 and illustration 177]], and at [Avilés, J.; 1780a; page 85 and illustration 177]].

Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.

Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.

Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.

Azure, three annulets interlaced Or.

Escudo de azur, tres anilletes entrelazados de oro.

Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.

Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.

Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.

Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.

Azure, a fess chequey Gules and Argent.

Escudo de azur, una faja ajedrezada de gules y plata.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of the lineage Boyd of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.

Blazon keywords: Azure, Gules, Argent, One, Three, Nine, Fess and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Boyd of Scotland, lineage.

Light Parachute Infantry Unit.

Argent, a Fleur de lis Gules. Motto: «BPAC. Roger de Flor II».

Escudo de plata, una flor de lis de gules. Divisa: «BPAC. Roger de Flor II».

Coat of arms interpreted with: a shield with a pointed (ogival) base; a fleur de lis outlined in Sable and illuminated in Gules; and an overall rough finish.

Blazon keywords: Without divisions, Argent, Gules, Fleur de lis and Motto (identification).

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: BPAC I.

Parachute Light Infantry Unit.

Argent, three bendlets sinister Azure. Motto: «BPAC. Roger de Lauria II».

Escudo de plata, tres barras de azur. Divisa: «BPAC. Roger de Lauria II».

For this interpretation, I have used: a shield with a pointed shape; the angle of the main diagonal of a rectangle with a 5x6 proportion, which is 50.2^o; a recreation of the division that I deduce seems to be used by the Spanish Army for this coat of arms; and for the whole, a rough finish.

Blazon keywords: Without divisions, Argent, Azure, Bend sinister and Motto (identification).

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Military and Army and Navy.

Bearer: BPAC II.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.

Escudo cuartelado: 1^o y 4^o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2^o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3^o de azur, un arpa de oro cordada de plata.

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

These are arms of the British Monarchy emblazoned by me.

Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: British Monarchy.

Gules, a Royal drum of Bunyoro-Kitara proper.

Escudo de gules, un tambor real de Bunyoro-Kitara al natural.

Coat of arms emblazoned by me with a visica piscis shape, illuminated, and with a leather finishing.

Bunyoro Kitara is a Bantu kingdom located in Western Uganda. Its history begun in the 13th century. This kindowm is ruled by the King called Omukama of Bunyoro-Kitara. Now it is a subnational monarchy.

Blazon keywords: Without divisions, Gules, One, Drum, Royal and Proper.

Style keywords: Vesica piscis, Outlined in sable, Illuminated and Leather.

Classification: Civic, Interpreted and Coat of arms.

Bearer: Bunyoro-Kitara.

Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.

Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.

Coat of arms interpreted with: a semicircular (round) base; the field and the chief watercolored in the flat tinctures Purpure and Azure; and the charges illuminated, outlined in Sable, with a very hammered metal finish.

Although it is a university of recent creation, in 1994, its best-known campus is the so-called Hospital del Rey, located on the edge of the Way of St. James and originally intended to care for pilgrims and founded, in 1195, by Alfonso VIII of Castile and Eleanor Plantagenet. The effigies of both monarchs decorate the main gate of the Hospital, called the Gate of the Pilgrims, which is, in turn, the symbol of the University of Burgos.

Regarding the escallop (venera), [Valero de Bernabé, L.; Márquez de la Plata, V. M.; 2003; page 197] notes that among the wide variety of shells, it is the scallop or pilgrim’s shell that is most used in heraldry and in blazons it is named «venera», and that it is drawn with its concave side against the field and its convex side visible, with its ribs vertical and its ears (auricles) toward the chief of the shield, and that when the concave side is shown one must specify it in the blazon as «alzada», and when the ears are in a different tincture it is said «orejada», for example, «an escallop Or, its ears Gules».

Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.

Style keywords: Semi-circular, Illuminated, Outlined in sable, Watercolor and Hard metal.

Classification: Interpreted, Socioeconomic and Education.

Bearer: Burgos, University of.

Or, on a pile issuant from the base Gules a sword point upwards Argent.

Escudo de oro, una pira de gules cargada de una espada alzada de plata.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].

Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Burr, lineage.

Party per chevron Gules and Vert, overall a chevron ermine between, in the dexter of the chief a dexter hand apaumée couped at the wrist, in the sinister of the chief a key palewise, ward to dexter chief, and in base a boar passant Argent.

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a leather finishing.

Blazon keywords: Party per chevron, Gules, Vert, Overall, One, Chevron, Ermine, Between, Dexter, Chief, Hand, Appaumée, Party per fess, Wrist, Sinister, Key, Palewise, Key ward, Base (lower 1/3), Boar, Passant and Argent.

Style keywords: Outlined in sable, Pointed, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Byrne, Margaret.

The Order of Chivalry of Calatrava is both military and religious, founded in the Kingdom of Castile during the 12th century by Abbot Raymond of Fitero.

The purpose of its foundation was the protection of the town of Calatrava la Vieja, which currently belongs to the municipality of Carrión de Calatrava in Ciudad Real. At the time of the order's foundation, it was an important city, in the middle valley of the river Guadiana and with a strategic position, as it was a necessary passage on the road from Toledo to Córdoba to Toledo and between the west and east of the Iberian Peninsula.

On the origin and antiquity of the Military Order of Calatrava, and the form of its Commandery

[Avilés, J.; 1780b; treatise IV, chapter IV, pages 334] writes «The Military Order of Calatrava was instituted by Don Sancho III, King of Castile (called the Desired), in the year 1158, while he was visiting his Kingdom; and being in Toledo with news of the great army that the Moors were gathering to besiege Calatrava la Vieja (which is called so today to distinguish it from the new one, which was founded later); and as the Templars, to whom this Fortress belonged, did not have sufficient power to resist such a large multitude, they handed it over to King Don Sancho himself so that he could take charge of it, as he did».

[Avilés, J.; 1780b; treatise IV, chapter IV, page 335] continues by telling us «The Abbot of Santa María de Fitero», near the river Pisuerga as he will indicate next, «of the Congregation of Cistercian, in the Bishopric of Palencia (which is a Monastery of St. Bernard, located on the river Pisuerga), named Don Raymond, and Friar Diego Velazquez, his subject Monk, who followed the Court, despite the difficulty of the enterprise, requested it from the King to defend it, which was granted, trusting in the virtue of the Abbot, and the strength of the Monk, who had previously been a great Knight in deeds of Arms, and very practiced in war».

[Avilés, J.; 1780b; treatise IV, chapter IV, page 336] continues «Seeing themselves in such an obligation, and that by themselves they could not fulfill it, they turned to Archbishop Don Juan (who was the fourth of Toledo) for help; and he, granting many indulgences in all his Archbishopric to those who, for themselves and for others, supplied the Place with provisions, in the same way as those who, unable to go due to old age or illness, helped with weapons, horses, and men; and having spread this news, so much help came to them, that when the Moors learned that the number of people exceeded twenty thousand men, they abandoned the conquest, returning to their homes: for this reason, the King ceded the Town of Calatrava to the Abbot of Fitero, and his successors, to defend it from the Moors from then on, confirmed later by King Alfonso IX, his son».

[Avilés, J.; 1780b; treatise IV, chapter IV, page 337] concludes «Having obtained this grace, Abbot Don Raymond brought the most suitable Monks from Fitero to Calatrava, and everything else that was necessary for living and for the defense of the Town and its land, which with the people inclined to war who remained, formed the Order of Chivalry of Calatrava, taking this name from the place where the institution was made, which in Arabic Calatrava means Castle».

Categories: Institution, Interpreted, Religious, Military, Illuminated, Outlined in sable, Freehand, Emblem, Cross of Calatrava, Cross couped and Cross.

Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1^o de azur sembrado de flores de lis de oro; 2^o y 3^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Personal, Army and Navy and Kingdom of France.

Bearer: Cerda, Carlos de la.

Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Crest and mantling, Helm, Mantling, Dexter, Doubled, Sinister, Wreath, One, Arm, Armed, Nascent, Grasping, Sword, Between, Two and Wing.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales García y Bustamante, Carlos.

Personal, governance, military, religious, socioeconomic, and, imaginary heraldry.

Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.

Escudo cuartelado en sotuer: 1^o de púrpura, una corona de oro; 2^o de sinople, una espada alzada de oro; 3^o de azur, un báculo de oro; 4^o de sable, un bezante de oro; un escusón de oro cargado de un corazón de gules; una filiera de plata.

Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a watercolor finish.

Within the article on my approach to heraldic classification, you can find the symbolism contained within this shield and its category within heraldry.

The original shield design, along with many others, is registered in [Salmerón Cabañas, A.; 2015a; page 30].

All colors and metals

The heraldic colors Gules, Azure, Vert, Sable, and Purpure can be divided into two sets:

• the energetic colors Gules, Azure, and Vert, and
• the neutral colors Sable and Purpure.

Therefore, the Sable-Purpure combination is not the most vibrant.

I use both Sable and Purpure in this design because it incorporates all five colors and both metals, Or and Argent, representing different heraldic disciplines. Note that I have placed Purpure and Sable far apart, precisely due to the initial explanation.

Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.

Style keywords: Illuminated, Outlined in sable and Watercolor.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Categories of heraldry.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or.

Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, where I serve. I interpreted now this coat of arms with a pointed shape. This kind of shape for this coat of arms are not usual.

Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant and Crowned.

Style keywords: Pointed, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.

Bearer: Central Military Region.

Motto: Stand and Be Counted

Gules fretty Argent; on a chief wavy Bleu celeste, a rising sun Or.

Escudo de gules fretado de plata; en un jefe ondado de celeste, un sol saliente de oro.

Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a iridescent finishing.

The sun used to be emblazoned with a human face, with its eyes, mouth, and nose, but in all the interpretations that I know of this blazon, the sun appears without a human face.

Schema for the fretty

Blazon keywords: Without divisions, Gules, Fretty, Argent, One, Chief, Wavy, Bleu celeste, Sun, Issuant and Or.

Style keywords: Iridescent, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted.

Bearer: Charles Dunne, Chas.

Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Motto: «Ad rem».

Escudo de sable, un cabrio de plata con tres puntas de lanza de gules; en jefe, dos cabezas de unicornio arrancadas de plata, cabelladas y acornadas de oro, lampasadas de gules; en punta, una pila de oro, saliente del cabrio, cargada de una cabeza de unicornio de sable, lampasada de gules. Lema: «Ad rem».

Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile and Motto.

Style keywords: Outlined in sable, Pointed, Illuminated and Watercolor.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Wright, Charles F. M..

Banner Azure, three fleurs de lis Or.

Pendón de azur, tres flores de lis de oro.

Banner interpreted as follows: rectangular in shape with a 5x6 proportion; the field enamelled in flat Azure; the three fleurs-de-lis illuminated in Or and outlined in Sable; and the whole piece finished with an aged parchment effect.

Starting in 1376, the field sown with fleurs-de-lis was replaced by only three fleurs-de-lis. This change took place during the reign of Charles V of France (1338–1380, King of France from 1364 to 1380).

Edward III Plantagenet (1312–1377, King of England from 1327 to 1377) had incorporated the semé of fleurs-de-lis into his arms as a sign of his claim to the French throne, and Henry IV of England (1367–1413, King of England from 1399 to 1413) again changed the semé into three fleurs-de-lis in his own arms.

These three fleurs-de-lis remained in the royal arms of England until George II (1683–1760, King from 1727 to 1760).

They remained in the royal arms of the French kings until their prohibition during the so-called «Hundred Days», that is, from March 20, 1815, the date of Napoleon’s return to Paris from his exile in Elba, until June 28, 1815, the date of the Second Restoration of Louis XVIII as King of France, when they were reinstated. Finally, after the Revolution of 1830, Louis Philippe I of Orléans decreed their abolition by Order of February 10, 1831.

This banner is a recreation of the one appearing in the armorial [Edward IV of England; 1461; row 23, column 2], although in that armorial the banner seems to be associated with Louis IX of France, perhaps because of the prestige of the saintly King of France, whose arms bore a semé of fleurs-de-lis rather than three.

Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.

Style keywords: Rectangular, Illuminated, Outlined in sable and Old parchment.

Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of France and House of Valois.

Bearer: Charles V of France.

King of France from 1429 to 1461.

Azure, three fleurs de lis Or.

Escudo de azur, tres flores de lis de oro.

Coat of arms interpreted with: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a mother-of-pearl effect.

This coat of arms is based on the one appearing in the armorial [Ingeram, H.; 1459; page 34, 1^st shield], under the inscription «küng von franckrich» (franckrich ~ Frankreich ~ France).

Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.

Bearer: Charles VII of France.

Azure, a cinquefoil Argent, seeded Gules.

Escudo de azur, un quinquefolio de plata, botonado de gules.

Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.

Blazon keywords: Without divisions, Azure, One, Cinquefoil, Argent, Seeded and Gules.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Interpreted, Lineage, Kingdom of France, Civic and Coat of arms.

Bearer: Haguenau.

City of Ceuta, Spain, Africa, with a crown of Marquis

Argent, five escutcheons in cross Azure, each charged with five plates in saltire Argent; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1. Crest: A crown of Marquis.

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta. Timbrado de una corona de marqués

Illuminated and a leather finishing.

Coat of arms of Ceuta from the coat of arms of Portugal

The Portuguese conquered Ceuta in the year 1415. This event represents an important step in the development of the Portuguese Empire in Africa. Then Ceuta received its arms from those of Portugal but with the castles in another order. In the image, the 1^st coat of arms of Portugal, and the 2^nd coat of arms of Ceuta.

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Spain.

Bearer: Ceuta.

195^th Pope of the Church, from 1305 to 1314. «Clemens V», born Bertrand de Got, born in Villandraut, in the southwest of France, was the first pope to reside in Avignon in a stable manner.

Or, three fesses Gules.

Escudo de oro, tres fajas de gules.

Papal coat of arms interpreted with: a rounded triangular top; the field in plain Or enamel; the bars illuminated in Gules and outlined in Sable; and with a heavily hammered metal finish.

Blazon keywords: Without divisions, Or, Three, Fess and Gules.

Style keywords: Triangular curved, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Religious and Papal States.

Bearer: Clement V.

Blazon equivalent to: Fernández de Córdoba y Carrillo, Diego.

246^th Pope of the Church, from 1730 to 1740. «Clemens XII», named Lorenzo Corsini, born in Florence and rests in St. John Lateran.

Bendy of six Gules and Argent; over all a fess Azure.

Escudo bandado de seis piezas de gules y plata; brochante sobre el todo una faja de azur.

Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Argent; the fess and the bands outlined in Sable and illuminated in Gules and Azure; and the whole with a textured finish.

All are ordinaries, including the three bands and the fess, and since the blazon specifies that the fess is overall on the bands, therefore, it is not the Gules bands that are overall on the Azure fess, and they should be painted underneath.

Blazon keywords: Without divisions, Bendy, Six, Gules, Argent, Surmounted, Overall (deprecated), One, Fess and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: Clement XII.

Grandson of Blanche of Castile, 6^th son of Saint Louis IX, founder of the House of Bourbon, husband of Beatrice of Burgundy, Lady of Bourbon.

Azure semé of fleurs de lis Or, a bend Gules.

Escudo de Azur sembrado de flores de lis de oro, banda gules.

Coat of arms that I have interpreted with:: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lys illuminated in Or; the bend illuminated in Gules; the whole is outlined in Sable; and the freehand drawing.

Blazon keywords: Without divisions, Azure, Or, Semé, Fleur de lis, Bend and Gules.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Bourbon.

Bearer: Clermont, Robert of.

Quarterly: 1 Azure, a cross Or; 2 Vert, a saltire Or; 3 Vert, a bend sinister Or; 4 Azure, a fess Or. Motto: «Arithmeticus».

Escudo cuartelado: 1^o de azur, una cruz de oro; 2^o de sinople, un sotuer de oro; 3^o de sinople, una barra de oro; 4^o de azur, una faja de oro. Divisa: «Arithmeticus».

I have made this imaginary coat of arms for the Arithmetic with the following characteristics: a semicircular external shape; its enamelled field with flat color Azure and Vert inks; all the pieces are metal Or, the motto is metal Argent with Sable letters; pieces and motto are illuminated and outlined in Sable; and the whole with a very lightly beaten metal finish.

For the division operation, instead of using the piece bend sinister, 2 bezants Or in pale could have been used. However, since the bezant is a diminished piece, I preferred to use 4 pieces, one for each quarter.

Blazon keywords: Quarterly, Azure, Vert, Or, Cross, Saltire, Bend sinister, Fess and Motto (identification).

Style keywords: Illuminated, Outlined in sable and Soft metal.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Arithmetic.

Or, six fleurs de lis, three, two, one, five Gules and one in the middle of the chief Azure.

Escudo de oro, seis flores de lis ordenadas, tres, dos y una, cinco de gules y una de azur en el centro del jefe.

Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, Six, Fleur de lis, Ordered, Three, two and one, Five, Gules, One, Azure and In the middle of the chief.

Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Yñigo-Genio, Elias.

Or, a double rose Gules and Argent, barbed Vert, and seeded Or within six fleurs de lis in orle, five Gules and one in chief Azure.

Escudo de oro, una rosa doble de gules y plata, barbada de sinople y botonada de oro, rodeada de seis flores de lis en orla, cinco de gules y una de azur en jefe.

Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, Double rose, Gules, Argent, Barbed, Vert, Seeded, Six, Fleur de lis, Orle, Five, One, Azure and In chief.

Style keywords: Semi-circular, Iridescent, Outlined in sable and Illuminated.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Yñigo-Genio, Noelia.

Or, six fleurs de lis in orle, five Gules and one in chief Azure.

Escudo de oro, seis flores de lis en orla, cinco de gules y una de azur en jefe.

Credits:

• Rolando Yñigo-Genio is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, Six, Fleur de lis, Orle, Five, Gules, One, Azure and In chief.

Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Yñigo-Genio, Rolando.

Willame de Colebraund ~ William de Colebrand.

Gules, three Swords Argent, erect, in fess.

Escudo de gules, tres espadas de plata, alzadas, en faja.

Interpreted coat of arms with a free hand finish.

Coat of arms included in [Marshal, L.; 1295; coat of arms number 461], also in [Brault, G. J.; 1997], and time ago in Brian Timms, but not now.

Blazon keywords: Without divisions, Gules, Three, Sword, Argent, Point upwards and In fess.

Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Colebrand, William de.

The Commoners' Certification of Arms of Antonio Ruiz Porras, his arms, standard and heraldic badge have been emblazoned by me.

Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond, Lark, Crest, Wreath, Quetzal, Perched, Tree, Branch, Proper, Leaved and Motto.

Style keywords: Outlined in sable and Illuminated.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Ruiz Porras, Antonio.

Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.

Escudo de plata, en jefe un bonete eclesiástico de sable, en punta un corazón llameante de gules.

Coat of arms designed and emblazoned by me following their ideas and directions, with a semi-circular shape, illuminated, and with a watercolor finishing.

Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.

Style keywords: Outlined in sable, Illuminated, Watercolor and Semi-circular.

Classification: Religious, Created and Coat of arms.

Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.

Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.

Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Coulot, Fabian.

Lozengy Or and Gules.

Escudo losanjado oro y gules.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Lozengy, Or and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Craon, Robert de.

Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.

Escudo partido: 1^o de gules, en punta un castillo de oro, aclarado de azur y mazonado de sable; 2^o de plata, en punta un león rampante de gules, coronado de oro; brochante sobre la partición una letra psi de gules; una filiera de oro.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finishing.

Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, where I was stationed during my military service. These arms were designed by my lieutenant colonel and friend Miguel Angel Nuñez Amador, and in this image, they have been emblazoned by me. The Crepsi was a pioneer in its functions: a) the identification of soldiers at psychological risk, among tens of thousands of soldiers, using advanced information systems, including Artificial Intelligence (an area where I contributed during my service in 1989), and b) the evaluation and individualized attention of soldiers at risk through mobile units. The Crepsi has provided trained personnel and methods that are being used for the psychological care of troops deployed to conflict zones and for the psychological care of civilians in massive humanitarian disasters such as terrorist attacks or plane crashes with hundreds of affected people.

Design rationale

The psi letter of psychology and the arms of the Central Military Region: Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. These two fields, in turn, Gules and Argent, charged with a castle triple-towered and a crowned lion, originate from the Kingdom of Castile and León. The diminished bordure is for difference.

Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Military, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Crepsi.

Azure, issuant from base a frog's head and from flanks its forelegs in chevron Or, in chief a mullet of seven points Argent. Crest: Upon a helm with a wreath Or and Azure, a demi-frog erect Or, grasping with its forelegs an apple and a closed book Azure. Mantling: Azure doubled Or.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Coat of arms of Arturo Taborda, Venezuela, emblazoned by me.

Blazon keywords: Azure, Or, Argent, One, Seven, Issuant from base, Frog, Head, Flank, Foreleg, In chevron, In chief, Mullet, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Erect, Grasping, Apple, Closed book, Book, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Taborda, Arturo.

Gules, a lion rampant Or, charged with a pallet gemel chequey Argent and Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-dragon Or, supporting with its sinister a goldfinch speaking proper. Mantling: Gules doubled Or.

Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Blazon keywords: Gules, Or, Argent, Sable, One, Lion, Rampant, Charged, Pallet, Gemel, Chequey, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Dragon, Perched, Sinister, Goldfinch, Speaking, Proper, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Pérez de Bartolome, Ignacio.

Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable. Crest: Upon a helm lined Gules, with a wreath Or and Azure, five ostrich feathers, alternately three Azure and two Or. Mantling: Azure doubled Or.

Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Two, Three, Four, Five, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head, Caboshed, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Wreath, Ostrich feathers, Alternately and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Gutiérrez Benítez, Jose Manuel.

Or, a badger rampant Sable. Crest: Upon a helm with a wreath Or and Sable, five ostrich feathers alternately Or and Sable. Mantling: Sable doubled Or.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Or, Sable, One, Badger, Rampant, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Alternately and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Villauriz Álvarez, José Manuel.

Argent, a stag springing, in base an acorn leaved and slipped proper, on a chief invected Gules, a sabre fesswise, point sinister proper, debruised by a rose Or, leaved Vert. Crest: Upon a helm, with a wreath Argent and Gules, a bald eagle displayed proper. Mantling: Gules doubled Argent.

Arms devised by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a rough finish.

Blazon keywords: Argent, Gules, Or, Vert, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised, Rose, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Bald eagle, Eagle, Displayed and Mantling.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Knox, Kelly Kathleen.

Sable, a tyger rampant Argent; a bordure Argent charged with eight crosses crosslet fitchy Sable. Crest: Upon a helm affronty lined Gules, issuant from a crown of Knight, a cross patty Gules. Mantling: Sable doubled Argent.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finish.

Blazon keywords: Sable, Argent, Gules, One, Eight, Tyger, Rampant, Bordure, Charged, Cross crosslet fitchy, Crest, Upon (wreath), Helm, Affronty, Lined, Issuant, Crown of Knight, Crown, Cross, Patty, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: South Clifton, Lord of.

Per fess, the base per pale: 1 Or, an eagle displayed Sable; 2 Gules, a sun in splendour Or; 3 Or, an increscent Gules; all within a bordure Sable, charged with eight fleurs de lis Or. Crest: Upon helm affronty Argent, barred Or, lined Gules, with a wreath Or and Sable, a crown of Duke. Mantling: Sable doubled Or.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.

Blazon keywords: Or, Sable, Gules, One, Eight, Party per fess, the base per pale, Eagle, Displayed, Sun in splendour, Increscent, Bordure, Fleur de lis, Crest, Helm, Affronty, Barred, Lined, Wreath, Crown, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: László Gábor.

Vert, a chevron, between three cross-crosslets; on a chief Argent, three griffins statant Gules, beaked and armed Or. Crest: Upon a helm, with a wreath Argent and Gules, a griffin's head couped Gules, beaked Or. Mantling: Gules doubled Argent. Motto: «Silentium est aureum».

Blazon keywords: Vert, One, Chevron, Between, Three, Cross-crosslet, Cross couped, Chief, Argent, Griffin, Statant, Gules, Beaked, Armed, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Head, Party per fess and Motto.

Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Berry, Austin Charles.

Party per chevron Gules and Argent, two acorns slipped Or and in base a fleur de lis Azure. Crest: On a wreath Argent and Gules, a demi-lion Or, armed and langued Azure, holding in its paws a swallow-tailed pennon Azure, charged with a cross patty Argent. Motto above the crest: «Un cran plus loin».

Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a double pointed outer contour and with a leather finish.

The arms of Brady Brim-DeForest emblazoned by me following his directions.

Blazon keywords: Gules, Or, Argent, Azure, Two, One, Party per chevron, Acorn, Slipped, Base, Fleur de lis, Crest, Wreath, Demi, Lion, Armed, Langued, Grasping, Paw, Charged, Cross, Patty and Motto.

Style keywords: Outlined in sable, Illuminated, Double pointed and Leather.

Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.

Bearer: Brim-DeForest, Brady.

Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper. Crest: Upon a wreath Argent and Azure a demi-unicorn Azure, horned, crined and semé of mullets Or. Motto: «Live your Magic».

Credits: SkyL.designer and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout, Proper, Wreath, Crest, Demi, Horned, Crined, Mullet, Or and Motto.

Style keywords: Outlined in sable, Pointed, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms and English language.

Bearer: Sparkles, Marie Unicorn.

Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable. Crest: Upon a wreath Or and Azure, a raven's head Sable, charged upon the neck with three gouttes, 1 and 2, and holding in its beak an annulet Or. Motto: «Laus · Virtutis · Actio».

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a leather finishing.

Blazon keywords: Azure, Sable, Or, One, Party per fess, Overall, Four-towered, Castle, Port and windows, Crest, Wreath, Raven, Head, Charged, Neck, Grasping, Beak, Annulet and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Rawson, Lineage.

Vert, two scythes in saltire Argent; on a chief Argent, three cornflowers Azure, seeded Argent. Crest: Upon a wreath Argent and Vert, a horse kicking Argent in front of a rose Gules, barbed Vert. Motto: «Ex antiquis pratis».

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finishing.

Blazon keywords: Vert, Argent, Azure, Gules, One, Three, Scythe, In saltire, Chief, Cornflower, Flower, Seeded, Crest, Upon (wreath), Wreath, Rose, Barbed, Debruised, Horse, Kicking and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Altnau, Yuri Alexander.

Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or. Crest: Upon a helm with a wreath Argent and Sable, a demi-man proper, wearing a beret Vert, grasping in his dexter hand a commando dagger point upwards Or, hilted and pommelled Sable. Mantling: Sable doubled Argent. Motto: «Liberare oppressos». Motto above the crest: «Follow me».

Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Male figure, Demi, Proper, Beret, Vert, Grasping, Hand, Dexter and Motto.

Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Coat of arms, Latin language and English language.

Bearer: Power, Guy Harold.

Azure, two quills in saltire Argent, in chief an ancient coronet Or. Crest: Upon a wreath Or and Azure, a demi-lynx regardant Or, caped Azure, maintaining in dexter a lantern Azure, enflamed proper.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finishing.

The coat of arms of Dario Postolovski, Macedonia, emblazoned by me. [Cadenas y Vicent, V. de; 2002] states that «capa» is a garment and also a synonym for «cortinado» ~ «chapé», and also defines lantern as a «farol».

Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown, Crest, Upon (wreath), Wreath, Demi, Lynx, Regardant, Caped, Grasping, Dexter, Lantern, Enflamed and Proper.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Postolovski, Dario.

Party per chevron Gules and barry wavy Argent and Azure, in chief two Dogwood flowers (Cornus Florida) proper, in base a Cross of Saint Chad Gules. Crest: A Cardinal's head (Cardinalis cardinalis) erased clutching in its Beak a Madonna lily (Lilium Candidum) proper. Mantling: Gules doubled Argent. Motto: «Ich Mache Rechte».

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finish.

Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped, Crest, Head, Erased, Grasping, Beak, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Krouse, Chad Michael.

Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure. Crest: Upon a helm with a wreath Or and Azure, a cross of Lorraine patty Or. Mantling: Azure doubled Or. Motto: «Marche dans ta voie avec Dieu».

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.

Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me.

Design rationale

The leopards symbolize the family’s origin in Falaise, Normandy, as well as the nobility of heart to help those in need; their raised claw represents the ardor in striving to accomplish the proposed undertakings; their gaze forward stands for sincerity and honesty in daily actions; their walking in pair conveys the enduring unity of the family; and the gold of their skin reflects the purity of the soul, mirrored along the path of life. The Norman drakkar sailing westward symbolizes both the family’s journey to America in search of a new horizon and the quest for knowledge in science, technology, cosmology, theology, and the Universe itself. The oak acorns represent the Breton branch of the family and embody strength, perseverance, chivalry, kindness, loyalty, sacrifice, and faith. The motto proclaims that God may be our Master, Companion, and Guide, the Light along the path, and the Shield against adversity in life’s journey. The Cross of Lorraine honors Saint Joan of Arc, who bore it upon her standard.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise, Upon (wreath), Helm, Wreath, Cross of Lorraine, Cross couped, Patty, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Created, Design rationale, Boa, Coat of arms and Flag.

Bearer: Normand Delfin, Jacques William.

Party per fess wavy: 1 Azure, a dolphin naiant; 2 Argent, three escallops Azure. Crest: Upon a helm lined Azure with a wreath Argent and Azure, an owl Tenné, armed, beaked, membered, the eyes, and wearing a necklace with a pendant heart Or, grasping with its dexter foot a bluebonnet proper. Mantling Azure doubled Argent. Motto: «Compasión · Honor · Sabiduría» Azure, over a scroll Argent doubled Azure, fimbriated Or.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.

Design rationale

She is an Associate Professor and Assistant Professor at the University of Houston-Clear Lake. She studied Marine Biology at the University of Puerto Rico, Humacao (1991–1995), and the marine motifs reflect both her academic training and career. The dolphin on the shield refers to her Puerto Rican heritage, her birthplace in Fajardo, and her personal value of honor. At her request, the shield ends in a semi-circular arch, in keeping with Hispanic heraldic tradition. The three escallops symbolize her family and her compassion. She currently resides in Houston, Texas, which is why the owl in her crest holds a bluebonnet (Lupinus texensis), the state flower of Texas since 1901. The owl represents her profession and her wisdom. A small gold heart on the chain pendant indicates her cadency as first daughter.

Blazon keywords: Azure, Argent, One, Three, Or, Party per fess, Wavy, Dolphin, Naiant, Escallop, Crest, Upon (wreath), Helm, Lined, Wreath, Owl, Tenné, Armed, Beaked, Membered, The eyes, Collar, Heart, Grasping, Dexter, Talon, Bluebonnet, Flower, Proper, Mantling, Doubled, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Santiago-Vazquez, Lory.

Tierced per fess: 1 Sable, seven mullets Argent arranged as the Plough of Ursa Major; 2 Azure; 3 Sanguine, a demi-sun issuant from base Or. Crest: Upon a helm with a wreath Or and Sanguine, a raven proper. Mantling: Sanguine doubled Or. Motto: «Incipit Vita Nova» Or, over a scroll Sanguine doubled Or.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.

Design rationale

The arms symbolise the dawn of a new life. The field is tierced per fess to evoke the sky in 3 stages: Sable for the darkness of night, Azure for the horizon at first light, and Sanguine for the rising sun. The 7 stars of Ursa Major, in their traditional arrangement, evoke guidance, constancy, and a Dantesque reference, as the constellation appears in the Divine Comedy. The demi-sun in base, gold upon sanguine, marks the moment of emotional awakening, the dawn of love. The scroll motto «Incipit Vita Nova», the first line of Dante’s Vita Nuova, reflects a personal spiritual transformation. The Azure speaks of eternal loyalty, and the silver stars of purity. The choice of Sanguine, both for the sunlit sky and for the scroll and mantling, is also an homage to Beatrice’s dress as described by Dante at their first encounter. All of the above holds a parallel with the bearer’s personal life, which gives this composition a dual significance, both literary and deeply intimate. The raven as crest, a symbol of memory and intelligence, represents the collector’s spirit and a deep inner life.

Blazon keywords: Sable, Azure, Sanguine, Argent, Or, Seven, One, Tierced per fess, Mullet, Plough of Ursa Major, Demi, Sun, Issuant from base, Crest, Upon (wreath), Helm, Wreath, Raven, Proper, Mantling, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Nastri, Marcio Vieira.

Or, a peacock’s head erased Azure, beaked Argent, between in dexter an increscent Azure and in sinister a rose Azure, barbed and seeded Argent. Crest: Upon a helm with a wreath Or and Azure, a peacock in his splendour proper. Mantling: Azure doubled Or. Motto: «Vis Artis» Sable over a scroll Argent doubled Azure.

Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

Blazon keywords: Or, Azure, Argent, One, Peacock, Head, Erased, Beaked, Dexter, Increscent, Sinister, Rose, Barbed, Seeded, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, In his splendour, Mantling, Motto and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Hatsis, Mark Antony.

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a helm with a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper. Mantling: Azure doubled Or. Motto: «Liberty Thru Industry».

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed, Proper, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Argent, a heron volant Azure, beaked and membered between three escallops Sable. Crest: Upon a helm with a wreath Argent and Azure, an escallop Sable. Mantling: Azure doubled Argent. Motto: «Sic itur ad astra».

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a rough finish.

Blazon keywords: Argent, Azure, Sable, One, Three, Heron, Volant, Beaked, Membered, Between, Escallop, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Canting, Interpreted, Boa and Coat of arms.

Bearer: Herndon, family of Paul and Kari.

Party per pale Gules and Vert; overall a mermaid proper, holding in her dexter a sword Argent, hilted Or, and in her sinister a comb Or.

Escudo partido de gules y sinople; brochante sobre la partición una sirena al natural, teniendo en su diestra una espada de plata, guarnecida de oro, y en su siniestra un peine de oro.

Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finishing.

Coat of arms of The Knights of Cristina designed under her directions and emblazoned by me.

Blazon keywords: Gules, Vert, Argent, Or, One, Party per pale, Overall, Mermaid, Proper, Grasping, Dexter, Sword, Hilted, Sinister and Comb.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Imaginary, Created, Boa and Coat of arms.

Imaginary bearer: Cristina, The Knights of.

A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem

Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Schema.

Azure, a chevron in base ensigned by a pelican in her piety Argent, vulned Gules, in base a mullet of eight points Argent. Crest: a crown of Count. Motto: «Finis amoris ut duo unum fiant» Sable over a scroll Argent doubled Azure.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a parchment finishing.

Blazon keywords: Azure, Argent, Gules, Sable, One, Chevron, In base, Pelican in her piety, Pelican, Vulned, Mullet, Crest, Crown of Count, Crown, Motto and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Parchment.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pototsky, Yaroslav.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent. Crest: A closed royal crown Or.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

Design rationale

The coat of arms of Castilla-La Mancha was adopted in 1983, it is a recent design. This coat of arms is equal to the flag of Castilla-La Mancha officially approved in 1980 and designed by Ramón José Maldonado y Cocat. The 1^st quarter represents Castilla and the 2^nd quarter the great plane of La Mancha.

Blazon keywords: Gules, Argent, Or, Azure, Sable, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Crest, Closed royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Castilla-La Mancha.

Argent, upon a base barry wavy of six Argent and Sable, a trimount Sable. Crest: A mural crown Or.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.

Blazon keywords: Argent, Sable, One, Six, Upon, Base, Barry, Wavy, Trimount, Crest, Mural crown and Crown.

Style keywords: Outlined in sable, Illuminated, Bull's hide and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Gozo.

Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purple, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; and the whole debruised by a label of three points Azure. Crest: A Crown of Prince. The shield is surrounded by the Golden Fleece.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finish.

This is my interpretation of the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias (as heiress to the Crown of Castile), Princess of Girona (as heiress to the Crown of Aragon), and Princess of Viana (as heiress to the Kingdom of Navarre), with the Collar of the Distinguished Order of the Golden Fleece. Her coat of arms is that of her father, the King, charged with a label Azure and surmounted by the crown of a princess with four pearl diadems, three visible.

Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency, Label of three points, Crown of Prince, Crown, Surrounded and Collar.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.

Bearer: Leonor Princess of Asturias.

Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.

Coat of arms of Marilena Marinanza, Italy, emblazoned by me.

Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Marinanza, Marilena.

Azure chapé Argent, in dexter an Indian ringneck parrot proper, in sinister a Japanese red chrysanthemum proper, in base an atom Argent. Crest: A crown of Marquise.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a watercolor finish.

Coat of arms of Ria Persad, Mathematics and Astrophysics at Harvard University and Princeton University, designed by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me.

Blazon keywords: Azure, Argent, One, Chapé, Dexter, Parrot, Proper, Sinister, Chrysanthemum, Base, Atom, Crest, Crown of Marquis and Crown.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted, Boa, Coat of arms, India and Japan.

Bearer: Persad, Ria.

Argent, a bear rampant Sable, langued and armed Gules. Crest: A mural crown with eight vine leaves, five visible, Or.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a rounded trapezoidal outer contour and with a freehand finish.

Blazon keywords: Argent, Sable, Gules, Or, One, Eight, Five, Bear, Rampant, Langued, Armed, Mural crown, Crown, Vine and Leaf.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Berlin.

Or, three pallets Vair. Crest: A crown of Marquis.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

The coat of arms of the Marquis Prato di Arnesano, requested by Andrea Tamburelli Lanzara and painted by me.

Blazon keywords: Or, Three, Pale, Vair, Crest, Crown of Marquis and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Prato di Arnesano, Marquis.

Azure, a plough share points downward Argent between, on a base enarched Vert, two bell towers Argent, port and window Sable.

Escudo de azur, una reja de arado bajada de plata acompañada de dos campanarios de plata, aclarados de sable, terrazados de sinople.

Coat of arms emblazoned by me with a shape endend with an ogee arch, illuminated, and with a freehand finishing.

Csernely is a village in Borsod-Abaúj-Zemplén county in Hungary.

The official description, not the blazon, is: «...in the blue field of a shield standing on its snout two silver-coloured church towers with onion-shaped cupolas and crosses on their peaks are rising on a green hill. Between them a silver ploughshare is floating with its point upside down...».

The official description use the word «hagymakupolás» in Hungarian. The official text is «Csernely címere: Csücsköstalpú pajzs kék mezejében zöld halmon két ezüst színu, hagymakupolás templomtorony emelkedik, ...», but the cupolas painted by them do not seem the classic «onion-shaped cupolas».

Notice the mount color Vert over a field color Azure, not uncommon in this heraldic tradition.

Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.

Style keywords: Ogee, Outlined in sable, Freehand and Illuminated.

Classification: Civic, Interpreted and Coat of arms.

Bearer: Csernely.

Sable, upon three bars wavy a four arch bridge Or, masoned Sable, throughout. Motto: «Patiens Quia Aeternus».

Escudo de sable, un puente de cuatro ojos de oro, mazonado de sable, moviente de los flancos, sostenido por tres burelas ondadas de oro. Lema: «Patiens Quia Aeternus».

Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.

Design rationale

The symbols represent resilience over time, a bridge over the passage of waters. The design is simple and conceptual, a coat of arms without lines of divisions, and with only two tinctures, the color Sable of the field and the metal Or of the bridge and the waves of water. The motto «Patiens quia aeternus» ~ «Patient because eternal» comes from Augustine of Hippo and reinforces the meaning of this coat of arms.

Blazon keywords: Sable, Or, Three, Four, Upon, Wavy, Bar, Arch, Bridge, Masoned, Throughout and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: García Martínez, Daniel.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper.

Escudo de azur, flanqueado curvo de plata: en jefe, un libro abierto de oro, hojado de plata; en punta, un roble arrancado de plata, frutado de oro; en cada flanco, una antorcha de sinople, encendida al natural.

Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a metal beaten finishing.

Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed and Proper.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Design ideas

The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.

One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.

Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.

Gules, a fess vair between four water-bougets Or, two in chief and two in base.

Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.

Water-bouget

In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».

There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.

In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».

Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Interpreted, Schema and Coat of arms.

Azure, a palm tree eradicated, between in sinister a lion rampant supporting it Or, in dexter three millwheels, 2 and 1, and in chief a crescent Argent. Motto: «Deo gratias».

Escudo de azur, una palmera arrancada, acompañada a la siniestra de un león rampante empinado a ella ambos de oro, a la diestra de tres ruedas de molino, 2 y 1, y en jefe un creciente todo de plata. Lema: «Deo gratias».

Blazon keywords: Azure, One, Palm tree, Tree, Erased, Between, Sinister, Lion, Rampant, Supporting, Or, Dexter, Three, Millwheel, Ordered, In chief, Crescent, Argent and Motto.

Style keywords: Ogee, Outlined in sable, Illuminated and Parchment.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Spanò, Diego Pantaleone.

Or, the symbol of the Royal House of Kupang Sable. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is her coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Without divisions, Or, One, Symbol, Sable, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Pointed, Outlined in sable, Illuminated and Leather.

Classification: Civic, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Kupang, Royal House of.

Gules, a stag's head caboshed Argent, attired Or, between its attires a dexter hand appaumée, couped at the wrist; on a bordure Argent eight camellias Gules, seeded Or. Crest: Upon a helm with a wreath Argent and Gules, a gamecock, armed, crested and bearded Gules, the neck Argent, beaked, membered and the head Or, supporting with its dexter talon a closed book Sable, leaved Or, garnished Argent. Motto: «Meliores Quotidie».

This is the coat of arms of Donnie Thompson emblazoned by me. The image combines a photograph of a drawing of a closed book along with his coat of arms, all painted by me.

Blazon keywords: Gules, Argent, Or, One, Eight, Stag, Head, Caboshed, Attired, Between, Dexter, Hand, Appaumée, Couped, Wrist, Bordure, Camellia, Seeded, Crest, Upon (wreath), Helm, Wreath, Rooster, Armed, Crested, Bearded, Neck, Beaked, Membered, Grasping, Talon, Closed book, Book, Leaved, Garnished, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Thompson, Donnie.

Or, an atom triple-orbited Gules; on a chief Gules, a falcon displayed and jessed Or

Illuminated and a watercolor finishing.

Jessed means with jesses, the thongs by which bells are fastened to the legs of a falcon.

The falcon use to be belled and jessed, with bells and leather strips on the legs. The attributes used to be citted in the blazon when its tincture is different that the main element to which it belongs. In this case, its leather strips are Or, the same tincture than the falcon Or, but I decided to blazoned it «a falcon displayed and jessed Or» to denote jessed but not belled.

Other falcons are also hooded.

Credits: Rudolf Juchter van Bergen Quast is the designer of the coat of arms.

Blazon keywords: Or, One, Atom, Three, Orbital, Gules, Chief, Falcon and Jessed.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Emirate of Dubai and Coat of arms.

Bearer: Dubai Office of the European Chamber of Digital Commerce.

Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent.

Escudo partido de azur y gules, sobre el todo en jefe dos leones rampantes, de cola horquillada de plata, armados, lampasados y coronados de oro, y en punta un barco de oro, con velas de plata, sostenido de tres burelas ondadas de plata.

Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.

Coat of arms of the family of Milos Dukat from Czechia and the Basque Country, designed by them and me, and emblazoned by me.

Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship and Full sail.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Dukat, family of Milos.

Blazon of the Duran lineage of Andalucia, Extremadura, and Aragon.

Gules, a lion passant Or; a bordure Or charged with eight lions’ heads erased Gules.

Escudo de gules, un león leopardado de oro; una bordura de oro, cargada de ocho cabezas de león arrancadas de gules.

Illuminated and with a glass finish.

Blazon keywords: Gules, Lion passant, Or, One, Bordure, Charged, Eight, Head and Erased.

Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Coat of arms.

Argent, a lion passant Gules, grasping a Celtic cross Sable in its dexter forepaw, on a chief Vert, a mural crown with five visible oak leaves Argent.

Escudo de plata, un león pasante de gules, teniendo en su diestra una cruz celta se sable, en un jefe de sinople, una corona mural con cinco hojas de roble visibles de plata.

Arms designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a watercolor finishing.

Blazon keywords: Argent, Gules, Sable, Vert, One, Five, Lion, Passant, Grasping, Celtic cross, Dexter, Forepaw, Chief, Mural crown, Crown, Oak, Tree and Leaf.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Durkan, John Paul.

The one with the Cross on his back ~ Crouchback (1245–1296)

Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.

Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.

He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».

In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.

The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.

The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edmund Plantagenet.

Apodado el Zanquilargo ~ Longshanks.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Escudo de armas que he interpretado con: la boca de medio punto; el campo esmaltado de tinta plana de color gules; los 3 leopardos iluminados de metal oro, color azur y delineados de sable y el que está en punta es algo menor para adaptarse a la forma del escudo; y el conjunto tiene un acabado rugoso.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edward I of England.

First Prince of Wales from 1301 to 1307, King of England and Lord of Ireland from 1307 to 1327.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted as follows: the mouth rounded; the field illuminated Gules; the figures illuminated in Or and Azure, outlined in Sable, and the third leopard slightly smaller; and the whole finished with a plastered effect.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Rounded, Illuminated, Outlined in sable and Gesso.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edward II of England.

Or, three bars Azure; the base Gules.

Escudo de oro, tres burelas de azur; la punta de gules.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms of the lineage Egado emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 635].

Blazon keywords: Or, Azure, Gules, Three, Bar and Base (lower 1/3).

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Egado, lineage.

Or, an eight-ball proper on a terrace in base Vert.

Escudo de oro, una bola ocho al natural terrazada de sinople.

Can modern objects appear in a coat of arms?

My rule is: a coat of arms is forever, so any symbol included must be recognizable by future generations. Can you place an iPhone in a coat of arms? No—but not because it’s modern, rather because your grandchildren likely won’t recognize the form of an iPhone; in fact, today’s mobile phones already look quite different from those of a decade ago. Can you include a steam locomotive? Yes, because its form has become anchored in time and in the collective imagination. What about an hourglass, an analog clock, or a black 8-ball from pool? Also yes—their forms are now classics. That is, I believe we can use those symbols that most people already carry in their minds and that are very likely to remain present in the minds of our children and grandchildren. But this is just my humble criterion.

Categories: Criterion, Art, Created, Imaginary, Coat of arms, Semi-circular, Crystalline, Soft metal, Outlined in sable, Illuminated, Without divisions, Or, One, Non-classic artifact, Proper and Terrace in base.

Root: Bola 8.

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblema, un escusón, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.

Its focus on heraldic art, along with its foundation in 1987, makes it a pioneering institution in this field on a global scale.

The Society of Heraldic Arts enjoys significant international recognition among heraldic artists, designers, and craftsmen, and its website is heraldic-arts.com.

Its members cover the full range of activities within heraldry for individuals, personal heraldry, public and private entities, socioeconomic heraldry, as well as municipalities, regions, etc., governance heraldry.

The Society of Heraldic Arts used to publish a quarterly magazine called «The Heraldic Craftsman», which was sent to all its members, but it is no longer in publication. The Society also provides advice on the correct use of heraldry to enhance corporate and personal identity.

Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Throughout (all sides).

Root: Society of Heraldic Arts.

Gules, three lions passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

These are arms of the Kingdom of England emblazoned by me.

Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: England, Kingdom of.

Coat of arms of Eóin S. Morgan, UE, emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. He is the youngest son of Commander Stephen T. Morgan.

Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a crescent Argent.

Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un creciente de plata.

Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Crescent.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Morgan, Eóin S..

Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages.

Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Deacon Mark Eschenlauer designed by him, Fr. Yannick Beuvelet and me, and emblazoned by me.

Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Religious, Created, Boa and Coat of arms.

Bearer: Eschenlauer, Marc.

Or, an eagle displayed bendy Azure and Argent.

Escudo de oro, un águila bandada de azur y plata.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of María Dolores Escutia Sánchez designed by Juan Lanzagorta Vallín and emblazoned by me.

Blazon keywords: Or, Azure, Argent, One, Eagle, Displayed and Bendy.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Escutia Sánchez, María Dolores.

Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.

Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.

Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.

Coat of arms of Angel España Herranz designed by him and me, and emblazoned by me.

Design rationale

The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.

Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: España Herranz, Angel.

Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent

Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata

Illuminated and a leather finishing.

Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal and Interpreted.

Bearer: Espinosa, Diego.

Papa número 207 de la Iglesia, de 1431 a 1447. «Eugenius IV», de nombre Gabriele Condulmer, nació en Venecia.

Azure, a bend Argent.

Escudo de azur, una banda de plata.

Escudo papal que he interpretado con: la boca apuntada; el campo de tinta plana de azur; la banda iluminada de azur y delineada de sable; y el conjunto acuarelado.

Blazon keywords: Without divisions, Azure, One, Bend and Argent.

Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Religious and Papal States.

Bearer: Eugene IV.

Argent, a stag trippant Gules, attired and hoofed Sable, standing on a terrace in base Vert charged with a fess Or; on a chief Sable, three geese volant contourné Argent. Motto: «An Garraí Dubh go Brách» Sable, with initial letters Gules, over a scroll Argent.

International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 130], ISBN 978-1-8381483-0-0. The coat of arms of Eugene McCarthy from Ireland emblazoned by me appears in this volume.

Categories: Collage, Photographic, Art, Personal, Interpreted, Outlined in sable, Pointed, Coat of arms, Argent, One, Stag, Tripant, Gules, Attired, Hoofed, Sable, Terrace in base, Base, Vert, Charged, Fess, Or, Chief, Three, Goose, Volant, Facing sinister, Illuminated, Leather, Irish language, Motto and Scroll.

Root: McCarthy, Eugene.

Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox proper, grasping dexter four wheat spikes Or. Mantling: Azure doubled Argent. Motto: «Ignis Aurum Probat».

The crest, mantling and coat of arms of the Milian family. It was created and emblazoned by me with a 2:2:3 ratio. The ratio I most commonly use for the crest, helm, and shield is approximately 2:2:3, where 2 represents the height of the crest, 2 represents the height of the helm, and 3 represents the height of the shield.

Blazon keywords: Or, Azure, Argent, One, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar, Wavy, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Wheat spike, Wheat and Mantling.

Style keywords: Ratio, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Milian, family.

Quarterly: 1 Argent, an oak eradicated Vert, fructed Or; 2 Azure, a tower with a turret Or, port and windows Azure, masoned Sable; 3 Azure, a hound passant Argent, spotted Sable; 4 Argent, a cross Gules. Motto: «Ut Ferrum Fortes» Sable, with initial letters Gules, over a scroll Argent.

Escudo cuartelado: 1^o de plata, una encina arrancada de sinople, frutada de oro, mazonado de sable; 2^o de azur, una torre donjonada de oro, aclarada de azur; 3^o de azur, un perro pasante de plata, moteado de sable; 4^o de plata, una cruz de gules. Lema: «Ut Ferrum Fortes» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

Blazon keywords: Argent, Vert, Or, Azure, Sable, Gules, One, Quarterly, Oak, Tree, Eradicated, Fructed, With a turret, Port and windows, Masoned, Dog, Passant, Spotted, Cross and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Simon-Faus, family.

Or, six fleurs de lis Azure, 3, 2, and 1.

Escudo de oro, seis flores de lis de azur, 3, 2 y 1.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms of Alessandro Farnese, 1545–1592, emblazoned by me. In 1956, the fourth Tercio of the Spanish Legion was created and named Tercio Alessandro Farnese in his honor. The coat of arms of that Tercio features the arms of the Farnese in its central inescutcheon, although with its 6 fleurs de lis arranged in orle.

Blazon keywords: Or, Azure, Six and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Farnese, Alessandro.

Argent, a lion sejant erect Purpure.

Escudo de plata, un león sentado de púrpura.

Imaginary coat of arms of King Fernando II of León, which I have developed based on his seal and the arms of his successor, with: the shape of the coat of arms is semi-circular; the field enameled in flat argent; the lion enameled in purpure and illuminated; and the whole rendered with a watercolor finish.

For this imaginary coat of arms I have chosen a representation of the lion in a posture similar to that of the great seal appearing in [Fernando II de León; 1167], which is sejant ~ «sentado» in Castilian, although beginning to rise «sejant erect».

It should be noted that we are in a pre-heraldic period where the possible attitudes of the lion were not yet clearly defined, although several of them are already anticipated in the great seals of Fernando II, as can be seen, for example, passant in [Fernando II de León; 1181] and in other attitudes in the photographs of [Martín Fuertes, J. A.; 2002].

Blazon keywords: Without divisions, Argent, Lion, Purpure and Sejant.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.

Classification: Interpreted, Imaginary, Coat of arms and Kingdom of León.

Imaginary bearer: Ferdinand II of Leon.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules.

A symbolic image representing, through 3 coats of arms, the creation of the coat of arms of the King Ferdinand III the Saint from the arms of Alfonso IX, King of León, and Berenguela, Queen of Castile. The shapes of all three shields are rounded; all their components are illuminated; and the whole composition features a watercolor finish.

Ferdinand III the Saint was the son of Alfonso IX of León and Berenguela of Castile. During his reign, the crowns of Castile and León were united forever. When, in 1230, Ferdinand III succeeded his father, he adopted a quarterly coat of arms, placing his mother's arms, the castle, in the 1^st and 4^th quarters, and his father's arms, the lion, in the 2^nd and 3^rd quarters. His goal was likely to achieve balance between the two kingdoms and to give his coat of arms a greater sense of continuity over time compared to impaled arms. The coat of arms of Ferdinand III the Saint was the first quarterly shield in history, and the idea spread into the heraldry of Spain and other kingdoms, such as Aragon-Sicily, Brabant, England, Navarre, and Bohemia.

The mother first, schematic in English

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.

Style keywords: Semi-circular, Illuminated, Tilted shield and Watercolor.

Classification: Interpreted, Personal, Accolé arms, Family tree, Genealogical, Kingdom of Castile, Kingdom of León and Kingdom of Castile and Leon.

Bearer: Ferdinand III of Castile.

Marshal of Castile, first Lord of Baena and plenipotentiary ambassador to the court of Portugal (1355–1435).

Or, three fesses Gules.

Escudo de oro, tres fajas de gules.

Coat of arms del que fue mariscal de Castilla interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat metal Or; its three fesses illuminated in Gules y outlined in Sable; y el conjunto con un plastered finish.

He served under the kings John I of Castile, Henry III of Castile, and John II of Castile.

These three bars of the Fernández de Córdoba lineage are found, for example, in the first quarter of the coat of arms of Gonzalo Fernández de Córdoba y Enríquez de Aguilar, known as *El Gran Capitán*.

Blazon keywords: Without divisions, Or, Fess and Gules.

Style keywords: Illuminated, Outlined in sable, Semi-circular and Gesso.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.

Bearer: Fernández de Córdoba y Carrillo, Diego.

Blazon equivalent to: Berry of Molland.

Or, three bars Gules.

De oro, tres fajas de gules.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of Gonzalo Fernandez de Cordoba, 1453–1515, known as «The Great Captain», emblazoned by me. The Tercio Great Captain, 1^st of the Spanish Legion, is named in honour of Gonzalo Fernandez de Cordoba, and the coat of arms of the unit bears a central inescutcheon with the arms of «The Great Captain».

Blazon keywords: Or, Gules, Three and Fess.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Fernandez de Cordoba, Gonzalo.

Founding document of the Ordo Equestris Reginae Caeli, OERC, oerc.eu, designed by David Perez Alvarez and me and emblazoned by me. Since its foundation, the OERC has carried out numerous humanitarian aid projects in various countries. Among them are the donation of 25 first-aid kits, provided by one of its postulants, and a major joint action in which 60 volunteers loaded full hospital equipment for the war-affected Sumi region in Ukraine, delivering more than one hundred hospital beds in Radolfzell am Bodensee in April 2025.

Blazon keywords: Order, Azure, Or, Argent, One, Four, Eight-pointed cross, Cross couped, Fleur de lis, Crowned, Monogram, Grand collar and Surrounded.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Boa, Certification and Heraldic document.

Bearer: Ordo Equestris Reginae Caeli.

From the House of Valois-Angoulême and with the motto: Nutrisco et extinguo.

Azure, three fleurs de lis Or.

Escudo de azur, tres flores de lis de oro.

Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the three fleurs-de-lis outlined in Sable and illuminated in Or; and finished with a plaster texture.

Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.

Style keywords: Pointed, Illuminated, Outlined in sable and Gesso.

Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.

Bearer: Francis I of France.

Party per fess: 1 Or, a tower Gules between in chief a crescent and a mullet of eight points Azure; 2 Azure, three demi-horses courant in bend sinister nascent from the ends of three bars wavy issuant from sinister Argent. Crest: A crown of the Soberana y Muy Noble Orden de la Granada.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a rounded external shape and with a texturized finishing.

Arms of Francisco Jose Bermejo Fernandez Briceño, designed by Ignacio Koblischek, emblazoned by Antonio Salmeron for the Soberana y Muy Noble Orden de la Granada, and carved by Juan Miguel Rocamora Narro.

Blazon keywords: Or, Azure, Gules, Argent, One, Three, Party per fess, Tower, Between, Chief, Crescent, Mullet, Demi, Horse, Courant, Bend sinister, Nascent, Bar, Wavy, Issuant, Sinister and Crown.

Style keywords: Outlined in sable, Illuminated and Rounded.

Classification: Personal, Interpreted, Boa, Coat of arms and Armorial stone.

Bearer: Bermejo Fernandez-Briceño, Francisco Jose.

Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent.

Escudo cortado de gules, encajado de tres piezas enteras de plata, en jefe, un aventador ranversado de oro acompañado de dos lancetas adosadas de plata.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.

G0129, Chief Herald of Arms of Malta's grant of the coat of arms of Markus Hermann Frank, USA. This coat of arms has been emblazoned by me.

Design rationale

The coat of arms of Markus Hermann Frank features a Franconian Rake, a heraldic reference to his surname, making this a case of canting arms. The Franconian Rake is the historical emblem of the Franconia region in Germany, traditionally blazoned as per fess dancetty of three points Gules and Argent. He is a Medical Doctor and an Associate Professor at Harvard Medical School, which is reflected in the two fleams, surgical instruments historically used in medicine.

Blazon keywords: Gules, Argent, Or, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between and Fleam.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Frank, Markus Hermann.

Blazon of the Freitas lineage of Portugal.

Gules, five mullets of six points Or.

Illuminated and a freehand finishing.

It can be found at [Cró, J. do; 1509; page 123].

Blazon keywords: Without divisions, Gules, Five, Mullet and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of Portugal.

Party per pale Vert and Sable, a sun in splendour Or issuant from the dexter chief. Motto: «Da Pacem Domine».

Escudo partido de sinople y sable, un sol de oro moviente de la diestra del jefe. Lema: «Da Pacem Domine».

Arms designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finish.

Canting arms of the French family of Fr. Marc Vernoy designed by him and me and emblazoned by me. A field Vert and Sable ~ Vert Noir ~ Vernoy. French blazon by Hyacinthe de Keranrouë: Parti de sinople et de sable, au soleil d'or mouvant de l'angle dextre. Devise: «Da Pacem Domine».

Blazon keywords: Vert, Sable, Or, One, Party per pale, Sun in splendour, Issuant, Dexter, Chief and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Vernoy, French family of Fr. Marc.

Argent, a tetrahedron Azure, pierced by a sword bendwise, point downwards Or, garnished Azure. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a martlet Sable. Mantling: Azure doubled Or. Motto: «Ir-rieda biss tmexxi l-qalb».

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

G0102, Chief Herald of Arms of Malta's grant for the arms of Dr. James Patrick Howard II, USA. These arms have been emblazoned by me for such grant. The Maltese motto means «only the will guides the heart».

Blazon keywords: Argent, Azure, Or, Sable, One, Tetrahedron, Geometric solid, Pierced, In bend, Sword, Point downwards, Garnished, Upon (wreath), Helm, Wreath, Martlet, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Howard II, Dr. James Patrick.

Party per fess, 1 Gules, a stag rampant, issuant from base proper, in the dexter chief a Maltese cross Argent; 2 Azure, a mullet of seven points Argent. Crest: Upon a helm befitting his degree issuant from a crown of Noble above the shield, with a wreath Argent and Gules, a demi-lion Gules, crowned Or, grasping in its paws a swallow-tailed pennon lozengy Gules and Argent, shafted Sable. Mantling: Gules doubled Argent. Motto: «Per Aquas Ad Futurum». Suspended from the shield, the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.

G0131, augmentation of G0042, Chief Herald of Arms of Malta's grant for the arms of Jay Geoffrey De Graaf, Australia. The augmentation consists of the addition of a Maltese cross Argent in the dexter chief. These arms have been emblazoned by me for such grant.

Blazon keywords: Gules, Azure, Argent, Or, One, Party per fess, Stag, Rampant, Issuant from base, Proper, In the dexter chief, Eight-pointed cross, Cross couped, Mullet, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Demi, Lion, Crowned, Grasping, Paw, Swallow-tail, Lozengy, Shafted, Mantling, Motto, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.

Bearer: Graaf, Jay Geoffrey De.

Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a crown of Noble. Mantling: Azure doubled Or. Motto: «Guallini».

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.

R0067, Chief Herald of Malta's register of the arms of Mario Antonio Guallini. These arms have been emblazoned by me for such register.

Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet, Disordered, Upon (wreath), Helm, Wreath, Crown of Noble, Crown, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Guallini, Mario Antonio.

Argent, a tree eradicated proper, in chief an escallop reversed Gules, between two flies pilewise proper. Crest: A galero Sable with two cords, one on each side, each with six tassels Gules. Motto: «No Fear In Love». Behind the shield, the cross of the Holy Sepulchre of Jerusalem. The shield is surrounded by the cross of a Knight Commander of the Holy Sepulchre of Jerusalem.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.

G0117, Chief Herald of Arms of Malta's grant for the arms of the Reverend John Muscat, Honorary Monsignor of the Canon Chapter, Roman Catholic Cathedral of the Assumption, Gozo. These arms have been emblazoned by me for such grant.

Blazon keywords: Argent, Gules, One, Two, Six, Tree, Eradicated, Proper, In chief, Escallop, Between, Fly, Pilewise, Crest, Galero, Cord, Tassel, Motto, Behind the shield, Cross, Surrounded and Decoration.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Muscat, John.

Azure, in chief a label Or, and in base a fleur de lis Argent.

Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].

Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Gangoiti, lineage.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma].

Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.

G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet and In orle.

Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

Azure, six lions rampant Or, 3, 2 and 1.

Escudo de azur, seis leones rampantes de oro, 3, 2 y 1.

Existing armories interpreted by me as follows: the shape of the shield is pointed; the field has been enameled in flat azure; the 6 lions are illuminated and cast shadows on the field; and the entire composition has a hammered metal finish.

The shield of Geoffrey V, Count of Anjou is considered the first documented coat of arms in history, dated to 1127, when Henry I of England gifted it to him on the occasion of his marriage to his daughter Matilda of England [The Heraldry Society; 2013].

There is no direct evidence that Henry I possessed a coat of arms, nor that it featured a rampant lion [Humphery-Smith, C.; 1983], but the gift of a shield with 6 lions to his future son-in-law could be an indication of such.

Geoffrey is buried in the Cathedral of Saint Julian in Le Mans, and his tomb is decorated with an enamel depicting him with his shield, where of his 6 lions: 4 are fully visible, and 2 are suggested by their claws.

However, it is possible that both the wedding gift narrative and the enamel on the tomb are from years after his death in 1151, so [Pastoureau, M.; Garvie, F.; 1997; page 18] asserts that «this account was written after Geoffrey's death... and his funerary enamel commissioned by his widow Matilda between 1155 and 1160... therefore it is possible that Geoffrey Plantagenet never had a coat of arms».

Blazon keywords: Without divisions, Azure, Six, Lion, Or, Rampant and Three, two and one.

Style keywords: Pointed, Illuminated, Shaded, Outlined in the field tincture and Metal beaten.

Classification: Interpreted, Personal, Coat of arms and House of Plantagenet.

Bearer: Godfrey V, Count of Anjou.

Gules, a Saint George nimbed Or, riding a Horse trampling upon a crawling Dragon, Argent.

Interpreted coat of arms: with a rounded and pointed shape; illuminated with metals or and argent and color gules; outlined with sable; and a Watercolor finish.

Blazon keywords: Without divisions, Gules, Saint George, Nimbed, Or, Horse, Dragon and Argent.

Style keywords: Ogee, Illuminated, Outlined in sable and Watercolor.

Classification: Coat of arms, Interpreted, Civic and State of Georgia.

Bearer: Georgia.

Or, a eagle displayed Sable, beaked, langued, armed and membered Gules.

Escudo de oro, un águila de sable, picada, lampasada, armada y membrada de gules.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.

Coat of arms for the Federal Republic of Germany emblazoned by me.

Blazon keywords: Or, Sable, Gules, One, Eagle, Displayed, Beaked, Langued, Armed and Membered.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Germany, Federal Republic of.

Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.

Escudo partido: 1^o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2^o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.

G0093, Chief Herald of Arms of Malta's grant for the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga. This coat of arms has been emblazoned by me.

Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.

Sanguine semy of nails Or.

Escudo de sanguíneo sembrado de clavos de oro.

Coat of arms interpreted and emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.

Blazon keywords: Without divisions, Sanguine, Semé, Nail and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Pointed.

Classification: Interpreted and Kingdom of Denmark.

Bearer: Globe, Richard.

Gules, a cross vair ancient.

Escudo de gules, una cruz de veros antiguos.

Coat of arms that I have interpreted as follows: the shield has a semicircular (round) base; the field is in flat tincture of Gules; the vair ancient, rounded in the old style, are outlined in Sable and illuminated; and the whole has a raised-stroke drawing.

The coat of arms of the commune of Bailleul is very similar to this coat of arms, with the difference that it is of regular vair instead of ancient, rounded vair, like that borne by Gonzalo Argote de Molina.

Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair ancient.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Personal, Coat of arms and Heraldry and heralds.

Bearer: Argote de Molina, Gonzalo.

Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.

Escudo de armiños, tres granadas ranversadas de oro, rajada de gules, talladas y hojadas de sinople, sumadas de una corona abierta, alternando cuatro rosetas de hojas de acanto, visibles tres, y cuatro granadas, visibles dos, todas de oro, forrada de gules.

Coat of arms emblazoned by me with an oval shape, illuminated, and with a leather finishing that seems watercolor.

Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.

Style keywords: Outlined in sable, Oval, Illuminated and Leather.

Classification: Socioeconomic, Interpreted and Coat of arms.

Bearer: Granada, Soberana y Muy Noble Orden de la.

Quarterly: 1 and 4 Argent, a wolf rampant Sable; 2 and 3 Gules, a garb Or.

Escudo cuartelado: 1^o y 4^o de plata, un lobo rampante de sable; 2^o y 3^o de gules, una gavilla de oro.

Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems watercolor.

Blazon keywords: Quarterly, Argent, One, Wolf, Rampant, Sable, Gules, Garb and Or.

Style keywords: Rounded, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Gräupl, Edwin.

Azure, a seagull volant Argent, carrying in its feet a sheaf of tobacco proper, bound Gules.

Escudo de azur, una gaviota volante de plata, llevando entre sus patas una gavilla de tabaco al natural, liada de gules.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

The coat of arms of Gregorio Lanzagorta Llaguno, harbor of San Blas, and cigar maker in Nayarit, Mexico. This coat of arms was designed by Juan Lanzagorta Vallín and painted by me.

Blazon keywords: Azure, Argent, Gules, One, Seagull, Volant, Grasping, Foot (palmiped), Sheaf of tobacco, Proper and Bound.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Gregorio Lanzagorta Llaguno.

184^th Pope of the Church, from 1271 to 1276. «Gregorius X», born Teobaldo Visconti, was born in Piacenza and convened the 14^th Ecumenical Council, known as the Second Council of Lyon.

Azure, a chief embattled Or.

Escudo de azur, el jefe almenado de oro.

Papal coat of arms interpreted by me with: a pointed and rounded shield shape; the field in plain Azure; the chief embattled, illuminated in metal Or and outlined in Sable; and the whole with a marbled finish.

My first version of the blazon in English was «Azure, a chief Or, embattled», but Michael McCartney suggested that it was more correct as «Azure, a chief embattled Or».

Blazon keywords: Without divisions, Azure, Chief, Or and Embattled.

Style keywords: Ogee, Illuminated, Outlined in sable and Marmoreal.

Classification: Interpreted, Religious and Papal States.

Bearer: Gregory X.

Argent, a fess dancetty of four points Gules.

Escudo de plata, una faja encajada de cuatro piezas de gules.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.

G0138, Chief Herald of Arms of Malta's grant of the coat of arms of the municipality of Gudja, Malta. This coat of arms has been emblazoned by me and has been published in the Malta Government Gazette, number 21486, page 10730, with the blazon «Argent a fess dancetty of four points counterdancetty of three points all Gules».

Blazon keywords: Argent, Gules, Four, Fess and Dancetty.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Gudja, municipality of.

Of the twelve lineages of Noblemen, it is the second, descendant of Álava, the very ancient and powerful one, in which some served under Navarre, and others under the kings of Castile; they bear for arms and insignia, on a field Gules, which is red, five poplar-leaves (panelas) Argent, in the form and design in which this shield is painted.

Gules, five Poplar-leaves Argent, inverted.

Escudo de gules, cinco panelas de plata.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.

Interpretation based on the second coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the accompanying text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

The «panela» is a figure typical of Spanish heraldry [Valero de Bernabé, L.; 2007; page 11]. It is a leaf shaped like a heart with its stalk pointing upward. It could be a leaf of a tree such as, for example, the poplar, although there is no certainty that it is specifically that tree.

With first appearances prior to heraldry on Hispano-Roman tombstones, the «panela» is of Alavese origin, [Menéndez Pidal de Navascués, F.; 1985; page 474], spreading through the Basque-Navarrese region and from there throughout Spain, with the peculiar name «panela», which was initially called «pannella», [Valverde Ogallar, P. B.; 2001; page 532] derived from «pan», [Real Academia Española; 2001].

In the heraldry of other countries, leaves from different trees are used as heraldic symbols, but usually with the stalk pointing downward; therefore I transcribe in this blazon «panelas» ~ «Poplar-leaves, inverted».

[Menéndez Pidal de Navascués, F.; 1985; page 474] states that the «panela» is a natural figure equivalent to the linden leaf in German heraldry, with the stalk downward, and to the water-lily leaf in French heraldry, with the stalk upward; but since these are such different plants, I do not find it suitable to use linden, and even less water-lily, in the English transcription of this Navarrese blazon.

Under the title «Surname of Guebara» it can be consulted in [Vega, P. J. de; 1702; folio 2 of the manuscript].

Blazon keywords: Without divisions, Gules, Poplar leaf and Argent.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Guebara of Navarre.

Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent. Motto: «Hacienda de Triana».

Escudo partido: 1^o de plata, un árbol moviente de la punta de morado; 2^o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata. Divisa: «Hacienda de Triana».

Arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.

Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief, Arch and Motto.

Style keywords: Illuminated, Chasuble and Watercolor.

Classification: Socioeconomic, Interpreted, Boa and Coat of arms.

Bearer: Triana, Hacienda de.

Argent, an apple tree, the base of its trunk forming a cross crosslet Azure, fructed Gules.

Escudo de plata, un manzano con la punta del tronco en forma de cruz recrucetada de Azur, frutado de gules.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a iridescent finishing.

Blazon keywords: Argent, Azure, Gules, One, Apple tree, Base, Trunk, Cross, Crosslet, Cross couped and Fructed.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Halkosaari, Heikki.

Gules, a cross Argent.

Escudo de gules, una cruz de plata.

Existing coat of arms interpreted by me of the following form: the shape of the shield is semi-circular; the tincture of the field is gules; the tincture of the cross is metal argente; and all the coat of arms has a watercolor finish.

In French its blazon is «de gueules à la croix d'argent».

Blazon keywords: Without divisions, Gules, Argent and Cross.

Style keywords: Semi-circular, Illuminated and Watercolor.

Classification: Interpreted, Civic, Coat of arms and House of Savoy.

Bearer: Savoy, Duchy of.

King of England, Lord of Ireland and Duke of Aquitaine from the year 1216 to the year 1272

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted as follows: the mouth of the shield is semicircular (round); its field has been enamelled in a flat tint of Gules; its leopards are illuminated in Or and Azure and outlined in Sable; and the whole has a finish of aged parchment.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Old parchment.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Henry III of England.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a cross flory Purpure.

Escudo de cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, una cruz flordelisada de púrpura.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the Infante Henry of Castile, 1230–1303, 6^th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. He bore his father's arms, replacing the lion Purpure of the Kingdom of León with a cross flory Purpure, likely due to his close association with the Order of Calatrava, whose emblem is a cross flory Gules. However, he retained the metal Argent field in the 2^nd and 3^rd quarters and the lion's purple color, suggesting this was more of a conceptual change than a quartering by alliance with the Order of Calatrava.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Cross flory and Cross couped.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Henry of Castile, Infante.

Appleton Studios

David B. Appleton studies, researches, teaches, and writes about heraldry, and through his blog, he shares his heraldic knowledge with us, as well as through publications and presentations.

David B. Appleton is open to questions from his readers and provides advice on heraldic topics in which he specializes.

His blog is Blog.AppletonStudios.com and his website is AppletonStudios.com, from which he offers his services related to the world of heraldry, its dissemination, and knowledge.

Since 2009, David B. Appleton's heraldic blog has been an endless source of knowledge, images, ideas, curiosities, original reflections, and links to heraldic sites selected by him.

Heraldry: Musing on an esoteric topic

David B. Appleton stands out for his continuous analysis of all types of heraldic manifestations, which he finds everywhere, in the world we live in: from those we have inherited from ancient times to the fiercely current, from books to cinema, from fashionable clothing to urban furniture, from east to west and north to south, including those that appear in logos and emblems, those using traditional techniques and those created or disseminated through new technologies, on ships, sports cars, and airplanes, on porcelain, facades, and stained glass, on television, on t-shirts and coins, in auctions and universities, in comics and sports, etc. with a systematic publication rhythm, more than 2 posts per week, nothing heraldic escapes the record and genuine analysis of David B. Appleton on Blog.AppletonStudios.com, which I highly recommend.

Categories: Link, Interpreted, Personal, Coat of arms, Without divisions, Freehand, Soft metal, Illuminated, Outlined in sable, Canting, Heraldry and heralds, Argent, Azure, Gules, Vert, Chevronel, Between, Apple, Slipped and Leaved.

External links:

• Interpretation of his coat of arms.
• Interpretation by Xavier García at Appleton Studios.
• Interpretation by Xavier García at Dibujo Heráldico with his blazon in English and Spanish.

Root: Appleton, David B..

Heraldic document for the arms of László Linett Regina. Her coat of arms has been created by her, and emblazoned by me, and this heraldic document has been edited, signed, sealed, and dated by me. The image shows 2 pages of this heraldic document.

Blazon keywords: Azure, Or, Argent, Three, One, Eight, Lightning flash, In pall, Debruised, Unicorn, Head, Couped, The eyes, Bordure and Fleur de lis.

Style keywords: Outlined in sable, Illuminated and Pointed.