Avilés, J.; 1725b

José de Avilés e Iturbide, Marquis of Aviles, member of the Supreme Council of War, «Ciencia heroyca, reducida a las leyes heráldicas del blasón: Ilustrada con exemplares de todas las piezas, figuras y ornamentos de que puede componerse un escudo de armas interior y exteriormente, Volume II», dedicated to Juan Bautista de Orendyn (Juan Bautista de Orendáin y Azpilicueta) of His Majesty's Council, printed by Juan Piferrer of the Ángel's Square, 404 pages, Barcelona, 1725.

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[Avilés, J.; 1780b] is a later edition of this Volume I.

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Bibliographical reference of century XVIII.

Classification: In black and white and Castilian language.

The author is Avilés e Iturbide, José.

The following article cites this bibliographic reference:

• Criteria used by its title

External links:

• Valencian Digital Library, records for the Volumes I and II.
• Valencian Digital Library, content of Volume II.

Internal resources: AvilesJ1725.Tomo.II.pdf.

Cecil Humphery-Smith, FHS - Fellow of The Heraldry Society, «Why three Leopards?», Coat of Arms, COA, An Heraldic Quarterly Magazine, issue 126, The Heraldry Society, Baldock, Hertfordshire, summer of 1983.

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The coat of arms illustrating this bibliographic reference is that of the Kingdom of England, which was also that of the queen of Castile Leonor Plantagenet.

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Bibliographical reference of century XX.

Author: Humphery-Smith, Cecil.

External link:

• The Heraldry Society.

Internal resources: HumpherySmithC1983.3Leopards.docx.

As far as possible, in Blason.es I use the heraldic laws of the coat of arms by Jose de Aviles and Iturbide, marquis of Aviles, in his books in 2 volumes [Avilés, J.; 1725a] and [Avilés, J.; 1725b].

But in some cases, for example: a) when I do not find the criteria in these volumes and I have to consult other authors to whom I refer in the bibliography or b) when the doubt is not so much heraldic as of style, artistic technique, historical, linguistic, etc. After studying the case, I then establish my own criteria or I choose the one that seems to me the best reasoned of other authors and heralds and I leave it here written.

Naturally, I am open and grateful to all possible criticisms to these heraldic criteria, that can be sent to , and to review these criteria always with a spirit of improvement.

~ C ~

• Castilian heraldry

~ E ~

• Empresa, conjunto de cargas sobre el campo
• Enterprise, set of charges on the field

~ G ~

• Governance heraldry

~ H ~

• Heraldic classification

~ I ~

• Imaginary heraldry
• Invected and engrailed

~ M ~

• Military heraldry

~ P ~

• Personal Heraldry

~ R ~

• Religious heraldry

~ S ~

• Socioeconomic heraldry
• Supporters with human forms from the city of Ubeda

Michel Pastoureau and Francisca Garvie, «Heraldry: Its Origins and Meaning», New Horizons collection, edited by Thames and Hudson, London, 1997.

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Bibliographical reference of century XX.

Authors: Pastoureau, Michel and Garvie, Francisca.

The Heraldry Society, «Education Pack, A brief explanation of Heraldry for teachers together with explanatory sheets and templates for students», Baldock, Hertfordshire, 2013.

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This bibliographical reference is illustrated with the quartered coat of arms of The Heraldry Society.

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Bibliographical reference of century XXI.

Author: The Heraldry Society.

The following article cites this bibliographic reference:

• Drawing the arcs of a pointed coat of arms

External resource:

• The Heraldry Society.

Internal resources: TheHeraldrySociety2013.EducationPack.pdf.

I am:

• heraldic artist member of the Society of Heraldic Arts,
• member of The Heraldry Society,
• honoured member of The International Heraldry Society,
• heraldic artist member of Heralds International,
• correspondent fellow of the Asturian Academy of Heraldry and Genealogy,
• correspondent fellow of the Institute of Historical Research Bances y Valdés, Principality of Asturias,
• correspondent fellow of the Academia de Letras e Artes da Guiné-Bissau, and
• honorary pursuivant of arms extraordinary of the Heraldry Society of Africa.

The following map shows the location of my studio in Madrid in the Paseo de la Castellana 135, just where the street of Sor Angela de la Cruz is born from the Plaza de Cuzco.

The sculpture of straight bars of stainless steel rotated around an axis made by Andreu Alfaro in 1979, with its 12 meters high, helps the location of my studio.

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Credits: Andreu Alfaro is the author of the sculpture.

Sigue por: Emblemata; 1999.