Coat of arms of Thomas Grenville sculpted in St Mary's Church, Bideford, Devon, United Kingdom.
Gules, three Clarions Or.
On a field of gules, three clarions of gold can be seen in the dexter canton of the base of the main shield of [Tewkesbury; Century XVII; folio 24r] and on 8 other coats of arms in this armorial.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Freehand, Plain tincture and Illuminated.
Classification: Interpreted, Kingdom of England and Photographic.
Bearer: Grenville, Thomas.
The painting of the coat of arms of Thomas Grenville in 3 steps tracing, tincture and illumination.
Gules, three Clarions Or.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Freehand, Plain tincture and Illuminated.
Classification: Interpreted, Kingdom of England and Schema.
Bearer: Grenville, Thomas.
Lord of the manors of Stowe in the parish of Kilkhampton in Cornwall and of Bideford in Devon, and Sheriff of Cornwall.
Gules, three Clarions Or.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Iridescent (nacar), Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted and Kingdom of England.
Bearer: Grenville, Thomas.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purple, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; the whole debruised by a label of three points Azure.
Escudo cuartelado: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; 2o de plata, un león rampante de púrpura, lampasado y armado de gules, coronado de oro [de León]; 3o de oro, con cuatro palos de gules [de Aragón]; 4o de gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople [de Navarra]; entado en punta de plata, una granada al natural, tajada de gules, tallada y hojada de sinople [de Granada]; un escusón de azur, tres flores de lis de oro, 2 y 1, una bordura de gules [de Borbón]; brisado de un lambel de tres pendientes de azur.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finish.
This is the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias, Princess of Girona, and Princess of Viana, heiress of the throne of Spain as the elder daughter of King Felipe VI and Queen Letizia. This version of her coat of arms has been emblazoned by me.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency and Label of three points.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Leonor Princess of Asturias.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purple, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; and the whole debruised by a label of three points Azure. Crest: A Crown of Prince. The shield is surrounded by the Golden Fleece.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finish.
This is my interpretation of the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias (as heiress to the Crown of Castile), Princess of Girona (as heiress to the Crown of Aragon), and Princess of Viana (as heiress to the Kingdom of Navarre), with the Collar of the Distinguished Order of the Golden Fleece. Her coat of arms is that of her father, the King, charged with a label Azure and surmounted by the crown of a princess with four pearl diadems, three visible.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency, Label of three points, Crown of Prince, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Leonor Princess of Asturias.
Torsten Hiltmann, Laurent Hablot, Marc Gil, Matteo Ferrari, Luisa Gentile, Oliver Fearon, Andreas H. Zajic, Martin Roland, Steen Clemmensen, Radu Lupescu, Anne-Sophie Bessero-Lagarde, Tanja Jones, Alessandro Savorelli and Jean-Christophe Blanchard, «Heraldic Artists and Painters in the Middle Ages and Early Modern Times», colection Heraldic Studies, volume 1, 236 pages, with illustrations and photographs in black and white and color, edition with some articles in English and other in French, dimensions 16.90 x 2.00 x 24.40 centimeters, edited by Torsten Hiltmann and Laurent Hablot, publication funded by the Volkswagen Foundation, by the 4th Section of the EA SAPRAT (Ecole Pratique des Hautes Etudes-Paris Sciences et Lettres) and by the CESCM (Centre d’Études Supérieures de Civilisation Médiévale de Poitiers), published by Jan Thorbecke Verlag, ISBN 978-3799512534, Ostfildern, Germany, 2018.
The content of this book is as follows:
«Arms and Art in the Middle Ages; Approaching the Social and Cultural Impact of Heraldry by its Artisans and Artists», article in English, pages 11-23, Torsten Hiltmann, Munich, Germany.
«Art, Esthétique et Productions Héraldiques au Moyen Âge; Considération Générales», article in French, pages 24-40, Laurent Hablot, Paris, France.
«Peinture d’Armoiries, une Activité Parmi d’Autres du Peintre Médiéval?», article in French, pages 43-55, Marc Gil, Lille, French Flanders, France.
«Au Service de la Commune; Identité et Culture des Peintres Héraldistes dans les Villes Italiennes aux XIIIème–XIVème Siècles», article in French, pages 56-75, Matteo Ferrari, Poitiers, France.
«Artistes, Hérauts et Héraldique de Part et d’Autre des Alpes Occidentales», article in French, pages 76-94, Luisa Gentile, Turin, Italy.
«As Yt Ys Made; Gender and Description in Plans for Armorial Displays by the English Gentry c. 1460–1500», article in English, pages 97-112, Oliver Fearon, York, United Kingdom.
«The Influence of Beneficiaries on the Artistic Make-up of Imperial Grants of Arms or: How Do Heraldic Images Get into Late Medieval Charters?», article in English, pages 113-132, Andreas H. Zajic, Vienna, Austria.
«Medieval Grants of Arms and their Illuminators», article in English, pages 135-155, Martin Roland, Vienna, Austria.
«Armorials as Commercial Ventures?», article in English, pages 156-166, Steen Clemmensen, Farum, Denmark.
«Heraldic Commissions in an Architectural Context; Case Studies from Transylvania», article in English, pages 167-178, Radu Lupescu, Cluj-Napoca, Romania.
«Les Auteurs des Pompes Funèbres Héraldiques à la Renaissance; Artistes de Renom, Associations de Peintres et Ateliers Spécialisés», article in French, pages 179-189, Anne-Sophie Bessero-Lagarde, Paris, France.
«Vivified Heraldry; On Pisanello’s Medallic Imagery», article in English, pages 193-206, Tanja Jones, Tuscaloosa, Alabama, United States.
«L’Héraldique des Della Robbia à Florence entre Abstraction et Naturalisme», article in French, pages 207-221, Alessandro Savorelli, Florence, Italy.
«Georges Gresset, Peintre et Héraut d’Armes des ducs de Lorraine, 1523–1559», article in French, pages 221-235, Jean-Christophe Blanchard, Nancy, France.
Bibliographical reference of century XXI.
Classification: English language, French language and Black and white and color illustrations.
The names of the authors are:
External link:
Internal resources: Paper book.
Water, Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Bighorn sheep, Arm, Owl, Vulture, Horse, Head, Camellia, Thistle, Merino ram, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Tail addorsed, Ermine spot, Hummingbird, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Lotus flower, Hop cone, Puffin, Ash, Rooster, Claw, Talon, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Madonna lily, Flame, Wolf, She-wolf, Moon, Bluebonnet, Hand, Apple, Apple tree, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Elm, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Jaguar, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Sprig, Shamrock, Caboshed, Oak, Holm oak, Rose, Double rose, Savage, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Tyger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Winnowing fan, Crozier, Pair of scales, Ship, Beret, Grenade, Ecclesiastical cap, Arm vambraced, Chain, Covered cup, Bell, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Armillary sphere, Sword, Sabre, Parchment, Scroll, Arrow, Club, Garb, Gauntlet, Axe, Buckle, Galician granary, Polish winged hussar, Church, Oil lamp, Spear, Spear's head, Fleam, Letter, Book, Closed book, Open book, Bookmark, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Mortar, Pestle, Number, Knot, Celtic Trinity knot, Water-bouget, Comb, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Cuffed, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Mermaid, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Port and windows, Proper, Azure, Bibliography, Boa, Bordure, Cadency, Chain, Charged, Castle, Clarion, Crowned, Quarterly, Four, Triple-towered, Outlined in sable, In the fess point, Enté en point, Coat of arms, Inescutcheon, Emerald, Fleur de lis, Personal, Pomegranate, Grenville, Thomas, Gules, Leaved, Illuminated, Interpreted, Label of three points, Leonor Princess of Asturias, Lion, Masoned, Semi-circular, Ordered, Or, Argent, Without divisions, Crosswise, Orlewise, Saltirewise, Purpure, Rampant, Kingdom of Spain, Kingdom of England, Century XXI, Vert, Freehand and Three.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.