Cross couped

Categories: Cross moline and Cross couped.

Categories: Cross of Jerusalem and Cross couped.

Categories: Cross potent and Cross couped.

It was founded by Count Henry of Burgundy as a military and religious order, in the year 1093, in Beira Alta, Portugal, near the river Côa with the initial name of «Ordem de São Julião do Pereiro» ~ Order of Saint Julian of Pereiro.

In the year 1214, the defense of the city of Alcantara after its conquest was entrusted to the Order of Calatrava, but in 1218 the Calatravans relinquished it due to Alcantara being far from Calatrava.

To defend Alcantara, King Alfonso IX of León entrusted it to the new Order of the Knights of Saint Julian of Pereiro, requesting in return a certain level of dependency on the Order of Calatrava, which led the Knights of Saint Julian to adopt the Cistercian rule.

Once established in Alcantara, their original name referring to Saint Julian fell into disuse, and by 1253 there were already references to the «masters of the Order of Alcantara», with Saint Julian of Pereiro becoming the foundational center and a secondary commandery of the order.

On the origin and antiquity of the Military Order of Alcantara, and the form of its Commandery

[Avilés, J.; 1780b; treatise IV, chapter V, page 339] describes it as follows: «The Military Order, which we now call of Alcantara, was formerly that of Saint Julian of Pereiro, so named after the place where it was based, along the banks of the river Côa, in the Bishopric of Ciudad-Rodrigo, established in the year 1176 by King Ferdinand II of León, and confirmed in 1177 by Pope Alexander III. And the reason for changing its first name to the second, was because after the Knights of Calatrava had taken the City of Alcantara from the Moors and defended it bravely thereafter, they found it would be difficult to keep it, as their main house was very distant, from which the other Knights and reinforcements could not come whenever needed.».

[Avilés, J.; 1780b; treatise IV, chapter V, page 340] continues by telling us «They discussed this inconvenience with others they had at the time with the King of León, Don Alfonso IX, and it was resolved that the Master of Calatrava would give that town to the Knights of Pereiro so that they might defend it, as they did, under certain conditions in the year 1218, later performing marvels in its defense, earning through their fame and distinguished feats new graces from the Kings; and seeing how essential their residence was, the Knights of Pereiro moved to the town of Alcantara, establishing their Convent there, and thus transformed into Knights of Alcantara, who were previously Knights of Saint Julian of Pereiro».

Categories: Institution, Interpreted, Religious, Military, Illuminated, Outlined in sable, Freehand, Emblem, Cross of Alcantara, Cross couped and Cross.

Argent, a chevron between three crosses flory Sable.

Escudo de plata, un cabrio acompañado de tres cruces flordelisadas todo de sable.

Illuminated with lights and shadows and with a freehand finish.

The coat of arms of Anderson of Erbury emblazoned by me in 4 ways: 1) tricking using abbreviations, 2) hatching using lines, 3) plain tinctures, and 4) lights and shados. It is a preliminary artwork for the arms of Nick Allen Rica II.

Blazon keywords: Without divisions, Argent, One, Chevron, Between, Three, Cross flory, Cross couped and Sable.

Style keywords: Freehand, Outlined in sable, Illuminated, Pointed, Tricking, Hatching and Plain tincture.

Classification: Interpreted, Kingdom of Scotland and Schema.

Bearer: Anderson of Erbury.

Azure, two barbels addorsed Argent. Behind the shield an eight-pointed cross patty Gules.

Blazon keywords: Azure, Two, Barbel, Addorsed, Argent, Behind the shield, One, Eight-pointed cross, Cross couped and Gules.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Montbard, André de.

Argent, a cross patty Gules charged with a double rose Argent and Gules, barbed Vert, seeded Or, between four double roses Gules and Argent, barbed Vert, and seeded Or.

Coats of arms emblazoned by me with a shapes ended with semi-circular arches, illuminated, and with a leather finishing.

Once his roses have been selected (their kind, number, and layout), I redesign the shape of the cross patty to adapt it to his roses, and I redistribute the surfaces of metal Argent and color Gules looking for a more equilibrate artwork. This evolution does not change the blazon.

Blazon keywords: Argent, One, Cross patty, Cross couped, Gules, Charged, Double rose, Barbed, Seeded, Between and Four.

Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.

Classification: Personal, Created and Coat of arms.

Bearer: Gómez Morillo, Antonio José.

Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or.

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.

G0053, Chief Herald of Malta's grant of Giovanni de Bella's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Gules, One, Fess, Between, In chief, Eight-pointed cross, Cross couped, Two, Mullet, Eight, Argent, In base, Three, Bendlet and Or.

Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bella, Giovanni de.

Or, a chief Gules. Behind the shield a cross patty Gules.

Blazon keywords: Or, Chief, Gules, Behind the shield, One, Cross patty and Cross couped.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Tremelay, Bernard de.

The Order of Chivalry of Calatrava is both military and religious, founded in the Kingdom of Castile during the 12th century by Abbot Raymond of Fitero.

The purpose of its foundation was the protection of the town of Calatrava la Vieja, which currently belongs to the municipality of Carrión de Calatrava in Ciudad Real. At the time of the order's foundation, it was an important city, in the middle valley of the river Guadiana and with a strategic position, as it was a necessary passage on the road from Toledo to Córdoba to Toledo and between the west and east of the Iberian Peninsula.

On the origin and antiquity of the Military Order of Calatrava, and the form of its Commandery

[Avilés, J.; 1780b; treatise IV, chapter IV, pages 334] writes «The Military Order of Calatrava was instituted by Don Sancho III, King of Castile (called the Desired), in the year 1158, while he was visiting his Kingdom; and being in Toledo with news of the great army that the Moors were gathering to besiege Calatrava la Vieja (which is called so today to distinguish it from the new one, which was founded later); and as the Templars, to whom this Fortress belonged, did not have sufficient power to resist such a large multitude, they handed it over to King Don Sancho himself so that he could take charge of it, as he did».

[Avilés, J.; 1780b; treatise IV, chapter IV, page 335] continues by telling us «The Abbot of Santa María de Fitero», near the river Pisuerga as he will indicate next, «of the Congregation of Cistercian, in the Bishopric of Palencia (which is a Monastery of St. Bernard, located on the river Pisuerga), named Don Raymond, and Friar Diego Velazquez, his subject Monk, who followed the Court, despite the difficulty of the enterprise, requested it from the King to defend it, which was granted, trusting in the virtue of the Abbot, and the strength of the Monk, who had previously been a great Knight in deeds of Arms, and very practiced in war».

[Avilés, J.; 1780b; treatise IV, chapter IV, page 336] continues «Seeing themselves in such an obligation, and that by themselves they could not fulfill it, they turned to Archbishop Don Juan (who was the fourth of Toledo) for help; and he, granting many indulgences in all his Archbishopric to those who, for themselves and for others, supplied the Place with provisions, in the same way as those who, unable to go due to old age or illness, helped with weapons, horses, and men; and having spread this news, so much help came to them, that when the Moors learned that the number of people exceeded twenty thousand men, they abandoned the conquest, returning to their homes: for this reason, the King ceded the Town of Calatrava to the Abbot of Fitero, and his successors, to defend it from the Moors from then on, confirmed later by King Alfonso IX, his son».

[Avilés, J.; 1780b; treatise IV, chapter IV, page 337] concludes «Having obtained this grace, Abbot Don Raymond brought the most suitable Monks from Fitero to Calatrava, and everything else that was necessary for living and for the defense of the Town and its land, which with the people inclined to war who remained, formed the Order of Chivalry of Calatrava, taking this name from the place where the institution was made, which in Arabic Calatrava means Castle».

Categories: Institution, Interpreted, Religious, Military, Illuminated, Outlined in sable, Freehand, Emblem, Cross of Calatrava, Cross couped and Cross.

Disperse like the sun clears the clouds in your path.

Argent, a cross of Alcantara. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «Hoec nubila tollunt obstantia sicut sol».

Escudo de plata, una cruz de Alcántara. Timbrado de una corona real cerrada. Lema: «Hoec nubila tollunt obstantia sicut sol».

Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in metal Argent; the cross of Alcantara is outlined in Sable and illuminated in Vert; the royal crown is closed, outlined in Sable and illuminated with the metal Or, Argent for the pearls, Azure and Or for the orb, Gules and Vert for the gems, Gules for the inner cloth, and Sable for the visible hollow at its base; and the whole has a slightly hammered metal finish.

Regiment's Motto

The Latin motto «Hoec nubila tollunt obstantia sicut sol» is often translated as «Ride like the sun, disperses the clouds in its path». I would like to offer the following observations on this translation:

• Instead of «disperse», I prefer the verb «scatter» which is more aligned with a cavalry regiment, [Royal Spanish Academy; 2001] «scatter, 3^rd meaning, transitive verb, military term: To break up, rout the enemy, causing them to flee and scatter in complete disorder».
• On the other hand, even though it is about cavalry, I do not find that the Latin motto makes reference to riding, a verb that is also not needed to understand the motto's meaning, and adding an extra word lengthens the motto, reducing its impact.
• Finally, I use «your», instead of «its», so that the motto is a direct and personal rallying cry and not a phrase directed at a third person.

Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped, Cross, Crest, Closed royal crown, Crown and Motto.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Alcantara, Cavalry Regiment.

In this sign, you shall conquer.

Argent, a cross of Montesa. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «In hoc signo vinces».

Escudo de oro, una cruz de Montesa. Timbrado de una corona real cerrada. Lema: «In hoc signo vinces».

Coat of arms interpreted as follows: the shape of the shield is a semi-circular arch; the field has been illuminated in metal Or; the cross of Montesa is outlined in Sable and illuminated in Sable and Gules; the royal crown is closed, outlined in Sable and illuminated the metal in Or, the pearls in Argent, the orb in Azure and Or, the gemstones in Gules and Vert, the inner cloth in Gules, and the visible hollow at its base in Sable; and the whole has a slightly beaten metal finish.

Regimental Motto

The Latin motto «In hoc signo vinces» is translated as «In this sign, you shall conquer».

Globus cruciger ~ Orb

It is called orb ~ «globus cruciger», the first in Spanish and the second in Latin, referring to the part of the royal crown, a jewel, or a jewel itself that recreates the shape of the globe topped with a cross.

Blazon keywords: Without divisions, Or, Cross of Montesa, Cross couped, Cross, Crest, Closed royal crown, Crown and Motto.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Montesa, Cavalry Regiment.

Party per chevron Gules and barry wavy Argent and Azure, in chief two Dogwood flowers (Cornus Florida) proper, in base a Cross of Saint Chad Gules. Crest: A Cardinal's head (Cardinalis cardinalis) erased clutching in its Beak a Madonna lily (Lilium Candidum) seeded proper. Mantling: Gules doubled Argent.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped, Crest, Head, Erased, Grasping, Beak and Mantling.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Krouse, Chad Michael.

Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure. Crest: Upon a helm with a wreath Or and Azure, a cross of Lorraine patty Or. Mantling: Azure doubled Or.

Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.

Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me. The expression «a toda vela» is less frequently used in Castilian heraldry, since a ship is by default assumed to have its sails spread unless otherwise stated; whereas its equivalent «full sail» is more commonly used in English heraldry.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise, Upon (wreath), Helm, Wreath, Cross of Lorraine, Patriarchal cross, Cross couped, Patty, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Created, Boa, Coat of arms and Flag.

Bearer: Normand Delfin, Jacques William.

Gules, a beaver erect Or, armed and tailed Argent, bearing on his dexter shoulder a sword Argent, hilted Or; on a chief embattled of Renaissance crenellations Or three fleurs de lis Azure. Crest: Upon a helm with a wreath Or, Azure, and Gules a beaver issuant, crowned and winged Or, armed and tailed Argent, holding a pole Or flying a long swallow-tailed flag per fess Azure and Gules, overall a double cross patty fitchy Or. Mantling: On the dexter Azure doubled Or and on the sinister Gules doubled Or.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finish.

Canting arms of Jan Bobor, Slovakia, emblazoned under his directions.

Blazon keywords: Gules, Or, Argent, Azure, One, Three, Beaver, Erect, Armed, Tailed, Grasping, Dexter, Shoulder, Sword, Hilted, Chief, Embattled, Fleur de lis, Crest, Helm, Wreath, Issuant, Crowned, Winged, Swallow-tail, Party per fess, Overall, Patriarchal cross, Cross couped, Patty, Fitchy, Mantling, Doubled and Sinister.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.

Bearer: Bobor, Jan.

Issuant from a bridge, enarched, embattled Gules, masoned Sable above a river Azure, a bear’s forepaw Sable, armed Azure, grasping a cross crosslet fitchy bendwise sinister Gules.

Heraldic device emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.

Crest of the coat of arms of Sean Shriner, designed by The Armorial Register, and revised and emblazoned by me.

Blazon keywords: Crest, Gules, Sable, Azure, Issuant, Enarched, Bridge, Embattled, Masoned, Above, River, Forepaw, Grasping, Cross fitchy, Cross couped and Bend sinisterwise.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted and Boa.

Bearer: Shriner, Sean.

A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem

Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Schema.

Quarterly: 1 Or, a lion rampant Gules; 2 Gules, a fleur de lis Or; 3 Gules, a sun of May Or; 4 Or, a cross of Bolnisi Gules.

Escudo cuartelado: 1^o de oro, un león rampante de gules; 2^o de gules, una flor de lis de oro; 3^o de gules, un sol de mayo de oro; 4^o de oro, una cruz de Bolnisi de gules.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a chasuble external shape and with a texturized finish.

Coat of arms of Silvio Fernández Carrizo emblazoned by me.

Blazon keywords: Or, Gules, One, Quarterly, Lion, Rampant, Fleur de lis, Sun of May, Cross of Bolnisi and Cross couped.

Style keywords: Outlined in sable, Illuminated and Chasuble.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Fernández Carrizo, Silvio.

Party per fess, 1 Gules, a stag rampant, issuant from base proper, in the dexter chief a Maltese cross Argent; 2 Azure, a mullet of seven points Argent. Crest: Upon a helm befitting his degree issuant from a crown of Noble above the shield, with a wreath Argent and Gules, a demi-lion Gules, crowned Or, grasping in its paws a swallow-tailed pennon lozengy Gules and Argent, shafted Sable. Mantling: Gules doubled Argent. Motto: «Per Aquas Ad Futurum». Suspended from the shield, the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.

G0131, augmentation of G0042, Chief Herald of Arms of Malta's grant for the arms of Jay Geoffrey De Graaf, Australia. The augmentation consists of the addition of a Maltese cross Argent in the dexter chief. These arms have been emblazoned by me for such grant.

Blazon keywords: Gules, Azure, Argent, Or, One, Party per fess, Stag, Rampant, Issuant from base, Proper, In the dexter chief, Eight-pointed cross, Cross couped, Mullet, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Demi, Lion, Crowned, Grasping, Paw, Swallow-tail, Lozengy, Shafted, Mantling, Motto, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.

Bearer: Graaf, Jay Geoffrey De.

Argent, an apple tree, the base of its trunk forming a cross crosslet Azure, fructed Gules.

Arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finishing.

The coat of arms of Heikki Halkosaari, Finland, emblazoned by me.

Blazon keywords: Argent, Azure, Gules, One, Apple tree, Base, Trunk, Cross, Crosslet, Cross couped and Fructed.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Halkosaari, Heikki.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a cross flory Purpure.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, una cruz flordelisada de púrpura.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the Infante Henry of Castile, 1230–1303, 6^th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. He bore his father's arms, replacing the lion Purpure of the Kingdom of León with a cross flory Purpure, likely due to his close association with the Order of Calatrava, whose emblem is a cross flory Gules. However, he retained the metal Argent field in the 2^nd and 3^rd quarters and the lion's purpure color, suggesting this was more of a conceptual change than a quartering by alliance with the Order of Calatrava.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Cross flory and Cross couped.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Henry of Castile, Infante.

In Castile, a coat of arms quarterly does not necessarily signify inheritance. This schema illustrates two practices: a) Quarterings can represent the mother in the 1^st and 4^th quarters and the father in the 2^nd and 3^rd, highlighting the prominence given to the maternal line by placing it in the most visible quarters. b) Quarterings can also include personal symbols and concepts, like canting arms, for example, «Manuel» =«mano» + «ala» = «hand» + «wing», combined with ancestral arms. This flexibility reflects Castilian heraldic traditions, where arms are not strictly marshalled by inheritance. The inclusion of maternal arms in the 1^st and 4^th quarters highlights how Castilian heraldry often elevates maternal heritage, differing from some other heraldic traditions. The previous commentary emphasizes the creative freedom in Castile, where quartering could incorporate personal symbols or canting arms without the constraints of inheritance or dominium. This flexibility aligns with Castilian culture, allowing heraldry to reflect personal identity, not just dynastic ties. Notably, the arms of Infante Enrique's use of a cross flory demonstrates this creative freedom, showcasing the ability to innovate within heraldry even in royal contexts. While this might seem unconventional compared to other heraldic systems, it is deeply rooted in Castilian tradition. All coats of arms in this schema have been emblazoned by me.

Blazon keywords: Argent, Purpure, Gules, Or, Azure, Sable, One, Quarterly, Lion, Rampant, Armed, Langued, Castle, Triple-towered, Port and windows, Masoned, Bordure, Compony, Eagle, Cross flory, Cross couped, Party per pale, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards and Hilted.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Design rationale, Schema, Boa and Coat of arms.

Bearer: Manuel of Castile, Infante.

The Commoners' Certification of Arms for Tomasz Arkadiusz Grzeszkowiak, arms designed by Tomasz Steifer and emblazoned by me.

Gules, a base enarched Vert, overall a cross patty fitchy Or, piercing in base the head of a serpent nowed and facing sinister Sable, langued Gules. Crest: Upon a helm affronty, with a wreath Sable and Gules, in a front of three ostrich feathers alternately Sable and Gules a paschal lamb Argent, haloed Or and Gules, supporting a staff Or, flying a banner Argent charged with a cross Gules. Mantling: Gules doubled Sable. Motto: «Amor vincit omnia»

In the blazon of this certification, I wrote the expression «a Base enarched Vert», it is correct. But the expression «a Mount Vert» it is also possible. In the original expression in the Polish blazon is «na zielonym wzgórkuon» ~ «the green hill».

Blazon keywords: Without divisions, Gules, One, Mount, Vert, Issuant from base, Overall, Cross patty fitchy, Cross couped, Piercing, Head, Serpent, Nowed, Facing sinister, Sable, Langued, Helm, Affronty, Two, Mantling, Doubled, Wreath, Three, Quill, Alternately, Debruised, Paschal lamb, Argent, Nimbed, Or, Grasping, Shafted, Charged, Cross and Motto.

Classification: Interpreted, Personal, Certification, Heraldic document and Flag.

Bearer: Grzeszkowiak, Tomasz Arkadiusz.

Or, a cross of Calatrava. Crest: An open royal crown Or.

Escudo de oro, una cruz de Calatrava. Timbrado de una corona real abierta.

Coat of arms interpreted as follows: the shield's shape is a semicircular arch; the field is illuminated in metal Or; the cross of Calatrava is outlined in Sable and illuminated in Gules; the royal crown is open, outlined in Sable and illuminated in metal Or, pearls in Argent, gemstones in Gules and Vert, and the visible base hollow in Sable; and the entire piece has a slightly hammered metal finish.

The municipality of Jamilena belongs to the La Campiña region and is the smallest in the province of Jaén. I have depicted its coat of arms with an open royal crown, but representations with a closed royal crown can also be found.

The origin of the cross of Calatrava in its heraldic coat of arms dates back to the year 1525 when Emperor Charles V issued several decrees from Toledo to build a convent for nuns in Jamilena. For the construction of this convent, stones from the Muslim castle, which was reformed and occupied by the Order of Calatrava, were used.

Blazon keywords: Without divisions, Or, Cross of Calatrava, Cross couped, Cross, Crest, Open royal crown and Crown.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Civic and Coat of arms.

Bearer: Jamilena.

Argent, four leaves of silver-leaved whitebeam (Sorbus Aria Lutescens) in saltire, stems interlaced Vert, on a chief Gules, three crosses of Saint Brigid Argent.

Coat of arms emblazoned by me with a rounded shape, illuminated, and with a leather finishing.

Blazon keywords: Argent, Four, Leaf, In saltire, Stem, Interlaced, Vert, Chief, Gules, Three, Cross of Saint Brigid and Cross couped.

Style keywords: Outlined in sable, Rounded, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Kane, Kathleen.

Banner Vert, a cross flory Argent.

Pendón de sinople, una cruz flordelisada de plata.

Imaginary banner interpreted in the following way: the banner has a 5x6 proportion; the field has been enameled with flat color Vert; the cross flory is illuminated Argent and outlined in Sable; and the finish is cloth-like.

This banner appears in [Edward IV of England; 1461; row 15, 1^st column].

Blazon keywords: Without divisions, Vert, Argent, Cross flory and Cross couped.

Style keywords: Rectangular, Illuminated, Outlined in sable and Fabric.

Classification: Interpreted, Imaginary, Flag, Banner of arms and Kingdom of England.

Imaginary bearer: Arthur of Britain.

Metal Or over metal Argent.

Argent, a cross potent cantoned of four crosslets potent Or.

Escudo de plata, una cruz potenzada cantonada de cuatro cruces potenzadas todas de oro.

Illuminated with lights and shadows and with a freehand finish.

Perhaps the most classic example of non-compliance with the heraldic rule of tinctures having metal Or over metal Argent. In [Galdiano L.; Century XVII; folio 6], you can see a version of the arms of Jerusalem with the field in Gules, which would indeed follow the rule of tinctures as it is metal on color.

Blazon keywords: Without divisions, Argent, One, Cross potent, Cross couped, Cantoned, Four and Or.

Style keywords: Freehand, Outlined in sable, Illuminated, Semi-circular and Metal on metal.

Classification: Interpreted and Civic.

Bearer: Kingdom of Jerusalem.

Coat of arms of Laurent Liu-Lecomble designed by him and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Quarterly: 1 Azure, a dexter hand appaumée Argent; 2 Gules, a sword point upwards between, in the dexter, a cross patty, and, in the sinister, a Maltese cross Or; 3 Gules, three plough shares affronty, downwards, and disordered Or; 4 Azure, an eagle claw, couped Argent; an inescutcheon Or charged with a fleur de lis Azure.

Escudo cuartelado: 1o de azur, una mano diestra apalmada de plata; 2o de gules, una espada alzada acompañada, a la diestra, de una cruz patada y, a la siniestra, de una cruz de Malta, todo de oro; 3 de gules, tres rejas de arado de frente, bajadas y desordenadas de oro; 4 de azur, una garra de águila, cortada, bajada de plata; un escusón de oro cargado de una flor de lis de azur.

Blazon keywords: Azure, Argent, Gules, Or, One, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Ogee and Rough.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Liu-Lecomble, Laurent.

Party per fess, the base per pale: 1 Or, a hurt; 2 Gules and 3 Argent, over both a cross of Malta counterchanged.

Coat of arms of the municipality of Candasnos, Huesca, designed by Valeriano Labara Ballestar, approved by the Government of Aragon. It has been an honor for me to emblazon this version for Valeriano Labara. The image illustrates my process in 3 steps: 1) outlined, 2) plain colors and metals, and 3) light and shadows. [Labara Ballestar, V. C.; 2019; pages 341-368] describes the «reconstruction of the recovery process and adaptation of the municipal historical emblems of Candasnos (Huesca)».

Blazon keywords: Or, Azure, Gules, Argent, One, Party per fess, the base per pale, Hurt, Eight-pointed cross, Cross couped and Counterchanged.

Style keywords: Outlined, Outlined in sable, Plain tincture and Illuminated.

Classification: Civic, Interpreted, Schema, Boa and Coat of arms.

Bearer: Candasnos, municipality of.

Registered by The International Register of Arms, 6^th of June of 2020, Registration number 0559, Volume 4.

Categories: Armorial roll, Azure, Chevron, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity and Scroll.

External link:

• Nilda Ernestina Lucca de Anaya at The Armorial Register.

Root: The Armorial Register.

The King of Navarre, at the time of his new and solemn coronation, is raised and lifted up as King by the hands of twelve barons of the greatest and oldest houses of the said Kingdom, and these are the twelve Noblemen who are named on the other side, with their blazons and coats of arms.

Interpretation and composition of 13 coats of arms that I have created with a parchment-like finish.

A free interpretation, for example, without the central crown over the arms of Navarre, with a different title, written «Navarra» and not «Nabarra», etc., based on the principal plate of [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with texts taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

«Ricohombre», written together, currently means «title that formerly belonged to the highest nobility of Spain», [Real Academia Española; 2001].

Its plural «ricoshombres» is the most commonly used form, but «ricohombres» is also correct and used; and in [Bosque, J. del; 1540] it is written separately, and «honbre» with an «n» before the «b», that is, «ricos honbres».

Blazon keywords: Without divisions, Party per bend, Azure, Gules, Or, Argent, Sable, Vert, Eagle, Chequey, Cross flory, Cross couped, Fess, Chief, Lion, Pale, Poplar leaf, Clay pot and Rampant.

Style keywords: Semi-circular and Old parchment.

Classification: Interpreted and Kingdom of Navarre.

Bearer: Noblemen of Navarre.

Heraldic document, 2 pages.

The pages have a heraldic frame with the elements of his coat of arms.

The motto, which is the beginning of the Gospel of Saint John, can be seen in [Cnut Gospels; 1020; folio 111].

Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale, Number, Gules, Argent, Azure, Crest and mantling, Helm, Mantling, Wreath, Crest, On, Charged, Disordered, Cross, Cross of Burgundy, Cross couped, Book, Open, Motto, Scroll and Fimbriated.

Classification: Created, Personal, Catalogue, Heraldic document and Frame.

Bearer: Salmerón Cabañas, Antonio.

Ordo Beatæ Mariæ Virginis de Redemptione Captivorum

Party per fess: 1 Gules, a cross patty Argent; 2 Or, four pallets Gules.

Escudo cortado: 1^o de gules, una cruz patada de plata; 2^o de oro, cuatro palos de gules.

These already existing arms have been interpreted by me in the following way: the mouth of the coat of arms has been drawn in a pointed shape; its field has been enameled with Gules and Or flat tinctures; the cross patty and the 4 pales are illuminated; and the whole has received a rough finish.

Blazon keywords: Party per fess, Gules, Or, Argent, Cross, One, Cross patty, Cross couped and Pale.

Style keywords: Pointed, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Religious and Coat of arms.

Bearer: Our Lady of Mercy, Order of.

Order of Chivalry of Saint Mary of Montesa and Saint George of Alfama.

A cross of Montesa.

Una cruz de Montesa.

Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a highly hammered metal finish.

The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical review of the founding of the Order of Montesa, states that it was created in 1317, at the request of James II, King of Aragon, through a bull issued by Pope John XXII.

Emblem

About the emblem of the Order of Chivalry of Montesa [Avilés, J.; 1780b; treatise IV, chapter VI, page 342, figure 103], it states that «the Ensign of the Knights of Montesa is a plain red Cross», gules, «plain, which they wear on their Capitular Mantles, or hanging from a red ribbon on the chest over a gold oval; that is, on a field of gold a plain cross of gules (different from how the Masters wore it)» and, therefore, it describes the first emblem of the Order of Montesa and not the one they wear now, which is that same plain cross of gules charged on a cross like that of the Order of Calatrava or like that of the Order of Alcantara, but in Sable instead of Gules or Vert.

Blazon keywords: Cross of Montesa, Cross couped and Cross.

Style keywords: Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Religious, Military and Emblem.

Bearer: Montesa, Order of.

Order of Chivalry of Santiago

A cross of Saint James.

Una cruz de Santiago.

Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a heavily hammered metal finish.

The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical account of the foundation of the Order of Santiago, describes three different points of view:

• The one presented by tradition, which establishes it in 844, after the battle of Clavijo, when fourteen knights led by the Field Master Don Sancho Martínez de Tejada requested permission from Don Ramiro I, king of Asturias between the years 842 and 850, to found it. This traditional view is the one recorded in [Avilés, J.; 1780b; treatise IV, chapter II, page 325] when discussing the origin of the «Military Order of Santiago of the Sword».
• The perspective of historians like Claudio Sánchez Albornoz or Américo Castro, who question the earlier date. Furthermore, [Sánchez Albornoz, C.; 1965; pages 94-136], as cited in [Domínguez García, J.; 2008; pages 69-70], proposes that the actual battle of Clavijo occurred later, in the year 859, and that Ramiro I did not participate, but rather it was a conflict between King Ordoño I and the Moor Muza.
• The view of historians who, based on the statutes of the order found in the Monastery of Uclés, which was the residence of the Master of the Order of Santiago, and the Latin in which they are written, believe that the foundation could indeed date back to the reign of Don Ramiro I.

Emblem

Regarding the emblem of the Order of Chivalry of Santiago, [Avilés, J.; 1780b; treatise IV, chapter II, page 328, plate 25, figure 100] states «the Commandery of this Order was always a red Sword» (gules ~ red), «in the form of a Cross, just as the guards of the ancient Swords that its Knights and Commanders carried on their white Mantles, and today also on the chest in the same manner, hanging from a red ribbon on a gold medal; that is, in a field of Or, a Cross of Gules».

Blazon keywords: Cross of Saint James, Cross couped and Cross.

Style keywords: Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Religious, Military and Emblem.

Bearer: Santiago, Order of.

Party per pale: 1 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or. Crest: An open royal crown. Behind the shield a cross of Alcantara.

Escudo partido: 1^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro. Timbrado de una corona real abierta. Acolada detrás del escudo una cruz de Alcántara.

Civic coat of arms interpreted by me as follows: the shield of arms has a semicircular (round) base; the quarters are enameled and illuminated in the tinctures Argent and Gules; the castle, the lion, the Cross of Alcántara and the crown are illuminated; the lion and its crown are outlined in the colour of the field; the open royal crown, the Cross of Alcántara and the castle are outlined in Sable; the Cross of Alcántara is fimbriated Or; and the whole has a watercolor finish.

In [Medél, R.; 1846; plate 35, illustration 5] one can see his interpretation of the Cross of Alcántara.

Blazon keywords: Argent, Purpure, Gules, Or, Azure, Party per pale, Castle, Lion, Port and windows, Masoned, Rampant, Armed, Langued, Crowned, Crest and mantling, Crown, Open royal crown, Behind the shield, Cross, Cross of Alcantara and Cross couped.

Style keywords: Semi-circular, Illuminated and Watercolor.

Classification: Interpreted, Civic and Coat of arms.

Bearer: Cáceres, Province of.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Barry of four per pale counterchanged Or and Gules.

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de contrafajado de cuatro piezas de oro y gules.

Blazon keywords: Barry per pale counterchanged, Four, Or, Gules, Quarterly, Argent, One, Cross patty and Cross couped.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Blanchefort, Bertrand de.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Argent, a cross Azure

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de plata, una cruz de azur.

Blazon keywords: Argent, One, Cross, Azure, Quarterly, Cross patty, Cross couped and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Hérail, Gilbert.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Azure, a bend Or

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de azur, una banda de oro.

Blazon keywords: Azure, One, Bend, Or, Quarterly, Argent, Cross patty, Cross couped and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Molay, Jacques de.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Vair

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de de veros.

Blazon keywords: Vair, Quarterly, Argent, One, Cross patty, Cross couped and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Vichiers, Renaud de.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Or, six annulets Gules, 3, 2, and 1.

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de de oro, seis anilletes de gules, ordenados 3, 2 y 1.

Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two, One, Quarterly, Argent, Cross patty and Cross couped.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Richard, Richard.

Of the twelve lineages of Noblemen, the eighth is that of Rada; they bear as arms a shield Or with a flory cross Vert, in the same manner as painted in this shield.

Or, a Cross flory Sinople.

Escudo de oro, una cruz flordelisada de sinople.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the flory cross outlined in Sable and illuminated in Vert enamel; and finished in highly-hammered metal.

Based on the eighth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Rada» it can also be consulted in [Vega, P. J. de; 1702; folio 8 of the manuscript].

Blazon keywords: Without divisions, Or, Cross flory, Cross couped and Vert.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Rada of Navarre.

Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable.

Credits: Ernesto Juan Anaya is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Crest and mantling, Galero, Cord and Tassel.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Religious, Interpreted and Coat of arms.

Bearer: Lucca de Anaya, Nilda Ernestina.

Vert, a chevron, between three cross-crosslets; on a chief Argent, three griffins statant Gules, beaked and armed Or. Crest: Upon a helm, with a wreath Argent and Gules, a griffin's head couped Gules, beaked Or. Mantling: Gules doubled Argent. Motto: «Silentium est aureum».

These are the arms of Austin Charles Berry emblazoned by me and crafted as a ring. Austin Charles Berry told me «I don’t plan on using it as seal matrix and therefore declined to have them reverse the engraving».

Blazon keywords: Vert, One, Chevron, Between, Three, Cross-crosslet, Cross couped, Chief, Argent, Griffin, Statant, Gules, Beaked, Armed, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Head, Party per fess and Motto.

Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Coat of arms, Latin language, Collage and Photographic.

Bearer: Berry, Austin Charles.

Lozengy Or and Gules. Behind the shield a cross patty Gules.

Blazon keywords: Lozengy, Or, Gules, Behind the shield, One, Cross patty and Cross couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Craon, Robert de.

Royal Council of the Orders of Chivalry, of Santiago, Calatrava, Alcantara, and Montesa.

Emblem quarterly per saltire: 1, a cross of Saint James; 2, a cross of Calatrava; 3, a cross of Alcantara; 4, a cross of Montesa.

Emblema cuartelado en sotuer: 1^o, una cruz de Santiago; 2^o, una cruz de Calatrava; 3^o, una cruz de Alcántara; 4^o, una cruz de Montesa.

Interpretation of the emblem of the Royal Council with: its four crosses outlined in Sable, illuminated in Gules, Vert, and Sable; and a heavily hammered metal finish.

There is another version of this emblem of the Royal Council with the crosses of its four orders of Santiago, Calatrava, Alcantara, and Montesa outlined in Or instead of Sable.

Blazon keywords: Cross, Quarterly per saltire, Cross of Saint James, Cross couped, Cross of Calatrava, Cross of Alcantara and Cross of Montesa.

Style keywords: Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Socioeconomic and Emblem.

Bearer: Royal Council of the Orders of Chivalry.

My interpretation of the arms of the Templar and Humanitarian Order of the Kingdom of Spain with the help of Antonio José Gómez Morillo, on the blog Twelve Lineages of Soria in an article entitled: Beautiful rendering of the Arms of the T.H.O.K.S., created by Mr. Antonio Salmerón Cabañas.

Categories: Link, Watercolor, Freehand, Semi-circular, Closed royal crown, Crown, Supporter (human form), Supporter, Mantle, Sable, Gules, Argent, Or, Ermine, Cross of Saint James, Cross couped, Escallop, Flag and Party per pale.

Root: Twelve Lineages of Soria.

Azure, a cross of Burgundy Or; an inescutcheon Or, six fleurs de lis in orle Azure.

Coat of arms of the Tercio Alessandro Farnese, 4^th of the Spanish Legion, emblazoned by me in 9 steps. Because «1/3» ~ «one third» ~ «un tercio», and the height and witdh of the inescutcheon is 1/3 of its coat of arms, I use these arms to show a geometric method to calculate it. The inescutcheon has in orle the six fleurs the lis of the Farnese family.

Blazon keywords: Azure, Or, One, Six, Cross of Burgundy, Cross couped, Inescutcheon, Fleur de lis and In orle.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Military, Interpreted, Schema, Boa and Coat of arms.

Bearer: Tercio Alessandro Farnese.

Gules, a cross of Burgundy Or; an inescutcheon Or, three bars Gules.

Coat of arms of the Tercio Great Captain, 1^st of the Spanish Legion, emblazoned by me in 12 steps. The inescutcheon represents the coat of arms of Gonzalo Fernandez de Cordoba, 1453-1515, «The Great Captain». To paint the coat of arms of the Tercio Gran Capitán, I applied a geometric method that involves dividing both the width and the height of the shield into three equal parts. This way, the central inescutcheon, bearing the arms of Gonzalo Fernandez de Cordoba, occupies exactly one third of the width and one third of the height of the main shield. Beyond its compositional function, this method also serves as a symbolic nod to the name of this historic military unit. The shield of the Tercio has been quite literally built using thirds. It is a small play on words and shapes that combines geometry with heraldic tradition.

Blazon keywords: Gules, Or, One, Three, Cross of Burgundy, Cross couped, Inescutcheon, Bar and Fess.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Military, Interpreted, Schema, Boa and Coat of arms.

Bearer: Tercio Great Captain.

Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules. The shield is surrounded by the Golden Fleece.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.

Arms of Charles, Holy Roman Emperor, emblazoned by me.

Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Two, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed, Scroll, Surrounded and Collar.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Charles V, Holy Roman Emperor.

Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.

Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.

Coat of arms interpreted as follows: with a semicircular (round) base; the field and the chief in the flat tinctures Purpure and Azure, with a lightly-hammered metal finish; and the four charges outlined in Sable, shaded, illuminated, and with a very hammered metal finish.

I hold the University Specialist degree in Real Estate Management and Administration, awarded by the Department of Private Law of the University of Burgos. These studies are structured over three academic years and are pursued online in combination with periods of traditional classes in the summers and on-site examinations during the winters. This was my first long-term online training experience.

Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.

Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable, Soft metal and Hard metal.

Classification: Interpreted, Socioeconomic and Education.

Bearer: Burgos, University of.

Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.

Escudo de azur, una Virgen de la Merced teniendo en su mano siniestra una cadena rota de plata, y cargada en su pecho de un escudete cortado, 1^o de gules, una cruz patada de plata y 2^o de oro, cuatro palos de gules, acostada de dos hojas palmas en pira.

Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and painted by me. Usually, the English term «between» is translated into Castilian as «acompañado». However, when the 3 elements are elongated in the same direction, the appropriate term in Castilian is «acostado», which means lying down.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond and In pile reversed.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Vega Lanzagorta, Sister Esperanza.

My heraldic channel at WhatsApp is whatsapp.com/channel/0029VbAV5sk3LdQbvWgP4p43 or blason.es/whatsapp.

Categories: Technology, Social networks, Lion, Rampant, Armed, Langued, Label, Behind the shield, Eight-pointed cross and Cross couped.

It has been painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a rough finish.

Heraldry, decoration, and order of wear white tie of the Grand collar of the Ordo Equestris Reginae Caeli, the three have been emblazoned by me. The OERC acts according to the Christian principles of charity and solidarity. Its members engage personally in social and humanitarian initiatives, always aiming to bring concrete help and moral support to people in need. Through these efforts, the OERC seeks to serve peace and human dignity beyond all borders.

Blazon keywords: Order, Decoration, White tie, Azure, Or, Argent, One, Four, Eight-pointed cross, Cross couped, Fleur de lis, Crowned, Monogram, Grand collar and Surrounded.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.

Classification: Interpreted and Boa.

Bearer: Ordo Equestris Reginae Caeli.