Escudo de Castilla y León Libro abierto, hojas de plata, filo de oro, guardas de gules, tapas de sable.

Nisbet, A.; 1722

Alexander Nisbet, System of Heraldry, 1722, coat of arms

Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by J. MackEuen, Edinburgh, 1722.


This is the very 1st edition of this book and I consult the edition [Nisbet, A.; 1816].


Bibliographical reference of century XVIII.

The author is Nisbet, Alexander.

Here are the articles quoting this reference:

External resource:

Separador heráldico
Escudo de Castilla y León Libro abierto, hojas de plata, filo de oro, guardas de gules, tapas de sable.

Nisbet, A.; 1816

Alexander Nisbet, System of Heraldry, 1816, page 43

Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by William Blackwood de Ediburgo and Rodwell and Martin of London, Edinburgh, 1816.


This is the edition I consult and the 1st edition of this book is [Nisbet, A.; 1722].

The illustration accompanying this bibliographic reference corresponds to page 43 of this edition of 1816.


Bibliographical reference of century XIX.

The author is Nisbet, Alexander.

Bibliographic reference mentioned in the following articles:

External links:

Internal resources: NisbetA1722.SystemHeraldry.pdf.

Separador heráldico
Escudo de Castilla y León Unicornio saltante sobre la divisa, criterio.

Invected and engrailed

NisbetA 25 AcanaladoAngrelado Esquema jpg

Bordure invected and bordure engrailed.

System of Heraldry, 1816, page 21, pictures 1 and 2

Categories: Criterion, Schema, Semi-circular, Bordure, Invected and Engrailed.

Separador heráldico
Escudo de Castilla y León

Alexander Nisbet, schema

NisbetA 24 AngreladoAcanalado Esquema jpg

Bordure engrailed and bordure invected.

Painting inspired in [Nisbet, A.; 1816; page 21, pictures 1 and 2], but with the 3 boar's heads of Alexander Nisbet within the 2nd bordure invected.

Blazon writen by the College of Arms for the coat of arms of Michael John Huxley-Evans «Per fess nebuly Sable and Ermine in chief a Rose Argent barbed and seeded proper within a wreath of Thorns Or in base three Boar's Heads erased Sable armed Or.», but to differentiate from the «armed» of the claws, I prefer «tusked» to «armed» for the defenses/tusks of the boar's heads.


Blazon keywords: Bordure, Invected, Engrailed, Head and Boar.

Style keywords: Semi-circular.

Classification: Schema.

Bearer: Nisbet, Alexander.

Separador heráldico
Escudo de Castilla y León Libro abierto, hojas de plata, filo de oro, guardas de gules, tapas de sable.

Shakespeare, W.; 1608

Shakespeare, Or, on a bend Sable, 
        a Spear Argent, headed Or

William Shakespeare, «Coriolanus», Tragedy in 5 acts and 29 scenes, written in verse, dated to either 1608 or 1609, depending on the sources.


It is one of the last works written by William Shakespeare, a tragedy based on the life of Caius Marcius Coriolanus, a legendary Roman general from the 5th century B.C. Some authors consider General Coriolanus to be a historical figure, while others do not.

Initially known only as Caius Marcius, during the war against the Volsci he becomes a hero by entering the city of Corioli with a few soldiers, and from then on, he is called Caius Marcius Coriolanus.

Act 3, Scene 2, Volumnia, mother of Coriolanus

I prithee now, my son,
Go to them, with this bonnet in thy hand;
And thus far having stretch'd it (here be with them)
Thy knee bussing the stones (for in such business
Action is eloquence, and the eyes of the ignorant
More learned than the ears) waving thy head,
Which often, thus, correcting thy stout heart,
Now humble as the ripest mulberry
That will not hold the handling: or say to them,
Thou art their soldier, and being bred in broils
Hast not the soft way which, thou dost confess,
Were fit for thee to use as they to claim,
In asking their good loves, but thou wilt frame
Thyself, forsooth, hereafter theirs, so far
As thou hast power and person.


Bibliographical reference of century XVII.

Author: Shakespeare, William.

External resource:

Separador heráldico
Escudo de Castilla y León Libro abierto, hojas de plata, filo de oro, guardas de gules, tapas de sable.

St. George's Roll; 1285

Gules, three Buckles Argent, Tomás Roscelyn

St. George's Roll, in English usually written as «MS Vincent, 164 ff.1-21b», also called [Vincent, MS; 1285], it is in the College of Arms, London, containing 677 painted coats of arms, it is an English roll or arms dating from c. 1285.


The bibliographical reference that I mainly use for this armorial is [Vincent, MS; 1285].


Bibliographical reference of century XIII.

Classification: Armorial roll and Manuscript.

Author: unknown.

Here are the articles quoting this reference:

Separador heráldico
Escudo de Castilla y León Áncora de oro y la divisa enlace.

Heralds International

Heralds International, parchment insignia of heraldic artists

Internet addresses:

I was honored with their announce of my incorporation to Heralds International, the announce was the following:

  • «Dr. Antonio Salmeron has recently joined Heralds International as a Member Artist and so we thought we would feature some of his work. A longer article will follow later but Dr. Salmeron has described his work thus»:
  • «My style as a heraldic artist is clear, symbolic and methodical. Clear because my work searches pieces which transmit energy and vital force to the owner, I think that a coat of arms should be a source of light and joy and an expression of freedom. Symbolic because coats of arms must be a representation of its bearer, his/her ideals, motivations, history and anything he/she might want to display. Methodical because heraldic art is founded on a science, the so called science of heraldry».
  • «We look forward to featuring more of his work very soon».
My artistic answer to a kind proposal of Heralds International

Categories: Link and Heraldry and heralds.

Separador heráldico

Sigue por: Vincent, MS; 1285.

 

Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135, 7th floor,
28046 Madrid, Spain.