Bell tower: Alejandra Espeja Amieva, outlined. Alejandra Espeja Amieva, schema 1x2. Arms of the Lanzagorta Otxoa

Alejandra Espeja Amieva, outlined

Or, four bell towers issuant from base Gules, windows Or.

Coat of arms of Alejandra Espeja Amieva designed by Juan Lanzagorta Vallín and outlined by me.

Blazon keywords: Or, Gules, Four, Bell tower, Issuant from base and Port and windows.

Style keywords: Outlined, Outlined in sable and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Espeja Amieva, Alejandra.

Alejandra Espeja Amieva, schema 1x2

Or, four bell towers issuant from base Gules, windows Or.

Coat of arms of Alejandra Espeja Amieva designed by Juan Lanzagorta Vallín and emblazoned by me. As shown in the image, the structure of this coat of arms is based on the arms «Or shield with four pallets Gules» of Ramon Berenguer IV, Count of Barcelona, which are the arms of the Crown of Aragon. Regarding this coat of arms and my previous sentence, Joaquim Verde i Llorente tells me: «...or, four pallets gules, besides being the arms of the dynasty of the Counts of Barcelona (first found on a shield of Ramon Berenguer IV, although the proto-heraldic palleted design already appears on the Romanesque tombs of Ermesinda and Ramon Berenguer II), are those of the County of Barcelona / Principality of Catalonia and of the Crown of Aragon. But not of the Kingdom of Aragon, whose own kings considered that its ancient arms were the Cross of Íñigo Arista (senyal antich de rey d'Aragó ~ senyal antich d'Aragó ~ ancient emblem of the King of Aragon ~ ancient emblem of Aragon) and its modern arms the Cross of Alcoraz (armes d'Aragó ~ arms of Aragon). Although in the end, they ultimately became the quarterly shield of the Tree of Sobrarbe, the Cross of Íñigo Arista, the Cross of Alcoraz, and the Royal emblem (nostre senyal real ~ our royal emblem)...».

Blazon keywords: Or, Gules, Four, Pallet, Bell tower, Issuant from base and Port and windows.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Espeja Amieva, Alejandra.

Arms of the Lanzagorta Otxoa family at the 5^th ICGHV

[Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent]; [Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules]; [Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced]; [Azure, a sun in splendour, irradiated of sixteen ears of wheat Or]; [Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent]; [Or, four bell towers issuant from base Gules, windows Or]; [Or, a sun in splendour party per pale Azure and Argent, its rays Azure; a bordure Azure]; [Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable]; [Argent, a multi-rose, which is a rose charged with ten roses conjoined in orle Rose, barbed Vert, seeded Or; a bordure Azure]; and [Or, an eagle displayed Azure].

Poster with the coats of arms of the members of the Lanzagorta Otxoa family, from Jalisco, Mexico, all designed by their bearers and by Juan Lanzagorta Vallín and emblazoned and signed by me, exhibited at the 5^th International Congress of Genealogy and Heraldry (5^th ICGHV), Vilnius. The 5^th ICGHV was held at the historic National Museum - Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas. This family armorial composition presents ten personal coats of arms, each one created for a specific member of the family, while preserving a shared visual and heraldic language. The arms are those of Iker Lanzagorta Ochoa, Teresa Otxoa Magaña, Ixai Lanzagorta Ochoa, María de los Ángeles Carrillo Padilla, Itziar Lanzagorta Ochoa, Alejandra Espeja Amieva, the youngest granddaughter of Jon Lanzagorta Vallín, Juan Lanzagorta Vallín himself, the eldest granddaughter of Jon Lanzagorta Vallín, and Andrés Cruz Carballo.

Blazon keywords: Vert, Argent, Or, One, Two, Azure, Sable, Gules, Sixteen, Four, Rose, Ten, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief, Adze, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed, Udder, Chevron, Ouroboros, Langued, Interlaced, Sun in splendour, Irradiated, Ear of wheat, Wheat, Semé, Mullet, Voided, Conjoined, Bell tower, Issuant from base, Port and windows, Party per pale, Ray of the sun, Bordure, Masoned, Wolf, Combatant, Charged, In orle, Barbed, Seeded, Eagle and Displayed.

Style keywords: Outlined in sable, Plain tincture, Semi-circular, Oval, Ogee, Rhombus and Rounded trapezoid.

Classification: Personal, Interpreted, Boa and Photographic.

Bearer: Lanzagorta Vallín, Juan.

Csernely

Azure, a plough share points downward Argent between, upon a base enarched Vert, two bell towers Argent, port and window Sable.

Escudo de azur, una reja de arado bajada de plata acompañada de dos campanarios de plata, aclarados de sable, terrazados de sinople.

Coat of arms emblazoned by me with a shape endend with an ogee arch, illuminated, and with a freehand finishing.

Csernely is a village in Borsod-Abaúj-Zemplén county in Hungary.

The official description, not the blazon, is: «...in the blue field of a shield standing on its snout two silver-coloured church towers with onion-shaped cupolas and crosses on their peaks are rising on a green hill. Between them a silver ploughshare is floating with its point upside down...».

The official description use the word «hagymakupolás» in Hungarian. The official text is «Csernely címere: Csücsköstalpú pajzs kék mezejében zöld halmon két ezüst színu, hagymakupolás templomtorony emelkedik, ...», but the cupolas painted by them do not seem the classic «onion-shaped cupolas».

Notice the mount color Vert over a field color Azure, not uncommon in this heraldic tradition.

Hungría, Borsod-Abaúj-Zemplén county, Csernely

Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.

Style keywords: Ogee, Outlined in sable, Freehand and Illuminated.

Classification: Civic, Interpreted and Coat of arms.

Bearer: Csernely.

Espeja Amieva, Alejandra

Or, four bell towers issuant from base Gules, windows Or.

Escudo de oro, cuatro campanarios movientes de la punta de gules, aclarados de oro.

Arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of Alejandra Espeja Amieva designed by Juan Lanzagorta Vallín and emblazoned by me. Blazoning specific, real-world objects in coats of arms should be avoided. Therefore, in the blazon I describe «four bell towers». However, in this case, for artistic reasons, to echo the elongated form of the four pallets Gules, and due to the origin of the bearer, I depict four bell towers inspired by those on the Nativity Façade of Gaudí’s Sagrada Família in Barcelona. Additionally, I initially blazoned the arrangement of the 4 bell towers as «in fess» ~ «en faja», as, from a heraldic perspective, this term accurately describes their horizontal alignment next to each other across the field. However, I observed that this term, far from clarifying the design, caused confusion among some viewers. The naturally vertical shape of a bell tower, its default position, is «palewise» ~ «puesta en palo», so using «in fess» ~ «en faja» led many to assume that I intended to lay the bell towers on their sides. Although the original description was heraldically correct, I decided to remove the mention of «in fess» ~ «en faja» for being unnecessary and clearly counterproductive. As the towers are «issuant from base» ~ «movientes de la punta», their placement in a horizontal row is sufficiently implied, thus avoiding misunderstandings and maintaining the clarity of the blazon. It is important to remember that «in fess» ~ «en faja» refers to how multiple elements are aligned with each other (in a horizontal row), while «palewise» ~ «puesto en palo» describes the individual orientation of an element (in a vertical position).