Sword

This video visualizes the ANPC emblem and the blazon, step by step, of the shield it contains. The typography used belongs to Dr.^a Marianne Steinbauer and the soundtrack is «Egmont Overture Opus 84» by Ludwig van Beethoven performed by the «Musopen Symphony».

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Credits: Kevin MacLeod es el autor de la música and Dr.ª Marianne Steinbauer tiene los derechos del tipo de letra.

Blazon keywords: Without divisions, Gules, Argent, Or, Female figure, One, Justice, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Crest, Open royal crown, Crown, Motto (identification) and Motto.

Style keywords: Watercolor, Illuminated, Shaded, Semi-circular and Outlined in the field tincture.

Classification: Video, Created and Socioeconomic.

Bearer: ANPC.

A mermaid proper, holding in her dexter a sword Argent, hilted Or, and in her sinister a comb Or.

Heraldic device designed by me, highlighted with lights and shadows, contoured in Sable, and with a rough finishing.

The heraldic badge of The Knights of Cristina designed under her directions and emblazoned by me.

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Blazon keywords: Argent, Or, One, Mermaid, Proper, Grasping, Dexter, Sword, Hilted, Sinister and Comb.

Style keywords: Outlined in sable, Illuminated and Rough.

Classification: Imaginary, Created, Boa and Badge.

Imaginary bearer: Cristina, The Knights of.

Gerard J. Brault, professor of French and Medieval Studies at Pennsylvania State University, «Rolls of Arms of Edward I, 1272-1307, Volume I and Volume II», is a set of 2 volumes, 1,104 pages, size 24.4 x 17.2 cm, with 3 color illustrations and 8 black and white illustrations, published by Boydell Press, Aspilogia series, ISBN 9780851156699, Suffolk, United Kingdom, May 1, 1997.

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Another annotated edition exists from February 21, 2008, also published by Boydell Press.

The starting hypothesis of this book is that at the beginning of the second half of the 13th century, the use of coats of arms increased, this increase led to the appearance of the first armorials in which the names of their holders were recorded along with the descriptive blazon of their armory, and painted shields could be included.

From the Middle Ages, about 350 armorials have survived, of which 130 come from England, and they are a unique source for identifying many medieval figures, their titles, and their possessions. This book analyzes 17 of these armorials, such as the so-called [Marshal, L.; 1295; The Lord Marshal's Roll], which includes the coat of arms of William de Colebrand that illustrates this bibliographic reference.

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Bibliographical reference of century XX.

Author: Brault, Gerard J..

Here are the articles quoting this reference:

• Colebrand, William de
• Marshal, L.; 1295

External resource:

• Boydell and Brewer.

Or, on a pile issuant from the base Gules a sword point upwards Argent.

Escudo de oro, una pira de gules cargada de una espada alzada de plata.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].

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Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Burr, lineage.

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Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Crest and mantling, Helm, Mantling, Dexter, Doubled, Sinister, Wreath, One, Arm, Armed, Nascent, Grasping, Sword, Between, Two, Wing, Conjoined in fess, Decoration, Suspended and Base (lower 1/3).

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales García y Bustamante, Carlos.

Alternative coat of arms for the heraldry and its categories.

Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.

Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a metallic finish.

These arms are one of the alternatives created during the process of developing a coat of arms for the categories of heraldry.

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Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.

Style keywords: Illuminated, Outlined in sable and Watercolor.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Categories of heraldry.

Grand Laureate Cross of Saint Ferdinand.

Argent, a cross of Alcantara. Crest: A closed royal crown Or, with eight arches, visible five. Behind the shield the Laureate Grand Cross of Saint Ferdinand. Motto: «Hoec nubila tollunt obstantia sicut sol».

Escudo de plata, una cruz de Alcántara. Timbrado de una corona real cerrada. Acolada detrás del escudo la gran cruz laureada de San Fernando. Lema: «Hoec nubila tollunt obstantia sicut sol».

Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in metal Argent; the cross of Alcantara, the 4 swords and the 2 laurel branches are outlined in Sable and illuminated in Vert and Gules; the royal crown is closed, outlined in Sable and illuminated with the metal Or, Argent for the pearls, Azure and Or for the orb, Gules and Vert for the gems, Gules for the inner cloth, and Sable for the visible hollow at its base; and the whole has a iridescent finish.

Rif War, July 23, 1921, banks of the Igan River, North Africa

The Alcantara Regiment executed nine successive cavalry charges to protect the infantry's retreat, nine charges until they broke the enemy lines, outnumbering them. The last charge was on foot because all their horses were dead or exhausted. These heroic riders of Alcantara had fulfilled their duty of protecting the wounded infantry in their retreat to El Batel, but the price was appalling: of 691 riders, only 67 survived, and three months were necessary to recover hundreds of corpses.

For this reason, in 2012, the Alcántara Regiment was collectively awarded the Grand Laureate Cross of Saint Ferdinand.

Two lances behind the shield

Since 1987, the coat of arms of the cavalry regiments of the Spanish Army must carry two crossed lances accolade behind the shield. And indeed, this coat of arms of the Alcántara Cavalry Regiment has two lances behind the shield, but in my artistic heraldic interpretation, I did not paint them to avoid detracting from the prominence of the Laureate Cross.

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Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped, Cross, Crest, Closed royal crown, Crown, Behind the shield, Four, Sword, Crosswise, Gules, Two, Branch, Laurel, Vert and Motto.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Alcantara, Cavalry Regiment.

Azure, a sword erect Or, between three garbs Or, 2 and 1.

Escudo de azur, una espada alzada de oro, acompañada de tres gavillas de trigo de oro, 2 y 1.

Coat of arms interpreted with: a rounded base; the field illuminated in Azure; the motto and charges illuminated in Or and outlined in Sable; and the whole with a leather texture.

In England, Wales and Ireland, the term «heraldic visitations» ~ «visitas heráldicas» referred to the inspection tours carried out by the officers of the kings of arms, or even by the kings of arms themselves, with the aim of recording and sanctioning the family trees and coats of arms of the nobility, the counties and the bourgeoisie who bore them.

These journeys took place mainly between the year 1530 and the year 1688. The results of these inspections were recorded in books that could be considered a roll or heraldic census of the upper classes. For this reason, and since then, these records have been a valuable source of information for historians, genealogists and heraldists.

The County of Cheshire received the following «heraldic visitations»:

• The 1^st in 1533 visited part of the county of Chester, as part of a journey covering other areas. It is a visitation ordered by the king of arms Thomas Benolte (Benalt) and carried out by the herald William Fellow. This visitation is recorded, for example, in the book [Langton, W.; 1876].
• The 2^nd in 1558, the visitation was carried out by the king of arms Lawrence Dalton himself, accompanied by William Colbarne, a pursuivant ~ official of arms.
• The 3^rd in 1566, by the herald Robert Glover.
• The 4^th in 1580, by the king of arms William Flower and the herald Robert Glover.
• The 5^th in 1591, visiting Chester, the capital, by Thomas Chaloner. This 5^th visitation and the earlier 1^st, 3^rd, 4^th, but not the 2^nd, are recorded in the book [Rylands, J. P.; 1882] and also in [Goldstraw, M. S. J.; 2013a].
• The 6^th in 1613, carried out by the king of arms himself Sir Richard Saint George accompanied by his son and pursuivant Henry Saint George. This visitation is recorded in the book [Armytage, G. J.; Rylands, J. P.; 1909] and also in [Goldstraw, M. S. J.; 2013b].
• The 7^th and last in 1663 by the king of arms William Dugdale. This visitation is recorded in the book [Adams, A.; 1941].

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Blazon keywords: Without divisions, Azure, Or, Sword, Point upwards, Between, Wheat, Garb and Ordered.

Style keywords: Rounded, Illuminated, Outlined in sable and Leather.

Classification: Interpreted, Civic and Cheshire County.

Bearer: Cheshire, County of.

Azure, a bend sinister raguly between, in dexter chief, a Celtic cross, in sinister base, a sword point downwards Argent.

Escudo de azur, una barra ecotada acompañada, en la diestra del jefe, de una cruz celta y, en la siniestra de la punta, de una espada bajada todo de plata.

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Blazon keywords: One, Bend sinister, Raguly, Between, Dexter, Chief, Celtic cross, Sinister, Base (lower 1/3), Sword, Point downwards and Argent.

Style keywords: Outlined in sable, Semi-circular and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Reyes, Elijah.

Willame de Colebraund ~ William de Colebrand.

Gules, three Swords Argent, erect, in fess.

Escudo de gules, tres espadas de plata, alzadas, en faja.

Interpreted coat of arms with a free hand finish.

Coat of arms included in [Marshal, L.; 1295; coat of arms number 461], also in [Brault, G. J.; 1997], and time ago in Brian Timms, but not now.

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Blazon keywords: Without divisions, Gules, Three, Sword, Argent, Point upwards and In fess.

Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Colebrand, William de.

Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.

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Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: von Haimb, Isadora.

Vert, on three chevrons Or nine oak leaves Vert, 3, 3, and 3. Crest: Upon a wreath Or and Vert, a demi-fox guardant, holding in its dexter paw a federschwert bend sinisterwise proper.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a rough finishing.

Coat of arms of Jason Landers Northam from Illinois, emblazoned by me. A demi-fox, as with many other animals in heraldry, does not require the term rampant to be specified, since this is its default posture.

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Blazon keywords: Vert, Or, Three, Nine, One, Chevron, Oak, Tree, Leaf, Crest, Upon (wreath), Wreath, Demi, Fox, Guardant, Federschwert, Sword and Proper.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Northam, Jason Landers.

Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable. Motto: «Curae virtus est».

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Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise, Sable and Motto.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Coulot, Fabian.

Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.

Escudo partido: 1^o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2^o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.

G0093: the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga, of Italy, as granted by the Chief Herald of Arms of Malta and emblazoned by me for this grant. In the 2^nd quarter, a trimount color Vert can be seen on a field color Gules, that is, color on color. In many heraldic traditions, a trimount color Vert should not be placed on a field color Gules. However, this is not universal; for example, the arms of Slovakia display a trimount color Azure on a field color Gules. There are other differences between heraldic traditions: in Polish heraldry, for instance, Sable is not regarded as a color but as a neutral tincture, neither metal nor color, and may therefore be placed upon color Gules. These arms, granted by the Chief Herald of Arms of Malta to Alessandro Giannelli and Mariana von Atzingen Gorga, belong to an Italian marriage, and similar combinations can be found in the Italian heraldic tradition. One example is the arms of the family of Prince Giuseppe Tomasi di Lampedusa, author of the novel on which Luchino Visconti's film Il Gattopardo is based. The heraldic beast that gave its name to both the novel and the film is itself shown above a trimount color Vert on a field color Azure: «D'azzurro al leopardo d'oro, illeonito, sostenuto da un monte di tre cime di verde cucito». The heraldic term «cucito», literally «sewn», equivalent to the French heraldic term «cousu», also in English, indicates precisely that a color has been placed upon another color. Some heraldists use this term and others do not. I personally like to use it because it makes clear that one is fully aware of the breach of this rule. In this case, for this particular blazon, I have followed more closely the terminology published for the grant in The Malta Government Gazette and have therefore not used the term «cousu» in the text of the blazon.

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Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.

Style keywords: Colour on colour, Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.

Martin S. J. Goldstraw, «The Heraldic Visitations of Cheshire 1533 to 1580», published by Martin S. J. Goldstraw, 338 pages, Cheshire, 22 August 2013.

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Recreation by Martin S. J. Goldstraw of the book [Rylands, J. P.; 1882].

The coat of arms that illustrates this bibliographic reference is that of the book's author.

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Bibliographical reference of century XXI.

Author: Goldstraw, Martin S. J..

Here are the articles quoting this reference:

• Cheshire Heraldry
• Cheshire, County of
• Gleyve de High Ligh and Gleave de High Lea
• Hatton de Woodhouse
• Massy de Tatton
• Rylands, J. P.; 1882

Martin S. J. Goldstraw, «The Heraldic Visitations of Cheshire 1613», published by Martin S. J. Goldstraw, 335 pages, Cheshire, 24 August 2013.

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Recreation by Martin S. J. Goldstraw of the book [Armytage, G. J.; Rylands, J. P.; 1909].

This bibliographic reference is illustrated with the coat of arms of the book's author.

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Bibliographical reference of century XXI.

The author is Goldstraw, Martin S. J..

Bibliographic reference mentioned in the following articles:

• Armytage, G. J.; Rylands, J. P.; 1909
• Cheshire Heraldry
• Cheshire, County of
• Fitton de Carden, Clutton and Chester
• Gleyve de High Ligh and Gleave de High Lea
• Hyde de Norbury
• Massey de Sale
• Meoles de Meoles
• Tatton de Wythenshawe
• Vernon the Elder, Sir Raulfe
• Vernon, Baron of Shubbroc
• Vernon, Sir Ralfe
• Walkington of the County of Cheshire

Argent, on a chevron Gules three feathers Argent, between three swords erect Gules, 2 and 1.

Escudo de plata, un cabrio de gules cargado d tres plumas de plata, acompañado de tres espadas de gules, alzadas, 2 y 1.

Coat of arms interpreted with: a rounded base; the field illuminated in Argent; the chevron outlined in Sable, illuminated in Gules, with a wider angle than usual, one might say in the Cheshire style; the feathers illuminated in Argent and outlined in Sable; the swords outlined in Sable and illuminated in Gules; and the whole with a leather finish.

Martin S. J. Goldstraw was born in Leek, a town in the rural area of North Staffordshire, known as the «queen of the moors». His interest in the heraldry of the County of Cheshire began when he discovered that the origins of his surname Goldstraw lay in the surname and village of Goostrey in the County of Cheshire.

Martin S. J. Goldstraw writes that for him heraldry is something addictive, to which he was already devoted during his university years and in which he continues to work well into this third millennium. He is the author of the coats of arms presented on the website of Cheshire Heraldry and author of books on the heraldry of the County of Cheshire.

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Blazon keywords: Without divisions, Argent, Gules, Chevron, Charged, Sword, Point upwards, Ordered, Between and Quill.

Style keywords: Rounded, Illuminated, Outlined in sable and Leather.

Classification: Interpreted, Personal and Cheshire County.

Bearer: Goldstraw, Martin S. J..

Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. The shield is surrounded by the Grand Collar of Malta's National Order of Merit, as Head of the Order.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a leather finish.

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Blazon keywords: Or, Azure, Gules, Argent, Vert, One, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Surrounded and Grand collar.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Spiteri Debono, Myriam.

Argent, a tetrahedron Azure, pierced by a sword bendwise, point downwards Or, garnished Azure.

Escudo de plata, un tetraedro de azur, atravesado de una espada puesta en banda, bajada de oro, guarnecida de azur.

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

G0102: the coat of arms of Dr. James Patrick Howard II, of USA, as granted by the Chief Herald of Arms of Malta and emblazoned by me for this grant.

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Blazon keywords: Argent, Azure, Or, One, Tetrahedron, Geometric solid, Pierced, In bend, Sword, Point downwards and Garnished.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Howard II, Dr. James Patrick.

In Castile, a coat of arms quarterly does not necessarily signify inheritance. This schema illustrates two practices: a) Quarterings can represent the mother in the 1^st and 4^th quarters and the father in the 2^nd and 3^rd, highlighting the prominence given to the maternal line by placing it in the most visible quarters. b) Quarterings can also include personal symbols and concepts, like canting arms, for example, «Manuel» =«mano» + «ala» = «hand» + «wing», combined with ancestral arms. This flexibility reflects Castilian heraldic traditions, where arms are not strictly marshalled by inheritance. The inclusion of maternal arms in the 1^st and 4^th quarters highlights how Castilian heraldry often elevates maternal heritage, differing from some other heraldic traditions. The previous commentary emphasizes the creative freedom in Castile, where quartering could incorporate personal symbols or canting arms without the constraints of inheritance or dominium. This flexibility aligns with Castilian culture, allowing heraldry to reflect personal identity, not just dynastic ties. Notably, the arms of Infante Enrique's use of a cross flory demonstrates this creative freedom, showcasing the ability to innovate within heraldry even in royal contexts. While this might seem unconventional compared to other heraldic systems, it is deeply rooted in Castilian tradition. All coats of arms in this schema have been emblazoned by me.

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Blazon keywords: Argent, Purpure, Gules, Or, Azure, Sable, One, Quarterly, Lion, Rampant, Armed, Langued, Castle, Triple-towered, Port and windows, Masoned, Bordure, Compony, Eagle, Cross flory, Cross couped, Party per pale, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards and Hilted.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Design rationale, Schema, Boa and Coat of arms.

Bearer: Manuel of Castile, Infante.

Gules, a beaver erect Or, armed and tailed Argent, bearing on his dexter shoulder a sword Argent, hilted Or; on a chief embattled of Renaissance crenellations Or three fleurs de lis Azure.

Coat of arms interpreted by me, in plain tinctures, contoured in Sable, with an ogee outer contour and with a texturized finish.

Canting arms of Jan Bobor, Slovakia, emblazoned under his directions. Bobor means Beaver.

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Blazon keywords: Gules, Or, Argent, Azure, One, Three, Beaver, Erect, Armed, Tailed, Grasping, Dexter, Shoulder, Sword, Hilted, Chief, Embattled and Fleur de lis.

Style keywords: Outlined in sable, Plain tincture and Ogee.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Bobor, Jan.

Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or.

Coat of arms of Jesus Angueira Duro from Galicia. The image combines a photograph of a drawing of a Galician granary along with his coat of arms, both painted by me. From my original hand-drawn sketch to its final heraldic embodiment, this Galician granary has evolved in its details, crosses, tile finials, door lock, through a close and iterative creative process with the armiger.

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Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf and In pile.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Boa, Hand-drawn, Collage and Photographic.

Bearer: Angueira Duro, Jesus.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.

Arms designed by me, in plain tinctures, outlined in Sable, with an ogee triple-pointed outer contour and with a texturized finish.

Coat of arms of Julio Hector Aspe designed by him and me, and emblazoned by me.

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Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.

Style keywords: Outlined in sable, Plain tincture and Ogee Triple-Pointed.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

Argent, a stag springing, in base an acorn leaved and slipped proper, on a chief invected Gules, a sabre fesswise, point sinister proper, debruised by a rose Or, leaved Vert. Motto: «Iustitia per Ministerium» Sable, with initial letters Gules, over a scroll Argent.

Escudo de plata, un ciervo brincante, en punta una bellota frutada y hojada al natural; en un jefe acanalado de gules un sable puesto en faja, alterado al natural, resaltado de una rosa de oro, hojada de sinople. Lema: «Iustitia per Ministerium» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.

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Blazon keywords: Argent, Gules, Or, Vert, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised, Rose, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Knox, Kelly Kathleen.

Azure semé of moons with human face Argent, a sword point upwards Gules, the sinister of its blade debruised by a moon with human face Argent both bend sinisterwise.

Escudo de azur sembrado de lunas figuradas de plata, una espada alzada de gules, la siniestra de su hoja resaltada de una luna figurada de plata ambas puestas en barra.

Coat of arms depicted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.

The coat of arms of María Labarrieta N. designed by Juan Lanzagorta Vallín and emblazoned by me.

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Blazon keywords: Azure, Argent, Gules, One, Semé, Moon, With human face, Sword, Point upwards, Sinister, Debruised and Bend sinisterwise.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Labarrieta N, María.

Lord Marshal, «The Lord Marshal's Roll», deposited in the Society of Antiquaries of London, code ms664, volume 1, ff 19-25, contains 565 painted shields, of which 42 are blank and 48 do not have the name of their associated holder, dated 1295.

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This armorial contains the systematic error of representing, in many of its registered shields, the metal gold as metal silver, and some of its shields are not easy to decipher. Therefore, this armorial cannot be considered a completely reliable and definitive source of certain coats of arms.

[Brault, G. J.; 1997] is a good reference for the analysis of this armorial and in Brian Timms you can see a current interpretation of the coats of arms recorded in it, among them the shield of William de Colebrand that illustrates this bibliographic reference.

At the beginning of the second half of the 13th century, the use of coats of arms increased, this increase led to the appearance of the first armorials in which the name of their holders was recorded along with the blazon describing their coats of arms, possibly including the painted shields.

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Bibliographical reference of century XIII.

Author: Marshal, Lord.

The following articles cite this bibliographic reference:

• Brault, G. J.; 1997
• Colebrand, William de
• Savoy, Duchy of

External resource:

• Boydell and Brewer.

Party per fess: 1 Gules, five swords erect, in fess Argent; 2 Vairy Or and Gules.

Escudo cortado: 1^o de gules, cinco espadas alzadas, en faja de plata; 2^o verado de oro y gules.

Coat of arms that I have created with: a pointed base of the shield; the first field enamelled with flat Gules ink; the second field enamelled with flat Or ink; the swords and the vairy are illuminated; and the whole has received a watercolor finish.

Symbolism

There are 6 swords erect to defend the vairy of truth and, no matter how much time passes, they will not relent until the truth prevails.

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Blazon keywords: Party per fess, Gules, Or, Argent, Five, Sword, Vairy, Point upwards and In fess.

Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.

Classification: Created, Personal and Coat of arms.

Bearer: Martos García, Juan Carlos.

My heraldic NFTs in Objkt objkt.com/profile/antonios.

These historical coats of arms, emblazoned by me in order to be minted as unique Non-Fungible Tokens, are only available in this NFT format. By buying them you acquire an unrepeatable signed piece for your collection.

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Categories: Technology, Social networks, NFT, Quarterly, Argent, One, Lion, Rampant, Purpure, Armed, Langued, Gules, Winged hand, Grasping, Sword and Or.

Coat of arms of the family of Rui J. Vaz, US, designed by him and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or. Crest: Upon a helm lined Gules, its bevor charged with a Latin cross patty and pierced with a Latin cross, and with - a wreath Argent and Gules, a dexter winged forepaw Or, grasping an escutcheon quarterly: 1 Azure, a god Garuda sejant Argent; 2 Gules, a castle triple-towered Or, masoned Sable; 3 Argent, six pallets Gules; 4 Azure, five plates. Mantling: Gules doubled Argent.

Escudo partido de azur y gules, brochante sobre el todo un león rampante de plata, alado de oro, teniendo en su garra diestra una espada alzada de oro. Timbrado de un yelmo forrado de gules, su babera cargada de una cruz latina patada y perforada de una cruz latina, y adornado de dos lambrequines de gules doblados de plata, un burelete de plata y gules, cimado de una garra alada de oro teniendo un escudete cuartelado: 1 de azur, un dios Garuda sentado de plata; 2 de gules, un castillo de oro, mazonado de sable; 3 de plata, seis palos de gules; 4 de azur, cinco bezantes de plata. -

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Blazon keywords: Azure, Gules, Argent, Or, One, Six, Five, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Bevor, Charged, Latin cross patty, Pierced, Latin cross, Wreath, Escutcheon, Quarterly, Garuda, Sejant, Castle, Triple-towered, Masoned, Pallet, Plate, Mantling and Doubled.

Style keywords: Outlined in sable, Plain tincture, Semi-circular and Leather.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Vaz, Rui J..

Azure, a bend Argent between, in chief a sword point upwards Argent, hilted Or, in base a pair of scales Or. Crest: Upon a helm with a wreath Argent and Azure, an owl Argent, grasping with its dexter talon an escutcheon bendwise quarterly Gules and Argent. Mantling Azure doubled Argent. Motto: «Ex Homine Lex, Ex Deo Iustitia» Sable, over a scroll Or charged at its center with a mullet of five points Argent, irradiated of thirty rays Or. Suspended from the shield the cross of Knight of Merit of the Constantinian Order.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

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Blazon keywords: Azure, Argent, Or, Gules, One, Thirty, Bend, Between, Sinister, Chief, Sword, Point upwards, Hilted, Dexter, Base, Pair of scales, Crest, Upon (wreath), Helm, Wreath, Owl, Grasping, Talon, Escutcheon, Quarterly, Mantling, Doubled, Motto, Scroll, Mullet, Irradiated, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Buttaro, Salvatore.

Argent, flanched Gules crusilly of cross-crosslets Argent, overall a bear rampant regardant Sable, armed and langued Azure, charged with a key and a sword in saltire Argent, hilted Or, the key debruised by the sword. Motto: «Fide Gratia Obedientia» Gules over a scroll Argent.

Escudo de plata, flanqueado curvo de gules sembrado de cruces recrucetadas de plata, brochante sobre el todo un oso rampante y contornado de sable, armado y lampasado de azur, cargado de una llave y una espada en sotuer de plata, ambas guarnecidas de oro y la llave resaltada de la espada. Lema: «Fide Gratia Obedientia» de gules sobre una filacteria de plata.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finishing.

Coat of arms of Sean Shriner, designed by The Armorial Register, and revised and emblazoned by me.

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Blazon keywords: Argent, Gules, Sable, Azure, Or, One, Flanched, Semé, Cross-crosslet, Cross couped, Overall, Bear, Rampant, Regardant, Armed, Langued, Charged, Key, Sword, In saltire, Hilted, Debruised, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Shriner, Sean.

Heraldic device designed by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.

This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.

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Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Created, Boa, Standard and Flag.

Bearer: Liu-Lecomble, Laurent.

Structure of this standard:

• His coat of arms.
• His badge.
• The 1^st line of his motto.
• His crest.
• The 2^nd line of his motto.
• His badge.

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Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Vert, Seeded, Or, Two, Sword, In saltire, Hilted, Four, Wing, Motto and Wreath.

Classification: Personal, Interpreted, Standard and Flag.

Bearer: Breu, Stephan Urs.