Sable

Category: Sable.

Ackerson and Akers lineages.

Sable, a Bend between three Acorns Or.

Illuminated and freehand finishing.

The coat of arms of Ackerson and Akers lineages emblazoned by me and extracted from [Burke, B.; 1989].

Unless the blazon specifies another layout, when a bend is between three charges, this charges are ordered, two in the chief and one in the base, as the three acorns do in this case.

[Rietstap, J. B.; 1861] escribe el blasón de «Ackers ou Akers» como «de sable, à une bande d'or, acc. de trois glands du mesme».

Blazon keywords: Sable, Bend, Between, Three, Acorn, Or and Ordered.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Interpreted.

Ackhurst lineage.

Argent, on a Bend Sable three Acorns Or.

Illuminated and freehand finishing.

The coat of arms of Ackhurst lineage emblazoned by me and extracted from [Burke, B.; 1989].

Unless the blazon specifies another direction, the charges in a bend follow the direction of their bend, as the acorns do in this case.

Blazon keywords: Argent, Bend, Sable, Three, Acorn, Or and Bendwise.

Style keywords: Freehand, Outlined in sable and Illuminated.

Classification: Interpreted.

Arthur Adams, PhD, F. S. A., «Cheshire Visitation Pedigrees, 1663», 141 pages, edited by J. Whitehead and Son Limited, series Publications of the Harleian Society, volume 93, London, 1941.

This book includes some illustrations, but in black and white. The coat of arms that illustrates this bibliographic reference is a color interpretation of one of those recorded in this book, based on the recreations by Martin S. J. Goldstraw. It specifically corresponds to the coat of arms of Allen de Brindley, with the difference that here its crest is not included.

Bibliographical reference of century XX.

The author is Adams, Arthur.

Gules, a cross flory voided Or; within a bordure Gules with eight saltires couped Or.

Escudo de gules, una cruz hueca flordelisada de oro; bordura de gules, ocho sotueres de oro.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.

Ancient arms of Alarcon of Cantabria emblazoned by me.

Blazon keywords: Argent, Sable, Or, Gules, Three, Cross, Flory, Voided, Bordure, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alarcon of Cantabria, lineage.

Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.

Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Alea Capital.

Born on November 11, 1155, in Soria and died on October 6, 1214, in Gutierre-Muñoz, Avila.

Gules, a castle triple towered Or, port and windows Azure, masoned Sable.

Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.

Existing arms interpreted by me as follows: the shield’s shape is pointed and rounded; the field has been enameled Gules; the castle is outlined, illuminated, and shaded; the whole composition features a heavily hammered metal finish.

This ancient coat of arms of Castile can be consulted, among other sources, in [Argote de Molina, G.; 1588; chapter XLII].

Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.

Style keywords: Ogee, Illuminated, Shaded, Outlined in sable and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.

Bearer: Alfonso VIII of Castile.

Alfonso X of Castile, The Wise, «The Seven-Part Code», its estimated completion year is 1265.

This is the copy I can consult, as it is available in the Hispanic Digital Library, it is a manuscript measuring 42 by 30 centimeters that once belonged to Álvaro de Zúñiga y Guzmán, first Duke of Arévalo, which later came into the possession of the Catholic Monarchs, initially Queen Isabella I of Castile, and after her death, King Ferdinand reclaimed it for the price of 5,251 maravedis. The original is housed in the National Library, in display case 4/6.

This copy, in addition to its numerous capital letters, has 8 illustrated pages, which according to its subsequent hand-numbering in pencil are:

• Page 6, among its illustrations can be seen 2 coats of arms of the Zúñiga family «Argent, a bend Sable, over all, a chain in orle Or», in this case formed by 16 links, 8 round and 8 more elongated placed in profile.
• Pages 106 and 191, on the latter can be seen a curious bishop-lizard climbing.
• Pages 294 and 331, on the 2^nd at the bottom, a maiden is seen walking a monkey to relieve itself and to her right a fight of men with beast bodies.
• Page 379 and on its previous unnumbered page, and finally, on page 415 which begins with a tournament where the 2^nd knight bears the ancient arms of France «Azure, semy of fleurs de lis Or».

The coat of arms that illustrates this bibliographic reference is that of Álvaro de Zúñiga y Guzmán. For the creation of his chain, I followed the illustration of his 2 coats of arms on the already mentioned page 6 of this manuscript.

It is one of my favorite manuscripts and, perhaps, the one with which I have created the most things.

Bibliographical reference of century XIII.

Classification: Castilian language, Manuscript and In color.

The author is Alfonso X of Castile.

Bibliographical reference mentioned in the following article:

• Zúñiga y Guzmán, Álvaro de

External resources:

• National Library of Spain.
• Indirect access to the Library of Congress of the United States of America.
• Direct access to the Library of Congress of the United States of America.

Internal resources: AlfonsoXDeCastilla1265.7Partidas.10642.pdf.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the King Alfonso X of Castile, 1221–1284, 1^st son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The order of the quarters is first the castle of his grandmother, Queen Berenguela of Castile, and second the lion of his grandfather, King Alfonso IX of León; however, the other day I discovered that on the map by [Martineau du Plessis, D.; 1700; volume II, illustration 30, page 126], in the shield framed between parallels 37 and 36 and meridians 21 and 22, the lion occupies the 1^st quarter and the castle the 2^nd quarter; that is, their order appears reversed.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Alfonso X of Castile.

Known as the Wise, King of Castile and Leon from 1252 to 1284.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.

Armories of the Wise King of Castile interpreted by me with the following characteristics: the external shape of the coat of arms ends in an ogee arch; the field, the 2 castles, and the 2 lions are outlined and enameled in flat colors; and the texture seems fabric.

This coat of arms, but with a pointed external shape, can be seen in the 2^nd part of the so-called armorial [Wijnbergen; 1265; cuat of arms number 1,289], with the title «Le roy Despaingne», which in this context is understood to refer to Castilla y León.

The 2^nd part of this armorial was made between 1270 and 1285 and, being Alphonse X king of Castile and Leon from 1252 to 1284, it is to Him that the title «Le roy Despaingne» seems to refer.

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed and Langued.

Style keywords: Ogee, Plain tincture, Outlined in sable and Fabric.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.

Bearer: Alphonse X of Castile.

Quarterly: 1 Or, a lion rampant, facing sinister Sable, armed and langued Gules; 2 and 3 Gules, an anchor proper; 4 Or, a lion rampant Sable, armed and langued Gules; overall, a pile issuant from base Azure charged with a mount proper issuant from water issuant from base Argent, in chief, a mullet of six points Or.

Heraldic device emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a texturized finishing.

Coat of arms of Amitay Edward von Stiebel emblazoned by meme, based on the heraldic description provided in [Rietstap, J. B.; 1861; volume 2, page 841].

Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Six, Quarterly, Lion, Rampant, Facing sinister, Armed, Langued, Anchor, Proper, Overall, Pile issuant from base, Charged, Mount, Issuant, Water, Issuant from base, In chief and Mullet.

Style keywords: Outlined in sable, Illuminated and Bull's hide.

Classification: Personal, Interpreted, Boa and Photographic.

Bearer: Stiebel, Amitay Edward von.

Argent, a chevron between three crosses flory Sable.

Escudo de plata, un cabrio acompañado de tres cruces flordelisadas todo de sable.

Illuminated with lights and shadows and with a freehand finish.

The coat of arms of Anderson of Erbury emblazoned by me in 4 ways: 1) tricking using abbreviations, 2) hatching using lines, 3) plain tinctures, and 4) lights and shados. It is a preliminary artwork for the arms of Nick Allen Rica II.

Blazon keywords: Without divisions, Argent, One, Chevron, Between, Three, Cross flory, Cross couped and Sable.

Style keywords: Freehand, Outlined in sable, Illuminated, Pointed, Tricking, Hatching and Plain tincture.

Classification: Interpreted, Kingdom of Scotland and Schema.

Bearer: Anderson of Erbury.

Gules, a cross Argent charged with four ermine spots in cross Sable, in the dexter of the chief a lion’s head erased Or. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a chapeau Gules turned up ermine, a demi-lion, double queued Or, grasping in its dexter paw a pennon Gules, bearing a canton Azure, charged with a saltire Argent. Mantling: Gules doubled Argent. War cry above the crest: «ΑΛΑΛΑ ΑΛΑΛΑ». Motto: «Mieux vaut s’user que rouiller». Supporters: Two knights in three-quarter armour affronty proper, each holding with his outer hand a spear Argent bearing a banner, the dexter Sable, a panther rampant guardant Argent, incensed Or, collared, pendent therefrom a bell Azure, the sinister a banner barry of six Or and Azure, a canton Ermine.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.

G0116, Chief Herald of Arms of Malta's grant for the arms of Andrew Ronald McMillan Bell of Auchinreoch, United Kingdom. These arms have been emblazoned by me for such grant.

Blazon keywords: Gules, Argent, Sable, Or, Azure, One, Four, Six, Cross, Charged, Ermine, In cross, Dexter, Chief, Lion, Head, Erased, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Chapeau, Demi, Double queued, Grasping, Canton, Saltire, War cry, Above the crest, Motto, Supporter (human form), Supporter, Knight, Affronty, Proper, Spear, Panther, Rampant, Guardant, Enflamed, Collar, Suspended, Bell and Barry.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms, Pennon, Flag and Banner of arms.

Bearer: McMillan Bell of Auchinreoch, Andrew Ronald.

Registered by The International Register of Arms, 1^st of April of 2020, Registration number 0542, Volume 3.

[Armorial Register, T.; 2020; page 194].

Categories: Armorial roll, Quarterly, Or, Sable, Two, Wolf and Passant.

External link:

• Antonio Salmeron at The Armorial Register.

Root: The Armorial Register.

Or, an oak tree proper, fructed Or, with a boar supporting it Sable; on a chief Gules, three eagles displayed Or.

Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; en un jefe de gules, tres águilas de oro.

Escudo interpretado por mí, en tinturas planas, delineado de sable, con un contorno exterior medio punto y con un terminado texturizado.

Coat of arms of Manuel Maria Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Chief, Gules, Three and Eagle.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Aras Quirce, Manuel Maria.

Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.

Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».

Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argudo of Guipuzcoa, lineage.

Vert, a pall raguly Or between three leopards' faces Or. Crest: Upon a wreath Or and Vert, on a coronet Or a leopard's face Or between two wings Sable. Motto: «Inter feros» in letters Sable within a scroll Argent.

Escudo de sinople, una perla ecotada de oro entre tres cabezas de leopardo de oro. Timbrado de un burelete de oro y sinople surmontado de una corona de oro surmontada de una cabeza de leopardo de oro acompañada de dos medios vuelos de sable. Lema: «Inter feros» de sable sobre una filacteria de plata.

Freehand finishing.

Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard, Crest and mantling, Wreath, Above, Crown, Between, Two, Wing, Sable and Motto.

Style keywords: Freehand, Pointed and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Stowe, Richard Allen.

Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet».

The arms of Darryn Carlo and Roberto Luchoro have been featured on page 2 of Ireland's Genealogical Gazette, volume 19, number 4, registered in the Armorial Register, registration 0693, volume 4, included in the Commoners' Roll of Arms, registration 407, and emblazoned by me.

Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Boa and Collage.

Bearer: Luchoro and Darryn Carlo, Roberto.

George J. Armytage and John Paul Rylands, «Pedigrees Made at the Visitation of Cheshire, 1613, taken by Richard Saint George, Esq., Norroy King of Arms and Henry Saint George, Gent., Bluemantle Pursuivant of Arms; and some other contemporary pedigrees», edited by Sir George J. Armytage, Bart., F. S. A. and John Paul Rylands, Esq., F. S. A., published by Mitchell, Hughes & Clark, printed for The Record Society, London, 1909.

[Goldstraw, M. S. J.; 2013b] is a color recreation of the coats of arms recorded in this book.

The coat of arms that illustrates this bibliographic reference is one of those recorded in this book, which contains only a few illustrations in black and white, and corresponds to the coat of arms of Fitton de Carden, Clutton y Chester.

Bibliographical reference of century XX.

The 2 authors are Armytage, George J. and Rylands, John Paul.

The following article cites this bibliographic reference:

• Goldstraw, M. S. J.; 2013b

Or, a eagle displayed Sable.

Arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.

Coat of arms of the Arrano Beltza, the black eagle, emblazoned by me. Historically, it is associated with the Kingdom of Navarre and its king, Sancho VII the Strong, 1154-1234, although there is no definitive documentary evidence that it was used as an official coat of arms.

Blazon keywords: Or, Sable, One, Eagle and Displayed.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Arrano Beltza.

This video shows the ideation of this coat of arms step by step, its field, chief cousu, figures, motto and it supporter. The music is «Sonata No. 8 in G major – 1. Allegro» of Ludwig van Beethoven interpreted by Paul Rosenthal, violin, and Edward Auer, piano, available under an «Open Audio License».

Credits:

• Paul Rosenthal violin performance.
• Edward Auer piano performance.

Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Vert, Tree, Erased, Supporter (thing), Supporter, Motto and Scroll.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Video, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

Blazon keywords: One, Cyclamor, Or, Motto, Sable, Four, Wing, Gules, Argent, Rose, Leaved, Vert and Seeded.

Classification: Personal, Interpreted and Badge.

Bearer: Breu, Stephan Urs.

Quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 chequey Or and Sable.

Escudo cuartelado en sotuer: 1^o y 4^o de oro, cuatro palos de gules; 2^o y 3^o ajedrezado de oro y sable.

Arms interpreted with: a lozenge-shaped shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.

Balaguer is the capital of the comarca of La Noguera in the province of Lleida. It was the capital of the county of Urgell under Ponce I of Urgell.

The quartering per saltire, which could also be called quartered in cross, is defined in English as «per saltire», [The Heraldry Society; 2013; page 8].

This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 15].

Blazon keywords: Quarterly per saltire, Pale, Chequey, Or, Gules and Sable.

Style keywords: Tiled, Plain tincture and Hard metal.

Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.

Bearer: Balaguer, municipality of.

Gules, on a trimount issuant from the base Argent a bighorn sheep salient Or, horned Argent. Motto: «Barrio Alto» Sable with initial letters Gules over a scroll Argent.

Escudo de gules, un monte de tres peñas moviente de la punta de plata sumado de un borrego cimarrón saltante de oro, acornado de plata. Divisa: «Barrio Alto» de sable, con iniciales de gules, sobre una filacteria de plata.

Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a chasuble outer contour and with a watercolor finish.

The coat of arms of the Barrio Alto of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. In this case, the tinctures Gules, Or and Argent have been adjusted to match the official colour palette of Mon'Tarena.

Blazon keywords: Gules, Or, Argent, Sable, One, On, Trimount, Issuant from base, Bighorn sheep, Salient, Horned, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.

Classification: Civic, Created, Boa and Coat of arms.

Bearer: Barrio Alto of Mon'Tarena.

Argent, a bend Azure charged with a jaguar rampant Argent, spotted Azure. Motto: «Barrio Bajo» Sable with initial letters Gules over a scroll Argent.

Escudo de plata, una banda de azur cargada de un jaguar rampante de plata, manchado de azur. Divisa: «Barrio Bajo» de sable, con iniciales de gules, sobre una filacteria de plata.

Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a chasuble external shape and with a watercolor finish.

The coat of arms of the Barrio Bajo of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. In this case, the tinctures Azure and Argent have been adjusted to match the official colour palette of Mon'Tarena.

Blazon keywords: Argent, Azure, Sable, Gules, One, Bend, Charged, Jaguar, Rampant, Spotted, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.

Classification: Civic, Created, Boa and Coat of arms.

Bearer: Barrio Bajo of Mon'Tarena.

Argent, a wolf passant Gules, a chief dancetty Azure. Motto: «Barrio de los Quereres» Sable with initial letters Gules over a scroll Argent.

Escudo de plata, un lobo pasante de gules, un jefe centellado de azur. Divisa: «Barrio de los Quereres» de sable, con iniciales de gules, sobre una filacteria de plata.

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a chasuble external shape and with a watercolor finishing.

The coat of arms of the Barrio de los Quereres of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. In this case, the tinctures Azure, Gules, and Argent have been adjusted to match the official colour palette of Mon'Tarena.

Blazon keywords: Argent, Azure, Gules, Sable, One, Wolf, Passant, Chief, Dancetty, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.

Classification: Civic, Created, Boa and Coat of arms.

Bearer: Barrio de los Quereres of Mon'Tarena.

Bartholomew de Yattendon ~ Bartholomeu de Loctringdene.

Gyronny Argent and Sable.

Jironado de plata y sable.

Included in [Vincent, MS; 1285; number 88] also known as [St. George's Roll; 1285; number 88].

Blazon keywords: Gyronny, Argent and Sable.

Style keywords: Pointed, Plain tincture, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Bartolomé de Yattendon.

Sable, three dexter hands turned up, and appaumée Argent.

Escudo de sable, tres manos diestras levantadas y apalpadas de plata.

Coat of arms interpreted based on blazon and explanations of [Avilés, J.; 1725a; pages 34 y 35 y sheet 2 figure 38].

Blazon keywords: Without divisions, Sable, Three, Hand, Dexter, Argent, Turned up, Appaumée and Ordered.

Style keywords: Semi-circular, Plain tincture, Outlined in the field tincture and Soft metal.

Classification: Interpreted, Personal and Kingdom of France.

Bearer: Baudry en Francia.

Of the twelve lineages of Noblemen, it is the fourth, and they bear as arms a chessboard, that is, a field chequy Argent and Sable, which is black, in the same form and design as this shield is now painted.

Chequey Argent and Sable.

Escudo ajedrezado de plata y sable.

Coat of arms recreated with: a semicircular (round) base; the field in flat Argent; the chequy or checky pattern illuminated in Sable; and finished in highly-hammered metal.

Coat of arms based on the fourth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613], but, unlike the original, adjusting the height of each square to its width so that they are perfect squares, since in Juan del Bosque’s version—actually in its copy, because the original was stolen—they appear somewhat narrow and elongated. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Baztan» it can also be consulted in [Vega, P. J. de; 1702; folio 4 of the manuscript], although in this case the numbering is not clearly legible; it is the folio following 3, preceding the one also numbered 4 but marked with a letter B, which in turn is followed by folio 6, the number 5 being missing — though not folio 5, which would be 4B.

Baztanes and the Valley of Baztan are mentioned in [Garaycoa Raffo, L.; 2011; pages 8, 29, 30, 33, 37, and 38].

The geometric construction of this coat of arms can be found in [Messía de la Cerda y Pita, L.; 1990; page 108].

Blazon keywords: Without divisions, Or, Chequey and Sable.

Style keywords: Semi-circular, Illuminated and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Baztanes of Navarre.

Or, an eagle displayed Sable.

Escudo de oro, un águila de sable.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the Queen Beatrice of Swabia, 1205–1235, baptized as Elisabeth, wife of King Ferdinand III of Castile, 1199–1252. The eagle Sable on an Or field is a distinctive symbol of the Holy Roman Empire. This coat of arms has been emblazoned by me.

Blazon keywords: Or, Sable, One and Eagle.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Beatrice of Swabia.

[ Argent, a lion rampant Purpure, armed and langued Gules ] accolé with [ Gules, a castle triple towered Or, port and windows Azure, masoned Sable ].

[ Escudo de plata, un león rampante de púrpura, armado y lampasado de gules ] acolado de un [ escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable ].

Arms of the King of Leon and Queen of Castile, as interpreted by me with: the two shields shaped with rounded arches; the fields of both coat of arms, the lion, and the castle illuminated; and the whole composition featuring a watercolor finish.

Representation of the coats of arms of Alfonso IX of León and Berenguela of Castile as accolé arms ~ «escudos acolados». King Ferdinand III created his coat of arms, based on the coats of arms of his parents, through the marshalling of their arms ~ «composición de sus armas». For this purpose, the saintly king invented a type of composition, which later became widely used, known as quarterly ~ «cuartelado». Other ways to combine the coats of arms of two spouses are:

• Creating a new dimidiated shield ~ «dimidiado».
• Creating a new impaled shield ~ «partido».
• Adding one coat of arms to another as an escutcheon of pretence ~ «escusón de pretensión», in this case, rather than a claim, there was full ownership.

Blazon keywords: Without divisions, Argent, Purpure, Gules, One, Lion, Rampant, Armed, Langued, Or, Azure, Sable, Castle, Port and windows and Masoned.

Style keywords: Semi-circular, Outlined in sable, Tilted shield and Watercolor.

Classification: Interpreted, Personal, Accolé arms, Kingdom of Castile and Kingdom of León.

Bearer: Berenguela of Castile.

Argent, a bear rampant Sable, langued and armed Gules.

Escudo de plata, un oso rampante de sable, lampasado y armado de Gules.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a rounded trapezoidal outer contour and with a freehand finishing.

The coat of arms of the city of Berlin emblazoned by me.

Blazon keywords: Argent, Sable, Gules, One, Bear, Rampant, Langued and Armed.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Berlin.

Argent, two goats in pale Purpure, horned Sable.

Escudo de plata, dos cabras en palo de púrpura, acornadas de sable.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Coat of arms of the lineage Cabral. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Cabral are in the 3^rd quarter.

Blazon keywords: Argent, Purpure, Sable, Two, Goat, In pale and Horned.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Cabral, lineage.

Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1^o de azur sembrado de flores de lis de oro; 2^o y 3^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Personal, Army and Navy and Kingdom of France.

Bearer: Cerda, Carlos de la.

Credits: Pablo Plaza is the author of the photograph and Antonio Salmerón y Cabañas is the author of the heraldic art of the coats of arms photographed.

Categories: Photographic, Coat of arms, Interpreted, Personal, Semi-circular, Illuminated, Outlined in sable, Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Lineage, Conjoined in fess, Decoration, Suspended and Base (lower 1/3).

Root: Vidriales García y Bustamante, Carlos.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

This coat of arms can be seen in [Bergshammars; 1440; page 2], in [Lutzelbourg, N. de; 1530; page 35] and in [Tewkesbury; 17^th century; folio 25v].

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.

Style keywords: Semi-circular and Plain tincture.

Classification: Interpreted, Civic, Coat of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castile and León.

A Castle Or, triple towered, embattled, port and windows Azure, and masoned Sable.

Un castillo de oro, aclarado de azur, mazonado de sable.

Some of the characteristics of the Castilian castle are specified in the coat of arms in English, for example, «triple towered, embattled», but they are omitted in the Spanish blason, because the Spanish blason considered that the Castilian castle can not be otherwise. These local characteristics, that decades ago were not necessary to specify, could begin to have to be in this global and interconnected heraldic world. [Valero de Bernabé, L.; 2009a] describe the different characteristics between the Castilian, the French, and the English castles among others.

Blazon keywords: Castle, Or, Port and windows, Azure, Masoned and Sable.

Style keywords: Freehand.

Classification: Schema.

Key Characteristics in Castilian Heraldry

Some of the main characteristics of the heraldry of Castile are:

• the rounded shapes, with a semicircle at the base,
• the importance of bordures,
• the inclusion of words and also letters in the coat of arms,
• the 2^nd most common animal, after the lion, is the wolf [Valero de Bernabé, L.; 2010], and, of course,
• our castle triple-towered Or, port and windows Azure, masoned Sable [Valero de Bernabé, L.; 2009a].

The following image shows 4 examples of coats of arms, each of which has some of these characteristics, including one Castilian castle.

Comparing Castilian and English Heraldry

In the United Kingdom, there are several heraldic traditions, one of them being English heraldry.

In the Kingdom of Spain, there are several heraldic traditions, for example, the Castilian tradition.

In my humble opinion, we should compare at the same level, English heraldry with, for example, Castilian heraldry, but not with all Spanish heraldry. We shouldn't do it for the same reason we don't mix Scottish heraldic tradition with English, as they are so different.

In the case of Castilian heraldry, the 8 main differences with English heraldry are:

• The rounded shapes, with a semicircle at the base.
• The importance of bordures and the existence of the diminished bordure, called in Castilian «filiera».
• The inclusion of words and also letters in the coats of arms.
• The wolf is the 2^nd most common animal, after the lion.
• The castle, triple-towered, which is different from the English and French types of castles.
• We can inherit arms from our mother and/or father; for example, the castle in the 1^st quarter of the coat of arms of Castile and the coat of arms of Spain comes from a mother, Queen Berenguela of Castile, mother of King Fernando III, the Saint.
• There are 3 kinds of supporters with their owns heraldic names: «tenantes», human forms; «soportes», animals; and «sostenes», plants and things.
• Our quarterings do not necessarily mean that the arms are marshalled by inheritance. [Williams, N.; 2017; page 135, paragraph 26.02] describing the arms of Éamon de Valera, 1882-1975, President of Ireland, writes «Those arms are Spanish in appearance. The quartering without functions as a means of marshalling, is distinctively Iberian».

Categories: Criterion, Semi-circular, Bordure, Letter, Lion, Wolf, Castle, Triple-towered, Port and windows, Masoned, Or, Azure, Sable, Diminished bordure, Quarterly, Supporter (human form), Supporter, Supporter (animal) and Supporter (thing).

Alternative coat of arms for the heraldry and its categories.

Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.

Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a metallic finish.

These arms are one of the alternatives created during the process of developing a coat of arms for the categories of heraldry.

Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.

Style keywords: Illuminated, Outlined in sable and Watercolor.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Categories of heraldry.

Argent, three bars Sable; within a bordure countercompony Or and Gules. 2 versions for the same blazon.

Escudo de plata, tres fajas de sable; bordura ajedrezada de oro y gules. 2 versiones para el mismo blasón.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Ancient arms of the lineage Ceballos of Cantabria emblazoned by me.

Blazon keywords: Argent, Sable, Or, Gules, Three, Bar, Bordure and Chequey.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ceballos of Cantabria, lineage.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or.

Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, where I serve. I interpreted now this coat of arms with a pointed shape. This kind of shape for this coat of arms are not usual.

Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant and Crowned.

Style keywords: Pointed, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.

Bearer: Central Military Region.

Argent, a cross Gules [for Genoa]; a bordure compony of fifteen sections: 1, 6, and 11 Argent, a pomegranate seeded, slipped and leaved proper [for Granada]; 2, 7, and 12 Or, an eagle displayed Sable [for Navarre]; 3, 8, and 13 Gules, a castle triple-towered Or, port and windows Gules, masoned Sable [for Castile]; 4, 9, and 14 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 5, 10, and 15 Or, four pallets Gules [for Aragon].

Coat of arms of the city of Almeria, Andalusia, emblazoned by me. These arms combines 1+5=6 coats of arms: Genoa, Granada, Castile (with port and windows Gules instead of Azure), Leon (with the lion Gules instead of Purpure), Navarre (for its old arms, its «Arrano Beltza» ~ «Black Eagle»), and Aragon, as shown in this composition.

Blazon keywords: Argent, Gules, Or, Sable, Vert, One, Four, Fifteen, Cross, Bordure, Compony, Pomegranate, Slipped, Leaved, Proper, Eagle, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned and Pallet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Civic, Interpreted, Schema, Boa and Coat of arms.

Bearer: Almeria, city of.

Azure, three lightning flashes in pall Or, debruised by a unicorn's head couped Argent, the eyes Azure; a bordure Or charged with eight fleurs de lis Azure.

The Commoners' Certification of Arms for László Linett Regina from Hungary with her coat of arms designed by her and emblazoned by me.

Blazon keywords: Or, Sable, Gules, Argent, One, Eight, Lightning flash, In pall, Debruised, Unicorn, Head, Couped, The eyes, Bordure and Fleur de lis.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: László Linnet Regina.

Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.

Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Coulot, Fabian.

Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.

Arms emblazoned by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.

Coat of arms of Crepsi, «Centro Regional de Psicología». These arms were designed by my lieutenant colonel and friend Miguel Angel Nuñez Amador, and in this image, they have been emblazoned by me.

Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Military, Interpreted, Boa and Coat of arms.

Bearer: Crepsi.

Gules, a lion rampant Or, charged with a pallet gemel chequey Argent and Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-dragon Or, supporting with its sinister a goldfinch speaking proper. Mantling: Gules doubled Or.

Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Blazon keywords: Gules, Or, Argent, Sable, One, Lion, Rampant, Charged, Pallet, Gemel, Chequey, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Dragon, Perched, Sinister, Goldfinch, Speaking, Proper, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Pérez de Bartolome, Ignacio.

Sable, a kapok tree eradicated and fructed between in base two lozenges Argent. Crest: Upon a helm with a wreath Argent and Sable, a dove grasping in its beak a mullet Argent. Mantling: Sable doubled Argent.

Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a rough finish.

Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base, Lozenge, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Dove, Grasping, Beak, Mullet and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Oyervides Ochoa, Luis Gerardo.

Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or.

Arms devised by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.

Coat of arms of Matthew Nelson designed by him and me and emblazoned by me. Alternative blazon: «Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or».

Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis, Palewise, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Horse, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Nelson, Matthew.

Per fess, the base per pale: 1 Or, an eagle displayed Sable; 2 Gules, a sun in splendour Or; 3 Or, an increscent Gules; all within a bordure Sable, charged with eight fleurs de lis Or. Crest: Upon helm affronty Argent, barred Or, lined Gules, with a wreath Or and Sable, a crown of Duke. Mantling: Sable doubled Or.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.

Blazon keywords: Or, Sable, Gules, One, Eight, Party per fess, the base per pale, Eagle, Displayed, Sun in splendour, Increscent, Bordure, Fleur de lis, Crest, Helm, Affronty, Barred, Lined, Wreath, Crown, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: László Gábor.

Argent, a double tressure flory Sanguine, overall a raven (Corvus corax) volant saltirewise proper. Crest: A conductor's baton fesswise proper. Motto: «Liberté, Beauté, Vérité, Amour».

Arms interpreted by me, highlighted with lights and shadows, with a pointed outer contour and with a rough finishing.

Blazon keywords: Argent, Gules, Sable, One, Double tressure, Flory, Overall, Raven, Volant, Saltirewise, Proper, Crest, Conductor's baton, Fesswise and Motto.

Style keywords: Illuminated, Pointed and Rough.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Thompson, Alton.

Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Crest: Upon a helm with a wreath Argent and Sable, a unicorn's head Argent, erased Gules, horned and crined Or, langued gules, charged upon the neck with three spears' heads cheveronwise Gules. Mantling: Sable doubled Argent.

Illuminated and a watercolor finishing, and the mantling and the wreath diapered with Chinapieria.

«An unicorn's head Argent, erased Gules» means that the unicorn's head are metal Argent, but the jagged edge of its base are gules.

Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile, Crest and mantling, Helm, Mantling, Wreath, Charged and Neck.

Style keywords: Outlined in sable, Pointed, Illuminated, Watercolor and Chinapieria.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Wright, Charles F. M..

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed and Proper.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Upon a wreath Argent and Gules, issuant from a bridge, enarched, embattled Gules, masoned Sable above a river Azure, a bear’s forepaw Sable, armed Azure, grasping a cross crosslet fitchy bendwise sinister Gules.

Heraldic device painted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a leather finishing.

Blazon keywords: Crest, Argent, Gules, Sable, Azure, Upon (wreath), Wreath, Issuant, Enarched, Bridge, Embattled, Masoned, Above, River, Forepaw, Grasping, Cross fitchy, Cross couped and Bend sinisterwise.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted and Boa.

Bearer: Shriner, Sean.

Tierced per fess: 1 Sable, seven mullets Argent arranged as the Plough of Ursa Major; 2 Azure; 3 Sanguine, a demi-sun issuant from base Or. Crest: Upon a helm with a wreath Or and Sanguine, a raven proper. Mantling: Sanguine doubled Or. Motto: «Incipit Vita Nova» Or, over a scroll Sanguine doubled Or.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.

Design rationale

The arms symbolise the dawn of a new life. The field is tierced per fess to evoke the sky in 3 stages: Sable for the darkness of night, Azure for the horizon at first light, and Sanguine for the rising sun. The 7 stars of Ursa Major, in their traditional arrangement, evoke guidance, constancy, and a Dantesque reference, as the constellation appears in the Divine Comedy. The demi-sun in base, gold upon sanguine, marks the moment of emotional awakening, the dawn of love. The scroll motto «Incipit Vita Nova», the first line of Dante’s Vita Nuova, reflects a personal spiritual transformation. The Azure speaks of eternal loyalty, and the silver stars of purity. The choice of Sanguine, both for the sunlit sky and for the scroll and mantling, is also an homage to Beatrice’s dress as described by Dante at their first encounter. All of the above holds a parallel with the bearer’s personal life, which gives this composition a dual significance, both literary and deeply intimate. The raven as crest, a symbol of memory and intelligence, represents the collector’s spirit and a deep inner life.

Blazon keywords: Sable, Azure, Sanguine, Argent, Or, Seven, One, Tierced per fess, Mullet, Plough of Ursa Major, Demi, Sun, Issuant from base, Crest, Upon (wreath), Helm, Wreath, Raven, Proper, Mantling, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Nastri, Marcio Vieira.

Argent, a heron volant Azure, beaked and membered between three escallops Sable. Crest: Upon a helm with a wreath Argent and Azure, an escallop Sable. Mantling: Azure doubled Argent. Motto: «Sic itur ad astra».

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a rough finish.

Blazon keywords: Argent, Azure, Sable, One, Three, Heron, Volant, Beaked, Membered, Between, Escallop, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Canting, Interpreted, Boa and Coat of arms.

Bearer: Herndon, family of Paul and Kari.

Azure, a chevron in base ensigned by a pelican in her piety Argent, vulned Gules, in base a mullet of eight points Argent. Crest: a crown of Count. Motto: «Finis amoris ut duo unum fiant» Sable over a scroll Argent doubled Azure.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a parchment finishing.

Blazon keywords: Azure, Argent, Gules, Sable, One, Chevron, In base, Pelican in her piety, Pelican, Vulned, Mullet, Crest, Crown of Count, Crown, Motto and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Parchment.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pototsky, Yaroslav.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent. Crest: A closed royal crown Or.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

Design rationale

The coat of arms of Castilla-La Mancha was adopted in 1983, it is a recent design. This coat of arms is equal to the flag of Castilla-La Mancha officially approved in 1980 and designed by Ramón José Maldonado y Cocat. The 1^st quarter represents Castilla and the 2^nd quarter the great plane of La Mancha.

Blazon keywords: Gules, Argent, Or, Azure, Sable, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Crest, Closed royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Castilla-La Mancha.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules; a bordure compony of sixteen sections: eight Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable, eight Or, an eagle displayed Sable. Crest: An open royal crown.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a metal beaten finish.

Coat of arms of the Infanta Berenguela of Castile, 1228–1279, 5^th daughter of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The coat of arms of Infanta Berenguela of Castile, besides being beautiful, has always seemed to me the epitome of the Castilian arms: quartered, bearing Leon and Castile, and surrounded by a bordure compony with castles. This coat of arms has been emblazoned by me.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Sixteen, Eight, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Bordure, Compony, Eagle, Crest, Open royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Berenguela of Castile, Infanta.

Sable, upon three bars wavy a four arch bridge Or, masoned Sable, throughout. Motto: «Patiens Quia Aeternus».

Escudo de sable, un puente de cuatro ojos de oro, mazonado de sable, moviente de los flancos, sostenido por tres burelas ondadas de oro. Lema: «Patiens Quia Aeternus».

Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.

Design rationale

The symbols represent resilience over time, a bridge over the passage of waters. The design is simple and conceptual, a coat of arms without lines of divisions, and with only two tinctures, the color Sable of the field and the metal Or of the bridge and the waves of water. The motto «Patiens quia aeternus» ~ «Patient because eternal» comes from Augustine of Hippo and reinforces the meaning of this coat of arms.

Blazon keywords: Sable, Or, Three, Four, Upon, Wavy, Bar, Arch, Bridge, Masoned, Throughout and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: García Martínez, Daniel.

Sable, a dolphin naiant Or; a chief embattled Vert, fimbriated Or. Crest: Upon a helm, with a wreath Or and Vert, a cornish chough speaking proper, his dexter foot grasping the point of a mullet Gules. Mantling: Vert doubled Or. Motto: «Siempre Adelante».

I have used my non-repetitive diapering for the inner Or of his mantling and wreath.

Blazon keywords: Sable, Dolphin, Naiant, Or, Chief, Embattled, Vert, Fimbriated, Crest and mantling, Helm, Mantling, Wreath, Crest, Speaking, Proper, Grasping, Mullet, Gules and Motto.

Style keywords: Ogee and Chinapieria.

Classification: Personal, Interpreted, Coat of arms and Castilian language.

Bearer: Shorey, David Ryan.

My heraldic Discord wall is The Discord Roll of Arms # Antonio.

Categories: Technology, Social networks, Party per pale, Vert, One, Compass rose, Argent, Between, In chief, Ancient coronet, Crown, In base, Sun in splendour, Or, Sable, Overall (line of division), Spear, Shafted, Helm, Mantling, Doubled, Wreath, Lynx, Couchant, Proper, Langued, Azure, Motto and Giclée.

Or, the symbol of the Royal House of Kupang Sable. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is her coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Without divisions, Or, One, Symbol, Sable, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Pointed, Outlined in sable, Illuminated and Leather.

Classification: Civic, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Kupang, Royal House of.

I swear by the 1^st rule of heraldry I will never emblazon again an eagle Sable on a field Gules.

The heraldic rule of tinctures: «a colour cannot go on top of another colour and a metal cannot go on top of another metal».

This coat of arms is similar to the arms of Henry VI the Good, Prince of Silesia and Duque of Wroclaw, blazon: «Gules, an eagel displayed Sable».

If it was Edmund Leighton's intention to paint Henry VI, then the justification would be that Silesia is located in Poland and in the Polish heraldic tradition, the sable is considered a neutral tincture, that is neither color nor metal, so they can put the sable on the color gules. But I doubt that the Prince of Silesia and Duke of Wroclaw would have needed to be knighted.

Categories: Technology, Social networks, Colour on colour, Eagle, Sable and Gules.

Banner quarterly of sixteen: 1, 6, 11, and 16 Azure, three fleurs de lis Or; 2, 5, 12, and 15 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure; 3, 8, 9, and 14 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 4, 7, 10, and 13 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Pendón cuartelado de dieciseis: 1^o, 6^o, 11^o y 16^o de azur, tres flores de lis de oro; 2^o, 5^o, 12^o y 15^o de gules, tres leopardos en palo de oro, armados y lampasados de azur; 3^o, 8^o, 9^o y 14^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4^o, 7^o, 10^o y 13^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Banner interpreted by me as follows: its shape preserves the 5x6 proportions of a shield; the field is enamelled with flat tinctures Gules and Azure; the castles, fleurs-de-lis, and leopards are outlined in Sable; but the lions are outlined in their field; and the finish of the banner is watercoloured.

I have interpreted it from a simplification of the banner appearing in [Edward IV of England; 1461; row 27, 1^st column, final banner], which reflects Edward IV’s aspirations to the throne of Castile and León. In that armorial, this banner is held by a «White Lion of March», which was the personal badge of Edward IV.

Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant and Crowned.

Style keywords: Rectangular, Illuminated, Outlined in sable, Outlined in the field tincture and Watercolor.

Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.

Bearer: Edward IV of England.

Quarterly: 1 and 4 Argent, a wolf rampant Sable; 2 and 3 Gules, a garb Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Quarterly, Argent, One, Wolf, Rampant, Sable, Gules, Garb, Or, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Rounded, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Gräupl, Edwin.

Count of Urgell, Viscount of Àger, deceased in 1243.

Chequey Or and Sable.

Escudo ajedrezado de oro y sable.

Arms interpreted with: a pointed and rounded shield shape; the chequey pattern enamelled in flat Or and Sable; and a heavily beaten metal finish.

Ermengol IX held the county for a very short time, as he died shortly after the death of his father Ponce I of Urgell, in that same year of 1243.

This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 34].

Blazon keywords: Chequey, Or and Sable.

Style keywords: Ogee, Plain tincture and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: Ermengol IX of Urgell.

Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages.

Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Deacon Mark Eschenlauer designed by him, Fr. Yannick Beuvelet and me, and emblazoned by me.

Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Religious, Created, Boa and Coat of arms.

Bearer: Eschenlauer, Marc.

Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent

Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata

Illuminated and a leather finishing.

Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal and Interpreted.

Bearer: Espinosa, Diego.

Argent, a stag trippant Gules, attired and hoofed Sable, standing on a terrace in base Vert charged with a fess Or; on a chief Sable, three geese volant contourné Argent. Motto: «An Garraí Dubh go Brách» Sable, with initial letters Gules, over a scroll Argent.

International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 130], ISBN 978-1-8381483-0-0. The coat of arms of Eugene McCarthy from Ireland emblazoned by me appears in this volume.

Categories: Collage, Photographic, Art, Personal, Interpreted, Outlined in sable, Pointed, Coat of arms, Argent, One, Stag, Tripant, Gules, Attired, Hoofed, Sable, Terrace in base, Base, Vert, Charged, Fess, Or, Chief, Three, Goose, Volant, Facing sinister, Illuminated, Leather, Irish language, Motto and Scroll.

Root: McCarthy, Eugene.

Quarterly: 1 Argent, an oak eradicated Vert, fructed Or; 2 Azure, a tower with a turret Or, port and windows Azure, masoned Sable; 3 Azure, a hound passant Argent, spotted Sable; 4 Argent, a cross Gules. Motto: «Ut Ferrum Fortes» Sable, with initial letters Gules, over a scroll Argent.

Escudo cuartelado: 1^o de plata, una encina arrancada de sinople, frutada de oro, mazonado de sable; 2^o de azur, una torre donjonada de oro, aclarada de azur; 3^o de azur, un perro pasante de plata, moteado de sable; 4^o de plata, una cruz de gules. Lema: «Ut Ferrum Fortes» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

Blazon keywords: Argent, Vert, Or, Azure, Sable, Gules, One, Quarterly, Oak, Tree, Eradicated, Fructed, With a turret, Port and windows, Masoned, Dog, Passant, Spotted, Cross and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Simon-Faus, family.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules.

A symbolic image representing, through 3 coats of arms, the creation of the coat of arms of the King Ferdinand III the Saint from the arms of Alfonso IX, King of León, and Berenguela, Queen of Castile. The shapes of all three shields are rounded; all their components are illuminated; and the whole composition features a watercolor finish.

Ferdinand III the Saint was the son of Alfonso IX of León and Berenguela of Castile. During his reign, the crowns of Castile and León were united forever. When, in 1230, Ferdinand III succeeded his father, he adopted a quarterly coat of arms, placing his mother's arms, the castle, in the 1^st and 4^th quarters, and his father's arms, the lion, in the 2^nd and 3^rd quarters. His goal was likely to achieve balance between the two kingdoms and to give his coat of arms a greater sense of continuity over time compared to impaled arms. The coat of arms of Ferdinand III the Saint was the first quarterly shield in history, and the idea spread into the heraldry of Spain and other kingdoms, such as Aragon-Sicily, Brabant, England, Navarre, and Bohemia.

The mother first, schematic in English

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.

Style keywords: Semi-circular, Illuminated, Tilted shield and Watercolor.

Classification: Interpreted, Personal, Accolé arms, Family tree, Genealogical, Kingdom of Castile, Kingdom of León and Kingdom of Castile and Leon.

Bearer: Ferdinand III of Castile.

Transform the blazon «Or» into «Or, five Pommes in saltire» and the blazon «Argent» into «Argent, five Hurts in saltire» moving the pommes and hurts through both metals, without breaking the rule of tinctures.

You can change one charge by another one, but only once.

For example, if you change «Sable, a Bend Argent» by «Sable, a Pale Argent», then the Pommes can arrive to «Or» blazon. However, this is not a solution, because the Hurts cannot walk to «Argent» blazon.

Think before you move the cursor or click on the following link and see the solution.

Categories: Riddle, Ogee, Outlined in sable, Freehand, Or, Argent, Vert, Azure, Gules, Sable, Hurt, torteau, pellet, pomme and golpe, Hurt, Pomme, In saltire, Fess, Saltire, Bend sinister, Cross, Pale and Bend.

For example, if you change «Azure, a Cross Argent» by «Azure, a Pall Argent», then the Pommes can arrive to «Or» blazon and the Hurts can arrive to «Argent» blazon. You can view both paths azure and vert in the following image.

Other solution is to change «Azure, a Cross Argent» by «Azure, a Bordure Argent».

Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Argent, Vert, Azure, Gules, Sable, Hurt, torteau, pellet, pomme and golpe, Hurt, Pomme, In saltire, Fess, Saltire, Bend sinister, Cross, Pale, Bend and Pall.

Or, an oak tree proper, fructed Or, with a boar supporting it Sable; the whole debruised by a label of four points Azure with the second point Argent.

Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; brisado de un lambel de cuatro pendientes de azur, el segundo pendiente de plata.

Coat of arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of Francisca Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Cadency, Label, Four, Azure and Argent.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Francisca Aras Quirce.

Gules, three lozenges Or; a bordure lozengy Gules and Or. Motto: «Integritas Virtus Gratia» Sable, with initial letters Gules, over a scroll Argent.

Escudo de gules, tres losanjes de oro; una bordura losanjada de gules y oro. Lema: «Integritas Virtus Gratia» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

Blazon keywords: Gules, Or, Argent, Sable, One, Three, Lozenge, Lozengy, Bordure, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Lasuncion Patus, Francisco Javier.

Argent, a tetrahedron Azure, pierced by a sword bendwise, point downwards Or, garnished Azure. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a martlet Sable. Mantling: Azure doubled Or. Motto: «Ir-rieda biss tmexxi l-qalb».

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

G0102, Chief Herald of Arms of Malta's grant for the arms of Dr. James Patrick Howard II, USA. These arms have been emblazoned by me for such grant. The Maltese motto means «only the will guides the heart».

Blazon keywords: Argent, Azure, Or, Sable, One, Tetrahedron, Geometric solid, Pierced, In bend, Sword, Point downwards, Garnished, Upon (wreath), Helm, Wreath, Martlet, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Howard II, Dr. James Patrick.

Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a crown of Noble. Mantling: Azure doubled Or. Motto: «Guallini».

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.

R0067, Chief Herald of Malta's register of the arms of Mario Antonio Guallini. These arms have been emblazoned by me for such register.

Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet, Disordered, Upon (wreath), Helm, Wreath, Crown of Noble, Crown, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Guallini, Mario Antonio.

Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a wreath Argent and Gules, two arms embowed proper, vested Sable, cuffed Or, holding aloft a winnowing fan reversed Or. Mantling: Gules doubled Argent. Motto: «Ora et Labora». Supporters: Two lions passant, tails addorsed Sable, armed and langued Gules.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.

G0129, Chief Herald of Arms of Malta's grant for the arms of Markus Hermann Frank, USA. These arms have been emblazoned by me for such grant.

Blazon keywords: Gules, Argent, Or, Sable, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between, Fleam, Addorsed, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Wreath, Arm, Embowed, Proper, Vested, Cuffed, Grasping, Mantling, Doubled, Motto, Supporter (animal), Supporter, Lion, Passant, Tail addorsed, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Frank, Markus Hermann.

Party per fess Argent and Or, in chief twenty one fleurs de lis Sable, 8, 7, and 6, in base, a stag passant Gules attired proper, holding in its mouth a sprig Vert, gorged with a wreath Argent and Or. Crest: Upon a helm befitting his degree, with a wreath Or and Gules, an eagle displayed facing sinister Gules. Mantling: Gules doubled Or. Motto: «Souviens Toi De Vivre».

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.

G0130, Chief Herald of Arms of Malta's grant for the arms of Michael Twist, Malta. These arms have been emblazoned by me for such grant.

Blazon keywords: Argent, Sable, Or, Gules, Vert, Twenty-one, One, Party per fess, In chief, Fleur de lis, Stag, Passant, Attired, Grasping, Sprig, Gorged, Wreath, Crest, Upon (wreath), Helm, Eagle, Facing sinister, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Twist, Michael.

Lorenzo Garaycoa Raffo, Doctor, «Contribución Heraldica para el Estudio de la Sociedad Colonial de Guayaquil», pending to publish, graphic designer Lorenzo Garaycoa Taylor, with 320 surnames and 500 coat of arms, mainly of colonial coats of arms, main index on page 98, alphabetical index on page 99, 117 pages, Guayaquil, 11th of February of 2011.

Bibliographical reference of century XXI.

Classification: Castilian language and Black and white and color illustrations.

The author is Garaycoa Raffo, Lorenzo.

Bibliographical reference mentioned in the following article:

• Baztanes of Navarre

Internal resources: GaraycoaRaffoL2011.pdf.

Or, a eagle displayed Sable, beaked, langued, armed and membered Gules.

Escudo de oro, un águila de sable, picada, lampasada, armada y membrada de gules.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.

Coat of arms for the Federal Republic of Germany emblazoned by me.

Blazon keywords: Or, Sable, Gules, One, Eagle, Displayed, Beaked, Langued, Armed and Membered.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Germany, Federal Republic of.

Tierced pallwise inverted Azure, Gules, and Sable; overall a chevron between, in the dexter of the chief, a mullet of six points, in the sinister of the chief a pair of scales, and in base an open book Or.

Terciado en perla invertida de azur, gules y sable; brochante sobre el todo un cabrio acompañado, en la diestra del jefe, de una estrella de seis puntas, en la siniestra del jefe, de una balanza, y en la punta, de un libro abierto todo de oro.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.

Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me.

Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book and Book.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Gittel Bas Reuven, Malka.

Ermine, a lion rampant double queued Or, armed and langued Gules; a chief Gules, three castles triple-towered Or, port and windows Azure, masoned Sable.

Escudo de armiños, un león rampante de cola horquillada de oro, armado y lampasado de gules; un jefe de gules, tres castillos de oro, aclarados de azur, mazonados de sable.

Coat of arms emblazoned by me with a heater shape that I call pointed, illuminated, and its finishing is that seems watercolor.

Blazon keywords: Without divisions, Ermine, One, Lion, Rampant, Tail, Double queued, Or, Armed, Langued, Gules, Chief, Three, Castle, Port and windows, Azure, Masoned and Sable.

Style keywords: Pointed, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: González Lara, Rubén.

Argent, upon a base barry wavy of six Argent and Sable, a trimount Sable.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finish.

The coat of arms of Gozo, Republic of Malta, emblazoned by me.

Blazon keywords: Argent, Sable, One, Six, Upon, Base, Barry, Wavy and Trimount.

Style keywords: Outlined in sable, Illuminated, Bull's hide and Watercolor.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Gozo.

Gules, a base enarched Vert, overall a cross patty fitchy Or, piercing in base the head of a serpent nowed and facing sinister Sable, langued Gules.

I have interpreted this coat of arms with a semi-circular shape; tintures or, sable, vert and gules; outlined with sable; and a freehand finish.

In Polish heraldic tradition the color Sable can be over other colors, the color Vert in this case. The following bibliographical references can be consulted about the Polish use of the color Sable over other colors:

• [Bakala, K.; 2010; page 17] has written «nie pozwala nakladania metalu na metal, a barwy na barwe, za wyjatkiem barwy czarnej i purpurowej» ~ «does not allow to put metal on metal and color on color, except the color Sable and Purpure», notice that Sable and Purpure are the neutral colors whilst Gules, Azure and Vert are energetic colors.
• [Marecki, J.; 2012; page 67] has written about the rule of colors and metals «wyjatkiem byla czern, która laczono zarówno z metalami, jak i z innymi barwami» ~ «the exception was black, which was combined with both metals and other colors».

Blazon keywords: Without divisions, Gules, One, Mount, Vert, Issuant from base, Overall, Cross patty fitchy, Cross couped, Piercing, Head, Serpent, Nowed, Facing sinister, Sable and Langued.

Style keywords: Semi-circular, Freehand and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Grzeszkowiak, Tomasz Arkadiusz.

Thus they celebrated the funeral rites of Hector, tamer of horses. Homer, Iliad.

Sable, two lions combatant Or.

Escudo de sable, dos leones rampantes, afrontados de oro.

Imaginary coat of arms interpreted as follows: the mouth is a semicircular arch; the field enameled in flat Sable color; its 2 figures are outlined with the field tincture and illuminated in Or metal; and the set has a pearly finish.

Coat of arms interpreted from the imaginary blazon described in «Sir David Lindsay's Armorial», from the year 1542, where its blazon code «DL011» corresponds to Hector of Troy and which describes it as follows: «Sable, two lions combatant Or». Note the difference from the one described by [Avilés, J.; 1725a; page 7] which states that its field is Gules, «of red».

Says [Parsons, R. J.; 1989; paragraph 30], in one of the most beautiful descriptions of the lion that I have read, that the heraldic lion, as is the case with many other beasts, is very different from the lion in Nature. The lion in heraldry is the abstract expression of attributes such as nobility, strength, power, ferocity, courage, and vital energy. For example:

• vitality must be reflected in the line that flows downward through the animal's spine and to its hindquarters,
• power must be represented by its enormous shoulders and its strong forelegs,
• ferocity is symbolized by its unsheathed claws and its open jaws, and
• its tail, emerging from its entrails, and its mane must contribute to reinforce the expression of all these attributes.

Given this description of the heraldic lion, gifted to us by Robert John Parsons, every heraldic artist with critical capacity cannot help but ask themselves whether their lions are capable of expressing this range of attributes.

Blazon keywords: Without divisions, Sable, Lion, Or and Combatant.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Iridescent (nacar).

Classification: Interpreted, Imaginary, Coat of arms and Greco-Roman antiquity.

Imaginary bearer: Hector of Troy.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a cross flory Purpure.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, una cruz flordelisada de púrpura.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the Infante Henry of Castile, 1230–1303, 6^th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. He bore his father's arms, replacing the lion Purpure of the Kingdom of León with a cross flory Purpure, likely due to his close association with the Order of Calatrava, whose emblem is a cross flory Gules. However, he retained the metal Argent field in the 2^nd and 3^rd quarters and the lion's purpure color, suggesting this was more of a conceptual change than a quartering by alliance with the Order of Calatrava.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Cross flory and Cross couped.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Henry of Castile, Infante.

Royal and imperial German dynasty.

Quarterly Argent and Sable.

Escudo cuartelado de plata y sable.

Illuminated with lights and shadows and with a watercolor finish.

Blazon keywords: Quarterly, Argent and Sable.

Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted.

Bearer: House of Hohenzollern.

You might belong in Hufflepuff where they are just and loyal. In Hufflepuff they are very patient and unafraid of hard work.

Party per pale: 1 Or, a badger rampant Sable; 2 Sable, a badger rampant, regardant Or.

Escudo partido: 1^o de oro, un tejón rampante de sable; 2^o de sable, un tejón rampante, contornado de oro.

Imaginary arms of Hufflepuff realized in the following way: the mouth of the coat of arms is rounded; the field is illuminated and has a marble finish; and the badgers, each facing one side, are illuminated, outlined by the field, and finished with a hammered metal effect.

The initial quote, next to the Hufflepuff coat of arms, is taken from [Rowling, J. K.; 1997] and corresponds to «You might belong in Hufflepuff, Where they are just and loyal, Those patient Hufflepuffs are true, And unafraid of toil».

When blazoning the 2^nd badger, it must be taken into account that its head is regardant, which is what «is said of animals, or their heads, turned toward the sinister side of the shield» [Avilés, J.; 1725a; page 55] and [Avilés, J.; 1780a; page 61].

Blazon keywords: Party per pale, Or, Sable, Badger, Rampant and Regardant.

Style keywords: Rounded, Illuminated, Outlined in the field tincture, Marmoreal and Metal beaten.

Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.

Imaginary bearer: Hufflepuff at Hogwarts.

In Castile, a coat of arms quarterly does not necessarily signify inheritance. This schema illustrates two practices: a) Quarterings can represent the mother in the 1^st and 4^th quarters and the father in the 2^nd and 3^rd, highlighting the prominence given to the maternal line by placing it in the most visible quarters. b) Quarterings can also include personal symbols and concepts, like canting arms, for example, «Manuel» =«mano» + «ala» = «hand» + «wing», combined with ancestral arms. This flexibility reflects Castilian heraldic traditions, where arms are not strictly marshalled by inheritance. The inclusion of maternal arms in the 1^st and 4^th quarters highlights how Castilian heraldry often elevates maternal heritage, differing from some other heraldic traditions. The previous commentary emphasizes the creative freedom in Castile, where quartering could incorporate personal symbols or canting arms without the constraints of inheritance or dominium. This flexibility aligns with Castilian culture, allowing heraldry to reflect personal identity, not just dynastic ties. Notably, the arms of Infante Enrique's use of a cross flory demonstrates this creative freedom, showcasing the ability to innovate within heraldry even in royal contexts. While this might seem unconventional compared to other heraldic systems, it is deeply rooted in Castilian tradition. All coats of arms in this schema have been emblazoned by me.

Blazon keywords: Argent, Purpure, Gules, Or, Azure, Sable, One, Quarterly, Lion, Rampant, Armed, Langued, Castle, Triple-towered, Port and windows, Masoned, Bordure, Compony, Eagle, Cross flory, Cross couped, Party per pale, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards and Hilted.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Design rationale, Schema, Boa and Coat of arms.

Bearer: Manuel of Castile, Infante.

Argent, a rose Gules, barbed Vert; a bordure Azure. Motto: «Das Blut erinnert, was die Krone vergisst» Sable, over a scroll Argent doubled Azure.

Escudo de plata, una rosa de gules, hojada de sinople; una bordura de azur. Lema: «Das Blut erinnert, was die Krone vergisst» de sable, sobre una filacteria de plata doblada de azur.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.

Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Rose, Barbed, Bordure, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: von Haimb, Isadora.

The Commoners' Certification of Arms for Manel Gonzalez Lopez with his coat of arms emblazoned by me.

Quarterly: 1 and 4 Gules, a Castle triple towered Or, port, windows and masoned Sable; 2 and 3 Or, thirteen Torteaus, three, three, three, three, and one.

Blazon keywords: Quarterly, Gules, One, Castle, Or, Port and windows, Masoned, Sable, Thirteen and Torteau.

Style keywords: Ogee, Freehand and Outlined in sable.

Classification: Interpreted, Personal, Certification and Heraldic document.

Bearer: González López, Manel.

Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced.

The coat of arms of Ixai Lanzagorta Ochoa, designed by him, his father, Juan Lanzagorta Vallin, and me, and emblazoned by me in 3 steps: proportions, delineation, and plain colors and metal.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Argent, Sable, Azure, One, Chevron, Ouroboros, Armed, Langued and Interlaced.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Lanzagorta Ochoa, Ixai.

James de Sutton ~ James de Sottone, le Fitz.

Ermine, a canton Sable.

Escudo de armiños, un cantón de sable.

Included in [Vincent, MS; 1285; number 599] also known as [St. George's Roll; 1285; number 599].

Blazon keywords: Without divisions, Ermine, One, Canton and Sable.

Style keywords: Semi-circular and Illuminated.

Classification: Interpreted and Personal.

Bearer: Jaime de Sutton.

Known as the Unfortunate, Count of Urgell, Viscount of Àger, Baron of Fraga, Antillón and Alcolea de Cinca (1380–1433).

Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.

Escudo dimidiado: 1^o de oro, cuatro palos de gules; 2^o ajedrezado de oro y sable.

Arms interpreted with: a shield shape of convex-sided triangles; the tinctures of the pallets and the chequey are flat gold, gules and sable; and the whole design has a heavily hammered metal finish.

James II of Urgell, 1380–1433, known as the Unfortunate, Count of Urgell, Viscount of Àger, and Baron of Fraga, Antillón and Alcolea de Cinca, was one of the main claimants to the throne after the death of Martin I of Aragon. His rejection of the Compromise of Caspe led to his defeat and imprisonment.

Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.

Style keywords: Triangular curved, Plain tincture and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: James II of Urgell.

Azure, a tower Or, embattled and masoned Sable, overall a lion rampant barry Purpure and Argent.

Coat of arms of Jean Mortes from Brittany, France, emblazoned by me. The image illustrates my process in 3 steps: delineation, plain colors and metals, and lights and shadows.

Blazon keywords: Azure, Or, Sable, Argent, Purpure, One, Tower, Embattled, Masoned, Overall, Lion, Rampant and Barry.

Style keywords: Outlined, Outlined in sable, Plain tincture and Illuminated.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Mortés, Jean.

Blazon keywords: Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five and Base (lower 1/3).

Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted, Coat of arms and Structured and parallel blazons.

Bearer: Bessières, Jean-Baptiste.

Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, all debruised by four bezants, three on the vertex of the triangle, in dexter chief, charged with «el Padre», in sinister chief, charged with «el Hijo», in base, charged with «el Espítiru», and one on the fess point, charged with «Dios» Gules; in chief a label of three points Argent.

Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, todo resaltado de cuatro bezantes de oro, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre», en la siniestra del jefe, cargado con «el Hijo», en la punta, cargado con «el Espítiru» y uno sobre el corazón, cargado con «Dios» todo de gules; en jefe un lambel de tres pendientes de plata.

Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in Azure; the rest is illuminated in Argent and outlined in Sable, except for the bezants which are Or and also outlined in Sable; its letters in plain tinctures, some Gules and others Sable; and the set with a glazed finish.

Pall

The pall (perla) as defined by [Avilés, J.; 1780a; page 239] is «a figure composed of three moving cotises, or that emerge from the two angles of the Chief and the Base, which meet in the center or heart of the Shield in the form of a Greek Y, as if this figure were formed from a half Saltire, and a half Pale».

Blazon keywords: Without divisions, Azure, One, Pall, Couped, Argent, Three, Charged, Letter, Sable, Within, Triangle, Reversed, Four, Bezant, In the dexter chief, In the sinister chief, In base, In the fess point, Gules, Cadency and Label of three points.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Glass.

Classification: Religious, Interpreted, Imaginary and Coat of arms.

Imaginary bearer: Jesus Christ.

Sable, a sun in splendour Or in the dexter chief, and a dexter hand couped at the wrist proper pointing thereto in the sinister base, and per chevron Argent three brach hound's heads couped Azure, 1 and 2. Motto: «Di Droimíní e Delle Alpi» Sable, with initial letters Gules, over a scroll Argent.

Escudo de sable, mantelado en punta de plata, en la diestra del jefe un sol de oro, apuntado desde la siniestra por una mano diestra puesta en banda de carnación, en la punta tres cabezas de perro braco de azur, 1 y 2. Lema: «Di Droimíní e Delle Alpi» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a leather finishing.

The arms of John Brady from Ireland, designed and emblazoned by me. To write here his blazon I follow an Irish style.

Design rationale

These arms were created for the descendants of Christopher Joseph Parnell Brady and Estella Amelia Arigho. The design is rooted in the traditional Brady Arms, including those recorded by the Ulster King of Arms in Dublin, while the hound’s head draws inspiration from the Arms of Caneggio, the Swiss municipality where the Arigho family originates, represented as Azure with a brach hound’s head couped Argent, but with the tinctures exchanged, painting Azure where it was Argent and vice versa. The number three holds dual significance. On the Brady side, it represents three generations tracing back to the Drumlins of County Cavan, those characteristic rounded hills of the Irish landscape. On the Arigho side, it symbolizes three generations leading to the Alps, represented by the chevron Argent over a Sable field, evoking the snow-capped peaks of the mountains, a nod to the family's Swiss heritage.

Blazon keywords: Sable, Or, Argent, Azure, Gules, One, Three, Party per chevron, Dexter, Chief, Sun in splendour, Sinister, Hand, Couped, Wrist, Bendwise, Proper, In base, Brach hound, Dog, Head, Disordered and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Brady, John.

Argent, a lion passant Gules, grasping a Celtic cross Sable in its dexter forepaw, on a chief Vert, a mural crown with five visible oak leaves Argent. Motto: «Protect with Honour and Integrity» Sable, with initial letters Gules, over a scroll Argent.

Escudo de plata, un león pasante de gules, teniendo en su diestra una cruz celta se sable, en un jefe de sinople, una corona mural con cinco hojas de roble visibles de plata. Lema: «Protect with Honour and Integrity» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a leather finish.

Design rationale

This coat of arms is a distillation of personal heritage and regional identity. The lion passant and the tinctures Gules and Argent are inspired by the Nolan arms; he is married to Dymphna, née Nolan. The oak leaves on the mural crown are derived from the Durkan arms. The Gules represents the ancient bloodline of the Durkan family in this part of Connacht. The colours Gules and Vert reflect the colours of County Mayo, where he was born. Argent, present in both the Durkan and Nolan arms, also evokes the swans on the lakes near the family homestead in County Mayo. The Celtic cross refers to Mayo Abbey, a nearby 7^th-century monastic site traditionally linked to St. Colmán, close to Rathnacreeva. The circular stone structure of the mural crown represents Rathnacreeva, a ringfort, he was born in County Mayo to Bob Durkan and Bernie Flynn of Rathnacreeva. They are 5 brothers, the mural crown bears 5 oak leaves joined at their base through the stones of the crown, symbolising the 5 brothers and their connection. The mural crown symbolises civic authority and recalls both Dublin Castle, the former headquarters of An Garda Síochána, where the armiger served as a Garda, and also the dry-stone walls of the west of Ireland. The motto «Protect with Honour and Integrity» encapsulates the ideas of governance, duty, and moral authority.

Blazon keywords: Argent, Gules, Sable, Vert, One, Five, Lion, Passant, Grasping, Celtic cross, Dexter, Forepaw, Chief, Mural crown, Crown, Oak, Tree, Leaf, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Durkan, John Paul.

187^th Pope of the Church, from 1276 to 1277. «Johannes XXI», born Pedro Julião, also known as Pedro Hispano, born in Lisbon, Portugal.

Quarterly: 1 and 4 Argent, three crescents Gules; 2 and 3 Sable, two pallets Or.

Escudo cuartelado: 1^o y 4^o de plata, tres crecientes de gules; 2^o y 3^o de sable, dos palos de oro.

Coat of arms with: a shield with a pointed and rounded top; the field in plain Argent and Sable; the figures outlined in Sable and illuminated in Gules and Or; and the whole in an elevated line style.

John XXI should have actually been John XX, but Cardinal Pedro Julião, upon being elected pope, decided to skip the number XX and called himself John XXI, with the aim of correcting what was believed to be a historical error, which in the end was not so.

This historical error consisted of the belief in the existence of 2 popes named John XIV, as seemed to be deduced from the records of the «Liber Pontificalis». They were therefore referred to as: the 1^st John XIV and the 2^nd John XIV bis.

By skipping the number XX, John XXI believed he was correcting this historical error. But the reality is that there was only one Pope John XIV, the same pope with 2 entries in the «Liber Pontificalis», the 1^st entry during the time of his pontificate in freedom and the 2^nd entry for the time he exercised his pontificate in prison, imprisoned by his enemy, the so-called «antipope» Boniface VII, who, in turn, managed to occupy the papal throne twice, separated by a decade, in 974 and in 984, somewhat like a double «antipope».

Therefore, John XXI, instead of correcting a historical error, made one, and for this reason, there is no Pope John XX in all of history, nor can there ever be one.

Blazon keywords: Quarterly, Argent, Three, Crescent, Gules, Ordered, Sable, Two, Pale and Or.

Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: John XXI.

Argent, three lozenges Sable; on a chief wavy Azure, three snowflakes Argent.

Heraldic device emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.

The coat of arms of Jon Sneddon emblazoned by me over his personal tartan registered in the Scottish Register of Tartans. John Sneddon designed his tartan with the help of Elliot Nesterman.

Blazon keywords: Argent, Sable, Azure, Three, Lozenge, Chief, Charged, Wavy, Snowflake and Ordered.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Tartan.

Bearer: Sneddon, Jon.

This is the coat of arms of Jose Manuel Gutierrez Benitez designed by him and me and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable.

Escudo de azur, un cabrio angrelado de oro acompañado de tres losanges de plata, cada uno cargado de una flor de lis de gules; una bordura componada de ocho compones, cuatro de sinople, cargados cada uno de un castillo de oro, aclarado de azur, mazonado de sable, y cuatro de plata, cargados cada uno de un rencuentro de toro de sable.

Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Three, Four, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head and Caboshed.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Gutiérrez Benítez, Jose Manuel.

Or, a badger rampant Sable.

Coat of arms of Jose Manuel Villauriz Alvarez, outlined by me under the directions of Alfonso Ceballos-Escalera Gila, Cronista de Armas de Castilla y Leon.

Blazon keywords: Or, Sable, One, Badger and Rampant.

Style keywords: Outlined and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Villauriz Álvarez, José Manuel.

Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable. Motto: «Errukia justizia eta ekitatea!».

Escudo de plata mazonado de sable, un cabrio de azur, en jefe un lobo y una loba afrontados de sable. Lema: «Errukia justizia eta ekitatea!».

Coat of arms depicted by me, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of Juan Lanzagorta Vallin designed by him and emblazoned by me. I have never painted a field masoned sable. The chevron Azure symbolizes the firmament seen through an open hole in the masoned wall, like a window open to the sky.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf, Combatant and Motto.

Style keywords: Outlined in sable, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lanzagorta Vallín, Juan.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent. Motto: «Quis ut Deus».

Escudo de azur, una trompeta puesta en barra de oro, resaltada de una pez hauriante de plata, resaltado de un espada puesta en banda bajada de oro, todos acompañados de dos flores de lis en faja de plata. Lema: «Quis ut Deus».

Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a watercolor finish.

Blazon keywords: Azure, Argent, Or, Sable, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis, In fess and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

These are the arms of Kelly Kathleen Knox, PhD, a retired military officer of the US Army and Air Force, primarily serving in medical and humanitarian roles, who served in two wars, was honored with the Meritorious Service Medal with one Oak Leaf Cluster, among other distinctions, and was inducted into the Ohio Veterans Hall of Fame. Her arms were designed by her and me and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Argent, a stag springing, in base an acorn leaved and slipped proper, on a chief invected Gules, a sabre fesswise, point sinister proper, debruised by a rose Or, leaved Vert.

Escudo de plata, un ciervo brincante, en punta una bellota frutada y hojada al natural; en un jefe acanalado de gules un sable puesto en faja, alterado al natural, resaltado de una rosa de oro, hojada de sinople.

Blazon keywords: Argent, Gules, Or, Vert, Sable, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised and Rose.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Knox, Kelly Kathleen.

Daniel King, «The Vale-Royal of England or, The County Palatine of Chester Illustrated, wherein is Contained a Geographical and Historical Description of that Famous County, with all its Hundreds and Seats of the Nobility, Gentry and Freeholders», edited and published by Daniel King, engraver, book sponsored by Peter Venables, Baron of Kinderton, Chester, Cheshire County, 1656.

The book includes around 520 coats of arms of Cheshire, with black and white illustrations, where the metals and colors are indicated by a letter code.

The coat of arms that illustrates this bibliographic reference is one of those recorded in this book and corresponds to the coat of arms of Abadía de Delacres, with the difference that here the crozier faces the right side of the shield, unlike the one represented in this book, which, like other croziers in this book, faces the left side of the shield.

Bibliographical reference of century XVII.

Author: King, Daniel.

External resources:

• On IberLibro.
• On Cheshire heraldry.
• The coat of arms of the book's sponsor.

D'or à un arbre arraché de sinople, accosté à dextre de la lettre capitale «D» et à senestre de la lettre capitale «L» du même, et une étoile d'azur posée au canton dextre de la pointe.

Or, a tree eradicated Vert between a capital letter «D» and a capital letter «L» Sable, in the dexter of the base a mullet Azure.

Illuminated with lights and shadows and with a leather finish.

Blazon keywords: Without divisions, Or, One, Tree, Erased, Vert, Between, Letter, Sable, Canton, Dexter, Base (lower 1/3), Mullet, Five and Azure.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of France.

[ Gules, a castle triple towered Or, port and windows Azure, masoned Sable ] accolé with [ Gules, three lions, passant, guardant, in pale Or, armed and langued Azure ].

[ Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable ] acolado de un [ escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur ].

Arms of the King and Queen of Castile interpreted with: the escutcheons' shapes pointed and rounded; the field of each shield, the castle, and the three leopards enamelled in flat tints of Gules and metal Or, with windows, claws, and tongues in Azure; and the whole composition finished with a raised line technique.

[Medél, R.; 1846; page 38] provides a heraldic description of the leopard.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows and Masoned.

Style keywords: Ogee, Plain tincture, Outlined in sable, Tilted shield and Freehand.

Classification: Interpreted, Personal, Accolé arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.

Bearer: Leonor Plantagenet.

Of the twelve lineages of Noblemen, the sixth is that of Lete, from which descended Don Juan Corbarán de Let: they bear as arms, on a field Or, three pots shaped like cauldrons, slightly elongated, as painted in this shield.

Or, three Fleshpot Sable.

Escudo de oro, tres potes de sable.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the three pots illuminated in Sable with vertical, but not horizontal symmetry; and finished in highly-hammered metal.

It is not easy to find in English a similar figure:

• it could be considered «pote» ~ «pot», although perhaps «pot» is too generic,
• another possibility is «pote» ~ «fleshpot», which, although usually represented with three legs instead of a base and with two handles, is the one I tend to prefer,
• the English term «cauldron», but this corresponds to our «caldero» ~ «cauldron».

Coat of arms based on the sixth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Although I have not found any reference about it, it could be considered that originally they might have been canting arms and that these three «potes» could have been milk pots, in reference to their bearers «Lete».

Under the title «Surname of Let» it can also be consulted in [Vega, P. J. de; 1702; folio 6 of the manuscript], although the number has been altered, possibly having been a 5 and perhaps interpreted as an 8, it is deduced by being placed after folio 7.

Blazon keywords: Without divisions, Or, Clay pot and Sable.

Style keywords: Semi-circular, Illuminated and Hard metal.

Classification: Interpreted, Personal, Kingdom of Navarre and Canting.

Bearer: Lete of Navarre.

Or, a holm oak eradicated Vert, fructed Or, in front of its trunk two boars passant, in pale Sable.

Arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.

Ancient arms of the lineage Peraza of Cantabria emblazoned by me. Around the year 1235, the solar house of Peraza was established in the Carriedo Valley, Cantabria. From this house descended Fernando de Peraza, Castellan and Governor of the Old Fortress of Aguilar in the land of Campo, Judicial District of Villalón, Valladolid, and another Fernando Ibárjez de Peraza, Lieutenant Governor of the Castle of Zurita, on the banks of the Zurita, after it was reconquered by King Alfonso VIII. The Peraza family connected with the Great House of Ayala and adopted the surname Peraza de Ayala.

Blazon keywords: Or, Vert, Sable, Holm oak, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Peraza of Cantabria, lineage.

Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable. Motto: «Laus · Virtutis · Actio».

Escudo cortado de azur y sable, brochante sobre la partición un castillo de cuatro torres de oro, aclarado de sable. Lema: «Laus · Virtutis · Actio».

Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a leather finish.

Blazon keywords: Azure, Sable, Or, One, Party per fess, Overall, Four-towered, Castle, Port and windows and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Rawson, Lineage.

Guilaberto Lloscós y Soldevilla was grand prior of the Order of Saint John from 1449 to 1460.

Argent, a bull salient Gules within a bordure gyronny Argent and Sable.

Escudo de plata, un toro saltande de gules; bordura jironada de plata y sable.

Illuminated and parchment finishing.

He also known as Guilaberto Loscós y Soldevilla, and his coat of arms can be consulted at [García Carraffa, A.; García Carraffa, A.; 1968; volume II, page 407], who does not depict this bull with its tongue out.

The Lloscós lineage resided on the island of Mallorca and succeeded in the position of royal procurator of the island. Lázaro Lloscós was the procurator of the island in 1332, his son Mateo Lloscós was in 1392 and his grandson Mateo Lloscós was too. Mateo Lloscós helped King Alonso V of Aragon, the Magnanimous, with the expenses of the Naples campaign in 1435 and, therefore, the king donated the town of Bañalbufar and the title of baron. Mateo Lloscós was the father of Guilaberto Lloscós y Soldevilla grand prior of the Order of Saint John.

Bordure gyronny and bordure compony

This bordure presents a dual characteristic. It could be considered a bordure compony because it is composed of a series of segments, in this case, eight. However, since the sides of these segments are not perpendicular to the bordure, but are angled in such a way that all their extended lines would converge at the exact center of the coat of arms, it structurally resembles the division known as gyronny. It is for this reason that, despite its compony appearance, I specifically designate it as a bordure gyronny.

The tongue out

This is a reflection on the tongue out in animals in heraldry. I will rely on the representations found in [Fox-Davies, A. C.; 1909], as it contains numerous representations of animals in the most diverse heraldic attitudes.

In heraldry, tigers [Fox-Davies, A. C.; 1909; figures 322-325], lions, wolves, the bear, etc., are usually represented with the tongue out; they are heraldic beasts and they are carnivores.

However, the fox in [Fox-Davies, A. C.; 1909; figures 343-345] is not painted with the tongue out. It is classified as a heraldic beast and, moreover, it is carnivorous.

The boar is omnivorous, it is a heraldic beast and it is painted with the tongue out, as is done in [Fox-Davies, A. C.; 1909; figures 353-358].

From the above, there is no uniform association between the tongue out and being a heraldic beast or a carnivore.

On the other hand, [Fox-Davies, A. C.; 1909; figures 446-449] classifies eagles as birds, not as beasts; they are carnivorous and are represented with the tongue out. And the dolphin is a fish, it is carnivorous and is also represented with the tongue out [Fox-Davies, A. C.; 1909; figures 479-480].

There are heraldists who say that herbivores are not painted with the tongue out.

But donkeys, mules, and especially the horse are herbivores and they can be seen represented with the tongue out. For example, [Fox-Davies, A. C.; 1909; figures 360 and 362] paints the horse with the tongue out, and in figure 361, with the horse running, he does not paint the tongue out. In no case does he classify it as a heraldic beast.

[Fox-Davies, A. C.; 1909; figures 368 and 370] paints the talbot, the mythical dog of heraldry, with the tongue out rampant and passant; but in more restful attitudes, such as standing and seated, he does not paint it with the tongue out. This could indicate that, when it is calm, it does not put the tongue out. But in the previous paragraph we have seen that he does not paint the horse running with the tongue out, and a horse running is not calm.

The bull [Fox-Davies, A. C.; 1909; figures 375-376] is not painted with the tongue out. However, I paint the bull with the tongue out and, although herbivorous, I claim the fighting bull as one of the most beastly figures of heraldry.

The stag does not carry the tongue out in any of its attitudes in [Fox-Davies, A. C.; 1909; figures 379-386], and other cervids [Fox-Davies, A. C.; 1909; figures 387-390] do not either.

Rams, sheep, lambs, goats [Fox-Davies, A. C.; 1909; figures 395-403] also do not carry the tongue out.

The badger is carnivorous [Fox-Davies, A. C.; 1909; figure 409]; as with the fox, it is carnivorous and does not carry the tongue out.

Therefore, in general, the tongue out cannot be fully associated either with heraldic beasts or with carnivores, just as not carrying the tongue out cannot be associated with herbivores or with calm attitudes. For example, the lion always carries the tongue out, even in its calmest attitudes [Fox-Davies, A. C.; 1909; figures 304-309].

The conclusion is that it is left to the discretion of the heraldic artist to paint or not to paint the tongue out, depending on what he wishes to express. For example, greater aggressiveness, greater movement, or liveliness could be associated with the tongue out.

Blazon keywords: Argent, One, Bull, Salient, Gules, Bordure, Gyronny and Sable.

Style keywords: Parchment, Outlined in sable and Illuminated.

Classification: Personal and Interpreted.

Bearer: Lloscós y Soldevilla, Guilaberto.

Argent, five wolves passant Sable; a bordure Azure, charged with eight saltires couped Or.

Escudo de plata, cinco lobos pasantes de sable; una bordura de azur, cargada de ocho aspas de oro.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Coat of arms of María Lobo, Lady of the House of Alvito. This coat of arms has been emblazoned by me. The arms are traditionally associated with the Lobo family of Alvito and are documented in Castilian and Portuguese heraldic and genealogical sources. These arms were equally used by other members of the House of Alvito, such as Ruy Dias Lobo and his descendants. I have emblazoned this coat of arms at the request of Fernando Durán Cabral de Mello d’Alpoim, as he counts the Lobo lineage of Alvito among his ancestors. It is not necessary to say the arrangement of the wolves which is in saltire, that is, 2, 1 and 2, since it is the default arrangement in heraldry for 5 equal charges.

Blazon keywords: Argent, Sable, Azure, Or, Five, Eight, Wolf, Passant, Bordure, Charged, Saltire and Couped.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lobo, María.

Party per pale: 1 quarterly: 1 Azure, a lion rampant Or, 2 Argent, a falcon rising, grasping in its paws a serpent Sable, 3 Or, a tower Azure, port, windows, and masoned Sable, 4 Gules, a fox passant Or, a chief Gules semé of mullets Argent; 2 Orange, a mullet of six points voided, interlaced Sable.

Escudo partido: 1o cuartelado: 1o de azur, un león rampante de oro, 2o de plata, un halcón azorado, teniendo en sus garras una sierpe ambos de sable, 3o de oro, una torre de azur, aclarada y mazonada de sable, 4o de gules, una raposa pasante de oro, un jefe de gules sembrado de estrellas de cinco puntas de plata; 2o de anaranjado, una estrella de seis puntas, hueca y entrelazada de sable.

Las anteriores son dos formas de visualizar los blasones estructurados en paralelo, la primera mediante una imagen y la segunda mediante una combinación de dos textos y una imagen.

Blazon keywords: Party per pale, Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five, Base (lower 1/3), Orange, Six, Voided and Interlaced.

Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted, Coat of arms and Structured and parallel blazons.

Bearer: Correa, Lorena.

Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, a ship in full sail Or.

Escudo cortado: 1^o de sable, tres estrellas de plata de ocho puntas, 1 y 2; 2^o de azur, un barco de oro.

Arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.

Blazon keywords: Sable, Argent, Azure, Or, Three, Eight, One, Party per fess, Mullet, Disordered, Ship and Full sail.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Imaginary, Created, Boa and Coat of arms.

Imaginary bearer: Mediterranean, Sea of the.

Faustino Menéndez Pidal de Navascués, «Book of Armory of the Kingdom of Navarra: Transcription and Study», published by La Gran Enciclopedia Vasca, 160 pages, ISBN 84-248-0119-9, Bilbao, 1974.

Transcription and study of the Navarrese manuscript armorial [Bosque, J. del; 1540], preserved in the General Archive of Navarra.

This book contains an introduction, the transcription of the armorial texts, its photographic reproduction, which also includes the Navarrese coats of arms of the Reyneck armorial and the coat of arms of the refectory of the Cathedral of Santa María la Real de Pamplona, an index of names, a heraldic table, and a set of appendices [Martínez de Aguirre, J.; 2007; page 351].

The coat of arms accompanying this bibliographic reference is that of Qasqante de Navarra following, precisely, the armorial of Juan del Bosque.

Bibliographical reference of century XX.

Author: Menéndez Pidal de Navascués, Faustino.

Bibliographic reference mentioned in the following articles:

• Bosque, J. del; 1540
• Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001
• Navarra, closed carbuncle

External links:

• Record in the National Library of Spain.
• Sancho el Sabio.

Coat of arms of Michael W. Morgan, UE, emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. He is the eldest son of Commander Stephen T. Morgan.

Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a label of three points Argent.

Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un lambel de tres pendientes de plata.

Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Label of three points.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Morgan, Michael W..

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 vair ancient.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de veros antiguos.

Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the municipality of Monroy, Caceres, emblazoned by me with vair ancient. I have painted it using vair ancient, as I wish to illustrate with this coat of arms a reflection on the Virgin of the Sagrario of Plasencia, Caceres, dating from the mid-13th century, and on the forty-four coats of arms made of gilded silver sheet that adorn it, featuring lions, castles, and rounded vair ~ vair ancient, these may be associated with the lords of Monroy, a lineage of considerable importance in the town of Plasencia during the Late Middle Ages.

Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Vair ancient.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Monroy, municipality of.

Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a crescent Argent.

Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un creciente de plata.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finishing.

Coat of arms of Eóin S. Morgan, UE, emblazoned by me. He is the youngest son of Commander Stephen T. Morgan, and as such, his cadency mark is a crescent, the heraldic difference traditionally assigned to a second son.

Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Crescent.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Morgan, Eóin S..

Or, four bell towers issuant from base Gules, windows Or. Motto around the shield: «Linaje Lanzagorta Otxoa · Catalunya · Barcelona» Sable over a scroll Argent.

Coat of arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finishing.

Coat of arms of Alejandra Espeja Avieda, familiarly known as Sandra. This shield, surrounded by an annular scroll Argent inscribed in sable, has been designed byhas been designed by Juan Lanzagorta Vallín and emblazoned by me.

Blazon keywords: Or, Gules, Sable, Argent, Four, One, Bell tower, Issuant from base, Port and windows, Within, Motto (identification) and Scroll.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Espeja Avieda, Alejandra.

Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by J. MackEuen, Edinburgh, 1722.

This is the very 1^st edition of this book and I consult the edition [Nisbet, A.; 1816].

Bibliographical reference of century XVIII.

Author: Nisbet, Alexander.

The following articles cite this bibliographic reference:

• Nisbet, A.; 1816
• Parker, J. H.; 1847
• The Heraldry Society of Scotland

External resource:

• Alexander Nisbet, Walter Macfarlan, and a Question of Authorship.

The King of Navarre, at the time of his new and solemn coronation, is raised and lifted up as King by the hands of twelve barons of the greatest and oldest houses of the said Kingdom, and these are the twelve Noblemen who are named on the other side, with their blazons and coats of arms.

Interpretation and composition of 13 coats of arms that I have created with a parchment-like finish.

A free interpretation, for example, without the central crown over the arms of Navarre, with a different title, written «Navarra» and not «Nabarra», etc., based on the principal plate of [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with texts taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

«Ricohombre», written together, currently means «title that formerly belonged to the highest nobility of Spain», [Real Academia Española; 2001].

Its plural «ricoshombres» is the most commonly used form, but «ricohombres» is also correct and used; and in [Bosque, J. del; 1540] it is written separately, and «honbre» with an «n» before the «b», that is, «ricos honbres».

Blazon keywords: Without divisions, Party per bend, Azure, Gules, Or, Argent, Sable, Vert, Eagle, Chequey, Cross flory, Cross couped, Fess, Chief, Lion, Pale, Poplar leaf, Clay pot and Rampant.

Style keywords: Semi-circular and Old parchment.

Classification: Interpreted and Kingdom of Navarre.

Bearer: Noblemen of Navarre.

Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo cuartelado: 1^o y 4^o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2^o y 3^o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.

Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.

Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Noronha, House of.

Heraldic document, 2 pages.

The pages have a heraldic frame with the elements of his coat of arms.

The motto, which is the beginning of the Gospel of Saint John, can be seen in [Cnut Gospels; 1020; folio 111].

Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale, Number, Gules, Argent, Azure, Crest and mantling, Helm, Mantling, Wreath, Crest, On, Charged, Disordered, Cross, Cross of Burgundy, Cross couped, Book, Open, Motto, Scroll and Fimbriated.

Classification: Created, Personal, Catalogue, Heraldic document and Frame.

Bearer: Salmerón Cabañas, Antonio.

Party per pale: 1 Vair; 2 Sable, a barn owl Argent, the eyes Sable, beaked and armed Or.

Escudo partido: 1^o de veros; 2^o de sable, una lechuza de plata, encendida de sable, picada y armada de oro.

Blazon keywords: Party per pale, Argent, Azure, Vair, Sable, Or, Barn owl, The eyes, Beaked and Armed.

Style keywords: Rounded, Illuminated, Outlined in sable and Parchment.

Classification: Created, Imaginary, Coat of arms and Greco-Roman antiquity.

Imaginary bearer: Odysseus of Ithaca.

This coat of arms of the Congregacion del Oratorio de San Felipe Neri of Alcala de Henares, «Congregatio Oratorii Sancti Philippi Nerii - Complutum», has been designed, outlined, and emblazoned by me following the ideas and directions of the Congregation.

Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.

Style keywords: Outlined in sable and Semi-circular.

Classification: Religious, Created and Coat of arms.

Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.

Or, a tower Gules, embattled, masoned and with a turret Sable.

Escudo de oro, una torre de gules, almenada, mazonada y donjonada de sable.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Ancient arms of the lineage Ormazabal of the Basque Country emblazoned by me.

Blazon keywords: Or, Gules, Sable, One, Tower, Embattled, Masoned and With a turret.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Ormazabal of the Basque Country, lineage.

Party per pale: 1 Sable, a tower with a turret Argent; 2 Argent, a wyvern erect Sable.

Escudo partido: 1^o de sable, una torre donjonada de plata; 2^o de plata, un guiverno rampante de sable.

Arms devised by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

The coat of arms of the Ormazabal Lazaro family, designed by them and me, and emblazoned by me.

Blazon keywords: Sable, Argent, One, Party per pale, Tower, With a turret, Wyvern and Erect.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Ormazabal-Lazaro, family.

Argent, flanched Sable, in chief a mullet of six points Gules.

Escudo de plata, flanqueado curvo de sable, en jefe una estrella de seis rayos de gules

Coat of arms interpreted with: a semicircular (round) base; illuminated in the tinctures Argent, Gules, and Sable; all outlined in Sable; and finished with a raised-stroke effect.

[Avilés, J.; 1725a; pages 92 and figure 197] blazons it as «Argent, and a six-pointed star Gules in chief, flanched in oval Sable». When he illustrates it in [Avilés, J.; 1725a; figure 197], the space left between both flanches is only 1/5 of the base of the coat of arms; this is feasible because the only charge is a mullet in chief. If there were more charges, it would be necessary to leave more space, for example, 1/3 of the base of the shield.

«Oschoven au Rhein» in the book [Menestrier, C. F.; 1659; page 315], it is blazoned «d'argent flanqué arrondi de sable à vne molette de mesme en chef», so the mullet would be Sable, bacause «de mesme» is written, and with a hole in the middle, this hole does not exits in other sources.

In the book [Rietstap, J. B.; 1861], it is blazoned «Argent, flanched in round Sable, Argent charged in chief of a mullet Gules», and in French «d'argent, flanqué en rond de sable, l'argent chargé en chef d'une étoile de gueules».

Some time ago I used to blazon it in English as «Argent, in chief a mullet of six points Gules, between two flanches Sable».

Blazon keywords: Argent, Sable, Gules, Mullet, Chief and Flanched.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Oschoven of the Rhin.

Nigel Pennick, «Pagan Magic of the Northern Tradition: Customs, Rites, and Ceremonies», edited by Simon and Schuster, publicado por Destiny Books, ISBN.13 9781620553909, ISBN.10 1620553902, alternative ISBN.13 9781620553893, 352 pages, New York, 21th of May of 2015

On page 119, Nigel Pennick wrote «According to Aristotelian precepts, each of the metals and tinctures», maybe he should have written heraldic term color, «possesses a spiritual virtue related to a particular planetary sphere. Or signifies and relates to the Sun; Argent, the Moon; Sable, Saturn; Azure, Jupiter; Gules, Mars; Vert, Venus; and Purpure, Mercury».

Bibliographical reference of century XXI.

The author is Pennick, Nigel.

External resource:

• Google Books.

Azure, on four bars wavy Argent a barbel bendwise Or and a three arch bridge Or, masoned Sable, throughout, supporting a elm couped Argent leaved Or, between, in dexter a tower Or, port and windows Azure, mazoned Sable, and in sinister three escutcheon Or, 2 and 1.

The coat of arms of Pesquera de Ebro, Burgos, Castile and Leon, designed and outlined by me.

Blazon keywords: Argent, Or, Azure, Sable, One, Three, On, Bar, Wavy, Barbel, Bendwise, Bridge, Masoned, Throughout, Upon, Elm, Couped (tree), Leaved, Tower, Port and windows, Escutcheon and Ordered.

Style keywords: Outlined and Semi-circular.

Classification: Civic, Created, Boa and Coat of arms.

Bearer: Pesquera de Ebro.

Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules, charged with eight crosses botonny Argent. Crest: A galero with two cords, one on each side, each with a tassel Sable. Motto «Lux Orbis».

Escudo de plata, pendiente del jefe una lampara de aceite de tres cabezas de león arrancadas y aladas de sinóple; una bordura de gules cargada de ocho cruces botonadas de plata. Timbrado de un galero con cordones y una borla a cada lado de sable. Lema «Lux Orbis»

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a iridescent finishing.

Blazon keywords: Argent, Vert, Gules, Sable, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged, Cross botonny, Crest, Galero, Cord, Tassel and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Iridescent.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Iacobucci, Peter.

Count of Urgell, Viscount of Àger, Baron of Entença, Antillón, and Alcolea de Cinca (1340–1408).

Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.

Escudo dimidiado: 1^o de oro, cuatro palos de gules; 2^o ajedrezado de oro y sable.

Arms interpreted with: the escutcheon in a pointed and rounded shape; the tinctures of the pales and the chequey rendered in flat inks Or, Gules, and Sable; and the whole finished with a highly hammered metal effect.

Peter II of Urgell (1340–1408), Count of Urgell, Viscount of Àger, and Baron of Entença, Antillón, and Alcolea de Cinca, was a prominent figure of 14^th-century Catalan nobility and grandson of Alfonso IV of Aragon.

Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.

Style keywords: Ogee, Plain tincture and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: Peter II of Urgell.

Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Or, an eagle displayed Sable.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de oro, un águila de sable.

Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the Infante Philip of Castile, 1231–1274, 7^th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me and can be consulted in [Messía de la Cerda y Pita, L.; 1990; page 146] with the field Or in the 2^nd and 3^rd quarters. He bears a quarterly shield combining the first quarter of his father’s arms, Castile, with his mother’s arms. Among all his siblings, he is the one who most closely combines the arms of both parents.

Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Eagle.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Philip of Castile, Infante.

My heraldic Pixiv wall is Dr.A.Salmeron @antoniosheraldry and pixiv.me/antoniosheraldry.

Pixiv is a Japanese online community for artists. I post in Pixiv 2 or 3 coats of arms per week. They use a strict form to post with many mandatory input fields. This week, they have added a new mandatory field «AI-generated work: Yes / No», AI ~ Artificial Intelligence. In the image, I have highlighted this new field in red.

Categories: Technology, Social networks, Quarterly, Gules, One, Chevron, Argent, Between, Three, Fleur de lis, Or, Five, Mullet, In saltire, Four, Escutcheon, In cross, Azure, Charged, Nine, Bezant and plate, Two, Flank, Fesswise, Center, Overall, Carbuncle, Cord, In orle, Knotted, Purpure, Overall (all), Sable, Mount, Issuant from base, Vert, On, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Fess, Wavy, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown and Motto.

Count of Urgell, Viscount of Àger, deceased in 1243.

Chequey Or and Sable.

Escudo ajedrezado de oro y sable.

Arms interpreted with: a shield shaped as a triangle with curved sides; the chequey pattern in flat metal Or and colour Sable; and a heavily beaten metal finish.

[Avilés, J.; 1780a; page 286] states that he will call «Chequey those ordinaries composed of these small squares, which alternate between metal and colour, or vice versa, just like the boards of those Games.» and he also writes regarding the usual number of panes that «it must have six ranks or rows of these squares, though it is not necessary to specify their number, or at least the shield must include more than fifteen panes; it is only required, to properly blazon it, to always observe the first square, which is in the chief dexter; so that, if this is Or, and the one that follows is Gules, it is said to be Chequey Or and Gules, and so with other colours and metals.»

Although Ponce initially proclaimed himself count of the county of Urgell without sufficient rights, the death of the legitimate heiress and his agreements and assistance to king James I of Aragon enabled him to legalise his title. During this process, the capital of the county ceased to be the municipality of Balaguer only to eventually become it once again.

Blazon keywords: Chequey, Or and Sable.

Style keywords: Triangular curved, Plain tincture and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: Ponce I of Urgell.

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of the Kingdom of Portugal differenced by a baston Sable, as it appears in the arms of the House of Noronha. In the Arquivo Heráldico Genealógico of the Viscount Sanches de Baena this brisure is blazoned as «é por diferença um filete de negro sobreposto em banda», while in the Armaría Portuguesa it is described as «um filete negro em contrabanda». This latter term may be confusing, as «contrabanda» corresponds to the bend sinister, that is, the opposite diagonal. For the purpose of blazoning this coat of arms I use the heraldic term «baston» in English ~ «bastón» in Spanish ~ «bande batonnée» in French ~ «bastone» in Italian, denoting a bend reduced to 1/4 of its normal width. It should be recalled that the diminished bend properly speaking is the «bendlet», whose width ranges between 1/2 and 1/3 of that of the bend; the baston, being thinner, is therefore more suitable and proportionate for this shield. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings. In that coat of arms, the inescutcheon of the House of Noronha bears this differenced Portugal arms in the 1^st and 4^th quarters.

Blazon keywords: Argent, Azure, Gules, Or, Sable, One, Five, Seven, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency and Baston.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Portugal.

Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or.

Escudo de plata, dos flechas alzadas en sotuer de sable, barbadas y empenadas de Gules, brochante una daga de comando alzada en palo de gules, guarnecida y pomelada de sable; en un jefe centellado de sable, un lambel de tres pendientes de oro.

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.

Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points and Or.

Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Power, Guy Harold.

Of the twelve lineages of Noblemen, the tenth is that of Qasqante; they bear as arms a shield Or and, on the shield, an eagle Sable, which is black, as it is now painted.

Or, an Eagle displayed Sable.

Escudo de oro, un águila de sable.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the eagle outlined in the colour of the field and illuminated in Sable; and finished in highly-hammered metal.

Based on the tenth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Cascante» it can also be consulted in [Vega, P. J. de; 1702; folio 10 of the manuscript].

Blazon keywords: Without divisions, Or, Eagle and Sable.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Qasqante of Navarre.

Barry of ten Argent and Azure, overall a double-headed eagle displayed Sable, nimbed, beaked, and membered Or, grasping in each claw an elephant's tusk proper, and charged on its breast with a double vajra Argent.

Escudo fajado de diez piezas de plata y azur, brochante sobre el todo un águila bicéfala de Sable, nimbada, picada y membrada de oro, teniendo en cada garra un colmillo de elefante al natural y su pecho cargado de una vajra doble.

Coat of arms interpreted and emblazoned by me with different shapes and finishings.

Blazon keywords: Without divisions, Barry, Ten, Argent, Azure, Overall, One, Eagle, Double-headed, Sable, Nimbed, Beaked, Membered, Or, Grasping, Claw, Tusk, Elephant, Proper, Chest, Charged and Double vajra.

Style keywords: Outlined in sable, Illuminated, Freehand, Rough, Rounded, Ogee and Pointed.

Classification: Interpreted and Coat of arms.

Bearer: Rage from Discord.

Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules. Motto: «In Honorem Victoria» Sable, with initial letters Gules, over a scroll Argent.

Escudo de azur, un sotuer de plata acompañado de dos flores de lis en faja de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules. Lema: «In Honorem Victoria» de sable, con las letras iniciales de gules, sobre una filacteria de plata.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

The coat of arms of Randy David Lee Xavier Potts emblazoned by me.

Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Two, Saltire, Between, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts, Randy David Lee Xavier.

RIAG

Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or.

The Registro Internacional de Armas Gentilicias, is also known as RIAG, and riag.com.es is it domain.

It is a private register of coat of arms founded in 2006 in Seville, Spain by the herald Ignacio Koblischek Zaragoza.

Categories: Institution, Socioeconomic, Semi-circular, Illuminated, Outlined in sable, Outlined in the field tincture, Freehand, Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant and Or.

Roberto de Malet ~ Robert de Malet

Argent, three buckles Sable.

Escudo de plata, tres hebillas de sable.

Included in [Vincent, MS; 1285; number 595] also known as [St. George's Roll; 1285; number 595].

Blazon keywords: Without divisions, Argent, Three, Buckle, Sable and Ordered.

Style keywords: Triangular curved, Illuminated and Freehand.

Classification: Interpreted and Personal.

Bearer: Roberto de Malet.

Azure, on a pale Argent, between two lions combatant Or, armed and langued Gules, three chevronels Sable.

Escudo de azur, un palo de plata, cargado de tres tenazas de sable, acostado de dos leones afrontados de oro, armados y lampasados de gules.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.

The coat of arms of Catherine de Romanet emblazoned by me. Blazon in French: «D'azur, au pal d'argent chargé de trois chevrons de sable et accosté de deux lions affrontés d'or, armés et lampassés de gueules». Alternative blazon: «Azure, a pale Argent, charged with three chevronels Sable, between two lions combatant Or, armed and langued Gules».

Blazon keywords: Azure, Argent, Sable, Or, Gules, One, Three, Two, Pale, Charged, Chevronel, Between, Lion, Combatant, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romanet, Catherine de.

Gules, three Leopards faces Or, the whole within a Border Or with two Bars Gules. Crest: A crest coronet proper. Mantle: Gules doubled Erminois.

Escudo de gules, tres cabezas de leopardo de oro; una bordura de oro con dos burelas de gules. Timbrado de una corona de príncipe abierta y manto de gules y forro armiñado de oro y sable.

Watercolor finishing

Blazon keywords: Gules, Three, Head, Leopard, Or, Ordered, Bordure, Two, Bar, Crest and mantling, Crown of Prince, Crown, Open, Mantle, Erminois and Sable.

Style keywords: Watercolor, Pointed, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.

Think before you move the cursor or click on the following link and see the solution.

Categories: Riddle, Imaginary, Sable, Three, Tower and Or.

Sable, three Towers Or, two and one

The classic heraldic layout for three charges on a coat of arms is two in chief and on in base. The layout one in chief and two at base are considered disordered in many heraldic traditions.

The blazon of this coat of arms, «Sable, three Towers Or, two and one», is disordered, and the entropy refers to disorder, and more entropy means more disorder. Then this imaginary coat of arms is full of entropy, and it could belong to the entropy.

Categories: Riddle solution, Imaginary, Sable, Three, Tower, Or, Two, One and Disordered.

Known as the Brave, king of Castile and León from 1284 to 1295.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Pre-existing arms interpreted by me as described below: the shield of arms has a rounded (semicircular) base; the field, the two castles and the two lions are illuminated; and the whole has a parchment-like finish.

Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.

Style keywords: Rounded, Illuminated and Parchment.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.

Bearer: Sancho IV of Castile.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules.

Escudo partido: 1^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o de plata, un león rampante de púrpura, armado y lampasado de gules.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of the Infante Sancho of Castile, 1233–1261, 8^th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. Unlike his siblings, he does not use a quarterly shield but rather impaled arms of Castile and Leon.

Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.

Bearer: Sancho of Castile, Infante.

Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, three anchors Or, 2 and 1.

Arms devised by me, in flat tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finishing.

Coat of arms of the Sea of Alboran designed and emblazoned by me as imaginary heraldry. This coat of arms is one of my very first heraldic designs.

Blazon keywords: Sable, Argent, Azure, Or, Three, Party per fess, Mullet, Disordered, Anchor and Ordered.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Imaginary, Created, Boa and Coat of arms.

Imaginary bearer: Alborán, Sea of.

Party per pale Azure and Argent, a hummingbird volant bendwise counterchanged. Motto: «Barrio del Artista» Sable with initial letters Gules over a scroll Argent.

Heraldic device devised by me, illuminated with lights and shadows, contoured in Sable, with a chasuble external shape and with a texturized finishing.

The coat of arms of the Barrio del Artista of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me, and emblazoned, dated, signed and sealed by me.

Blazon keywords: Argent, Azure, Sable, Gules, One, Party per pale, Hummingbird, Volant, Bendwise, Counterchanged, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated and Chasuble.

Classification: Civic, Created, Boa, Sealed arms and Heraldic document.

Bearer: Barrio del Artista of Mon'Tarena.

First publication of my interpretation of the arms of Sebastián González Montenegro, on the blog Twelve Lineages of Soria in an article entitled Coats of arms of Mr. Sebastián González Montenegro, works by Mr. Antonio Salmerón Cabañas.

Second publication of my interpretation of the arms of Sebastián González Montenegro, on the blog Twelve Lineages of Soria including his insignias of the Order of Saint Michael of the Wing and of the National Monarchist Brotherhood of Spain.

The first publication is from March 29 and the second publication is later, from May 14.

In the first quarter of the inescutcheon of this coat of arms there is «a bend Or engouled by two dragon heads of the same, issuing from the corners» following the blazon structure of [Avilés, J.; 1780a; page 84], although it can also be blazoned more briefly as «a bend Or engouled by dragons».

The attribute engouled is used for «bends, crosses, saltires, and all other ordinaries, whose ends are in the mouths of lions, leopards, or dragons» according to [Avilés, J.; 1780a; page 83]. It is a word of French origin meaning to swallow or to engulf, that is, the beasts are devouring the ordinary.

Categories: Link, Or, One, Bend, Gules, Letter, Sable, Crown, Inescutcheon, Party per pale, Engouled, Head and Dragon.

Root: Twelve Lineages of Soria.

William Shakespeare, «Coriolanus», Tragedy in 5 acts and 29 scenes, written in verse, dated to either 1608 or 1609, depending on the sources.

It is one of the last works written by William Shakespeare, a tragedy based on the life of Caius Marcius Coriolanus, a legendary Roman general from the 5^th century B.C. Some authors consider General Coriolanus to be a historical figure, while others do not.

Initially known only as Caius Marcius, during the war against the Volsci he becomes a hero by entering the city of Corioli with a few soldiers, and from then on, he is called Caius Marcius Coriolanus.

Bibliographical reference of century XVII.

The author is Shakespeare, William.

External link:

• Massachusetts Institute of Technology.

Or, on a bend Sable, a spear Or, headed Argent.

Escudo de oro, una banda de sable, cargada de una lanza de plata, fustada oro.

Coat of arms I have interpreted, unlike others, with: a semicircular (round) base; its field and bend enamelled in flat Or and Sable; its lance is not a tournament lance; the spearhead (the iron) long and broad, to enhance its illuminated Argent; the shaft of the lance illuminated in Or; and the whole finished in watercolor.

Note the different structure of the blazon between Spanish and English, where in the former the lance is Argent with a shaft Or, and in the latter the lance is Or with a spearhead Argent.

[Avilés, J.; 1780a;; page 96, paragraph 2] tells us: «Fustado, said of a tree whose trunk is of a different colour from that of its leaves; and the same is understood of a lance or a pike, whose shaft is of a different tincture from that of the iron.».

Heraldic riddle in English

Solution in English

Blazon keywords: Without divisions, Or, Sable, Argent, Bend, Bendwise, Spear and Charged.

Style keywords: Parchment and Illuminated.

Classification: Riddle, Interpreted, Personal, Coat of arms, Canting and Literature.

Bearer: Shakespeare, William.

Sable, a tyger rampant Argent; a bordure Argent charged with eight crosses crosslet fitchy Sable.

Escudo de sable, un tigre heráldico rampante de plata; una bordura de plata cargada de ocho cruces recrucetadas, fijadas de sable.

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finishing.

Coat of arms of the Lord of South Clifton emblazoned by me. In heraldry, there are two types of tigers with specific names in both English and Castilian: the «tyger» in English I call «tigre heráldico» in Castilian, and the «tiger» in English I refer to as «tigre» in Castilian, omitting the Bengal qualifier that some authors use for the natural tiger. According to [Fox-Davies, A. C.; 1909; page 191, figures 322-325], the differences between these two representations are significant. The «tyger», or «tigre heráldico», is a fantastical animal, created from the imagination of medieval artists who were unfamiliar with the real animal but knew of its existence through distant descriptions. This heraldic tyger has a body resembling that of the natural tiger, but with a mane like that of a lion, a tufted tail, and a peculiar head that looks more like a wolf than a natural tiger. Additionally, it lacks the characteristic stripes of the Bengal tiger. Recall that the heraldic panther is also an example of a fantastical animal, breathing fire from its nose and ears and covered in colorful spots. On the other hand, the natural «tiger», identified as the «Bengal tiger» by [Fox-Davies, A. C.; 1909; page 191, figures 324-325], appears in heraldry later and is a more realistic depiction of the animal as it exists in nature.

Blazon keywords: Sable, Argent, One, Eight, Tyger, Rampant, Bordure, Charged and Cross crosslet fitchy.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: South Clifton, Lord of.

Azure, on waves of the sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or. Motto: «Ubi concordia ibi victoria» Sable over a scroll Or.

Escudo de azur, en punta un mar ondado de plata sumado de un barco con remos de oro, con vela y gallardete de plata; en un jefe de plata, un libro cerrado y brochado de oro, tapas de gules. Lema: «Ubi concordia ibi victoria» de sable sobre una filacteria de oro.

Coat of arms designed by me, highlighted with lights and shadows, with a pointed external shape and with a freehand finishing.

Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book, Clasped, Motto and Scroll.

Style keywords: Illuminated, Pointed and Freehand.

Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.

Bearer: Strategy Department of Consultoria.IO.

Of the twelve lineages of Noblemen, the seventh is Subiça, and bears as arms a shield Or, with a chief Sable at the upper part of the shield, in the same manner as painted in this one.

Or; a chief Sable.

Escudo de oro; el jefe de sable.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the chief in flat Sable; and the whole finished in highly-hammered metal.

Coat of arms based on the seventh of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading it is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Cubiza» these armorial bearings can be consulted in [Vega, P. J. de; 1702; folio 7 of the manuscript].

Blazon keywords: Without divisions, Or, Chief and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Subiça of Navarre.

Countess of Urgell, Viscountess of Ager, Lady of Alcolea de Cinca, died in 1327.

Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.

Escudo dimidiado: 1^o de oro, cuatro palos de gules; 2^o ajedrezado de oro y sable.

Arms interpreted with: a round-bottom shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.

A dimidiated coat of arms is the result of combining two shields of arms by taking the dexter half of the first and the sinister half of the second.

Dimidiation was used in the 13th and 14^th centuries to combine, for instance, the arms of two families.

Its blazoning method does not consist of describing what appears in each of the resulting quarters, but rather, by stating from the beginning that it is dimidiated, describing the original coats of arms. Thus, in this particular case of the arms of Teresa of Entenza, it is not stated that there are only two pallets in the first quarter, but that it is dimidiated and has four pallets, so the reader must know that from the four pallets, only the first two are visible due to the dimidiation.

This method of dimidiating the arms of predecessors results in very beautiful and original designs, but depending on the charges and figures involved, in other cases the result may be unrecognisable or even absurd.

Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.

Bearer: Teresa of Entenza.

Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules.

The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and outlined by me.

Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed and Udder.

Style keywords: Outlined, Outlined in sable and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Otxoa Magaña, Teresa.

Azure, a plough share points downward Argent between, on a base enarched Vert, two bell towers Argent, port and window Sable.

This schema shows in 4 steps how I emblazon its coat of arms following the rule of 1/3 of the width of the coat of arms.

Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.

Style keywords: Ogee, Outlined in sable, Freehand, Outlined, Plain tincture and Illuminated.

Classification: Civic, Interpreted, Coat of arms and Schema.

Bearer: Csernely.

The Heraldry Society, «Education Pack, A brief explanation of Heraldry for teachers together with explanatory sheets and templates for students», Baldock, Hertfordshire, 2013.

This bibliographical reference is illustrated with the quartered coat of arms of The Heraldry Society.

Bibliographical reference of century XXI.

Author: The Heraldry Society.

The following articles cite this bibliographic reference:

• Balaguer, municipality of
• Chequey, chequy or checky
• Drawing the arcs of a pointed coat of arms
• Geoffrey Plantagenet
• Savoy, Duchy of

External link:

• The Heraldry Society.

Internal resources: TheHeraldrySociety2013.EducationPack.pdf.

Vert, an inescutcheon Argent; overall a compass rose Sable and Or.

Escudo de sinople, un escusón de plata; brochante sobre el todo, una rosa de los vientos de sable y oro.

The International Heraldry Society has its Facebook group in the following address facebook.com/groups/int.herald.

Categories: Institution, Without divisions, Vert, Inescutcheon, Argent, Surmounted, Overall (deprecated), Compass rose, Sable and Or.

Tomás Roscelyn Thomas ~ Roscelyn ~ Thomas Rocelin.

Gules, three buckles Argent.

Escudo de gules, tres hebillas de plata.

Included in [Vincent, MS; 1285; number 595] also known as [St. George's Roll; 1285; number 595].

Blazon keywords: Without divisions, Argent, Three, Buckle, Sable and Ordered.

Style keywords: Triangular curved, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Tomás Roscelyn.

Or, three horses' heads couped, in pale Sable.

This image shows 3 working steps: a) drawing outlined, b) plain tincture color sable charged on plain metal or and c) the 3 heads of horse already finished.

Blazon keywords: Or, Three, Head, Horse, Sable, Couped and In pale.

Style keywords: Freehand, Outlined in the field tincture, Plain tincture and Illuminated.

Classification: Created and Schema.

Bearer: Club Ecuestre Val'Quirico.

Party per bend sinister Or and Gules, a clenched gauntlet Sable. Motto: «Peior potest».

Escudo tajado de oro y gules; brochante sobre la partición un guantelete de sable, puesto en palo. Lema: «Peior potest».

Blazon keywords: Party per bend sinister, Or, Gules, Surmounted, Gauntlet, Sable, Palewise and Motto.

Style keywords: Pointed, Outlined in sable, Illuminated and Rough.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Wilkins, Tim.

Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.

Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2^nd and 3^rd quarters.

Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Trastámara, House of.

Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent.

Escudo partido: 1^o de plata, un árbol moviente de la punta de morado; 2^o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata.

Coat of arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.

The coat of arms of the Hacienda de Triana, Val’Quirico, Tlaxcala, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me.

Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief and Arch.

Style keywords: Illuminated, Chasuble and Watercolor.

Classification: Socioeconomic, Interpreted, Boa and Coat of arms.

Bearer: Triana, Hacienda de.

My heraldic channel @ntoniosalmeron at Twitter is twitter.com/ntoniosalmeron.

Categories: Technology, Social networks, Castle, Or, Port and windows, Azure, Masoned and Sable.

Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.

Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.

Coat of arms interpreted as follows: with a semicircular (round) base; the field and the chief in the flat tinctures Purpure and Azure, with a lightly-hammered metal finish; and the four charges outlined in Sable, shaded, illuminated, and with a very hammered metal finish.

I hold the University Specialist degree in Real Estate Management and Administration, awarded by the Department of Private Law of the University of Burgos. These studies are structured over three academic years and are pursued online in combination with periods of traditional classes in the summers and on-site examinations during the winters. This was my first long-term online training experience.

Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.

Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable, Soft metal and Hard metal.

Classification: Interpreted, Socioeconomic and Education.

Bearer: Burgos, University of.

Chequey Or and Sable.

Escudo ajedrezado de oro y sable.

Arms interpreted with: a round-topped shield shape; the chequey pattern in flat metal Or and colour Sable; and a heavily beaten metal finish.

[Avilés, J.; 1780a; page 33] writes about the application of the chequey pattern to shields, ordinaries and charges: «chequey is said of the shield, the principal ordinaries, and even some animals, such as eagles, lions, and other charges, when they are composed of alternating square pieces in the fashion of a chessboard.» On the minimum number of panes he generally specifies that «for a shield to be called chequey, it must have at least twenty chessboard panes; because if it has only nine, it is called equipoll; and if it has fifteen, it is said to be of fifteen panes of chequey» and for its application to ordinaries that «other ordinaries, such as bends, fesses, etc., must have at least two rows of chequey to be considered chequey, otherwise they would be called compony.»

Blazon keywords: Chequey, Or and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.

Bearer: Urgell, County of.

De los doce linajes de Ricos Hombres el quinto es la buena villa de Urroz, la torre blanca; y goza en armas un escudo partido por medio, de lo alto ata baxo, a manera de banda, desta forma e deuisas que en este escudo está de presente pintado.

Party per bend: 1 Gules; 2 Argent.

Escudo tronchado: 1^o de gules; 2^o de plata.

Coat of arms with poco margen for the interpretación con: la base of semicircular (round); el field of tintas planas of Gules and Argent; y con a finish of metal muy batido.

Coat of arms basado in the 5^o of los «ricoshombres» of Navarra de [Bosque, J. del; 1540; folio 1^o of the numeración of 1613]. El texto previo a su blasón está extraído of the transcripción realizada por [Martinena Ruiz, J. J.; 1982; páginas 122 and 123].

Bajo the título «Apellido of Vrroz» también puede consultarse en [Vega, P. J. de; 1702; folio 4B of the manuscrito], estando the 4 in the esquina superior izquierda and the B in the base of the coat of arms. Este folio tendría that estar numerado with a 5.

Blazon keywords: Party per bend, Gules and Sable.

Style keywords: Semi-circular, Plain tincture and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Urroz of Navarre.

Luis Valero de Bernabé y Martín de Eugenio, «Los Castillos en la Heráldica Española», 2009.

I received this article directly from the author, to whom I am grateful for his kind submission. I consider it a preliminary and preparatory work for the article [Valero de Bernabé, L.; 2009b; pages 32-34] published later.

Bibliographical reference of century XXI.

Classification: Castilian language.

Author: Valero de Bernabé y Martín de Eugenio, Luis.

The following articles cite this bibliographic reference:

• Alfonso VIII of Castile, royal crown
• Castilian castle
• Castilian heraldry
• Edward IV of England; 1461

Internal resources: ValeroBernabeL2009.ElCastilloEnLaHeraldicaEspañola.pdf.

Pedro José de Vega, «Compendio de la Maior Parte Ð los Blassones, Armas, e Ynsignias Ð las Ylustres Casas, Familias, y Apellidos del Reyno Ð Navarra i Parte Ð la Provincia de Gvipvzcoa, Segvn las Vsan y Traen los Svccesores Ðellas» ~ «Compendium of the Greater Part of the Blazons, Arms, and Insignias of the Illustrious Houses, Families, and Surnames of the Kingdom of Navarre and Part of the Province of Guipuzcoa, As Used and Carried by Their Successors», manuscript in 2 volumes, Volume I, catalog number MSS/7835 V.1, and Volume II, catalog number MSS/7836 V.2, in the National Library of Spain, 1702.

As stated on the title page, the Field Master «Pedro Ioseph Ð Vega» was a native of the Kingdom of Navarre, deputy of the Kingdom of Navarre from 1688 to 1691, governor of the provinces of Cotabamba and Parinacochas in Peru, written as «governador», and gentleman of the «Voca de su Majestad» (His Majesty's Voice).

Bibliographical reference of century XVIII.

Author: Vega, Pedro José de.

The following articles cite this bibliographic reference:

• Almorrabides of Navarre
• Aybar of Navarre
• Baztanes of Navarre
• Guebara of Navarre
• Lete of Navarre
• Mauleón of Navarre
• Monteagudo of Navarra
• Navarra, emerald overall
• Qasqante of Navarre
• Rada of Navarre
• Subiça of Navarre
• Urroz of Navarre
• Vidaurre of Navarre

External resource:

• National Library of Spain.

Party per pale Vert and Sable, a sun in splendour Or issuant from the dexter chief.

Escudo partido de sinople y sable, un sol de oro moviente de la diestra del jefe.

Arms designed by me, illuminated with lights and shadows, contoured in Sable, and with a leather finishing.

Canting arms of the French family of Fr. Marc Vernoy designed by him and me and emblazoned by me. A field Vert and Sable ~ Vert Noir ~ Vernoy. This coat of arms plays on the pronunciation and meaning in both English and French: «Vert» is green in English, and «Noir» is black in French. Together, «Vert Noir» sounds phonetically similar to the surname «Vernoy». This play on words is reflected in the design: A field Vert (green) and Sable (black) ~ Vert Noir ~ Vernoy. French blazon by Hyacinthe de Keranrouë: Parti de sinople et de sable, au soleil d'or mouvant de l'angle dextre.

Blazon keywords: Vert, Sable, Or, One, Party per pale, Sun in splendour, Issuant from, Dexter and Chief.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Vernoy, French family of Fr. Marc.

Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.

Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Label and Suspended.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales, C. M..

Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.

Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Cantoned and Martlet.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales, M. P..

Baron Walker of Worcester

Party per pale Sable and Or semé of portcullises and three turreted towers all counterchanged.

Escudo partido de sable y oro sembrado del uno al otro de rastrillos y torres tridonjonadas.

Illuminated with lights and shadows and with a metallic finish.

Coat of arms of Peter Edward Walker, Baron Walker of Worcester, emblazoned by me in 4 steps, notice that it is a double semé.

Blazon keywords: Party per pale, Sable, Or, Semé, Counterchanged, Portcullis, Tower, With a turret, Three and Turret.

Style keywords: Soft metal, Outlined in sable, Illuminated and Pointed.

Classification: Interpreted and Schema.

Bearer: Walker, Peter Edward.

Justice and High Sheriff of Castile, first knight of the realm, warden of the fortress of Burgos, administrator of the mastership of the Order of Alcántara, nobleman of Castile, 1410–1488.

Argent, a bend Sable; overall a chain orlewise Or.

Escudo de plata, una banda de sable; brochante sobre el todo una cadena puesta en orla de oro.

Coat of arms of Álvaro de Zúñiga y Guzmán, which I have interpreted as follows: the shield has a semicircular (round) base; the field and the bend are illuminated in flat tinctures Argent and Sable; the chain is illuminated in Or; and the whole is rendered with a raised-stroke effect.

For the crafting of the chain in this coat of arms, which has a total of 16 links, of which 8 are long and 8 are round, I have followed the two coats of arms of Álvaro de Zúñiga y Guzmán that appear in what was his copy of [Alfonso X of Castile; 1265; page 6 of the later pencil numbering].

Blazon keywords: Without divisions, Argent, Sable, Or, One, Bend, Chain, Orlewise and Overall.

Style keywords: Freehand and Illuminated.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Zúñiga y Guzmán, Álvaro de.