Tassel

Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent. Crest: A helm befitting his degree with a mantle Gules lined Or, pleated in chief at both dexter and sinister, and bearing an Adelskrone held in its place by two men Sable, vested with feather skirts Gules, each standing on the shield, and holding in his outer hand a diagonally placed tournament spears, headed Argent, and issuant from the Adelskrone, between two elephants' trunks, the one at dexter Or, the one at sinister Gules, two ostrich feathers in saltire, the one bendwise Argent, and the one bend sinisterwise Sable.

Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finish.

This is the coat of arms of Johann Anton Freiherr von Quast that was painted in the Freiherren diploma that was issued in 1790 (source: «Freiherren-Diploma Johann Anton Freiherr von Quast 1790, Bayerisches Hauptstaatsarchiv, königlich-bayerisches Heroldsamt, Bd. 20-1 nr. 26»). This coat of arms has been emblazoned by me because the family needed a modern version that can be used digitally. More information about the family can be found on the website juchtervanbergenquast.wordpress.com.

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Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced, Talon, Crest, Helm, Mantle, Sinister, Lined, Crown, Male figure, Vested, Feather, Skirt, Upon, Hand, Spear, Issuant, Trunk (elephant), Ostrich feather, In saltire, Bendwise and Bend sinisterwise.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa, Coat of arms and Flag.

Bearer: Quast, Johann Anton Freiherr von.

Or, on a pile issuant from base Vert between two maunches Gules a displayed scroll Argent with seal pendant proper. Crest: A crown of Noble surmounted by a crown of Baron. The whole surrounded by a cordelier bearing two tassels Or. Motto: «Aliter Cogita».

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.

R0047, Chief Herald of Arms of Malta's grant for the arms of Olivia Zangenberg's arms, United Kindom, whose full achievement has been emblazoned by me for such register. In the practice of the Office of the Chief Herald of Arms of Malta, whose grants and registrations are officially published in the Government Gazette, a double coronation is occasionally observed within the armorial achievements. In this case, the coronet resting directly upon the shield represents the personal rank of the armiger (in this case, a coronet of noble as the daughter of a baron), while the superior coronet identifies the dignity of the family to which she or he belongs. The Office's policy is detailed in the book [Gauci, C. A.; 2023; 145], «The Way Forward»: «In the British tradition, coronets of rank are normally borne immediately above the shield, but in other countries e.g., Spain, Portugal, France the coronet of rank may be borne above the helm, not unlike a crest coronet. In Malta some title-holders display their coronet above the shield while others display it above the helm. In some cases, this may be due to the fact that some holders of Maltese titles of foreign origins, opt to follow the heraldic rules of the country which granted the original title. In other case it appears to rest purely on the whims of the title-holder. The Office of the Chief Herald of Arms of Malta will normally choose to display coronets of rank immediately above the shield but will not stand in the way of family tradition should there be a preference for the coronet to be displayed elsewhere in the Arms. However, a titular coronet, unlike a crest coronet (see below), must never be placed above a wreath or be separated from the helm by a fold of mantling. This would reduce its status to that of a crest coronet».

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Blazon keywords: Or, Vert, Gules, Argent, Sable, One, Two, Pile issuant from base, Between, Maunch, Displayed scroll, Suspended, Proper, Cadency, Label of three points, Crest, Crown of Noble, Crown, Crown of Baron, Cord, Tassel and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms and Seal.

Bearer: Zangenberg, Olivia.

Argent, a tree eradicated proper, in chief an escallop reversed Gules, between two flies pilewise proper. Crest: A galero Sable with two cords, one on each side, each with six tassels Gules. Motto: «No Fear In Love». Behind the shield, the cross of the Holy Sepulchre of Jerusalem. The shield is surrounded by the cross of a Knight Commander of the Holy Sepulchre of Jerusalem.

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.

G0117, Chief Herald of Arms of Malta's grant for the arms of the Reverend John Muscat, Honorary Monsignor of the Canon Chapter, Roman Catholic Cathedral of the Assumption, Gozo. These arms have been emblazoned by me for such grant.

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Blazon keywords: Argent, Gules, One, Two, Six, Tree, Eradicated, Proper, In chief, Escallop, Between, Fly, Pilewise, Crest, Galero, Cord, Tassel, Motto, Behind the shield, Cross, Surrounded and Decoration.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Muscat, John.

Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules, charged with eight crosses botonny Argent. Crest: A galero with two cords, one on each side, each with a tassel Sable.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a parchment finish.

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Blazon keywords: Argent, Vert, Gules, Sable, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged, Cross botonny, Crest, Galero, Cord and Tassel.

Style keywords: Outlined in sable, Illuminated, Pointed and Parchment.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Iacobucci, Peter.

This is the coat of arms of Johann Anton Freiherr von Quast that was painted in the Freiherren diploma that was issued in 1790. I have written the text of the blazon for this coat of arms in English and in Castilian in a structured way, to highlight the parallelism between both forms.

Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent.

Escudo de gules, un sotuer de oro cargado de un flanquis de sable, acompañado en jefe de tres veneras ranversadas de oro; en la diestra, un brazo diestro doblado, armado de oro, teniendo un ancla de plata; en la siniestra, un navío de guerra de dos mástiles, con troneras, las velas izadas de oro, con dos banderas de gules, plata y azur ondeando hacia la diestra, una en el palo mayor y otra en la popa, en el casco la inscripción «La Liberta» de sable; en punta, un águila bicéfala coronada de oro, teniendo dos borlas, una en cada pico, y dos espuelas, una en cada garra, todas de oro.

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Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa, Coat of arms and Flag.

Bearer: Quast, Johann Anton Freiherr von.

Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable. Motto: «Primi entis» Sable, with initial letters Gules, over a scroll Argent.

International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 10], ISBN 978-1-8381483-0-0. The coat of arms of Nilda Ernestina Lucca de Anaya, designed by her son Ernesto Juan Anaya and emblazoned by me appears in this volume, while her son’s badge can be seen next to it on page 11, also painted by me.

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Credits: Ernesto Juan Anaya is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Categories: Collage, Photographic, Art, Religious, Interpreted, Outlined in sable, Illuminated, Pointed, Coat of arms, Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Freehand, Crest and mantling, Galero, Cord, Tassel, Latin language, Scroll, Charged and Motto.

Root: Lucca de Anaya, Nilda Ernestina.

Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules, charged with eight crosses botonny Argent. Crest: A galero with two cords, one on each side, each with a tassel Sable. Motto «Lux Orbis».

Escudo de plata, pendiente del jefe una lampara de aceite de tres cabezas de león arrancadas y aladas de sinóple; una bordura de gules cargada de ocho cruces botonadas de plata. Timbrado de un galero con cordones y una borla a cada lado de sable. Lema «Lux Orbis»

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a iridescent finishing.

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Blazon keywords: Argent, Vert, Gules, Sable, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged, Cross botonny, Crest, Galero, Cord, Tassel and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Iridescent.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Iacobucci, Peter.

Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable.

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Credits:

• Ernesto Juan Anaya is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Crest and mantling, Galero, Cord and Tassel.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Religious, Interpreted and Coat of arms.

Bearer: Lucca de Anaya, Nilda Ernestina.