Heart

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.

The Commoners' Certification of Arms for Easton Michael Jones with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

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Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Jones, Easton Michael.

Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or. Crest: Upon a helm, with a wreath Or, Azure, Gules, and Vert, a sun in splendour Or. Mantling: Azure, Gules, and Vert doubled Or.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a leather finish.

Coat of arms of Dr. Tariq Abbasi MBE FRSA designed by Vittorio Gifra and emblazoned by me.

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Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé, Fleur de lis, Crest, Upon (wreath), Helm, Wreath, Sun in splendour, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Abbasi, Tariq.

Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon external shape and with a leather finish.

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Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Botkin, Bradlee Tatym LaRue.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or ; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent. Crest: A ribbon Azure doubled Argent.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon outer contour and with a leather finish.

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Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Robidoux, Makayla Danée.

It has been painted by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.

The genealogical chart with the coats of arms of the House of Potts of Wentworth, all designed by Randy David Lee Xavier Potts and emblazoned by me. The House of Potts of Wentworth are Randy David Lee Xavier Potts, Kimberley Ann Potts, Britania Anastoshia Korÿn McCoy, Köryn Alexandria Konstånz Potts, Konstånz Chantal Leóné Potts, Tiana Rose Lee Potts, Makayla Danée Robidoux, Corey Scott Lasco, Sebastian Artemis Cole McCoy, Evander Graham Wylder McCoy, Bradlee Tatym LaRue Botkin, Rhettlee Cooper Jones, Easton Michael Jones, Hudson Hayes Lasco, and Ryker Scott Lasco. The composition of this entire family set of coats of arms follows an assumed American heraldic practice rather than a strictly British or Scottish legal model. Kimberly is a heraldic heiress, and her daughter Tiana quarters both parents' arms, Randy and Kimberly, accordingly. Randy's other son, Britania, and his two daughters, Korÿn and Konstänz, as well as his grandchildren, use Randy's arms, each with their own marks of difference. Kimberly's other daughter, Makayla, her son Corey, and their descendants are not presented as inheriting arms by right under British rules, but rather by family courtesy and internal consistency within the assumed system used by this family; that is, they bear Randy's arms quartered with Kimberly's arms, each again with their own marks of difference. In the United States of America, where arms are commonly assumed, as in Castilian heraldic tradition, rather than formally granted, such arrangements are a matter of family tradition, agreement, and personal decision, rather than enforceable heraldic law. The overall composition of the arms of this extended family is a clear and good example of this approach. It should be noted that the English expression «assumption of arms» does not translate well into Castilian as «asunción de armas», but rather as «adopción de armas», «adoption of arms» a much more accurate and meaningful term. The concept of adoption conveys incorporation into a family: we adopt fundamental bonds, such as a child; deeply personal relationships, such as a companion animal; and also highly symbolic and identity-defining elements, such as a coat of arms.

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Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Thirty-six, Armed, Bald eagle, Eagle, Beaked, Bee, Between, Bordure, Charged, Chief, Crescent, Displayed, Doubled, Escallop, Fimbriated, Fleur de lis, Flowered, Gyronny, Head, Heart, In base, In chief, In fess, Inescutcheon, In pretence, Label, Langued, Leaved, Membered, Overall, Proper, Quarterly, Ribbon, Rose, Saltire, Seeded, Tail and Thistle.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa, Family tree and Genealogical.

Bearer: Potts of Wentworth, House of.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma].

G0084: the coat of arms of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen, of France, as granted by the Chief Herald of Arms of Malta and emblazoned by me for this grant. The image combines a photograph of a drawing of a doe sejeant along with her coat of arms, both painted by me. The figures, especially natural charges, are drawn by my hand. I trace them directly in black ink, without preliminary pencil sketches, using strokes as long as possible and trying not to lift the pen, with fine technical pens and without passing twice over the same line. This method produces long, flowing lines that seem to move freely around the figure, but it has one obvious disadvantage: mistakes and retracing are difficult to conceal. When something goes wrong, I usually prefer to complete the whole figure first, so that I can assess the final result and identify any difficult points that may arise towards the end of the drawing. I then draw the entire figure again on a fresh sheet of translucent tracing paper, using the previous version only as a visual guide. It is quite normal for me to repeat this process several times until I obtain a result that satisfies me. This doe is particularly characteristic of my way of drawing natural figures. Curiously, unlike its final appearance in the coat of arms and unlike my usual working orientation, I originally drew it facing the sinister side of the shield and later reversed it digitally before incorporating it into the arms. If the errors are small, however, I do not redraw the whole figure by hand. This may be the case when a line has gone slightly beyond another instead of stopping at it, when my hand has fallen a little short, or when a stroke has wandered away from where I intended it to go. In this photograph, for example, a small imperfection of this kind can be seen on the front leg close to the hoof. Once the drawing has been digitized, I correct these minor defects digitally. Curiously, this cleaning stage usually takes me longer than the original hand drawing. Contrary to what one might expect, at least in my own way of working, the manual part of the process is considerably faster than the digital one.

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Blazon keywords: Gules, Or, Argent, Azure, One, Five, Twelve, Party per pale, Bend sinister, In base, Triangle, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Mullet and In orle.

Style keywords: Outlined in sable, Illuminated and Rhombus.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, within an annulet Or, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre» Sable, in sinister chief, charged with «el Hijo» Sable, in base, charged with «el Espítiru» Sable, and one on the fess point, charged with «Dios» Sable.

Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, dentro de un anillo de oro, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre» de sable, en la siniestra del jefe, cargado con «el Hijo» de sable, en la punta, cargado con «el Espítiru» de sable y uno sobre el corazón, cargado con «Dios» de sable.

Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in watercolor Azure; the rest in heavily beaten metal, outlined of the field and illuminated in Argent, except for the annulet which is illuminated in Or; and its letters all in plain Gules ink.

Annulet

The circular crown when it is large and in the middle of the shield [Cadenas y Vicent, V. de; 1975] is called an annulet. [Avilés, J.; 1780a; pages 296 and 297] calls it annulet or small annulet depending on its size, if it is large an annulet and if it is small a small annulet. In English and French heraldry it is called «cyclamor» and hence the expression «cyclamor annulet» can also be found.

This annulet is my aesthetic contribution to this imaginary coat of arms as it is normally not represented with this annulet.

Bordure and Orle

In other interpretations the words «non est» go on a bordure or on an orle, the latter being the case blazoned, for example, [Husenbeth, F. C.; 1882; 2^nd appendix] in the following way: «Gules, an orle and pall Argent, conjoined and surmounted of four plates, occupying the dexter and sinister chief and the base and fess points respectively; the first inscribed Pater, the second Filius, and the third Spiritus Sanctus, the centre Deus; the connecting portions of the orle between them having the words non est, and those of the pall est».

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Blazon keywords: Without divisions, Azure, Cyclamor, Pall, Closed, Argent, Charged, Bezant and plate, Or, Dexter, Sinister, Chief, Base (lower 1/3) and Heart.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Watercolor and Hard metal.

Classification: Religious, Interpreted, Imaginary and Coat of arms.

Imaginary bearer: Holy Trinity.

Quarterly: 1 and 4 Azure, five Bezants in saltire; 2 and 3 Or, three hearts Gules ordered. Crest: Upon a Helm Argent with a Wreath Or and Azure a Lion rampant Or, langued and armed Gules. Mantling: Azure doubled Or. Suspended from the base the insignia of the Cuerpo de la Nobleza del Principado de Asturias.

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Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules, Ordered, Crest and mantling, Helm, Argent, Mantling, Wreath, Lion, Rampant, Langued, Armed, Suspended, Base (lower 1/3) and Decoration.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Fernández-Cortés y Fonseca, Javier.

Schema for an imaginary coat of arms that will have the following characteristics: its base will be semicircular (round); it will contain a closed pearl charged with four bezants; and it will be differenced by a label of three points, which being three is normal, its number will not be specified in the blazon.

Label

The way to elaborate a label can be found in [Avilés, J.; 1780a; page 248] who writes that «it is made of a fillet, which is the ninth part of the latitude of the Chief with three points in the form of a Carpenter's wedge, or of badly formed triangles, which united to it without separation of lines, fall twice as much, as the fillet is wide, the two being placed at its ends, and one in its middle, its ordinary situation being in the middle of the length of the Chief itself, without reaching the edges of the Shield».

Label points

In [Avilés, J.; 1780a; pages 248 and 249] it is said that «the simple Label is always of three points», as is the case at hand, «but having 4, 5, or 6, which is the greatest number found, it is necessary to specify it», although in [Avilés, J.; 1780a; page 114] he seems to consider that the maximum is five as he writes «Points, it is said of three, four and up to five points of the Labels».

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Blazon keywords: Without divisions, Pall, Closed, Charged, Bezant and plate, Dexter, Sinister, Chief, Base (lower 1/3), Heart and Label.

Style keywords: Semi-circular.

Classification: Religious, Schema, Interpreted and Imaginary.

Imaginary bearer: Jesus Christ.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a crescent Gules.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un creciente de gules.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

The coat of arms of Rhettlee Cooper Jones designed by Randy David Lee Xavier Potts and emblazoned by me.

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Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Crescent.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Jones, Rhettlee Cooper.

This heraldic catalogue consists of eight DIN A4 pages; four of the pages are framed with a decorative bordure featuring ten hounds and twelve hearts; it includes five different heraldic elements for color printing; and all texts are in Sable with capital letters in Gules.

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Blazon keywords: Without divisions, Gules, Or, Warren hound, Dog, Base, Base (lower 1/3), Dancetty, Heart and Motto (identification).

Style keywords: Illuminated and Outlined in sable.

Classification: Created, Socioeconomic, Catalogue, Heraldic document and Frame.

Bearer: Latidos Podencos.

Party per fess wavy: 1 Azure, a dolphin naiant; 2 Argent, three escallops Azure. Crest: Upon a helm lined Azure with a wreath Argent and Azure, an owl Tenné, armed, beaked, membered, the eyes, and wearing a necklace with a pendant heart Or, grasping with its dexter foot a bluebonnet proper. Mantling Azure doubled Argent. Motto: «Compasión · Honor · Sabiduría» Azure, over a scroll Argent doubled Azure, fimbriated Or.

It has been depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a texturized finish.

The arms of Lory Santiago-Vazquez have been presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and the design rationale.

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Blazon keywords: Azure, Argent, One, Three, Or, Party per fess, Wavy, Dolphin, Naiant, Escallop, Crest, Upon (wreath), Helm, Lined, Wreath, Owl, Tenné, Armed, Beaked, Membered, The eyes, Collar, Heart, Grasping, Dexter, Talon, Bluebonnet, Flower, Proper, Mantling, Doubled, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa and Slide.

Bearer: Santiago-Vazquez, Lory.

Quarterly: 1 per pale: 1 Argent, a madrone tree (Arbutus unedo) Vert, fructed Gules; 2 Azure, a tower Argent; 2 Vert, on a wall Or, masoned Sable, by five archers Argent in shooting stance; 3 barry wavy Azure and Argent, three caravels in pale Or, sails and pennons Argent charged with crosses Gules, between two flanches Vert; 4 Azure, a tower Argent, port and windows Azure, masoned Sable, between two lozenges Or, each charged with four pallets Gules, in chief four towers in fess Or, port and windows Gules, masoned Sable. Crest: Upon a helm with a wreath Argent and Vert, a bleeding heart Gules, debruised by a crown of thorns Or, tipped by a flame Or, fimbriated Gules, charged with a Latin cross Azure. Mantling: Vert doubled Argent. Motto: «Pro Deo et Patria». Supporters: Two knights in full plate armor Argent, lined Gules.

Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.

Coat of arms of Ilmo. Sr. D. Manuel Novo Dabrio, designed by him and me and emblazoned by me. The achievement was built step by step: first the shield, then the motto, then the helm with mantling and crest, and finally the supporters.

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Blazon keywords: Argent, Vert, Azure, Or, Gules, One, Five, Three, Four, Two, Quarterly, Party per pale, Madrone tree, Tree, Fructed, Tower, Masoned, On, Wall, Archer, In shooting stance, Barry, Wavy, Caravel, Ship, In pale, Sail, Charged, Cross, Between, Flanched, Port and windows, Lozenge, Pallet, Crest, Upon (wreath), Helm, Wreath, Vulned, Heart, Crown of thorns, Crown, Flame, Latin cross, Mantling, Doubled, Motto, Supporter (human form), Supporter, Knight, Full plate armor and Lined.

Style keywords: Outlined in sable, Illuminated, Diapered, Chinapieria, Ogee and Leather.

Classification: Personal, Created, Boa, Coat of arms, Pennon and Flag.

Bearer: Novo Dabrio, Manuel.

Design rationale

Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.

This is the coat of arms of the Congregacion del Oratorio de San Felipe Neri of Alcala de Henares, «Congregatio Oratorii Sancti Philippi Nerii - Complutum», designed and emblazoned by me following their ideas and directions.

It is based on their original seal and other elements of the Oratory:

• the cap from the altar,
• the flaming heart from the carved wood of the candelabrum of the Chapel of Saint Philip Neri, and
• the layout and composition from the grey cast iron of the pulpit.

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Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Religious, Created, Coat of arms and Photographic.

Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.

Argent, a lion rampant guardant Vert, armed and langued Gules; on a chief Gules, a mullet of six points voided, interlaced Argent between two hearts Or.

The coat of arms of Yishay Ifrah outlined by me. The internal structure of this design is that the lion's forepaws fall below the center of the dexter heart, the central vertical axis passing through the center of the Star of David runs between the lion's eyes, and the tip of the tail falls below the center of the sinister heart.

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Blazon keywords: Argent, Vert, Gules, Or, One, Two, Lion rampant guardant, Armed, Langued, Chief, Charged, Star of David, Mullet, Voided, Interlaced, Between and Heart.

Style keywords: Outlined and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ifrah, Yishay.