Bordure engrailed and bordure invected.
Painting inspired in [Nisbet, A.; 1816; page 21, pictures 1 and 2], but with the 3 boar's heads of Alexander Nisbet within the 2nd bordure invected.
Blazon writen by the College of Arms for the coat of arms of Michael John Huxley-Evans «Per fess nebuly Sable and Ermine in chief a Rose Argent barbed and seeded proper within a wreath of Thorns Or in base three Boar's Heads erased Sable armed Or.», but to differentiate from the «armed» of the claws, I prefer «tusked» to «armed» for the defenses/tusks of the boar's heads.
Blazon keywords: Bordure, Invected, Engrailed, Head and Boar.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Nisbet, Alexander.
Argent, a chevron between three crosses flory Sable.
Escudo de plata, un cabrio acompañado de tres cruces flordelisadas todo de sable.
Illuminated with lights and shadows and with a freehand finish.
The coat of arms of Anderson of Erbury emblazoned by me in 4 ways: 1) tricking using abbreviations, 2) hatching using lines, 3) plain tinctures, and 4) lights and shados. It is a preliminary artwork for the arms of Nick Allen Rica II.
Blazon keywords: Without divisions, Argent, One, Chevron, Between, Three, Cross flory, Cross couped and Sable.
Style keywords: Freehand, Outlined in sable, Illuminated, Pointed, Tricking, Hatching and Plain tincture.
Classification: Interpreted, Kingdom of Scotland and Schema.
Bearer: Anderson of Erbury.
Quarterly: 1 Argent, a dolphin haurient Azure; 2 Azure, a sunflower Or; 3 Azure, on a closed book Or a diamond Azure; 4 Argent, a lark Azure.
The coat of arms of Antonio Ruiz Porras emblazoned by me in 3 steps: 1) outlined, 2) plain metals and color, and 3) light and shadows.
Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond and Lark.
Style keywords: Outlined, Outlined in sable, Plain tincture and Illuminated.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Ruiz Porras, Antonio.
Or, a eagle displayed Sable.
Coat of arms of the Arrano Beltza, the black eagle, emblazoned by me in 6 steps: 1) Given a rectangle of any proportion, draw its vertical and horizontal axes of symmetry in Azure. Draw a line parallel to the horizontal axis at any distance; in the figure, it is drawn above the axis and in Vert. To achieve this, draw an arc, in gules in the figure, with its center at the point Pcj and of any radius, where Pd is the intersection of the arc with the dexter side and Ps the intersection with the sinister side. The parallel line runs from Pd to Ps. 2) Draw the diagonal in bend of the 3rd quarter, from Pd to Pcp, and the diagonal in bend sinister of the 4th quarter, from Ps to Pcp, both in Gules in the figure. Then draw their two perpendicular bisectors, which will intersect the Pd-Ps line at the points Cs and Cd. 4) With Cd as the center, draw the dexter arc of the base passing through Pd, with a radius of Cd-Pd. Similarly, with Cs as the center, draw the sinister arc of the base passing through Ps, with a radius of Cs-Ps. Both arcs intersect at the point Pcp at the base and are shown in Gules in the figure. 5) Draw in Sable the external shape of the coat of arms, formed by the arcs from Ps to Pcp and Pd to Pcp, the dexter flank from Pd to Pdj at the dexter of the chief, the sinister flank from Ps to Psj at the sinister of the chief, and the upper horizontal line of the chief from Pdj to Psj. 6) Draw an eagle displayed using the rule of plenitude. 7) Finally, paint the field of the shield Or and the eagle Sable.
Blazon keywords: Or, Sable, One, Eagle and Displayed.
Style keywords: Outlined, Outlined in sable, Plain tincture and Semi-circular.
Classification: Civic, Interpreted, Schema, Boa and Coat of arms.
Bearer: Arrano Beltza.
José de Avilés e Iturbide, Marquis of Aviles, member of the Supreme Council of War, «Ciencia heroyca, reducida a las leyes heráldicas del blasón: Ilustrada con exemplares de todas las piezas, figuras y ornamentos de que puede componerse un escudo de armas interior y exteriormente, Volume I», dedicated to Juan Bautista de Orendyn of His Majesty's Council, printed by Juan Piferrer of the Ángel's Square, 530 pages, Barcelona, 1725.
[Avilés, J.; 1780a] is a later edition of this Volume I.
Bibliographical reference of century XVIII.
Classification: In black and white and Castilian language.
The author is Avilés e Iturbide, José.
Bibliographic reference mentioned in the following articles:
External links:
Internal resources: AvilesJ1725.Tomo.I.pdf.
José de Avilés e Iturbide, Marquis of Aviles, member of the Supreme Council of War, «Ciencia heroyca, reducida a las leyes heráldicas del blasón: Ilustrada con exemplares de todas las piezas, figuras y ornamentos de que puede componerse un escudo de armas interior y exteriormente, Volume II», dedicated to Juan Bautista de Orendyn (Juan Bautista de Orendáin y Azpilicueta) of His Majesty's Council, printed by Juan Piferrer of the Ángel's Square, 404 pages, Barcelona, 1725.
[Avilés, J.; 1780b] is a later edition of this Volume I.
Bibliographical reference of century XVIII.
Classification: In black and white and Castilian language.
The author is Avilés e Iturbide, José.
The following article cites this bibliographic reference:
External resources:
Internal resources: AvilesJ1725.Tomo.II.pdf.
José de Avilés e Iturbide, Marquis of Aviles, member of the Supreme Council of War, «Ciencia heroyca, reducida a las leyes heráldicas del blasón: Ilustrada con exemplares de todas las piezas, figuras y ornamentos de que puede componerse un escudo de armas interior y exteriormente, Volume I», edition of Joaquín Ibarra, printer of his Majesty's Chamber, at the expense of the Company of Printers and Booksellers of the Kingdom, 526 pages, Madrid, 1780.
The first edition is [Avilés, J.; 1725a] and this edition is 14 years after the death of José de Avilés, that happened in 1766.
Bibliographical reference of century XVIII.
Classification: In black and white and Castilian language.
Author: Avilés e Iturbide, José.
The following articles cite this bibliographic reference:
External link:
José de Avilés e Iturbide, Marquis of Aviles, member of the Supreme Council of War, «Ciencia heroyca, reducida a las leyes heráldicas del blasón: Ilustrada con exemplares de todas las piezas, figuras y ornamentos de que puede componerse un escudo de armas interior y exteriormente, Tomo II», edition of Joaquín Ibarra, printer of his Majesty's Chamber, at the expense of the Company of Printers and Booksellers of the Kingdom, 440 pages, Madrid, 1780.
The first edition is [Avilés, J.; 1725b] and this edition is 14 years after the death of José de Avilés, that happened in 1766.
Bibliographical reference of century XVIII.
Classification: In black and white and Castilian language.
Author: Avilés e Iturbide, José.
Bibliographic reference mentioned in the following articles:
External link:
Bendy sinister of seven.
Escudo, tres barras.
Blazon keywords: Without divisions and Bend sinister.
Style keywords: Pointed and rounded and Freehand.
Classification: Schema.
Argent, three bendlets sinister Azure.
Escudo de plata, tres barras de azur.
Blazon keywords: Without divisions, Argent, Azure and Bend sinister.
Style keywords: Semi-circular, Pointed and rounded and Freehand.
Classification: Schema.
Bearer: Lauria, Roger de.
Delineation, ratios and angles of a basic chevron.
Frente a los que denomino cabrio clásico y cabrio abierto, este se traza por el simple cruce de una banda y una barra.
Produce un desigual reparto de los espacios vacíos del campo, amplio por encima, escaso por debajo. Dependiendo del diseño que se haya que realizar, esto puede ser una ventaja o un inconveniente.
Por ejemplo, en este caso del escudo de Juan de Ladbrooke, no hay cargas ni figuras para las que habilitar espacio, sólo es un cabrio de armiños, por lo que esta forma de diseño puede ser adecuada y, más aún, si se desea un clara y patente representación del azur.
Sobre cómo se calculan los 50,2o del ángulo de este cabrio, empleando el arcotangente de 6/5, puede consultarse el artículo que lleva por título esquema de una banda y una barra.
Blazon keywords: Without divisions, Chevron and Ermine.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Juan de Ladbrooke.
Or semé of millrinds Azure; a chief dancetty of two full points upwards Purpure pierced twice of the field billetwise throughout.
The coat of arms of Baz Manning, John Basil Edward, emblazoned by me in 4 steps. In the English blazon, I followed his style, and in the Spanish blazon, I followed mine, counting the pieces of the chief that fit from the perspective of the chief.
Blazon keywords: Or, Azure, Purpure, One, Two, Three, Semé, Millrind, Chief, Dancetty, Pierced, Billet and Throughout (chief base).
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Manning, Baz.
Or, a chief Gules.
Blazon keywords: Or, Chief and Gules.
Style keywords: Outlined in sable, Semi-circular, Tricking, Hatching and Plain tincture.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Tremelay, Bernard de.
Barry of four per pale counterchanged Or and Gules.
Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.
Style keywords: Outlined in sable, Semi-circular, Ratio and Plain tincture.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Blanchefort, Bertrand de.
My approach to the method of drawing the bends used by the Spanish Army for the BPAC II coat of arms
Bendy sinister of seven.
Escudo, tres barras.
Note that if the classic width were used for the bends, which is 1/3 of the shield's width, then the bends would cover almost the entire field.
The vertical axis of symmetry has been extended above the chief and below the base, and has been divided into segments of 1/4 of the shield's height, «h» in the diagram that illustrates this article. At the ends of these segments, parallel lines have been drawn to the bend sinister diagonal of the shield. Since the shield has a 5x6 proportion, the angle of inclination of these diagonals is 50.2o..
Blazon keywords: Without divisions and Bend sinister.
Style keywords: Semi-circular and Freehand.
Classification: Schema and Military.
Bearer: BPAC II.
A Castle Or, triple towered, embattled, port and windows Azure, and masoned Sable.
Un castillo de oro, aclarado de azur, mazonado de sable.
Some of the characteristics of the Castilian castle are specified in the coat of arms in English, for example, «triple towered, embattled», but they are omitted in the Spanish blason, because the Spanish blason considered that the Castilian castle can not be otherwise. These local characteristics, that decades ago were not necessary to specify, could begin to have to be in this global and interconnected heraldic world. [Valero de Bernabé, L.; 2009a] describe the different characteristics between the Castilian, the French, and the English castles among others.
Blazon keywords: Castle, Or, Port and windows, Azure, Masoned and Sable.
Style keywords: Freehand.
Classification: Schema.
Delineation, ratios and angles of a classic chevron.
Blazon keywords: Without divisions and Chevron.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Adan de Creeting.
A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem
Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Schema.
Party per fess Or and Gules dancetty of three full points and two half upwards.
Escudo cortado, encajado de tres piezas enteras y dos medias.
[Avilés, J.; 1780a; page 79], on the appropriate dimensions for outlining an indented shield, he explains that «encaxadas» or «emanchadas» refers to «the partitions of the shield, whose pieces fit into each other in the shape of thick and long triangles, which are regularly one-third of the length», that is, of the width of the shield for parted shields, «or of the height of the shield», that is, the height for fess shields, as in this example, «depending on the direction in which these figures are placed in the parted, fess, bend, and cut shields, etc. but being a Chief, they have half the base and the rest as point; and if it were a Fess, it is formed of alternating triangles, which fill it completely».
[Avilés, J.; 1780a; page 80], on which of the two components of an indented shield acts as the field and which as the piece, he clarifies that «the field of the partition is understood as the one occupying the upper part of the shield, with the lower part at the base considered the piece».
[Avilés, J.; 1780a; page 80], on how the blazon of an indented shield should be drafted, he establishes that «the number of whole and half triangles must be specified when there is more than one, and likewise, the direction in which the partitions are in the parted, fess, etc.», illustrating it with 2 examples that can also be seen in [Avilés, J.; 1725a; plate 8, illustrations 157 and 158].
Blazon keywords: Party per fess, Dancetty, Three and Two.
Style keywords: Semi-circular.
Classification: Schema.
The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.
One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.
Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.
Gules, a fess vair between four water-bougets Or, two in chief and two in base.
Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.
In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».
There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.
In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».
Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.
Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Interpreted, Schema and Coat of arms.
Dimidiation~dimidiated vs impalement~impaled.
Blazon keywords: Dimidiated, Party per pale, Azure, One, Lozenge, Argent and Fleur de lis.
Style keywords: Outlined in sable.
Classification: Schema and Coat of arms.
Party per fess, the chief per pale: 1 Or; 2 Gules; 3 Argent.
Party per pale, the sinister per fess: 1 Argent; 2 Or; 3 Gules.
Party per fess, the base per pale; 1 Argent; 2 Gules; 3 Or.
Per per pale, the dexter per fess: 1 Gules; 2 Or; 3 Argent.
Medio partido y cortado: 1o de oro; 2o de gules; 3o de plata.
Partido y medio cortado: 1o de plata; 2o de oro; 3o de gules.
Cortado y medio partido: 1o de plata; 2o de gules; 3o de oro.
Medio cortado y partido: 1o de gules; 2o de oro; 3o de plata.
In the illustration:
Each blazon is made up of 2 parts:
Remarks to the description of the division of the field:
Remark to the description of the 3 quarters:
Blazon keywords: Party per fess, the chief per pale, Party per pale, the sinister per fess, Party per fess, the base per pale, Party per pale, the dexter per fess, Or, Gules and Argent.
Classification: Schema.
There are several methods to draw a pointed coat of arms, for example, the method of [The Heraldry Society; 2013; page 7]. There are also several pointed coat of arms with the ratio 5/6 between its width b and its height h.
The previous illustation shows my method to draw a 5/6 pointed coat of arms. The center Cd of the dexter arc is 17h/36 = 17b/30 from the top of the shield and its radious is 13h/24 = 13b/20, or what is the same, its diameter is 13h/12 = 13b/10.
The position of the Cs of the sinister arc and its construction is symmetric to the dexter arc with respect to the vertical axis, as shown in the following illustration.
Style keywords: Freehand and Pointed.
Classification: Schema.
Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox proper, grasping dexter four wheat spikes Or. Mantling: Azure doubled Argent. Motto: «Ignis Aurum Probat».
The crest, mantling and coat of arms of the Milian family. It was created and emblazoned by me with a 2:2:3 ratio. The ratio I most commonly use for the crest, helm, and shield is approximately 2:2:3, where 2 represents the height of the crest, 2 represents the height of the helm, and 3 represents the height of the shield.
Blazon keywords: Or, Azure, Argent, One, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar, Wavy, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Wheat spike, Wheat and Mantling.
Style keywords: Ratio, Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Milian, family.
Gules, three lozenges Or; a bordure lozengy Gules and Or.
Schema for the design of the coat of arms of Javier Lasuncion Patus. There are only 2 different blazons, one in each row, because the difference between the columns is only in the lights and shadows. Blazon of the first row: Gules, three lozenges Or; a bordure lozengy Or and Gules.
Blazon keywords: Gules, Or, One, Three, Lozenge and Lozengy.
Style keywords: Ratio, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Lasuncion Patus, Francisco Javier.
Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced.
The coat of arms of Ixai Lanzagorta Ochoa, designed by him, his father, Juan Lanzagorta Vallin, and me, and emblazoned by me in 4 steps: proportions, delineation, plain colors and metal, and lights and shadows. His favorite version is the flat, classic representation of his coat of arms.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Argent, Sable, Azure, One, Chevron, Ouroboros, Armed, Langued and Interlaced.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Ixai.
Azure, a tower Or, embattled and masoned Sable, overall a lion rampant barry Purpure and Argent.
Coat of arms of Jean Mortes from Brittany, France, emblazoned by me in 2 steps: an outline drawing and flat colors and metals.
Blazon keywords: Azure, Or, Sable, Argent, Purpure, One, Tower, Embattled, Masoned, Overall, Lion, Rampant and Barry.
Style keywords: Outlined, Outlined in sable and Plain tincture.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Mortés, Jean.
Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.
The coat of arms of Reverend John Stuart, XVIII century, emblazoned by me in 3 approaches: 1) Classic bordure: Using a bordure with a width equal to 1/6 of the coat of arms' base. In the image, this is marked with texts and lines in Vert. Notice that the squares in columns 2 and 8 are split by the inner border of the bordure, which is unfortunate as it disrupts the design. 2) Diminished bordure: Using a narrower bordure with a width equal to 2/3 of the classic bordure, corresponding to 1 square of the fess chequey. In the image, this is marked with texts and lines in Gules. This approach avoids splitting any squares, allows for larger figures, and is my preferred solution. In England, diminished bordures, often simply blazoned as bordure, are more common than in Castile. 3) Without squares splitted: Retaining the classic bordure but shifting the fess chequey 1/2 square to either dexter or sinister to prevent splitting squares. However, this sacrifices the symmetry of the design. This last adjustment was used in the hatchment of Reverend John Stuart in St. George's Cathedral, Kingston, Ontario, 1785.
Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.
Style keywords: Ratio, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Stuart, John.
Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable.
Coat of arms of Juan Lanzagorta Vallin designed by him and outlined by me. The image illustrates my working process in 3 steps: 1) outlined, 2) flat colors and metal, and 3) lights and shadows. I have never painted a field masoned sable. The chevron Azure symbolizes the firmament seen through an open hole in the masoned wall, like a window open to the sky.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf and Combatant.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Ogee.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Vallín, Juan.
Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.
Coat of arms of Julio Hector Aspe designed by him and me, and emblazoned by me in 3 steps: outlined, plain color and metal, and lights and shadows.
Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Ogee Triple-Pointed.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Aspe, Julio Hector.
Gules, an eagle displayed Or.
Coat of arms of the lineage Baldovino from Venecia, emblazoned by me in 4 steps: guideline drawing, outlined, plain color and metal, and lights and shadows. From Jean-Baptiste Rietstap, «Armorial général», 1st edition, 1861, [Rietstap, J. B.; 1861; P1 CXII B, row 7, column 7].
Blazon keywords: Gules, Or, One, Eagle and Displayed.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Baldovino from Venecia, lineage.
[ Or, a fess chequey Gules and Argent ] · [ Or, a fess chequey Azure and Argent ] · [ Gules, a fess chequey Azure and Argent ] · [ Gules, a fess chequey Azure and Argent ] · [ Azure, a fess chequey Gules and Argent ].
Diagram featuring the coat of arms of the lineage Mark of Germany with the coats of arms of Stewart of Scotland, Janovští z Janovic, Klenovský z Klenové of Czechia, and Lindsay and Boyd of Scotland.
Blazon keywords: Or, Gules, Argent, Azure, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Mark of Germany, lineage.
Or, a holm oak eradicated Vert, fructed Or, in front of its trunk two boars passant, in pale Sable.
Ancient arms of the lineage Peraza of Cantabria. The image shows how I emblazoned it in 3 steps: outlined, plain color and metal, and lights and shadows.
Blazon keywords: Or, Vert, Sable, Holm oak, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Peraza of Cantabria, lineage.
Sable, a kapok tree eradicated and fructed between in base two lozenges Argent.
The coat of arms of Luis Gerardo Oyervides Ochoa, Mexico, designed and emblazoned by me in 4 steps: ratios, outlined, plain color and metal, and lights and shadows.
Blazon keywords: Sable, Argent, One, Two, Kapok tree, Eradicated, Fructed, Between, In base and Lozenge.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Oyervides Ochoa, Luis Gerardo.
Delineation, ratios and angles of an open chevron.
Blazon keywords: Without divisions and Chevron.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Howel Ap Rhys.
The rule of tincture, «metal should not be put on metal, nor color on color», is the most famous rule of the heraldry. In the divisions of the field, for example, party per fess, party per pale, quartered, etc., the tinctures are beside each other, not one on top of the other, because the divisions are not charges, so the rule of tincture does not apply. Although as a rule of aesthetics may be useful in the case of divisions.
Blazon keywords: Quarterly, Argent, Gules and Or.
Style keywords: Freehand, Outlined in sable, Plain tincture and Illuminated.
Classification: Schema.
Or, six annulets Gules, 3, 2, and 1.
Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two and One.
Style keywords: Outlined in sable, Semi-circular, Tricking, Hatching and Plain tincture.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Richard, Richard.
Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or. Crest: Upon a helm lined Gules, its bevor charged with a Latin cross patty and pierced with a Latin cross, and with a wreath Argent and Gules, a dexter winged forepaw Or, grasping an escutcheon quarterly: 1 Azure, a god Garuda sejant Argent; 2 Gules, a castle triple-towered Or, masoned Sable; 3 Argent, six pallets Gules; 4 Azure, five plates. Mantling: Gules doubled Argent. Motto: «Audacia,Veritas et Libertas».
Coat of arms of the family of Rui J. Vaz, US, designed by him and emblazoned by me. The image shows the arms with and without the motto, with and without the scroll, and 4 different ways of painting the scroll to see how it harmonizes more with the tilted shield, with the last one being chosen.
Blazon keywords: Azure, Gules, Argent, Or, One, Six, Five, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Quarterly, Garuda, Sejant, Castle, Triple-towered, Masoned, Pallet, Plate, Mantling, Doubled, Motto and Scroll.
Style keywords: Tilted shield, Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Vaz, Rui J..
Proporciones de una bordura y una filiera, una filiera es una bordura con su ancho disminuido en 2/3.
Blazon keywords: Without divisions, Bordure and Diminished bordure.
Style keywords: Semi-circular.
Classification: Schema and Coat of arms.
Bearer: Categories of heraldry.
Proportions of the cross and its similarity with the fess.
Blazon keywords: Without divisions, Fess and Cross.
Style keywords: Semi-circular.
Classification: Schema and Coat of arms.
Bearer: Saboya, Ducado de.
Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.
This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and painted by me. In the 1st row is the selected version of her coat of arms, and in the 2nd row is other version; both are based on the same structure and concepts.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond and In pile reversed.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Vega Lanzagorta, Sister Esperanza.
This is an schema to draw and standard. I do not use a fixed geometry, but in this case, I draw a 1/2 ratio between hightest side h at the flagpole and the diameter d of the circle on the end (see the lines and text Gules in the schema). The lenght of the standard depends on the bearer range and the kingdom, there are tables, but I only use them under the bearer instrucctions.
Be aware about how to split the motto, the 1st line on the left (from the observer point of view, the heraldic dexter) and the 2nd line on the right (from the observer point of view, the heraldic sinister).
The coat of arms is near the flagpole and I use to make enough space for a shield with a 5/6 ratio between its base and its height (lines and text Vert in the schema).
Style keywords: Freehand.
Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules.
The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta, and emblazoned by me with an oval shape in 3 steps: ratios, outlined, and tinctures.
Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed and Udder.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Oval.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Otxoa Magaña, Teresa.
Or, a roe deer salient Gules, in base a triple mount Vert.
Credits:
Blazon keywords: Or, One, Roe deer, Salient, Gules, In base, Trimount and Vert.
Style keywords: Outlined in sable, Semi-circular, Plain tincture, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Rehberger, Alena.
Azure, a plough share points downward Argent between, on a base enarched Vert, two bell towers Argent, port and window Sable.
This schema shows in 3 steps how I emblazon its coat of arms following the rule of 1/3 of the width of the coat of arms.
Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.
Style keywords: Ogee, Outlined in sable, Freehand, Outlined and Plain tincture.
Classification: Civic, Interpreted, Coat of arms and Schema.
Bearer: Csernely.
Sable, a dolphin naiant Or; a chief embattled Vert, fimbriated Or.
Blazon keywords: Sable, Dolphin, Naiant, Or, Chief, Embattled, Vert and Fimbriated.
Style keywords: Pointed and rounded, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Shorey, David Ryan.
Argent, a cross Azure.
Blazon keywords: Argent, One, Cross and Azure.
Style keywords: Outlined in sable, Illuminated, Semi-circular, Plain tincture and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Hérail, Gilbert.
Azure, a bend Or.
Blazon keywords: Azure, One, Bend and Or.
Style keywords: Outlined in sable, Illuminated, Semi-circular, Plain tincture and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Molay, Jacques de.
Gules, on a fess invected Argent, a lioness Azure, armed, langued and the udders Gules.
Blazon keywords: Gules, One, Fess, Invected, Argent, Charged, Lioness, Azure, Armed, Langued and Udder.
Style keywords: Semi-circular, Outlined in sable, Diapered, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.
Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Lanzagorta Escutia, Miguel Francisco.
Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged.
Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant and Counterchanged (side-by-side).
Style keywords: Ogee, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Bendel, Nathaniel.
Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.
Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.
Style keywords: Outlined in sable, Semi-circular, Plain tincture, Illuminated and Freehand.
Classification: Religious, Created, Coat of arms and Schema.
Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.
Or, three puffins proper.
Blazon keywords: Without divisions, Or, Three, Puffin and Proper.
Style keywords: Pointed, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Hartemink, Ralf.
Vair.
Blazon keywords: Vair.
Style keywords: Outlined in sable, Illuminated, Semi-circular, Plain tincture and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Vichiers, Renaud de.
Gules, six wagon-wheels Or, 2, 2, and 2.
Blazon keywords: Gules, Six, Wagon-wheel and Or.
Style keywords: Outlined in sable, Plain tincture, Illuminated, Freehand and Pointed.
Classification: Lineage, Interpreted, Canting, Coat of arms and Schema.
Bearer: Rodelo lineage from Galicia.
Party per fess: 1 Argent, a rose Gules, barbed and seeded proper; 2 Gules, two swords in saltire Argent, hilted Or.
Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Seeded, Two, Sword, In saltire, Hilted, Or and Vert.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Breu, Stephan Urs.
Azure semé of millrinds Or; on a dexter canton Or, a lion rampant Purpure, armed and langued Gules.
Coat of arms of The Honourable Society of Lincoln's Inn emblazoned by me in 3 steps: initial geometric scheme, colors and metals, and lights and shadows.
Blazon keywords: Azure, Semé, Millrind, Or, One, Canton, Dexter, Lion, Rampant, Purpure, Armed, Langued and Gules.
Style keywords: Pointed, Outlined in sable, Outlined in the field tincture, Plain tincture, Illuminated and Freehand.
Classification: Socioeconomic, Interpreted, Coat of arms and Schema.
Party per bend sinister Or and Gules, a clenched gauntlet Sable.
Blazon keywords: Party per bend sinister, Or, Gules, Surmounted, Gauntlet, Sable and Palewise.
Style keywords: Pointed, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Wilkins, Tim.
The coat of arms of The Heraldry Society emblazoned by me in 4 steps: 1) ratios, 2) delineation, 3) plain tincture, and 4) lights and shadows. Blazon: Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.
Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.
Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Freehand.
Classification: Interpreted, Socioeconomic, Coat of arms and Schema.
Bearer: The Heraldry Society.
The painting of the coat of arms of Thomas Grenville in 3 steps tracing, tincture and illumination.
Gules, three Clarions Or.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Freehand, Plain tincture and Illuminated.
Classification: Interpreted, Kingdom of England and Schema.
Bearer: Grenville, Thomas.
Azure, in chief three keys in bend, fesswise, to dexter, facing downwards Or, in base an open book Argent, garnished Or, the pages inscribed «Ad usum per artes» Gules.
Blazon keywords: Azure, Three, Key, Or, In chief, In bend, Fesswise, Book, Open and Motto.
Style keywords: Plain tincture, Freehand, Outlined in sable and Illuminated.
Classification: Socioeconomic, Created, Schema and Coat of arms.
Bearer: Peñafort, Universidad.
Outlined, plain coulours and metals, and finished.
Party per pale: 1 Azure, an angel Argent, crowned, crined and vested Or holding an open book Argent; 2 Or, three horses' heads couped, in pale Sable.
The internal estructure of this coat of arms is based on the following visual relations: the horses look the angel, the angel looks the book, the book looks at you, and if you look the horses then the cycle is closed.
Blazon keywords: Party per pale, Azure, One, Angel, Argent, Crowned, Crown, Crined, Vested, Or, Charged, Book, Open, Three, Head, Horse, Sable, Couped and In pale.
Style keywords: Freehand, Plain tincture, Illuminated, Rounded, Outlined in the field tincture and Outlined in sable.
Classification: Schema, Created and Socioeconomic.
Bearer: Club Ecuestre Val'Quirico.
Baron Walker of Worcester
Party per pale Sable and Or semé of portcullises and three turreted towers all counterchanged.
Escudo partido de sable y oro sembrado del uno al otro de rastrillos y torres tridonjonadas.
Illuminated with lights and shadows and with a metallic finish.
Coat of arms of Peter Edward Walker, Baron Walker of Worcester, emblazoned by me in 4 steps, notice that it is a double semé.
Blazon keywords: Party per pale, Sable, Or, Semé, Counterchanged, Portcullis, Tower, With a turret, Three and Turret.
Style keywords: Soft metal, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted and Schema.
Bearer: Walker, Peter Edward.
This is my working process to emblazon the coat of arms of Brady Brim-DeForest granted by the Court of the Lord Lyon in Scotland. The visible surface Gules is twice the Argent surface, therefore, the Argent surface is 1/3 of the surface of the coat of arms.
Party per chevron Gules and Argent, two Acorns slipped Or and in base a Fleur de lis Azure.
Blazon keywords: Gules, Party per chevron, Argent, In chief, Two, Acorn, Slipped, Leaved, Or, In base, One, Fleur de lis and Azure.
Style keywords: Freehand, Outlined in sable, Plain tincture and Illuminated.
Classification: Schema and Interpreted.
Bearer: Brim-DeForest, Brady.
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Ermine spot, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Moon, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Tyger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Water-bouget, Comb, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Mermaid, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Between, Proper, Pointed, Armed, Azure, Bibliography, Boa, Overall, Chevron, Charged, Party per fess, Created, Cross, Quarterly, Outlined, Outlined in sable, Two, In black and white, In chief, In base, Coat of arms, Schema, Fess, Personal, Gules, Illuminated, Interpreted, Chief, Langued, Castilian language, Lineage, Masoned, Semi-circular, Military, Knights Templar, Or, Party per pale, Argent, Without divisions, Ratio, Rampant, Religious, Sable, Century XVIII, Vert, Plain tincture, Freehand, Three and One.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.