Leopard

Duchess of Aquitaine, Queen Consort of France (1137-1152), and Queen Consort of England (1154-1189).

Gules, a lion passant, guardant Or.

Escudo de gules, un leopardo de oro.

Existing arms interpreted by me as follows: the escutcheon's shape is pointed; the field has been enamelled in flat Gules; the leopard in Or is outlined in Sable; and the whole composition has a rough texture finish.

I have blazoned it as a leopard, which is the term used for a lion when passant, [Avilés, J.; 1725a; pages 290 and 295] and [Avilés, J.; 1780a; pages 325 and 330] «a lion, whose natural position is rampant;... unlike the leopard, which is... always passant» and «leopards have... their heads facing forward, showing both eyes,... lions are... in profile, revealing only one eye... Their posture is never rampant, like the lion’s, but always passant;... if leopards are ever depicted rampant, they are blazoned as ‘leopard-lions’,... and likewise, lions that are passant are blazoned as ‘lion-leopards’.».

For this interpretation of Eleanor’s coat of arms, I have followed [Edward IV of England; 1461; shield 18], where a leopard Or appears, but neither armed nor langued in Azure, representing the Duchy of Aquitaine.

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Blazon keywords: Without divisions, Gules, One, Leopard and Or.

Style keywords: Pointed, Plain tincture, Outlined in sable and Rough.

Classification: Interpreted, Personal, Coat of arms, Duchy of Aquitaine, Kingdom of France and Kingdom of England.

Bearer: Leonor de Aquitania.

Princess of England and Queen Consort of Castile from 1170 to 1214.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure. Crest: An open royal crown Or.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur. Timbrado de una corona real abierta.

Armorial bearings of the queen interpreted by me as follows: the shape of the shield is pointed and rounded; both the field, the three leopards, and the open royal crown have been enamelled with flat tints of gules and metal or, with details in azure, vert, and metal argent; the three leopards and the crown are outlined in sable; and the whole composition has a watercolor finish.

She was the daughter of Henry II of England and Eleanor of Aquitaine, wife of Alfonso VIII of Castile, and mother of 10 children documented in historical records, with her eldest daughter being Queen Berenguela of Castile.

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Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Crest, Open royal crown and Crown.

Style keywords: Pointed and rounded, Plain tincture, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.

Bearer: Leonor Plantagenet.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.

Escudo cuartelado: 1^o y 4^o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2^o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3^o de azur, un arpa de oro cordada de plata.

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

These are arms of the British Monarchy emblazoned by me.

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Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: British Monarchy.

Gules, three lions passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

These are arms of the Kingdom of England emblazoned by me.

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Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: England, Kingdom of.

Vert, a pall raguly Or between three leopards' faces Or.

Interpreted coat of arms: with a pointed shape; spot inks metal or and color vert; outlined with sable; and a freehand finish.

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Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head and Leopard.

Style keywords: Plain tincture, Freehand, Pointed and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Stowe, Richard Allen.

Gules, three Leopards faces Or, the whole within a Border Or with two Bars Gules. Crest: A crest coronet proper. Mantle: Gules doubled Erminois.

Freehand finishing

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Blazon keywords: Gules, Three, Head, Leopard, Or, Ordered, Bordure, Two, Bar, Crest and mantling, Crown of Prince, Crown, Open, Mantle, Erminois and Sable.

Style keywords: Freehand, Pointed, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.

Heraldic device devised by me, illuminated with lights and shadows, contoured in Sable, and with a leather finish.

This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.

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Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Created, Boa, Standard and Flag.

Bearer: Liu-Lecomble, Laurent.

Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages.

Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Deacon Mark Eschenlauer designed by him, Fr. Yannick Beuvelet and me, and emblazoned by me.

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Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Open book, Book, Inscribed, Page and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Religious, Created, Boa and Coat of arms.

Bearer: Eschenlauer, Marc.

Adrian Ailes, «The Origins of the Royal Arms of England: Their Development to 1199», foreword by Rodney Dennys, includes 27 black and white illustrations, Graduate Centre for Medieval Studies, Reading University, 126 pages, ISBN 07-049077-6-3, Reading, Berkshire, 1982.

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An article reviewing this book is: Brigitte Bedos Rezak, Archives nationales de Paris and Metropolitan Museum of Art, «The Origins of the Royal Arms of England, their Development to 1199 by Adrian Ailes», Speculum, volume 60, number 2, pages 373-376, Medieval Academy of America, Cambridge, Massachusetts, April of 1985.

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Bibliographical reference of century XX.

Author: Ailes, Adrian.

The following article cites this bibliographic reference:

• Henry II of England

External resource:

• Google Books.

Edward IV King of England and Lord of Ireland, «The Armorial of Edward IV», «The Edward IV Roll», armorial in the form of a roll about 6 meters long, created to celebrate the coronation of Edward IV as the first King of England from the House of York and illustrated, probably, by different artists, 1461.

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The image illustrating this reference corresponds to the banner, which is number 27 in the 2^nd column, the final one of this armorial. This banner is held by a white deer, which was a personal badge of King Richard II of England, and also, two white deer were the supporters of his shield. The reason for the inclusion of this white deer might be to contribute to the legitimization of Edward IV as king.

It is notable that in row 25 of the 2^nd column of this armorial there is a banner with the arms of the shield of Castilla y León, probably because Edward IV, like his predecessors, claimed their throne. In this version of the shield of Castilla y León:

• The two gold castles, in the 1^st and 4^th quarters of gules, have three towers with the central one taller like the Castilian, but the twin side towers seem to be connected by the wall as in the English castle, [Valero de Bernabé, L.; 2009a; page 2] and [Valero de Bernabé, L.; 2009b; page 33], the wall has a door that is enameled in azure as in the Castilian.
• The two lions, in the 2^nd and 3^rd quarters of silver, seem to be gold, therefore, of «metal on metal» and, furthermore, very different from the purple lion of Castilla y León, it could well be an error by the artist or a degradation of an original purple enamel to ochre, as explained in the pendón de Castilla y León.

This shield of Castilla y León also appears:

• On the banner in row 27 of the 1^st column of this armorial. In this banner, they are combined with the arms of England represented in this article, in a new quartered, under an escutcheon with the imaginary arms of «Brutus of Troy», the also imaginary founder and king of Britain.
• On the caparison of the horse that Edward IV rides in the portrait at the beginning of his armorial. This caparison is a reproduction of the previous banner in row 27 of the 1^st column that combined the arms of England with those of Castilla y León. The presence of these arms in this initial portrait of the armorial of Edward IV denotes the importance he gave to his aspirations to the crown of Castilla y León.

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Bibliographical reference of century XV.

Author: Edward IV of England.

Bibliographic reference mentioned in the following articles:

• Heraldica Nova
• Leonor de Aquitania

External resources:

• Free Library: Edward.
• Free Library: Banners.
• The Edward IV Roll.
• Brutus of Troy.

Cecil Humphery-Smith, FHS - Fellow of The Heraldry Society, «Why three Leopards?», Coat of Arms, COA, An Heraldic Quarterly Magazine, issue 126, The Heraldry Society, Baldock, Hertfordshire, summer of 1983.

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The coat of arms illustrating this bibliographic reference is that of the Kingdom of England, which was also that of the queen of Castile Leonor Plantagenet.

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Bibliographical reference of century XX.

Author: Humphery-Smith, Cecil.

Bibliographic reference mentioned in the following articles:

• Geoffrey Plantagenet
• Leonor Plantagenet

External resource:

• The Heraldry Society.

Internal resources: HumpherySmithC1983.3Leopards.docx.

Arnold Rabbow, «The Origin of the Royal Arms of England - a European Connection», Coat of Arms, COA, An Heraldic Quarterly Magazine, número 186, The Heraldry Society, Baldock, Hertfordshire, verano de 1999.

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This bibliographical reference is illustrated wit the coat of arms of the Kingdom of England interpreted by me with the with a semi-circle shape.

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Bibliographical reference of century XX.

The author is Rabbow, Arnold.

The following article cites this bibliographic reference:

• Henry II of England

External link:

• The Heraldry Society.

Internal resources: RabbowA1999.OriginRoyalArmsEnglandEuropeanConnection.docx.

The Heraldry Society, «Education Pack, A brief explanation of Heraldry for teachers together with explanatory sheets and templates for students», Baldock, Hertfordshire, 2013.

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This bibliographical reference is illustrated with the quartered coat of arms of The Heraldry Society.

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Bibliographical reference of century XXI.

The author is The Heraldry Society.

Bibliographic reference mentioned in the following articles:

• Balaguer, municipality of
• Chequey, chequy or checky
• Drawing the arcs of a pointed coat of arms
• Geoffrey Plantagenet

External link:

• The Heraldry Society.

Internal resources: TheHeraldrySociety2013.EducationPack.pdf.

Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or. Motto: «Entalente a parler d'armes».

Escudo cuartelado de azur y gules; brochante sobre el todo, una cabeza de leopardo coronada de oro, lampasada de gules, dentro de un trechor flordelisado de oro. Lema: «Entalente a parler d'armes».

The official blazon of this coat of arms is «Quarterly Azure and Gules a lion’s face crowned with an Ancient Crown Or within a tressure flory on the outer edge of the same». The following are my comments to the official blazon:

• With «crowned» can be assumed the common default «crowned with an ancient crown».
• With «tressure flory» can be assumed the common default «tressure flory on the outer edge».
• I use to specify the «langued», for example Gules or Azure, because I think there is not a common default tincture for «langued» in all heraldic traditions.
• The use of «overall» can help to understand the blazon, then I add it.

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Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure, Flory and Motto.

Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Freehand.

Classification: Interpreted, Socioeconomic and Coat of arms.

Bearer: The Heraldry Society.