Robert de Craon

Lozengy Or and Gules. Behind the shield a cross patty Gules.

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Blazon keywords: Lozengy, Or, Gules, Behind the shield, One, Cross patty and Cross couped.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Craon, Robert de.

Lozengy Or and Gules. Behind the shield a cross patty Gules.

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Classification: Religious, Military, Knights Templar, Interpreted, Doctor, Article, Castilian language and Black and white and color illustrations.

Bearer: Craon, Robert de.

Gules, an eagle displayed Or.

Coat of arms of the lineage Baldovino from Venecia, emblazoned by me in 4 steps: guideline drawing, outlined, plain color and metal, and lights and shadows. From Jean-Baptiste Rietstap, «Armorial général», 1^st edition, 1861, [Rietstap, J. B.; 1861; P1 CXII B, row 7, column 7].

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Blazon keywords: Gules, Or and One.

Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.

Bearer: Baldovino from Venecia, lineage.

Gules, an eagle displayed Or.

Coat of arms interpreted by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of the lineage Baldovino from Venecia. From Jean-Baptiste Rietstap, «Armorial général», 1^st edition, 1861, [Rietstap, J. B.; 1861; P1 CXII B, row 7, column 7].

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Blazon keywords: Gules, Or and One.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Baldovino from Venecia, lineage.

Gules, an eagle displayed Or.

Escudo de gules, un águila de oro.

Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

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Blazon keywords: Gules, Or and One.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Baldovino from Venecia, lineage.

Azure, five flies in saltire Or.

Escudo de azur, cinco moscas puestas en sotuer de oro.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.

This is the coat of arms of the lineage Laydin emblazoned by me, as described in [Cadenas y Vicent, V. de; 1987; page 989], whose blazon is equivalent to that of the Zendreros lineage, also described in [Cadenas y Vicent, V. de; 1987; page 1941].

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Blazon keywords: Azure, Or, Five, Fly and In saltire.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Laydin, lineage.

I swear by the 1^st rule of heraldry I will never emblazon again an eagle Sable on a field Gules.

The heraldic rule of tinctures: «a colour cannot go on top of another colour and a metal cannot go on top of another metal».

This coat of arms is similar to the arms of Henry VI the Good, Prince of Silesia and Duque of Wroclaw, blazon: «Gules, an eagel displayed Sable».

If it was Edmund Leighton's intention to paint Henry VI, then the justification would be that Silesia is located in Poland and in the Polish heraldic tradition, the sable is considered a neutral tincture, that is neither color nor metal, so they can put the sable on the color gules. But I doubt that the Prince of Silesia and Duke of Wroclaw would have needed to be knighted.

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Categories: Technology, Social networks, Colour on colour, Eagle, Sable and Gules.

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