...three wolves' heads erased in fess Or, langued Azure...
...tres cabezas de lobo arrancadas en faja de oro, lampasadas de azur...
The image shows three wolves' heads, emblazoned by me with lights and shadows, using the metal Or and the colour Azure.
Categories: Illuminated and Glossary.
Ackerson and Akers lineages.
Sable, a Bend between three Acorns Or.
Illuminated and freehand finishing.
The coat of arms of Ackerson and Akers lineages emblazoned by me and extracted from [Burke, B.; 1989].
Unless the blazon specifies another layout, when a bend is between three charges, this charges are ordered, two in the chief and one in the base, as the three acorns do in this case.
[Rietstap, J. B.; 1861] escribe el blasón de «Ackers ou Akers» como «de sable, à une bande d'or, acc. de trois glands du mesme».
Blazon keywords: Sable, Bend, Between, Three, Acorn, Or and Ordered.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Interpreted.
Ackhurst lineage.
Argent, on a Bend Sable three Acorns Or.
Illuminated and freehand finishing.
The coat of arms of Ackhurst lineage emblazoned by me and extracted from [Burke, B.; 1989].
Unless the blazon specifies another direction, the charges in a bend follow the direction of their bend, as the acorns do in this case.
Blazon keywords: Argent, Bend, Sable, Three, Acorn, Or and Bendwise.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Interpreted.
186th Pope of the Church, only 40 days in 1276. «Hadrianus V», born Ottobuono de Fieschi, was born in Genoa.
Bendy of six Azure and Argent.
Escudo bandado de seis piezas de azur y plata.
Papal coat of arms interpreted by me with: a shield with a rounded arch top; the field in plain tincture of Argent; the bands illuminated in Azure and outlined in Sable; and the whole in an elevated line style.
The blazon in French is «Bandé d'azur et d'argent de six pièces».
The banding is defined in [Avilés, J.; 1725a; page 40] and [Avilés, J.; 1780a; page 45] as the shields and also, the chiefs, fesses, pales, and figures, such as animals, etc., that are «covered and filled with bands in equal number, with as many of metal as of color».
Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Adrian V.
Quarterly Or and Argent, overall a peacock in his splendour proper. Motto: «Acquiescere et Miserescere».
Escudo cuartelado de oro y plata, sobre el todo un pavo real ruante al natural. Lema: «Acquiescere et Miserescere».
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finish.
Blazon keywords: Argent, Or, One, Quarterly, Overall, Peacock, In his splendour, Proper and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Valecha, Ajay Gopal.
Gules, a cross flory voided Or; within a bordure Gules with eight saltires couped Or.
Escudo de gules, una cruz hueca flordelisada de oro; bordura de gules, ocho sotueres de oro.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.
Ancient arms of Alarcon of Cantabria emblazoned by me.
Blazon keywords: Argent, Sable, Or, Gules, Three, Cross, Flory, Voided, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alarcon of Cantabria, lineage.
Blazon of the Albero lineage of Aragon.
Vair ancient.
Escudo de veros antiguos.
Illuminated and with a glass finish.
It can be consulted in [Cadenas y Vicent, V. de; 1987; page 62].
[Friar, S.; 1987; pages 157-158] says of the veros: «originates from the fur of a species of squirrel... which was popular in the Middle Ages as a lining for the garments of those not entitled to wear ermine. The animal was blue-grey on the back and white underneath. By sewing a number of these pelts together, with white and blue-grey alternating,... one which easily translated into the stylized armorial form of Vair and its variants».
Blazon keywords: Vair ancient.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Quarterly Or and Argent, overall a cross Gules, cantoned by: in 1 and 4, a lion rampant Gules, armed and langued Azure; in 2 and 3, a black grouse perched proper.
Coat of arms of Albert de Bruijn emblazoned by me. The image combines a photograph of a drawing of a black grouse perched along with his coat of arms, both painted by me.
Blazon keywords: Or, Argent, Gules, Azure, One, Quarterly, Overall (line of division), Cross, Cantoned, Lion, Rampant, Armed, Langued, Black grouse, Perched and Proper.
Style keywords: Outlined in sable, Illuminated and Ogee Triple-Pointed.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Bruijn, Albert de.
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, three anchors Or, 2 and 1.
Escudo cortado: 1o de sable, tres estrellas de plata de ocho puntas, 1 y 2; 2o de azur, tres anclas de oro, 2 y 1.
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Sable, Argent, Azure, Or, Three, Party per fess, Mullet, Disordered, Anchor and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Alborán, Sea of.
Gules, on a trimount issuant from the base Or, a port Gules, with canopy roof, jambs, enarched lintel, and two open leaves, upon a three-step stairway Oro.
Escudo de gules, un monte de tres peñas moviente de la punta sumado de una puerta con tejadillo, jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de oro, aclarada de gules.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of Albrecht Dürer, 1471-1528, emblazoned by me based on the woodcut titled «Coat of Arms of Albrecht Dürer» made by Albrecht Dürer himself in 1523 on a sheet measuring 35.1 × 26.1 cm belonging to The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952, held at the Metropolitan Museum of New York, and on the work titled «Marriage Coat of Arms of the Families Duerer and Holper. Verso of the Albrecht Dürer the Elder portrait», dated 1490; Albrecht Dürer the Elder, 1427–1502, was his father.
The Dürer family coat of arms is an example of canting arms. Their family origin traces back to Ajtós, Hungary, a name which means «door» or «doorman» in Hungarian. Upon settling in Nuremberg, the family Germanized their surname to «Türer», derived from «Tür», meaning «door», and later to Dürer. This is the reason of the main charge of these arms.
Blazon keywords: Gules, One, Two, Three, On, Trimount, Issuant from base, Port, Canopy roof, Arched, Enarched, Upon, Step, Stairway and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Albrecht Dürer.
Coat of arms of the Armored Cavalry Regiment Alcantara No. 10, RCAC-10, in 2016.
Argent, a cross of Alcantara.
Escudo de plata, una cruz de Alcántara.
Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in the metal Argent; the cross of Alcantara is outlined in Sable and illuminated in Vert; and the whole has a raised stroke finish.
Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped and Cross.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Military, Army and Navy and Coat of arms.
Bearer: Alcantara, Cavalry Regiment.
It was founded by Count Henry of Burgundy as a military and religious order, in the year 1093, in Beira Alta, Portugal, near the river Côa with the initial name of «Ordem de São Julião do Pereiro» ~ Order of Saint Julian of Pereiro.
In the year 1214, the defense of the city of Alcantara after its conquest was entrusted to the Order of Calatrava, but in 1218 the Calatravans relinquished it due to Alcantara being far from Calatrava.
To defend Alcantara, King Alfonso IX of León entrusted it to the new Order of the Knights of Saint Julian of Pereiro, requesting in return a certain level of dependency on the Order of Calatrava, which led the Knights of Saint Julian to adopt the Cistercian rule.
Once established in Alcantara, their original name referring to Saint Julian fell into disuse, and by 1253 there were already references to the «masters of the Order of Alcantara», with Saint Julian of Pereiro becoming the foundational center and a secondary commandery of the order.
[Avilés, J.; 1780b; treatise IV, chapter V, page 339] describes it as follows: «The Military Order, which we now call of Alcantara, was formerly that of Saint Julian of Pereiro, so named after the place where it was based, along the banks of the river Côa, in the Bishopric of Ciudad-Rodrigo, established in the year 1176 by King Ferdinand II of León, and confirmed in 1177 by Pope Alexander III. And the reason for changing its first name to the second, was because after the Knights of Calatrava had taken the City of Alcantara from the Moors and defended it bravely thereafter, they found it would be difficult to keep it, as their main house was very distant, from which the other Knights and reinforcements could not come whenever needed.».
[Avilés, J.; 1780b; treatise IV, chapter V, page 340] continues by telling us «They discussed this inconvenience with others they had at the time with the King of León, Don Alfonso IX, and it was resolved that the Master of Calatrava would give that town to the Knights of Pereiro so that they might defend it, as they did, under certain conditions in the year 1218, later performing marvels in its defense, earning through their fame and distinguished feats new graces from the Kings; and seeing how essential their residence was, the Knights of Pereiro moved to the town of Alcantara, establishing their Convent there, and thus transformed into Knights of Alcantara, who were previously Knights of Saint Julian of Pereiro».
Categories: Institution, Interpreted, Religious, Military, Illuminated, Outlined in sable, Freehand, Emblem, Cross of Alcantara, Cross couped and Cross.
Blazon of the Aldam lineage of England.
Azure, a ray of the sun bendwise, issuant from the dexter chief Or.
Escudo de azur, un rayo de sol puesto en banda, naciente de la diestra del jefe de oro.
Illuminated with lights and shadows and with a freehand finish.
Described in [Burke, B.; 1989; page 9, column 1, entry 11].
Blazon keywords: Without divisions, Azure, One, Ray of the sun, Bendwise, Nascent, Dexter, Chief and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.
Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Alea Capital.
King of León from January 21, 1188, until his death on September 24, 1230.
Argent, a lion rampant Purpure, armed and langued Gules. Crest: An open royal crown Or.
Escudo de plata, un león rampante de púrpura, armado y lampasado de gules. Timbrado de una corona real abierta.
Arms of the King interpreted as follows: the escutcheon is finished in a semi-circular arch; both the field, the lion, and the crown of the crest have been illuminated; and the ensemble has a hammered metal finish.
In the following image, I show a miniature from the Tumbo A of the Cathedral of Santiago de Compostela, from the 13th century, with the heading reading «Inclitus:Adeffonsus:Rex:Legionensium:et Gallecie:», combined with my interpretation of his coat of arms. The lion of the Kingdom of León can be found depicted in both purple and gules, but images like this confirm that it is purple, and I particularly favor the purple, as it makes it historically unique.
Blazon keywords: Without divisions, Argent, Purpure, Gules, One, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.
Style keywords: Semi-circular, Illuminated and Metal beaten.
Classification: Interpreted, Personal, Coat of arms and Kingdom of León.
Bearer: Alfonso IX of Leon.
Born on November 11, 1155, in Soria and died on October 6, 1214, in Gutierre-Muñoz, Avila.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.
Existing arms interpreted by me as follows: the shield’s shape is pointed and rounded; the field has been enameled Gules; the castle is outlined, illuminated, and shaded; the whole composition features a heavily hammered metal finish.
This ancient coat of arms of Castile can be consulted, among other sources, in [Argote de Molina, G.; 1588; chapter XLII].
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.
Style keywords: Ogee, Illuminated, Shaded, Outlined in sable and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Alfonso VIII of Castile.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the King Alfonso X of Castile, 1221–1284, 1st son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The order of the quarters is first the castle of his grandmother, Queen Berenguela of Castile, and second the lion of his grandfather, King Alfonso IX of León; however, the other day I discovered that on the map by [Martineau du Plessis, D.; 1700; volume II, illustration 30, page 126], in the shield framed between parallels 37 and 36 and meridians 21 and 22, the lion occupies the 1st quarter and the castle the 2nd quarter; that is, their order appears reversed.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Alfonso X of Castile.
County of Cheshire, visitation of 1663.
Party per bend sinister: 1 Or, three martlets Sable; 2 Sable, three martlets Or.
Escudo tajado: 1o de oro, tres marletas de sable; 2o de sable, tres marletas de oro.
Coat of arms interpreted with: a rounded base; the field illuminated in Or and Sable; the martlets outlined of the field and illuminated in Sable and Or; and the whole with a leather finish.
A coat of arms recorded in [Adams, A.; 1941] which Cheshire Heraldry blazons as follows: «Per bend sinister Or and Sable, six martlets counterchanged», note that no specific arrangement is specified for the martlets.
There is also an entry for «Allen de Brindley» in [Armytage, G. J.; Rylands, J. P.; 1909], but it only records the family tree without specifying the coat of arms.
Blazon keywords: Party per bend sinister, Or, Sable and Martlet.
Style keywords: Rounded, Illuminated, Outlined in the field tincture and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Allen de Brindley.
Of the twelve lineages of Noblemen, it is the first, and they bear as arms, on a golden field, three pales Azure.
Or, three Pallets Azure.
Escudo de oro, tres palos de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.
Based on the first coat of arms of the «ricoshombres» of Navarre in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Los Almorauides» it can also be consulted in [Vega, P. J. de; 1702; folio 1 of the manuscript].
Blazon keywords: Without divisions, Or, Three, Pale and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Almorrabides of Navarre.
Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules.
Escudo de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the lineage Alpoim. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Alpoim are in the 2nd quarter.
Blazon keywords: Azure, Argent, Or, Gules, One, Crescent, Reversed, In the dexter chief, Fleur de lis and Bordure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Alpoim, lineage.
Lord of Zúñiga and Mendavia and of Béjar and Bañares and of Gibraleón, 1st Duke of Arévalo, 1st Duke of Plasencia, 1st Count of Bañares, 1st Duke of Béjar, 2nd Count of Plasencia, and Grandee of Castile.
Argent, a bend Sable; overall a chain orlewise Or.
Escudo de plata, una banda de sable; brochante sobre el todo una cadena puesta en orla de oro.
Personal coat of arms interpreted by me as follows: the shield has a semicircular (round) base; both the field and the bend have been illuminated in flat tinctures Argent and Sable; the links of the chain are enameled and illuminated in Or; and the whole is made of beaten metal.
In [Argote de Molina, G.; 1588; page 94 according to the numbering of the book, or page 93 according to the numbering accompanying the illustrations] this coat of arms appears under the title «Zúñigas» with the overlying chain formed only by 8 long links.
In [Anonymous; 1800a; page 46] the blazon of «the Zúñigas» is described, where in this book, curiously, the letter Z is ordered after C and before D.
Blazon keywords: Without divisions, Argent, Sable, Or, One, Bend, Chain, Orlewise and Overall.
Style keywords: Semi-circular, Illuminated and Metal beaten.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Zúñiga y Guzmán, Álvaro de.
Blazon of the Amancier lineage of Genevois, Haute-Savoie, France.
Gules, three bars per pale Or and Azure.
Illuminated and a freehand finishing.
Its French blazon «de gueules, à trois fasces parties d'or et d'azur» can be found at [Rietstap, J. B.; 1861; page 40].
Any fess party per pale of metal and color or color and metal will always have a metal on metal or color on color conflict whether the field of the coat of arms is color or metal. There isn't conflict if the field of the coat of arms is also party per pale with metal under the color of the fess and with color under the metal of the fess or if the field is fur.
Blazon keywords: Without divisions, Gules, Three, Fess, Party per pale, Or and Azure.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Quarterly: 1 Or, a lion rampant, facing sinister Sable, armed and langued Gules; 2 and 3 Gules, an anchor proper; 4 Or, a lion rampant Sable, armed and langued Gules; overall, a pile issuant from base Azure charged with a mount proper issuant from water issuant from base Argent, in chief, a mullet of six points Or.
Coat of arms of Amitay Edward von Stiebel emblazoned by me in 3 steps: outlined, plain color and metal, and lights and shadows.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Six, Quarterly, Lion, Rampant, Facing sinister, Armed, Langued, Anchor, Proper, Overall, Pile issuant from base, Charged, Mount, Issuant, Water, Issuant from base, In chief and Mullet.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Bull's hide.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Stiebel, Amitay Edward von.
Argent, a chevron between three crosses flory Sable.
Escudo de plata, un cabrio acompañado de tres cruces flordelisadas todo de sable.
Illuminated with lights and shadows and with a freehand finish.
The coat of arms of Anderson of Erbury emblazoned by me in 4 ways: 1) tricking using abbreviations, 2) hatching using lines, 3) plain tinctures, and 4) lights and shados. It is a preliminary artwork for the arms of Nick Allen Rica II.
Blazon keywords: Without divisions, Argent, One, Chevron, Between, Three, Cross flory, Cross couped and Sable.
Style keywords: Freehand, Outlined in sable, Illuminated, Pointed, Tricking, Hatching and Plain tincture.
Classification: Interpreted, Kingdom of Scotland and Schema.
Bearer: Anderson of Erbury.
Azure, two barbels addorsed Argent. Behind the shield an eight-pointed cross patty Gules.
Blazon keywords: Azure, Two, Barbel, Addorsed, Argent, Behind the shield, One, Eight-pointed cross, Cross couped and Gules.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Montbard, André de.
Blazon of the André lineage of France.
Gules, a millstone Or.
Escudo de gules, una piedra de molino de oro.
Illuminated and a watercolor finishing with shadow in the hole.
For its better identification, I have painted the millstone with the ring that fixes it to its axis. This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone. Millrinds may appear on coats of arms independently of millstones. Another heraldic element related to the previous ones is the millwheel, which is a toothed gear that is part of the mill mechanism but should not be confused with the millstone that grinds the grain.
Blazon keywords: Without divisions, Gules, One, Millstone and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a texturized finishing.
G0066, Chief Herald of Arms of Malta's grant of Andrea Pompili's arms, whose coat of arms has been emblazoned by me. The hand-drawn tree shown in this photograph was originally created for the coat of arms of Andrea Pompili, commissioned by Dr Charles A. Gauci, Chief Herald of Arms of Malta. Some time later, an art collector asked me for a dedicated hand drawing. I chose this tree because its canopy has a distinctive heraldic shape, setting it apart from the other drawings in his collection, as it was specifically designed to fit beneath the two chevronels. This is also the reason for the handwritten note «under a chevron» beside the drawing. Before sending it, I inscribed the sheet with a dedication, which explains the handwritten text visible alongside the artwork.
Blazon keywords: Azure, Argent, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated and Proper.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Andrea.
Party per pale: 1 per fess indented perlong Or and Azure overall on a fess Azure a mullet Or, and on a chief cousu Or an eagle displayed, a crown Or above [for Tamburelli]; 2 Azure, a lion rampant Or supporting a lance palewise Argent, in chief three mullets Or [for Lanzara]; enté en point Or, three pallets Vair [for Prato di Arnesano].
Coat of arms of Andrea Tamburelli Lanzara di Pietragavina, Marquis Prato di Arnesano, painted by me. The image shows step by step, row by row, how three coats of arms are combined to generate the final result. In the upper row I first place the arms of the Tamburelli lineage and then the arms of the Lanzara lineage, which are canting arms, as may be seen in the lion holding a lance. Together they form, in the second row, the impaled arms of Tamburelli-Lanzara, placed beside the coat of arms of the Marquis of Prato di Arnesano. Finally, I combine them to form the coat of arms shown in the third row, where the arms of the Marquis of Prato di Arnesano are incorporated into the arms of Tamburelli-Lanzara by means of a enté en point.
Blazon keywords: Or, Azure, Sable, Argent, One, Three, Party per pale, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Lion, Rampant, Grasping, Spear, Point upwards, Enté en point, Pale and Vair.
Style keywords: Outlined in sable, Illuminated, Ogee and Cousu.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Tamburelli Lanzara di Pietragavina, Andrea.
Credits:
Blazon keywords: Without divisions, Gules, Argent, Or, Female figure, One, Justice, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Crest, Open royal crown, Crown, Motto (identification) and Motto.
Style keywords: Watercolor, Illuminated, Shaded, Semi-circular and Outlined in the field tincture.
Classification: Video, Catalogue, Heraldic document, Created and Socioeconomic.
Bearer: ANPC.
1525-1581.
Lozengy Or and Azure, on a pale Gules, three estoiles Or.
Escudo losanjado oro y azur, en un palo de gules, tres estrella ondadas de oro.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; the pale illuminated in Gules and outlined in Sable; the estoiles illuminated in Or and outlined in Sable; and the whole with a raised-stroke effect.
Blazon keywords: Lozengy, Or, Azure, Pale, Gules, Charged and Estoile.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Antrobus, Thomas.
Canting arms, apple ~ appleton.
Argent, two chevronels Azure between three apples Gules, slipped and leaved Vert.
Escudo de plata, dos tenazas de azur acompañadas de tres manzanas de gules, talladas y hojadas de sinople.
Coat of arms interpreted by me with: a round-bottomed shield shape; the field in flat tincture metal Argent; the figures outlined in Sable and illuminated in Azure, Gules, and Vert; and all with a rough finish.
A summary of the heraldic blog of David B. Appleton can be found among my recommended links on the heraldic universe.
Blazon keywords: Without divisions, Argent, Azure, Gules, Vert, Chevronel, Between, Apple, Slipped and Leaved.
Style keywords: Rough, Illuminated and Outlined in sable.
Classification: Interpreted, Personal, Coat of arms, Canting and Heraldry and heralds.
Bearer: Appleton, David B..
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Recreated coat of arms of Aragón in the following manner: the escutcheon shape is pointed and rounded; the field is rendered in flat Or; the pallets are illuminated; and the whole has a parchment-like finish.
This rendition of the coat of arms is based on [Portolés, J.; Molino, M. del; 1590].
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Ogee, Illuminated and Parchment.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.
Bearer: Aragon.
Azure, a lion rampant Argent, in chief a mullet of four points Or; a bordure Gules charged with eight saltires couped Or.
Escudo de azur, un león rampante de plata, surmontado de un lucero de oro; una bordura de gules cargada de ocho sotueres de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
These are the ancient arms of the lineage Araneta emblazoned by me. They are from the Basque Country and there is a branch in the Philippines. This star is known as mullet of four points.
Blazon keywords: Azure, Argent, Or, Gules, One, Eight, Lion, Rampant, Mullet of four points, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Araneta, lineage.
Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.
Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».
Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argudo of Guipuzcoa, lineage.
Ermine papelonny, a lion rampant guardant Gules, armed and langued Azure.
Escudo de armiños papelonado, un leopardo leonado de gules, armado y lampasado de azur.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems watercolor.
Credits:
Blazon keywords: Without divisions, Ermine, Papelonny, One, Lion rampant guardant, Gules, Armed, Langued and Azure.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Arjona Berrocal, Rubén.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. The shield is surrounded by the Most Noble Order of the Garter.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.
Coat of arms of His Majesty the King Felipe VI, Kingdom of Spain, emblazoned by me. Queen Elizabeth II invested His Majesty King Felipe VI as a Knight of the Most Noble Order of the Garter on 17 June 2019 at St George’s Chapel, Windsor Castle.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, In orle, In cross, In saltire, Charged, Emerald, In the fess point, Proper, Pomegranate, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Felipe VI of Spain.
Quarterly: 1 Gules, a chevron Argent, between three fleurs de lis Or; 2 Or, five mullets in saltire Gules; 3 Argent, four escutcheons in cross Azure, each charged with nine plates, those in flank with points to center, overall a carbuncle and orle of knotted cords Purpure debruised by the center escutcheon; 4 Sable, on a mount issuant from the base Vert, a tower Argent, port, windows and masoned sable, between two wolves Or supporting it; enté en point Or, three bars wavy Gules. Crest: a crown of the Sovereign and Most Noble Order of the Pomegranate. Motto: «Progrediendo Laborando Efficiendo Vinces». The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.
Escudo cuartelado: 1o de Gules, un cabrio de plata acompañado de tres flores de lis de oro; 2o de oro, cinco estrellas de seis puntas en sotuer de gules; 3o de plata, cuatro escudetes en cruz de azur, cada uno cargado de nueve bezantes de plata, 3, 3, 3, los dos escudetes de los flancos puestos en faja apuntando al del centro, brochante sobre el todo un carbunclo de cuerdas, orlado y anudado de púrpura, y brochante sobre el todo del todo, un quinto escudete como los anteriores; 4o de sable, un monte moviente de la punta de sinople, sumado de una torre de plata, aclarada y mazonada de sable, con dos lobos de oro empinados a ella; Entado en punta de oro, tres fajas ondadas de gules. Timbrado de una corona de la Soberana y Muy Noble Orden de la Granada. Lema: «Progrediendo Laborando Efficiendo Vinces». El escudo está rodeado por el collar de la Soberana y Muy Noble Orden de la Granada.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
Blazon keywords: Or, Gules, Argent, Azure, Purpure, Sable, Vert, One, Two, Three, Four, Five, Nine, Quarterly, Chevron, Between, Fleur de lis, Mullet, In saltire, Escutcheon, In cross, Charged, Plate, In each flank, Center, Overall, Carbuncle, Orle, Knotted, Cord, Debruised, Mount, Issuant, Base, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Bar, Wavy, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Motto, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Frazão Coutinho Dias, Hugo.
Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet».
The arms of Darryn Carlo and Roberto Luchoro have been featured on page 2 of Ireland's Genealogical Gazette, volume 19, number 4, registered in the Armorial Register, registration 0693, volume 4, included in the Commoners' Roll of Arms, registration 407, and emblazoned by me.
Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Created, Boa and Collage.
Bearer: Luchoro and Darryn Carlo, Roberto.
Vert, two scythes in saltire Argent; on a chief Argent, three cornflowers Azure, seeded Argent. Crest: Upon a helm affronty, with a wreath Argent and Vert, a horse kicking Argent in front of a rose Gules, barbed Vert. Mantling: Vert doubled Argent.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finish.
Blazon keywords: Vert, Argent, Azure, Gules, One, Three, Scythe, In saltire, Chief, Cornflower, Flower, Seeded, Crest, Upon (wreath), Helm, Affronty, Wreath, Mantling, Rose, Barbed, Debruised, Horse and Kicking.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Altnau, Yuri Alexander.
Or, a eagle displayed Sable.
Escudo de oro, un águila de sable.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, and with a freehand finish.
Coat of arms of the Arrano Beltza, the black eagle in Basque, emblazoned by me.
Blazon keywords: Or, Sable, One, Eagle and Displayed.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Arrano Beltza.
Kingdom of Sweden.
Gules, a grenade Or.
Escudo de gules, una bomba de oro.
Illuminated with lights and shadows and with a iridescent and metallic finish.
Blazon keywords: Without divisions, Gules, One, Grenade and Or.
Style keywords: Metal beaten, Iridescent (nacar), Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Military and Kingdom of Sweden.
Bearer: Artillery Combat School of the Swedish Army.
Azure, issuant from base a frog's head and from flanks its forelegs in chevron Or, in chief a mullet of seven points Argent. Motto: «Clama a mí».
Escudo de azur, moviente de la punta una cabeza de rana y de los flancos sus patas delanteras en chevron todo de oro, en jefe una estrella de siete puntas de plata. Lema: «Clama a mí».
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of Arturo Taborda, Venezuela, emblazoned by me. The motto came from Jeremiah 33:3 «Clama ad me, et exaudiam te, et annuntiabo tibi grandia et firma quæ nescis» ~ «Call to me, and I will answer you, and show you great and mighty things, which you do not know».
Blazon keywords: Azure, Or, Argent, One, Seven, Issuant from base, Frog, Head, Flank, Foreleg, In chevron, In chief, Mullet and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Taborda, Arturo.
Gules, three lozenges Or.
Escudo de gules, tres losanjes de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Coat of arms of the lineages Asuncion and de la Asuncion emblazoned by me.
Blazon keywords: Gules, Or, Three and Lozenge.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Asuncion and de la Asuncion, lineages.
Vert, a chevron, between three cross-crosslets; on a chief Argent, three griffins statant Gules, beaked and armed Or. Motto: «Silentium est aureum».
Escudo de sinople, un cabrio, acompañado de tres cruces recrucetadas; un jefe todo de plata, tres grifos parados de gules, picados y armados de oro. Lema: «Silentium est aureum».
Blazon keywords: Vert, One, Chevron, Between, Three, Cross-crosslet, Cross couped, Chief, Argent, Griffin, Statant, Gules, Beaked, Armed, Or and Motto.
Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Berry, Austin Charles.
Blazon of the Avelar lineage of Portugal.
Or, three bars Gules charged each one with three mullets of six points Argent.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 127].
Blazon keywords: Without divisions, Or, Three, Fess, Gules, Charged, Mullet and Argent.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Of the twelve lineages of Noblemen, they are the third great and ancient barony, where the first King of Aragon had his mother; they make a shield of Or without any mixture of colour or device, but a field of gold as painted in this shield.
Or.
Escudo de oro.
A coat of arms that leaves little room for interpretation, which I have recreated with: a semicircular (round) base; the field in flat Or; and finished in highly-hammered metal.
Based on the third coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Aybar» it can also be consulted in [Vega, P. J. de; 1702; folio 3 of the manuscript].
Blazon keywords: Without divisions and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Aybar of Navarre.
Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess. Supporter A Tree Vert, eradicated. Motto «Amat victoria curam».
Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja. Por sostén un árbol de sinople, arrancado. Lema «Amat victoria curam» de oro, sobre una filacteria de azur.
The original design of this coat of arms, along with many others heraldic devices, is registered in [Salmerón Cabañas, A.; 2015a; page 11].
Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Crest and mantling, Vert, Tree, Erased, Supporter (thing), Supporter, Motto and Scroll.
Style keywords: Watercolor, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.
Classification: Coat of arms, Created and Personal.
Bearer: Quesada Valles, Bartolomé.
Escutcheon Argent, in base a trimount, in chief a pair of open pliers bend sinisterwise proper.
Heraldic device emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
G0076, Chief Herald of Arms of Malta's grant of Claes Zangenberg's badge, whose heraldic badge has been emblazoned by me.
Blazon keywords: Argent, One, Escutcheon, In base, Trimount, In chief, Open, Pair of pliers, Bend sinisterwise and Proper.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Badge.
Bearer: Zangenberg, Claes.
Gules, a cross vair.
Escudo de gules, una cruz de veros.
Coat of arms interpreted with: a semicircular (round) base; the field in flat tincture of Gules; the vair illuminated and outlined in Sable; and the whole with a roughened finish.
The commune of Bailleul is located in the district of Dunkirk, in the Nord department, in the Nord–Pas-de-Calais region of France.
The coat of arms of Bailleul, called «Belle» in Flemish, is similar to that of the heraldist Gonzalo Argote de Molina, differing in that the commune’s arms bear vair, while the heraldist’s arms bear rounded vair in the ancient style.
Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Civic, Coat of arms and Kingdom of France.
Bearer: Bailleul, commune of.
Azure, a wolf's head caboshed Argent, in chief three monstrances in fess proper. Motto: «Fiat Voluntas Tua».
A mug featuring the coat of arms and motto of Bárbaro Jonathan López Linares, Cuba, designed by him and emblazoned by me. My emblazonment was used to personalize this mug. The criterion is that the tinctures must remain consistent within the same interpretation of the arms. If I paint a version of this shield, I will use a single azure for the field and for the mantling, should I depict it; the same or for the three monstrances; and the same argent for the wolf and for the sacred hosts. But in a different interpretation, another azure may be used, provided that it is azure, as well as another or and another argent. The azure used by one artist does not bind the next; that is why we use terms such as azure, which means any blue except sky blue. If we were forced to use exactly the same azure in every interpretation of the same arms, we would have to blazon them, for example, with Pantone codes or RGB specifications, and that is not what we do. Tinctures are fixed in logos, but not in coats of arms; this is one of the reasons why coats of arms leave much more room for artistic expression than corporate logos.
Blazon keywords: Azure, Argent, One, Three, Wolf, Head, Caboshed, In chief, Monstrance, Proper and Motto.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.
Classification: Personal, Interpreted, Canting, Boa, Collage and Photographic.
Bearer: Lopez Linares, Barbaro Jonathan.
Argent, a wolf passant Gules, a chief dancetty Azure.
Escudo de plata, un lobo pasante de gules, un jefe centellado de azur.
Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a chasuble outer contour and with a watercolor finish.
The coat of arms of the Barrio de los Quereres of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me.
Blazon keywords: Argent, Azure, Gules, One, Wolf, Passant, Chief and Dancetty.
Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Barrio de los Quereres of Mon'Tarena.
Of the twelve lineages of Noblemen, it is the fourth, and they bear as arms a chessboard, that is, a field chequy Argent and Sable, which is black, in the same form and design as this shield is now painted.
Chequey Argent and Sable.
Escudo ajedrezado de plata y sable.
Coat of arms recreated with: a semicircular (round) base; the field in flat Argent; the chequy or checky pattern illuminated in Sable; and finished in highly-hammered metal.
Coat of arms based on the fourth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613], but, unlike the original, adjusting the height of each square to its width so that they are perfect squares, since in Juan del Bosque’s version—actually in its copy, because the original was stolen—they appear somewhat narrow and elongated. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Baztan» it can also be consulted in [Vega, P. J. de; 1702; folio 4 of the manuscript], although in this case the numbering is not clearly legible; it is the folio following 3, preceding the one also numbered 4 but marked with a letter B, which in turn is followed by folio 6, the number 5 being missing — though not folio 5, which would be 4B.
Baztanes and the Valley of Baztan are mentioned in [Garaycoa Raffo, L.; 2011; pages 8, 29, 30, 33, 37, and 38].
The geometric construction of this coat of arms can be found in [Messía de la Cerda y Pita, L.; 1990; page 108].
Blazon keywords: Without divisions, Or, Chequey and Sable.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Baztanes of Navarre.
Or, an eagle displayed Sable.
Escudo de oro, un águila de sable.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the Queen Beatrice of Swabia, 1205–1235, baptized as Elisabeth, wife of King Ferdinand III of Castile, 1199–1252. The eagle Sable on an Or field is a distinctive symbol of the Holy Roman Empire. This coat of arms has been emblazoned by me.
Blazon keywords: Or, Sable, One and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Beatrice of Swabia.
Gyronny Azure and Argent, a Sun in splendour between three Ancient coronets Or.
Illuminated and metal finishing.
Blazon keywords: Gyronny, Azure, Argent, Sun in splendour, Between, Three, Ancient coronet, Crown and Or.
Style keywords: Metal beaten, Outlined in sable and Illuminated.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Bedgood, Alvin J..
Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or.
Escudo de gules, una faja acompañada en jefe de una cruz de malta acompañada de dos estrellas de ocho puntas todo de plata, y en punta tres cotizas de oro.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a watercolor finishing.
G0053, Chief Herald of Arms of Malta's grant of Giovanni de Bella's arms, whose coat of arms has been emblazoned by me.
Blazon keywords: Gules, Argent, Or, One, Two, Three, Fess, Between, In chief, Eight-pointed cross, Cross couped, Mullet, In base and Bendlet.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bella, Giovanni de.
197th Pope of the Church, from 1334 to 1342. «Benedictus XII», born Jacques Fournier, was born in Saverdun, in the south of Occitania.
Argent, a bordure Gules.
Escudo de plata, una bordura de gules.
Papal coat of arms interpreted with: a round-topped shield; the field in plain Argent; the bordure outlined in Sable and illuminated in Gules; and the whole design in raised outline.
Blazon keywords: Without divisions, Argent, One, Bordure and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Benedict XII.
247th Pope of the Church, from 1740 to 1758. «Benedictus XIV», named Prospero Lorenzo Lambertini, born in Bologna.
Or, three pallets Gules.
Escudo de oro, tres palos de gules.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the pales outlined in Sable and illuminated in Gules enamel; and the whole with a raised stroke finish.
Blazon keywords: Without divisions, Or, Three, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Benedict XIV.
Born in 1179 in Segovia and died on November 8, 1246 in the Monastery of Las Huelgas in Burgos.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.
Arms of the Queen of Castile, as interpreted by me: the shape of the shield is rounded; the field and the castle have been enamelled and illuminated; and the whole composition features a watercolor finish.
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Berenguela of Castile.
Party per pale Or and Gules.
Escudo partido de oro y gules.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finish.
Blazon keywords: Or, Gules and Party per pale.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Bergamo.
Berry of Molland, Devonshire.
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
It is possible that an English-speaking herald would have blazoned it as «Or, three bars Gules.» using the term «bars» instead of «fesses», just as in Castilian one sometimes uses the term «barras» instead of «palos», perhaps because these terms were not completely settled from the outset.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Berry of Molland.
Blazon equivalent to: Clement V.
Admiral Sir John Berry (1635-1690)
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Coat of arms interpreted as follows: the shape of the shield is pointed; the field is plain metal Or; the fesses outlined in Sable and illuminated in Gules; and the finish is watercoloured.
Sir John Berry bears the arms of the Berry of Molland family of Devonshire. He was born in Knowstone, North Devon, the second son of Reverend Daniel Berry, and served in the British Navy.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal and Army and Navy.
Bearer: Berry, John.
Blazon equivalent to: Clement V.
Barry of four per pale counterchanged Or and Gules.
Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.
Style keywords: Outlined in sable, Semi-circular, Ratio, Plain tincture and Illuminated.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Blanchefort, Bertrand de.
From 1992 to 1998
Azure, a bendlet Argent between six fleurs de lis Or.
Illuminated with lights and shadows and with a metallic and iridescent finish.
Coat of arms of Stephen Tvrtko I (circa 1338-1391) of the House of Kotromanic and 1st King of Bosnia and it was also the coat of arms of Bosnia and Herzegovina from 1992 to 1998.
The bendlet is a diminutive of the bend. It is a diminished bend, narrower, and typically reduced to 1/2 (as in this case) or to 1/3 of the width of a normal bend. This piece is called «cotiza» in Castilian, «cotice» in French, and «cotissa» in Italian. Remember that the width of the bend is usually 1/3 of the width of the coat of arms, therefore the width of the bendlet is between 1/3 * 1/2 = 1/6 and 1/3 * 1/3 = 1/9 of the width of the coat of arm.
Stephen Tvrtko I of Bosnia, from the House of Kotromanic, was a vassal of Louis I of Hungary. Louis I or Louis of Anjou, known as «the Great», from the Royal House of Anjou-Sicily, of the Capetian Dynasty, hence his coat of arms's 2nd quarter is seeded with fleur de lis, a feature also present in his father Charles I's arms, known as Charles Robert or Caroberto of Anjou. The Kotromanic family had in their coat of arms fleur de lis Or on a Azure field as a symbol of subordination to the Hungarian royal family.
Blazon keywords: Azure, One, Bendlet, Argent, Six, Fleur de lis and Or.
Style keywords: Metal beaten, Iridescent, Outlined in sable, Illuminated and Pointed.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Bosnia and Herzegovina.
Azure, a bend between six covered cups Or.
Escudo de azur, una banda acompañada de seis copas todo de oro.
Illuminated with lights and shadows and with a freehand finish.
Around 1155, Beatrix de Villers married Richard le Boteler Pincerna, who became the 4th Baron of Warrington. The heir of Beatrix and Richard took the surname «le Boteler» and ruled the Warrington region, bearing arms Azure, a bend between six covered cups Or.
In Castilian, a «copa» has a lid and is referred to as a «covered cup» in English. When it doesn't have a lid, it's called a «cup» in English and a «cáliz» or «copón» in Castilian, the latter being a less preferred term for me. In English, the term «chalice» is also used, especially if it's adorned with gemstones, although that's more of an artistic license.
Naipes Heraclio Fournier is a renowned Spanish playing card manufacturer based in Villareal de Álava. The countless hours I have spent holding its cards in my hands are incalculable, whether playing with friends, opponents, or performing magic tricks. Its influence on my heraldic artwork is significant. For instance, in this covered cup.
The following image shows my covered cup and my two interpretations of his arms: 1) the most commonly viewed, and 2) my alternative layout.
Blazon keywords: Without divisions, Azure, One, Bend, Between, Six, Covered cup and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Kingdom of England.
Bearer: Boteler of Warrington.
Azure, three annulets interlaced Or.
Illuminated, with a watercolor finishing and with a pointed shape.
You can found it at [Avilés, J.; 1725a; page 76 and illustration 177]], and at [Avilés, J.; 1780a; page 85 and illustration 177]].
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Azure, three annulets interlaced Or.
Escudo de azur, tres anilletes entrelazados de oro.
Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Azure, a fess chequey Gules and Argent.
Escudo de azur, una faja ajedrezada de gules y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the lineage Boyd of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Azure, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Boyd of Scotland, lineage.
Flag «Roger de Flor», Paratroopers I, assigned to the «Almogávares» VI Paratrooper Brigade of the Spanish Army.
Argent, a fleur de lis Gules.
Escudo de plata, una flor de lis de gules.
Coat of arms interpreted with: a semicircular (round) base; a fleur de lis outlined in Sable and illuminated in Gules; and an overall lightly-hammered metal finish.
Blazon keywords: Without divisions, Argent, Gules and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Military, Army and Navy and Coat of arms.
Bearer: BPAC I.
«Roger de Lauria»,' 2nd Paratrooper Battalion, part of the «Almogávares» VI Parachute Brigade of the Spanish Army.
Argent, three bendlets sinister Azure.
Escudo de plata, tres barras de azur.
For this interpretation, I have used: an exterior shape ending in a semicircular arch; my usual angle of 50.2o = arctan(6/5), as tangent = opposite side / adjacent side; a division similar to that used by the Spanish Army for this coat of arms, which relies on dividing the height of the shield into 4 segments; and for the whole, a finish of lightly hammered metal
Blazon keywords: Without divisions, Argent, Azure and Bend sinister.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Military and Army and Navy.
Bearer: BPAC II.
Barry wavy Argent and Azure; on a chief wavy Murrey, three sea-lions sejant-erect in fess Or.
G0144, Chief Herald of Arms of Malta's grant of the coat of arms of Brian Andrew Beck, USA. The photograph shows my hand-drawn study of the sea-lion sejant-erect. The visible drawing corresponds to the final version, while a first earlier version can be seen beneath it through the translucent paper. This reflects my usual working method: I draw directly in ink, without a preliminary pencil sketch, using long continuous strokes and lifting the pen as little as possible. I work on successive sheets of tracing paper, one laid over another, refining the drawing from one version to the next until I reach a result that satisfies me. The first attempt is rarely successful; the stronger drawings usually emerge in the second or third version, sometimes the fourth, and occasionally after more iterations.
Blazon keywords: Argent, Azure, Murrey, Or, Three, Barry, Wavy, Chief, Sea-lion, Sejant-erect and In fess.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Beck, Brian Andrew.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.
Escudo cuartelado: 1o y 4o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3o de azur, un arpa de oro cordada de plata.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
These are arms of the British Monarchy emblazoned by me.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: British Monarchy.
Banner Azure, three crowns in bend, bendwise Or.
Pendón de azur, tres coronas en banda, puestas en banda de oro.
Banner interpreted by me as follows: the field is enameled in plain Azure ink; the three crowns are outlined in Sable and illuminated in Or; and on old parchment.
Banner recreated from [Edward IV of England; 1461; row 13, 1st column].
Blazon keywords: Without divisions.
Style keywords: Rectangular, Illuminated, Outlined in sable and Crystalline.
Classification: Interpreted, Imaginary, Flag, Banner of arms, Kingdom of England and Criterion.
Imaginary bearer: Brutus of Britain.
Azure, a cow's head caboshed proper; on a chief Argent, a scroll palewise proper.
Escudo de azur, un rencuentro de vaca al natural; en un jefe de plata, un pergamino puesto en palo al natural.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.
G0143, Chief Herald of Arms of Malta's grant of the coat of arms of Daniel John Bugeja, Malta. This coat of arms has been emblazoned by me.
Blazon keywords: Azure, Argent, One, Cow, Head, Caboshed, Proper, Chief, Scroll and Palewise.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bugeja, Daniel John.
Gules, a Royal drum of Bunyoro-Kitara proper.
Escudo de gules, un tambor real de Bunyoro-Kitara al natural.
Coat of arms emblazoned by me with a visica piscis shape, illuminated, and with a leather finishing.
Bunyoro Kitara is a Bantu kingdom located in Western Uganda. Its history begun in the 13th century. This kindowm is ruled by the King called Omukama of Bunyoro-Kitara. Now it is a subnational monarchy.
Blazon keywords: Without divisions, Gules, One, Drum, Royal and Proper.
Style keywords: Vesica piscis, Outlined in sable, Illuminated and Leather.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Bunyoro-Kitara.
Or, on a pile issuant from the base Gules a sword point upwards Argent.
Escudo de oro, una pira de gules cargada de una espada alzada de plata.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].
Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Burr, lineage.
Argent, two goats in pale Purpure, horned Sable.
Escudo de plata, dos cabras en palo de púrpura, acornadas de sable.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of the lineage Cabral. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Cabral are in the 3rd quarter.
Blazon keywords: Argent, Purpure, Sable, Two, Goat, In pale and Horned.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Cabral, lineage.
Party per pale: 1 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Escudo partido: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
Civic coat of arms interpreted by me as follows: the shield has a semicircular (round) base; the field, the castle and the lion are illuminated; the lion and its crown are outlined in the colour of the field; the open royal crown and the castle are outlined in Sable, in the case of the castle because it is masoned; and the whole has a canvas texture.
Blazon keywords: Party per pale, Argent, Purpure, Gules, Or, Azure, Castle, Lion, Port and windows, Masoned, Rampant, Armed, Langued, Crowned, Crown and Open royal crown.
Style keywords: Semi-circular, Illuminated and Fabric.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Castile and Leon.
Bearer: Cáceres, Province of.
Party per fess, the base per pale: 1 Or, a hurt; 2 Gules and 3 Argent, over both a cross of Malta counterchanged.
Escudo cortado y medio partido: 1o de oro, un roel de azur; 2o de gules y 3o de plata, brochante sobre ambos, una cruz de Malta del uno al otro.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.
Coat of arms of the municipality of Candasnos, Huesca, designed by Valeriano Labara Ballestar, approved by the Government of Aragon. Bibliographic reference [Labara Ballestar, V. C.; 2019; pages 341-368]. It has been an honor for me to emblazon this version of this coat of arms for Valeriano Labara.
The hurt represents what is known as the Good Raft, a symbol of the town and its people, it is a circular cistern of 40 meters in diameter of Roman origin, and the Maltese cross is a symbol of its connection since 1188 to the Royal Monastery of Sijena of Hospitaller nuns of the Order Malta.
Blazon keywords: Or, Azure, Gules, Argent, One, Party per fess, the base per pale, Hurt, Eight-pointed cross, Cross couped and Counterchanged.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Candasnos, municipality of.
Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Escudo cuartelado: 1o de azur sembrado de flores de lis de oro; 2o y 3o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Personal, Army and Navy and Kingdom of France.
Bearer: Cerda, Carlos de la.
Arms of Carlos Vidriales García Bustamante painted by me in the Certification of the King of Arms of Castile and Leon Alfonso de Ceballos-Escalera and Gila, Marquess of La Floresta, Viscount of Ayala and grand of Spain. The image shows the pages 6 and 7 of this certification.
Credits: Alfonso de Ceballos-Escalera y Gila is the author of the certification of arms and Antonio Salmerón y Cabañas is the author of the heraldic art for the certified coat of arms.
Categories: Certification, Heraldic document, Coat of arms, Interpreted, Personal, Semi-circular, Illuminated, Outlined in sable, Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Lineage, Conjoined in fess, Decoration, Suspended and Base (lower 1/3).
Root: Vidriales García y Bustamante, Carlos.
Party per pale: 1 Argent, an elm eradicated Vert; 2 Gules, a castle with an embattled tower Or.
Escudo partido: 1o de plata, un olmo arrancado de sinople; 2o de Gules, un castillo con una torre almenada de oro.
Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a rough finish.
The arms of Castilla-La Mancha and many of its towns are party per pale; the 1st quarter is a canting elm = olmo = Casas del Olmo; the 2nd quarter symbolizes that historically, until 1861, this village belonged to Alarcón town whose castle, of Muslim origin, has a single tower. My heraldic artwork has been supervised by the Casas del Olmo Residents Association.
Blazon keywords: Argent, Vert, Gules, Or, One, Party per pale, Elm, Tree, Eradicated, Castle, Embattled, Tower and Crest.
Style keywords: Outlined in sable, Illuminated, Ogee and Rough.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Casas del Olmo.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or. Crest: An open royal crown Or.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro. Timbrado de una corona real abierta.
Pre-existing arms interpreted by me as follows: the shield of arms has a rounded (semicircular) base; the quarterly field, the two castles and the two lions are illuminated; the lion and its crown are outlined in the colour of the field; the open royal crown and the castle are outlined in Sable, in the case of the castle because it is masoned; and the whole has a painted plaster finish.
In [Medél, R.; 1846; plate 10, illustration 4] his interpretation of the arms of Castile and León can be seen.
For the expression «a Castle triple towered» in the English blazon, I have followed [Burke, B.; 2009; pages 12, 27, 41, 51, 76, 104, 106, 109, 150, 159, 171, 189, 200, 226, 273, 281, 282, 287, 322 and others], where it is used more often with a hyphen «triple-towered» and less often without a hyphen «triple towered», which is the form I have chosen.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Crest, Open royal crown and Crown.
Style keywords: Rounded, Illuminated and Gesso.
Classification: Interpreted, Civic, Coat of arms, Kingdom of Castile and Leon and Canting.
Bearer: Castile and León.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent.
Escudo partido: 1o de Gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.
The coat of arms of Castilla-La Mancha emblazoned by me.
Blazon keywords: Gules, Argent, Or, Azure, Sable, One, Party per pale, Castle, Triple-towered, Port and windows and Masoned.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Castilla-La Mancha.
Personal, governance, military, religious, socioeconomic, and, imaginary heraldry.
Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.
Escudo cuartelado en sotuer: 1o de púrpura, una corona de oro; 2o de sinople, una espada alzada de oro; 3o de azur, un báculo de oro; 4o de sable, un bezante de oro; un escusón de oro cargado de un corazón de gules; una filiera de plata.
Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a watercolor finish.
Within the article on my approach to heraldic classification, you can find the symbolism contained within this shield and its category within heraldry.
The original shield design, along with many others, is registered in [Salmerón Cabañas, A.; 2015a; page 30].
The heraldic colors Gules, Azure, Vert, Sable, and Purpure can be divided into two sets:
Therefore, the Sable-Purpure combination is not the most vibrant.
I use both Sable and Purpure in this design because it incorporates all five colors and both metals, Or and Argent, representing different heraldic disciplines. Note that I have placed Purpure and Sable far apart, precisely due to the initial explanation.
Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.
Style keywords: Illuminated, Outlined in sable and Watercolor.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Categories of heraldry.
Argent, three bars Sable; within a bordure countercompony Or and Gules. 2 versions for the same blazon.
Escudo de plata, tres fajas de sable; bordura ajedrezada de oro y gules. 2 versiones para el mismo blasón.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Ancient arms of the lineage Ceballos of Cantabria emblazoned by me.
Blazon keywords: Argent, Sable, Or, Gules, Three, Bar, Bordure and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ceballos of Cantabria, lineage.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. Motto: «Región Militar Centro» over a scroll Or.
Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, also called 1st Military Region, where I serve. I interpreted and emblazoned now this coat of arms with a semi-circular ended shape.
Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant, Crowned, Motto (identification) and Scroll.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.
Bearer: Central Military Region.
Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.
Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms, which I emblazoned and painted for Grant G0134, are shown here together with four photographs: two of the grant’s cover and the page displaying the coat of arms, and two taken during the official ceremony held at San Anton Palace, where the personal coat of arms was presented to Her Excellency Myriam Spiteri Debono, President of Malta, by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. Also present were Mr. Anthony Scicluna, Deputy Chairman of Heritage Malta, and Chev. Ray Cassar, Registrar at the Office of the Chief Herald.
Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Collage and Photographic.
Bearer: Spiteri Debono, Myriam.
City of Ceuta, Spain, Africa
Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1.
Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three and In base.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic, Interpreted and Kingdom of Spain.
Bearer: Ceuta.
Motto: Stand and Be Counted
Gules fretty Argent; on a chief wavy Bleu celeste, a rising sun Or.
Escudo de gules fretado de plata; en un jefe ondado de celeste, un sol saliente de oro.
Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a iridescent finishing.
The sun used to be emblazoned with a human face, with its eyes, mouth, and nose, but in all the interpretations that I know of this blazon, the sun appears without a human face.
Blazon keywords: Without divisions, Gules, Fretty, Argent, One, Chief, Wavy, Bleu celeste, Sun, Issuant and Or.
Style keywords: Iridescent, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted.
Bearer: Charles Dunne, Chas.
Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Motto: «Ad rem».
Escudo de sable, un cabrio de plata con tres puntas de lanza de gules; en jefe, dos cabezas de unicornio arrancadas de plata, cabelladas y acornadas de oro, lampasadas de gules; en punta, una pila de oro, saliente del cabrio, cargada de una cabeza de unicornio de sable, lampasada de gules. Lema: «Ad rem».
Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile and Motto.
Style keywords: Outlined in sable, Pointed, Illuminated and Watercolor.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Wright, Charles F. M..
Banner Azure, three fleurs de lis Or.
Pendón de azur, tres flores de lis de oro.
Banner interpreted as follows: rectangular in shape with a 5x6 proportion; the field enamelled in flat Azure; the three fleurs-de-lis illuminated in Or and outlined in Sable; and the whole piece finished with an aged parchment effect.
Starting in 1376, the field sown with fleurs-de-lis was replaced by only three fleurs-de-lis. This change took place during the reign of Charles V of France (1338–1380, King of France from 1364 to 1380).
Edward III Plantagenet (1312–1377, King of England from 1327 to 1377) had incorporated the semé of fleurs-de-lis into his arms as a sign of his claim to the French throne, and Henry IV of England (1367–1413, King of England from 1399 to 1413) again changed the semé into three fleurs-de-lis in his own arms.
These three fleurs-de-lis remained in the royal arms of England until George II (1683–1760, King from 1727 to 1760).
They remained in the royal arms of the French kings until their prohibition during the so-called «Hundred Days», that is, from March 20, 1815, the date of Napoleon’s return to Paris from his exile in Elba, until June 28, 1815, the date of the Second Restoration of Louis XVIII as King of France, when they were reinstated. Finally, after the Revolution of 1830, Louis Philippe I of Orléans decreed their abolition by Order of February 10, 1831.
This banner is a recreation of the one appearing in the armorial [Edward IV of England; 1461; row 23, column 2], although in that armorial the banner seems to be associated with Louis IX of France, perhaps because of the prestige of the saintly King of France, whose arms bore a semé of fleurs-de-lis rather than three.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Rectangular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of France and House of Valois.
Bearer: Charles V of France.
Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules. The shield is surrounded by the Golden Fleece.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.
Arms of Charles, Holy Roman Emperor, emblazoned by me. In English heraldry, the term supporters is used in a general sense, whether the supporters are animals, inanimate objects, plants or human figures. There is no strict terminological distinction based on the nature of the supporting figures. In Castilian heraldic tradition, by contrast, a more precise terminology is employed. The term «soportes» is used when the supporters are animals, «sostenes» when they are objects (such as columns or weapons) or plants (such trees), and «tenantes» when the figures supporting the coat of arms are human in form. In addition, inanimate supporters are relatively common in Castilian heraldry, whereas they are much rarer in English heraldry. There is also a difference in blazoning practice in the case of columns. In English, the shaft of the column is treated as the primary element, and the tinctures of the base and capital are then specified. In Spanish, the approach is the reverse: the column is described as a whole, stating its main tincture first, and then specifying that it is shafted in another metal. For example in this case: «Supporters: two columns Argent, capital and base Or» ~ «Sostenes: dos columnas de oro, fustadas de plata».
Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Two, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed, Scroll, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Charles V, Holy Roman Emperor.
King of France from 1429 to 1461.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a mother-of-pearl effect.
This coat of arms is based on the one appearing in the armorial [Ingeram, H.; 1459; page 34, 1st shield], under the inscription «küng von franckrich» (franckrich ~ Frankreich ~ France).
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Charles VII of France.
Azure, a sword erect Or, between three garbs Or, 2 and 1.
Escudo de azur, una espada alzada de oro, acompañada de tres gavillas de trigo de oro, 2 y 1.
Coat of arms interpreted with: a rounded base; the field illuminated in Azure; the motto and charges illuminated in Or and outlined in Sable; and the whole with a leather texture.
In England, Wales and Ireland, the term «heraldic visitations» ~ «visitas heráldicas» referred to the inspection tours carried out by the officers of the kings of arms, or even by the kings of arms themselves, with the aim of recording and sanctioning the family trees and coats of arms of the nobility, the counties and the bourgeoisie who bore them.
These journeys took place mainly between the year 1530 and the year 1688. The results of these inspections were recorded in books that could be considered a roll or heraldic census of the upper classes. For this reason, and since then, these records have been a valuable source of information for historians, genealogists and heraldists.
The County of Cheshire received the following «heraldic visitations»:
Blazon keywords: Without divisions, Azure, Or, Sword, Point upwards, Between, Wheat, Garb and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Civic and Cheshire County.
Bearer: Cheshire, County of.
Quarterly: 1 per pale: 1 Argent, a madrone tree (Arbutus unedo) Vert, fructed Gules; 2 Azure, a tower Argent; 2 Vert, on a wall Or, masoned Sable, by five archers Argent in shooting stance; 3 barry wavy Azure and Argent, three caravels in pale Or, sails and pennons Argent charged with crosses Gules, between two flanches Vert; 4 Azure, a tower Argent, port and windows Azure, masoned Sable, between two lozenges Or, each charged with four pallets Gules, in chief four towers in fess Or, port and windows Gules, masoned Sable. Crest: Upon a helm with a wreath Argent and Vert, a bleeding heart Gules, debruised by a crown of thorns Or, tipped by a flame Or, fimbriated Gules, charged with a Latin cross Azure. Mantling: Vert doubled Argent.
Coat of arms of Ilmo. Sr. D. Manuel Novo Dabrio, designed by him and me and emblazoned by me. This composition shows the coat of arms alongside the full «chinapieria», the hand-drawn diapering pattern used to decorate the mantling. This diapering is hand-drawn and non-repetitive, each flower-like motif slightly different from the next. The image overlays the mantling onto the original drawing to show how the pattern was applied to it.
Blazon keywords: Argent, Vert, Azure, Or, Gules, One, Five, Three, Four, Two, Quarterly, Party per pale, Madrone tree, Tree, Fructed, Tower, Masoned, On, Wall, Archer, In shooting stance, Barry, Wavy, Caravel, Ship, In pale, Sail, Charged, Cross, Between, Flanched, Port and windows, Lozenge, Pallet, Crest, Upon (wreath), Helm, Wreath, Vulned, Heart, Crown of thorns, Crown, Flame, Latin cross, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Diapered, Chinapieria and Ogee.
Classification: Personal, Created, Boa, Hand-drawn, Collage, Pennon and Flag.
Bearer: Novo Dabrio, Manuel.
195th Pope of the Church, from 1305 to 1314. «Clemens V», born Bertrand de Got, born in Villandraut, in the southwest of France, was the first pope to reside in Avignon in a stable manner.
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Papal coat of arms interpreted with: a rounded triangular top; the field in plain Or enamel; the bars illuminated in Gules and outlined in Sable; and with a heavily hammered metal finish.
Blazon keywords: Without divisions, Or, Three, Fess and Gules.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Religious and Papal States.
Bearer: Clement V.
Blazon equivalent to: Fernández de Córdoba y Carrillo, Diego.
246th Pope of the Church, from 1730 to 1740. «Clemens XII», named Lorenzo Corsini, born in Florence and rests in St. John Lateran.
Bendy of six Gules and Argent; over all a fess Azure.
Escudo bandado de seis piezas de gules y plata; brochante sobre el todo una faja de azur.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Argent; the fess and the bands outlined in Sable and illuminated in Gules and Azure; and the whole with a textured finish.
All are ordinaries, including the three bands and the fess, and since the blazon specifies that the fess is overall on the bands, therefore, it is not the Gules bands that are overall on the Azure fess, and they should be painted underneath.
Blazon keywords: Without divisions, Bendy, Six, Gules, Argent, Surmounted, Overall (deprecated), One, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Clement XII.
Grandson of Blanche of Castile, 6th son of Saint Louis IX, founder of the House of Bourbon, husband of Beatrice of Burgundy, Lady of Bourbon.
Azure semé of fleurs de lis Or, a bend Gules.
Escudo de Azur sembrado de flores de lis de oro, banda gules.
Coat of arms that I have interpreted with:: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lys illuminated in Or; the bend illuminated in Gules; the whole is outlined in Sable; and the freehand drawing.
Blazon keywords: Without divisions, Azure, Or, Semé, Fleur de lis, Bend and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Bourbon.
Bearer: Clermont, Robert of.
Gules, two castles triple-towered Or, port and windows Azure, masoned Sable, in chief, seven mullets Argent, 4 and 3. Crest: A closed royal crown.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a iridescent finishing.
Coat of arms of the Comunidad de Madrid emblazoned by me. Law 2/1983 of 23 December on the flag, the coat of arms, and the anthem of the Community of Madrid, published in the Official State Gazette, number 33 of 8 February 1984, defines this coat of arms in its Article 2 as follows: «...it consists of a single quarter Gules, charged Or with two castles in pair, embattled, donjoned, masoned Sable and ajouré Azure, surmounted in chief by seven mullets Argent, arranged four and three. For a timbre, a closed Royal Crown, which is a circle Or set with precious stones, composed of eight acanthus-leaf fleurons, of which five are visible, interspersed with pearls, from whose leaves rise diadems topped with pearls, converging in a globe Azure, with the demi-meridian and equator Or, surmounted by a cross Or. The crown is lined Gules».
The castles came from Castile and the 7 mullet from the bordure of the city of Madrid, they are the stars of the Plough, the 7 brightest stars of the Ursa Major. This coat of arms was adopted by the Comunidad de Madrid the 23th of December 23 of 1983.
Blazon keywords: Gules, Or, Azure, Argent, Two, Seven, Castle, Triple-towered, Port and windows, Masoned, In chief, Mullet, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Madrid, Comunidad de.
Quarterly: 1 Azure, a cross Or; 2 Vert, a saltire Or; 3 Vert, a bend sinister Or; 4 Azure, a fess Or. Motto: «Arithmeticus».
Escudo cuartelado: 1o de azur, una cruz de oro; 2o de sinople, un sotuer de oro; 3o de sinople, una barra de oro; 4o de azur, una faja de oro. Divisa: «Arithmeticus».
I have made this imaginary coat of arms for the Arithmetic with the following characteristics: a semicircular external shape; its enamelled field with flat color Azure and Vert inks; all the pieces are metal Or, the motto is metal Argent with Sable letters; pieces and motto are illuminated and outlined in Sable; and the whole with a very lightly beaten metal finish.
For the division operation, instead of using the piece bend sinister, 2 bezants Or in pale could have been used. However, since the bezant is a diminished piece, I preferred to use 4 pieces, one for each quarter.
Blazon keywords: Quarterly, Azure, Vert, Or, Cross, Saltire, Bend sinister, Fess and Motto (identification).
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Arithmetic.
Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper. Motto above the arms: «Del Fabbro Universidad» Gules.
Coat of arms of Del Fabbro Universidad designed and emblazoned by me. It has now been faithfully executed and placed on the walls of its century-old building (190 × 160 cm), reproducing with precision the original design as I painted it.
Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed, Proper, Motto (identification) and Above the shield.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Socioeconomic, Created, Boa, Collage and Photographic.
Bearer: Del Fabbro Universidad.
Or, six fleurs de lis, three, two, one, five Gules and one in the middle of the chief Azure.
Escudo de oro, seis flores de lis ordenadas, tres, dos y una, cinco de gules y una de azur en el centro del jefe.
Credits:
Blazon keywords: Or, Six, Fleur de lis, Ordered, Three, two and one, Five, Gules, One, Azure and In the middle of the chief.
Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Elias.
Or, a double rose Gules and Argent, barbed Vert, and seeded Or within six fleurs de lis in orle, five Gules and one in chief Azure.
Escudo de oro, una rosa doble de gules y plata, barbada de sinople y botonada de oro, rodeada de seis flores de lis en orla, cinco de gules y una de azur en jefe.
Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, Double rose, Gules, Argent, Barbed, Vert, Seeded, Six, Fleur de lis, Orle, Five, One, Azure and In chief.
Style keywords: Semi-circular, Iridescent, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Noelia.
Or, six fleurs de lis in orle, five Gules and one in chief Azure.
Escudo de oro, seis flores de lis en orla, cinco de gules y una de azur en jefe.
Credits:
Blazon keywords: Or, Six, Fleur de lis, Orle, Five, Gules, One, Azure and In chief.
Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Rolando.
Willame de Colebraund ~ William de Colebrand.
Gules, three Swords Argent, erect, in fess.
Escudo de gules, tres espadas de plata, alzadas, en faja.
Interpreted coat of arms with a free hand finish.
Coat of arms included in [Marshal, L.; 1295; coat of arms number 461], also in [Brault, G. J.; 1997], and time ago in Brian Timms, but not now.
Blazon keywords: Without divisions, Gules, Three, Sword, Argent, Point upwards and In fess.
Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Colebrand, William de.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.
The Commoners' Certification of Arms for Easton Michael Jones with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Jones, Easton Michael.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a crescent Gules.
The Commoners' Certification of Arms for Hudson Hayes Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Lasco, Hudson Hayes.
Or, a wolf passant Gules; on a chief Gules, three bells Or. Crest: Upon a helm with a wreath Or and Gules, a demi-wolf Gules supporting with both paws an armillary sphere Or. Mantling: Gules doubled Or. Motto: «Varia vivendi cupidus».
The Commoners' Certification of Arms for Jean-Christophe Loubet del Bayle with his arms designed by him emblazoned by me.
Blazon keywords: Or, Gules, One, Three, Wolf, Passant, Chief, Bell, Crest, Upon (wreath), Helm, Wreath, Demi, Supporting, Paw, Armillary sphere, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Loubet del Bayle, Jean-Christophe.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a crescent Gules.
The Commoners' Certification of Arms for Rhettlee Cooper Jones with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Crescent.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Jones, Rhettlee Cooper.
Per fess, the base per pale: 1 Or, an eagle displayed Sable; 2 Gules, a sun in splendour Or; 3 Or, an increscent Gules; all within a bordure Sable, charged with eight fleurs de lis Or. Motto: «Virtus Nobilitatis Fidelitas» Sable, with initial letters Gules over a scroll Argent.
The Commoners' Certification of Arms for Vitéz László Gábor from Hungary with his coat of arms designed by him and emblazoned by me.
Blazon keywords: Or, Sable, Gules, Argent, One, Eight, Party per fess, the base per pale, Eagle, Displayed, Sun in splendour, Increscent, Bordure, Fleur de lis, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: László Gábor.
Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.
Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Coulot, Fabian.
Argent, in base three bars wavy Azure, overall, an oak eradicated Vert, fructed Or, to its dexter a cauldron suspended from a branch, and in front of its trunk a boar passant Sable. Crest: Upon a helm in profile with visor bars Or, and a wreath Argent and Vert, five ostrich feathers alternately Vert and Argent. Mantling: Vert doubled Argent. Motto: «Fijosdalgo del Solar d'Yraeta» depicted as Sable with initial letters Gules over a scroll Argent.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finish.
Blazon keywords: Azure, Argent, Vert, Or, Sable, Gules, Three, One, In base, Bar, Wavy, Overall, Oak, Tree, Eradicated, Fructed, Dexter, Cauldron, Suspended, Branch, In front (tree), Trunk, Boar, Passant, Crest, Upon (wreath), Helm, Barred, Wreath, Ostrich feathers, Alternately, Mantling, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Idareta Goldaracena, Francisco.
Lozengy Or and Gules.
Escudo losanjado oro y gules.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Lozengy, Or and Gules.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Craon, Robert de.
Party per chevron Gules and Argent, two acorns slipped Or and in base a fleur de lis Azure. Crest: Upon a helm befitting his degree, with a wreath Or and Sable, a demi-lion Or, armed and langued Azure, holding in its paws a swallow-tailed pennon Azure, charged with a cross patty Argent. Mantling: Gules doubled Argent.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a double pointed outer contour and with a leather finishing.
Blazon keywords: Gules, Or, Argent, Azure, Two, One, Party per chevron, Acorn, Slipped, Base, Fleur de lis, Crest, Upon (wreath), Helm, Demi, Lion, Armed, Langued, Grasping, Paw, Charged, Cross and Patty.
Style keywords: Outlined in sable, Illuminated, Double pointed and Leather.
Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.
Bearer: Brim-DeForest, Brady.
Party per fess: 1 Azure, an acorn leaved and slipped Or, between two ravens addorsed and regardant Argent; 2 Vert, a stag's massacre Or. Crest: Upon a helm lined Purpure with a wreath Or and Azure, a comedy mask bendwise Vert conjoined in fess with a tragedy mask bend sinisterwise Azure. Mantling: Azure doubled Or, and suspended therefrom, one on each side, two bunches of grapes Purpure, leaved Vert, and slipped Or.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a watercolor finish.
The coat of arms of Christopher Edwards, from New South Wales, Australia, designed by him, refined and emblazoned by me. The bunches of grapes suspended from the mantling have specific symbolic meaning for the armiger and are not merely decorative motifs, but heraldic elements with their own significance within the coat of arms; when the coat of arms has cats as supporters, the bunches of grapes will serve as their base.
Blazon keywords: Azure, Or, Argent, Vert, Purpure, One, Two, Party per fess, Acorn, Leaved, Slipped, Between, Raven, Addorsed, Regardant, Stag's massacre, Crest, Upon (wreath), Helm, Lined, Wreath, Comedy mask, Bendwise, Conjoined in fess, Tragedy mask, Bend sinisterwise, Mantling, Suspended, Bunch and Grape.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Edwards, Christopher.
Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or. Crest: Upon a helm, with a wreath Or, Azure, Gules, and Vert, a sun in splendour Or. Mantling: Azure, Gules, and Vert doubled Or.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.
Coat of arms of Dr. Tariq Abbasi MBE FRSA designed by Vittorio Gifra and emblazoned by me.
Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé, Fleur de lis, Crest, Upon (wreath), Helm, Wreath, Sun in splendour, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Abbasi, Tariq.
Barry of six, Argent and Azure, a pile throughout, counterchanged. Crest: Upon a helm with a wreath Argent and Azure, upon a trimount Gules, an eagle wings addorsed and inverted Azure, the head and tail Argent, nimbed and grasping a closed book Or. Mantling: Azure doubled Argent.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finishing.
These are the arms of Herbert Leo Buffenbarger, designed by his son John Alan Francis Buffenbarger, and emblazoned by me.
Blazon keywords: Argent, Azure, Gules, Or, One, Six, Three, Barry, Counterchanged, Pile, Throughout (chief base), Chaussé, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Upon, Trimount, Eagle, Wing, Addorsed, Head, Tail, Nimbed, Grasping, Closed book, Book and Mantling.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Buffenbarger, Herbert Leo.
Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: von Haimb, Isadora.
Gules, a beaver erect Or, armed and tailed Argent, bearing on his dexter shoulder a sword Argent, hilted Or; on a chief embattled of Renaissance crenellations Or three fleurs de lis Azure. Crest: Upon a helm with a wreath Or, Azure, and Gules a beaver issuant, crowned and winged Or, armed and tailed Argent, holding a pole Or flying a long swallow-tailed flag per fess Azure and Gules, overall a double cross patty fitchy Or. Mantling: On the dexter Azure doubled Or and on the sinister Gules doubled Or.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finish.
Canting arms of Jan Bobor, Slovakia, emblazoned under his directions.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Beaver, Erect, Armed, Tailed, Grasping, Dexter, Shoulder, Sword, Hilted, Chief, Embattled, Fleur de lis, Crest, Helm, Wreath, Issuant, Crowned, Winged, Swallow-tail, Party per fess, Overall, Patriarchal cross, Cross couped, Patty, Fitchy, Mantling, Doubled and Sinister.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.
Bearer: Bobor, Jan.
Or, a badger rampant Sable. Crest: Upon a helm with a wreath Or and Sable, five ostrich feathers alternately Or and Sable. Mantling: Sable doubled Or.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Blazon keywords: Or, Sable, One, Badger, Rampant, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Alternately and Mantling.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Villauriz Álvarez, José Manuel.
Party per fess wavy: 1 Azure, a dolphin naiant; 2 Argent, three escallops Azure. Crest: Upon a helm lined Azure with a wreath Argent and Azure, an owl Tenné, armed, beaked, membered, the eyes, and wearing a necklace with a pendant heart Or, grasping with its dexter foot a bluebonnet proper. Mantling Azure doubled Argent.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
Blazon keywords: Azure, Argent, One, Three, Or, Party per fess, Wavy, Dolphin, Naiant, Escallop, Crest, Upon (wreath), Helm, Lined, Wreath, Owl, Tenné, Armed, Beaked, Membered, The eyes, Collar, Heart, Grasping, Dexter, Talon, Bluebonnet, Flower, Proper, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Santiago-Vazquez, Lory.
Or, a peacock’s head erased Azure, beaked Argent, between in dexter an increscent Azure and in sinister a rose Azure, barbed and seeded Argent. Crest: Upon a helm with a wreath Or and Azure, a peacock in his splendour proper. Mantling: Azure doubled Or.
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Blazon keywords: Or, Azure, Argent, One, Peacock, Head, Erased, Beaked, Dexter, Increscent, Sinister, Rose, Barbed, Seeded, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, In his splendour and Mantling.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Hatsis, Mark Antony.
Or, three pallets Vair. Crest: Upon helm affronty Argent, barred Or, lined Gules, with a wreath Argent, Or and Azur, a crown of Marquis. Mantling: Dexter Azure doubled Or, sinister Azure doubled Argent.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.
The coat of arms of the Marquis Prato di Arnesano, requested by Andrea Tamburelli Lanzara di Pietragavina and painted by me. That the base of the bevor is fimbriated Or is a detail I do not blazon, as I regard it purely as an artistic feature.
Blazon keywords: Or, Three, Pale, Vair, Crest, Upon (wreath), Helm, Affronty, Barred, Lined, Wreath, Crown of Marquis and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Prato di Arnesano, Marquis.
Party per fess: 1 Argent, a rose Gules, barbed and seeded proper; 2 Gules, two swords in saltire Argent, hilted Or. Crest: Upon a helm, with a wreath Argent and Gules, on two wings in vol Gules, their coverts Argent, a rose Gules, barbed and seeded proper. Mantling: Gules doubled Argent. Motto: «Ingenuus et fortis» Sable over a scroll Argent doubled Gules.
Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Seeded, Two, Sword, In saltire, Hilted, Or, Proper, Crest and mantling, Helm, Mantling, Wreath, Crest, Two wings in vol, Covert, On, Motto and Scroll.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Breu, Stephan Urs.
Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or. Crest: Upon a helm with a wreath Argent and Sable, a demi-man proper, wearing a beret Vert, grasping in his dexter hand a commando dagger point upwards Or, hilted and pommelled Sable. Mantling: Sable doubled Argent. Motto: «Liberare oppressos». Motto above the crest: «Follow me».
Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Male figure, Demi, Proper, Beret, Vert, Grasping, Hand, Dexter and Motto.
Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms, Latin language and English language.
Bearer: Power, Guy Harold.
Or, a roe deer springing Gules, in base a triple mount Vert. Crest: Upon a helm affronty, with a wreath Or and Vert, two roe deers' attires barry of four Gules and Or. Mantling: Vert doubled Or..
Credits: Stephan Urs Breu is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount, Vert, Crest and mantling, Helm, Mantling, Wreath, Crest, Two, Roe deers' attires, Barry and Four.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Rehberger, Alena.
Quarterly: 1 Argent, a dolphin haurient Azure; 2 Azure, a sunflower Or; 3 Azure, on a closed book Or a diamond Azure; 4 Argent, a lark Azure. Crest: Upon a wreath Argent and Azure a quetzal perched in tree branch proper, leaved Or.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.
Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond, Lark, Crest, Upon (wreath), Wreath, Quetzal, Perched, Tree, Branch, Proper and Leaved.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ruiz Porras, Antonio.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon external shape and with a leather finish.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Botkin, Bradlee Tatym LaRue.
Sable, a dolphin naiant Or; a chief embattled Vert, fimbriated Or. Crest: Upon a helm, with a wreath Or and Vert, a cornish chough speaking proper, his dexter foot grasping the point of a mullet Gules. Mantling: Vert doubled Or.
Blazon keywords: Sable, Dolphin, Naiant, Or, Chief, Embattled, Vert, Fimbriated, Crest and mantling, Helm, Mantling, Wreath, Crest, Speaking, Proper, Grasping, Mullet and Gules.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Shorey, David Ryan.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or ; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent. Crest: A ribbon Azure doubled Argent.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon outer contour and with a leather finish.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Robidoux, Makayla Danée.
Issuant from a bridge, enarched, embattled Gules, masoned Sable above a river Azure, a bear’s forepaw Sable, armed Azure, grasping a cross crosslet fitchy bendwise sinister Gules.
Heraldic device emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.
Crest of the coat of arms of Sean Shriner, designed by The Armorial Register, and revised and emblazoned by me.
Blazon keywords: Crest, Gules, Sable, Azure, Issuant, Enarched, Bridge, Embattled, Masoned, Above, River, Forepaw, Grasping, Cross fitchy, Cross couped and Bend sinisterwise.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted and Boa.
Bearer: Shriner, Sean.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or; overall a rose Gules, leaved and seeded Or. Crest: A ribbon Azure doubled Argent.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finish.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Overall, Rose, Leaved, Seeded, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Tiana Rose Lee.
Party per bend sinister Or and Gules, a clenched gauntlet Sable. Crest: Upon a helm, with a wreath Or and Gules, a peacock in his splendour proper, on a coronet trefoiled Or. Mantling: Gules doubled Or.
Blazon keywords: Party per bend sinister, Or, Gules, Surmounted, Gauntlet, Sable, Palewise, Crest and mantling, Helm, Mantling, Wreath, Crest, Coronet trefoiled, Ancient coronet, Crown, Trefoiled, Peacock, In his splendour and Proper.
Style keywords: Pointed, Outlined in sable, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Wilkins, Tim.
Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper. Crest: Upon a helm in profile, barred Or, lined Gules, with a wreath Or and Vert, a palm tree Or. Mantling: Gules doubled Or and Vert doubled Argent. Motto: «Alyahya» in letters Gules upon a scroll Argent.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.
This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. These arms exemplify how modern heraldry operates on a global scale, the process involved several countries: a design originating in Italy following the instructions of the armiger in Saudi Arabia, revised by experts in the Netherlands and the United Kingdom, and rendered by me in Spain, it serves as an example of international collaboration within the field. In an ordinary, I distinguish between engrailed and invected from the ordinary's point of view; for instance, I define a bordure as invected if, from the interior of the bordure, the edge appears invected (meaning the arcs appear concave); conversely, I say a bordure is engrailed if the arcs appear convex from its interior point of view; in this specific case, regarding a line of division, I describe it as engrailed because, from the perspective of the base of the coat of arms, the arcs of the partition line appear convex [Nisbet, A.; 1816; page 21, pictures 1 and 2].
Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret, Issuant from base, Crest, Upon (wreath), Helm, Wreath and Motto (identification).
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alyahya, Abdulelah.
Azure, two quills in saltire Argent, in chief an ancient coronet Or. Crest: Upon a helm with a wreath Or and Azure, a demi-lynx regardant Or, caped Azure, maintaining in dexter a lantern Azure, enflamed proper. Mantling: Azure doubled Or. Motto: «Да Живее Знаећето».
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.
The coat of arms of Dario Postolovski, Macedonia, emblazoned by me.
Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown, Crest, Upon (wreath), Helm, Wreath, Demi, Lynx, Regardant, Caped, Grasping, Dexter, Lantern, Enflamed, Proper, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Postolovski, Dario.
Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent. Crest: Upon a helm lined Gules with a wreath Or and Azure, a paschal lamb regardant Argent, nimbed Or, supporting a staff Or, flying a flag Argent charged with a cross Gules. Mantling: Azure doubled Or. Motto: «Quis ut Deus».
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a watercolor finishing.
Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis, In fess, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Paschal lamb, Regardant, Nimbed, Grasping, Shafted, Charged, Cross, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.
Classification: Personal, Created, Boa, Coat of arms and Flag.
Bearer: Aspe, Julio Hector.
Tierced per fess: 1 Sable, seven mullets Argent arranged as the Plough of Ursa Major; 2 Azure; 3 Sanguine, a demi-sun issuant from base Or. Crest: Upon a helm with a wreath Or and Sanguine, a raven proper. Mantling: Sanguine doubled Or. Motto: «Incipit Vita Nova» Or, over a scroll Sanguine doubled Or.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.
The arms symbolise the dawn of a new life. The field is tierced per fess to evoke the sky in 3 stages: Sable for the darkness of night, Azure for the horizon at first light, and Sanguine for the rising sun. The 7 stars of Ursa Major, in their traditional arrangement, evoke guidance, constancy, and a Dantesque reference, as the constellation appears in the Divine Comedy. The demi-sun in base, gold upon sanguine, marks the moment of emotional awakening, the dawn of love. The scroll motto «Incipit Vita Nova», the first line of Dante’s Vita Nuova, reflects a personal spiritual transformation. The Azure speaks of eternal loyalty, and the silver stars of purity. The choice of Sanguine, both for the sunlit sky and for the scroll and mantling, is also an homage to Beatrice’s dress as described by Dante at their first encounter. All of the above holds a parallel with the bearer’s personal life, which gives this composition a dual significance, both literary and deeply intimate. The raven as crest, a symbol of memory and intelligence, represents the collector’s spirit and a deep inner life.
Blazon keywords: Sable, Azure, Sanguine, Argent, Or, Seven, One, Tierced per fess, Mullet, Plough of Ursa Major, Demi, Sun, Issuant from base, Crest, Upon (wreath), Helm, Wreath, Raven, Proper, Mantling, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Nastri, Marcio Vieira.
Argent, a heron volant Azure, beaked and membered between three escallops Sable. Crest: Upon a helm with a wreath Argent and Azure, an escallop Sable. Mantling: Azure doubled Argent. Motto: «Sic itur ad astra».
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a rough finishing.
Blazon keywords: Argent, Azure, Sable, One, Three, Heron, Volant, Beaked, Membered, Between, Escallop, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Canting, Interpreted, Boa and Coat of arms.
Bearer: Herndon, family of Paul and Kari.
Party per fess indented perlong Or and Azure overall on a fess Azure a mullet Or; on a chief cousu Or an eagle displayed, a crown Or above. Crest: Upon a helm, with visor bars Or, lined Gules, with a wreath Or and Azure, a crown of Baron. Mantling: Azure doubled Or. Motto: «Virtus Honor Imperium» Sable, with initial letters Gules, over a scroll Argent.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
The ancient arms of the family Tamburelli, Lords of Pietra Gravina, as used by Don Eugenio Ugo Augusto Tamburelli, emblazoned by me. These arms have been requested by Andrea Tamburelli Lanzara di Pietragavina.
Blazon keywords: Or, Azure, Sable, One, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Crest, Upon (wreath), Helm, Barred, Lined, Wreath, Crown of Baron and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee, Freehand and Cousu.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Tamburelli, family.
A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem
Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Schema.
Gules, a lion rampant Or, langued and armed Vert; a bordure Azure charged with six escallops Argent. Crest: A crown. Moto: «Vade Fortis Anime».
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.
Blazon keywords: Gules, Or, Vert, Azure, Argent, One, Six, Lion, Rampant, Langued, Armed, Bordure, Charged, Escallop, Crown and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sendat, Jean-Philippe.
Azure, a chevron in base ensigned by a pelican in her piety Argent, vulned Gules, in base a mullet of eight points Argent. Crest: a crown of Count. Motto: «Finis amoris ut duo unum fiant» Sable over a scroll Argent doubled Azure.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a parchment finishing.
Blazon keywords: Azure, Argent, Gules, Sable, One, Chevron, In base, Pelican in her piety, Pelican, Vulned, Mullet, Crest, Crown of Count, Crown, Motto and Doubled.
Style keywords: Outlined in sable, Illuminated, Pointed and Parchment.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pototsky, Yaroslav.
Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or. Crest: A crown of a Baroness of the Serene Princely House of Saint-Marc in the capacity of dynastic heirs of the former Haitian Empire, issuant three ostrich feathers Argent shafted Or.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a corset outer contour and with a watercolor finish.
Coat of arms of Amber Martinez, California, designed by her, improved by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me. The heraldic charge known in English as the «estoile», from the Old French «estoile», modern French «étoile», and in Castilian as the «estrella ondada», is the traditional heraldic representation of a star in English heraldry. It is distinguished by its wavy rays, in contrast to the straight rays of the «mullet» ~ «estrella». The «estoile» is documented from the thirteenth century, when it was often used interchangeably with the «mullet». Over time, however, English heraldry came to distinguish the two charges, the «estoile» becoming the conventional representation of a star with wavy rays, while the «mullet» represented a star with straight rays. Unless otherwise specified in the blazon, the «estoile» ~ «estrella ondada» is traditionally depicted with six wavy points, one point directed to chief, as in the arms shown here, although heraldic practice also admits other numbers of points whenever they are expressly blazoned.
Blazon keywords: Or, Azure, Argent, Four, Two, One, Three, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point, Estoile, Crest, Crown of Baron, Crown, Issuant, Ostrich feathers and Shafted.
Style keywords: Outlined in sable, Illuminated, Corset and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Martinez, Amber.
Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or. Crest: A closed royal crown.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a texturized finishing.
Coat of arms of Crepsi, designed by my lieutenant colonel and friend Miguel Angel Nuñez Amador and emblazoned by me.
Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter, Diminished bordure, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Crepsi.
Party per fess: 1 Or, a tower Gules between in chief a crescent and a mullet of eight points Azure; 2 Azure, three demi-horses courant in bend sinister nascent from the ends of three bars wavy issuant from sinister Argent. Crest: A crown of the Soberana y Muy Noble Orden de la Granada.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a rounded outer contour and with a leather finishing.
Coat of arms of Francisco-José Bermejo Fernández-Briceño designed by Ignacio Koblischek and emblazoned by me.
Blazon keywords: Or, Azure, Gules, Argent, One, Three, Party per fess, Tower, Between, In chief, Crescent, Mullet, Demi, Horse, Courant, In bend sinister, Nascent, Bar, Wavy, Issuant, Sinister and Crown.
Style keywords: Outlined in sable, Illuminated, Rounded and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bermejo Fernandez-Briceño, Francisco Jose.
Argent, upon a base barry wavy of six Argent and Sable, a trimount Sable. Crest: A mural crown Or.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.
Blazon keywords: Argent, Sable, One, Six, Upon, Base, Barry, Wavy, Trimount, Crest, Mural crown and Crown.
Style keywords: Outlined in sable, Illuminated, Bull's hide and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Gozo.
Party per pale: 1 Or, a Georgian dancer proper; 2 Gules, a church Or, ports and windows Azure. Crest: A crown of Baron.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.
Coat of arms of Graziano Alu designed by Angelo Musa and emblazoned by me. The blazon in Italian is «Arma: Partito: 1o d'oro, un ballerino georgiano al naturale; 2o di rosso, una chiesa d'oro, finestrata e portata d'azzurro. Cimiero: Una corona di barone».
Blazon keywords: Or, Gules, Azure, One, Party per fess, Male figure, Proper, Church, Port and windows, Crest, Crown of Baron and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alu, Graziano.
Gules, a chevron, between in chief two fleurs de lis Or, and in base an escallop Argent. For crest a crown of Baron.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.
Blazon keywords: Gules, Or, Argent, One, Two, Chevron, Between, In chief, Fleur de lis, In base, Escallop, Crown of Baron and Crown.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Merante Critelli, Luigi.
Azure chapé Argent, in dexter an Indian ringneck parrot proper, in sinister a Japanese red chrysanthemum proper, in base an atom Argent. Crest: A crown of Marquise.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finish.
Coat of arms of Ria Persad, Mathematics and Astrophysics at Harvard University and Princeton University, designed by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me.
Blazon keywords: Azure, Argent, One, Chapé, Dexter, Parrot, Proper, Sinister, Chrysanthemum, Base, Atom, Crest, Crown of Marquis and Crown.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Boa, Coat of arms, India and Japan.
Bearer: Persad, Ria.
Argent, a tower with a turret Gules, port and windows Argent, masoned Sable. Crest: A mural crown Or.
Arms emblazoned by me, illuminated with lights and shadows, with a semi-circular external shape and with a leather finish.
Blazon keywords: Argent, Gules, Sable, Or, One, Tower, Turret, Port and windows, Masoned, Crest, Mural crown and Crown.
Style keywords: Illuminated, Semi-circular and Leather.
Classification: Socioeconomic, Interpreted, Boa and Coat of arms.
Bearer: Academia de Letras e Artes da Guiné-Bissau.
Argent, a cross Gules; a bordure compony of fifteen sections: 1, 6, and 11 Argent, a pomegranate seeded, slipped and leaved proper; 2, 7, and 12 Or, an eagle displayed Sable; 3, 8, and 13 Gules, a castle triple-towered Or, port and windows Gules, masoned Sable; 4, 9, and 14 Argent, a lion rampant Gules, crowned Or; 5, 10, and 15 Or, four pallets Gules. Crest: A closed royal crown.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finishing.
Coat of arms of the city of Almeria, Andalusia, emblazoned by me. The island of Alboran is geographically part of Africa, but politically it belongs to the city of Almeria. As a result, Almeria is one of the few cities in the world that spans two continents: Europe and Africa.
Blazon keywords: Argent, Gules, Or, Sable, Vert, One, Four, Fifteen, Cross, Bordure, Compony, Pomegranate, Slipped, Leaved, Proper, Eagle, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Almeria, city of.
Argent, a bear rampant Sable, langued and armed Gules. Crest: A mural crown with eight vine leaves, five visible, Or.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a rounded trapezoidal outer contour and with a freehand finish.
Blazon keywords: Argent, Sable, Gules, Or, One, Eight, Five, Bear, Rampant, Langued, Armed, Mural crown, Crown, Vine and Leaf.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Berlin.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules; a bordure compony of sixteen sections: eight Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable, eight Or, an eagle displayed Sable. Crest: An open royal crown.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a metal beaten finish.
Coat of arms of the Infanta Berenguela of Castile, 1228–1279, 5th daughter of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The coat of arms of Infanta Berenguela of Castile, besides being beautiful, has always seemed to me the epitome of the Castilian arms: quartered, bearing Leon and Castile, and surrounded by a bordure compony with castles. This coat of arms has been emblazoned by me.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Sixteen, Eight, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Bordure, Compony, Eagle, Crest, Open royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Berenguela of Castile, Infanta.
Or, an eagle displayed Azure.
Escudo de oro, un águila de azur.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a rounded trapezoidal outer contour and with a watercolor finish.
Blazon keywords: Or, Azure, One, Eagle and Displayed.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Cruz Carballo, Andrés.
Party per pale: 1 Vert, a compass rose Argent between, in chief a coronet Or, in base a Taino sun Or; 2 Sable, a Taino sun Or between, in chief a coronet Or, in base a compass rose Argent; overall a spear Or, headed Argent.
Escudo partido: 1o de sinople, una rosa de los vientos de plata, acompañada en jefe de una corona antigua y en punta de un sol taíno ambos de oro; 2o de sable, un sol taíno de oro, acompañado en jefe de una corona antigua de oro y en punta de una rosa de los vientos de plata; brochante sobre la partición una lanza de plata, fustada de oro.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.
The coat of arms of family of Lucas Cruz (UK, Puerto Rico, Belarus, US Army) designed by him and me and emblazoned by me. The Taino were an indigenous people of the Caribbean and the Taino sun is one of their symbolic representations of the sun. For the spears, there is a different structure of the blazon between English and Castilian. In English, this spear is Or with the head Argent. In Spanish, this spear is Argent with the pole Or.
Blazon keywords: Vert, Sable, Or, Argent, One, Party per pale, Compass rose, Between, In chief, Ancient coronet, Crown, In base, Sun, Overall, Spear and Shafted.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Cruz, family of Lucas.
Azure, a plough share points downward Argent between, upon a base enarched Vert, two bell towers Argent, port and window Sable.
Escudo de azur, una reja de arado bajada de plata acompañada de dos campanarios de plata, aclarados de sable, terrazados de sinople.
Coat of arms emblazoned by me with a shape endend with an ogee arch, illuminated, and with a freehand finishing.
Csernely is a village in Borsod-Abaúj-Zemplén county in Hungary.
The official description, not the blazon, is: «...in the blue field of a shield standing on its snout two silver-coloured church towers with onion-shaped cupolas and crosses on their peaks are rising on a green hill. Between them a silver ploughshare is floating with its point upside down...».
The official description use the word «hagymakupolás» in Hungarian. The official text is «Csernely címere: Csücsköstalpú pajzs kék mezejében zöld halmon két ezüst színu, hagymakupolás templomtorony emelkedik, ...», but the cupolas painted by them do not seem the classic «onion-shaped cupolas».
Notice the mount color Vert over a field color Azure, not uncommon in this heraldic tradition.
Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.
Style keywords: Ogee, Outlined in sable, Freehand and Illuminated.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Csernely.
Philip Daubeney ~ Philip Daubeny.
Gules, a fess of five fusils Argent, in chief three mullets Or.
Escudo de gules, una faja de cinco fusos de plata, en jefe tres estrellas de oro.
Coat of arms interpreted with: the semicircular base shape; the field illuminated in Gules; the fusils illuminated in metal Argent, outlined in Sable; the fess of 5 fusils; the 3 mullets in chief of 5 points, illuminated in Or and outlined in Sable; and the whole with a raised-stroke effect.
The English term «mullet» used in this blazon refers to a 5-pointed, non-wavy star.
Blazon keywords: Gules, Fusil, Argent, In fess, Mullet, Or and In chief.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Daubeny, Philip.
Azure, fretty raguly Or. Motto: «Melior nullo nullus melior».
Escudo de azur, un fretado ecotado de oro. Lema: «Melior nullo nullus melior».
Heraldic catalogue of 4 DIN A4 pages that can be printed double-page on a DIN A3 sheet and folded in half for subsequent binding.
Blazon keywords: Without divisions, Azure, Fretty, Raguly and Or.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated, Shaded, Watercolor, Metal beaten and Chinapieria.
Classification: Interpreted, Personal, Catalogue and Heraldic document.
Bearer: Wooten, David Robert.
County of Cheshire, The Vale Royal, 1656.
Sable, a crozier Or, between three garbs Or.
Escudo de sable, un báculo de oro, acompañado de tres gavillas de trigo de oro.
Coat of arms interpreted with: a rounded base; the field illuminated in Sable; the crozier illuminated in Or, facing right on the shield and outlined in Sable; the garbs illuminated in Or and outlined in Sable; and the whole with a leather texture.
A coat of arms recorded in [King, D.; 1656] which in Cheshire Heraldry is blazoned as follows: «Sable a crozier in pale between three garbs Or».
As a curiosity, it can be observed that in [King, D.; 1656] and in Cheshire Heraldry, the croziers ~ báculos are depicted with their head facing left on the shield, whereas, in general, it is more common to represent them facing right; for my interpretation I have chosen this latter arrangement.
Since the three garbs are arranged in the usual heraldic manner, it is possible to omit the expression «2 y 1» or «ordered», though it may also be included to avoid any doubt.
Blazon keywords: Without divisions, Sable, Or, Crozier, Between, Wheat, Garb and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Religious and Cheshire County.
Bearer: Delacres, Abbey of.
The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.
One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.
Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.
Gules, a fess vair between four water-bougets Or, two in chief and two in base.
Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.
In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».
There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.
In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».
Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.
Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Interpreted, Schema and Coat of arms.
Party per pale Azur and Argent: a chevron between in chief a dressage horse salient, and in base three waves of the sea all counterchanged. Motto: «Prosequitur deinceps».
Escudo partido de azur y plata: un cabrio surmontado de un caballo de doma saltante y en punta tres ondas del mar, todo del uno al otro. Lema: «Prosequitur deinceps».
Coat of arms created with the following characteristics: the base of the shield is pointed; its field is enamelled in plain Azure and Argent; the ordinary and the 2 charges are illuminated in plain Argent and Azure; the horse has a braided and gathered tail, in all my representations; and the whole is outlined of the field and finished with a watercolour effect.
For the angles and proportions of the chevron in this coat of arms I have based myself on some of the chevrons produced by Martin S.J. Goldstraw, who himself bears a Gules chevron in his coat of arms.
Martin Goldstraw is one of the founders of The Cheshire Heraldry Trust, illustrator of the website of this foundation Cheshire Heraldry, author of books on coats of arms and facsimiles, for example, on the county of Cheshire and a passionate devotee of heraldry.
Blazon keywords: Party per pale, Azure, Argent, One, Horse, Chevron, Sea, Counterchanged, Above, Salient, Throughout, In base and Motto.
Style keywords: Illuminated, Outlined in the field tincture, Watercolor and Pointed.
Classification: Coat of arms, Canting, Created and Personal.
Bearer: Domaica Maroto, Juana María.
Gules, a stag's head caboshed Argent, attired Or, between its attires a dexter hand appaumée, couped at the wrist; on a bordure Argent eight camellias Gules, seeded Or. Motto: «Meliores Quotidie».
Escudo de gules, un rencuentro de ciervo de plata, ramado de oro, entre sus cuernas, una mano diestra apalmada y cortada por la muñeca; una bordura de plata cargada de ocho camelia de Gules, botonadas de oro. Lema: «Meliores Quotidie».
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finish.
Blazon keywords: Gules, Argent, Or, One, Eight, Stag, Head, Caboshed, Attired, Between, Dexter, Hand, Appaumée, Couped, Wrist, Bordure, Camellia, Seeded and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Thompson, Donnie.
Or, an atom triple-orbited Gules; on a chief Gules, a falcon displayed and jessed Or
Illuminated and a watercolor finishing.
Jessed means with jesses, the thongs by which bells are fastened to the legs of a falcon.
The falcon use to be belled and jessed, with bells and leather strips on the legs. The attributes used to be citted in the blazon when its tincture is different that the main element to which it belongs. In this case, its leather strips are Or, the same tincture than the falcon Or, but I decided to blazoned it «a falcon displayed and jessed Or» to denote jessed but not belled.
Other falcons are also hooded.
Credits: Rudolf Juchter van Bergen Quast is the designer of the coat of arms.
Blazon keywords: Or, One, Atom, Three, Orbital, Gules, Chief, Falcon and Jessed.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Emirate of Dubai and Coat of arms.
Bearer: Dubai Office of the European Chamber of Digital Commerce.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or.
Escudo cuartelado: 1o de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules [de Durán]; 2o de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules [de Alpoim]; 3o de plata, dos cabras en palo de púrpura, acornadas de sable [de Cabral]; 4o de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro [de Melo]; un escusón de azur, cinco flores de lis de oro.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.
Arms of the cadet branches of Fernando Durán Cabral de Melo e Alpoim, certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León, and emblazoned by me.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate and Inescutcheon.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.
Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules.
Escudo de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineage Durán. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Durán are in the 1st quarter.
Blazon keywords: Gules, Or, Azure, Argent, One, Six, Eight, Pale, Upon, Wave, Bordure, Charged, Lion, Head and Erased.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán, lineage.
Blazon of the Duran lineage of Andalucia, Extremadura, and Aragon.
Gules, a lion passant Or; a bordure Or charged with eight lions’ heads erased Gules.
Escudo de gules, un león leopardado de oro; una bordura de oro, cargada de ocho cabezas de león arrancadas de gules.
Illuminated and with a glass finish.
Blazon keywords: Gules, Lion passant, Or, One, Bordure, Charged, Eight, Head and Erased.
Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Argent, a tree eradicated proper, in chief an escallop reversed Gules, between two flies pilewise proper. Crest: A galero Sable with two cords, one on each side, each with six tassels Gules. Motto: «No Fear In Love». Behind the shield, the cross of the Holy Sepulchre of Jerusalem. The shield is surrounded by the cross of a Knight Commander of the Holy Sepulchre of Jerusalem.
The image shows a photograph of the Times of Malta newspaper announcing and presenting the lecture on Ecclesiastical Heraldry delivered by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. The lecture was highly interesting, and I was honoured that Dr. Charles A. Gauci included 28 illustrations of ecclesiastical heraldry that I had painted under his guidance. The illustration beneath the newspaper headline depicts the arms of Monsignor John Muscat, Commander of the Equestrian Order of the Holy Sepulchre of Jerusalem, emblazoned by me, which I have included alongside the photograph for easier identification.
Blazon keywords: Argent, Gules, One, Two, Six, Tree, Eradicated, Proper, In chief, Escallop, Between, Fly, Pilewise, Crest, Galero, Cord, Tassel, Motto, Behind the shield, Cross, Surrounded and Decoration.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Religious, Interpreted, Boa, Photographic, In color, English language and Collage.
Bearer: Muscat, John.
The one with the Cross on his back ~ Crouchback (1245–1296)
Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.
Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.
He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».
In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.
The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.
The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edmund Plantagenet.
First Prince of Wales from 1301 to 1307, King of England and Lord of Ireland from 1307 to 1327.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth rounded; the field illuminated Gules; the figures illuminated in Or and Azure, outlined in Sable, and the third leopard slightly smaller; and the whole finished with a plastered effect.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Rounded, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward II of England.
Banner Quarterly: 1 and 4 Azure, three fleurs de lis Or; 2 and 3 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Pendón cuartelado: 1o y 4o de azur, tres flores de lis de oro; 2o y 3o de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Banner interpreted by me as follows: with the proportions of 5x6, like a shield; the field is coloured in flat tinctures Gules and Azure; the fleurs-de-lis and the leopards are outlined in Sable and illuminated in Or; and the banner’s finish resembles fabric.
Its design follows [Edward IV of England; 1461; row 27, 2nd column, final banner]:
Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued and In pale.
Style keywords: Rectangular, Illuminated, Outlined in sable and Fabric.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.
Bearer: Edward IV of England.
King of England and Lord of Ireland from 1272 to 1307.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted with the following features: the mouth is semicircular (round); the field enamelled in a flat tint of Gules; the three leopards illuminated in the metal Or and the colour Azure, outlined in Sable, and the leopard closest to the base has a different shape and size; and the whole finished with a fabric-like texture.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Fabric.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward I of England.
Quarterly: 1 and 4 Argent, a wolf rampant Sable; 2 and 3 Gules, a garb Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Quarterly, Argent, One, Wolf, Rampant, Sable, Gules, Garb, Or, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Rounded, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Gräupl, Edwin.
Or, three bars Azure; the base Gules.
Escudo de oro, tres burelas de azur; la punta de gules.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Egado emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 635].
Blazon keywords: Or, Azure, Gules, Three, Bar and Base (lower 1/3).
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Egado, lineage.
Or, a Billiard 8 ball proper.
Escudo de oro, una bola 8 de billar al natural.
Blazon keywords: Without divisions, Or, One, Non-classic artifact and Proper.
Style keywords: Semi-circular, Crystalline, Soft metal, Outlined in sable and Illuminated.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Bola 8.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent. Crest: A crown proper. The shield is surrounded by the Most Noble Order of the Garter.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me. The Most Noble Order of the Garter, founded by Edward III in the 14th century, is Great Britain's oldest and most prestigious order of chivalry. It symbolises honour and loyalty, and its members are chosen by the Sovereign in recognition of their exceptional public service. Its distinctive emblem, a dark blue garter bearing the motto «Honi soit qui mal y pense» ~ «Shame on him who thinks evil of it». Its central insignia features the figure of St George and the Dragon, and its membership is strictly limited to 24 Companion Knights, in addition to the Sovereign and the Prince of Wales.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp, Stringed, Saint Eduard crown, Closed royal crown, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Elizabeth II of the United Kingdom.
Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.
Emblema, un escusón, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.
Its focus on heraldic art, along with its foundation in 1987, makes it a pioneering institution in this field on a global scale.
The Society of Heraldic Arts enjoys significant international recognition among heraldic artists, designers, and craftsmen, and its website is heraldic-arts.com.
Its members cover the full range of activities within heraldry for individuals, personal heraldry, public and private entities, socioeconomic heraldry, as well as municipalities, regions, etc., governance heraldry.
The Society of Heraldic Arts used to publish a quarterly magazine called «The Heraldic Craftsman», which was sent to all its members, but it is no longer in publication. The Society also provides advice on the correct use of heraldry to enhance corporate and personal identity.
Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Throughout (all sides).
Root: Society of Heraldic Arts.
Gules, three lions passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
These are arms of the Kingdom of England emblazoned by me.
Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: England, Kingdom of.
Checky of nine Or and Azure, the checks Or: 1st, 3rd, 5th, 7th, and 9th, two cotises Azure; 2nd, a sun Or; 4th, 6th, and 8th, two martlets Or, palewise. For a crest, on a wreath Or and Azure, a sun Or; the mantling dexter Azure doubled Or, sinister Or doubled Azure, with a martlet Or on the helm. Motto: «Unitas est fortitudo»
Escudo equipolado de oro y azur: 1o, 3o, 5o, 7o y 9o, dos cotizas de azur; 2o, un sol de oro; 4o, 6o y 8o, dos marletas de oro, en palo. Timbrado de un yelmo adornado con una marleta de oro y lambrequines, el diestro de azur y oro, el siniestro de oro y azur y burelete de oro y azur, cimado de un sol de oro. Lema: «Unitas est fortitudo»
Coat of arms with its crest executed as follows: the mouth rounded; its nine fields enameled in flat tinctures Or and Azure; the rest illuminated in Azure and Or and outlined in Sable; the wreath and the mantling stamped with chinapiería; and the whole assembly with a raised-stroke finish.
Blazon keywords: Chequy of nine squares, Or, Azure, Bendlet, Sun in splendour, Martlet, In pale, Crest and mantling, Helm, Mantling, Wreath, Crest and Motto.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Created, Personal and Coat of arms.
Bearer: Fernández Marqués, Enrique.
Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules. Crest: Upon a helm with a wreath Or and Azure, a griffin segreant Or. Capitular mantle of the Order of the Eagle of Georgia. Motto: «Ad Esse Veracem». Behind the shield a crossbow proper of the Noble Compañía de Ballesteros Hijosdalgo de San Felipe y Santiago. Suspended from the shield the insignias of the Imperial Hispanic Order of Charles V and the Maestranza de Caballería de Castilla.
This is the coat of arms of Ernesto Juan Anaya designed by him and emblazoned by me. The finished digital version of the coat of arms, fully coloured and the hand-drawn ink outline of the capitular mantle of the Order of the Eagle of Georgia, drawn with a fine-line pigment ink pen, both the coat of arms and the hand-drawn outline are by me.
Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged, Crossbow, Crest, Upon (wreath), Helm, Wreath, Griffin, Segreant, Motto, Behind the shield, Proper, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Anaya, Ernesto Juan.
Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages.
Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas.
Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of Deacon Mark Eschenlauer designed by him, Fr. Yannick Beuvelet and me, and emblazoned by me.
Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Religious, Created, Boa and Coat of arms.
Bearer: Eschenlauer, Marc.
Or, an eagle displayed bendy Azure and Argent.
Escudo de oro, un águila bandada de azur y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of María Dolores Escutia Sánchez designed by Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Or, Azure, Argent, One, Eagle, Displayed and Bendy.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Escutia Sánchez, María Dolores.
Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.
Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.
Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.
Coat of arms of Angel España Herranz designed by him and me, and emblazoned by me.
The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.
Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: España Herranz, Angel.
Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent
Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Personal and Interpreted.
Bearer: Espinosa, Diego.
Papa número 207 de la Iglesia, de 1431 a 1447. «Eugenius IV», de nombre Gabriele Condulmer, nació en Venecia.
Azure, a bend Argent.
Escudo de azur, una banda de plata.
Escudo papal que he interpretado con: la boca apuntada; el campo de tinta plana de azur; la banda iluminada de azur y delineada de sable; y el conjunto acuarelado.
Blazon keywords: Without divisions, Azure, One, Bend and Argent.
Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Eugene IV.
Argent, a stag trippant Gules, attired and hoofed Sable, standing on a terrace in base Vert charged with a fess Or; on a chief Sable, three geese volant contourné Argent. Motto: «An Garraí Dubh go Brách» Sable, with initial letters Gules, over a scroll Argent.
Blazon keywords: Argent, One, Stag, Tripant, Gules, Attired, Hoofed, Sable, Terrace in base, Base, Vert, Charged, Fess, Or, Chief, Three, Goose, Volant, Facing sinister, Motto and Scroll.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms and Irish language.
Bearer: McCarthy, Eugene.
Azure, five fleurs de lis Or. Crest: Upon a wreath Or and Azure, an arm Carnation, vested Azure, supporting a scroll Azure doubled Or, inscribed with the war cry «Notre Dame du Puy» Or.
Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, and with a iridescent finish.
«Armas antigas» ~ ancient arms of family d’Alpoim, originally from France, emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me according to his instructions and based on descriptions from armorials such as «Nobiliário da Ilha Terceira» by Eduardo de Campos de Castro de Azevedo Soares, «Pedatura Lusitana», on the noble families of Portugal, by Cristóvão Alão de Morais, the chapter «O Solar dos Alpoins» by A. Nogueira Gonçalves, or «Armaria Portuguesa» that describes it in Portuguese «De azul, cinco flores de lis de oiro. T.: braço vestido de azul, a mão de encarnação segurando um listão tambem de azul, e nelle, em letras de oiro, o grito Nostre Dame de Puy» and also in French «D'azur à cinq fleurs-de-lis d'or. C.: un bras paré d'azur, la main de camation tenant un listel d'azur avec le cri, Nostre Dame de Puy, en lettres d'or». In the Velay region, France, the cathedral is dedicated to Our Lady under the title «Notre Dame du Puy», a Marian devotion traditionally associated with the sanctuary of Le Puy-en-Velay.
Blazon keywords: Azure, Or, Five, Fleur de lis, Crest, Upon (wreath), Wreath, Arm, Vested, Supporting, Scroll, Doubled, Inscribed and War cry.
Style keywords: Outlined in sable, Illuminated and Iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: d’Alpoim, family.
The coat of arms of the family Milian, created by me following their suggestions, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Or, Azure, Argent, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar and Wavy.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Milian, family.
Coat of arms of the family of Milos Dukat from Czechia and the Basque Country, designed by them and me, and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship and Full sail.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Dukat, family of Milos.
Quarterly: 1 Argent, an oak eradicated Vert, fructed Or; 2 Azure, a tower with a turret Or, port and windows Azure, masoned Sable; 3 Azure, a hound passant Argent, spotted Sable; 4 Argent, a cross Gules.
Coat of arms of the family Simon-Faus. The image combines photographs of a drawing of an oak tree eradicated and a drawing of a hound passant, along with their coat of arms, all created by me.
Blazon keywords: Argent, Vert, Or, Azure, Sable, Gules, One, Quarterly, Oak, Tree, Eradicated, Fructed, With a turret, Port and windows, Masoned, Dog, Passant, Spotted and Cross.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Created, Boa, Hand-drawn, Collage and Photographic.
Bearer: Simon-Faus, family.
Or, six fleurs de lis Azure, 3, 2, and 1.
Escudo de oro, seis flores de lis de azur, 3, 2 y 1.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of Alessandro Farnese, 1545–1592, emblazoned by me. In 1956, the fourth Tercio of the Spanish Legion was created and named Tercio Alessandro Farnese in his honor. The coat of arms of that Tercio features the arms of the Farnese in its central inescutcheon, although with its 6 fleurs de lis arranged in orle.
Blazon keywords: Or, Azure, Six and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Farnese, Alessandro.
Argent, a lion sejant erect Purpure.
Escudo de plata, un león sentado de púrpura.
Imaginary coat of arms of King Fernando II of León, which I have developed based on his seal and the arms of his successor, with: the shape of the coat of arms is semi-circular; the field enameled in flat argent; the lion enameled in purpure and illuminated; and the whole rendered with a watercolor finish.
For this imaginary coat of arms I have chosen a representation of the lion in a posture similar to that of the great seal appearing in [Fernando II de León; 1167], which is sejant ~ «sentado» in Castilian, although beginning to rise «sejant erect».
It should be noted that we are in a pre-heraldic period where the possible attitudes of the lion were not yet clearly defined, although several of them are already anticipated in the great seals of Fernando II, as can be seen, for example, passant in [Fernando II de León; 1181] and in other attitudes in the photographs of [Martín Fuertes, J. A.; 2002].
Blazon keywords: Without divisions, Argent, Lion, Purpure and Sejant.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Imaginary, Coat of arms and Kingdom of León.
Imaginary bearer: Ferdinand II of Leon.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules.
A symbolic image representing, through 3 coats of arms, the creation of the coat of arms of the King Ferdinand III the Saint from the arms of Alfonso IX, King of León, and Berenguela, Queen of Castile. The shapes of all three shields are rounded; all their components are illuminated; and the whole composition features a watercolor finish.
Ferdinand III the Saint was the son of Alfonso IX of León and Berenguela of Castile. During his reign, the crowns of Castile and León were united forever. When, in 1230, Ferdinand III succeeded his father, he adopted a quarterly coat of arms, placing his mother's arms, the castle, in the 1st and 4th quarters, and his father's arms, the lion, in the 2nd and 3rd quarters. His goal was likely to achieve balance between the two kingdoms and to give his coat of arms a greater sense of continuity over time compared to impaled arms. The coat of arms of Ferdinand III the Saint was the first quarterly shield in history, and the idea spread into the heraldry of Spain and other kingdoms, such as Aragon-Sicily, Brabant, England, Navarre, and Bohemia.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.
Style keywords: Semi-circular, Illuminated, Tilted shield and Watercolor.
Classification: Interpreted, Personal, Accolé arms, Family tree, Genealogical, Kingdom of Castile, Kingdom of León and Kingdom of Castile and Leon.
Bearer: Ferdinand III of Castile.
Quarterly: 1 Or, a lion rampant Gules; 2 Gules, a fleur de lis Or; 3 Gules, a sun of May Or; 4 Or, a cross of Bolnisi Gules.
Escudo cuartelado: 1o de oro, un león rampante de gules; 2o de gules, una flor de lis de oro; 3o de gules, un sol de mayo de oro; 4o de oro, una cruz de Bolnisi de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a chasuble external shape and with a texturized finish.
Coat of arms of Silvio Fernández Carrizo emblazoned by me.
Blazon keywords: Or, Gules, One, Quarterly, Lion, Rampant, Fleur de lis, Sun of May, Cross of Bolnisi and Cross couped.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernández Carrizo, Silvio.
Marshal of Castile, first Lord of Baena and plenipotentiary ambassador to the court of Portugal (1355–1435).
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Coat of arms del que fue mariscal de Castilla interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat metal Or; its three fesses illuminated in Gules y outlined in Sable; y el conjunto con un plastered finish.
He served under the kings John I of Castile, Henry III of Castile, and John II of Castile.
These three bars of the Fernández de Córdoba lineage are found, for example, in the first quarter of the coat of arms of Gonzalo Fernández de Córdoba y Enríquez de Aguilar, known as *El Gran Capitán*.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Illuminated, Outlined in sable, Semi-circular and Gesso.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Fernández de Córdoba y Carrillo, Diego.
Blazon equivalent to: Berry of Molland.
Or, three bars Gules.
De oro, tres fajas de gules.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of Gonzalo Fernandez de Cordoba, 1453–1515, known as «The Great Captain», emblazoned by me. The Tercio Great Captain, 1st of the Spanish Legion, is named in honour of Gonzalo Fernandez de Cordoba, and the coat of arms of the unit bears a central inescutcheon with the arms of «The Great Captain».
Blazon keywords: Or, Gules, Three and Fess.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernandez de Cordoba, Gonzalo.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias]. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or. Suspended from the shield, the insignia of the Equestrian Order of the Maestranza of Castile.
Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony, Vair, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry and Mantling.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, Fernando.
Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or.
Escudo cortado: 1o de azur, un libro abierto de oro, hojado de plata, cargado de una estrella de cinco puntas de azur; 2o de gules, un árbol arrancado, acompañado de dos manzanas todo de oro; una filiera almenada de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure and Embattled.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernando Marán Bié.
Cheshire, visitation of 1613.
Argent, on a bend Azure three garbs Or, bendwise.
Escudo de plata, una banda de azur cargada de tres gavillas de trigo de oro, puestas en banda.
Coat of arms interpreted as follows: with a rounded base; the field and the bend illuminated in Or and Azure; the garbs outlined in Sable and illuminated in Or; and with a leather texture.
A coat of arms recorded in [Armytage, G. J.; Rylands, J. P.; 1909] and in [Goldstraw, M. S. J.; 2013b], blazoned as «Argent, on a bend Azure, three garbs Or».
It is the norm in heraldry that charges upon a bend are arranged bendwise, so since the three garbs are disposed in this way it is possible to omit the expression «bendwise», though it may also be included to avoid any doubt, as I have done in this instance.
Blazon keywords: Without divisions, Or, Azure, Bend, Charged, Wheat, Garb, In bend and Bendwise.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Fitton de Carden, Clutton and Chester.
Leader of the almogávares in the service of the Crown of Aragon, born in Brindisi, southeast Italy, in 1266, and assassinated in Adrianople, European Turkey, in 1305.
Argent, a fleur de lis Gules.
Escudo de plata, una flor de lis de gules.
Coat of arms interpreted with: the pointed and rounded form; the field in flat Argent; the fleur de lis illuminated in Gules and outlined in Sable; and an overall rough finish.
Blazon keywords: Without divisions, Argent, Gules and Fleur de lis.
Style keywords: Ogee, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Personal, Army and Navy and Coat of arms.
Bearer: Flor, Roger de.
From the House of Valois-Angoulême and with the motto: Nutrisco et extinguo.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the three fleurs-de-lis outlined in Sable and illuminated in Or; and finished with a plaster texture.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Pointed, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Francis I of France.
Chequey of fifteen Or and Gules. Crest: A galero with two cords, one on each side, each with twenty two tassels, 1, 3, 4, 5, 4, 5, Gules. Behind the shield a crossed staff Or.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a parchment finishing.
Coat of arms of Francisco Ximenez de Cisneros, 1436-1517, better known as the Cardinal Cisneros, with his galero, cords and tassels based on the engrave on his Polyglot Bible printed in 1514-1517. The number of rows was 6 (not 5) and the tassels engraved per row was 1, 3, 4, 5, 4, 5 in each side (not 1, 2, 3, 4, 5). I emblazoned it following the comments of Francisco Domingo Larrosa Gil about the number of rows and tassels of the galero in the centuries before XIX..
Blazon keywords: Or, Gules, Fifteen, Two, Twenty-two, One, Three, Four, Five, Chequey, Crest, Galero, Cord, Tassel, Behind the shield and Crossed staff.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.
Classification: Religious, Interpreted, Boa and Coat of arms.
Bearer: Ximénez de Cisneros, Francisco.
Blazon of the Freitas lineage of Portugal.
Gules, five mullets of six points Or.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 123].
Blazon keywords: Without divisions, Gules, Five, Mullet and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Party per pale Vert and Sable, a sun in splendour Or issuant from the dexter chief. Motto: «Da Pacem Domine».
Escudo partido de sinople y sable, un sol de oro moviente de la diestra del jefe. Lema: «Da Pacem Domine».
Arms designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finish.
Canting arms of the French family of Fr. Marc Vernoy designed by him and me and emblazoned by me. A field Vert and Sable ~ Vert Noir ~ Vernoy. French blazon by Hyacinthe de Keranrouë: Parti de sinople et de sable, au soleil d'or mouvant de l'angle dextre. Devise: «Da Pacem Domine».
Blazon keywords: Vert, Sable, Or, One, Party per pale, Sun in splendour, Issuant, Dexter, Chief and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Vernoy, French family of Fr. Marc.
Gules, a base enarched Vert, overall a Latin cross patty fitchy Or, piercing in base the head of a serpent nowed and facing sinister Sable, langued Gules. Crest: Upon a helm affronty, with a wreath Sable and Gules, in a front of three ostrich feathers alternately Sable and Gules a paschal lamb Argent, nimbed Or and Gules, supporting a staff Or, flying a banner Argent charged with a cross Gules. Mantling: Gules doubled Sable. Motto: «Amor vincit omnia».
Escudo de gules, un monte de sinople moviente de la punta, brochante sobre el todo una cruz latina patada y fijada de oro, perforando la cabeza de una sierpe nudada y alterada de sable, lampasada de gules. Timbrado de un yelmo de frente, adornado de dos lambrequines de gules doblados de sable, un burelete de sable y gules, cimado de un penacho de tres plumas alternas de sable y gules resaltado de un cordero pascual de plata, nimbado de oro y gules, teniendo una bandera de plata, fustada de oro, cargada de una cruz de gules. Lema: «Amor vincit omnia».
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
The full achievement of Tomasz Arkadiusz Grzeszkowiak designed by Tomasz Steifer and emblazoned by me. The Polish heraldist Tomasz Steifer was one of the creators of International Heraldry Day. This coat of arms follows the Polish heraldic tradition, you can notice the color Vert over the color Gules, and also for them the Sable is not a color, then they can place a serpent Sable over the color Vert. The Serpent symbolizes the defeated Evil thus it looks at the Sinister in my interpretation.
Blazon keywords: Gules, Vert, Sable, Or, Argent, One, Three, Base, Enarched, Overall, Latin cross patty, Cross patty fitchy, Cross couped, Piercing, Head, Serpent, Nowed, Facing sinister, Langued, Crest, Upon (wreath), Helm, Affronty, Wreath, Ostrich feathers, Alternately, Paschal lamb, Nimbed, Grasping, Shafted, Charged, Cross and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa, Coat of arms and Flag.
Bearer: Grzeszkowiak, Tomasz Arkadiusz.
Argent, a tetrahedron Azure, pierced by a sword bendwise, point downwards Or, garnished Azure. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a martlet Sable. Mantling: Azure doubled Or. Motto: «Ir-rieda biss tmexxi l-qalb».
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
G0102, Chief Herald of Arms of Malta's grant for the arms of Dr. James Patrick Howard II, USA. These arms have been emblazoned by me for such grant. The Maltese motto means «only the will guides the heart».
Blazon keywords: Argent, Azure, Or, Sable, One, Tetrahedron, Geometric solid, Pierced, In bend, Sword, Point downwards, Garnished, Upon (wreath), Helm, Wreath, Martlet, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Howard II, Dr. James Patrick.
Azure, a cross ermine fimbriated Or, between four fleurs de lis Argent, each enfiled in a crown Or. Crest: Upon a helm befitting his degree, issuant from a crown of Baron, with a wreath Or and Azure, a falcon displayed, belled Azure, crowned Or, holding in its dexter talon an hourglass Or and in its sinister talon a fleur de lis Argent. Mantling: Azure doubled Or. Motto: «Per Crucem Triumphans» Sable, over a scroll Argent, doubled Gules. Supporters: Two lions rampant Or, langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
G0128, Chief Herald of Arms of Malta's grant for the arms of Jean-Yves, de Sainte Croix de la Sabliere, UK. These arms have been emblazoned by me for such grant.
Blazon keywords: Azure, Or, Argent, Gules, One, Four, Cross, Ermine, Fimbriated, Between, Fleur de lis, Enfiled, Crown, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Above the shield, Wreath, Falcon, Belled, Crowned, Dexter, Talon, Hourglass, Sinister, Mantling, Doubled, Motto, Scroll, Supporter (animal), Supporter, Lion, Rampant and Langued.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sainte Croix de la Sabliere, Jean-Yves de.
Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a crown of Noble. Mantling: Azure doubled Or. Motto: «Guallini».
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.
R0067, Chief Herald of Malta's register of the arms of Mario Antonio Guallini. These arms have been emblazoned by me for such register.
Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet, Disordered, Upon (wreath), Helm, Wreath, Crown of Noble, Crown, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Guallini, Mario Antonio.
Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a wreath Argent and Gules, two arms embowed proper, vested Sable, cuffed Or, holding aloft a winnowing fan reversed Or. Mantling: Gules doubled Argent. Motto: «Ora et Labora». Supporters: Two lions passant, tails addorsed Sable, armed and langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.
G0129, Chief Herald of Arms of Malta's grant for the arms of Markus Hermann Frank, USA. These arms have been emblazoned by me for such grant.
Blazon keywords: Gules, Argent, Or, Sable, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between, Fleam, Addorsed, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Wreath, Arm, Embowed, Proper, Vested, Cuffed, Grasping, Mantling, Doubled, Motto, Supporter (animal), Supporter, Lion, Passant, Tail addorsed, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Frank, Markus Hermann.
Party per fess Argent and Or, in chief twenty one fleurs de lis Sable, 8, 7, and 6, in base, a stag passant Gules attired proper, holding in its mouth a sprig Vert, gorged with a wreath Argent and Or. Crest: Upon a helm befitting his degree, with a wreath Or and Gules, an eagle displayed facing sinister Gules. Mantling: Gules doubled Or. Motto: «Souviens Toi De Vivre».
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.
G0130, Chief Herald of Arms of Malta's grant for the arms of Michael Twist, Malta. These arms have been emblazoned by me for such grant.
Blazon keywords: Argent, Sable, Or, Gules, Vert, Twenty-one, One, Party per fess, In chief, Fleur de lis, Stag, Passant, Attired, Grasping, Sprig, Gorged, Wreath, Crest, Upon (wreath), Helm, Eagle, Facing sinister, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Twist, Michael.
Azure, in chief a label Or, and in base a fleur de lis Argent.
Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].
Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Gangoiti, lineage.
Sable, upon three bars wavy a four arch bridge Or, masoned Sable, throughout.
Escudo de sable, un puente de cuatro ojos de oro, mazonado de sable, moviente de los flancos, sostenido por tres burelas ondadas de oro.
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a rough finishing.
Blazon keywords: Sable, Or, Three, Four, Upon, Wavy, Bar, Arch, Bridge, Masoned and Throughout.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: García Martínez, Daniel.
Imaginary blazon of Sir Gawain, knight of the Round Table.
Gules, a mullet voided, interlaced Or.
Illuminated and a freehand finishing.
This five-pointed mullet, depicted as a pentangle, is the symbol Sir Gawain bears on his coat of arms according to the poem «Sir Gawain and the Green Knight» which reads: «Thenne they shewed hym the schelde, that was of schyre goules Wyth the pentangel depaynt of pure golde hwes. He braydez hit by the bauderyk, aboute his hals kestes, That bisemed the segge semlyly fayre. And quy the pentangel apendez to that prynce noble I am entent yow to telle, thof tary hyt me schulde: Hit is a syngne that Salamon set sumquyle In bytoknyng of trawthe, bi tytle that hit habbez, For hit is a figure that haldez fyve poyntez, And vche lyne vmbelappez and loukez in other, And ayquere hit is endelez; and Englych hit callen Oueral, as I here, the endeles knot».
However, in [Anonymous; 1490a; folio 54 verso], which is a French armorial of imaginary heraldry about the «chevaliers de la Table ronde», Sir Gawain, identified in this text as «Messire Gauvain», is depicted with a «shield argent, a double-headed eagle or, beaked, membered and armed azure», unlike the English tradition, which as we have seen, represents him with the pentacle described in the poem «Sir Gawain and the Green Knight».
Blazon keywords: Without divisions, Gules, One, Mullet, Or, Voided and Interlaced.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Imaginary.
Imaginary bearer: Gawain, Sir.
Azure, two rolled scrolls in saltire Argent, tied with a ribbon fesswise Vert; a bordure trefoiled Or; overall a chief Or charged with an oak branch leaved and fructed proper. Motto: «Cuimhnigí ar ár Sinnsir».
Escudo de azur, dos pergaminos enrollados en sotuer de plata, ligados con una cinta puesta en faja de sinople, una bordura trebolada de oro; brochante sobre el todo un jefe de oro cargado de una rama de roble hojada y frutada al natural. Lema: «Cuimhnigí ar ár Sinnsir».
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finishing.
Blazon keywords: Azure, Argent, Vert, Or, One, Two, Rolled scroll, In saltire, Tied, Ribbon, Fesswise, Bordure, Trefoiled, Overall, Chief, Charged, Oak, Tree, Branch, Leaved, Fructed, Proper and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Socioeconomic, Interpreted, Boa and Coat of arms.
Bearer: Genealogical Society of Ireland.
Gules, a Saint George nimbed Or, riding a Horse trampling upon a crawling Dragon, Argent.
Interpreted coat of arms: with a rounded and pointed shape; illuminated with metals or and argent and color gules; outlined with sable; and a Watercolor finish.
Blazon keywords: Without divisions, Gules, Saint George, Nimbed, Or, Horse, Dragon and Argent.
Style keywords: Ogee, Illuminated, Outlined in sable and Watercolor.
Classification: Coat of arms, Interpreted, Civic and State of Georgia.
Bearer: Georgia.
Or, a eagle displayed Sable, beaked, langued, armed and membered Gules.
Escudo de oro, un águila de sable, picada, lampasada, armada y membrada de gules.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.
Coat of arms for the Federal Republic of Germany emblazoned by me.
Blazon keywords: Or, Sable, Gules, One, Eagle, Displayed, Beaked, Langued, Armed and Membered.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Germany, Federal Republic of.
Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Motto: «Onida» in Sable letters over a scroll Argent doubled Or.
Escudo de oro, un árbol arrancado al natural, acompañado en punta de un creciente ranversado de plata y una estrella de gules. Divisa: «Onida» en letras de sable sobre una filacteria de plata doblada de oro.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finishing.
Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. In Castilian when the scroll placed beneath the shield bears the name, surname, or an identifying designation of the armiger, I refer to it as a «divisa».
Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed, Mullet, Motto (identification) and Scroll.
Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Onida, Gian Carlo.
Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.
Escudo partido: 1o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
G0093, Chief Herald of Arms of Malta's grant for the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga. This coat of arms has been emblazoned by me.
Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.
Argent, a cross Azure. Behind the shield a cross patty Gules.
Blazon keywords: Argent, One, Cross, Azure, Behind the shield, Cross patty, Cross couped and Gules.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Hérail, Gilbert.
Tierced pallwise inverted Azure, Gules, and Sable; overall a chevron between, in the dexter of the chief, a mullet of six points, in the sinister of the chief a pair of scales, and in base an open book Or.
Terciado en perla invertida de azur, gules y sable; brochante sobre el todo un cabrio acompañado, en la diestra del jefe, de una estrella de seis puntas, en la siniestra del jefe, de una balanza, y en la punta, de un libro abierto todo de oro.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.
Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me.
Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book and Book.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Gittel Bas Reuven, Malka.
County of Cheshire.
Sable, three crescents Argent.
Escudo de sable, tres crecientes de plata.
Coat of arms whose bearer belongs to the County of Cheshire, interpreted with the following characteristics: the base of the coat of arms is rounded; the field is illuminated in Sable; the 3 crescents are illuminated in Argent and outlined in Sable using circular arcs; and the whole has a leather finish.
Blazon keywords: Without divisions, Sable, Argent, Crescent and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Gleave de High Lea.
Sanguine semy of nails Or.
Escudo de sanguíneo sembrado de clavos de oro.
Coat of arms interpreted and emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.
Blazon keywords: Without divisions, Sanguine, Semé, Nail and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted and Kingdom of Denmark.
Bearer: Globe, Richard.
And Count of Touraine and Maine, Duke of Normandy, and founder of the Plantagenet dynasty.
Azure, six lions rampant Or, 3, 2 and 1.
Escudo de azur, seis leones rampantes de oro, 3, 2 y 1.
Existing armories interpreted by me as follows: the shield's shape is pointed; the field has been enameled in flat azure; the 6 lions are illuminated; and the entire composition has a watercolor finish.
When blazoning these 6 lions, considering that in heraldry the natural arrangement of elements is from more in chief to fewer in base, it would suffice to specify nothing more than «or and rampant». However, adding their arrangement «3, 2, and 1» can aid the reader, as done by [Avilés, J.; 1725b; page 124] and [Avilés, J.; 1780b; page 142] when blazoning the arms of Alfonso Enrique de Vick, writing «sable, and six bezants or, three, two, and one», meaning 6 ordered elements. In these sequences of number arrangements, I prefer to write Arabic numerals rather than words because, at times, the sequences can be long.
Blazon keywords: Without divisions, Azure, Six, Lion, Or, Rampant and Three, two and one.
Style keywords: Pointed, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Coat of arms and House of Plantagenet.
Bearer: Godfrey V, Count of Anjou.
Argent, on a chevron Gules three feathers Argent, between three swords erect Gules, 2 and 1.
Escudo de plata, un cabrio de gules cargado d tres plumas de plata, acompañado de tres espadas de gules, alzadas, 2 y 1.
Coat of arms interpreted with: a rounded base; the field illuminated in Argent; the chevron outlined in Sable, illuminated in Gules, with a wider angle than usual, one might say in the Cheshire style; the feathers illuminated in Argent and outlined in Sable; the swords outlined in Sable and illuminated in Gules; and the whole with a leather finish.
Martin S. J. Goldstraw was born in Leek, a town in the rural area of North Staffordshire, known as the «queen of the moors». His interest in the heraldry of the County of Cheshire began when he discovered that the origins of his surname Goldstraw lay in the surname and village of Goostrey in the County of Cheshire.
Martin S. J. Goldstraw writes that for him heraldry is something addictive, to which he was already devoted during his university years and in which he continues to work well into this third millennium. He is the author of the coats of arms presented on the website of Cheshire Heraldry and author of books on the heraldry of the County of Cheshire.
Blazon keywords: Without divisions, Argent, Gules, Chevron, Charged, Sword, Point upwards, Ordered, Between and Quill.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Goldstraw, Martin S. J..
Azure, a lynx couchant Or.
Escudo de azur, un lince tumbado de oro.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Gomel~Homyel, Belarus, emblazoned by me. This is preparatory artwork for the crest of the coat of arms of the family of Lucas Cruz.
When Gomel was part of the Grand Duchy of Lithuania, its coat of arms did not feature a lynx. After the city became part of the Russian Empire in 1772, Empress Catherine II granted Gomel in 1775 to Field Marshal Pyotr Rumyantsev-Zadunaisky, who transferred the administrative centre to the nearby town of Novaya Belitsa. That town was granted a new coat of arms on 16 August 1781, already featuring a lynx, with the decree explaining its inclusion "because there are many of these animals in the vicinity of this town." In 1852, Prince Ivan Fyodorovich Paskevich restored Gomel as the district's administrative centre, bringing with it the arms of Novaya Belitsa, which were officially adopted as the coat of arms of Gomel on 23 December 1855.
Blazon keywords: Azure, Or, One, Lynx and Couchant.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Gomel.
Argent, a cross patty Gules charged with a double rose Argent and Gules, barbed Vert, seeded Or, between four double roses Gules and Argent, barbed Vert, and seeded Or.
Escudo de plata, una cruz patada de gules cargada de una rosa doble de plata y gules, barbada de sinople y botonada de oro, acompañada de cuatro rosas dobles de gules y plata, barbadas de sinople y botonadas de oro.
Coat of arms emblazoned by me with a shape ended with semi-circular arch, illuminated, and with a leather finishing.
Blazon keywords: Argent, One, Cross patty, Cross couped, Gules, Charged, Double rose, Barbed, Seeded, Between and Four.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Created and Coat of arms.
Bearer: Gómez Morillo, Antonio José.
Gules, a cross vair ancient.
Escudo de gules, una cruz de veros antiguos.
Coat of arms that I have interpreted as follows: the shield has a semicircular (round) base; the field is in flat tincture of Gules; the vair ancient, rounded in the old style, are outlined in Sable and illuminated; and the whole has a raised-stroke drawing.
The coat of arms of the commune of Bailleul is very similar to this coat of arms, with the difference that it is of regular vair instead of ancient, rounded vair, like that borne by Gonzalo Argote de Molina.
Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair ancient.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Personal, Coat of arms and Heraldry and heralds.
Bearer: Argote de Molina, Gonzalo.
Azure, four concentric annulets Argent.
Escudo de azur, cuatro anilletes concéntricos de plata.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a freehand finishing.
The coat of arms of Ralph de Gorges emblazoned by me.
Blazon keywords: Azure, Argent, Four, Moon, With human face, Environed, Concentric and Annulet.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Gorges, Ralph de.
Azure, a seagull volant Argent, carrying in its feet a sheaf of tobacco proper, bound Gules.
The coat of arms of Gregorio Lanzagorta Llaguno, harbor of San Blas, and cigar maker in Nayarit, Mexico. This coat of arms was designed by Juan Lanzagorta Vallín and painted by me in 3 steps: 1) outlined, 2) plain colors and metals, and 3) lights and shadows. The heraldic terms «gavilla» ~ «garb» in Castilian and English. Note that the English term «sheaf» also corresponds to the Castilian «gavilla». At first, I thought I remembered that in Castilian this sheaf of tobacco had the very specific name «tonga», and that is why I initially used «tonga de tabaco» ~ «tobacco sheaf». But I discovered that «tonga» is a more local than general term, [Real Academia Española; 2014] «Canarias y Cuba: Pila o porción de cosas apiladas en orden», so «tonga» is not as general as I believed, and therefore I moved on to use «gavilla de hojas de tabaco» ~ «sheaf of tobacco leaves», although this is somewhat long, and moreover the words «hojas» and «leaves» are redundant, since these sheaves are only made of leaves—just as wheat sheaves are always made of ears, so one does not say a sheaf of wheat ears. That is why I finally use for the blazon «gavilla de tabaco» ~ «sheaf of tobacco» in Castilian and English, respectively.
Blazon keywords: Azure, Argent, Gules, One, Seagull, Volant, Grasping, Foot (palmiped), Sheaf of tobacco, Proper and Bound.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Gregorio Lanzagorta Llaguno.
184th Pope of the Church, from 1271 to 1276. «Gregorius X», born Teobaldo Visconti, was born in Piacenza and convened the 14th Ecumenical Council, known as the Second Council of Lyon.
Azure, a chief embattled Or.
Escudo de azur, el jefe almenado de oro.
Papal coat of arms interpreted by me with: a pointed and rounded shield shape; the field in plain Azure; the chief embattled, illuminated in metal Or and outlined in Sable; and the whole with a marbled finish.
My first version of the blazon in English was «Azure, a chief Or, embattled», but Michael McCartney suggested that it was more correct as «Azure, a chief embattled Or».
Blazon keywords: Without divisions, Azure, Chief, Or and Embattled.
Style keywords: Ogee, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted, Religious and Papal States.
Bearer: Gregory X.
François Grimaldi ~ Francisco Grimaldi ~ Francesco Grimaldi.
Fusilly Argent and Gules.
Escudo fusado de plata y gules.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Argent; the fusils illuminated in Gules, outlined in Sable; the fusilly of proportion 3 x 5; and the whole with a raised-stroke effect.
Unlike how I have blazoned it here, this coat of arms can be found blazoned in [Arco y García, F. del; 1996b; page 10] as «Fusilly Argent and Gules».
He was the Genoese leader of the Guelphs who conquered the so-called Rock of Monaco on January 8, 1297, at night. To enter his fortress and have the gates opened for him, he dressed as a Franciscan monk along with his cousin Rainier I, Lord of Cagnes, and thus entered with his group of armed men. That is why the coat of arms of the Principality of Monaco has as supporters 2 Franciscan monks unsheathing their swords.
Francesco Grimaldi had no children, so after his death in 1309, he was succeeded by his cousin Rainier I, with whom he entered Monaco, and it is from Rainier I that the Grimaldi family and the Princes of Monaco who have governed the Principality ever since descend.
Blazon keywords: Fusilly, Argent and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Grimaldi, François.
You might belong in Gryffindor, Where dwell the brave. It is their daring, nerve and chivalry that set Gryffindors apart.
Party per pale Gules and Or, overall a lion rampant counterchanged.
Escudo partido de gules y oro, un león rampante del uno al otro.
Imaginary arms of Gryffindor House made with the following characteristics: the mouth of the imaginary coat of arms is rounded; the shield is party per pale; the field is enameled in flat tinctures of Gules and Or; the lion is illuminated in Or and Gules and outlined in Sable; and the whole is finished with a raised-stroke effect.
The initial quote, next to the Hufflepuff coat of arms, is taken from [Rowling, J. K.; 1997] and corresponds to «You might belong in Gryffindor, Where dwell the brave at heart, Their daring, nerve and chivalry Set Gryffindors apart».
This imaginary coat of arms of the Gryffindor House at Hogwarts School of Witchcraft and Wizardry has been interpreted without taking much into account other of the multiple realizations that have been produced and disseminated.
Blazon keywords: Party per pale, Or, Gules, Lion, Rampant and Counterchanged.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.
Imaginary bearer: Gryffindor at Hogwarts.
Argent, a fess dancetty of four points Gules.
Escudo de plata, una faja encajada de cuatro piezas de gules.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
G0138, Chief Herald of Arms of Malta's grant of the coat of arms of the municipality of Gudja, Malta. This coat of arms has been emblazoned by me and has been published in the Malta Government Gazette, number 21486, page 10730, with the blazon «Argent a fess dancetty of four points counterdancetty of three points all Gules».
Blazon keywords: Argent, Gules, Four, Fess and Dancetty.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Gudja, municipality of.
Of the twelve lineages of Noblemen, it is the second, descendant of Álava, the very ancient and powerful one, in which some served under Navarre, and others under the kings of Castile; they bear for arms and insignia, on a field Gules, which is red, five poplar-leaves (panelas) Argent, in the form and design in which this shield is painted.
Gules, five Poplar-leaves Argent, inverted.
Escudo de gules, cinco panelas de plata.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.
Interpretation based on the second coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the accompanying text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
The «panela» is a figure typical of Spanish heraldry [Valero de Bernabé, L.; 2007; page 11]. It is a leaf shaped like a heart with its stalk pointing upward. It could be a leaf of a tree such as, for example, the poplar, although there is no certainty that it is specifically that tree.
With first appearances prior to heraldry on Hispano-Roman tombstones, the «panela» is of Alavese origin, [Menéndez Pidal de Navascués, F.; 1985; page 474], spreading through the Basque-Navarrese region and from there throughout Spain, with the peculiar name «panela», which was initially called «pannella», [Valverde Ogallar, P. B.; 2001; page 532] derived from «pan», [Real Academia Española; 2001].
In the heraldry of other countries, leaves from different trees are used as heraldic symbols, but usually with the stalk pointing downward; therefore I transcribe in this blazon «panelas» ~ «Poplar-leaves, inverted».
[Menéndez Pidal de Navascués, F.; 1985; page 474] states that the «panela» is a natural figure equivalent to the linden leaf in German heraldry, with the stalk downward, and to the water-lily leaf in French heraldry, with the stalk upward; but since these are such different plants, I do not find it suitable to use linden, and even less water-lily, in the English transcription of this Navarrese blazon.
Under the title «Surname of Guebara» it can be consulted in [Vega, P. J. de; 1702; folio 2 of the manuscript].
Blazon keywords: Without divisions, Gules, Poplar leaf and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Guebara of Navarre.
Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent. Motto: «Hacienda de Triana».
Escudo partido: 1o de plata, un árbol moviente de la punta de morado; 2o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata. Divisa: «Hacienda de Triana».
Arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.
Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief, Arch and Motto.
Style keywords: Illuminated, Chasuble and Watercolor.
Classification: Socioeconomic, Interpreted, Boa and Coat of arms.
Bearer: Triana, Hacienda de.
Azure, a cinquefoil Argent, seeded Gules.
Illuminated, with a watercolor finishing and with a pointed shape.
Blazon keywords: Without divisions, Azure, One, Cinquefoil, Argent, Seeded and Gules.
Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Civic, Kingdom of France and Coat of arms.
Bearer: Haguenau.
Argent, an apple tree, the base of its trunk forming a cross crosslet Azure, fructed Gules.
Escudo de plata, un manzano con la punta del tronco en forma de cruz recrucetada de Azur, frutado de gules.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a iridescent finishing.
Blazon keywords: Argent, Azure, Gules, One, Apple tree, Tree, Base, Trunk, Cross, Crosslet, Cross couped and Fructed.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Halkosaari, Heikki.
Vert, a Latin cross, raguly, issuant from its sinister a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or. Crest: Upon a wreath Or and Vert, a pair of wings displayed Vert, debruised by a Latin cross, raguly, couped at random, issuant from its sinister a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a texturized finish.
The coat of arms and crest of Ugnius Mikučionis-Vizgirda emblazoned by me using 2 methods: 1) hatching using of patterns of dots and lines for indicating the metal Or = dots, and the color Vert = diagonal lines, and 2) with tinctures, lights and shadows.
Blazon keywords: Vert, Or, One, Two, Latin cross, Raguly, Issuant, Sinister, Leaved, Branch, Environed, Debruised, Crest, Upon (wreath), Wreath, Two wings in vol and Displayed.
Style keywords: Hatching, Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Mikučionis-Vizgirda, Ugnius.
Cheshire, 1533-1580.
Azure, on a chevron Or, a martlet Gules, between three garbs Or.
Escudo de azur, un cabrio de oro, cargado de una marleta de gules, acompañado de tres gavillas de trigo de oro, 2 y 1.
Coat of arms interpreted by me as follows: with a rounded base; the field illuminated in Azure; the chevron, with a wide angle in the Cheshire style, is illuminated in Or; the garbs are illuminated in Or and all outlined in Sable; the martlet is also outlined in Sable, but illuminated in Gules; and with a leather texture.
Recorded in [Rylands, J. P.; 1882], [Goldstraw, M. S. J.; 2013a] blazons it as «Azure, on a chevron between three garbs Or, a martlet Gules for difference». The expression «...a martlet Gules for difference» means that the martlet has been added to the arms of a son who is not the eldest, to differentiate his shield from that of his father and his elder brother.
Blazon keywords: Without divisions, Azure, Or, Gules, Chevron, Charged, Wheat, Garb, Ordered, Between and Martlet.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Hatton de Woodhouse.
Gules, two lions combatant Or.
Escudo de gules, dos leones rampantes, afrontados de oro.
Imaginary arms of the Trojan hero that I have interpreted with: the mouth in the form of a semicircular (round) base; the field enameled in flat Gules tincture; the 2 combatant lions illuminated in Or, outlined with the field tincture and shaded; and all with a beaten metal finish.
Coat of arms interpreted from the imaginary blazon described by [Avilés, J.; 1725a; page 7], which is as follows: «of red with two lions combatant Or».
Blazon keywords: Without divisions, Gules, Lion, Or and Combatant.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Shaded and Metal beaten.
Classification: Interpreted, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Hector of Troy.
Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma]. Crest: A crown of Noble. Motto: «Biche délicate».
Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.
G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose full achievement has been emblazoned by me for such grant.
The arms of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and information about her grant.
Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet, In orle, Crest and mantling, Crown of Noble, Crown, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.
Classification: Personal, Interpreted, Coat of arms, Latin language and Slide.
Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.
King of England, Lord of Ireland and Duke of Aquitaine from the year 1216 to the year 1272
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth of the shield is semicircular (round); its field has been enamelled in a flat tint of Gules; its leopards are illuminated in Or and Azure and outlined in Sable; and the whole has a finish of aged parchment.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Henry III of England.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a cross flory Purpure.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, una cruz flordelisada de púrpura.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Henry of Castile, 1230–1303, 6th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. He bore his father's arms, replacing the lion Purpure of the Kingdom of León with a cross flory Purpure, likely due to his close association with the Order of Calatrava, whose emblem is a cross flory Gules. However, he retained the metal Argent field in the 2nd and 3rd quarters and the lion's purpure color, suggesting this was more of a conceptual change than a quartering by alliance with the Order of Calatrava.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Cross flory and Cross couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Henry of Castile, Infante.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a label of three-point for difference. Crest: Upon a helm befitting his degree as the heir to a Barony issuant from a crown of Noble above the shield, with a wreath Or and Azure, a demi-lion Azure, issuant from a crown of Baron, langued Gules, wings displayed, armed, crowned with an ancient coronet, and grasping in its claws by its lowest point a mullet of six points Or. Mantling: Azure doubled Or. Motto: «Per audacia ad astra».
R0033, Chief Herald of Arms of Malta's register of Antonio Pompili's arms, whose full achievement has been emblazoned by me for such register. These arms have been included in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 175] as shown in the photograph of the image.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Debruised, Label of three points, Cadency, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Crown of Baron, Above the shield, Wreath, Demi, Lion, Langued, Winged, Displayed, Armed, Crowned, Ancient coronet, Grasping, Claw, Mantling, Doubled and Cross.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Collage and Photographic.
Bearer: Pompili, Antonio.
Heraldic document for the arms of László Linett Regina. Her coat of arms has been created by her, and emblazoned by me, and this heraldic document has been edited, signed, sealed, and dated by me. The image shows 2 pages of this heraldic document.
Blazon keywords: Azure, Or, Argent, Three, One, Eight, Lightning flash, In pall, Debruised, Unicorn, Head, Couped, The eyes, Bordure and Fleur de lis.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Catalogue, Heraldic document and Frame.
Bearer: László Linnet Regina.
Blazon keywords: Without divisions, Purpure, Three, Dragon, Passant, In pale, Argent, One, Bordure, Gules, Eight, Saltire and Or.
Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Coat of arms and Structured and parallel blazons.
Bearer: Trujillo Jiménez, Hermanos.
Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, within an annulet Or, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre» Sable, in sinister chief, charged with «el Hijo» Sable, in base, charged with «el Espítiru» Sable, and one on the fess point, charged with «Dios» Sable.
Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, dentro de un anillo de oro, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre» de sable, en la siniestra del jefe, cargado con «el Hijo» de sable, en la punta, cargado con «el Espítiru» de sable y uno sobre el corazón, cargado con «Dios» de sable.
Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in watercolor Azure; the rest in heavily beaten metal, outlined of the field and illuminated in Argent, except for the annulet which is illuminated in Or; and its letters all in plain Gules ink.
The circular crown when it is large and in the middle of the shield [Cadenas y Vicent, V. de; 1975] is called an annulet. [Avilés, J.; 1780a; pages 296 and 297] calls it annulet or small annulet depending on its size, if it is large an annulet and if it is small a small annulet. In English and French heraldry it is called «cyclamor» and hence the expression «cyclamor annulet» can also be found.
This annulet is my aesthetic contribution to this imaginary coat of arms as it is normally not represented with this annulet.
In other interpretations the words «non est» go on a bordure or on an orle, the latter being the case blazoned, for example, [Husenbeth, F. C.; 1882; 2nd appendix] in the following way: «Gules, an orle and pall Argent, conjoined and surmounted of four plates, occupying the dexter and sinister chief and the base and fess points respectively; the first inscribed Pater, the second Filius, and the third Spiritus Sanctus, the centre Deus; the connecting portions of the orle between them having the words non est, and those of the pall est».
Blazon keywords: Without divisions, Azure, Cyclamor, Pall, Closed, Argent, Charged, Bezant and plate, Or, Dexter, Sinister, Chief, Base (lower 1/3) and Heart.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Watercolor and Hard metal.
Classification: Religious, Interpreted, Imaginary and Coat of arms.
Imaginary bearer: Holy Trinity.
Royal and imperial German dynasty.
Quarterly Argent and Sable.
Escudo cuartelado de plata y sable.
Illuminated with lights and shadows and with a watercolor finish.
Blazon keywords: Quarterly, Argent and Sable.
Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted.
Bearer: House of Hohenzollern.
Quarterly: 1 and 4 Gules, a lion rampant, double queued Argent, armed, langued, and crowned Or; 2 Azure, a letter «G» Or; 3 Azure, a coronet trefoiled Or
Escudo cuartelado: 1o y 4o de gules, un león rampante, de cola horquillada de plata, armado, lampasado y coronado de oro; 2o de azur, una letra «G» de oro; 3o de azur, una corona trebolada de oro
This coat of arms is illuminated with lights and shadows and has a finish like glass.
The Hradec Králové Region is an administrative unit of the Czech Republic. It is located in the historical region of Bohemia. Its capital is Hradec Králové, whose Latin name is «Gradicium», hence its old name «Gradec». The letter «G» seen in both the coat of arms of the Hradec Králové Region and the coat of arms of its capital originates from this historical name. The lion rampant Anrgent, double queued and crowned in the 1st and 4th quarters is the symbol of Bohemia, and it also appears in the 1st and 4th quarters of the coat of arms of the Czech Republic. «Králové» means «of the queen» in Czech and there is a trefoiled crown in the 3rd quarter
Blazon keywords: Quarterly, Gules, One, Lion, Rampant, Tail, Double queued, Argent, Armed, Langued, Crowned, Or, Azure, Letter, Coronet trefoiled, Ancient coronet, Crown and Trefoiled.
Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic and Interpreted.
Bearer: Hradec Králové Region.
You might belong in Hufflepuff where they are just and loyal. In Hufflepuff they are very patient and unafraid of hard work.
Party per pale: 1 Or, a badger rampant Sable; 2 Sable, a badger rampant, regardant Or.
Escudo partido: 1o de oro, un tejón rampante de sable; 2o de sable, un tejón rampante, contornado de oro.
Imaginary arms of Hufflepuff realized in the following way: the mouth of the coat of arms is rounded; the field is illuminated and has a marble finish; and the badgers, each facing one side, are illuminated, outlined by the field, and finished with a hammered metal effect.
The initial quote, next to the Hufflepuff coat of arms, is taken from [Rowling, J. K.; 1997] and corresponds to «You might belong in Hufflepuff, Where they are just and loyal, Those patient Hufflepuffs are true, And unafraid of toil».
When blazoning the 2nd badger, it must be taken into account that its head is regardant, which is what «is said of animals, or their heads, turned toward the sinister side of the shield» [Avilés, J.; 1725a; page 55] and [Avilés, J.; 1780a; page 61].
Blazon keywords: Party per pale, Or, Sable, Badger, Rampant and Regardant.
Style keywords: Rounded, Illuminated, Outlined in the field tincture, Marmoreal and Metal beaten.
Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.
Imaginary bearer: Hufflepuff at Hogwarts.
Cheshire, 1613, 1663 and Vale-Royal.
Azure, a chevron Or, between three lozenges Or.
Escudo de azur, un cabrio de oro, acompañado de tres losanges de oro, dos y uno.
Coat of arms interpreted with: a rounded base; the field and chevron illuminated in Azure and Or respectively; the lozenges in plain Or enamel and outlined in Sable; and with a leather finish.
In [Goldstraw, M. S. J.; 2013b] it is blazoned as «Azure, a chevron between three lozenges Or» and includes a crest blazoned as «Crest: An eagle with wings expanded Sable, beaked Or», which is not represented here.
Blazon keywords: Without divisions, Azure, Or, Chevron, Between, Lozenge and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Hyde de Norbury.
Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules charged with eight crosses botonny Argent.
Escudo de plata, pendiente del jefe una lampara de aceite de tres cabezas de león arrancadas y aladas de sinóple; una bordura de gules cargada de ocho cruces botonadas de plata.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finishing.
The coat of arms of Peter Iacobucci designed by him and, following David Lavery's directions, emblazoned by me.
Blazon keywords: Argent, Vert, Gules, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged and Cross botonny.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Religious, Interpreted, Boa and Coat of arms.
Bearer: Iacobucci, Peter.
Quarterly: 1 and 4 Or, four pallets Gules; 2 and 3 Gules, two bezants in pale.
Escudo cuartelado: 1o y 4o de oro, cuatro palos de gules; 2o y 3o de gules, dos bezantes en palo de oro.
Coat of arms of IESE interpreted by me as follows: the shield has a semicircular (round) base; the field is illuminated in flat tinctures Or and Gules; the eight pales and the four bezants are illuminated in Gules and Or; and the whole coat of arms has a beaten metal finish.
IESE was founded in 1958 under the name Institute of Higher Business Studies, it is the business management school of the University of Navarra and is currently known as IESE Business School.
Blazon keywords: Quarterly, Gules, Or, Pale, Bezant and plate and In pale.
Style keywords: Semi-circular, Illuminated and Metal beaten.
Classification: Interpreted, Socioeconomic, Education and Coat of arms.
Bearer: IESE.
Argent, a lion rampant guardant Vert, armed and langued Gules; on a chief Gules, a mullet of six points voided, interlaced Argent between two hearts Or.
Escudo de plata, un leopardo leonado de sinople, armado y lampasado de gules; un jefe de gules cargado de una estrella de seis puntas, hueca y entrelazada de plata acompañada de dos corazones de oro.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a texturized finishing.
The coat of arms of Yishay Ifrah emblazoned by me. Alternative blazon: «Argent, a lion rampant guardant Vert, armed and langued Gules; a chief Gules charged with a star of David Argent between two hearts Or».
Blazon keywords: Argent, Vert, Gules, Or, One, Two, Lion rampant guardant, Armed, Langued, Chief, Charged, Star of David, Mullet, Voided, Interlaced, Between and Heart.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ifrah, Yishay.
Partido de dos y cortado de lo mismo: 1o de gules, una paloma de oro; 2o de plata, una paloma de gules; 3o de sinople, una paloma de plata; 4o de oro, una paloma de sinople; 5o de azur, una paloma de oro; 6o de oro, una paloma de azur; 7o de púrpura, una paloma de oro; 8o de plata, una paloma de púrpura; y 9o de sable, una paloma de plata. Lema: «Manete In Me».
Coat of arms of Ignacio Koblischek Zaragoza interpreted with: a semicircular (round) base; the quarters in plain Gules, Azure, Vert, Sable, Purpure, Or and Argent; the doves illuminated in Gules, Azure, Vert, Purpure, Or and Argent and outlined in Sable; the motto illuminated in Or with letters in Sable, but with the capitals in Gules; and the whole with a stained-glass finish.
Ignacio Koblischek Zaragoza, Graduate in Genealogy and Heraldry, is the founder and director of the Registro Internacional de Armas Gentilicias.
He is currently working on a course entitled El Sistema Heráldico which he publishes chapter by chapter.
Categories: Link, Heraldry and heralds, Interpreted, Personal, Coat of arms, Semi-circular, Quarterly, Glass, Illuminated, Outlined in sable, Gules, Azure, Vert, Sable, Purpure, Or, Argent, Dove and Motto.
Root: Koblischek Zaragoza, Ignacio.
Gules, a lion rampant Or, charged with a pallet gemel chequey Argent and Sable. Motto: «Quem Timebo» Sable with initial letters Gules over a scroll Argent.
Escudo de gules, un león rampante de oro, cargado de un palo gemelado ajedrezado de plata y sable. Lema: «Quem Timebo» de sable con iniciales de gules sobre una filacteria de plata.
Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Blazon keywords: Gules, Or, Argent, Sable, One, Lion, Rampant, Charged, Pallet, Gemel, Chequey and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Pérez de Bartolome, Ignacio.
Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent.
The coat of arms of Iker Lanzagorta Ochoa, designer, and manufacturer of wooden furniture. This coat of arms has been designed by him, his father Juan Lanzagorta Vallín, and me, and emblazoned by me. The image illustrates my process in 3 steps: 1) delineation with ratios, 2) plain color and metals, and 3) light and shadows. When 2 elements are in saltire I use to see the element bendwise more times under than over the other element. But being bendwise more important than bend sinisterwise I decide, time ago, to emblazon the element bendwise over by default.
Blazon keywords: Vert, Argent, Or, One, Two, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief and Adze.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Iker.
In Castile, a coat of arms quarterly does not necessarily signify inheritance. This schema illustrates two practices: a) Quarterings can represent the mother in the 1st and 4th quarters and the father in the 2nd and 3rd, highlighting the prominence given to the maternal line by placing it in the most visible quarters. b) Quarterings can also include personal symbols and concepts, like canting arms, for example, «Manuel» =«mano» + «ala» = «hand» + «wing», combined with ancestral arms. This flexibility reflects Castilian heraldic traditions, where arms are not strictly marshalled by inheritance. The inclusion of maternal arms in the 1st and 4th quarters highlights how Castilian heraldry often elevates maternal heritage, differing from some other heraldic traditions. The previous commentary emphasizes the creative freedom in Castile, where quartering could incorporate personal symbols or canting arms without the constraints of inheritance or dominium. This flexibility aligns with Castilian culture, allowing heraldry to reflect personal identity, not just dynastic ties. Notably, the arms of Infante Enrique's use of a cross flory demonstrates this creative freedom, showcasing the ability to innovate within heraldry even in royal contexts. While this might seem unconventional compared to other heraldic systems, it is deeply rooted in Castilian tradition. All coats of arms in this schema have been emblazoned by me.
Blazon keywords: Argent, Purpure, Gules, Or, Azure, Sable, One, Quarterly, Lion, Rampant, Armed, Langued, Castle, Triple-towered, Port and windows, Masoned, Bordure, Compony, Eagle, Cross flory, Cross couped, Party per pale, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards and Hilted.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Design rationale, Schema, Boa and Coat of arms.
Bearer: Manuel of Castile, Infante.
180th Pope of the Church, from 1243 to 1254. «Innocentius IV», born Sinibaldo dei Fieschi, was born in Manarola in northwest Italy.
Bendy of six Azure and Argent.
Escudo bandado de seis piezas de azur y plata.
Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; bands illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.
In the bendy pattern, the tinctures are named starting from the one located at the dexter base of the shield and following an ascending sequence towards the sinister chief, although the most orthodox approach is to have only 2 tinctures, being one color and one metal.
It is said that it is not necessary to specify the number of bands when there are precisely 6, as in this case, and that it should be specified when there are, for example, 4 or 8. I have chosen to specify it for greater clarity of the blazon.
About the bendy pattern and the need to specify or not specify the number of its pieces, [Avilés, J.; 1725a; pages 40 and 41] and [Avilés, J.; 1780a; pages 45 and 46] say that it is «composed of four, six, or eight bends; in such a way that there are as many colors as metals, always specifying the number four and eight bands when blazoning, and not the one composed of six, as it is understood thus, without declaring the number of pieces» and without agreeing with it, and by its wording I believe that he is not entirely in agreement either, he adds «the reason that may exist for not specifying the number of six bends (although the authors do not express it) is that as the bend is one-third of the shield; and having six pieces, or six bends, the resulting number is doubled, as if the three parts were divided, which implies that the shield is filled with three bends; and taking the denomination of the figure infers, that the bendy is of six pieces: which does not happen with this equality in those of four and eight, requiring other proportions and consequently it becomes necessary to specify their number», therefore, note that the bendy of 6 does not follow the proportions of the bend, nor do those of 4 or 8, the only differential property of the one of 6 is being a multiple of 3, being 1/3 the width of the bend.
Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Innocent IV.
Azure, a harp Or, stringed Argent
Escudo de azur, un arpa de oro, cordada de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, One, Harp, Or, Stringed and Argent.
Style keywords: Leather, Outlined in sable, Illuminated and Ogee.
Classification: Civic, Republic of Ireland, Interpreted and Coat of arms.
Bearer: Ireland.
Israel~ישראל.
Azure, a Menorah between two olive branches Argent; in base the legend
«ישראל» Argent.
Interpreted coat of arms: with a rounded and pointed shape; illuminated with metal argent and color azur; outlined with sable; and a Watercolor finish.
Blazon keywords: Without divisions, Azure, One, Menorah, Argent, Accosted, Two, Branch, Olive tree, Tree and Motto (identification).
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Coat of arms, Interpreted, Civic and State of Israel.
Bearer: Israel.
It has been emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a texturized finishing.
The coat of arms of Itziar Lanzagorta Ochoa, designed by her and her father Juan Lanzagorta Vallín, and emblazoned by me, was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown with 3 different outer contours oval, finished with a semicircular arch, and finished with an ogee arch, together with the blazon and the design rationale.
Blazon keywords: Argent, Azure, One, Semé, Mullet, Voided, Interlaced and Conjoined.
Style keywords: Outlined in sable, Illuminated, Oval, Semi-circular and Ogee.
Classification: Personal, Interpreted, Boa and Slide.
Bearer: Lanzagorta Ochoa, Itziar.
Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure. Motto: «Marche dans ta voie avec Dieu».
Escudo de azur, en punta tres burelas ondadas de plata sumadas de un barco normando de oro con vela de plata; en un jefe de gules, dos leopardos de oro, armados y lampasados de azur; una bordura de plata cargada de ocho bellotas puestas en banda de azur. Lema: «Marche dans ta voie avec Dieu».
Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Normand Delfin, Jacques William.
James de Sutton ~ James de Sottone, le Fitz.
Ermine, a canton Sable.
Escudo de armiños, un cantón de sable.
Included in [Vincent, MS; 1285; number 599] also known as [St. George's Roll; 1285; number 599].
Blazon keywords: Without divisions, Ermine, One, Canton and Sable.
Style keywords: Semi-circular and Illuminated.
Classification: Interpreted and Personal.
Bearer: Jaime de Sutton.
King of Aragon, Valencia and Majorca, Count of Barcelona, Count of Urgell, Lord of Montpellier and known as the Conqueror
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms interpreted by me as follows: the escutcheon shape is semicircular; the field is rendered in flat Or with a watercolored effect; and the pallets are illuminated and finished with a crystalline texture.
A semicircular-shaped shield of Aragon can be seen, for instance, in [Argote de Molina, G.; 1588; chapter XLII].
This shield, but with a pointed base, appears in the second part of the armorial [Wijnbergen; 1265; shield no. 1,293], under the title «Le roy Darragon». This second part was compiled between 1270 and 1285 and, since James I was king of Aragon from 1213 to 1276, it could refer to him; although it might also refer to his son Peter III, the Great, who succeeded James I in 1276.
This coat of arms is also the arms of Aix-en-Provence, granted to that French city, according to tradition, by Alfonso II of Aragon [Aix-en-Provence; 1351], grandfather of James I, the Conqueror.
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Watercolor and Crystalline.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: James I of Aragon.
Or, a cross of Calatrava. Crest: An open royal crown Or.
Escudo de oro, una cruz de Calatrava. Timbrado de una corona real abierta.
Coat of arms interpreted as follows: the shield's shape is a semicircular arch; the field is illuminated in metal Or; the cross of Calatrava is outlined in Sable and illuminated in Gules; the royal crown is open, outlined in Sable and illuminated in metal Or, pearls in Argent, gemstones in Gules and Vert, and the visible base hollow in Sable; and the entire piece has a slightly hammered metal finish.
The municipality of Jamilena belongs to the La Campiña region and is the smallest in the province of Jaén. I have depicted its coat of arms with an open royal crown, but representations with a closed royal crown can also be found.
The origin of the cross of Calatrava in its heraldic coat of arms dates back to the year 1525 when Emperor Charles V issued several decrees from Toledo to build a convent for nuns in Jamilena. For the construction of this convent, stones from the Muslim castle, which was reformed and occupied by the Order of Calatrava, were used.
Blazon keywords: Without divisions, Or, Cross of Calatrava, Cross couped, Cross, Crest, Open royal crown and Crown.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Civic and Coat of arms.
Bearer: Jamilena.
Gules, a fess chequey Azure and Argent.
Escudo de gules, una faja ajedrezada de azur y plata.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Janovsti of Janovic of Czechia. It is also the coat of arms of the lineage Klenovsky of Klenove of Czech. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Janovsti of Janovic of Czechia, lineage.
Blazon equivalent to: Lindsay of Scotland, lineage.
Quarterly: 1 and 4 Azure, five Bezants in saltire; 2 and 3 Or, three hearts Gules ordered. Crest: Upon a Helm Argent with a Wreath Or and Azure a Lion rampant Or, langued and armed Gules. Mantling: Azure doubled Or. Suspended from the base the insignia of the Cuerpo de la Nobleza del Principado de Asturias.
Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules, Ordered, Crest and mantling, Helm, Argent, Mantling, Wreath, Lion, Rampant, Langued, Armed, Suspended, Base (lower 1/3) and Decoration.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Fernández-Cortés y Fonseca, Javier.
Party per fess, 1 Gules, a stag rampant, issuant from base proper, in the dexter chief a Maltese cross Argent; 2 Azure, a mullet of seven points Argent. Crest: Upon a helm befitting his degree issuant from a crown of Noble above the shield, with a wreath Argent and Gules, a demi-lion Gules, crowned Or, grasping in its paws a swallow-tailed pennon lozengy Gules and Argent, shafted Sable. Mantling: Gules doubled Argent. Motto: «Per Aquas Ad Futurum». Suspended from the shield, the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.
G0131, augmentation of G0042, Chief Herald of Arms of Malta's grant for the arms of Jay Geoffrey De Graaf, Australia. The augmentation consists of the addition of a Maltese cross Argent in the dexter chief. This augmentation of the grant G0042 has been published in the Government Gazette of Malta, Volume 2, No. 20,240, dated 14th February 2023, on pages 1265–1266, in both Maltese and English. These arms have been emblazoned by me for such grant. In the image, the arms appear photographed by the grantee himself, Jay Geoffrey De Graaf.
Blazon keywords: Gules, Azure, Argent, Or, One, Party per fess, Stag, Rampant, Issuant from base, Proper, In the dexter chief, Eight-pointed cross, Cross couped, Mullet, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Demi, Lion, Crowned, Grasping, Paw, Swallow-tail, Lozengy, Shafted, Mantling, Motto, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Grant of arms, Heraldic document, Collage, Photographic, Pennon and Flag.
Bearer: Graaf, Jay Geoffrey De.
Blazon keywords: Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five and Base (lower 1/3).
Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Coat of arms and Structured and parallel blazons.
Bearer: Bessières, Jean-Baptiste.
Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Motto: «Nolite Conformari Huic Saeculo» Sable, with initial letters Gules, over a scroll Argent.
Escudo partido de sinople y azur, brochante sobre el todo una espada puesta en faja de plata, guarnecida de oro, acompañada en jefe de un hórreo de oro, y en punta de una venera de plata acompañada de dos hojas de roble en pila de oro. Lema: «Nolite Conformari Huic Saeculo» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.
Per pale Vert and Azure represents the fields of Galicia facing the sea, with its «horreo» ~ granary and the oak leaves as symbols of Galician nature and of the values of strength and nobility of the bearer. The escallop symbolises the Holy Catholic Faith and traditional and conservative values. The sword represents Justice and the bearer’s studies in Law, as well as strength and worth. The bearer’s motto, «Nolite conformari huic saeculo» ~ «Be not conformed to this world», taken from the Epistle of the Apostle Saint Paul to the Romans, chapter 12, verse 2, expresses his personal view of life.
Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Angueira Duro, Jesus.
Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, all debruised by four bezants, three on the vertex of the triangle, in dexter chief, charged with «el Padre», in sinister chief, charged with «el Hijo», in base, charged with «el Espítiru», and one on the fess point, charged with «Dios» Gules; in chief a label of three points Argent.
Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, todo resaltado de cuatro bezantes de oro, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre», en la siniestra del jefe, cargado con «el Hijo», en la punta, cargado con «el Espítiru» y uno sobre el corazón, cargado con «Dios» todo de gules; en jefe un lambel de tres pendientes de plata.
Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in Azure; the rest is illuminated in Argent and outlined in Sable, except for the bezants which are Or and also outlined in Sable; its letters in plain tinctures, some Gules and others Sable; and the set with a glazed finish.
The pall (perla) as defined by [Avilés, J.; 1780a; page 239] is «a figure composed of three moving cotises, or that emerge from the two angles of the Chief and the Base, which meet in the center or heart of the Shield in the form of a Greek Y, as if this figure were formed from a half Saltire, and a half Pale».
Blazon keywords: Without divisions, Azure, One, Pall, Couped, Argent, Three, Charged, Letter, Sable, Within, Triangle, Reversed, Four, Bezant, In the dexter chief, In the sinister chief, In base, In the fess point, Gules, Cadency and Label of three points.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Glass.
Classification: Religious, Interpreted, Imaginary and Coat of arms.
Imaginary bearer: Jesus Christ.
John de Octon ~ Joan de Okinton.
Or, three cinquefoils Gules.
Escudo de oro, tres quinquefolios de gules.
Included in [Vincent, MS; 1285; number 620] also known as [St. George's Roll; 1285; number 620].
Blazon keywords: Without divisions, Or, Three, Cinquefoil, Gules and Ordered.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Juan de Octon.
This is the coat of arms of Johann Anton Freiherr von Quast that was painted in the Freiherren diploma that was issued in 1790. I have written the text of the blazon for this coat of arms in English and in Castilian in a structured way, to highlight the parallelism between both forms.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa, Coat of arms and Flag.
Bearer: Quast, Johann Anton Freiherr von.
The coat of arms of John Brady from Ireland, designed and emblazoned by me.
Blazon keywords: Sable, Or, Argent, Azure, One, Three, Party per chevron, Dexter, Chief, Sun in splendour, Sinister, Hand, Couped, Wrist, Bendwise, Proper, In base, Brach hound, Dog, Head and Disordered.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Brady, John.
John de Ladbrooke ~ Joan de Lodbroke.
Azure, a chevron Ermine.
Escudo de azur, un cabrio de armiños.
Included in [Vincent, MS; 1285; number 662] also known as [St. George's Roll; 1285; number 662].
Blazon keywords: Without divisions, Azure, One, Chevron and Ermine.
Style keywords: Semi-circular, Illuminated and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Juan de Ladbrooke.
King of England and Lord of Ireland from 1199 to 1216.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Arms of King John interpreted with: a rounded (semicircular) base; the field enamelled with a flat tint of Gules; the leopards illuminated in Or and Azure, outlined in Sable, all three of the same size; and the whole finished with a crystalline effect.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Rounded, Illuminated, Outlined in sable and Crystalline.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: John I of England.
Argent, a lion passant Gules, grasping a Celtic cross Sable in its dexter forepaw, on a chief Vert, a mural crown with five visible oak leaves Argent. Motto: «Protect with Honour and Integrity» Sable, with initial letters Gules, over a scroll Argent.
Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finish.
Blazon keywords: Argent, Gules, Sable, Vert, One, Five, Lion, Passant, Grasping, Celtic cross, Dexter, Forepaw, Chief, Mural crown, Crown, Oak, Tree, Leaf, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Durkan, John Paul.
187th Pope of the Church, from 1276 to 1277. «Johannes XXI», born Pedro Julião, also known as Pedro Hispano, born in Lisbon, Portugal.
Quarterly: 1 and 4 Argent, three crescents Gules; 2 and 3 Sable, two pallets Or.
Escudo cuartelado: 1o y 4o de plata, tres crecientes de gules; 2o y 3o de sable, dos palos de oro.
Coat of arms with: a shield with a pointed and rounded top; the field in plain Argent and Sable; the figures outlined in Sable and illuminated in Gules and Or; and the whole in an elevated line style.
John XXI should have actually been John XX, but Cardinal Pedro Julião, upon being elected pope, decided to skip the number XX and called himself John XXI, with the aim of correcting what was believed to be a historical error, which in the end was not so.
This historical error consisted of the belief in the existence of 2 popes named John XIV, as seemed to be deduced from the records of the «Liber Pontificalis». They were therefore referred to as: the 1st John XIV and the 2nd John XIV bis.
By skipping the number XX, John XXI believed he was correcting this historical error. But the reality is that there was only one Pope John XIV, the same pope with 2 entries in the «Liber Pontificalis», the 1st entry during the time of his pontificate in freedom and the 2nd entry for the time he exercised his pontificate in prison, imprisoned by his enemy, the so-called «antipope» Boniface VII, who, in turn, managed to occupy the papal throne twice, separated by a decade, in 974 and in 984, somewhat like a double «antipope».
Therefore, John XXI, instead of correcting a historical error, made one, and for this reason, there is no Pope John XX in all of history, nor can there ever be one.
Blazon keywords: Quarterly, Argent, Three, Crescent, Gules, Ordered, Sable, Two, Pale and Or.
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: John XXI.
Argent, three lozenges Sable; on a chief wavy Azure, three snowflakes Argent.
Heraldic device emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.
The coat of arms of Jon Sneddon emblazoned by me over his personal tartan registered in the Scottish Register of Tartans. John Sneddon designed his tartan with the help of Elliot Nesterman.
Blazon keywords: Argent, Sable, Azure, Three, Lozenge, Chief, Charged, Wavy, Snowflake and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Sneddon, Jon.
Argent, a multi-rose, which is a rose charged with ten roses conjoined in orle Rose, barbed Vert, seeded Or; a bordure Azure.
Escudo de plata, una multi-rosa, que es una rosa cargada de diez rosas unidas en orla todas de rosa, barbadas de sinople, botonadas de oro; una bordura de azur.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a rhombus external shape and with a watercolor finishing.
Blazon keywords: Argent, Rose, Vert, Or, Azure, One, Ten, Charged, Conjoined, In orle, Barbed, Seeded and Bordure.
Style keywords: Outlined in sable, Illuminated, Rhombus and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jon, eldest granddaughter of.
Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess, Wavy, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Pons Paneque, Jonathan.
This is the coat of arms of Jose Manuel Gutierrez Benitez designed by him and me and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Three, Four, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head and Caboshed.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Gutiérrez Benítez, Jose Manuel.
Argent, a Mexican cedar tree eradicated proper, fructed Or, its trunk charged with the letters «JML» Or, branded with a branding iron.
The coat of arms of Jose Maria Lanzagorta Aras designed by grand nephew Juan Lanzagorta Vallín and emblazoned by me. The image illustrates my process in 3 steps: 1) outlined, 2) plain colors and metals, and 3) lights and shadows. He was a cattle rancher and built the «hacienda» known as «Cedro Viejo» in Veracruz. The Mexican cedar tree (Cedrela salvadorensis) is different from the cedar of the Pinaceae family.
Blazon keywords: Argent, Or, One, Mexican cedar tree, Tree, Eradicated, Proper, Fructed, Trunk, Charged, Branding iron and Letter.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Aras, José María.
Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable.
Coat of arms of Juan Lanzagorta Vallin designed by him and outlined by me. The image illustrates my working process in 3 steps: 1) outlined, 2) flat colors and metal, and 3) lights and shadows. I have never painted a field masoned sable. The chevron Azure symbolizes the firmament seen through an open hole in the masoned wall, like a window open to the sky.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf and Combatant.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Ogee.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Vallín, Juan.
Argent, four leaves of silver-leaved whitebeam (Sorbus Aria Lutescens) in saltire, stems interlaced Vert, on a chief Gules, three crosses of Saint Brigid Argent.
Coat of arms emblazoned by me with a rounded shape, illuminated, and with a leather finishing.
Blazon keywords: Argent, Four, Leaf, In saltire, Stem, Interlaced, Vert, Chief, Gules, Three, Cross of Saint Brigid and Cross couped.
Style keywords: Outlined in sable, Rounded, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Kane, Kathleen.
These are the arms of Kelly Kathleen Knox, PhD, a retired military officer of the US Army and Air Force, primarily serving in medical and humanitarian roles, who served in two wars, was honored with the Meritorious Service Medal with one Oak Leaf Cluster, among other distinctions, and was inducted into the Ohio Veterans Hall of Fame. Her arms were designed by her and me and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Argent, Gules, Or, Vert, Sable, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised and Rose.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Knox, Kelly Kathleen.
Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent. Motto: «Fortificado por el Sol».
Escudo de azur, un castillo partido de plata y oro, mazonado de sable, aclarado de azur, acompañado en jefe de dos fajas ondadas de plata, y en en punta de dos fajas ondadas de plata. Lema: «Fortificado por el Sol».
Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
The arms of Kevin Larkin from Ireland and Spain, designed and emblazoned by me. In heraldry, the rule of tinctures states «no color on color, no metal on metal». This means a castle metal Argent cannot bear a castel metal Or as a charge. However, in this design, the castle is divided party per pale, vertically, into Argent and Or. This division allows both metals to coexist, as each metal occupies one side of the charge without violating the tincture rule. Similarly, in a party field, both quarters can be of the same type, either color or metal, making this design heraldically correct.
Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy, In base and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Larkin, Kevin.
Gyronny Azure and Argent, on a hurt, a triquetra Argent; a bordure Sable. Crest: Upon a wreath Argent and Azure, a mountain bluebird (Sialia currucoides) volant proper.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.
The arms of Kimberly Louise Severson designed by her and emblazoned by me.
Blazon keywords: Azure, Argent, Sable, One, Gyronny, Hurt, Celtic Trinity knot, Knot, Bordure, Crest, Upon (wreath), Wreath, Mountain bluebird, Volant and Proper.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Severson, Kimberly Louise.
Kimon Andreou edits, from November 2008 to July 2015, his interesting idtg.org on heraldry, genealogy, history and other related topics.
The name and domain of this blog idtg.org are the acronyms of Kimon Andreou's own Greek motto which says:
This motto has led him to seek knowledge since he was young and he offers it to us with his enjoyable posts about biographies, books on heraldry, coats of arms that generate controversy, on how to design your own coat of arms (gentilitian), heraldic artists, nobility, orders of chivalry and merit, orthodox orders and many other topics that I recommend.
Categories: Link, Interpreted, Personal, Coat of arms, Party per fess, Parchment, Illuminated, Outlined in sable, Heraldry and heralds, Azure, Argent, Saltire, Overall, Counterchanged, Barn owl, Regardant, Tree, Oak, Erased and Motto.
Root: Andreou, Kimon.
King Arthur
Gules, three crowns in pale Or.
Escudo de gules, tres coronas en palo de oro.
Imaginary coat of arms interpreted as follows: the mouth of the shield is pointed and rounded; the field has been enameled with flat color Gules; the crowns are illuminated Or and shaded; and the finish is crystalline.
The interpretation of this coat of arms has been carried out following as a model the arms that represent him in the armorial of [Edward IV of England; 1461; row 15, 2nd column], taking into account that this armorial presents 2 different arms for King Arthur.
Blazon keywords: Without divisions, Gules, Or and Crown.
Style keywords: Illuminated, Shaded, Outlined in sable, Crystalline and Ogee.
Classification: Interpreted, Imaginary, Coat of arms and Kingdom of England.
Imaginary bearer: Arthur of Britain.
Metal Or over metal Argent.
Argent, a cross potent cantoned of four crosslets potent Or.
Escudo de plata, una cruz potenzada cantonada de cuatro cruces potenzadas todas de oro.
Illuminated with lights and shadows and with a freehand finish.
Perhaps the most classic example of non-compliance with the heraldic rule of tinctures having metal Or over metal Argent. In [Galdiano L.; Century XVII; folio 6], you can see a version of the arms of Jerusalem with the field in Gules, which would indeed follow the rule of tinctures as it is metal on color.
Blazon keywords: Without divisions, Argent, One, Cross potent, Cross couped, Cantoned, Four and Or.
Style keywords: Freehand, Outlined in sable, Illuminated, Semi-circular and Metal on metal.
Classification: Interpreted and Civic.
Bearer: Kingdom of Jerusalem.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or; 3 Or, four pallets Gules; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules. Crest: A closed royal crown. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Motto environing the columns and behind the shield: «Plus Ultra» Or over a scroll Gules.
Arms of the Kingdom of Spain. This image combines three photographs of this coat of arms on the façade of the Ministry of Defence building on the Paseo de la Castellana in Madrid, just a few metres from my office, together with my own artistic interpretation of the same arms. In the version on the façade of the Ministry of Defence, the crowns above the columns do not touch the columns, which I believe is the correct way to depict them, although the central crown does appear to rest upon the shield of Spain. There are more interpretations that place the crowns resting on the columns than those that do not, and I photographed this particular version from the Ministry of Defence because it is especially relevant due to its size and institutional significance. On the arrangement of the crowns: a) Royal Decree 1511/1977, of 21 January, enacted during the so-called Transition and approving the Regulations on Flags and Standards, Guidons, Insignia and Distinctive Signs, states: «Rule No. 2. Coat of Arms of Spain… Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one…». b) The subsequent Law 33/1981, of 5 October, regulating the current coat of arms of Spain, likewise states: «…Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one». c) The term «superado» in the heraldic dictionaries in which it appears refers, as a synonym, to «surmontado». d) The definitions of «surmontado» include: «a charge which, at its upper part, has another above it but without touching it», «also said of superado», and «a figure that bears another above it, but without touching it». In light of a), b), c) and d), the two crowns should therefore be painted not touching the columns. However, in the illustrative drawing contained in Royal Decree 1511/1977 the crowns do touch the columns, contradicting its own wording, although in heraldry, when in doubt, the written blazon always prevails; and in most official representations the crowns do indeed touch the columns. Nevertheless, this personal interpretation of both the coat of arms of Spain and of the proper way to write its blazon, where the lateral crowns do not touch the columns, and then I decide that, following the same criterion, the central crown should not touch the shield either, so the result differs from the official version.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Two, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Imperial crown, Dexter, Sinister, Motto, Environed, Behind the shield and Scroll.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Civic, Kingdom of Spain, Interpreted, Boa, Photographic and Collage.
Bearer: Spain, Kingdom of.
Party per chevron Gules and barry wavy Argent and Azure, in chief two Dogwood flowers (Cornus Florida) proper, in base a Cross of Saint Chad Gules.
Escudo de gules, mantelado en punta fajado ondado de plata y azur, en jefe dos flores de cornejo florido (Cornus Florida) al natural y en punta una cruz de san Chad de Mercia de gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.
These are the arms of Chad Michael Krouse emblazoned by me.
Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad and Cross couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Krouse, Chad Michael.
Party per chevron Vert and Or, in chief a sackbut fesswise Or, in base a thistle slipped and leaved proper. Crest: Upon a helm, with a wreath Or and Vert, a bluethroat (Luscinia svecica) proper. Mantling: Vert doubled Or. Motto above the crest: «Less Is More».
Illuminated, an irisdiscent finishing, and the inner of the thistle is outlined in the metal Or of its field.
Blazon keywords: Vert, Party per chevron, Or, In chief, Sackbut, Fesswise, In base, Thistle, Leaved, Slipped, Proper, Motto, Crest and mantling, Helm, Mantling, Wreath and Crest.
Style keywords: Iridescent (nacar), Outlined in sable, Outlined in the field tincture, Illuminated and Pointed.
Classification: Personal, Interpreted, Grant of arms, Heraldic document and Coat of arms.
Bearer: Sky, Laird.
Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent.
Escudo partido: 1o bandado ondado de azur y oro; 2o bandado ondado de azur y plata; brochante sobre el todo tres peces nadantes en palo de plata.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of Juan Lanzagorta Aras designed by Juan Lanzagorta Vallín and emblazoned by me. In the case of bendy fields like these, it is not immediately clear whether they should be blazoned as bendy Azure and Or and bendy Azure and Argent, or rather as bendy Or and Azure and bendy Argent and Azure. I have followed the criterion of starting to list the tinctures from the dexter chief of each quarter, and for that reason I blazon them as bendy, in this case wavy bendy, Azure and Or and wavy bendy Azure and Argent, since in both quarters it is Azure that begins at the dexter chief.
Blazon keywords: Azure, Or, Argent, Three, Party per pale, Bendy, Wavy, Overall, Fish, Naiant and In pale.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Aras, Juan.
Azure, a chief wavy and barry wavy of twelve Azure and Argent debruised and interlaced by a fish urinant Argent.
Escudo de azur, un jefe ondado y burelado ondado de doce piezas de azur y plata, resaltado y entrelazado de un pez sumergido de plata.
Coat of arms of Juan Bautista Lanzagorta Escutia designed by Juan Lanzagorta Vallín and emblazoned by me. It recalls the sad story of a shipwreck.
Blazon keywords: Azure, Argent, One, Twelve, Chief, Wavy, Barry, Debruised, Interlaced, Fish and Urinant.
Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Escutia, Juan Bautista.
Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced.
Escudo de plata, un cabrio de sable y un uróboros de azur, armado y lampasado de sable, entrelazados.
Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.
The coat of arms of Ixai Lanzagorta Ochoa, designed by him, his father, Juan Lanzagorta Vallín, and me, and emblazoned by me.
Blazon keywords: Argent, Sable, Azure, One, Chevron, Ouroboros, Armed, Langued and Interlaced.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Ixai.
D'or à un arbre arraché de sinople, accosté à dextre de la lettre capitale «D» et à senestre de la lettre capitale «L» du même, et une étoile d'azur posée au canton dextre de la pointe.
Or, a tree eradicated Vert between a capital letter «D» and a capital letter «L» Sable, in the dexter of the base a mullet Azure.
Illuminated with lights and shadows and with a leather finish.
Blazon keywords: Without divisions, Or, One, Tree, Erased, Vert, Between, Letter, Sable, Canton, Dexter, Base (lower 1/3), Mullet, Five and Azure.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Gules, a rose between in chief a key wards to dexter facing downwards, in base a key wards to sinister facing downwards Argent.
Escudo de gules, una rosa acompañada en jefe de una llave con el dentado hacia la diestra y abajo, en punta de una llave con el dentado hacia la siniestra y abajo, todo de plata.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.
Blazon keywords: Gules, Argent, One, Rose, Between, In chief, Key, Dexter, Point upwards, In base, Point downwards and Sinister.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Larrosa Gil, Francisco Domingo.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finish.
The coat of arms of Corey Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Corey Scott.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a label Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un lambel de gules.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of Ryker Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Crescent and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Ryker Scott.
Gules, three lozenges Or; a bordure lozengy Gules and Or.
Escudo de gules, tres losanjes de oro; una bordura losanjada de gules y oro.
Arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.
Coat of arms of Javier Lasuncion Patus designed by him and me and emblazoned by me.
The field is Gules with charges of Or, as in the coats of arms of the lineages Asuncion and de la Asuncion and lineage Patus. In both lineages, there are three well-ordered Or elements, 2 and 1. The lozenges come from the first lineage and are complemented by a lozengy border. The lineage Patus, instead of three lozenges, features three fleurs de lis on a field of Or.
Blazon keywords: Gules, Or, One, Three, Lozenge, Lozengy and Bordure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Lasuncion Patus, Francisco Javier.
Gules: a warren hound parado statant Or; a base hearty Or.
Escudo de gules: un podenco parado de oro; la campaña encajada de corazones de oro.
Coat of arms that I have created with: the shield’s shape pointed and rounded; its field painted in flat tint gules; the warren hound and the base hearty are illuminated Or and delineated Sable; and the whole is executed in raised-line drawing.
A base made of generous hearts Or, interlocked with hearts Gules, red as blood, gives its support to a Spanish warren hound standing upon it. They are the hearts of those who love, protect and care for the hounds, intertwined with the hearts of the hounds whose noble heartbeats are evoked in the motto.
The founders of this Spanish warren hound shelter did not wish for a dog armed and langued, since those heraldic attributes would imply that the animal is not truly in need of protection. They preferred instead to highlight the podenco’s loyalty and faithfulness.
In English heraldry, ordinary lines of partition such as «almenado» ~ «embattled», «acanalado» ~ «invected», or «angrelado» ~ «engrailed» have well-established names. There is, however, no general rule for blazoning lines formed by repeated and more elaborate figures, such as fir trees, fleurs de lis, or other shapes.
Each case tends to receive a descriptive or newly coined term, such as «sapiné» or «flory» «flory counterflory», in these last two cases depending on whether the figures all point in one direction or alternate upward and downward.
Note that in «sapiné» the charm lies precisely in that alternation: the fir trees point alternately upward and downward, so that the figures interlock with each other.
Therefore, if a new figure appears, such as the heart in this case, with hearts pointing upward, one might say «hearty» or, more specifically, «hearty counterhearty»; but following the example of «sapiné», we shall simply blazon «hearty».
For example, the line formed by dovetail shapes, called «dovetailed» in English, is blazoned in Spanish as «encajada de colas de milano», even changing the name of the bird. Note that in this case they interlock precisely because some point upward and others downward, hence their use in joinery, cabinetry, and related arts.
In Spanish there are classical terms for the most common forms, such as «almenado», «acanalado» or «angrelado», with «encajado» ~ «dancetty» being perhaps the most characteristic, where the angles interlock alternately upward and downward.
When facing new or uncommon shapes, instead of inventing a new term we prefer to use the basic one, «encajado», adding afterwards the specific figure that forms the interlock, for example, «encajado de abetos» ~ «sapiné».
Thus, in this case we blazon «the base hearty», with the hearts alternating upward and downward, just as in the traditional «encajado» the angles alternate both ways.
Blazon keywords: Without divisions, Gules, Or, Warren hound, Dog, Base, Base (lower 1/3), Dancetty and Heart.
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Created, Socioeconomic, Design rationale, Criterion and Coat of arms.
Bearer: Latidos Podencos.
Coat of arms of Laurent Liu-Lecomble designed by him and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Azure, Argent, Gules, Or, One, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Ogee and Rough.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Liu-Lecomble, Laurent.
Admiral of the Fleet of the Crown of Aragon.
Argent, three bendlets sinister Azure.
Escudo de plata, tres barras de azur.
Coat of arms interpreted by me with: a pointed and rounded shape; its bends sinister with a slope corresponding to the 5x6 proportion, distributed evenly along the entire dexter diagonal of the rectangle in which the coat of arms is inscribed; the field in plain Argent tincture; the bends sinister illuminated in Azure and outlined in Sable; and the whole with a rough finish.
Initially, I had blazoned it in English as «Bendy sinister of seven Argent and Azure», but in a conversation on a forum of The International Heraldry Society, it was pointed out to me that in the case of an odd number of bands or bends, it should not be blazoned as «bendy». Therefore, the English blazon is equivalent to the Spanish blazon «Argent, three bendlets sinister Azure».
Blazon keywords: Without divisions, Argent, Azure and Bend sinister.
Style keywords: Ogee, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Personal and Army and Navy.
Bearer: Lauria, Roger de.
Azure, five flies in saltire Or.
Escudo de azur, cinco moscas puestas en sotuer de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
This is the coat of arms of the lineage Laydin emblazoned by me, as described in [Cadenas y Vicent, V. de; 1987; page 989], whose blazon is equivalent to that of the Zendreros lineage, also described in [Cadenas y Vicent, V. de; 1987; page 1941].
Blazon keywords: Azure, Or, Five, Fly and In saltire.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Laydin, lineage.
Gules, a castle triple-towered Or, masoned Sable, issuant from its port a dragon passant Vert, in chief a pelican in her piety Argent, vulned Gules.
Escudo de gules, un castillo de oro, mazonado de sable y saliendo por su puerta un dragón pasante de sinople, en jefe un pelícano desplegado de plata, la piedad de gules.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Lazaro of Aragon emblazoned by me.
Blazon keywords: Gules, Or, Vert, Argent, One, Castle, Triple-towered, Masoned, Issuant (port), Dragon, Passant, In chief, Pelican in her piety and Pelican.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lazaro of Aragon, lineage.
Blazon of the lineage Lazcano in the Canary Islands.
Vert, nine Poplar leaves ordered, in chief a «T» letter Or.
Illuminated and leather finishing.
It can be consulted at [Chaparro D'Acosta L.; 1979; página 251].
Blazon keywords: Without divisions, Vert, Letter, Poplar leaf, Or and Nine.
Style keywords: Leather, Outlined in sable and Illuminated.
Classification: Interpreted.
Gules, a lion passant, guardant Or.
Escudo de gules, un leopardo de oro.
Arms interpreted by me with: the shape of the coat of arms rounded; the field illuminated in Gules; the leopard illuminated in Or, outlined in Sable, and shaded; and the whole composition finished with a marble texture.
A description of the leopard in heraldry can be found in [Medél, R.; 1846; page 38].
Blazon keywords: Without divisions, Gules, One, Leopard and Or.
Style keywords: Rounded, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted, Personal, Coat of arms, Duchy of Aquitaine, Kingdom of France and Kingdom of England.
Bearer: Leonor de Aquitania.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Existing armorial bearings interpreted as follows: the shape of the shield is pointed and rounded; the field has been enamelled in flat Gules; the three leopards are outlined in Sable and illuminated in metal Or with details in Azure; and the whole composition has a watercolor finish..
In [Humphery-Smith, C.; 1983; paragraph 2] the coat of arms of Eleanor Plantagenet, Queen Consort of Castile, is described, as part of an analysis on the origin of the three leopards in the coat of arms of England. However, in this description, an error is made by replacing the V with an X in the numeral of her husband and king, thus naming Alfonso VIII of Castile as if he were King Alfonso XIII: «Eleanor who married Alfonso XIII, King of Castile and Leon, has depicted on her tomb in the Huelgas monastery of the Cistercian nuns at Burgos, a thirteenth-century shield depicting three crowned leopards (lions passant guardant) gold on red».
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Ogee, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.
Bearer: Leonor Plantagenet.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; the whole debruised by a label of three points Azure.
Escudo cuartelado: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; 2o de plata, un león rampante de púrpura, lampasado y armado de gules, coronado de oro [de León]; 3o de oro, con cuatro palos de gules [de Aragón]; 4o de gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople [de Navarra]; entado en punta de plata, una granada al natural, tajada de gules, tallada y hojada de sinople [de Granada]; un escusón de azur, tres flores de lis de oro, 2 y 1, una bordura de gules [de Borbón]; brisado de un lambel de tres pendientes de azur.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
This is the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias, Princess of Girona, and Princess of Viana, heiress of the throne of Spain as the elder daughter of King Felipe VI and Queen Letizia. This version of her coat of arms has been emblazoned by me. The coat of arms of the Princess of Asturias is the same as her father's, the King, but with a mark of cadency which, in heraldic terms, is also know as brisure. In this case, the cadency mark is a label Azure with three points, which will be removed in due course. The label of three points is the main and most classic of the brisures, usually assigned to the eldest heir. It is said to originate from a piece of cloth the son would tie at the top of his shield to distinguish it from his father's. Other common brisures include the crescent, the mullet of five point, the marlet, the annulet, or the fleur de lis. In addition to these simple brisures, there are also combined brisures, which are brisures charged with another or others. For example, a crescent charged with a fleur de lis. Labels may also have their points charged with other marks. Many cadency systems become more complicated as generations progress and branches open up, so they tend to be rarely used except in very clear cases like this one.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency and Label of three points.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Leonor Princess of Asturias.
Of the twelve lineages of Noblemen, the sixth is that of Lete, from which descended Don Juan Corbarán de Let: they bear as arms, on a field Or, three pots shaped like cauldrons, slightly elongated, as painted in this shield.
Or, three Fleshpot Sable.
Escudo de oro, tres potes de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the three pots illuminated in Sable with vertical, but not horizontal symmetry; and finished in highly-hammered metal.
It is not easy to find in English a similar figure:
Coat of arms based on the sixth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Although I have not found any reference about it, it could be considered that originally they might have been canting arms and that these three «potes» could have been milk pots, in reference to their bearers «Lete».
Under the title «Surname of Let» it can also be consulted in [Vega, P. J. de; 1702; folio 6 of the manuscript], although the number has been altered, possibly having been a 5 and perhaps interpreted as an 8, it is deduced by being placed after folio 7.
Blazon keywords: Without divisions, Or, Clay pot and Sable.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal, Kingdom of Navarre and Canting.
Bearer: Lete of Navarre.
Azure semé of millrinds Or; on a dexter canton Or, a lion rampant Purpure, armed and langued Gules.
Escudo de azur sembrado de anillas de molino de oro; en un cantón diestro de oro, un león rampante de púrpura, armado y lampasado de gules.
Coat of arms emblazoned by me with a pointed shape, the lion is outlined with the color of the field, Purpure, the millrinds are outlined Sable, all the coat of ars is illuminated, and with a watercolor finishing.
Blazon keywords: Azure, Semé, Millrind, Or, One, Canton, Dexter, Lion, Rampant, Purpure, Armed, Langued and Gules.
Style keywords: Pointed, Outlined in sable, Outlined in the field tincture, Illuminated and Watercolor.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Lincoln's Inn, The Honourable Society of.
Gules, a fess chequey Azure and Argent.
Escudo de gules, una faja ajedrezada de azur y plata.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a parchment finishing.
Coat of arms of the lineage Lindsay of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lindsay of Scotland, lineage.
Blazon equivalent to: Janovsti of Janovic of Czechia, lineage.
Gules, a fess chequey Azure and Argent, in chief three mullets of five points Argent.
Escudo de gules, una faja ajedrezada de azur y plata, en jefe tres estrellas de cinco puntas de plata.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Lindsay of the Byres. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess, Chequey, In chief and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lindsay of the Byres, lineage.
Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it. Motto: «In Deo Spes Mea».
Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco. Lema: «In Deo Spes Mea».
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.
Coat of arms of the lineage Argüello of Extremadura emblazoned by me. This motto was found by Eleonora on a pair of Chinese porcelain plates made for the Spanish market, Qianlong period, circa 1770, which bear the arms of the Argüello lineage.
Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Tree, Proper, Fructed, Eradicated, Goat, Supporting and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argüello of Extremadura, lineage.
Gules, an eagle displayed Or.
Coat of arms of the lineage Baldovino from Venecia, emblazoned by me in 4 steps: guideline drawing, outlined, plain color and metal, and lights and shadows. From Jean-Baptiste Rietstap, «Armorial général», 1st edition, 1861, [Rietstap, J. B.; 1861; P1 CXII B, row 7, column 7].
Blazon keywords: Gules, Or, One, Eagle and Displayed.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Baldovino from Venecia, lineage.
[ Or, a fess chequey Gules and Argent ] · [ Or, a fess chequey Azure and Argent ] · [ Gules, a fess chequey Azure and Argent ] · [ Gules, a fess chequey Azure and Argent ] · [ Azure, a fess chequey Gules and Argent ].
Diagram featuring the coat of arms of the lineage Mark of Germany with the coats of arms of Stewart of Scotland, Janovští z Janovic, Klenovský z Klenové of Czechia, and Lindsay and Boyd of Scotland.
Blazon keywords: Or, Gules, Argent, Azure, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Mark of Germany, lineage.
Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable. Motto: «Laus · Virtutis · Actio».
Escudo cortado de azur y sable, brochante sobre la partición un castillo de cuatro torres de oro, aclarado de sable. Lema: «Laus · Virtutis · Actio».
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee triple-pointed external shape and with a leather finishing.
Blazon keywords: Azure, Sable, Or, One, Party per fess, Overall, Four-towered, Castle, Port and windows and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rawson, lineage.
Or, three lion’s paws erect and erased Or, 2 and 1, each grasping a Madonna lily Argent.
Coat of arms of the lineage Terraza of Aragon, emblazoned by me in 3 stages: guideline drawing and outlining, plain colors and metals, and light and shadow work, following the instructions of Enrique de Álzaga Aliena.
Blazon keywords: Azure, Or, Argent, Three, One, Lion, Paw, Erect, Erased, Ordered, Grasping, Madonna lily, Flower and Lily.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Terraza of Aragon, lineage.
Guilaberto Lloscós y Soldevilla was grand prior of the Order of Saint John from 1449 to 1460.
Argent, a bull salient Gules within a bordure gyronny Argent and Sable.
Escudo de plata, un toro saltande de gules; bordura jironada de plata y sable.
Illuminated and parchment finishing.
He also known as Guilaberto Loscós y Soldevilla, and his coat of arms can be consulted at [García Carraffa, A.; García Carraffa, A.; 1968; volume II, page 407], who does not depict this bull with its tongue out.
The Lloscós lineage resided on the island of Mallorca and succeeded in the position of royal procurator of the island. Lázaro Lloscós was the procurator of the island in 1332, his son Mateo Lloscós was in 1392 and his grandson Mateo Lloscós was too. Mateo Lloscós helped King Alonso V of Aragon, the Magnanimous, with the expenses of the Naples campaign in 1435 and, therefore, the king donated the town of Bañalbufar and the title of baron. Mateo Lloscós was the father of Guilaberto Lloscós y Soldevilla grand prior of the Order of Saint John.
This bordure presents a dual characteristic. It could be considered a bordure compony because it is composed of a series of segments, in this case, eight. However, since the sides of these segments are not perpendicular to the bordure, but are angled in such a way that all their extended lines would converge at the exact center of the coat of arms, it structurally resembles the division known as gyronny. It is for this reason that, despite its compony appearance, I specifically designate it as a bordure gyronny.
This is a reflection on the tongue out in animals in heraldry. I will rely on the representations found in [Fox-Davies, A. C.; 1909], as it contains numerous representations of animals in the most diverse heraldic attitudes.
In heraldry, tigers [Fox-Davies, A. C.; 1909; figures 322-325], lions, wolves, the bear, etc., are usually represented with the tongue out; they are heraldic beasts and they are carnivores.
However, the fox in [Fox-Davies, A. C.; 1909; figures 343-345] is not painted with the tongue out. It is classified as a heraldic beast and, moreover, it is carnivorous.
The boar is omnivorous, it is a heraldic beast and it is painted with the tongue out, as is done in [Fox-Davies, A. C.; 1909; figures 353-358].
From the above, there is no uniform association between the tongue out and being a heraldic beast or a carnivore.
On the other hand, [Fox-Davies, A. C.; 1909; figures 446-449] classifies eagles as birds, not as beasts; they are carnivorous and are represented with the tongue out. And the dolphin is a fish, it is carnivorous and is also represented with the tongue out [Fox-Davies, A. C.; 1909; figures 479-480].
There are heraldists who say that herbivores are not painted with the tongue out.
But donkeys, mules, and especially the horse are herbivores and they can be seen represented with the tongue out. For example, [Fox-Davies, A. C.; 1909; figures 360 and 362] paints the horse with the tongue out, and in figure 361, with the horse running, he does not paint the tongue out. In no case does he classify it as a heraldic beast.
[Fox-Davies, A. C.; 1909; figures 368 and 370] paints the talbot, the mythical dog of heraldry, with the tongue out rampant and passant; but in more restful attitudes, such as standing and seated, he does not paint it with the tongue out. This could indicate that, when it is calm, it does not put the tongue out. But in the previous paragraph we have seen that he does not paint the horse running with the tongue out, and a horse running is not calm.
The bull [Fox-Davies, A. C.; 1909; figures 375-376] is not painted with the tongue out. However, I paint the bull with the tongue out and, although herbivorous, I claim the fighting bull as one of the most beastly figures of heraldry.
The stag does not carry the tongue out in any of its attitudes in [Fox-Davies, A. C.; 1909; figures 379-386], and other cervids [Fox-Davies, A. C.; 1909; figures 387-390] do not either.
Rams, sheep, lambs, goats [Fox-Davies, A. C.; 1909; figures 395-403] also do not carry the tongue out.
The badger is carnivorous [Fox-Davies, A. C.; 1909; figure 409]; as with the fox, it is carnivorous and does not carry the tongue out.
Therefore, in general, the tongue out cannot be fully associated either with heraldic beasts or with carnivores, just as not carrying the tongue out cannot be associated with herbivores or with calm attitudes. For example, the lion always carries the tongue out, even in its calmest attitudes [Fox-Davies, A. C.; 1909; figures 304-309].
The conclusion is that it is left to the discretion of the heraldic artist to paint or not to paint the tongue out, depending on what he wishes to express. For example, greater aggressiveness, greater movement, or liveliness could be associated with the tongue out.
Blazon keywords: Argent, One, Bull, Salient, Gules, Bordure, Gyronny and Sable.
Style keywords: Parchment, Outlined in sable and Illuminated.
Classification: Personal and Interpreted.
Bearer: Lloscós y Soldevilla, Guilaberto.
Argent, five wolves passant Sable; a bordure Azure, charged with eight saltires couped Or.
Escudo de plata, cinco lobos pasantes de sable; una bordura de azur, cargada de ocho aspas de oro.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of María Lobo, Lady of the House of Alvito. This coat of arms has been emblazoned by me. The arms are traditionally associated with the Lobo family of Alvito and are documented in Castilian and Portuguese heraldic and genealogical sources. These arms were equally used by other members of the House of Alvito, such as Ruy Dias Lobo and his descendants. I have emblazoned this coat of arms at the request of Fernando Durán Cabral de Mello d’Alpoim, as he counts the Lobo lineage of Alvito among his ancestors. It is not necessary to say the arrangement of the wolves which is in saltire, that is, 2, 1 and 2, since it is the default arrangement in heraldry for 5 equal charges.
Blazon keywords: Argent, Sable, Azure, Or, Five, Eight, Wolf, Passant, Bordure, Charged, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lobo, María.
Sable, a tyger rampant Argent; a bordure Argent charged with eight crosses crosslet fitchy Sable.
Coat of arms of the Lord of South Clifton emblazoned by me in 3 steps, showing how the tyger is placed within the bordure, and the crosses crosslet fitchy are arranged on it.
Blazon keywords: Sable, Argent, One, Eight, Tyger, Rampant, Bordure, Charged and Cross crosslet fitchy.
Style keywords: Outlined, Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: South Clifton, Lord of.
Party per pale: 1 quarterly: 1 Azure, a lion rampant Or, 2 Argent, a falcon rising, grasping in its paws a serpent Sable, 3 Or, a tower Azure, port, windows, and masoned Sable, 4 Gules, a fox passant Or, a chief Gules semé of mullets Argent; 2 Orange, a mullet of six points voided, interlaced Sable. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is her coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Party per pale, Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five, Base (lower 1/3), Orange, Six, Voided, Interlaced, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Correa, Lorena.
Saint Louis, King of France (1214-1270), son of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted by me as follows: the shield has a semicircular (round) base; the field is enamelled in flat Azure; the fleurs-de-lis are outlined in Sable and illuminated in Or; and finished with a watercolor effect.
Toward the end of his reign, the armorial called [Wijnbergen; 1265] was created, whose first part is devoted to recording his coat of arms [Wijnbergen; 1265; shield no. 1], which was also that of his father Louis VIII, husband of Blanche of Castile, and the coats of arms of those who were his vassals.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Louis IX of France.
171st Pope of the Church, from the year 1181 to the year 1185. «Lucius III», born Ubaldo Allucinoli, was born in Lucca in northwest Italy.
Lozengy Argent and Azure.
Escudo losanjado de plata y azur.
Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; checky or squares illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.
Blazon keywords: Without divisions, Lozengy, Argent and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Religious and Papal States.
Bearer: Lucius III.
Sable, a kapok tree eradicated and fructed between in base two lozenges Argent. Motto: «Antequam Glorificetur Humiliatur» Sable, with initial letters Gules, over a scroll Argent.
Escudo de sable, una ceiba arrancada, frutada y acompañada en punta de dos losanjes todo de plata. Lema: «Antequam Glorificetur Humiliatur» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a rough finishing.
Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base, Lozenge and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Oyervides Ochoa, Luis Gerardo.
Vert, a chevron Argent between three linden sprigs, three-leaved, enarched bend sinisterwise Or.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a rounded trapezoidal outer contour and with a texturized finishing.
Coat of arms of Lukas Podlipny, Slovakia, emblazoned by me. These are canting arms, in Slovak, «lipa» ~ linden tree, and the surname Podlipný would mean «under the linden tree», «pod» ~ under, «lip-» ~ linden, hence the arched linden sprigs in the coat of arms. The image shows in 2 stages how I painted it: 1) delineation of the shield, including the calculation of a broad chevron so that the linden sprigs have enough space, since, as has been seen, they are a principal element of these canting arms, and delineation of the 3 linden sprigs, slightly different from each other to fit the shape of its space; 2) finished shield with highlights and shading.
Blazon keywords: Vert, Argent, Or, One, Three, Chevron, Between, Linden, Tree, Sprig, Leaved, Enarched and Bend sinisterwise.
Style keywords: Outlined in sable, Illuminated and Rounded trapezoid.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lukas Podlipny.
Blazon of the Malvin de Montazet lineage of Languedoc, France.
Azure, three mullets Argent, 2 and 1.
Illuminated and a freehand finishing.
Its French blazon «d'azur, à trois étoiles d'argent, 2 et 1» can be found at [Rietstap, J. B.; 1861; page 140].
Blazon keywords: Without divisions, Azure, Three, Mullet, Argent and Ordered.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Or semé of millrinds Azure, a chief dancetty of two full points upwards Purpure pierced twice of the field billetwise throughout.
Escudo de oro sembrado de anillas de molino de azur; un jefe encajado de tres piezas, una completa y dos medias, de púrpura y perforado de dos billetes movientes del jefe a la punta.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a watercolor finish.
The coat of arms of Baz Manning emblazoned by me. John Basil Edward, known as Baz Manning, was commissioned to make the coat of arms for King Felipe VI of Spain as a member of the Most Noble Order of the Garter, which is now displayed among the many shields in St. George's Hall, Windsor Castle. I had the honor of assisting him with this project, which, although my contribution was small, was incredibly meaningful to me. Baz graciously acknowledged my assistance, stating that my detailed insights on the Spanish royal arms have been included in the records of the Order of the Garter for the Windsor Castle archive and the Heraldry Society.
Blazon keywords: Or, Azure, Purpure, One, Two, Three, Semé, Millrind, Chief, Dancetty, Pierced, Billet and Throughout (chief base).
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Manning, Baz.
Quarterly: 1 and 4 Gules, a fess Azure; 2 and 3 Or, a fess dancetty Argent. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Quarterly, Gules, One, Fess, Azure, Or, Dancetty, Argent, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Colour on colour, Metal on metal, Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Beninger, Manuel.
Party per chevron Gules and Vert, overall a chevron ermine between, in the dexter of the chief a dexter hand apaumée couped at the wrist, in the sinister of the chief a key palewise, ward to dexter chief, and in base a boar passant Argent. Motto: «To Thine Own Self Be True» Sable, with initial letters Gules, over a scroll Argent.
Escudo mantelado en punta de gules y sinople, brochante sobre el todo un cabrio de armiño acompañado, en la diestra del jefe, de una mano diestra apalmada y cortada por la muñeca, en la siniestra del jefe, de una llave puesta en palo, con el dentado hacia la diestra del jefe, y en la punta, de un jabalí pasante de todo de plata. Lema: «To Thine Own Self Be True» de sable, con letras iniciales de gules, sobre una filacteria de plata.
The arms of Margaret Byrne was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and the design rationale.
Blazon keywords: Party per chevron, Gules, Vert, Overall, One, Chevron, Ermine, Between, Dexter, Chief, Hand, Appaumée, Party per fess, Wrist, Sinister, Key, Palewise, Key ward, Base (lower 1/3), Boar, Passant, Argent, Motto and Scroll.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, English language and Slide.
Bearer: Byrne, Margaret.
Azure, a moon with human face environed by nine concentric annulets Argent.
Escudo de azur, una luna figurada circundada de nueve anilletes concéntricos, todo de plata.
Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a freehand finishing.
Blazon keywords: Azure, Argent, One, Nine, Moon, With human face, Environed, Concentric and Annulet.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: María Asunción de León González.
Gules, three bars wavy; in chief two mullets above a fess in base Or.
Escudo de gules, tres burelas ondadas; en jefe una faja surmontada de dos estrellas de cinco puntas todo de oro.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, and with a watercolor finishing.
Coat of arms of Marilena Marinanza, Italy, emblazoned by me. The original Italian blazon is «Di rosso con tre fasce ad onde d'oro, col capo del primo caricato da due stelle d'oro; sostenuto da una fascia del medesimo» which translates as «Gules, three bars wavy Or; on a chief Gules, two mullets above a fess in base Or», although the Italian blazon does not state it, there is no line of division between the field and the chief, it is the fess that establishes the boundary, which would be equivalent to having the entire field in Gules, making the heraldic description simpler.
Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess and In base.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Marinanza, Marilena.
Or, a fess chequey Gules and Argent.
Escudo de oro, una faja ajedrezada de gules y plata.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.
Coat of arms of the County of Mark, Germany. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Mark, County of.
Party per fess: 1 Gules, five swords erect, in fess Argent; 2 Vairy Or and Gules.
Escudo cortado: 1o de gules, cinco espadas de plata, alzadas, en faja; 2o verado de oro y gules. Soporte: Un león de oro, rampante, armado, lampasado, fierezado y encendido de gules a la siniestra.
Supporter and shield inclined to dexter with: a pointed base of the shield; its two fields enamelled with flat inks, Gules and Or respectively; the rest of the elements illuminated; everything outlined in Sable; and the whole executed with a raised-stroke technique.
Blazon keywords: Party per fess, Gules, Or, Argent, Five, Sword, Point upwards, In fess, Vairy, Lion, Rampant, Armed, Langued, The fangs, The eyes, Supporter (animal) and Supporter.
Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.
Classification: Created, Personal and Coat of arms.
Bearer: Martos García, Juan Carlos.
Blazon of the Mascarenhas lineage of Portugal.
Gules, three bars Or.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 77].
Blazon keywords: Without divisions, Gules, Three, Fess and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Cheshire, 1613 and Vale-Royal.
Argent, a chevron Sable, between three lozenges Sable.
Escudo de plata, un cabrio de sable, acompañado de tres losanges de sable, dos y uno.
Coat of arms interpreted as follows: the base of the personal shield is rounded; the field is illuminated in Argent; the chevron is illuminated in Sable; the 3 lozenges are enamelled in plain Sable and outlined in the same colour; and the whole has a leather finish.
It appears in [Goldstraw, M. S. J.; 2013b] blazoned as «Argent, a chevron between three lozenges Sable».
Blazon keywords: Without divisions, Argent, Sable, Chevron, Between, Lozenge and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Massey de Sale.
Cheshire, 1533-1580.
Quarterly: 1 and 4 Gules, three escallops Argent; 2 and 3 Or.
Escudo cuartelado: 1o y 4o de gules, tres veneras de plata; 2o y 3o de oro.
Coat of arms interpreted with: a rounded base; the field illuminated in Gules and Or; the escallops, that is the scallop shells of the pilgrim, outlined in Sable and illuminated in Argent; and the whole in leather.
[Goldstraw, M. S. J.; 2013a] blazons it as follows: «Quarterly, Gules and Or, in 1 and 4 three escallops Argent».
Blazon keywords: Quarterly, Gules, Or, Argent, Escallop and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Massy de Tatton.
Of the twelve lineages of Noblemen, the twelfth bears as insignia and arms, on a shield Or, a rampant lion Gules, as painted in this shield.
Or, a Lion Gules, rampant.
Escudo de oro, un león de gules, rampante.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the lion illuminated in Gules and outlined in the colour of the field, that is, in Or metal; and the whole finished in highly-hammered metal.
Coat of arms interpreted from the last of the shields of the Navarrese «ricoshombres» illustrated in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the text preceding the blazon taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
I consider these to be canting arms, and that this «lion» Gules refers to its bearers «Mauleón».
Under the title «Surname of Mauleon», without an accent on the letter «o», it can be consulted in [Vega, P. J. de; 1702; folio 12 of the manuscript].
Blazon keywords: Without divisions, Or, Lion, Gules and Rampant.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal, Kingdom of Navarre and Canting.
Bearer: Mauleón of Navarre.
The coat of arms of Maximilian Silvestri emblazoned by me.
Blazon keywords: Argent, Or, Gules, One, Demi, Savage, Carnation, Issuant, Base, Crined, Bearded, Vested, Tenné, Wreathed, Leaf, Grasping, Dexter, Closed book, Book, Bookmark, Garnished, Mortar, Pestle, Club, Leaved, Fructed, Chief and Wavy.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Silvestri, Maximilian.
Vert, an eagle displayed Argent, beaked, langued, membered and armed Gules; on a chief wavy Argent, three plantain plants issuant from the line of division Vert.
Escudo de sinople, un águila de plata, picada, lampasada, membrada y armada de gules; un jefe ondado de plata cargado de tres plataneras salientes de sinople.
Arms painted by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finishing.
Blazon keywords: Vert, Argent, Gules, One, Three, Eagle, Displayed, Beaked, Langued, Membered, Armed, Chief, Wavy, Plantain plant, Issuant and Line of division.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Mayrl, Kurth.
Or, a stag trippant Gules, attired Azure; a bordure Azure charged with eight saltires couped Argent.
Escudo de oro, un ciervo pasante de gules, acornado de azur; una bordura de azur cargada con ocho sotueres de plata.
Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a parchment finishing.
Blazon keywords: Without divisions, Or, One, Stag, Tripant, Gules, Attired, Azure, Bordure, Charged, Eight, Saltire and Argent.
Style keywords: Parchment, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Coat of arms.
Bearer: McCartney, Michael.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules.
Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.
The coat of arms of Britania Anastoshia Korÿn McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McCoy, Britania Anastoshia Korÿn.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a crescent Gules.
Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un creciente de gules.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.
The coat of arms of Evander Graham Wylder McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McCoy, Evander Graham Wylder.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a label Gules.
Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un lambel de gules.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
The coat of arms of Sebastian Artemis Cole McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McCoy, Sebastian Artemis Cole.
Gules, a cross Argent charged with four ermine spots in cross Sable, in the dexter of the chief a lion’s head erased Or.
Escudo de gules, una cruz de plata cargada de cuatro colas de armiño en cruz, en la diestra del jefe una cabeza de león arrancada de oro.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finish.
G0116, Chief Herald of Arms of Malta's grant for the arms of Andrew Ronald McMillan Bell of Auchinreoch, United Kingdom. These arms have been emblazoned by me for such grant.
Blazon keywords: Gules, Argent, Sable, Or, One, Four, Cross, Charged, Ermine, In cross, Dexter, Chief, Lion, Head and Erased.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McMillan Bell of Auchinreoch, Andrew Ronald.
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, a ship in full sail Or.
Escudo cortado: 1o de sable, tres estrellas de plata de ocho puntas, 1 y 2; 2o de azur, un barco de oro.
Arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.
Blazon keywords: Sable, Argent, Azure, Or, Three, Eight, One, Party per fess, Mullet, Disordered, Ship and Full sail.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Mediterranean, Sea of the.
Gules, a double cross throughout Or cantoned by six plates, a bordure Or.
Escudo de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the lineage Melo. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Melo are in the 4th quarter.
Blazon keywords: Gules, Or, Argent, One, Six, Double cross throughout, Cantoned, Plate and Bordure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Melo, lineage.
Cheshire, 1613.
Argent, a bend Sable, between two lions' heads ereased Sable, langued Gules.
Escudo de plata, una banda de sable, acompañada de dos cabezas de león de sable, lampasadas de gules.
Coat of arms interpreted with: a rounded base; the field and the bend illuminated in Argent and Sable; the charges in plain Sable and Gules tinctures, outlined in Sable; and the whole in leather.
[Goldstraw, M. S. J.; 2013b] blazons it as «Argent, a bend between two lions' heads ereased Sable», this being the first coat of arms I interpreted from the County of Cheshire.
While in Castilian one uses the plural for the heads and the singular for the lion, that is, one writes «dos cabezas de león», in English one uses the plural for both the heads and the lions, that is, one writes «two lions' heads» and, therefore, the «s» of the Saxon genitive is omitted and only the apostrophe is written. This usage is general, for example:
Except in cases where the term is used in English as if it were an adjective, for example «two Catherine wheels» ~ «dos ruedas de Santa Catalina», which are the wheels used to martyr her, or «three wagon wheels» ~ «tres ruedas de carro».
Blazon keywords: Without divisions, Argent, Sable, Gules, Bend, Head and Lion.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Meoles de Meoles.
Mullet, mullet implies crescent, therefore crescent.
Tierced per fess: 1 Vert, a mullet of eight points Or; 2 Gules, a potent fesswise Argent, between in dexter a mullet of eight points, in siniester a crescent Or; 3 Azure, a crescent Or.
Escudo terciado en faja: 1o de sinople, una estrella de ocho puntas de oro; 2o de gules, una potenza puesta en faja de plata, acompañada a la diestra de una estrella de ocho puntas, a la siniestra de un creciente ambos de oro; 3o de azur, un creciente de oro.
Tierced per fess variant of the coat of arms of Logic with: a semicircular (round) base; the field in plain colours Vert, Gules, and Azure; the 5 figures in Or and Argent, outlined in Sable and illuminated; and the whole with a raised-stroke effect.
Blazon keywords: Tierced per fess, Vert, Gules, Azure, Mullet, Crescent, Or, Potent, Argent, Fesswise and Between.
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Logic.
Chequey of fifteen Or and Azure; a bordure compony of sixteen sections, eight gules, a castle triple-towered Or, port and windows Azure, masoned Sable, eight Argent, a lion rampant Purpure, crowned Or, armed and langued Gules.
Escudo ajedrezado de quince piezas de oro y azur; una bordura componada de dieciséis compones, ocho de gules, un castillo de oro, aclarado de azur, mazonado de sable, ocho de plata, un león rampante de púrpura, coronado de oro, armado y lampasado de gules.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Coat of arm of the municipality of Moguer, Andalusia, emblazoned by me.
Blazon keywords: Or, Azure, Gules, Argent, One, Fifteen, Sixteen, Eight, Chequey, Bordure, Compony, Section, Charged, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Moguer, municipality of.
Azure, a bend Or.
Escudo de azur, una banda de oro.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Azure, One, Bend and Or.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Molay, Jacques de.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 vair ancient.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de veros antiguos.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the municipality of Monroy, Caceres, emblazoned by me with vair ancient. I have painted it using vair ancient, as I wish to illustrate with this coat of arms a reflection on the Virgin of the Sagrario of Plasencia, Caceres, dating from the mid-13th century, and on the forty-four coats of arms made of gilded silver sheet that adorn it, featuring lions, castles, and rounded vair ~ vair ancient, these may be associated with the lords of Monroy, a lineage of considerable importance in the town of Plasencia during the Late Middle Ages, can be seen in The Virgin of the Sagrario of Plasencia and the Monroy vair.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Vair ancient.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Monroy, municipality of.
Of the twelve lineages of Noblemen, the eleventh is the house of Monteagudo; they bear as arms a shield Or, and in the middle a fess Gules, in the manner in which this shield is painted.
Or, a fess Gules.
Escudo de oro, una faja de gules.
Coat of arms interpreted as follows: a semicircular (round) base; the field enamelled in flat Or; the fess outlined in Sable and illuminated in Gules; and the whole finished in highly-hammered metal.
Interpreted from the eleventh coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Monteagudo» this blazon can be consulted in [Vega, P. J. de; 1702; folio 11 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Monteagudo of Navarra.
Coat of arms of the Armored Cavalry Regiment Montesa No. 3, RCAC-3, in 2016.
Or, a cross of Montesa.
Escudo de oro, una cruz de Montesa.
Coat of arms interpreted as follows: the shape of the shield is a semi-circular arch; the field has been illuminated in metal Or; the cross of Montesa is outlined in Sable and illuminated in Gules and Sable; and the whole has a raised line finish.
Blazon keywords: Without divisions, Or, Cross of Montesa, Cross couped and Cross.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Military, Army and Navy and Coat of arms.
Bearer: Montesa, Cavalry Regiment.
Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a crescent Argent.
Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un creciente de plata.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finishing.
Coat of arms of Eóin S. Morgan, UE, emblazoned by me. He is the youngest son of Commander Stephen T. Morgan, and as such, his cadency mark is a crescent, the heraldic difference traditionally assigned to a second son.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Crescent.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Morgan, Eóin S..
Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a label of three points Argent.
Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un lambel de tres pendientes de plata.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.
Coat of arms of Michael W. Morgan, UE, emblazoned by me. He is the eldest son of Commander Stephen T. Morgan and his cadency mark is a label.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Label of three points.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Morgan, Michael W..
Gules, on a trimount issuant from the base Vert, a talbot rampant Argent, collared Or, between two mullets in bend sinister Or. Crest: A crown of the Soberana y Muy Noble Orden de la Granada. The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.
It has been emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a texturized finishing.
This is the coat of arms of Moritz Hunzinger emblazoned by me for the Roll of Arms of the Soberana y Muy Noble Orden de la Granada.
Blazon keywords: Gules, Vert, Argent, Or, One, Three, Two, On, Trimount, Talbot, Rampant, Collared, Between, Mullet, In bend sinister, Crest, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Interpreted, Boa, Armorial roll and Castilian language.
Bearer: Hunzinger, Moritz.
Azure, a tower Or, embattled and masoned Sable, overall a lion rampant barry Purpure and Argent.
Escudo de azur, una torre de oro, almenada y mazonada de sable, brochante sobre el todo un león rampante fajado de púrpura y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Coat of arms of Jean Mortes from Brittany, France, emblazoned by me with a shield with a semi-circular base.
Blazon keywords: Azure, Or, Sable, Argent, Purpure, One, Tower, Embattled, Masoned, Overall, Lion, Rampant and Barry.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Mortés, Jean.
Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent.
Escudo partido: 1o de oro, en la diestra de la punta tres marletas en palo de sable; 2o de gules, en la siniestra del jefe tres marletas en palo de plata; brochante sobre el todo una banda del uno al otro cargada de tres flores de lis puestas en palo, la primera de plata, la segunda partida de plata y sable y la tercera de sable.
Arms devised by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.
Coat of arms of Matthew Nelson designed by him and me and emblazoned by me. Alternative blazon: «Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable».
This design combines elements and tinctures from the arms of his lineages: Luttrell, Anglo-Irish, and Nelson from Ireland, along with personal details. The bend, martlets, Or, and Sable are from Luttrell. The fleurs de lis Argent, Sable, and per pale Argent and Sable are from Nelson. As personal elements, the layout includes the letter N from his surname, and the color Gules.
Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis and Palewise.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Nelson, Matthew.
Nicolás Malmains ~ Nicholas Malmains ~ Nicol Malemeins.
Gules, three dexter hands turned up, and appaumée Ermine.
Escudo de gules, tres manos diestras levantadas y apalpadas de armiños.
Included in [Vincent, MS; 1285; number 622] also known as [St. George's Roll; 1285; number 622].
Blazon keywords: Without divisions, Gules, Three, Hand, Dexter, Ermine, Turned up, Appaumée and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Nicolás Malmains.
Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable. Motto: «Primi entis» Sable, with initial letters Gules, over a scroll Argent.
International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 10], ISBN 978-1-8381483-0-0. The coat of arms of Nilda Ernestina Lucca de Anaya, designed by her son Ernesto Juan Anaya and emblazoned by me appears in this volume, while her son’s badge can be seen next to it on page 11, also painted by me.
Credits:
Categories: Collage, Photographic, Art, Religious, Interpreted, Outlined in sable, Illuminated, Pointed, Coat of arms, Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Freehand, Crest and mantling, Galero, Cord, Tassel, Latin language, Scroll, Charged and Motto.
Root: Lucca de Anaya, Nilda Ernestina.
Norman de Darcy ~ Norman Darcy ~ Norman de Arci.
Argent, three cinquefoils Gules.
Escudo de plata, tres quinquefolios de gules.
Included in [Vincent, MS; 1285; number 230] also known as [St. George's Roll; 1285; number 230].
Blazon keywords: Without divisions, Argent, Three, Cinquefoil, Gules and Ordered.
Style keywords: Triangular curved, Illuminated, Shaded, Outlined in sable and Fabric.
Classification: Interpreted and Personal.
Bearer: Norman de Darcy.
Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo cuartelado: 1o y 4o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2o y 3o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.
Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.
Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Noronha, House of.
Gules, two axes addorsed Argent, hafted Or, issuant from the base; overall, at the nombril, an escutcheon Or.
Escudo de gules, dos hachas adosadas de plata, fustadas de oro, movientes de la punta; brochante sobre el todo, en el ombligo, un escudete de oro.
Interpretation I have made with the following characteristics: the escutcheon is semicircular, in the classic Castilian style; its field is illuminated with the tincture gules; its 2 axes and escutcheon are outlined in sable and illuminated with the metal Or, and the axe heads in Argent; and the execution is in a raised line style.
The term «hafted» in English is specifically used for weapons with handles, such as axes and hammers. This refers to the part of the weapon where the user grips, which is typically made of wood or metal and is essential for wielding the weapon effectively. The haft is integral to the weapon's function, providing the necessary leverage and control during use.
On the other hand, «shafted» is a term used in English for weapons with a shaft, which is a longer, slender part of the weapon, as seen in spears, arrows, and sometimes in lances. The shaft is usually the primary structural component, providing the length and reach, while also serving as the backbone of the weapon.
In both cases, the term indicates that this part of the weapon is of a different tincture from the rest of the figure.
In Castilian, however, both «hafted» and «shafted» translate to «fustadas», which broadly refers to a similar concept where the handle or shaft is of a different color than the head or blade.
Then, I prefer using «hafted» when referring to axes and hammers due to the specificity of the term in English.
This contrasts with the term «guarnezidas» ~ «hilted», which is used for swords, indicating a different color for the guard or hilt, rather than for the shaft or handle.
For the arrangement of the axes in relation to each other, the one on the dexter facing dexter, the one on the sinister facing sinister, I use the term «addorsed» as it is the most common, but I previously used «back to back», which is said of «two animals, rampant, with their backs against each other, each facing the opposite flank. Two keys are also described as back to back when they are positioned with the bits outward, each to its side; the same applies to sickles, or scythes and generally to all long objects that have two faces, like two axes...» [Avilés, J.; 1780a; page 98], this being the case for the axes in this shield.
«Dalla» is a synonym for «scythe» used in and originating from Aragon and Navarra, [Real Academia Española; 2001].
In the English blazon, «adosadas», «de espaldas», is rendered as «addorsed», from the French «adossé», which is said, for example, when «two animals turned back to back» and some also use «endorsed».
Blazon keywords: Without divisions, Gules, Axe, Argent, Hafted, Or, Addorsed, Issuant from base, Overall, At the nombril and Escutcheon.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: Norsk Heraldisk Forening.
Vert, on three chevrons Or nine oak leaves Vert, 3, 3, and 3.
Escudo de sinople, tres cabrios de oro cargados de nueve hojas de roble de sinople, 3, 3 y 3.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.
Coat of arms of Jason Landers Northam from Illinois, emblazoned by me. His coat of arms, his badge, and his heraldic standard are registered in The International Register of Arms, 4th July 2025, registration number 0745, volume 5.
Blazon keywords: Vert, Or, Three, Nine, Chevron, Oak, Tree, Leaf and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Northam, Jason Landers.
Quarterly: 1 Sable, an «o» Or; 2 and 3 Or, two Wolves passant, in pale Sable; 4 Sable, an «XI» Or.
The image was produced using an alternative method for painting tartans. One of the key considerations has been the orientation of the twill: I have seen it represented both as bend sinisterwise and bendwise. In symmetric tartans, this difference may simply depend on how the cloth is positioned or, in photographs, on the direction from which the picture is taken. Photographing a piece of fabric from the south rather than from the east is enough to switch the diagonal from bend sinisterwise to bendwise, or vice versa. In symmetric tartans nothing essential changes except the visual direction of the twill.
However, in asymmetric tartans, such as the one shown here, these rotations do affect the order in which the design must be read and painted. I have also found books that consistently use one orientation, others that use the opposite one, and some that mix orientations depending on the specific tartan. I have seen a photograph of «The King Charles III tartan», (as can be seen in King Charles III Tartan, collage), worn by His Majesty himself, clearly shows the twill running in a bend sinisterwise direction, which gave me definitive confirmation that this orientation is perfectly valid for illustrating a tartan. Nevertheless, I do not rule out rendering it in the bendwise direction as well, since that is the style most commonly used in Tartan Register publications.
Additionally, the thread counts listed in the Tartan Register are typically double what the eye perceives in a woven cloth. This is because real weaving uses a double-pass system to achieve the density and colour blending characteristic of Scottish twill; consequently, the Register records the full structural count, while an accurate illustrated representation may require halving those numbers to match the visual appearance.
Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale and Number.
Style keywords: Pointed, Illuminated, Outlined in the field tincture, Freehand and Chinapieria.
Classification: Tartan, Created and Personal.
Bearer: Salmerón Cabañas, Antonio.
Party per pale: 1 Vair; 2 Sable, a barn owl Argent, the eyes Sable, beaked and armed Or.
Escudo partido: 1o de veros; 2o de sable, una lechuza de plata, encendida de sable, picada y armada de oro.
Blazon keywords: Party per pale, Argent, Azure, Vair, Sable, Or, Barn owl, The eyes, Beaked and Armed.
Style keywords: Rounded, Illuminated, Outlined in sable and Parchment.
Classification: Created, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Odysseus of Ithaca.
It has been interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a rough finishing.
Cross crowned and with the monogram RC of the Ordo Equestris Reginae Caeli emblazoned by me. The OERC's mission focuses on humanitarian aid and support for people and institutions in need.
Blazon keywords: Order, Decoration, Azure, Or, Argent, One, Four, Eight-pointed cross, Cross couped, Fleur de lis, Crowned and Monogram.
Style keywords: Outlined in sable, Illuminated and Rough.
Classification: Interpreted and Boa.
Bearer: Ordo Equestris Reginae Caeli.
Order of Chivalry of Calatrava
A cross of Calatrava.
Una cruz de Calatrava.
Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a heavily beaten metal finish.
The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical review of the foundation of the Order of Calatrava, states that it was founded during the reign of Sancho III of Castile in the 12th century.
After the Templars withdrew from the defense of the town, King Sancho III proposed in Toledo and later confirmed in Almazán, in January 1158, the perpetual donation of the town of Calatrava to Raymond, then Abbot of the Cistercian monastery of Fitero, who, together with the former soldier Diego Velázquez, committed to defending it from attacks by the Almohads. For this mission, they received financial support from the Archbishop of Toledo, Juan, and from Toledo itself, thus managing to form an army of more than 20,000 men.
Regarding the emblem of the Order of Chivalry of Calatrava [Avilés, J.; 1780b; treatise IV, chapter IV, page 338, figure 102] it states «the Seal was always a red cross with blue straps, and the Banner originally bore a black Cross; but today they use the red cross florety, bordered with eight circles, placed side by side, and joined at the center, formed by a cord that emerges from the leaves of the flower, which Benedict XIII gave (while recognized in Spain) and which is the Commandery that the Knights of this Order wear on their chest today, or hanging from a red ribbon on a gold medal; that is, on a field of Or a cross of Gules».
Blazon keywords: Cross of Calatrava, Cross couped and Cross.
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Religious, Military and Emblem.
Bearer: Calatrava, Order of.
Ordo Beatæ Mariæ Virginis de Redemptione Captivorum
Party per fess: 1 Gules, a cross patty Argent; 2 Or, four pallets Gules.
Escudo cortado: 1o de gules, una cruz patada de plata; 2o de oro, cuatro palos de gules.
These already existing arms have been interpreted by me in the following way: the mouth of the coat of arms has been drawn in a pointed shape; its field has been enameled with Gules and Or flat tinctures; the cross patty and the 4 pales are illuminated; and the whole has received a rough finish.
Blazon keywords: Party per fess, Gules, Or, Argent, Cross, One, Cross patty, Cross couped and Pale.
Style keywords: Pointed, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Religious and Coat of arms.
Bearer: Our Lady of Mercy, Order of.
Order of Chivalry of Saint Mary of Montesa and Saint George of Alfama.
A cross of Montesa.
Una cruz de Montesa.
Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a highly hammered metal finish.
The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical review of the founding of the Order of Montesa, states that it was created in 1317, at the request of James II, King of Aragon, through a bull issued by Pope John XXII.
About the emblem of the Order of Chivalry of Montesa [Avilés, J.; 1780b; treatise IV, chapter VI, page 342, figure 103], it states that «the Ensign of the Knights of Montesa is a plain red Cross», gules, «plain, which they wear on their Capitular Mantles, or hanging from a red ribbon on the chest over a gold oval; that is, on a field of gold a plain cross of gules (different from how the Masters wore it)» and, therefore, it describes the first emblem of the Order of Montesa and not the one they wear now, which is that same plain cross of gules charged on a cross like that of the Order of Calatrava or like that of the Order of Alcantara, but in Sable instead of Gules or Vert.
Blazon keywords: Cross of Montesa, Cross couped and Cross.
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Religious, Military and Emblem.
Bearer: Montesa, Order of.
Order of Chivalry of Santiago
A cross of Saint James.
Una cruz de Santiago.
Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a heavily hammered metal finish.
The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical account of the foundation of the Order of Santiago, describes three different points of view:
Regarding the emblem of the Order of Chivalry of Santiago, [Avilés, J.; 1780b; treatise IV, chapter II, page 328, plate 25, figure 100] states «the Commandery of this Order was always a red Sword» (gules ~ red), «in the form of a Cross, just as the guards of the ancient Swords that its Knights and Commanders carried on their white Mantles, and today also on the chest in the same manner, hanging from a red ribbon on a gold medal; that is, in a field of Or, a Cross of Gules».
Blazon keywords: Cross of Saint James, Cross couped and Cross.
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Religious, Military and Emblem.
Bearer: Santiago, Order of.
Or, a tower Gules, embattled, masoned and with a turret Sable.
Escudo de oro, una torre de gules, almenada, mazonada y donjonada de sable.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Ormazabal of the Basque Country emblazoned by me.
Blazon keywords: Or, Gules, Sable, One, Tower, Embattled, Masoned and With a turret.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Ormazabal of the Basque Country, lineage.
Party per pale: 1 Sable, a tower with a turret Argent; 2 Argent, a wyvern erect Sable.
Escudo partido: 1o de sable, una torre donjonada de plata; 2o de plata, un guiverno rampante de sable.
Arms devised by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of the Ormazabal Lazaro family, designed by them and me, and emblazoned by me.
Blazon keywords: Sable, Argent, One, Party per pale, Tower, With a turret, Wyvern and Erect.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Ormazabal-Lazaro, family.
Vert, a bend sinister Argent.
Escudo de sinople, una barra de plata.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Orrantia of the Basque Country emblazoned by me.
Blazon keywords: Vert, Argent, One and Bend sinister.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Orrantia of the Basque Country, lineage.
Argent, flanched Sable, in chief a mullet of six points Gules.
Escudo de plata, flanqueado curvo de sable, en jefe una estrella de seis rayos de gules
Coat of arms interpreted with: a semicircular (round) base; illuminated in the tinctures Argent, Gules, and Sable; all outlined in Sable; and finished with a raised-stroke effect.
[Avilés, J.; 1725a; pages 92 and figure 197] blazons it as «Argent, and a six-pointed star Gules in chief, flanched in oval Sable». When he illustrates it in [Avilés, J.; 1725a; figure 197], the space left between both flanches is only 1/5 of the base of the coat of arms; this is feasible because the only charge is a mullet in chief. If there were more charges, it would be necessary to leave more space, for example, 1/3 of the base of the shield.
«Oschoven au Rhein» in the book [Menestrier, C. F.; 1659; page 315], it is blazoned «d'argent flanqué arrondi de sable à vne molette de mesme en chef», so the mullet would be Sable, bacause «de mesme» is written, and with a hole in the middle, this hole does not exits in other sources.
In the book [Rietstap, J. B.; 1861], it is blazoned «Argent, flanched in round Sable, Argent charged in chief of a mullet Gules», and in French «d'argent, flanqué en rond de sable, l'argent chargé en chef d'une étoile de gueules».
Some time ago I used to blazon it in English as «Argent, in chief a mullet of six points Gules, between two flanches Sable».
Blazon keywords: Argent, Sable, Gules, Mullet, Chief and Flanched.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Oschoven of the Rhin.
Or, a pile Gules.
Escudo de oro, una pila de gules.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the lineage Osona emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 1325].
Blazon keywords: Or, Gules, One and Pile.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Osona, lineage.
Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules.
Escudo de azur, en jefe una luna figurada de plata, en punta un creciente ajedrezado de sable y plata; brochante sobre el todo una loba aullante, sentada en el creciente al natural, armada y ubres de gules.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an oval external shape and with a watercolor finish.
The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and emblazoned by me. The primitive arms of the Otxoa lineage feature wolves, as the name derives from the Basque word «otso» meaning wolf and she-wolf, therefore, both the arms of the lineage and hers are «canting arms», though hers specifically feature a she-wolf.
Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed and Udder.
Style keywords: Outlined in sable, Illuminated, Oval and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Otxoa Magaña, Teresa.
Gules, three fleur de lis Or.
Escudo de gules, tres flores de lis de oro.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
Coat of arms of the lineage Patus emblazoned by me.
Blazon keywords: Gules, Or, Three and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Patus, lineage.
Party per pale Argent and Gules, a mermaid with swan wings for arms counterchanged.
Escudo partido de plata y gules, una sirena con alas de cisne por brazos del uno al otro.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a tiled external shape and with a watercolor finish.
As explained by RegretedEagle9, the arms are canting of her surname, Pekny, which in Czech means «beautiful». For this reason the design combines two traditional symbols of beauty: a mermaid and a swan. The tinctures Argent and Gules refer to her Polish roots.
Blazon keywords: Argent, Gules, One, Party per pale, Mermaid, Swan, Winged, Arm and Counterchanged.
Style keywords: Outlined in sable, Illuminated, Tiled and Watercolor.
Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Pekny, Helen.
Or, a holm oak eradicated Vert, fructed Or, in front of its trunk two boars passant, in pale Sable.
Escudo de oro, una encina arrancada de sinople, frutada de oro, atravesados a su tronco dos jabalíes pasantes, en palo de sable.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.
Ancient arms of the lineage Peraza of Cantabria emblazoned by me. I have painted the acorns in Or metal on the Vert leaves so that they stand out, as they would not on the Or metal field. I often write expressions such as metal Or and color Vert, specifying which are metals and which are colors, to take into account the rule of tinctures.
Blazon keywords: Or, Vert, Sable, Holm oak, Tree, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Peraza of Cantabria, lineage.
Azure, on four bars wavy Argent a barbel bendwise Or and a three arch bridge Or, masoned Sable, throughout, supporting a elm couped Argent leaved Or, between, in dexter a tower Or, port and windows Azure, mazoned Sable, and in sinister three escutcheon Or, 2 and 1.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.
The coat of arms of Pesquera de Ebro, Burgos, Castile and Leon, designed and emblazoned by me, has been carved by a local craftsman and placed on the wall that marked the old entrance to the town. I am proud to display it.
Blazon keywords: Argent, Or, Azure, Sable, One, Three, On, Bar, Wavy, Barbel, Bendwise, Bridge, Masoned, Throughout, Upon, Elm, Tree, Couped (tree), Leaved, Tower, Port and windows, Escutcheon and Ordered.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Pesquera de Ebro.
Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or.
Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems leather.
This coat of arms was augmented with the Royal drum of the kingdom of Bunyoro-Kitara.
Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief and In base.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Gummersbach, Peter Ferdinand.
And II of Valencia and of Ampurias, I of Mallorca and Sardinia, and III of Barcelona.
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms of this king of Aragon interpreted by me as follows: the escutcheon shape is curved triangular; the field and the 4 pallets are rendered in flat tinctures Or and Gules; and the whole shield has a watercolored finish.
This curved triangular shape of the escutcheon is inspired by the shield shown in the lower central part of a document issued by the king himself [Pedro IV de Aragón; 1353].
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Triangular curved, Illuminated and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Peter IV of Aragon.
Azure, in chief three keys in bend, fesswise, to dexter, facing downwards Or, in base an open book Argent, garnished Or, the pages inscribed «Ad usum per artes» Gules.
Illuminated and a leather finishing.
This is the coat of arms of the Universidad Peñafort of Mexico. It is a Law university and its name came from Raymond of Penyafort (XIII century) who compiled the Decretals of Gregory IX, which mostly remained in use until 1917, and that is why it is the patron saint of lawyers. The symbols Raymond of Penyafort are a key and a book. This coat of arms has been designed and emblazoned by me.
Blazon keywords: Azure, Three, Key, Or, In chief, In bend, Fesswise, Book, Open and Motto.
Style keywords: Leather, Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Peñafort, Universidad.
King of France from 1270 to 1285, grandson of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a parchment effect.
During his reign, it is believed that the second part of the armorial [Wijnbergen; 1265] was completed, which ends with the coats of arms of several kings, many of them European, beginning this series with the coat of arms of the King of France himself, [Wijnbergen; 1265; shield no. 1,288], which has served as the inspiration for the one recreated here.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Pointed, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Philip III of France.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Or, an eagle displayed Sable.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de oro, un águila de sable.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Philip of Castile, 1231–1274, 7th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me and can be consulted in [Messía de la Cerda y Pita, L.; 1990; page 146] with the field Or in the 2nd and 3rd quarters. He bears a quarterly shield combining the first quarter of his father’s arms, Castile, with his mother’s arms. Among all his siblings, he is the one who most closely combines the arms of both parents.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Philip of Castile, Infante.
Gules, three bees Or; a chief azure, an eagle displayed Or.
Escudo de gules, tres abejas de oro; un jefe de azur, un águila de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.
This is the coat of arms of Jean-Eudes Pierra emblazoned by me. Blazon in Italian by Massimo Ghirardi «Di rosso, a tre api d'oro, al capo cucito d'azzurro carico dell'aquila pure d'oro». Blazón in French by Michel Froger «De gueules à trois mouches à miel d'or, 2 et 1; au chef cousu d'azur à l'aigle éployée d'or».
Blazon keywords: Gules, Azure, Or, Three, One, Bee, Ordered, Chief and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee, Cousu and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pierra, Jean-Eudes.
Pierre de Forcade ~ Pierre de La Forcade.
Lozengy Or and Azure, a pale Gules.
Escudo losanjado oro y azur, un palo de gules.
Coat of arms interpreted in the following manner: the shape of the base is semicircular; the field of plain metal tint Or; the lozenges with their 4 equal angles, outlined in Sable and illuminated in Azure; the lozengy of 6 lozenges wide by 7 lozenges high; the pale outlined in Sable and illuminated in Gules; and the whole with a marble finish.
He was born at the beginning of the 15th century, served Gaston IV of Foix as a man-at-arms and, as such, participated in the conquest of the cities of Blaye and Bourg and, in 1439, fought against the English troops near Saint-Sever in Les Landes, southwest of France.
Blazon keywords: Lozengy, Or, Azure, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted and Personal.
Bearer: La Forcade, Pierre de.
Supporting document illustrating my proposal, pages 4 and 5.
I have made a suggestion to the Lexicography Institute of the Royal Spanish Academy regarding the heraldic term «pira» in the Dictionary of the Spanish Language. I drafted a document that justified my suggestion, illustrated it, and proposed two ways to refine its definition within the Dictionary. I am honored that they have accepted my proposal and chosen the first of the alternative definitions I suggested. The following images are some of those I used to illustrate the supporting document.
Schema.
Delineation.
Coats of arms of the Burr, Osona, Gangoiti and Egado lineages.
I used the following bibliographical references [Académie internationale d'héraldique; 1952], [Arco y García, F. del; 1996a], [Avilés, J.; 1725a], [Avilés, J.; 1780a], [Cadenas y Vicent, V. de; 1987], [Cadenas y Vicent, V. de; 1975], [Cadenas y Vicent, V. de; 2002], [Messía de la Cerda y Pita, L.; 1990], and [Messía de la Cerda y Pita, L.; 1980].
Categories: Schema, Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Doctor.
225th Pope of the Church, from 1566 to 1572. «Pius V», named Antonio Michele Ghislieri, was canonized in 1712.
Bendy of six Gules and Or.
Escudo bandado de seis piezas de gules y oro.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the bands outlined in Sable and illuminated in Gules; and the whole with a rough finish.
I have also seen this coat of arms described as «a shield banded of six pieces of Or and Gules».
Blazon keywords: Without divisions, Bendy, Six, Gules and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Pius V.
Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.
Arms of the Kingdom of Navarre emblazoned by me. This version of this coat of arms features a vert roundel at the fess point following the official specification of the coat of arms of Spain, instead of an emerald as I usually depict it and as is, for example, suggested in the blazon on page 142, although listed as 151 in its index, of the armorial [Urfé; Century XV; page 142], Bibliothèque nationale de France ms. fr. 32753: «Le Roy de Navarre... de gueles à l'escarboucle d'or pommelée alumée de sinoble en la moyenne en guise d'esmeraude», which may be translated as: «The King of Navarre... Gules, a carbuncle Or pommelly, lit Vert at the centre, in the manner of an emerald». This emerald is incompatible with the official blazon of the coat of arms of Spain; however, in my humble opinion, it would give this coat of arms a charge, the emerald, of greater heraldic substance than the roundel. Although I have painted it in a way that it is not known whether it is a large point or an uncutt circular emerald, in the blazon I have described it as an emerald both in Spanish and in English, since the point does not have a clear heraldic existence in Spanish and even less so in English.
Blazon keywords: Gules, Vert, Or, One, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point and Emerald.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Civic, Kingdom of Navarre, Interpreted, Boa and Coat of arms.
Bearer: Navarre.
Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2
Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, tres en jefe, uno en cada flanco y dos en punta
Illuminated and a leather finishing.
This coat of arms can be seen in [Avilés, T. de; XVI; página 16], [Bergshammars; 1440; page 4], [Lutzelbourg, N. de; 1530; page 37], and in [Gourdon de Genouillac, H.; 1889; page 247].
Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Three, In chief, One, In each flank and In base.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic, Interpreted and Kingdom of Portugal.
Bearer: Portugal.
Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; an inescutcheon in pretence Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or.
Escudo de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; un escusón en pretensión de gules con seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
The coat of arms of the House of Potts of Wentworth designed by Randy David Lee Xavier Potts and emblazoned by me. These are not quartered arms, but arms bearing an inescutcheon in pretence, representing the arms of a heraldic heiress, Kimberley Ann Potts of Stountenburg, and anticipating their transmission.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Inescutcheon, In pretence, In chief and In base.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts of Wentworth, House of.
Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or.
Escudo de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata, en punta una de oro; una bordura de oro.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon outer contour and with a leather finishing.
The coat of arms of Kimberley Ann Potts of Stountenburg, a heraldic heiress, emblazoned by me.
Blazon keywords: Gules, Argent, Or, Six, One, Fleur de lis, In chief, Between, In fess, In base and Bordure.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Kimberley Ann.
Azure, a saltire Argent between in chief an escallop Or, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure Or.
Escudo de azur, un sotuer de plata acompañado en jefe de una venera de oro, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; una bordura de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an invected octagon outer contour and with a leather finishing.
The coat of arms of Konstånz Chantal Leóné Potts designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Escallop, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued and Bordure.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Konstånz Chantal Leóné.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent.
Escudo de azur, un sotuer de plata acompañado en jefe de un cardo de oro, florido de plata, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; una bordura jironada de treinta y seis piezas de azur y plata.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finishing.
The coat of arms of Köryn Alexandria Konstånz Potts designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure and Gyronny.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Köryn Alexandria Konstånz.
Blazon of the Poumola lineage of Catalonia.
Gules, a millstone Argent.
Escudo de gules, una piedra de molino de plata.
Illuminated and a watercolor finishing with shadow in the hole.
It blazon is describe in [Cadenas y Vicent, V. de; 1987; page 1429], [García Carraffa, A.; García Carraffa, A.; 1968; volume 3, page 358], and [Ferrer i Vives, F.; 1995; volume 2, page 362].
In this case, my theory is that this coat of arms is an example of «canting arms». «Canting arms» use a word or words of the surname or inside the surname to make the coat of arms. The surname Poumola is from Catalonia, we can split the surname into 2 parts «pou-mola», in Catalonian language a) «pou» means «well» and b) «mola» means «millstone» ~ «cadascuna de les dues pedres de forma circular que componen el molí», [GDLC; 1998], and this could be the reason of the symbolism of this coat of arms. «Canting» in heraldry means «talking» or «chatting», in Spanish «canting arms» is translated as «armas parlantes». Some heralds call «canting» to this creative technic.
Blazon keywords: Without divisions, Gules, One, Millstone and Argent.
Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.
Classification: Interpreted, Lineage and Canting.
Party per chevron Azure and Or, in chief a fleur de lis Argent, in base four pallets Gules.
Escudo de azur, en jefe una flor de lis de plata, mantelado en punta de oro cargado de cuatro palos de gules.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a triangular curved external shape and with a metal and iridescent finishing.
The coat of arms of Ignasi Pujol was designed by him based on the ancient arms of the Pujol lineage and refined and emblazoned by me. In the English blazon, I used the term «pallet», which is the diminished pale, and in the Castilian blazon, I used the term «palo». However, in Castilian, the term «vara», which is a diminished pale, could have been used, writing «cuatro varas de gules» in the same style as it was written in English «four pallet Gules».
Blazon keywords: Azure, Argent, Or, Gules, One, Party per chevron, In chief, Fleur de lis, In base, Pallet and Pale.
Style keywords: Outlined in sable, Illuminated, Triangular curved and Metal and iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pujol, Ignasi.
Of the twelve lineages of Noblemen, the tenth is that of Qasqante; they bear as arms a shield Or and, on the shield, an eagle Sable, which is black, as it is now painted.
Or, an Eagle displayed Sable.
Escudo de oro, un águila de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the eagle outlined in the colour of the field and illuminated in Sable; and finished in highly-hammered metal.
Based on the tenth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Cascante» it can also be consulted in [Vega, P. J. de; 1702; folio 10 of the manuscript].
Blazon keywords: Without divisions, Or, Eagle and Sable.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Qasqante of Navarre.
The rule of tincture, «metal should not be put on metal, nor color on color», is the most famous rule of the heraldry. In the divisions of the field, for example, party per fess, party per pale, quartered, etc., the tinctures are beside each other, not one on top of the other, because the divisions are not charges, so the rule of tincture does not apply. Although as a rule of aesthetics may be useful in the case of divisions.
Blazon keywords: Quarterly, Argent, Gules and Or.
Style keywords: Freehand, Outlined in sable, Plain tincture and Illuminated.
Classification: Schema.
Of the twelve lineages of Noblemen, the eighth is that of Rada; they bear as arms a shield Or with a flory cross Vert, in the same manner as painted in this shield.
Or, a Cross flory Sinople.
Escudo de oro, una cruz flordelisada de sinople.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the flory cross outlined in Sable and illuminated in Vert enamel; and finished in highly-hammered metal.
Based on the eighth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Rada» it can also be consulted in [Vega, P. J. de; 1702; folio 8 of the manuscript].
Blazon keywords: Without divisions, Or, Cross flory, Cross couped and Vert.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Rada of Navarre.
Barry of ten Argent and Azure, overall a double-headed eagle displayed Sable, nimbed, beaked, and membered Or, grasping in each claw an elephant's tusk proper, and charged on its breast with a double vajra Argent.
Escudo fajado de diez piezas de plata y azur, brochante sobre el todo un águila bicéfala de Sable, nimbada, picada y membrada de oro, teniendo en cada garra un colmillo de elefante al natural y su pecho cargado de una vajra doble.
Coat of arms interpreted and emblazoned by me with different shapes and finishings.
Blazon keywords: Without divisions, Barry, Ten, Argent, Azure, Overall, One, Eagle, Double-headed, Sable, Nimbed, Beaked, Membered, Or, Grasping, Claw, Tusk, Elephant, Proper, Chest, Charged and Double vajra.
Style keywords: Outlined in sable, Illuminated, Freehand, Rough, Rounded, Ogee and Pointed.
Classification: Interpreted and Coat of arms.
Bearer: Rage from Discord.
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms of the Count of Barcelona interpreted by me with the following features: the escutcheon shape is semicircular; the field is rendered in flat Or; the pallets are illuminated; and the whole has been given a heavily beaten metal finish.
[Menéndez Pidal de Navascués, F.; 1988; page 537] tells us that, unlike other more territorial emblems, «from his earliest seal the pallets appear on the shield of the equestrian figures on both sides, and in line with this configuration the emblem is inherited, without distinction, by his three sons and all his grandsons... it seems one must conclude that the emblem had a familial, not territorial, character from the very beginning».
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal, Coat of arms and County of Barcelona.
Bearer: Ramon Berenguer IV, Count of Barcelona.
Ralph de Albini ~ Rauf de Albini.
Gules, a fess of five fusils Argent.
Escudo de gules, una faja de cinco fusos de plata.
Coat of arms interpreted in the following manner: the shape of the base is semicircular; the field is illuminated in Gules; the fusils outlined in Sable and illuminated in metal Argent; the fess is 5 fusils in length; and the whole with an iridescent finish.
I tend to blazon «Gules, a fess of five fusils Argent» ~ «Escudo de gules, una faja de cinco fusos de plata» which, as the piece called a fess touches the edges of the shield and is a unit, means the fusils touch the edges of the shield and touch each other, forming a single fess of 5.
While in the blazon «Gules, five fusils in fess Argent.» ~ «Escudo de gules, cinco fusos en faja de plata» the fusils neither touch each other nor the edges of the shield; this second blazon tells us that the fusils are «in fess» ~ «en faja», it does not tell us that they are forming a fess.
Blazon keywords: Gules, Fusil, Argent and In fess.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted and Personal.
Bearer: Daubeny, Rauf.
Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable, in chief two pairs of gouttes Or.
Escudo cortado de azur y sable, brochante sobre la partición un castillo de cuatro torres de oro, aclarado de sable, en jefe dos pares de gotas de oro.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee triple-pointed outer contour and with a freehand finish.
Coat of arms for Seth Rawson emblazoned by me. This coat of arms is based on the ancient arms of the lineage Rawson, with the addition in chief of two pairs of gouttes Or for difference. Blazon in French by Michel Froger: «Coupé d’azur et de sable, au château d’or brochant sur le tout, maçonné, ouvert, éclairé de sable et accompagné en chef de deux paires de larmes d’or».
Blazon keywords: Azure, Sable, Or, One, Two, Party per fess, Overall, Four-towered, Castle, Port and windows, In chief, Pair and Goutte.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Rawson, Seth.
Party per chevron Argent and Sable, two wings Gules, in base a compass rose Argent; on a chief Sable, three mullets Argent.
Escudo de plata, dos medios vuelos de gules, mantelado en punta de sable, cargado de una rosa de los vientos de plata; el jefe de sable, tres estrellas de cinco puntas de plata.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finishing.
Coat of arms of family of Roy L. Reed Jr. designed by him and me, and emblazoned by me.
Blazon keywords: Argent, Gules, Sable, One, Two, Three, Party per chevron, Wing, In base, Compass rose, Chief and Mullet.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Reed Jr., family of Roy L..
Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or. Motto: «Prior tempore potior iure»
Escudo de plata, una estrecha patada de gules, cantonada de cuatro estrellas de ocho puntas de azur; en un jefe de sable, un elefante pasante de oro. Lema: «Prior tempore potior iure»
Coat of arms of the RIAG interpreted with: a pointed base; the field illuminated in Argent; the chief illuminated in Sable; the motto illuminated in Argent with letters in Sable; the narrow cross illuminated in Gules; the 4 eight-pointed stars illuminated in Azure; the cross and the stars outlined in Sable; the elephant illuminated in Or and outlined of the field; the motto outlined in Sable, written in the same colour and illuminated in Argent; and the whole with a rough finish.
[Avilés, J.; 1780a; página 113] writes «Paté, se dice de las Cruces, cuyos extremos se ensanchan un poco. Viene esta voz de la latina patula, cosa extendida, ó dilatada», and in this way uses the term «Cruz paté», instead of cruz patada, in [Avilés, J.; 1780a; páginas 60, 91, 92, 127 y 297]. In the blazon at escueladeheraldica.es/armorial-riag-pagina-1 the term «crus estrecha paté de gules» is also used, although I have preferred to use in this blazon the equivalent expression «una estrecha patada de gules».
Its Latin motto «Prior tempore potior iure» means that whoever comes first in time has more right than whoever comes after, and naturally refers to the concept of registration, since, in general, the person who registers a coat of arms first has more right to defend its ownership than the person who registers the same coat of arms after the first.
Blazon keywords: Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant, Or and Motto.
Style keywords: Pointed, Illuminated, Outlined in sable, Outlined in the field tincture and Parchment.
Classification: Socioeconomic.
Bearer: Registro Internacional de Armas Gentilicias.
Vair. Behind the shield an eight-pointed cross patty Gules.
Blazon keywords: Vair, Behind the shield, One, Eight-pointed cross, Cross couped and Gules.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Vichiers, Renaud de.
Paly of six Gules and Argent; overall, a fess Or charged with a lance Gules. Crest: Upon a helm with a wreath Argent and Gules, an arm vambraced, bendwise Argent, grasping, bend sinisterwise, a bow Gules, cord Or, and an arrow point sinister Argent. Mantling: Gules doubled Argent. Motto: «Inter Primos».
Canting arms of Rex Lancefield emblazoned by me under the directions of his descendant Erik Paul Arnelien. This photograph shows my hand-drawn Nordic scroll alongside the coat of arms in which it is used as a external decoration. The scroll was drawn directly in ink on tracing paper using a fine technical pen and long, continuous strokes, without any preliminary pencil sketch, repeating the design as many times as necessary until the desired result was achieved. The image shows an initial tracing on tracing paper with a second, more refined tracing superimposed over it; this version was later refined a third time digitally, as can be seen in the final rendering of the complete coat of arms.
Blazon keywords: Gules, Argent, Or, Six, One, Paly, Overall, Fess, Charged, Spear, Crest, Upon (wreath), Helm, Lined, Wreath, Arm, Vambraced, Bendwise, Grasping, Bend sinisterwise, Bow, Cord, Arrow, Point sinister, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Lancefield, Rex.
Or, a fess wavy Azure between, in chief three torteaus, and a trimount issuant from the base Vert; within a bordure Gules charged with nine mullets of four points Or.
Escudo de oro, una faja ondada de azur acompañada, en jefe, de tres roeles de gules y, moviente de la punta, de un monte de tres peñas de sinople; bordura de gules cargada de nueve luceros de oro.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finish.
Blazon keywords: Or, Azure, Gules, Vert, Sable, One, Three, Nine, Fess, Wavy, Between, In chief, Torteau, Trimount, Issuant from base, Within, Bordure, Charged and Mullet of four points.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Reyes Zelaya, Geremias.
Assumed arms
Azure, a bend sinister raguly between, in dexter chief, a Celtic cross, in sinister base, a sword point downwards Argent.
Escudo de azur, una barra ecotada acompañada, en la diestra del jefe, de una cruz celta y, en la siniestra de la punta, de una espada bajada todo de plata.
Coat of arms interpreted by me with a shape ended with an pointed arch, illuminated with color azure and metal argent, and with a rough finishing.
Blazon keywords: One, Bend sinister, Raguly, Between, Dexter, Chief, Celtic cross, Sinister, Base (lower 1/3), Sword, Point downwards and Argent.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Reyes, Elijah.
Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Motto: «Liberty Thru Industry».
Escudo de azur, dos flechas alzadas en sotuer acompañadas de, en jefe un creciente, en punta un libro abierto de todo de oro, hojado de plata inscrito de «Domus Virtus Felicitas» de sable. Lema: «Liberty Thru Industry.
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romero, Reynaldo.
Azure fretty Or.
Escudo de azur fretado de oro.
Blazon keywords: Without divisions, Azure, Fretty and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable, Shaded, Freehand and Soft metal.
Classification: Interpreted and Personal.
Bearer: Ricardo de Mandeville.
Vert, a pall raguly Or between three leopards' faces Or. Motto: «Inter feros» in letters Sable within a scroll Argent.
Watercolor finishing.
«Inter feros» means «inside the wild».
Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard and Motto.
Style keywords: Illuminated, Watercolor, Pointed and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Stowe, Richard Allen.
Lionheart ~ Corazón de León ~ Cœur de Lion.
Escudo de gules, dos leones de oro, afrontados, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth drawn as a semicircular (round) base; the field enamelled in a flat tint of Gules; the two lions outlined in the colour of the field and illuminated in Or and Azure; and the whole finished with a watercolour effect.
He was born in 1157, being the third of eight children of Henry II of England and Eleanor of Aquitaine, elder brother of Eleanor Plantagenet. He was king of England between 1189 and 1199, although he spent much of his life far from it; in fact, during his ten-year reign, he was on English soil only twice, which together did not amount even to six months. He died in 1199 in Normandy.
In 1198, during the Battle of Gisors, he supposedly used, as watchword or as motto, the expression «Dieu et mon Droit ~ God and my right». This phrase refers to his refusal to bow before Emperor Henry VI, since by his rank Richard acknowledged only God as superior. Later, Henry V of England adopted it as his motto, and since then it has been used by the British monarchy.
According to [Humphery-Smith, C.; 1983], Richard the Lionheart was the first English king who can be proved to have borne arms, although some of his predecessors may also have had them. He bases his statement on the existence of two seals of Richard I: on one, Richard bears a shield with a rampant lion, and on the other there already appear the three lions that are the forerunners of the arms of England. The use of this second seal does not imply that he stopped using the first.
In contrast, there are also British authors who maintain that his shield actually bore two affronted lions; this hypothesis is based on the lion on his first seal facing to sinister. That latter hypothesis is the one interpreted in this shield, remaining a purely artistic interpretation and without my entering into a complex and open discussion about how, when, and why the three leopards, «leones pasantes ~ lions passant» for the English, appeared —a discussion in which there are various alternatives— ranging from the combination of his hereditary arms to the wish to have more lions than his younger brother, who would later be King John I of England, to possible influences from other European realms.
This version of Richard I’s shield is similar to the imaginary shield of Hector of Troy, Gules with two lions Or affronté, which is a term used when «two things are placed facing each other, like two Lions, two Dogs, or other animals that look at one another» [Avilés, J.; 1725a; page 32].
Blazon keywords: Without divisions, Gules, Lion, Or, Combatant, Armed, Langued and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Richard I of England.
Or, six annulets Gules, 3, 2, and 1.
Escudo de oro, seis anilletes de gules, ordenados 3, 2 y 1.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two and One.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Richard, Richard.
Sanguine, a lion rampant, double queued Argent, tufted Or and langued Gules holding in its paws by the bows three keys fesswise bows interlaced wards to dexter facing downwards Or, in chief a mullet of eight points Or; all within a tressure Or.
Heraldic device painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
The coat of arms of Rick Kasparek emblazoned by me over his personal tartan registered in the Scottish Register of Tartans.
Blazon keywords: Sanguine, Argent, Or, Gules, One, Three, Eight, Lion, Rampant, Double queued, Tufted, Langued, Grasping, Paw, Key, Fesswise, Interlaced, In chief, Mullet and Tressure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Kasparek, Rick.
Argent, on a cross Gules five fleurs de lis Or.
Escudo de oro, una cruz de gules cargada de cinco flores de lis de oro.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Ancient arms of the lineage Rivas of Aragon emblazoned by me. Alternative blazon: «Argent, a cross Gules charged with five fleurs de lis Or».
Blazon keywords: Argent, Gules, Or, One, Five, Cross, Charged and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rivas of Aragon, lineage.
Roberto de Malet ~ Robert de Malet
Argent, three buckles Sable.
Escudo de plata, tres hebillas de sable.
Included in [Vincent, MS; 1285; number 595] also known as [St. George's Roll; 1285; number 595].
Blazon keywords: Without divisions, Argent, Three, Buckle, Sable and Ordered.
Style keywords: Triangular curved, Illuminated and Freehand.
Classification: Interpreted and Personal.
Bearer: Roberto de Malet.
Quarterly: 1 and 4 Vert, a crescent within eight mullets in lozenge Or; 2 and 3 Azure, a chain fesswise throughout between three fleurs de lis, 2 and 1, all the links and fleurs de lis per pale Or and Argent; an inescutcheon Azure, bearing a crown of count, charged with an eagle displayed within a bordure Or. Crest: A crown of Baron. Behind the shield the cross of a Knight of Justice of the Most Venerable Order of the Hospital of Saint John of Jerusalem.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.
G0067, Chief Herald of Malta's grant of Robert George Alexander Balchin's arms, whose full achievement has been emblazoned by me for such grant.
Blazon keywords: Quarterly, Vert, One, Crescent, Eight, Mullet, In lozenge, Or, Azure, Chain, Fesswise, Throughout, Between, Three, Fleur de lis, Ordered, Party per pale, Argent, Inescutcheon, Crest and mantling, Crown of Count, Crown, Charged, Eagle, Bordure, Crown of Baron, Behind the shield and Cross.
Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Balchin, Robert George Alexander.
Gules, three wolves' heads erased Argent.
Escudo de gules, tres cabezas de lobo arrancadas de plata.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a rounded trapezoidal outer contour and with a metal and iridescent finish.
Blazon keywords: Gules, Argent, Three, Wolf, Head and Erased.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Metal and iridescent.
Classification: Personal, Kingdom of Scotland, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Robertson of Struan, lineage.
Azure, on a pale Argent, between two lions combatant Or, armed and langued Gules, three chevronels Sable.
Escudo de azur, un palo de plata, cargado de tres tenazas de sable, acostado de dos leones afrontados de oro, armados y lampasados de gules.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.
The coat of arms of Catherine de Romanet emblazoned by me. Blazon in French: «D'azur, au pal d'argent chargé de trois chevrons de sable et accosté de deux lions affrontés d'or, armés et lampassés de gueules». Alternative blazon: «Azure, a pale Argent, charged with three chevronels Sable, between two lions combatant Or, armed and langued Gules».
Blazon keywords: Azure, Argent, Sable, Or, Gules, One, Three, Two, Pale, Charged, Chevronel, Between, Lion, Combatant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romanet, Catherine de.
Gules, two chevronels, in chief three mullets Argent.
Escudo de gules, dos tenazas de plata, en jefe tres estrellas todo de plata.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.
The coat of arms of Rothstein lineage emblazoned by me.
Blazon keywords: Gules, Argent, Two, Three, Chevronel, In chief and Mullet.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rothstein, lineage.
Party per fess, fimbriated Gules: 1st Azure, two royal drums in fess Argent, stringed Or, each charged with a bar Sable; 2nd Vert, a monkey statant Argent; overall a fess tierced per fess Azure, Gules, and Vert, fimbriated Argent; overall an inescutcheon Gules, fimbriated Argent. Motto above the crest: «Oruganda Rw'Abahinda» in letters Sable over a scroll Argent. Motto: «Abazira Nkyende» in letters Sable upon a scroll Argent.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a vesica piscis external shape and with a leather finishing.
This is the traditional coat of arms of the Royal Abahinda Clan of the Ankore Kingdom (1478), Uganda, renewed by them under the supervision of Crowned Prince Tugume Salim, and emblazoned by me. The motto over the coat of arms, «Oruganda Rw'Abahinda», means "Clan of Abahinda", and the motto below, «Abazira Nkyende», states that their totemic animal is the monkey.
Blazon keywords: Gules, Azure, Argent, Or, Sable, Vert, One, Two, Party per fess, Fimbriated, Drum, In fess, Stringed, Charged, Monkey, Statant, Overall (line of division), Fess, Tierced per fess, Overall, Inescutcheon, Motto (identification), Above the crest, Scroll and Motto.
Style keywords: Outlined in sable, Illuminated, Vesica piscis and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Abahinda Clan, Royal.
Emblem, two two-handed swords in saltire Argent, hilted Or. Crest: A royal crown Or.
Emblema, dos mandobles en sotuer de plata, guarnecidos de oro. Timbrado de una corona real.
Emblem interpretation with: the two-handed swords placed along the diagonals of an imaginary rectangle, with a 5x6 proportion, like a shield, that is, with angles of 50.2°, between the axis of the two-handed swords and the imaginary base of the emblem, unlike the original emblem where the two-handed swords are on the diagonals of a square, therefore with angles of 45°; the two-handed swords and the closed royal crown are outlined in Sable, illuminated and the whole with a raised-stroke execution.
This emblem of the Royal Association of Hidalgos of Spain has 2 two-handed swords that, unlike usual swords, due to their great length and weight, their fencing must be two-handed, hence their name.
The Spanish word «mandoble» comes from «mano doble», meaning «double hand», and refers to a sword wielded with both hands, the equivalent of the English «two-handed sword».
It is known that they are two-handed swords because the 2 that appear in the emblem have a crescent or crossguard in their iron. This crescent is called in Castilian «falsaguarda» and also «ganchos de parada» and its functionality is to protect from the slashes that the opponent could give close to the blade of the two-handed sword.
Blazon keywords: Two-handed sword, Argent, Hilted, Or, In saltire, Crest, Closed royal crown and Crown.
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Socioeconomic and Emblem.
Bearer: Royal Association of Hidalgos of Spain.
Royal Council of the Orders of Chivalry, of Santiago, Calatrava, Alcantara, and Montesa.
Emblem quarterly per saltire: 1, a cross of Saint James; 2, a cross of Calatrava; 3, a cross of Alcantara; 4, a cross of Montesa.
Emblema cuartelado en sotuer: 1o, una cruz de Santiago; 2o, una cruz de Calatrava; 3o, una cruz de Alcántara; 4o, una cruz de Montesa.
Interpretation of the emblem of the Royal Council with: its four crosses outlined in Sable, illuminated in Gules, Vert, and Sable; and a heavily hammered metal finish.
There is another version of this emblem of the Royal Council with the crosses of its four orders of Santiago, Calatrava, Alcantara, and Montesa outlined in Or instead of Sable.
Blazon keywords: Cross, Quarterly per saltire, Cross of Saint James, Cross couped, Cross of Calatrava, Cross of Alcantara and Cross of Montesa.
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Socioeconomic and Emblem.
Bearer: Royal Council of the Orders of Chivalry.
Or, the symbol of the Royal House of Kupang Sable.
Coat of arms emblazoned by me with a pointed shape, also called heater, illuminated, and its finishing is that seems leather.
Blazon keywords: Without divisions, Or, One, Symbol and Sable.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Kupang, Royal House of.
Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «Limpia, fixa, y da esplendor» Or over a scroll Azure.
Escudo de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro. Timbrado de una corona real cerrada. Lema: «Limpia, fixa, y da esplendor» de oro sobre una filacteria de azur.
Interpretation made from the Royal Academy emblem: transforming it into a semicircular-based shield, instead of its oval shape; with its motto on a scroll beneath the base, instead of surrounding it; keeping the closed royal crown in its place; with everything illuminated except the field which is in plain color; and the whole outlined in sable and with a parchment-like finish.
In this interpretation, on the Argent field, the Gules fire of the bonfire completely surrounds the Argent crucible, to avoid the metal Argent on the same.
To write the blazon for this coat of arms I use the heraldic term «llameante». Therefore, I do not follow [Avilés, J.; 1780a; page 82 and figure 163] when he writes «...y un Fénix de gules sobre una hoguera encendida de lo mismo.». He uses this example to illustrate the 2 fundamental uses of the term «encendido» which is said when «the Eyes of animals... are of a different color» and «also of a burning Bush and the same for a Torch, when the flame is of a different tincture».
Blazon keywords: Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules, Or, Closed royal crown, Crown, Motto, Scroll and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: Royal Spanish Academy.
Ermine, a lion rampant double queued Or, armed and langued Gules; a chief Gules, three castles triple-towered Or, port and windows Azure, masoned Sable. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Without divisions, Ermine, One, Lion, Rampant, Tail, Double queued, Or, Armed, Langued, Gules, Chief, Three, Castle, Port and windows, Azure, Masoned, Sable, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: González Lara, Rubén.
Gules, three Leopards faces Or, the whole within a Border Or with two Bars Gules. Crest: A crest coronet proper. Mantle: Gules doubled Erminois.
Freehand finishing
Blazon keywords: Gules, Three, Head, Leopard, Or, Ordered, Bordure, Two, Bar, Crest and mantling, Crown of Prince, Crown, Open, Mantle, Erminois and Sable.
Style keywords: Freehand, Pointed, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.
Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or. Motto: «Audacia,Veritas et Libertas».
Escudo partido de azur y gules, brochante sobre el todo un león rampante de plata, alado de oro, teniendo en su garra diestra una espada alzada de oro. Motto: «Audacia,Veritas et Libertas».
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
Blazon keywords: Azure, Gules, Argent, Or, One, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Vaz, Rui J..
Azure, a carbuncle of twelve rays Argent; on a chief Or, a hop cone Vert between two apples Gules, slipped and leaved Vert.
Escudo de azur, un carbunclo de doce rayos de plata; en un jefe de oro, una flor de lúpulo de sinople acompañada de dos manzanas de gules, talladas y hojadas de sinople.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.
Blazon keywords: Azure, Carbuncle, Twelve, Argent, Chief, Or, Hop cone, Flower, Vert, Between, Two, Apple, Gules, Slipped and Leaved.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Created and Coat of arms.
Bearer: Sales, Robert Edward.
Azure, a bend Argent between, in chief a sword point upwards Argent, hilted Or, in base a pair of scales Or. Motto: «Ex Homine Lex, Ex Deo Iustitia» Sable, over a scroll Or charged at its center with a mullet of five points Argent, irradiated of thirty rays Or. Suspended from the shield the cross of Knight of Merit of the Constantinian Order.
Escudo de azur, una banda de plata, acompañada en jefe de una espada alzada de plata, guarnecida de oro, y en punta de una balanza de oro. Lema: «Ex Homine Lex, Ex Deo Iustitia» de sable, sobre una filacteria de oro cargada en su centro de una estrella de cinco puntas de plata, radiante de treinta rayos de oro. Pendiente de la punta del escudo la cruz de caballero de métiro de la Orden Constantiniana.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finishing.
Blazon keywords: Azure, Argent, Or, One, Thirty, Bend, Between, Sinister, Chief, Sword, Point upwards, Hilted, Dexter, Base, Pair of scales, Motto, Scroll, Mullet, Irradiated, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Buttaro, Salvatore.
Azure, a cross flory voided Argent; a bordure Gules charged with sixteen saltires couped Or.
Escudo de azur, una cruz hueca flordelisada de plata; una bordura de gules cargada de dieciséis sotueres cortados de oro.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
Coat of arms of Alfonso Sánchez de Perella, 1st Mayor of Burgos, emblazoned by me.
Blazon keywords: Azure, Argent, Gules, Or, One, Sixteen, Cross, Flory, Voided, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sánchez de Perella, Alfonso.
Son of Alfonso X of Castile and Violant of Aragon.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or. Crest: An open royal crown Or.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro. Timbrado de una corona real abierta.
Arms of the king interpreted by me as follows: the shield of arms has a rounded (semicircular) base; the quarters are in flat tinctures Argent and Gules; the castles, lions and crown are illuminated; the castles and lions are shaded; and the whole has a parchment finish.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Crest, Open royal crown and Crown.
Style keywords: Rounded, Illuminated and Parchment.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Sancho IV of Castile.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo partido: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata, un león rampante de púrpura, armado y lampasado de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the Infante Sancho of Castile, 1233–1261, 8th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. Unlike his siblings, he does not use a quarterly shield but rather impaled arms of Castile and Leon.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Sancho of Castile, Infante.
Gules, a cross Argent.
Escudo de gules, una cruz de plata.
Coat of arms of the House of Savoy and the Duchy of Savoy, which I have interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat tincture Gules; the cross is illuminated in Argent; and the whole coat of arms is rendered with a raised-stroke effect.
This coat of arms is both familial and political, for it is also the coat of arms of the French departments of Savoy and Haute-Savoie, both belonging to the Rhône-Alpes region.
The cross in this shield is an honourable ordinary, for it is a full cross, the result of combining a fess and a pale. This full cross is wide and reaches the edges of the shield and is therefore large enough to bear charges. For this reason these ordinaries are called “honourable,” because they may be honoured with additional charges. In English heraldry they are known as «ordinaries», [The Heraldry Society; 2013; page 11].
This coat of arms is recorded in the armorial [Marshal, L.; 1295; shield number 32] together with the text «Le Counte de Sauveys, Gules a cross argent, Amadeus V, Comte de Savoie».
Blazon keywords: Without divisions, Gules, Argent and Cross.
Style keywords: Semi-circular, Illuminated and Freehand.
Classification: Interpreted, Personal, Coat of arms and House of Savoy.
Bearer: Savoy, Duchy of.
Or, a lion rampant Gules, armed and langued Azure; a double tressure flory counterflory Gules.
Illuminated and a leather finishing.
Blazon keywords: Or, One, Lion, Gules, Armed, Langued, Azure, Double tressure, Flory and Counterflory.
Style keywords: Freehand, Outlined in sable, Illuminated and Rectangular.
Classification: Civic, Kingdom of Scotland, Interpreted, Banner of arms and Flag.
Bearer: Scotland.
Gules, on a trimount issuant from the base Argent a bighorn sheep salient Or, horned Argent. Motto: «Barrio Alto» Sable with initial letters Gules over a scroll Argent.
The coat of arms of the Barrio Alto of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me, and emblazoned, dated, signed and sealed by me.
Blazon keywords: Gules, Or, Argent, Sable, One, On, Trimount, Issuant from base, Bighorn sheep, Salient, Horned, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Civic, Created, Boa, Sealed arms and Heraldic document.
Bearer: Barrio Alto of Mon'Tarena.
Argent, a bend Azure charged with a jaguar rampant Argent, spotted Azure. Motto: «Barrio Bajo» Sable with initial letters Gules over a scroll Argent.
Heraldic device designed by me, illuminated with lights and shadows, contoured in Sable, with a chasuble external shape and with a texturized finish.
The coat of arms of the Barrio Bajo of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me, and emblazoned, dated, signed and sealed by me.
Blazon keywords: Argent, Azure, Sable, Gules, One, Bend, Charged, Jaguar, Rampant, Spotted, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Civic, Created, Boa, Sealed arms and Heraldic document.
Bearer: Barrio Bajo of Mon'Tarena.
Party per pale Azure and Argent, a hummingbird volant bendwise counterchanged. Motto: «Barrio del Artista» Sable with initial letters Gules over a scroll Argent.
The coat of arms of the Barrio del Artista of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me, and emblazoned, dated, signed and sealed by me.
Blazon keywords: Argent, Azure, Sable, Gules, One, Party per pale, Hummingbird, Volant, Bendwise, Counterchanged, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Civic, Created, Boa, Sealed arms and Heraldic document.
Bearer: Barrio del Artista of Mon'Tarena.
Gules, a chevron Or.
Arms of Gilbert des Essarts, France, emblazoned by me. This scheme illustrates the drawing of a chevron, highlighting that the lower point of this wide chevron is positioned at the geometric center of the coat of arms.
Blazon keywords: Gules, Or, One and Chevron.
Style keywords: Outlined in sable, Plain tincture, Illuminated and Pointed.
Classification: Personal, Kingdom of France, Interpreted, Schema, Boa and Coat of arms.
Bearer: Gilbert des Essarts.
Simon de Vere ~ Simon de Ver.
Gules, three cinquefoils Argent.
Escudo de gules, tres quinquefolios de plata.
Included in [Vincent, MS; 1285; number 85] also known as [St. George's Roll; 1285; number 85].
Blazon keywords: Without divisions, Gules, Three, Cinquefoil, Argent and Ordered.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Simón de Vere.
Simon FitzSimon ~ Simon le FizSimon.
Gules, three chess rooks Ermine.
Escudo de gules, tres roques de armiños.
Included in [Vincent, MS; 1285; number 224] also known as [St. George's Roll; 1285; number 224].
Blazon keywords: Without divisions, Gules, Three, Chess rooks, Ermine and Ordered.
Style keywords: Semi-circular, Illuminated and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Simón FitzSimon.
Sir Robert Knollys ~ Sir Robert Knolles (1325-1407).
Gules, on a chevron Argent three roses Gules, barbed Vert, and seeded Or.
Escudo de gules, un cabrio de plata cargado de tres rosas de gules, barbadas de sinople y botonadas de oro.
Coat of arms interpreted with: the rounded form; the field illuminated in Gules; the chevron illuminated in Argent metal and outlined in Sable; the roses illuminated in Gules, Vert and Or and outlined in Sable; and the whole with a raised-stroke effect.
Sir Robert Knollys was an English man-at-arms who was born in the County of Cheshire in 1325 and died in Sculthorpe, Norfolk, in 1407, and whose military career was framed within the Hundred Years' War between England and France.
Blazon keywords: Without divisions and Gules.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Kingdom of England and Army and Navy.
Bearer: Knollys, Robert.
Zurich, Switzerland.
Argent, an eagle displayed Gules, crowned, langued, membered and armed, charged on its chest with a mullet of six points voided, and interlaced Or.
Escudo de plata, un águila de gules, coronada, lampasada, membrada y armada, cargada en su pecho de una estrella de seis puntas, hueca y entrelazada todo de oro.
Illuminated with lights and shadows and with a iridescent finish.
Another version of this blazon «Argent, a eagle displayed Gules, crowned, langued, membered and armed, charged on its chest with a star of David Or».
Blazon keywords: Without divisions, Argent, One, Eagle, Gules, Crowned, Langued, Membered, Armed, Charged, Mullet, Six, Base (lower 1/3), Voided, Interlaced and Or.
Style keywords: Iridescent (nacar), Outlined in sable, Illuminated and Pointed.
Classification: Personal and Created.
Bearer: Sosa-Garcia, Rodolfo.
Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.
Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Granada, Soberana y Muy Noble Orden de la.
Azure, a palm tree eradicated, between in sinister a lion rampant supporting it Or, in dexter three millwheels, 2 and 1, and in chief a crescent Argent.
Escudo de azur, una palmera arrancada, acompañada a la siniestra de un león rampante empinado a ella ambos de oro, a la diestra de tres ruedas de molino, 2 y 1, y en jefe un creciente todo de plata.
Coat of arms emblazoned by me with a shape endend with an ogee arch, illuminated, and with a parchement finishing.
Blazon keywords: Azure, One, Palm tree, Tree, Erased, Between, Sinister, Lion, Rampant, Supporting, Or, Dexter, Three, Millwheel, Ordered, In chief, Crescent and Argent.
Style keywords: Ogee, Outlined in sable, Illuminated and Parchment.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Spanò, Diego Pantaleone.
Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a leather finishing.
Credits: SkyL.designer and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout and Proper.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Sparkles, Marie Unicorn.
Or, a fess chequey Azure and Argent.
Escudo de oro, una faja ajedrezada de azur y plata.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a rough finishing.
Coat of arms of the lineage Stewart of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Stewart of Scotland, lineage.
Azure, on a wavy sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or.
Escudo de azur, en punta un mar ondado de plata sumado de un barco con remos de oro, con vela y gallardete de plata; en un jefe de plata, un libro cerrado y brochado de oro, tapas de gules.
Arms designed by me, highlighted with lights and shadows, with a pointed outer contour and with a watercolor finishing.
The coat of arms of the Strategy Department of Consultoria.IO designed by them and me and emblazoned by me. Consultoria.IO is a consulting firm specialized in scale-up e-commerce stores.
Blazon keywords: Azure, Argent, Or, Gules, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book and Clasped.
Style keywords: Illuminated, Pointed and Watercolor.
Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.
Bearer: Strategy Department of Consultoria.IO.
Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.
Escudo de oro, una faja ajedrezada de plata, cargada de una cola de armiño, y azur, acompañada en jefe de dos cruces patadas de gules, en base de un cardo al natural; una filiera de azur.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Coat of arms of Reverend John Stuart, XVIII century, emblazoned by me.
Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Stuart, John.
Azure, a sun in splendour, irradiated of sixteen ears of wheat Or.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finishing.
Coat of arms of María de los Ángeles Carrillo Padilla designed by her and her her father-in-law Juan Lanzagorta Vallín, and emblazoned by me with an ogee-ended shape and the sun in the optical center of the shield.
Blazon keywords: Azure, Or, One, Sixteen, Sun in splendour, Irradiated, Ear of wheat and Wheat.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Carrillo Padilla, María de los Ángeles.
Or, on a chevron, between three crosses flory Gules, three crescents Argent. Crest: Upon a helm, with a wreath Or and Gules, a pomegranate Proper, seeded Gules, slipped and leaved Vert. Mantling: Gules doubled Or. Supporters: Two Lions rampant Or, langued and armed Gules.
Blazon keywords: Or, One, Chevron, Gules, Charged, Three, Crescent, Argent, Between, Cross, Flory, Crest and mantling, Helm, Mantling, Wreath, Crest, Pomegranate, Proper, Slipped, Leaved, Vert, Supporter (animal), Supporter, Two, Lion, Rampant, Langued and Armed.
Style keywords: Outlined in sable, Pointed, Illuminated and Rough.
Classification: Personal, Created and Coat of arms.
Bearer: Rica II, Nick Allen.
Blazon of the Talbot lineage of England.
Escudo de gules, un león rampante dentro de una bordura angrelada todo oro.
Gules, a lion rampant within a bordure engrailed Or.
Illuminated with lights and shadows and with a freehand finish.
[Rietstap, J. B.; 1861] writes it in French as «de gueules, au lion d'or, à la bordure engrelée du même». y [Burke, J.; 1836; volume 3, pages 359-360] writes it in English as «Gu. a lion rampant, within a bordure engr. or».
Blazon keywords: Without divisions, Gules, One, Lion, Rampant, Within, Bordure, Engrailed and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Cheshire, 1613.
Quarterly: 1 and 4 Argent, a crescent Sable; 2 and 3 Gules, a crescent Argent.
Cuartelado: 1 y 4 de plata, un creciente de sable; 2 y 3 de gules, un creciente de plata.
Coat of arms interpreted with: a rounded base; the field illuminated in Argent and Gules; the 4 crescents, outlined in Sable, in plain Argent and Sable tinctures; and the whole in raised-stroke style.
Regarding the moon, [Avilés, J.; 1780a; página 306] tells us that «según el error popular figuran con cara humana algunos, se ve muy poco usada en las Armerías de España, y lo mismo en las de Francia; y porque se encuentra así en muchos Escudos de Alemanes.». On the crescent he adds that «es una figura en forma de Luna, llamada por esto de muchos así, ó por su diminución Luneta».
Blazon keywords: Quarterly, Argent, Gules, Crescent and Sable.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Tatton de Wythenshawe.
Azure, in base an open book Argent, in chief a sun in splendour Or. Crest: An open royal crown. Motto: «Technica impendi nationi». Motto around the shield: «Universidad de Politécnica de Madrid» fimbriated and inscribed Or.
Escudo de azur, un libro abierto de plata surmontado de un sol de oro. Timbrado de una corona real abierta. Lema: «Technica impendi nationi». Divisa alrededor del escudo: «Universidad de Politécnica de Madrid» perfilada y en letras de oro.
Coat of arms interpreted as follows: a semicircular (round) base; the field in flat Azure; the field and charges are illuminated in the tinctures Azure and the metals Argent and Or, all outlined in Sable; my rendition of this coat of arms differs from others in that the sun’s rays, although outlined in Sable, are Or; in the legibility of the text written on the book; and in separating with a dot the words that form the motto; and the whole finished with a beaten-metal effect.
In [Huidobro Moya, J. M.; 2024; page 231] this version of the coat of arms of the Technical University of Madrid, created by me, is illustrated. Both José Manuel Huidobro Moya and I are «alumni» of this university.
This image shows my interpretation of the coat of arms of the Technical University of Madrid, together with the doctoral signet ring that the University presented to me on the occasion of my PhD in Artificial Intelligence in 1992, a field in which I have worked since 1985.
Blazon keywords: Without divisions, Azure, Argent, Or, Book, Sun in splendour, Crest and mantling, Crown, Open royal crown, Motto and Motto (identification).
Style keywords: Semi-circular, Oval, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Socioeconomic, Collage and Education.
Bearer: Technical University of Madrid.
Azure, a cross of Burgundy Or; an inescutcheon Or, six fleurs de lis in orle Azure.
Escudo de azur, una cruz de Borgoña de oro; un escusón de oro, seis flores de lis en orla de azur.
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the Tercio Alessandro Farnese, 4th of the Spanish Legion, emblazoned by me. In honor of Alessandro Farnese, the central inescutcheon bears in orle the 6 fleurs de lis of the Farnese family.
Blazon keywords: Azure, Or, One, Six, Cross of Burgundy, Cross couped, Inescutcheon, Fleur de lis and In orle.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Tercio Alessandro Farnese.
Gules, a cross of Burgundy Or; an inescutcheon Or, three bars Gules.
Escudo de gules, una cruz de Borgoña de oro; un escusón de oro, tres fajas de gules.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.
Coat of arms of the Tercio Great Captain, 1st of the Spanish Legion, emblazoned by me. The inescutcheon represents the coat of arms of Gonzalo Fernandez de Cordoba, 1453-1515, known as «The Great Captain». During the Italian campaigns in the late 15th and early 16th centuries, especially during the wars of Naples, Gonzalo Fernandez de Cordoba reformed the Spanish army, adapting it to the new conditions of Renaissance warfare. He created a flexible tactical system based on the combination of pikemen, inspired by the Swiss; «espingarderos», forerunners of the arquebusiers; and «espadas» or shock troops, this combination would form the foundation of the future «Tercios».
Blazon keywords: Gules, Or, One, Three, Cross of Burgundy, Cross couped, Inescutcheon, Bar and Fess.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Tercio Great Captain.
It was founded in New Orleans, state of Louisiana, in the year 1972 and, subsequently, was legally structured as a non-profit association in the state of Alabama.
The aim of the «College» is to contribute to the orderly development of the American heraldic tradition, whose origins go back to and are the same as those of the United States of America, and to meet the heraldic needs of its citizens.
The American College of Heraldry is governed by its Board of Directors, which elects both the directors of the «College» and its Advisory Council.
There are different ways of belonging to The American College of Heraldry, from members distinguished by their recognised prestige in the field of heraldry or by their contribution to heraldry from academic institutions to other persons interested in heraldry and, even, young associate members who are minors.
The address of its website is AmericanCollegeOfHeraldry.org, where the blazon of its arms is written as «Sable, a lion rampant, crowned with an ancient coronet, holding in the dexter paw a baton fleury Or, armed and langued Gules».
Categories: Institution, Interpreted, Socioeconomic, Illuminated, Outlined in sable, Shaded, Parchment, Semi-circular, Coat of arms, Without divisions, Sable, Lion, Or, Rampant, Armed, Langued, Gules, Crown, Open royal crown, Crowned, Dexter, Grasping, Scepter and Flory.
Azure, a saltire between, in chief and in base, two thistle couped Argent; an inescutcheon Gules.
Escudo de azur, un sotuer acompanado, en jefe y en punta, de dos cardos de nuridos todo de plata; un escusón de gules.
Coat of arms interpreted with the following characteristics: the shape of its shield is semicircular; the field is a flat tint of Azure; the two thistles and the saltire are illuminated of the metal Argent and outlined in Sable; the inescutcheon is illuminated of the colour Gules and, also, outlined in Sable; and the whole with a mother-of-pearl finish with a raised stroke.
The English term «inescutcheon» corresponds to our Spanish term «escusón». It is called an inescutcheon when there is only one and it is placed in the abyss of the shield.
The English term «escutcheon» corresponds to our Spanish term «escudete». It is used when there are several, for example, 3. Although in this case there is only one, this is the term used in the official blazon of this coat of arms, as will be seen below.
This coat of arms of The Heraldry Society of Scotland was registered and granted ~ «granted» on 7th September 1977, by «The Court of the Lord Lyon», which is the official college of arms for Scotland, lyon-court.com, with the following blazon: «Azure, on a saltire argent between two thistles slipped argent, one in chief and one in base, an escutcheon gules» and it contains 2 thistles, which is the national flower of Scotland, and a saltire Argent on an Azure field, like the flag of Scotland.
The usual way of representing the thistle ~ «thistle» in Castile is with its roots visible, it is called «arrancado». In this case the stem is cut and its roots are not visible, it is called «slipped» ~ «nurido».
Blazon keywords: Without divisions, Azure, Saltire, Argent, Thistle, Couped (tree), In chief, In base, Inescutcheon and Gules.
Style keywords: Illuminated, Outlined in sable, Iridescent (nacar), Freehand and Semi-circular.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The Heraldry Society of Scotland.
Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.
Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, Cannon, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Lanzagorta Escutia, Miguel Francisco.
Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged.
Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant and Counterchanged (side-by-side).
Style keywords: Ogee, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Bendel, Nathaniel.
Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.
Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.
Style keywords: Outlined in sable, Semi-circular, Plain tincture, Illuminated and Freehand.
Classification: Religious, Created, Coat of arms and Schema.
Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.
Or, three puffins proper.
Escudo de oro, tres frailecillos (Fratercula arctica) al natural.
Coat of arms of Ralf Hartemink, founder and owner of Heraldry of the World heraldry-wiki.com, crafted in wood with a height of 60 cm by woodflag.eu, based on my painting of his coat of arms. Since 1995, Heraldry of the World is the most important resource for civic heraldry. The collage contains to the dexter his coat of arms painted by me and to the sinister his coat carved in wood hanging on the wall of the factory where it was made.
Blazon keywords: Without divisions, Or, Three, Puffin and Proper.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Collage and Photographic.
Bearer: Hartemink, Ralf.
Gules, six wagon-wheels Or, 2, 2, and 2.
Blazon keywords: Gules, Six, Wagon-wheel and Or.
Style keywords: Outlined in sable, Plain tincture, Illuminated, Freehand and Pointed.
Classification: Lineage, Interpreted, Canting, Coat of arms and Schema.
Bearer: Rodelo lineage from Galicia.
Or, two lions passant, guardant in pale Azure, armed Sable, langued Gules; in a base dovetailed Azure, two oak branches, leaved, fructed in pile Or. Crest: Upon a helm with a wreath Or and Azure, a terrestrial globe Azure, the continents Or, visible Europe. Mantling: Azure doubled Or.
Coat of arms of the family Promet, founders and owners of Promet Restoration, Seattle, Washington, USA. This coat of arms has been designed by Dakota Promet and me, and emblazoned by me. The image combines a photograph of a drawing of a helm along with their arms, all painted by me.
Blazon keywords: Or, Azure, Two, One, Leopard, In pale, Langued, Armed, Base, Dovetailed, Oak, Tree, Branch, Leaved, Fructed, In pile, Crest, Upon (wreath), Helm, Wreath, Terrestrial globe and Mantling.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Socioeconomic, Created, Boa, Hand-drawn, Collage and Photographic.
Bearer: Promet, family.
Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.
TheHeraldrySociety.com was founded by John P. Brooke-Little, MA, FHS in 1947.
Its objetives are to increase and extend interest in and knowledge of heraldry, armory, chivalry, genealogy and allied subjects.
Among its activities stand out the monthly organisation of meetings and conferences, the publication of 2 journals, one for general readership and one more academic, the organisation of a congress every 2 years, the construction and maintenance of a heraldic archive, a presence on the internet through its website and the sale of books at all its meetings, as described in [The Heraldry Society; 2013].
Some of its more academic publications are referenced here, in Blason.es c, such as, for example, [Scott-Giles, C. W.; 1965], [Humphery-Smith, C.; 1983], [Parsons, R. J.; 1989] or [Rabbow, A.; 1999].
I am member of The Heraldry Society since 2014. As member, my coat of arms appears in their web site in the following address TheHeraldrySociety.com/membersarms/antoniosalmeron.htm.
Categories: Institution, Interpreted, Socioeconomic, Pointed, Illuminated, Outlined in sable, Freehand, Coat of arms, Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.
Vert, an inescutcheon Argent; overall a compass rose Sable and Or. Motto: «De jure».
Escudo de sinople, un escusón de plata; brochante sobre el todo, una rosa de los vientos de sable y oro. Lema: «De jure».
I have interpreted this coat of arms with: a Spanish base, that is, semicircular (round); the field and the inescutcheon in plain green and Argent; the compass rose illuminated in Sable and Or and outlined in Sable; and the whole with a parchment finish.
Blazon keywords: Without divisions, Vert, Inescutcheon, Argent, Surmounted, Overall (deprecated), Compass rose, Sable, Or and Motto.
Style keywords: Illuminated, Outlined in the field tincture, Parchment and Semi-circular.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The International Heraldry Society.
Quarterly: 1 and 4 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 2 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 3 Azure, a harp Or, stringed Argent.
Escudo cuartelado: 1o y 4o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 2o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 3o de azur, un arpa de oro cordada de plata.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a iridescent finishing.
Coat of arms of His Majesty King Charles III in Scotland emblazoned by me.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Charles III of the United Kingdom.
Party per pale Gules and Vert; overall a mermaid proper, holding in her dexter a sword Argent, hilted Or, and in her sinister a comb Or. Motto: «Knights of Cristina».
Escudo partido de gules y sinople; brochante sobre la partición una sirena al natural, teniendo en su diestra una espada de plata, guarnecida de oro, y en su siniestra un peine de oro. Divisa: «Knights of Cristina».
Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, and with a forge finish.
Blazon keywords: Gules, Vert, Argent, Or, One, Party per pale, Overall, Mermaid, Proper, Grasping, Dexter, Sword, Hilted, Sinister, Comb and Motto.
Style keywords: Outlined in sable, Illuminated and Forge.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Cristina, The Knights of.
Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules. Motto: «In Honorem Victoria» Sable, with initial letters Gules, over a scroll Argent. Supporters: Dexter a binson and sinister a pronghorn Argent, terraced by rocky mountains and great plains charged with, in dexter, an Indian paintbrush, and in siniester, a thistle proper.
Escudo de azur, un sotuer de plata acompañado de dos flores de lis en faja de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules. Lema: «In Honorem Victoria» de sable, con las letras iniciales de gules, sobre una filacteria de plata. Soportes: Diestro un bisonte y siniestro un berrendo ambos de plata, terrazados de montañas rocosas y grandes planicies cargadas de, a la diestra, una castilleja, a la siniestra, un cardo todo al natural.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Motto, Supporter, Dexter, Binson, Sinister, Pronghorn, Compartment, Mount, Indian paintbrush, Thistle and Proper.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Randy David Lee Xavier.
It has been emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a rhombus external shape and with a texturized finish.
Coat of arms of the youngest granddaughter of Jon. It has been designed by her and Juan Lanzagorta Vallín, and emblazoned by me using a lozenge shape. This coat of arms has been presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture) together with the blazon, and with the design rationale presented orally during the lecture.
Blazon keywords: Or, Azure, Argent, One, Sun in splendour, Party per pale, Ray of the sun and Bordure.
Style keywords: Outlined in sable, Illuminated and Rhombus.
Classification: Personal, Interpreted, Boa and Slide.
Bearer: Jon, youngest granddaughter of.
Thomas de Warbrentone ~ Thomas de Warbleton.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted in the following manner: the shape of the base is a semicircular arch; the field has been enameled with plain metal tint Or; the lozenges with their 4 rectangular and equal angles, are outlined in Sable and illuminated in Azure; the lozengy is 6 lozenges wide by 7 lozenges high, which can also be indicated as 7 lozenges in length by 7 lozenges in latitude; and the whole has received a marble finish.
Lozengy is defined by [Avilés, J.; 1780a; page 101] as «it is said of the Shield and pieces covered with lozenges».
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted and Personal.
Bearer: Warbleton, Thomas de.
Lord of the manors of Stowe in the parish of Kilkhampton in Cornwall and of Bideford in Devon, and Sheriff of Cornwall.
Gules, three Clarions Or.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Iridescent (nacar), Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted and Kingdom of England.
Bearer: Grenville, Thomas.
Tomás Roscelyn Thomas ~ Roscelyn ~ Thomas Rocelin.
Gules, three buckles Argent.
Escudo de gules, tres hebillas de plata.
Included in [Vincent, MS; 1285; number 595] also known as [St. George's Roll; 1285; number 595].
Blazon keywords: Without divisions, Argent, Three, Buckle, Sable and Ordered.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Tomás Roscelyn.
Argent, a double tressure flory Sanguine, overall a raven (Corvus corax) volant saltirewise proper.
Escudo de plata, un trechor doble flordelisado de sanguíneo; sobre el todo, un cuervo (Corvus corax) volando puesto en sotuer al natural.
Arms interpreted by me, highlighted with lights and shadows, with a pointed external shape and with a watercolor finish.
Blazon keywords: Argent, Gules, Sable, One, Double tressure, Flory, Overall, Raven, Volant, Saltirewise and Proper.
Style keywords: Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Thompson, Alton.
Illuminated and a rough finishing.
Blazon keywords: Gules, Cross, Or, Lily, Flower, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base, Two hands clasped, Motto and Motto (identification).
Style keywords: Rough, Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Trading Pro School.
Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.
Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2nd and 3rd quarters.
Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Trastámara, House of.
Or, a chief Gules.
Escudo de oro, un jefe de gules.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Or, Chief and Gules.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Tremelay, Bernard de.
Quarterly of four in four: 1 Vert, chaussé Or; 2 Azure, contre-embrassé Or; 3 Argent, chaussé Azure; 4 Or, contre-embrassé Azure; 5 Azure, embrassé Or; 6 Vert, chapé Or; 7 Or, embrassé Azure; 8 Argent, chapé Azure; 9 Or, chaussé Vert; 10 Argent, contre-embrassé Vert; 11 Azure, chaussé Argent; 12 Vert, contre-embrassé Argent; 13 Argent, embrassé Vert; 14 Or, chapé Vert; 15 Vert, embrassé Or; 16 Azure, chapé Argent.
Escudo partido de cuatro y cortado de lo mismo: 1o de sinople, calzado de oro; 2o de azur, contraembrazado de oro; 3o de plata, calzado de azur; 4o de oro, contraembrazado de azur; 5o de azur, embrazado de oro; 6o de sinople, cortinado de oro; 7o de oro, embrazado de azur; 8o de plata, cortinado de azur; 9o de oro, calzado de sinople; 10o de plata, contraembrazado de sinople; 11o de azur, calzado de plata; 12o de sinople, contraembrazado de plata; 13o de plata, embrazado de sinople; 14o de oro, cortinado de sinople; 15o de sinople, embrazado de oro; 16o de azur, cortinado de plata.
Imaginary coat of arms created with an aesthetic purpose with: a rounded base; its fields enameled with plain tinctures Or, Argent, Azure, and Vert; the charges that accompany the fields, that is, those that form the embrassé, contre-embrassé, chapé, and chaussé, outlined in Sable and illuminated in Or, Argent, Azure, and Vert; and the shield has received a beaten metal finish.
«Embrazado a la diestra» is how [Avilés, J.; 1725a; page 69] names the contre-embrassé, since the two charges, one upper and one lower, enter from the dexter of the shield, leaving their points in the sinister. It must be kept in mind that what remains between both charges is the field.
Blazon keywords: Quarterly, Chapé, Chaussé, Embrassé, Contre-embrassé, Or, Argent, Azure and Vert.
Style keywords: Rounded, Illuminated, Outlined in sable and Metal beaten.
Classification: Imaginary.
Imaginary bearer: Triangulation.
Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.
Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.
Coat of arms interpreted as follows: with a semicircular (round) base; the field and the chief in the flat tinctures Purpure and Azure, with a lightly-hammered metal finish; and the four charges outlined in Sable, shaded, illuminated, and with a very hammered metal finish.
I hold the University Specialist degree in Real Estate Management and Administration, awarded by the Department of Private Law of the University of Burgos. These studies are structured over three academic years and are pursued online in combination with periods of traditional classes in the summers and on-site examinations during the winters. This was my first long-term online training experience.
Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable, Soft metal and Hard metal.
Classification: Interpreted, Socioeconomic and Education.
Bearer: Burgos, University of.
Azure, a Tryzub Or.
Escudo de azur, un tryzub de oro.
Interpreted coat of arms: with a pointed shape; illuminated with metals or and color azure; outlined with sable; and an iridescent finish for the field and metallic of the tryzub.
Blazon keywords: Without divisions, Azure, Trident and Or.
Style keywords: Ogee, Illuminated, Outlined in sable, Iridescent (nacar) and Soft metal.
Classification: Coat of arms, Interpreted, Civic and State of Ukraine.
Bearer: Ukraine.
Emblem Azure, Saint Michael Argent, vested and nimbed Or, grasping in his dexter hand a spear Or, point downward, and in his sinister hand bearing [ Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert, of Navarre ], upon a dragon Vert, armed, langued, fanged, and the eyes Gules.
Emblema de azur, un San Miguel de plata, vestido y nimbado de oro, teniendo en su diestra una lanza de oro, con la punta hacia abajo y en su siniestra trae [ escudo gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople, de Navarra ], sostenido por un dragón de sinople, armado, lampasado, fierezado y encendido de gules.
Emblem interpreted by me as follows: an oval shape with proportions 5x6, wider than the original; the field illuminated in Azure; its charges outlined in Sable and illuminated in the colours Gules and Vert and the metals Argent and Or; the Archangel Saint Michael vested in Or, unlike others who appear in Argent; his emerald simplified into an area enameled Vert; and the whole emblem has a lightly beaten metal finish.
Due to its special characteristics, the difficulty in complying with the first rule of heraldry concerning metals and colours, and out of prudence, I categorize it as an emblem rather than a shield.
In a relief of the Church of Saint Michael the Archangel in Estella, Saint Michael can be seen fighting a dragon that represents the devil, in a similar but mirrored arrangement to that of this emblem. In that relief, the Archangel Saint Michael bears a pre-heraldic shield with its umbo. According to [Menéndez Pidal de Navascués, F.; 1963], the umbo of the shield is a reinforcing element that is the predecessor of what would later become the pommelly carbuncle of the shield of the Kingdom of Navarre.
Blazon keywords: Without divisions, Azure, Male figure, Angel, Archangel, Argent, Vested, Nimbed, Or, Grasping, Dexter, Spear, Point downwards, Sinister, Gules, One, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Vert, Upon, Dragon, Armed, Langued, The fangs and The eyes.
Style keywords: Oval, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Socioeconomic, Education, Emblem and Kingdom of Navarre.
Bearer: University of Navarra.
This portrait, attributed by the seller to Frans Pourbus the Younger, was described on the market as that of a Venetian lady holding a «Venetian Lace Fan» and was said to come from a private collection in Florence, Italy. More precisely, its sales title was «Portrait of a Lady with a Venetian Lace Fan c.1595, Remarkable condition 1597».
From a heraldic point of view, the work presents, as a significant element, a coat of arms of oval shape painted on the column accompanying the figure. Oval forms are often associated with the shields of married women; if this late-sixteenth-century shield originated, for example, in England, one could be more confident that there is a relationship between the oval shape of the shield and the lady depicted. Originating in Italy, and more specifically in Venice, this oval shape may have been chosen either because the sitter was a woman or simply as a matter of fashion, since in that period and region oval shields can also be found in ecclesiastical contexts and used by men, the oval then being regarded as a form more architectural and artistic than combative.
I became aware of this painting because I was asked by a university whether I could identify the coat of arms on the column. The identification of coats of arms in historical painting is a slow, uncertain task and, in most cases, an unproductive one. It may require hours, days, weeks or even years, and often does not lead to definitive results. For this reason, I generally try to avoid this type of research.
In this particular case, I was unable to identify it. However, coats of arms, once seen, remain in visual memory; that is precisely what they are designed to do. Twenty months later, while casually reviewing a series of heraldic records published by the Italian heraldist, «Vittorio|Gifra», one of them caught my attention at an unconscious level. I continued moving through the series, but an unmistakable sense arose that something relevant had been overlooked, which led me to go back and examine the entry again with care. At that moment, the lady with the Venetian fan and the coat of arms painted on the column of the portrait immediately came to mind.
The consulted entry stated verbatim: «Stemma famiglia #VOGANZI. @voganzi Arma: d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro. A.S.Mi. Reg. 0002: stemmario Marco Cremosano - 1673; [...] et anco di diverse Famiglie d’Italia, Vol. II°, p. n°333, posizione, 3^ fila e 3° stemma da sx a dx. [Cfr.: Archinto: «de #VOGANZA de Venetia» (I 13 V a)]. Vittorio Gifra. Lun01-12-2025».
Indeed, it had been found: the coat of arms on the column belongs to the Voganzi family of Venice, whose arms are, in Italian «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro» ~ in English «Azure, two tibiae proper in saltire, between four fleurs de lis Or» ~ in Castilian «escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro».
I then proceeded to document the finding and inform the interested parties.
In the Archinto, the form «Voganza» appears, referring to a specific individual or to the nominal origin of the lineage, in the singular; for example, «una dama de la casa Voganza». By contrast, in the stemmario by Marco Cremosano the form «Voganzi» is recorded, which corresponds to the plural commonly used to designate the collective body of members of the Voganza family. Taking into account that only about 70 years elapsed between the portrait (1597) and the stemmario (1673), it is plausible that at the time the painting was made the surname could already appear as «Voganzi» or in a very similar form. Although surnames do evolve over time, the interval considered is not one of centuries, but of 7 decades.
My most important doubt in this identification concerns the colour of the field; when I first saw it, I hesitated between sable and azure. It seemed too light to be sable, I thought; it could be azure, but it is not very azure, so in my notes I left it as: «either sable or azure».
When I depict elements in saltire, I usually give precedence to the bend over the bend sinister, so my natural inclination would be to place the tibia bendwise above the tibia in bend sinisterwise. In this case, however, I have placed the tibia bend sinisterwise above, in order to remain consistent with the coat of arms on the column. In any event, this is merely an artistic detail, with no relevance from the standpoint of heraldic description, which is the same in both cases.
Categories: Identification, Interpreted, Watercolor, Outlined in sable, Illuminated, Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.
182nd Pope of the Church, from 1261 to 1264. «Urbanus IV», born Jacques Pantaleon of Court-Palais, was born in Troyes, France.
Quarterly: 1 and 4 Azure, a fleur de lis Or; 2 and 3 Argent, a rose Gules.
Escudo cuartelado: 1o y 4o de azur, una flor de lis de oro; 2o y 3o de plata, una rosa de gules.
Coat of arms of Urban IV with: a pointed and rounded shield shape; the field in plain Azure and Argent enamels; the figures outlined in the field, shaded and illuminated in Or and Gules; and with a watercolor finish.
Blazon keywords: Quarterly, Azure, One, Fleur de lis, Or, Argent, Rose and Gules.
Style keywords: Ogee, Illuminated, Shaded, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban IV.
200th Pope of the Church, from 1362 to 1370. «Urbanus V», born Guillaume de Grimoard, was born in Le Pont-de-Montvert, in the Languedoc.
Gules, a chief dancetty of four full points Or.
Escudo de gules, un jefe encajado de cuatro piezas enteras de oro.
Papal coat of arms interpreted with: a round-topped shield; the field in plain Gules; the chief indented, illuminated in metal Or, and outlined in Sable; and the whole design in hammered metal.
[Rietstap, J. B.; 1861] blazons it as Grimoard «de gueules, au chef émanché de quatre pièces d'or».
Blazon keywords: Gules, Chief, Dancetty, Or, Three and Two.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban V.
202nd Pope of the Church, from 1378 to 1389. «Urbanus VI», named Bartolomeo Prignano, born in Itri, near Naples, in the Lazio region.
Or, an eagle displayed Azure.
Escudo de oro, un águila de azur.
Papal coat of arms interpreted with: a pointed mouth; the field in flat tincture of metal Or; the eagle illuminated in Azure, shaded and outlined in the color of the field; and the whole with a rough finish.
Blazon keywords: Without divisions, Or, One, Eagle and Azure.
Style keywords: Pointed, Illuminated, Outlined in the field tincture, Shaded and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban VI.
Or, a port Or, with jambs, enarched lintel, and two open leaves, upon a three-step stairway Azure.
Escudo de oro, una puerta con jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de azur, aclarada de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineages Uschiolo and Ustiolo, emblazoned by me following the blazon published by Vittorio Gifra in Italian: «Arma: d’oro, alla porta di due ante a timpano arcuato d’azzurro, scalinata di tre pezzi del medesimo e aperta del campo».
Blazon keywords: Or, Azure, One, Two, Three, Port, Arched, Enarched, Upon, Step, Stairway and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Uschiolo and Ustiolo, lineages.
Party per pale: 1 Azure, an angel Argent, crowned, crined and vested Or holding an open book Argent; 2 Or, three horses' heads couped, in pale Sable. Crest: Upon a wreath Or and Azur, an owl's head couped at the shoulders Or, beaked Argent. Motto «Club Ecuestre Val’Quirico».
Watercolor finish.
[Académie internationale d'héraldique; 1952; pages 38-39, picture 517] shows the translation torse or crest-wreath or wreath ~ burelete.
Blazon keywords: Party per pale, Azure, One, Angel, Argent, Crowned, Crown, Crined, Vested, Or, Charged, Book, Open, Three, Head, Horse, Sable, Couped, In pale, Crest and mantling, Wreath, Owl, Nascent, Beaked and Motto (identification).
Style keywords: Watercolor, Illuminated, Rounded, Outlined in the field tincture and Outlined in sable.
Classification: Created and Socioeconomic.
Bearer: Club Ecuestre Val'Quirico.
Gules, on a fess invected Argent, a lioness Azure, armed, langued and the udders Gules.
Escudo de gules, una faja acanalada de plata, cargada de una leona de azur, armada, lampasada y ubres de gules.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, the fess argent is diapered of lace, and with a leather finishing.
The arms of María Concepción Vallín de Lanzagorta have been presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown, and with the design rationale presented orally during the lecture.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Gules, One, Fess, Invected, Argent, Charged, Lioness, Azure, Armed, Langued and Udder.
Style keywords: Semi-circular, Outlined in sable, Diapered, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms and Slide.
Bearer: Vallín de Lanzagorta, María Concepción.
Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.
Escudo de azur, una Virgen de la Merced teniendo en su mano siniestra una cadena rota de plata, y cargada en su pecho de un escudete cortado, 1o de gules, una cruz patada de plata y 2o de oro, cuatro palos de gules, acostada de dos hojas palmas en pira.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and painted by me. Usually, the English term «between» is translated into Castilian as «acompañado». However, when the 3 elements are elongated in the same direction, the appropriate term in Castilian is «acostado», which means lying down.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond and In pile reversed.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Vega Lanzagorta, Sister Esperanza.
Blazon of the Vera lineage of Aragon.
Vair ancient, a bordure gules charged with eight saltires couped Or.
Escudo de veros antiguos, una bordura de Gules cargada de ocho sotueres cortados de oro.
Illuminated and with a glass finish.
It can be consulted in [Mogrovejo de la Cerda, J.; 1636; cover].
[Friar, S.; 1987; pages 156-157] says of the vair: «originates from the fur of a species of squirrel... which was popular in the Middle Ages as a lining for the garments of those not entitled to wear ermine. The animal was blue-grey on the back and white underneath. By sewing a number of these pelts together, with white and blue-grey alternating,... one which easily translated into the stylized armorial form of Vair and its variants».
Blazon keywords: Vair ancient, One, Bordure, Gules, Charged, Eight, Saltire, Party per fess and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Chequey Or and Azure.
Escudo ajedrezado de oro y azur.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the County of Vermandois, France, emblazoned by me.
Blazon keywords: Or, Azure and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Vermandois, County of.
Cheshire, 1533-1580.
Or, on a fess Azure, three Garbs Or.
Escudo de oro, una faja de azur, cargada de tres gavillas de trigo de oro.
Coat of arms interpreted with: a rounded base; the field, fess and garbs outlined in Sable and illuminated in Or and Azure; and the shield in leather.
In [Goldstraw, M. S. J.; 2013b] for «Sir Raulfe de Vernon ye old». the following blazon is recorded: «Or, on a fesse Azure three garbs of the field».
Background on the bearer of this coat of arms:
Blazon keywords: Without divisions, Or, Azure, Fess, Charged, Wheat, Garb and In fess.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon the Elder, Sir Raulfe.
Cheshire, 1533-1580.
Or, a fess Azure.
Escudo de oro, una faja de azur.
Coat of arms with a basic interpretation based on: a rounded base; the field and its fess illuminated in Or and Azure and outlined in Sable; and the shield in leather.
In [Goldstraw, M. S. J.; 2013b] for «Vernon, baron of Shubbroc, bulgo Shipbroke» ~ Shipbrook, the following blazon is recorded: «Or, a fesse Azure».
Blazon keywords: Without divisions, Or, Azure and Fess.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon, Baron of Shubbroc.
Blazon equivalent to: Vidaurre de Navarra.
Cheshire, 1533-1580.
Or, a bend Azure.
Escudo de oro, una banda de azur.
Coat of arms interpreted with: a rounded base; the field and the bend illuminated in Or and Azure and outlined in Sable; and the shield with a leather finish.
In [Goldstraw, M. S. J.; 2013b] for «Sir Ralfe Vernon». the following blazon is recorded: «Or, a bend Azure».
Blazon keywords: Without divisions, Or, Azure and Bend.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon, Sir Ralfe.
Of the twelve lineages of Noblemen, the ninth is Vidaurre, who bears as arms a shield Or and, in the middle, a fess Azure, in the same manner as this shield is now painted.
Or, a fess Azure.
Escudo de oro, una faja de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the fess illuminated in Azure and outlined in Sable; and the whole finished in highly-hammered metal.
Interpreted from the ninth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Vidaurre» this coat of arms can be consulted in [Vega, P. J. de; 1702; folio 9 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Vidaurre of Navarre.
Blazon equivalent to: Vernon, barón de Shubbroc.
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Label and Suspended.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, C. M..
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Cantoned and Martlet.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, M. P..
Blazon of the Vilardi lineage of Italy.
Argent, on a pile issuant from the base Azure a saltire Or.
Escudo de plata, una pira de azur cargada de un sotuer de oro.
Illuminated and a free hand finishing.
[Cadenas y Vicent, V. de; 2002; page 138] says that the a pile issuant from the base is «a triangle whose base issues from the base of the shield, being a third of its width», but when it is painted in [Cadenas y Vicent, V. de; 2002; page 268, figure 279] along with the pile the width of the base of both isosceles triangles is 2/3 of the width of the shield. I think the width of 2/3 is, in these 2 cases, better than 1/3 width, because with 1/3 there is not enough room for charges, as shown in the figure below.
There are scholars who say that the pile issuant from the base must not touch the upper edge of the shield and others that its tip should be in the center of the chief. In the previous image, the pile issuant from the base of the 1st shield fulfills the first affirmation, and in the 2nd shield, its tip is in the center of the chief.
I have the doubt if it should not be a saltire raguly.
Blazon keywords: Without divisions, Argent, One, Pile issuant from base, Azure, Charged, Saltire and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Italian Republic.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised respectively by a crescent Argent and a mullet Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».
It has been painted by me, highlighted with lights and shadows, outlined in Sable, with an oval external shape and with a texturized finishing.
The arms of Vittoria Pompili and Alessandra Pompili were presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included their coats of arms shown together with their blazons unified. They are from Italy. Their arms were registered by Dr Charles A. Gauci, Chief Herald of Arms of Malta (registers R0038 and R0039), and painted by me. The standard displayed below is that of their father, Grant G0066, from which both coats of arms derive through the appropriate marks of cadency.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Cadency, Crescent, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.
Style keywords: Outlined in sable, Illuminated and Oval.
Classification: Personal, Interpreted, Boa and Slide.
Bearer: Pompili, Vittoria.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised respectively by a mullet Argent and a crescent Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».
R0038 and R0039, Chief Herald of Arms of Malta's registers of Alessandra Pompili's and Vittoria Pompili's arms, Italy, whose full achievements have been emblazoned by me for such registers. These arms have been included in the book [Gauci, C. A.; Cassar, R. M.; 2025; pages 180-181] as shown in the photograph of the image, each on a page.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Cadency, Crescent, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.
Style keywords: Outlined in sable, Illuminated and Oval.
Classification: Personal, Interpreted, Boa, Collage and Photographic.
Bearer: Pompili, Alessandra.
The image shows 6 of my interpretations of his arms.
Paly of six Azure and Or; over all a bend Azure.
Blazon keywords: Paly, Six, Azure, Or, Surmounted, Overall (deprecated) and Bend.
Style keywords: Semi-circular, Parchment, Plain tincture, Freehand, Illuminated, Pointed, Metal beaten, Triangular curved, Iridescent (nacar), Ogee, Crystalline, Rounded, Watercolor and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Gifra, Vittorio.
Blazon of the lineage Voganzi in Venice
Azure, two tibiae proper in saltire, between four fleurs de lis Or
Escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro.
Illuminated and watercolor.
The blazon in Italian is «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro».
Blazon keywords: Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.
Style keywords: Watercolor, Outlined in sable and Illuminated.
Classification: Personal, Lineage, Interpreted and Coat of arms.
Arms of von Harten Family
Azure, three plates, 1 and 2. Crest: Upon a helm affronty, crowned Or, three ostrich feathers Azure, Argent and Azure. Mantling: Azure doubled Argent.
Blazon keywords: Azure, Three, Bezant and plate, Argent, Disordered, Crest and mantling, Helm, Affronty, Mantling, Crowned, Or, Crest and Quill.
Style keywords: Outlined in sable, Rounded trapezoid, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Harten, von.
Baron Walker of Worcester
Party per pale Sable and Or semé of portcullises and three turreted towers all counterchanged.
Escudo partido de sable y oro sembrado del uno al otro de rastrillos y torres tridonjonadas.
Illuminated with lights and shadows and with a metallic finish.
Coat of arms of Peter Edward Walker, Baron Walker of Worcester, emblazoned by me in 4 steps, notice that it is a double semé.
Blazon keywords: Party per pale, Sable, Or, Semé, Counterchanged, Portcullis, Tower, With a turret, Three and Turret.
Style keywords: Soft metal, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted and Schema.
Bearer: Walker, Peter Edward.
Cheshire, 1533-1580.
Gules, a chevron Argent between three martlets Argent.
Escudo de gules, un cabrio de plata, acompañado de tres marletas de plata, 2 y 1.
Coat of arms interpreted with: a rounded base; the field and chevron illuminated in Gules and Argent; the martlets illuminated in Argent and outlined in Sable; and with a leather texture.
In [Goldstraw, M. S. J.; 2013b] the following blazon is recorded: «Gules, a chevron between three martlets Argent».
Blazon keywords: Without divisions, Gules, Argent, Chevron, Between, Martlet and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Walkington of the County of Cheshire.
Thomas de Warbleton ~ Thomas de Warbrentone.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; and the whole with a raised-stroke effect.
Can be found in [Heralds' Roll, T.; 1280; shield number 647], in [St. George's Roll; 1285; shield number 245] and in [Charles' Roll; 1285; shield number 360].
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Warbrentone, Thomas de.
Guillermo Bardolf ~ William Bardolf ~ Willem Bardulf.
Azure, three cinquefoils Or.
Escudo de azur, tres quinquefolios de or.
Included in [Vincent, MS; 1285; number 223] also known as [St. George's Roll; 1285; number 223].
Blazon keywords: Without divisions, Azure, Three, Cinquefoil, Or and Ordered.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Guillermo Bardolf.
William de Handsacre ~ William de Hondeshacre.
Ermine, three chess rooks Gules.
Escudo de armiños, tres roques de gules.
Included in [Vincent, MS; 1285; number 469] also known as [St. George's Roll; 1285; number 469].
Blazon keywords: Without divisions, Ermine, Three, Chess rooks, Gules and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Guillermo de Handsacre.
Or, on a bend Sable, a spear of the first, steeled Argent.
Escudo de oro, una banda de sable, cargada de una lanza de plata, fustada oro.
Coat of arms interpreted by me with: a semicircular (round) base; the field and bend illuminated in Or and Sable; the lance is a tournament one, similar to other Shakespeare coats of arms, which I have illuminated in Argent and Or and outlined from the field; and finished with a lightly hammered metal effect.
In this version of his blazon in English I have written «steeled Argent», which is how some authors write it, while in another article I have specified it as «headed Argent».
In the figure that is charged upon the bend of this interpretation of the shield, I recreate a tournament lance, which is the type usually used to represent the arms of William Shakespeare. Note that the blazon of his shield only indicates «a Spear» ~ «una lanza», so it could equally be the type of lance used by infantry or light cavalry. However, English tradition usually employs, for William Shakespeare, a tournament lance, both for the one charged on the bend and for the one held by the falcon on his crest.
Blazon keywords: Without divisions, Or, Sable, Argent, Bend, Bendwise, Spear and Charged.
Style keywords: Soft metal, Outlined in the field tincture and Illuminated.
Classification: Interpreted, Personal, Coat of arms, Canting and Literature.
Bearer: Shakespeare, William.
Argent, a cross calvary Gules, in the dexter of the chief a fleur de lis Azure.
Escudo de plata, una cruz de calvario de gules, en la diestra del jefe, una flor de lis de azur.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finishing.
G0105, Chief Herald of Arms of Malta's grant for the coat of arms of John Anthony Wright, Ireland. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Gules, Azure, One, Cross calvary, Dexter, Chief and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Wright, John Anthony.
Or, on a pile issuant from base Vert between two maunches Gules a displayed scroll Argent with seal pendant proper, the whole debruised by a label of three points Sable
Escudo de oro, en una pira de sinople acompañada de dos mangas de gules, un pergamino abierto de plata, con un sello de lacre pendiente al natural; brisado de un lambel de tres pendientes de sable.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.
R0047, Chief Herald of Arms of Malta's register of Olivia Zangenberg's arms, whose coat of arms has been emblazoned by me.
Blazon keywords: Or, Vert, Gules, Argent, Sable, One, Two, Pile issuant from base, Between, Maunch, Displayed scroll, Suspended, Cadency, Proper and Label of three points.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa, Coat of arms and Seal.
Bearer: Zangenberg, Olivia.
Blazon of the Zuzaeta lineage of the Basque Country.
Azure, five mullets Or.
Illuminated and a freehand finishing.
The default arrangement is in saltire, which is why I do not specify it, but if one wished to do so, it could be written as «Azure, five mullets Or in saltire».
Blazon keywords: Without divisions, Azure, Five, Mullet and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Lineage.
Atom, Crescent, Diamond, Emerald, Estoile, Goutte, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Terrestrial globe, Trimount, Water and Wave.
Acorn, Apple, Apple tree, Ash, Bluebonnet, Bunch, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Easter lily, Eguzki-lore, Elm, Fleur de lis, Flower, Gourd, Grape, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Madrone tree, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Scots pine, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Black grouse, Blackbird, Boar, Brach hound, Bull, Cat, Cow, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Gazelle, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Monkey, Mountain bluebird, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Swan, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Footprint, Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deers' attires, Shoulder, Sprig, Stag's massacre, Stags' attires, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
Ace of spades, Adze, Anchor, Anvil, Arch, Archer, Arm vambraced, Armillary sphere, Arrow, Axe, Baton of Herald, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Caravel, Carbuncle, Castle, Cauldron, Celtic Trinity knot, Celtic trefoil knot, Censer, Chain, Chess rooks, Chi-Rho symbol, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Comedy mask, Compass rose, Conductor's baton, Cord, Covered cup, Crossbow, Crossed staff, Crozier, Crucible, Cuffed, Cup, Cutlass, Cyclamor, Dagger, Displayed scroll, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Full plate armor, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Incense burner, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Maunch, Menorah, Millrind, Millstone, Millwheel, Minaret, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Pair of pliers, Pair of scales, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rolled scroll, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scepter, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Tragedy mask, Trident, Trumpet, Turret, Two-handed sword, Two-man cross-cut saw, Wagon-wheel, Wall, Water-bouget, Wheel, Winnowing fan and With a turret.
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Sea-lion, Trinity, Triton, Unicorn, Winged hand and Wyvern.
Port and windows, Between, Watercolor, Proper, Pointed, Armed, Azure, Boa, Bordure, Overall, Wreath, Charged, Crest, Ogee, Crown, Created, Quarterly, Outlined in sable, Two, In chief, In base, Coat of arms, Mullet, Fess, Fleur de lis, Personal, Gules, Illuminated, Interpreted, Chief, Langued, Motto, Lion, Lineage, Masoned, Semi-circular, Or, Party per pale, Leather, Argent, Without divisions, Civic, Rampant, Sable, Vert, Freehand, Three, One and Helm.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.