Valero de Bernabé, L.; 2012b

Luis Valero de Bernabé y Martín de Eugenio, «Las Figuras Humanas en la Heráldica», Magazine of the Real Asociación de Hidalgos de España, «La Gacetilla de Hidalgos de España», number 530, pages 24, 25, 26 y 27. Madrid, Spring 2012.

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Bibliographical reference of century XXI.

Author: Valero de Bernabé y Martín de Eugenio, Luis.

The following article cites this bibliographic reference:

• Valero de Bernabé, L.; 2012a

External resource:

• Hidalgos de España.

Internal resources: ValeroBernabeL2012.530.RevistaCompleta.pdf.

F. S. Stych, University of Sheffield, «The Flow Chart Method and Heraldic Enquiries» RQ, volume 6, number 4, pages 169-174, published by American Library Association, Chicago, summer of 1967.

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This article describes, using a flowchart, a method to identify the holder of a coat of arms. This method is applicable to the armories of the United Kingdom, as it follows their heraldic norms and most important sources. One of the target readers of the article are librarians who, finding coats of arms in books, plates, ex libris, etc., need to classify them.

The most notable aspect of the article is the 1967 flowchart, which is shown in the image above. This image has been extracted, cleaned, and enhanced from the original diagram contained at the end of the article. Note that some functions appear repeated within the scheme, such as, «Check families listed in Anson, etc. in Burke's General Armory. Arms found?» which, in turn, is represented with a task rectangle, when it really is a rectangle containing a question, a bifurcation, which should be a diamond «Arms found?», that is, it has been represented by a rectangle what should have been represented by a rectangle and a diamond. This same issue occurs in other processes and is probably due to not complicating the flowchart further.

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Bibliographical reference of century XVIII.

Author: Stych, F. S..

Dr. A. Salmerón

The copyright of the images, drawings, compositions or accompanying texts displayed on this site Blason.es, or in its associated heraldry domains, and which are the product of the creation of new coats of arms or the interpretation of already existing coats of arms corresponds to its author Antonio Salmerón Cabañas who is, in turn, the proprietor Blason.es.

The copyright of each work is protected by its corresponding registration of intellectual property. Antonio Salmerón Cabañas is also the author of propiedad intelectual.

Antonio Salmerón Cabañas is also the author of:

• the design of this website,
• of the images that decorate it,
• of the source code in the HTML, Tol and Javascript languages that materialize it,
• of his personal signs, his pseudonym without anonymity and the «taglines» of Blason.es,
• documents in PDF, photographic or video formats and
• owner of the trademark «Chinapieria», [Salmerón Cabañas, A.; 2009], to the which is referenced in some articles of Blason.es,

all of which is protected and protected by the laws of intellectual and industrial property.

It is not allowed to copy, use or reproduce these images, drawings, compositions or texts without the express authorization of the author and, more importantly, always respecting the rights of the holders of the coats and blasons as specified in the article called ownership of blazons and coats of arms.

Kevin McLeod's music

Kevin MacLeod (Incompetech.com) is the author of the musical compositions of some videos. He has the generosity to license it through «Creative Commons: By Attribution 3.0» (CreativeCommons.org/licenses/by/3.0/) and both here and in the credits of all these videos this generosity is attributed. Although this license permits modification of the work, these soundtracks are the originals of Kevin MacLeod.

Fonts by Pia Frauss

The wonderful fonts shown in Blason.es and some of its documents in PDF format have the rights of Dr. Marianne Steinbauer (Pia-Frauss.de) who personally authorized me to use them, from here my most sincere gratitude.

Historical documents

They can also be found in Blason.es and in its associated heraldry domains images and compositions that contain parts or clippings of armorials, heraldic books, or heraldic pieces with centuries of antiquity and, therefore, already in public domain.

Credits of the articles

In addition to the copyrights mentioned in the previous sections, The following list shows the credits of the coats of arms, photographs or other heraldic objects that appear in some articles of Blason.es.

Although this list does not intend to be exhaustive, I try to maintain it the most updated and complete as possible and I will be happy to make the inclusions or appropriate modifications that are communicated to me.

• Stephan Urs Breu is the designer of the coat of arms in: The coat of arms of Alena Rehberger in 3 steps, Coat of arms of Alena Rehberger, Rehberger, Alena, Alena Rehberger, Crest of Alena Rehberger, Crest and motto of Alena Rehberger and Commoners' certification for Alena Rehberger.
• Rudolf Juchter van Bergen Quast is the designer of the coat of arms in: Dubai Office of the European Chamber of Digital Commerce.
• Juan Lanzagorta Vallin is the designer of the coat of arms in: Francisca Aras Quirce, Aras Quirce, Manuel Maria, Sister Esperanza Vega Lanzagorta, schema 2x2, Sister Esperanza Vega Lanzagorta, outlined, Sister Esperanza Vega Lanzagorta, plain tincture, Vega Lanzagorta, Sister Esperanza, Ixai Lanzagorta Ochoa, schema 1x3, Ixai Lanzagorta Ochoa, schema 2x2, Lanzagorta Ochoa, Ixai, Ixai Lanzagorta Ochoa, plain tincture, Juan Lanzagorta Vallín, schema 1x3, Juan Lanzagorta Vallín, outlined, Juan Lanzagorta Vallín, plain tincture, Lanzagorta Vallín, Juan and Juan Lanzagorta Vallín.
• Rolando Yñigo-Genio is the designer of the coat of arms in: Motto of Rolando Yñigo-Genio, ISCH Certification for Rolando Yñigo-Genio, Yñigo-Genio, Elias, Coat of arms of Elias Yñigo-Genio, Yñigo-Genio, Noelia, Coat of arms of Noelia Yñigo-Genio, Yñigo-Genio, Rolando and Coat of arms of Rolando Yñigo-Genio.
• Alfonso de Ceballos-Escalera y Gila is the author of the certification of arms in: Carlos Vidriales, certification, cover and page 6, Carlos Vidriales, certification, pages 3 and 6, Carlos Vidriales, certification, pages 6 and 7 and Carlos Vidriales, certification, 8 pages.
• Andreu Alfaro is the author of the sculpture in: Location map.
• Carlos Vidriales commissioned this wax seal from my interpretation of his arms in: Carlos Vidriales, seal and sealing wax.
• Edward Auer piano performance in: B. Quesada, video of the blazon.
• Ernesto Juan Anaya is the designer of the coat of arms in: Lucca de Anaya, Nilda Ernestina, Nilda Ernestina Lucca de Anaya, Reverend Nilda Ernestina Lucca de Anaya and Galero and motto of Nilda Ernestina Lucca de Anaya.
• Felipe Trujillo Jiménez is the designer of the coat of arms in: Pons Paneque, Jonathan, Jonathan Pons Paneque, Arjona Berrocal, Rubén and Rubén Arjona Berrocal.
• Fernando Martínez Larrañaga is the designer of the coat of arms in: Trujillo Jiménez, Hermanos and Hermanos Trujillo Jiménez.
• Kevin MacLeod es el autor de la música in: Video, drawing a helm.
• Kevin MacLeod is the author of the music in: o-XI, video of the heraldic starmap.
• Pablo Plaza is the author of the photograph in: Carlos Vidriales, his arms in my Exhibition at the International Lab and Carlos Vidriales, his arms in my Lecture at the International Lab.
• Paul Rosenthal violin performance in: B. Quesada, video of the blazon.
• Ron Cobb is the designer of the original starship in: o-XI, video of the heraldic starmap.
• SkyL.designer in: Sparkles, Marie Unicorn, Marie Unicorn Sparkles, Crest of Marie Unicorn Sparkles, Crest and motto of Marie Unicorn Sparkles and Commoners' certification for Marie Unicorn Sparkles.
• This book belongs to the Biblioteca Nacional de España. License Creative Commons CC-BY. You may share, transform and create from images in the public domain that are accessible in the Hispanic Digital Library in: Tejero de Rojas y Sandoval, J. F.; XVII, Pérez de Vargas, J.; XVI, Rodríguez de la Vega, A.; XVI and Avilés, T. de; XVI.

Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by J. MackEuen, Edinburgh, 1722.

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This is the very 1^st edition of this book and I consult the edition [Nisbet, A.; 1816].

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Bibliographical reference of century XVIII.

Author: Nisbet, Alexander.

Bibliographic reference mentioned in the following articles:

• Nisbet, A.; 1816
• Parker, J. H.; 1847

External resource:

• Alexander Nisbet, Walter Macfarlan, and a Question of Authorship.

Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by William Blackwood de Ediburgo and Rodwell and Martin of London, Edinburgh, 1816.

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This is the edition I consult and the 1^st edition of this book is [Nisbet, A.; 1722].

The illustration accompanying this bibliographic reference corresponds to page 43 of this edition of 1816.

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Bibliographical reference of century XIX.

The author is Nisbet, Alexander.

Here are the articles quoting this reference:

• Alexander Nisbet, schema
• Nisbet, A.; 1722

External links:

• Archive.org, details.
• Archive.org, document.

Internal resources: NisbetA1722.SystemHeraldry.pdf.

Bordure invected and bordure engrailed.

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Categories: Criterion, Schema, Semi-circular, Bordure, Invected and Engrailed.

Bordure engrailed and bordure invected.

Painting inspired in [Nisbet, A.; 1816; page 21, pictures 1 and 2], but with the 3 boar's heads of Alexander Nisbet within the 2^nd bordure invected.

Blazon writen by the College of Arms for the coat of arms of Michael John Huxley-Evans «Per fess nebuly Sable and Ermine in chief a Rose Argent barbed and seeded proper within a wreath of Thorns Or in base three Boar's Heads erased Sable armed Or.», but to differentiate from the «armed» of the claws, I prefer «tusked» to «armed» for the defenses/tusks of the boar's heads.

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Blazon keywords: Bordure, Invected, Engrailed, Head and Boar.

Style keywords: Semi-circular.

Classification: Schema.

Bearer: Nisbet, Alexander.

Sigue por: Shakespeare, W.; 1608.