Two

There is a series of nine coats of arms in the ballroom of the castle:

• Or, three Fleurs de lis Azure.
• Azure, a Bendsinister Or.
• Or, a Fleur de lis Azure.
• Azure, a Cross Or.
• Or, five Fleur de lis Azure in saltire.
• Azure, a Fess Or.
• Or, two Fleur de lis Azure in bend.
• Azure, a Saltire Or.
• Or, four Fleur de lis Azure.

There are so many Fleurs de lis that everyone, except the joker, calls it the «fleurdelisée» room. Nobody knows the reason why the joker says there is none, do you?

Think before you move the cursor or click on the following link and see the solution.

Categories: Riddle, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.

Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.

Party per saltire: 1 Or, two quill pens in fess Azure; 2 and 3 Gules, a paintbrush point upwards Or; 4 Or, a mullet of six points voided, interlaced Azure.

Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finish.

Blazon keywords: Or, Gules, Azure, One, Two, Quarterly per saltire, Quill, In fess, Paintbrush, Point upwards, Mullet, Voided and Interlaced.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Nelson, Carrie.

Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or.

Escudo de azur, dos robles arrancados al natural, hojados de sinople, frutados de oro, en jefe, tres estrellas de cinco puntas de oro; entado en punta de plata, un corazón de gules sembrado de flores de lis de oro.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a leather finishing.

Coat of arms of Dr. Tariq Abbasi MBE FRSA designed by Vittorio Gifra and emblazoned by me.

Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Abbasi, Tariq.

Gules, on a trimount issuant from the base Or, a port Gules, with canopy roof, jambs, enarched lintel, and two open leaves, upon a three-step stairway Oro.

Escudo de gules, un monte de tres peñas moviente de la punta sumado de una puerta con tejadillo, jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de oro, aclarada de gules.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of Albrecht Dürer, 1471-1528, emblazoned by me based on the woodcut titled «Coat of Arms of Albrecht Dürer» made by Albrecht Dürer himself in 1523 on a sheet measuring 35.1 × 26.1 cm belonging to The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952, held at the Metropolitan Museum of New York, and on the work titled «Marriage Coat of Arms of the Families Duerer and Holper. Verso of the Albrecht Dürer the Elder portrait», dated 1490; Albrecht Dürer the Elder, 1427–1502, was his father.

Design rationale

The Dürer family coat of arms is an example of canting arms. Their family origin traces back to Ajtós, Hungary, a name which means «door» or «doorman» in Hungarian. Upon settling in Nuremberg, the family Germanized their surname to «Türer», derived from «Tür», meaning «door», and later to Dürer. This is the reason of the main charge of these arms.

Blazon keywords: Gules, One, Two, Three, On, Trimount, Issuant from base, Port, Canopy roof, Arched, Enarched, Upon, Step, Stairway and Port and windows.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Albrecht Dürer.

Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.

Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Alea Capital.

Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper.

Escudo cortado angrelado y partido: 1^o de plata, un pergamino al natural inscrito con los nombres del linaje en letras de sable; 2^o de gules, una palmera sostenida por dos alfanjes alzados, en sotuer todo de oro; 3^o de sinople, un creciente sumado de una estrella de diez puntas ambos de oro; 4^o de plata, un minarete naciente de la punta al natural.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.

This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. In an ordinary, I distinguish between engrailed and invected from the ordinary's point of view; for instance, I define a bordure as invected if, from the interior of the bordure, the edge appears invected (meaning the arcs appear concave); conversely, I say a bordure is engrailed if the arcs appear convex from its interior point of view; in this specific case, regarding a line of division, I describe it as engrailed because, from the perspective of the base of the coat of arms, the arcs of the partition line appear convex [Nisbet, A.; 1816; page 21, pictures 1 and 2].

Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret and Issuant from base.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alyahya, Abdulelah.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield and with a wreath Or and Azure, a demi-lion Azure, langued Gules, wings displayed, armed, crowned with an ancient coronet, and grasping in its claws by its lowest point a mullet of six points Or. Mantling: Azure doubled Or. Supporters: Dexter, an angel proper, vested Argent, crined and winged Or; and sinister, a winged lion rampant Azure, langued and armed Gules, crowned with an ancient coronet Or. Motto: «Per audacia ad astra». Suspended from the shield the cross of Knight of Grace and Devotion of the Sovereign Military Order of Malta.

G0066, Chief Herald of Arms of Malta's grant of Andrea Pompili's standard, coat of arms and badge emblazoned by me for such grant. These standard, coat of arms, and badge have been included in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 77] as shown in the photograph of the image.

Blazon keywords: Azure, Argent, Gules, Or, Vert, Two, One, Four, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Wreath, Demi, Lion, Langued, Winged, Displayed, Armed, Crowned, Ancient coronet, Grasping, Claw, Mantling, Doubled, Supporter, Dexter, Angel, Vested, Crined, Sinister, Motto, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Pompili, Andrea.

Registered by The International Register of Arms, 1^st of April of 2020, Registration number 0542, Volume 3.

[Armorial Register, T.; 2020; page 194].

Categories: Armorial roll, Quarterly, Or, Sable, Two, Wolf and Passant.

External link:

• Antonio Salmeron at The Armorial Register.

Root: The Armorial Register.

Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it.

Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Coat of arms of the lineage Argüello of Extremadura emblazoned by me. Its blazon may be found in the books [Atienza y Navajas, J. de; 1959; page 171] and [Cadenas y Vicent, V. de; 1987; page 167], where it is described as Vert with its acorns and roots Or. In this rendition, I have interpreted the holm oak as proper, but also fructed and eradicated Or.

Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Tree, Proper, Fructed, Eradicated, Goat and Supporting.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argüello of Extremadura, lineage.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper. Motto above the arms: «Del Fabbro Universidad» Gules.

Escudo de azur, flanqueado curvo de plata: en jefe, un libro abierto de oro, hojado de plata; en punta, un roble arrancado de plata, frutado de oro; en cada flanco, una antorcha de sinople, encendida al natural. Divisa sobre el escudo: «Del Fabbro Universidad» de gules.

Coat of arms designed by me, in flat tinctures, outlined in Sable, with a semi-circular external shape and with a texturized finish.

Blazon keywords: Azure, Argent, Or, Vert, Gules, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed, Proper, Motto and Above the shield.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Quarterly: 1 Gules, a chevron Argent, between three fleurs de lis Or; 2 Or, five mullets in saltire Gules; 3 Argent, four escutcheons in cross Azure, each charged with nine plates, those in flank with points to center, overall a carbuncle and orle of knotted cords Purpure debruised by the center escutcheon; 4 Sable, on a mount issuant from the base Vert, a tower Argent, port, windows and masoned sable, between two wolves Or supporting it; enté en point Or, three bars wavy Gules. Crest: Upon a helm, with a wreath Argent and Gules, on an ancient coronet Or, a falcon Argent, jessed Gules, langued Azure, armed, beaked and belled Or. Mantling: Gules doubled Argent. Motto: «Progrediendo Laborando Efficiendo Vinces». The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Or, Gules, Argent, Azure, Purpure, Sable, Vert, One, Two, Three, Four, Five, Nine, Quarterly, Chevron, Between, Fleur de lis, Mullet, In saltire, Escutcheon, In cross, Charged, Plate, In each flank, Center, Overall, Carbuncle, Orle, Knotted, Cord, Debruised, Mount, Issuant, Base, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Bar, Wavy, Crest, Upon (wreath), Helm, Wreath, Ancient coronet, Crown, Falcon, Jessed, Langued, Armed, Beaked, Belled, Mantling, Doubled, Motto, Surrounded and Collar.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Frazão Coutinho Dias, Hugo.

Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent. Crest: A helm befitting his degree, bearing an Adelskrone held in its place by two men Sable, vested with feather skirts Gules, each standing on the shield, and holding in his outer hand a diagonally placed tournament spears, headed Argent, and issuant from the Adelskrone, between two elephants' trunks, the one at dexter Or, the one at sinister Gules, two ostrich feathers in saltire, the one bendwise Argent, and the one bend sinisterwise Sable.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finish.

This is the coat of arms of Johann Anton Freiherr von Quast that was painted in the Freiherren diploma that was issued in 1790. This coat of arms has been emblazoned by me because the family needed a modern version that can be used digitally. More information about the family can be found on the website juchtervanbergenquast.wordpress.com.

Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced, Talon, Crest, Helm, Mantle, Lined, Crown, Male figure, Vested, Feather, Skirt, Upon, Hand, Spear, Issuant, Trunk (elephant), Ostrich feather, In saltire, Bendwise and Bend sinisterwise.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa, Coat of arms and Flag.

Bearer: Quast, Johann Anton Freiherr von.

Vert, a pall raguly Or between three leopards' faces Or. Crest: Upon a wreath Or and Vert, on a coronet Or a leopard's face Or between two wings Sable. Motto: «Inter feros» in letters Sable within a scroll Argent.

Escudo de sinople, una perla ecotada de oro entre tres cabezas de leopardo de oro. Timbrado de un burelete de oro y sinople surmontado de una corona de oro surmontada de una cabeza de leopardo de oro acompañada de dos medios vuelos de sable. Lema: «Inter feros» de sable sobre una filacteria de plata.

Freehand finishing.

Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard, Crest and mantling, Wreath, Above, Crown, Between, Two, Wing, Sable and Motto.

Style keywords: Freehand, Pointed and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Stowe, Richard Allen.

Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet».

The arms of Darryn Carlo and Roberto Luchoro have been featured on page 2 of Ireland's Genealogical Gazette, volume 19, number 4, registered in the Armorial Register, registration 0693, volume 4, included in the Commoners' Roll of Arms, registration 407, and emblazoned by me.

Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Boa and Collage.

Bearer: Luchoro and Darryn Carlo, Roberto.

Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess. Supporter A Tree Vert, eradicated. Motto «Amat victoria curam».

Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja. Por sostén un árbol de sinople, arrancado. Lema «Amat victoria curam» de oro, sobre una filacteria de azur.

The original design of this coat of arms, along with many others heraldic devices, is registered in [Salmerón Cabañas, A.; 2015a; page 11].

Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Crest and mantling, Vert, Tree, Erased, Supporter (thing), Supporter, Motto and Scroll.

Style keywords: Watercolor, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Coat of arms, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

Blazon keywords: One, Cyclamor, Vert, Motto, Argent, Two, Cross-crosslet, Cross couped, Wreath, Gules, Griffin, Head, Party per fess, Beaked and Or.

Classification: Personal, Interpreted and Badge.

Bearer: Berry, Austin Charles.

Heraldic device painted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.

The heraldic badge of Brady Brim-DeForest emblazoned by me.

Blazon keywords: Or, Two, One, Fleur de lis, Oak, Tree and Branch.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Brim-DeForest, Brady.

Heraldic device interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.

This is the heraldic badge of Ernesto Juan Anaya designed by him and emblazoned by me, displayed over his registered family tartan. His tartan has an asymmetric design, which is unusual and I particularly like it. Badge bendy of eight Or and Azure; on a chief Azure a mullet of six points Argent above two cannons dismounted Argent, garnished Or, in saltire.

Blazon keywords: Azure, Argent, Or, One, Two, Eight, Bendy, Chief, Mullet, Cannon dismounted, Garnished and Saltire.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa, Badge and Tartan.

Bearer: Anaya, Ernesto Juan.

Or semé of millrinds Azure; a chief dancetty of two full points upwards Purpure pierced twice of the field billetwise throughout.

The coat of arms of Baz Manning, John Basil Edward, emblazoned by me in 4 steps. In the English blazon, I followed his style, and in the Spanish blazon, I followed mine, counting the pieces of the chief that fit from the perspective of the chief.

Blazon keywords: Or, Azure, Purpure, One, Two, Three, Semé, Millrind, Chief, Dancetty, Pierced, Billet and Throughout (chief base).

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Pointed.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Manning, Baz.

Argent, two goats in pale Purpure, horned Sable.

Escudo de plata, dos cabras en palo de púrpura, acornadas de sable.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Coat of arms of the lineage Cabral. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Cabral are in the 3^rd quarter.

Blazon keywords: Argent, Purpure, Sable, Two, Goat, In pale and Horned.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Cabral, lineage.

Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Crest and mantling, Helm, Mantling, Dexter, Doubled, Sinister, Wreath, One, Arm, Armed, Nascent, Grasping, Sword, Between, Two and Wing.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales García y Bustamante, Carlos.

Party per pale: 1 Vert, a Castle triple-towered Argent; 2 Gules, two bezants in pale Or. For crest a crown of baroness.

I have interpreted this coat of arms with a semi-circular shape; tintures or, argent, vert and gules; outlined with sable; and a freehand finish.

Blazon keywords: Party per pale, Vert, One, Castle, Argent, Gules, Two, Bezant and plate, Bezant, In pale and Crown.

Style keywords: Semi-circular, Freehand and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Giaimo di Prizzi, Carmen.

Grand Laureate Cross of Saint Ferdinand.

Argent, a cross of Alcantara. Crest: A closed royal crown Or, with eight arches, visible five. Behind the shield the Laureate Grand Cross of Saint Ferdinand. Motto: «Hoec nubila tollunt obstantia sicut sol».

Escudo de plata, una cruz de Alcántara. Timbrado de una corona real cerrada. Acolada detrás del escudo la gran cruz laureada de San Fernando. Lema: «Hoec nubila tollunt obstantia sicut sol».

Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in metal Argent; the cross of Alcantara, the 4 swords and the 2 laurel branches are outlined in Sable and illuminated in Vert and Gules; the royal crown is closed, outlined in Sable and illuminated with the metal Or, Argent for the pearls, Azure and Or for the orb, Gules and Vert for the gems, Gules for the inner cloth, and Sable for the visible hollow at its base; and the whole has a iridescent finish.

Rif War, July 23, 1921, banks of the Igan River, North Africa

The Alcantara Regiment executed nine successive cavalry charges to protect the infantry's retreat, nine charges until they broke the enemy lines, outnumbering them. The last charge was on foot because all their horses were dead or exhausted. These heroic riders of Alcantara had fulfilled their duty of protecting the wounded infantry in their retreat to El Batel, but the price was appalling: of 691 riders, only 67 survived, and three months were necessary to recover hundreds of corpses.

For this reason, in 2012, the Alcántara Regiment was collectively awarded the Grand Laureate Cross of Saint Ferdinand.

Two lances behind the shield

Since 1987, the coat of arms of the cavalry regiments of the Spanish Army must carry two crossed lances accolade behind the shield. And indeed, this coat of arms of the Alcántara Cavalry Regiment has two lances behind the shield, but in my artistic heraldic interpretation, I did not paint them to avoid detracting from the prominence of the Laureate Cross.

Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped, Cross, Crest, Closed royal crown, Crown, Behind the shield, Four, Sword, Crosswise, Gules, Two, Branch, Laurel, Vert and Motto.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Alcantara, Cavalry Regiment.

Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules. The shield is surrounded by the Golden Fleece.

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.

Arms of Charles, Holy Roman Emperor, emblazoned by me. In English heraldry, the term supporters is used in a general sense, whether the supporters are animals, inanimate objects, plants or human figures. There is no strict terminological distinction based on the nature of the supporting figures. In Castilian heraldic tradition, by contrast, a more precise terminology is employed. The term «soportes» is used when the supporters are animals, «sostenes» when they are objects (such as columns or weapons) or plants (such trees), and «tenantes» when the figures supporting the coat of arms are human in form. In addition, inanimate supporters are relatively common in Castilian heraldry, whereas they are much rarer in English heraldry. There is also a difference in blazoning practice in the case of columns. In English, the shaft of the column is treated as the primary element, and the tinctures of the base and capital are then specified. In Spanish, the approach is the reverse: the column is described as a whole, stating its main tincture first, and then specifying that it is shafted in another metal. For example in this case: «Supporters: two columns Argent, capital and base Or» ~ «Sostenes: dos columnas de oro, fustadas de plata».

Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Two, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed, Scroll, Surrounded and Collar.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Charles V, Holy Roman Emperor.

City of Ceuta, Spain, Africa, with a crown of Marquis

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1. Crest: A crown of Marquis.

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta. Timbrado de una corona de marqués

Illuminated and a leather finishing.

Coat of arms of Ceuta from the coat of arms of Portugal

The Portuguese conquered Ceuta in the year 1415. This event represents an important step in the development of the Portuguese Empire in Africa. Then Ceuta received its arms from those of Portugal but with the castles in another order. In the image, the 1^st coat of arms of Portugal, and the 2^nd coat of arms of Ceuta.

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Spain.

Bearer: Ceuta.

Publication of my interpretation of the arms of Ugnius Mikucionis, on the blog Twelve Lineages of Soria with the article titled: The eminent heraldist Mr. Antonio Salmerón Cabañas interprets the coat of arms of Ugnius Mikucionis (Lithuania and Norway).

Blazon in Spanish by Alfonso de Ceballos-Escalera y Gila, Chronicler of Arms of Castile and León, from his certification of arms: «Vert, a Latin cross made of a wooden staff, raguly, from whose sinister flank issues a leafy branch that encircles the cross from above and entwines over its base, all Or. Crested with a steel helmet affronty, torse Or and Vert, with mantling Vert doubled Or. For crest, the same raguly Latin cross, branched and leafed, Or, placed before two wings Vert».

Blazon in English by The South African Bureau of Heraldry, from its certification of arms: «Vert, a wooden staff, its upper end terminating in a Latin cross, raguly, couped at random, issuant from its sinister nombril point a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or. Crest: In front of a pair of wings displayed Vert, a wooden staff issuant, its upper end terminating in a Latin cross, raguly, couped at random, issuant from its sinister nombril point a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or. Wreath and mantling: Vert and Or». I do not agree with the specification of the exact place of origin of the branch, the «nombril point» ~ «navel», because that point of origin does not distinguish this coat of arms from another where the branch could emerge at a different height, either closer or further from the point of the shield, and because it forces the artistic interpretation to either break the rule of fullness or to draw a curved branch in a panache shape to allow it to open before gaining height.

Note how in the Spanish certification of arms, by the Chronicler of Arms of Castile and León, this unnecessary nombril specification as the origin point of the branch is omitted.

The nombril is the exact crossing point of the vertical axis of symmetry of the shield with the lower edge of the bend.

Categories: Link, Vert, One, Cross, Raguly, Sinister, Or, Helm, Wreath, Mantling, Crest, Two, Wing and At the nombril.

Root: Twelve Lineages of Soria.

Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.

The Commoners' Certification of Arms for Bradlee Tatym LaRue Botkin with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Botkin, Bradlee Tatym LaRue.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent.

The Commoners' Certification of Arms for Corey Scott Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Lasco, Corey Scott.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a crescent Gules.

The Commoners' Certification of Arms for Hudson Hayes Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Lasco, Hudson Hayes.

Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent. Crest: A ribbon Azure doubled Argent.

The Commoners' Certification of Arms for Köryn Alexandria Konstånz Potts with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Potts, Köryn Alexandria Konstånz.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or ; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent. Crest: A ribbon Azure doubled Argent.

The Commoners' Certification of Arms for Makayla Danée Robidoux with her arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Robidoux, Makayla Danée.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a label Gules.

The Commoners' Certification of Arms for Ryker Scott Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Crescent and Label.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Lasco, Ryker Scott.

Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a label Gules.

The Commoners' Certification of Arms for Sebastian Artemis Cole McCoy with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Label.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: McCoy, Sebastian Artemis Cole.

Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.

Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Coulot, Fabian.

Party per chevron Gules and barry wavy Argent and Azure, in chief two Dogwood flowers (Cornus Florida) proper, in base a Cross of Saint Chad Gules. Crest: A Cardinal's head (Cardinalis cardinalis) erased clutching in its Beak a Madonna lily (Lilium Candidum) seeded proper. Mantling: Gules doubled Argent.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped, Crest, Head, Erased, Grasping, Beak and Mantling.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Krouse, Chad Michael.

Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.

Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: von Haimb, Isadora.

Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Crest: Upon a helm, with a wreath Or, Vert, and Azure a falcon rising Or, langued Gules. Mantling: dexter Azure doubled Or, sinister Vert doubled Or.

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Falcon, Rising, Langued, Mantling, Dexter, Doubled and Sinister.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Angueira Duro, Jesus.

Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable. Crest: Upon a helm lined Gules, with a wreath Or and Azure, five ostrich feathers, alternately three Azure and two Or. Mantling: Azure doubled Or.

Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Two, Three, Four, Five, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head, Caboshed, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Wreath, Ostrich feathers, Alternately and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Gutiérrez Benítez, Jose Manuel.

Sable, a kapok tree eradicated and fructed between in base two lozenges Argent. Crest: Upon a helm with a wreath Argent and Sable, a dove grasping in its beak a mullet Argent. Mantling: Sable doubled Argent.

Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a rough finish.

Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base, Lozenge, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Dove, Grasping, Beak, Mullet and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Oyervides Ochoa, Luis Gerardo.

Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent. Crest: Upon a helm with a wreath Or, Azure and Gules, five ostrich feathers Argent, Azure, and Gules. Mantling: On the dexter Gules doubled Argent and on the sinister Azure doubled Argent.

Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a rough finish.

Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship, Full sail, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Mantling, Dexter, Doubled and Sinister.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Dukat, family of Milos.

Vert, a Latin cross, raguly, issuant from its sinister a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or. Crest: Upon a helm affronty, with a wreath Or and Vert, a pair of wings displayed Vert, debruised by a Latin cross, raguly, couped at random, issuant from its sinister a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or. Mantling: Vert doubled Or.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a iridescent finishing.

Coat of arms of Ugnius Mikučionis-Vizgirda emblazoned by me. «A pair of wings displayed» could also have been blazoned as «two wings in vol».

Blazon keywords: Vert, Or, One, Two, Latin cross, Raguly, Issuant, Sinister, Leaved, Branch, Environed, Debruised, Crest, Upon (wreath), Helm, Affronty, Wreath, Two wings in vol, Displayed and Mantling.

Style keywords: Outlined in sable, Illuminated, Pointed and Iridescent.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Mikučionis-Vizgirda, Ugnius.

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper. Motto: «Liberty Thru Industry».

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed, Proper and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Or, a roe deer springing Gules, in base a triple mount Vert. Crest: Upon a helm affronty, with a wreath Or and Vert, two roe deers' attires barry of four Gules and Or. Mantling: Vert doubled Or..

Credits:

• Stephan Urs Breu is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount, Vert, Crest and mantling, Helm, Mantling, Wreath, Crest, Two, Roe deer' attire, Barry and Four.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Rehberger, Alena.

Azure, two quills in saltire Argent, in chief an ancient coronet Or. Crest: Upon a wreath Or and Azure, a demi-lynx regardant Or, caped Azure, maintaining in dexter a lantern Azure, enflamed proper.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finishing.

The coat of arms of Dario Postolovski, Macedonia, emblazoned by me. [Cadenas y Vicent, V. de; 2002] states that «capa» is a garment and also a synonym for «cortinado» ~ «chapé», and also defines lantern as a «farol».

Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown, Crest, Upon (wreath), Wreath, Demi, Lynx, Regardant, Caped, Grasping, Dexter, Lantern, Enflamed and Proper.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Postolovski, Dario.

Azure, a carbuncle of twelve rays Argent; on a chief Or, a hop cone Vert between two apples Gules, slipped and leaved Vert. Crest: Upon a helm, with a wreath Argent and Azure, an eagle displayed Or, langued Gules, holding in his dexter talon an hourglass bendwise proper. Mantling: Azure doubled Argent.

Blazon keywords: Azure, Carbuncle, Twelve, Argent, Chief, Or, Hop cone, Flower, Vert, Between, Two, Apple, Gules, Slipped, Leaved, Crest and mantling, Helm, Mantling, Wreath, Crest, Eagle, Langued, Grasping, Hourglass, Bendwise and Proper.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Created and Coat of arms.

Bearer: Sales, Robert Edward.

Party per fess: 1 Azure, an acorn leaved and slipped Or, between two ravens addorsed and regardant Argent; 2 Vert, a stag's massacre Or. Crest: Upon a helm lined Purpure with a wreath Or and Azure, a comedy mask bendwise Vert conjoined in fess with a tragedy mask bend sinisterwise Azure. Mantling: Azure doubled Or, and suspended therefrom, one on each side, two bunches of grapes Purpure, leaved Vert, and slipped Or. Motto: «Si non rides, flebis».

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finish.

The coat of arms of Christopher Edwards, from New South Wales, Australia, designed by him, refined and emblazoned by me.

Blazon keywords: Azure, Or, Argent, Vert, Purpure, One, Two, Party per fess, Acorn, Leaved, Slipped, Between, Raven, Addorsed, Regardant, Stag's massacre, Crest, Upon (wreath), Helm, Lined, Wreath, Comedy mask, Bendwise, Conjoined in fess, Tragedy mask, Bend sinisterwise, Mantling, Suspended, Bunch, Grape and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Edwards, Christopher.

Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or. Crest: A crown of a Baroness of the Serene Princely House of Saint-Marc in the capacity of dynastic heirs of the former Haitian Empire, issuant three ostrich feathers Argent shafted Or. Motto: «Miseris Succurrere Disco».

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a corset external shape and with a watercolor finishing.

Coat of arms of Amber Martinez, California, designed by her, improved by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me. The motto «Miseris succurrere disco» originates from Virgil's «Aeneid», [Virgil, P.; Century I B.C.; book I, verse 630], numbered as verses 630-631 in some editions. The complete sentence is «Non ignara mali, miseris succurrere disco», commonly translated as «Not being unacquainted with suffering, I learn to help those who suffer» or «Knowing suffering myself, I have learned to come to the aid of the unfortunate». These words are spoken by Queen Dido of Carthage as she welcomes Aeneas and his shipwrecked Trojans. Offering them refuge and protection, Dido explains that she herself has experienced exile and hardship after fleeing Tyre following the murder of her husband. Her own experience of suffering has taught her compassion and empathy for those enduring misfortune, making this passage one of the most enduring literary expressions of charity, hospitality, and solidarity with people in distress.

Blazon keywords: Or, Azure, Argent, Four, Two, One, Three, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point, Estoile, Crest, Crown of Baron, Crown, Issuant and Ostrich feathers.

Style keywords: Outlined in sable, Illuminated, Corset and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Martinez, Amber.

Gules, a chevron, between in chief two fleurs de lis Or, and in base an escallop Argent. For crest a crown of Baron. Motto: «Praemium Honor».

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.

Blazon keywords: Gules, Or, Argent, One, Two, Chevron, Between, In chief, Fleur de lis, In base, Escallop, Crown of Baron, Crown and Motto.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Merante Critelli, Luigi.

Party per fess Or and Gules dancetty of three full points and two half upwards.

Escudo cortado, encajado de tres piezas enteras y dos medias.

[Avilés, J.; 1780a; page 79], on the appropriate dimensions for outlining an indented shield, he explains that «encaxadas» or «emanchadas» refers to «the partitions of the shield, whose pieces fit into each other in the shape of thick and long triangles, which are regularly one-third of the length», that is, of the width of the shield for parted shields, «or of the height of the shield», that is, the height for fess shields, as in this example, «depending on the direction in which these figures are placed in the parted, fess, bend, and cut shields, etc. but being a Chief, they have half the base and the rest as point; and if it were a Fess, it is formed of alternating triangles, which fill it completely».

[Avilés, J.; 1780a; page 80], on which of the two components of an indented shield acts as the field and which as the piece, he clarifies that «the field of the partition is understood as the one occupying the upper part of the shield, with the lower part at the base considered the piece».

[Avilés, J.; 1780a; page 80], on how the blazon of an indented shield should be drafted, he establishes that «the number of whole and half triangles must be specified when there is more than one, and likewise, the direction in which the partitions are in the parted, fess, etc.», illustrating it with 2 examples that can also be seen in [Avilés, J.; 1725a; plate 8, illustrations 157 and 158].

Blazon keywords: Party per fess, Dancetty, Three and Two.

Style keywords: Semi-circular.

Classification: Schema.

Design ideas

The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.

One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.

Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.

Gules, a fess vair between four water-bougets Or, two in chief and two in base.

Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.

Water-bouget

In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».

There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.

In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».

Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Interpreted, Schema and Coat of arms.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or.

Escudo cuartelado: 1^o de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules [de Durán]; 2^o de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules [de Alpoim]; 3^o de plata, dos cabras en palo de púrpura, acornadas de sable [de Cabral]; 4^o de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro [de Melo]; un escusón de azur, cinco flores de lis de oro.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.

Arms of the cadet branches of Fernando Durán Cabral de Melo e Alpoim, certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León, and emblazoned by me.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate and Inescutcheon.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.

Argent, a tree eradicated proper, in chief an escallop reversed Gules, between two flies pilewise proper. Crest: A galero Sable with two cords, one on each side, each with six tassels Gules. Motto: «No Fear In Love». Behind the shield, the cross of the Holy Sepulchre of Jerusalem. The shield is surrounded by the cross of a Knight Commander of the Holy Sepulchre of Jerusalem.

The image shows a photograph of the Times of Malta newspaper announcing and presenting the lecture on Ecclesiastical Heraldry delivered by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. The lecture was highly interesting, and I was honoured that Dr. Charles A. Gauci included 28 illustrations of ecclesiastical heraldry that I had painted under his guidance. The illustration beneath the newspaper headline depicts the arms of Monsignor John Muscat, Commander of the Equestrian Order of the Holy Sepulchre of Jerusalem, emblazoned by me, which I have included alongside the photograph for easier identification.

Blazon keywords: Argent, Gules, One, Two, Six, Tree, Eradicated, Proper, In chief, Escallop, Between, Fly, Pilewise, Crest, Galero, Cord, Tassel, Motto, Behind the shield, Cross, Surrounded and Decoration.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Religious, Interpreted, Boa, Photographic, In color, English language and Collage.

Bearer: Muscat, John.

Argent, a tower with a turret Gules, port and windows Argent, masoned Sable. Crest: A mural crown Or. Supporters: Two palm fronds Vert issuant from an escallop reversed Or. Motto: «Disce et Aspirant» Sable over a scroll Or.

It has been depicted by me, highlighted with lights and shadows, with a semi-circular outer contour and with a leather finish.

The heraldic emblem of the Academia de Letras e Artes da Guiné-Bissau, ALAB, designed by Joseph Crews and emblazoned by me. The motto «Disce et Aspira» is a Latin phrase meaning «Learn and Aspire»

Blazon keywords: Argent, Gules, Sable, Or, One, Two, Tower, Turret, Port and windows, Masoned, Crest, Mural crown, Crown, Supporter (thing), Supporter, Palm frond, Issuant, Escallop, Motto and Scroll.

Style keywords: Illuminated, Semi-circular and Leather.

Classification: Socioeconomic, Interpreted, Boa and Emblem.

Bearer: Academia de Letras e Artes da Guiné-Bissau.

Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages.

Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Deacon Mark Eschenlauer designed by him, Fr. Yannick Beuvelet and me, and emblazoned by me.

Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Religious, Created, Boa and Coat of arms.

Bearer: Eschenlauer, Marc.

Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.

Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.

Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.

Coat of arms of Angel España Herranz designed by him and me, and emblazoned by me.

Design rationale

The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.

Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: España Herranz, Angel.

Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent

Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata

Illuminated and a leather finishing.

Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal and Interpreted.

Bearer: Espinosa, Diego.

Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox proper, grasping dexter four ears of wheat Or. Mantling: Azure doubled Argent. Motto: «Ignis Aurum Probat».

The crest, mantling and coat of arms of the family Milian. It was created and emblazoned by me with a 2:2:3 ratio. The ratio I most commonly use for the crest, helm, and shield is approximately 2:2:3, where 2 represents the height of the crest, 2 represents the height of the helm, and 3 represents the height of the shield.

Blazon keywords: Or, Azure, Argent, One, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar, Wavy, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Ear of wheat, Wheat and Mantling.

Style keywords: Ratio, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Milian, family.

Party per chevron Argent and Sable, two wings Gules, in base a compass rose Argent; on a chief Sable, three mullets Argent. Crest: Upon a helm with a wreath Argent and Sable, an eagle displayed Sable, armed and beaked Gules. Mantling: Sable doubled Argent. Motto: «Vitam Aeternam» Sable, with initial letters Gules, over a scroll Argent, doubled Gules.

Small-sized test of a Giclée for the coat of arms of family of Roy L. Reed Jr. I use a Giclée technique over the paper of Hahnemühle, a paper mill founded in 1584 in South Lower Saxony, quality 100% cotton, weight 280 gr/m2, and natural hues. In this case, the final size will be 33 cm x 48 cm (13" x 19").

Blazon keywords: Argent, Gules, Sable, One, Two, Three, Party per chevron, Wing, In base, Compass rose, Chief, Mullet, Crest, Helm, Wreath, Eagle, Displayed, Armed, Beaked, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Giclée, Photographic, Sealed arms and Heraldic document.

Bearer: Reed Jr., family of Roy L..

Or, two lions passant, guardant in pale Azure, armed Sable, langued Gules; in a base dovetailed Azure, two oak branches, leaved, fructed in pile Or. Crest: Upon a helm with a wreath Or and Azure, a terrestrial globe Azure, the continents Or, visible Europe. Mantling: Azure doubled Or. Motto: «Per Aspera ad Astra» Sable, over a scroll Or doubled Azure.

Arms devised by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finish.

Design rationale

The Promet family are the founders and owners of Promet Restoration, a company devoted to the preservation and restoration of fine pianos, antique furniture, and historic wooden artefacts, prometrestoration.com. Their tradition began in 1983 at the National Maritime Museum in Tallinn, Estonia, under the mentorship of Ülo Ots, son of the renowned opera singer Georg Ots. Founded in San Francisco in 1989 and later established in Seattle, Promet Restoration has since restored more than four hundred Steinway pianos and countless heirloom pieces. The company’s mission «To preserve the heirlooms for generations to come» embodies both artistic integrity and respect for craftsmanship. The arms combine Estonian heraldic inspiration with the form of dovetail joints, a symbol of precision and enduring workmanship, as used in the crafting of pianos and fine furniture. The motto «Per Aspera ad Astra», meaning «Through difficulties to the stars», is replaced, in the version used for their company Promet Restoration, by the corporate motto «Quality & Integrity · Est. 1989».

Blazon keywords: Or, Azure, Gules, Two, One, Leopard, In pale, Langued, Armed, Base, Dovetailed, Oak, Tree, Branch, Leaved, Fructed, In pile, Crest, Upon (wreath), Helm, Wreath, Terrestrial globe, Mantling, Motto, Scroll and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Promet, family.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Scheme of the arms of Fernando Durán Cabral de Melo e Alpoim y Ayala-Schiaffino. These arms have been certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León. Both the scheme and the arms have been emblazoned by me. This illustration shows this coat of arms and, around it, the coats of arms that compose it, arranged radially so as to make their integration into the greater shield visible; these are the arms of the Durán, Alpoim, Cabral, and Melo lineages, together with the central inescutcheon, which is the coat of arms of the House of Noronha, which quarters Portugal differenced by a baston Sable and the House of Trastámara.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, Fernando.

Chequey of fifteen Or and Gules. Crest: A galero with two cords, one on each side, each with twenty two tassels, 1, 3, 4, 5, 4, 5, Gules. Behind the shield a crossed staff Or.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a parchment finishing.

Coat of arms of Francisco Ximenez de Cisneros, 1436-1517, better known as the Cardinal Cisneros, with his galero, cords and tassels based on the engrave on his Polyglot Bible printed in 1514-1517. The number of rows was 6 (not 5) and the tassels engraved per row was 1, 3, 4, 5, 4, 5 in each side (not 1, 2, 3, 4, 5). I emblazoned it following the comments of Francisco Domingo Larrosa Gil about the number of rows and tassels of the galero in the centuries before XIX..

Blazon keywords: Or, Gules, Fifteen, Two, Twenty-two, One, Three, Four, Five, Chequey, Crest, Galero, Cord, Tassel, Behind the shield and Crossed staff.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Ximénez de Cisneros, Francisco.

Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.

Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.

Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms have been emblazoned by me for this grant.

Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Spiteri Debono, Myriam.

Azure, two chevronels Argent between in chief below a baronial coronet for difference two mullets of six points Or, and in base a Scots pine eradicated proper. Crest: A crown of noble. Motto: «Per audacia ad astra». Suspended from the shield the cross of Dame of Grace and Devotion of the Sovereign Military Order of Malta.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a rhombus external shape and with a freehand finish.

G0099, Chief Herald of Arms of Malta's grant of Lia Pompili née Segatto's arms, Italy, whose full achievement has been emblazoned by me for such grant.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Crown of Baron, Crown, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Crest, Crown of Noble, Motto, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Rhombus and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Lia.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a mullet Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an oval outer contour and with a freehand finish.

R0038, Chief Herald of Arms of Malta's register of Alessandra Pompili's arms, Italy, whose full achievement has been emblazoned by me for such register.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Cadency, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.

Style keywords: Outlined in sable, Illuminated, Oval and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Alessandra.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a label of three-point for difference. Crest: Upon a helm befitting his degree as the heir to a Barony issuant from a crown of Noble above the shield, with a wreath Or and Azure, a demi-lion Azure, issuant from a crown of Baron, langued Gules, wings displayed, armed, crowned with an ancient coronet, and grasping in its claws by its lowest point a mullet of six points Or. Mantling: Azure doubled Or. Motto: «Per audacia ad astra».

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.

R0033, Chief Herald of Arms of Malta's register of Antonio Pompili's arms, whose full achievement has been emblazoned by me for such register.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Debruised, Label of three points, Cadency, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Crown of Baron, Above the shield, Wreath, Demi, Lion, Langued, Winged, Displayed, Armed, Crowned, Ancient coronet, Grasping, Claw, Mantling, Doubled and Cross.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Antonio.

Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a wreath Argent and Gules, two arms embowed proper, vested Sable, cuffed Or, holding aloft a winnowing fan reversed Or. Mantling: Gules doubled Argent. Motto: «Ora et Labora». Supporters: Two lions passant, tails addorsed Sable, armed and langued Gules.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.

G0129, Chief Herald of Arms of Malta's grant for the arms of Markus Hermann Frank, USA. These arms have been emblazoned by me for such grant.

Blazon keywords: Gules, Argent, Or, Sable, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between, Fleam, Addorsed, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Wreath, Arm, Embowed, Proper, Vested, Cuffed, Grasping, Mantling, Doubled, Motto, Supporter (animal), Supporter, Lion, Passant, Tail addorsed, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Frank, Markus Hermann.

Or, on a pile issuant from base Vert between two maunches Gules a displayed scroll Argent with seal pendant proper. Crest: A crown of Noble surmounted by a crown of Baron. The whole surrounded by a cordelier bearing two tassels Or. Motto: «Aliter Cogita».

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.

R0047, Chief Herald of Arms of Malta's grant for the arms of Olivia Zangenberg's arms, United Kindom, whose full achievement has been emblazoned by me for such register. In the practice of the Office of the Chief Herald of Arms of Malta, whose grants and registrations are officially published in the Government Gazette, a double coronation is occasionally observed within the armorial achievements. In this case, the coronet resting directly upon the shield represents the personal rank of the armiger (in this case, a coronet of noble as the daughter of a baron), while the superior coronet identifies the dignity of the family to which she or he belongs. The Office's policy is detailed in the book [Gauci, C. A.; 2023; 145], «The Way Forward»: «In the British tradition, coronets of rank are normally borne immediately above the shield, but in other countries e.g., Spain, Portugal, France the coronet of rank may be borne above the helm, not unlike a crest coronet. In Malta some title-holders display their coronet above the shield while others display it above the helm. In some cases, this may be due to the fact that some holders of Maltese titles of foreign origins, opt to follow the heraldic rules of the country which granted the original title. In other case it appears to rest purely on the whims of the title-holder. The Office of the Chief Herald of Arms of Malta will normally choose to display coronets of rank immediately above the shield but will not stand in the way of family tradition should there be a preference for the coronet to be displayed elsewhere in the Arms. However, a titular coronet, unlike a crest coronet (see below), must never be placed above a wreath or be separated from the helm by a fold of mantling. This would reduce its status to that of a crest coronet».

Blazon keywords: Or, Vert, Gules, Argent, Sable, One, Two, Pile issuant from base, Between, Maunch, Displayed scroll, Suspended, Proper, Cadency, Label of three points, Crest, Crown of Noble, Crown, Crown of Baron, Cord, Tassel and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms and Seal.

Bearer: Zangenberg, Olivia.

The genealogical chart with the coats of arms of the House of Potts of Wentworth, all designed by Randy David Lee Xavier Potts and emblazoned by me and signed by me, exhibited at the 5^th International Congress of Genealogy and Heraldry (5^th ICGHV), Vilnius. The 5^th ICGHV was held at the historic National Museum - Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas. This armorial genealogical chart is intended to be read from the House of Potts of Wentworth at its centre, with each family branch radiating outwards. Rather than following the conventional vertical layout of a pedigree, it presents the family's heraldic relationships in a more compact form. As Randy Potts himself expressed after seeing the finished work, it represents not only genealogy and heraldry, but also the identity, history, and shared legacy of the entire family. The House of Potts of Wentworth are Randy David Lee Xavier Potts, Kimberley Ann Potts, Britania Anastoshia Korÿn McCoy, Köryn Alexandria Konstånz Potts, Konstånz Chantal Leóné Potts, Tiana Rose Lee Potts, Makayla Danée Robidoux, Corey Scott Lasco, Sebastian Artemis Cole McCoy, Evander Graham Wylder McCoy, Bradlee Tatym LaRue Botkin, Rhettlee Cooper Jones, Easton Michael Jones, Hudson Hayes Lasco, and Ryker Scott Lasco.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Thirty-six, Armed, Bald eagle, Eagle, Beaked, Bee, Between, Bordure, Charged, Chief, Crescent, Displayed, Doubled, Escallop, Fimbriated, Fleur de lis, Flowered, Gyronny, Head, Heart, In base, In chief, In fess, Inescutcheon, In pretence, Label, Langued, Leaved, Membered, Overall, Proper, Quarterly, Ribbon, Rose, Saltire, Seeded, Tail and Thistle.

Style keywords: Outlined in sable and Illuminated.

Classification: Personal, Interpreted, Boa, Photographic, Family tree and Genealogical.

Bearer: Potts of Wentworth, House of.

Azure, two rolled scrolls in saltire Argent, tied with a ribbon fesswise Vert; a bordure trefoiled Or; overall a chief Or charged with an oak branch leaved and fructed proper.

Escudo de azur, dos pergaminos enrollados en sotuer de plata, ligados con una cinta puesta en faja de sinople, una bordura trebolada de oro; brochante sobre el todo un jefe de oro cargado de una rama de roble hojada y frutada al natural.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.

The coat of arms of the Genealogical Society of Ireland, GSI, emblazoned by me.

Blazon keywords: Azure, Argent, Vert, Or, One, Two, Rolled scroll, In saltire, Tied, Ribbon, Fesswise, Bordure, Trefoiled, Overall, Chief, Charged, Oak, Tree, Branch, Leaved, Fructed and Proper.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Socioeconomic, Interpreted, Boa and Coat of arms.

Bearer: Genealogical Society of Ireland.

Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.

Escudo partido: 1^o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2^o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.

G0093, Chief Herald of Arms of Malta's grant for the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga. This coat of arms has been emblazoned by me.

Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.

Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable, in chief two pairs of gouttes Or. Crest: Upon a wreath Or and Azure, a raven's head Sable, charged upon the neck with three gouttes, 1 and 2, and holding in its beak an annulet Or. Motto: «Laus · Virtutis · Actio».

Small-sized Giclée proof for the coat of arms of Seth Rawson emblazoned, dated and signed by me. I usually employ the Giclée printing technique on Hahnemühle paper, produced by the paper mill founded in 1584 in southern Lower Saxony. This paper is made from 100% cotton, weighs 280 g/m² (sometimes 300 g/m²), and is manufactured using natural fibres and tones. These reduced-size proofs are printed to verify the fitting of the armorial achievement on the sheet, to check the registration marks that frame it, and to assess the rendering and balance of the heraldic tinctures before producing the final print.

Blazon keywords: Azure, Sable, Or, One, Two, Three, Party per fess, Overall, Four-towered, Castle, Port and windows, In chief, Pair, Goutte, Crest, Wreath, Raven, Head, Charged, Neck, Grasping, Beak, Annulet and Motto.

Style keywords: Outlined in sable, Illuminated and Ogee Triple-Pointed.

Classification: Personal, Interpreted, Boa, Photographic and Giclée.

Bearer: Rawson, Seth.

Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.

Escudo de armiños, tres granadas ranversadas de oro, rajada de gules, talladas y hojadas de sinople, sumadas de una corona abierta, alternando cuatro rosetas de hojas de acanto, visibles tres, y cuatro granadas, visibles dos, todas de oro, forrada de gules.

Coat of arms emblazoned by me with an oval shape, illuminated, and with a leather finishing that seems watercolor.

Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.

Style keywords: Outlined in sable, Oval, Illuminated and Leather.

Classification: Socioeconomic, Interpreted and Coat of arms.

Bearer: Granada, Soberana y Muy Noble Orden de la.

Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent. Motto: «Hacienda de Triana».

Escudo partido: 1^o de plata, un árbol moviente de la punta de morado; 2^o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata. Divisa: «Hacienda de Triana».

Arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.

Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief, Arch and Motto.

Style keywords: Illuminated, Chasuble and Watercolor.

Classification: Socioeconomic, Interpreted, Boa and Coat of arms.

Bearer: Triana, Hacienda de.

Gules, on a trimount issuant from the base Vert, a talbot rampant Argent, collared Or, between two mullets in bend sinister Or.

Escudo de gules, un monte de tres peñas moviente de la punta de sinople sumado de un talbot rampante de plata, acollarado de oro, acompañado de dos estrellas en barra de oro.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finishing.

This is the coat of arms of Moritz Hunzinger emblazoned by me.

Blazon keywords: Gules, Vert, Argent, Or, One, Three, Two, On, Trimount, Talbot, Rampant, Collared, Between, Mullet and In bend sinister.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Hunzinger, Moritz.

Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules charged with eight crosses botonny Argent.

Escudo de plata, pendiente del jefe una lampara de aceite de tres cabezas de león arrancadas y aladas de sinóple; una bordura de gules cargada de ocho cruces botonadas de plata.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a watercolor finishing.

The coat of arms of Peter Iacobucci designed by him and, following David Lavery's directions, emblazoned by me.

Blazon keywords: Argent, Vert, Gules, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged and Cross botonny.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Iacobucci, Peter.

Argent, a lion rampant guardant Vert, armed and langued Gules; on a chief Gules, a mullet of six points voided, interlaced Argent between two hearts Or.

Escudo de plata, un leopardo leonado de sinople, armado y lampasado de gules; un jefe de gules cargado de una estrella de seis puntas, hueca y entrelazada de plata acompañada de dos corazones de oro.

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a texturized finishing.

The coat of arms of Yishay Ifrah emblazoned by me. Alternative blazon: «Argent, a lion rampant guardant Vert, armed and langued Gules; a chief Gules charged with a star of David Argent between two hearts Or».

Blazon keywords: Argent, Vert, Gules, Or, One, Two, Lion rampant guardant, Armed, Langued, Chief, Charged, Star of David, Mullet, Voided, Interlaced, Between and Heart.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ifrah, Yishay.

Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent.

The coat of arms of Iker Lanzagorta Ochoa, designer, and manufacturer of wooden furniture. This coat of arms has been designed by him, his father Juan Lanzagorta Vallín, and me, and emblazoned by me. The image illustrates my process in 3 steps: 1) delineation with ratios, 2) plain color and metals, and 3) light and shadows. When 2 elements are in saltire I use to see the element bendwise more times under than over the other element. But being bendwise more important than bend sinisterwise I decide, time ago, to emblazon the element bendwise over by default.

Blazon keywords: Vert, Argent, Or, One, Two, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief and Adze.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Lanzagorta Ochoa, Iker.

Israel~ישראל.

Azure, a Menorah between two olive branches Argent; in base the legend
«ישראל» Argent.

Interpreted coat of arms: with a rounded and pointed shape; illuminated with metal argent and color azur; outlined with sable; and a Watercolor finish.

Blazon keywords: Without divisions, Azure, One, Menorah, Argent, Accosted, Two, Branch, Olive tree, Tree and Motto (identification).

Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.

Classification: Coat of arms, Interpreted, Civic and State of Israel.

Bearer: Israel.

Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.

The coat of arms of Reverend John Stuart, XVIII century, emblazoned by me in 3 approaches: 1) Classic bordure: Using a bordure with a width equal to 1/6 of the coat of arms' base. In the image, this is marked with texts and lines in Vert. Notice that the squares in columns 2 and 8 are split by the inner border of the bordure, which is unfortunate as it disrupts the design. 2) Diminished bordure: Using a narrower bordure with a width equal to 2/3 of the classic bordure, corresponding to 1 square of the fess chequey. In the image, this is marked with texts and lines in Gules. This approach avoids splitting any squares, allows for larger figures, and is my preferred solution. In England, diminished bordures, often simply blazoned as bordure, are more common than in Castile. 3) Without squares splitted: Retaining the classic bordure but shifting the fess chequey 1/2 square to either dexter or sinister to prevent splitting squares. However, this sacrifices the symmetry of the design. This last adjustment was used in the hatchment of Reverend John Stuart in St. George's Cathedral, Kingston, Ontario, 1785.

Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.

Style keywords: Ratio, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Stuart, John.

187^th Pope of the Church, from 1276 to 1277. «Johannes XXI», born Pedro Julião, also known as Pedro Hispano, born in Lisbon, Portugal.

Quarterly: 1 and 4 Argent, three crescents Gules; 2 and 3 Sable, two pallets Or.

Escudo cuartelado: 1^o y 4^o de plata, tres crecientes de gules; 2^o y 3^o de sable, dos palos de oro.

Coat of arms with: a shield with a pointed and rounded top; the field in plain Argent and Sable; the figures outlined in Sable and illuminated in Gules and Or; and the whole in an elevated line style.

John XXI should have actually been John XX, but Cardinal Pedro Julião, upon being elected pope, decided to skip the number XX and called himself John XXI, with the aim of correcting what was believed to be a historical error, which in the end was not so.

This historical error consisted of the belief in the existence of 2 popes named John XIV, as seemed to be deduced from the records of the «Liber Pontificalis». They were therefore referred to as: the 1^st John XIV and the 2^nd John XIV bis.

By skipping the number XX, John XXI believed he was correcting this historical error. But the reality is that there was only one Pope John XIV, the same pope with 2 entries in the «Liber Pontificalis», the 1^st entry during the time of his pontificate in freedom and the 2^nd entry for the time he exercised his pontificate in prison, imprisoned by his enemy, the so-called «antipope» Boniface VII, who, in turn, managed to occupy the papal throne twice, separated by a decade, in 974 and in 984, somewhat like a double «antipope».

Therefore, John XXI, instead of correcting a historical error, made one, and for this reason, there is no Pope John XX in all of history, nor can there ever be one.

Blazon keywords: Quarterly, Argent, Three, Crescent, Gules, Ordered, Sable, Two, Pale and Or.

Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: John XXI.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un lambel de gules.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

The coat of arms of Easton Michael Jones designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Jones, Easton Michael.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a crescent Gules.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un creciente de gules.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

The coat of arms of Rhettlee Cooper Jones designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Crescent.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Jones, Rhettlee Cooper.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent. Motto: «Quis ut Deus».

Escudo de azur, una trompeta puesta en barra de oro, resaltada de una pez hauriante de plata, resaltado de un espada puesta en banda bajada de oro, todos acompañados de dos flores de lis en faja de plata. Lema: «Quis ut Deus».

Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a watercolor finish.

Blazon keywords: Azure, Argent, Or, Sable, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis, In fess and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

Heraldic device depicted by me, highlighted with lights and shadows, outlined in Sable, with a circular outer contour and with a rough finish.

The heraldic badge of Kimberly Louise Severson designed by her and emblazoned by me. I have painted 3 heraldic badges for Kimberly Louise Severson: the first featuring 2 Easter lilies and Aslan's paw print, the second featuring a cross bottony, and the third, rather than a heraldic badge, depicting her earliest personal emblem with a harp and other elements. This is the second badge I painted for her.

Blazon keywords: Azure, Argent, Or, Vert, One, Two, Double tressure, Cross botonny, Hurt, Celtic Trinity knot and Knot.

Style keywords: Outlined in sable, Illuminated, Round and Rough.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Severson, Kimberly Louise.

Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or; 3 Or, four pallets Gules; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules. Crest: A closed royal crown. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Motto environing the columns and behind the shield: «Plus Ultra» Or over a scroll Gules.

Arms of the Kingdom of Spain. This image combines three photographs of this coat of arms on the façade of the Ministry of Defence building on the Paseo de la Castellana in Madrid, just a few metres from my office, together with my own artistic interpretation of the same arms. In the version on the façade of the Ministry of Defence, the crowns above the columns do not touch the columns, which I believe is the correct way to depict them, although the central crown does appear to rest upon the shield of Spain. There are more interpretations that place the crowns resting on the columns than those that do not, and I photographed this particular version from the Ministry of Defence because it is especially relevant due to its size and institutional significance. On the arrangement of the crowns: a) Royal Decree 1511/1977, of 21 January, enacted during the so-called Transition and approving the Regulations on Flags and Standards, Guidons, Insignia and Distinctive Signs, states: «Rule No. 2. Coat of Arms of Spain… Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one…». b) The subsequent Law 33/1981, of 5 October, regulating the current coat of arms of Spain, likewise states: «…Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one». c) The term «superado» in the heraldic dictionaries in which it appears refers, as a synonym, to «surmontado». d) The definitions of «surmontado» include: «a charge which, at its upper part, has another above it but without touching it», «also said of superado», and «a figure that bears another above it, but without touching it». In light of a), b), c) and d), the two crowns should therefore be painted not touching the columns. However, in the illustrative drawing contained in Royal Decree 1511/1977 the crowns do touch the columns, contradicting its own wording, although in heraldry, when in doubt, the written blazon always prevails; and in most official representations the crowns do indeed touch the columns. Nevertheless, this personal interpretation of both the coat of arms of Spain and of the proper way to write its blazon, where the lateral crowns do not touch the columns, and then I decide that, following the same criterion, the central crown should not touch the shield either, so the result differs from the official version.

Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Two, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Imperial crown, Dexter, Sinister, Motto, Environed, Behind the shield and Scroll.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Kingdom of Spain, Interpreted, Boa, Photographic and Collage.

Bearer: Spain, Kingdom of.

Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable.

Escudo de plata mazonado de sable, un cabrio de azur, en jefe un lobo y una loba afrontados de sable.

Arms interpreted by me, contoured in Sable, having details that emulate low and hollow relief, with an ogee external shape and with a freehand finishing.

Coat of arms of Juan Lanzagorta Vallin designed by him and emblazoned by me. The chevron Azure symbolizes the firmament seen through an open hole in the masoned wall, like a window open to the sky.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf and Combatant.

Style keywords: Outlined in sable, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lanzagorta Vallín, Juan.

Gules, two chevronels, in chief three mullets Argent. Motto: «Semper Supra».

Escudo de gules, dos tenazas de plata, en jefe tres estrellas todo de plata. Lema: «Semper Supra».

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finish.

Blazon keywords: Gules, Argent, Two, Three, Chevronel, In chief, Mullet and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Rothstein, lineage.

Gules, two castles triple-towered Or, port and windows Azure, masoned Sable, in chief, seven mullets Argent, 4 and 3.

Escudo de gules, dos castillos de oro, aclarados de azur, mazonados de sable surmontados de siete estrellas de plata de cinco puntas, 4 y 3.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finish.

Coat of arms of the Comunidad de Madrid emblazoned by me. In English blazonry, the arrangement of multiple charges is usually described by rows, whereas in Castilian blazonry it is more commonly expressed by columns. However, in this case, as the 7 mullets are placed in chief, it is understood that a horizontal arrangement in 2 rows is the most reasonable solution. For this reason, in both English and Castilian I blazoned the mullets as 4 and 3, that is, 7 mullets arranged in 2 rows, the upper row of 4 mullets and the lower row of 3. It is then the artistic judgement of the heraldic artist to place each of the 3 mullets of the lower row beneath the space between 2 mullets of the upper row, resulting in an overall quincunx arrangement.

Design rationale

The castles came from Castile and the 7 mullet from the bordure of the city of Madrid, they are the stars of the Plough, the 7 brightest stars of the Ursa Major. This coat of arms was adopted by the Comunidad de Madrid the 23th of December 23 of 1983.

Blazon keywords: Gules, Or, Azure, Argent, Two, Seven, Castle, Triple-towered, Port and windows, Masoned, In chief and Mullet.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Madrid, Comunidad de.

Quarterly: 1 per pale: 1 Argent, a madrone tree (Arbutus unedo) Vert, fructed Gules; 2 Azure, a tower Argent; 2 Vert, on a wall Or, masoned Sable, by five archers Argent in shooting stance; 3 barry wavy Azure and Argent, three caravels in pale Or, sails and pennons Argent charged with crosses Gules, between two flanches Vert; 4 Azure, a tower Argent, port and windows Azure, masoned Sable, between two lozenges Or, each charged with four pallets Gules, in chief four towers in fess Or, port and windows Gules, masoned Sable. Crest: Upon a helm with a wreath Argent and Vert, a bleeding heart Gules, debruised by a crown of thorns Or, tipped by a flame Or, fimbriated Gules, charged with a Latin cross Azure. Mantling: Vert doubled Argent. Supporters: Two knights in full plate armor Argent, lined Gules. Suspended from the shield the cross of Knight of the National Monarchist Brotherhood of Spain, the cross of Merit of the Noble Chapter of Ferdinand VI and the insignia of Honorary Lieutenant of the Duke of Braganza Regiment of the Legion of Frontiersmen.

Arms designed by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finishing.

Blazon keywords: Argent, Vert, Azure, Or, Gules, One, Five, Three, Four, Two, Quarterly, Party per pale, Madrone tree, Tree, Fructed, Tower, Masoned, On, Wall, Archer, In shooting stance, Barry, Wavy, Caravel, Ship, In pale, Sail, Charged, Cross, Between, Flanched, Port and windows, Lozenge, Pallet, Crest, Upon (wreath), Helm, Wreath, Vulned, Heart, Crown of thorns, Crown, Flame, Latin cross, Supporter (human form), Supporter, Knight, Full plate armor, Lined, Mantling, Doubled, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Diapered, Chinapieria, Ogee and Leather.

Classification: Personal, Created, Boa, Coat of arms, Pennon and Flag.

Bearer: Novo Dabrio, Manuel.

Gules, three bars wavy; in chief two mullets above a fess in base Or.

Escudo de gules, tres burelas ondadas; en jefe una faja surmontada de dos estrellas de cinco puntas todo de oro.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, and with a watercolor finishing.

Coat of arms of Marilena Marinanza, Italy, emblazoned by me. The original Italian blazon is «Di rosso con tre fasce ad onde d'oro, col capo del primo caricato da due stelle d'oro; sostenuto da una fascia del medesimo» which translates as «Gules, three bars wavy Or; on a chief Gules, two mullets above a fess in base Or», although the Italian blazon does not state it, there is no line of division between the field and the chief, it is the fess that establishes the boundary, which would be equivalent to having the entire field in Gules, making the heraldic description simpler.

Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess and In base.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Marinanza, Marilena.

Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules.

Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules.

Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.

The coat of arms of Britania Anastoshia Korÿn McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered and Langued.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: McCoy, Britania Anastoshia Korÿn.

Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a crescent Gules.

Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un creciente de gules.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.

The coat of arms of Evander Graham Wylder McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Crescent.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: McCoy, Evander Graham Wylder.

Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant, Counterchanged (side-by-side), Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Ogee, Outlined in sable and Leather.

Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Bendel, Nathaniel.

Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure.

Escudo de azur, en punta tres burelas ondadas de plata sumadas de un barco normando de oro con vela de plata; en un jefe de gules, dos leopardos de oro, armados y lampasados de azur; una bordura de plata cargada de ocho bellotas puestas en banda de azur.

Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.

Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me. The terms «Norman ship» has been chosen instead of other possible names for this type of vessel in order to create a reference to the surname «Normand» of the armiger, whose family descends from Normandy.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn and Bendwise.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Normand Delfin, Jacques William.

Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo cuartelado: 1^o y 4^o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2^o y 3^o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.

Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.

Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Noronha, House of.

Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.

Escudo adiestrado: 1^o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2^o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.

Design rationale

These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem. Following [Petra Sancta, S.; 1634; pages 417–418], in seventeenth-century academic emblematics the staff symbolizes the road understood as an intellectual journey, proper to a traveller who appears humble yet is rich in knowledge, while the gourd, which may seem empty, represents the wisdom preserved within it and from which learning ultimately emerges.

Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Peregrina Corona, Dolores.

Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief, In base, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Gummersbach, Peter Ferdinand.

My heraldic Pixiv wall is Dr.A.Salmeron @antoniosheraldry and pixiv.me/antoniosheraldry.

Pixiv is a Japanese online community for artists. I post in Pixiv 2 or 3 coats of arms per week. They use a strict form to post with many mandatory input fields. This week, they have added a new mandatory field «AI-generated work: Yes / No», AI ~ Artificial Intelligence. In the image, I have highlighted this new field in red.

My animation of the coat of arms of Juan Lanzagorta reached position 33 in Pixiv’s daily Ugoira animation ranking. I am very happy about this, as it is not easy to achieve.

Categories: Technology, Social networks, Quarterly, Gules, One, Chevron, Argent, Between, Three, Fleur de lis, Or, Five, Mullet, In saltire, Four, Escutcheon, In cross, Azure, Charged, Nine, Bezant and plate, Two, Flank, Fesswise, Center, Overall, Carbuncle, Cord, In orle, Knotted, Purpure, Overall (all), Sable, Mount, Issuant from base, Vert, On, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Fess, Wavy, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown and Motto.

Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or.

Escudo cuartelado: 1^o y 4^o de gules, un puente de tres ojos moviente de la punta y los flancos de oro; 2^o y 3^o de azur, cinco flores de lis, en punta dos fajas ondadas, todo de oro.

Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems watercolor.

Credits: Felipe Trujillo Jiménez is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess and Wavy.

Style keywords: Pointed, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Pons Paneque, Jonathan.

Azure, a saltire Argent between in chief an escallop Or, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure Or.

Escudo de azur, un sotuer de plata acompañado en jefe de una venera de oro, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; una bordura de oro.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an invected octagon outer contour and with a leather finishing.

The coat of arms of Konstånz Chantal Leóné Potts designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Escallop, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued and Bordure.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts, Konstånz Chantal Leóné.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or; overall a rose Gules, leaved and seeded Or.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura de oro; brochante sobre el todo una rosa de gules, hojada y botonada de oro.

Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finishing.

The coat of arms of Tiana Rose Lee Robidoux Potts designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Overall, Rose, Leaved and Seeded.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts, Tiana Rose Lee.

Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or.

Escudo de plata, dos flechas alzadas en sotuer de sable, barbadas y empenadas de Gules, brochante una daga de comando alzada en palo de gules, guarnecida y pomelada de sable; en un jefe centellado de sable, un lambel de tres pendientes de oro.

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.

Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points and Or.

Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Power, Guy Harold.

Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or. Crest: Upon a helm issuant from a crown of Noble above the shield a with a wreath Argent and Gules, a Cirneco dell’Etna hound passant proper, gorged of a collar of meanders motifs Azure and Argent. Mantling: Gules doubled Argent. Motto: «Pete ex Animo Sapientiam».

G0053, Chief Herald of Arms of Malta's grant of Giovanni de Bella's arms, whose coat of arms has been emblazoned by me. The image shows a composition of the coat of arms painted by me alongside the same coat of arms as published in the book [Gauci, C. A.; Cassar, R. M.; 2025; 65], «The Register of Arms, Volume 1 (2019–2024)».

Blazon keywords: Gules, Argent, Or, Azure, One, Two, Three, Fess, Between, In chief, Eight-pointed cross, Cross couped, Mullet, In base, Bendlet, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Dog, Gorged, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Bella, Giovanni de.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Azure, two barbels addorsed Argent

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de de azur, dos barbos adosados de plata.

Blazon keywords: Azure, Two, Barbel, Addorsed, Argent, Quarterly, One, Cross patty, Cross couped and Gules.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Montbard, André de.

Azure, in chief a lozenge Argent between two antlers in pile issuant from a chalice Or.

Escudo de azur, en jefe un losange de plata acompañado de dos cuernas de ciervo en pila salientes de un cáliz todo de oro.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal and iridescent finish.

Coat of arms of Elijah R. emblazoned by me. The English «stag's attire» corresponds to the Castilian «cuerna de ciervo»; the English terms «antler» and, less commonly, «deer's attire» may also be found. In this case I write «antlers» instead of «stag's attires» because «antlers» is the term used by the armiger. To specify that the two antlers are arranged to form a «V», I write «in pile» ~ «en pila».

Blazon keywords: Azure, Argent, Or, One, Two, In chief, Lozenge, Between, Stag's attire, In pile, Issuant and Cup.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal and iridescent.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: R., Elijah.

Azure, two arrows in saltire points upward, the arrow bendwise Or, the arrow bend sinisterwise Argent, overall a double vajra per saltire Or and Argent charged with a bezant per saltire curved Or and Argent.

Escudo de azur, dos flechas alzadas en sotuer, la flecha puesta en banda de oro, la flecha puesta en barra de plata, brochante sobre el todo una vajra doble cuartelada en sotuer de oro y plata cargada de un bezante cuartelado en sotuer curvilíneo de oro y plata.

Coat of arms interpreted and emblazoned by me with different shapes and a freehand finishing.

Blazon keywords: Azure, Two, Arrow, Point upwards, In saltire, Bendwise, Or, Bend sinisterwise, Argent, Overall, One, Double vajra, Quarterly per saltire, Charged, Bezant and plate and Curved.

Style keywords: Outlined in sable, Illuminated, Freehand, Rounded, Ogee and Pointed.

Classification: Interpreted and Coat of arms.

Bearer: Rage from Discord.

Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed proper. Crest: Upon a helm befitting his degree with a wreath Argent and Azure, a dragon passant Azure, armed and langued Gules; in front of a sun rising Or. Mantling: Azure doubled Argent. Motto: «In Honorem Victoria» Sable, with initial letters Gules, over a scroll Argent.

G0113, Chief Herald of Arms of Malta's grant of Randy David Lee Xavier Potts's arms, whose standard, coat of arms, badge and banner has been emblazoned by me. The difference between the coat of arms assumed by Randy Potts and the coat of arms granted by the Chief Herald of Arms of Malta is that the bald eagle in the chief is blazoned proper. Likewise, the difference in the crest is that the dragon is now blazoned armed and langued Gules. The purpose of these two changes, both in the shield and in the crest, is to allow these elements to stand out a bit more. These coat of arms, standard, badge and banner have been included in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 117] as shown in the photograph of the image.

Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Two, Saltire, Between, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Proper, Crest, Upon (wreath), Helm, Wreath, Sun, Nascent, Debruised, Dragon, Passant, Armed, Langued, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Potts, Randy David Lee Xavier.

Or, six annulets Gules, 3, 2, and 1. Behind the shield an eight-pointed cross patty Gules.

The eight-pointed cross patty behind the shield has been diapered with Chinapieria.

Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two, One, Behind the shield, Eight-pointed cross and Cross couped.

Style keywords: Outlined in sable, Semi-circular, Illuminated, Freehand, Diapered and Chinapieria.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Richard, Richard.

Azure, on a pale Argent, between two lions combatant Or, armed and langued Gules, three chevronels Sable.

Escudo de azur, un palo de plata, cargado de tres tenazas de sable, acostado de dos leones afrontados de oro, armados y lampasados de gules.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.

The coat of arms of Catherine de Romanet emblazoned by me. Blazon in French: «D'azur, au pal d'argent chargé de trois chevrons de sable et accosté de deux lions affrontés d'or, armés et lampassés de gueules». Alternative blazon: «Azure, a pale Argent, charged with three chevronels Sable, between two lions combatant Or, armed and langued Gules».

Blazon keywords: Azure, Argent, Sable, Or, Gules, One, Three, Two, Pale, Charged, Chevronel, Between, Lion, Combatant, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romanet, Catherine de.

Party per fess, fimbriated Gules: 1^st Azure, two royal drums in fess Argent, stringed Or, each charged with a bar Sable; 2^nd Vert, a monkey statant Argent; overall a fess tierced per fess Azure, Gules, and Vert, fimbriated Argent; overall an inescutcheon Gules, fimbriated Argent. Motto above the crest: «Oruganda Rw'Abahinda» in letters Sable over a scroll Argent. Motto: «Abazira Nkyende» in letters Sable upon a scroll Argent.

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a vesica piscis external shape and with a leather finishing.

This is the traditional coat of arms of the Royal Abahinda Clan of the Ankore Kingdom (1478), Uganda, renewed by them under the supervision of Crowned Prince Tugume Salim, and emblazoned by me. The motto over the coat of arms, «Oruganda Rw'Abahinda», means "Clan of Abahinda", and the motto below, «Abazira Nkyende», states that their totemic animal is the monkey.

Blazon keywords: Gules, Azure, Argent, Or, Sable, Vert, One, Two, Party per fess, Fimbriated, Drum, In fess, Stringed, Charged, Monkey, Statant, Overall (line of division), Fess, Tierced per fess, Overall, Inescutcheon, Motto (identification), Above the crest, Scroll and Motto.

Style keywords: Outlined in sable, Illuminated, Vesica piscis and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Abahinda Clan, Royal.

In the hoist the arms of Rudolph Andries Ulrich Juchter van Bergen Quast and in the fly pean, Gules and Gules, between two transverse bands Or, bearing the motto «Nemo me impune lacessit» in letters Sable, in the first compartment an Indian elephant statant Or, armed Argent, strapped over the belly, hump and rump Sable, cottised Or, charged on his left flank with a rose Gules, barbed Vert, seeded Or; seated on his neck a mahout, in his sinister hand a stick in bend sinister Argent; in the second compartment two leopard faces Or; in the third compartment a leopard face Or; and fringed compony Gules and Or.

Watercolor finishing

Blazon keywords: Pean, Gules, Two, Bend, Motto, Elephant, Statant, Or, Tusked, Sable, Cotised, Rose, Barbed, Vert, Seeded, Male figure, Sinister, Hand, In bend sinister, One, Head and Leopard.

Style keywords: Watercolor.

Classification: Flag and Personal.

Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.

Sable, three Towers Or, two and one

The classic heraldic layout for three charges on a coat of arms is two in chief and on in base. The layout one in chief and two at base are considered disordered in many heraldic traditions.

The blazon of this coat of arms, «Sable, three Towers Or, two and one», is disordered, and the entropy refers to disorder, and more entropy means more disorder. Then this imaginary coat of arms is full of entropy, and it could belong to the entropy.

Categories: Riddle solution, Imaginary, Sable, Three, Tower, Or, Two, One and Disordered.

My heraldic channel on Satellite was https://satellite.earth/@as, but sadly, this social network didn't evolve properly.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent. Motto: «Fortificado por el Sol».

Heraldic device designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a sealed finishing.

The arms of Kevin Larkin from Ireland and Spain, designed, emblazoned, and sealed by me.

Design rationale

The creation of these arms has been guided by Kevin Larkin's life journey, connecting Ballinasloe, Dublin, London, and Alicante. Drawing inspiration from the heraldry of Ballinasloe, the armiger's hometown, and Alicante, his current residence, the design reflects significant elements from both places. Ballinasloe's arms feature a triple-towered castle, symbolizing the O Ceallaigh's historic stronghold and the area's legal traditions. Similarly, Alicante's arms prominently display a triple-towered castle, making it a natural unifying element for the design. The wavy lines represent the River Suck and River Shannon in Ireland above, and the Mediterranean Sea below. Adopting a traditional Spanish style for the arms aligns with Mr. Larkin's life in Spain, embracing its rich heraldic heritage and distinctive artistic symbolism.

Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy, In base and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.

Classification: Personal, Created, Design rationale, Boa, Sealed arms and Heraldic document.

Bearer: Larkin, Kevin.

Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.

This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and outlined by me. These arms have a representation of Our Lady of Mercy, celebrated on September 24^th. To identify Our Lady of Mercy, I chose two primary symbols: 1) The arms of the Order of Mercy on her chest, «per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules», and 2) the broken chains, symbolizing the redemption of captives, remember that the complete name of the order is the Royal, Celestial, and Military Order of Our Lady of Mercy and the Redemption of the Captives.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond and In pile reversed.

Style keywords: Outlined and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Vega Lanzagorta, Sister Esperanza.

Dyes

This tartan has more black and yellow because these are the color Sable-black and metal Or-yellow of my coat of arms. Also, it has the other two colors Gules-red and Azure-blue, and one metal Argent-grey of my crest.

Structure

Over the black background, its main visual structure is a thin red line, a thick yellow line, and a thin red line because of the flag of Spain.

It is mostly symmetrical tartan because I am a heraldic artist and I love the symmetry and geometry. But there is a bit of asymmetry, two thin lines grey and blue, to break the uniformity.

Thread count

It is based in the 5 first terms (1, 2, 3, 5, 8) of the Fibonacci sequence (1, 1, 2, 3, 5, 8, 13, 21, 34...). This sequence is intimately connected with the golden ratio, 1.61803... that I use frequently in my designs. But for the thread count, I multiple the Fibonacci sequence by 6 to obtain more than 5 inches, then I use the numbers 6=(1x6), 12=(2x6), 18=(3x6), 30=(5x6), and 48=(8x6).

Blazon keywords: Quarterly, Or, Sable, One, Letter, Two, Wolf, Passant, In pale and Number.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Freehand.

Classification: Tartan, Created and Personal.

Bearer: Salmerón Cabañas, Antonio.

Heraldic device designed by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.

This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.

Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Created, Boa, Standard and Flag.

Bearer: Liu-Lecomble, Laurent.

It has been emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.

G0076, Chief Herald of Arms of Malta's grant of Claes Zangenberg's standard, whose heraldic standard has been emblazoned by me. Structure: coat of arms; badge; 1^st line of the motto «Aliter»; crest; 2^nd line of the motto «Cogita»; badge.

Blazon keywords: Or, Vert, Gules, Argent, Carnation, One, Two, Motto and Crest.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Standard, Flag and Badge.

Bearer: Zangenberg, Claes.

Structure of this standard:

• His coat of arms.
• His badge.
• The 1^st line of his motto.
• His crest.
• The 2^nd line of his motto.
• His badge.

Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Vert, Seeded, Or, Two, Sword, In saltire, Hilted, Four, Wing, Motto and Wreath.

Classification: Personal, Interpreted, Standard and Flag.

Bearer: Breu, Stephan Urs.

Argent, a fess Gules between two Lions passant Azure, langued Gules.

I have interpreted this coat of arms with a semi-circular shape; tintures argent, gules, and azure; outlined with sable; and a iridiscent finishing.

Blazon keywords: Argent, One, Fess, Gules, Between, Two, Lion passant, Azure and Langued.

Style keywords: Semi-circular, Iridescent (nacar) and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Stauffenberg, Claus von.

Or, on a chevron, between three crosses flory Gules, three crescents Argent. Supporters: Two Lions rampant Or, langued and armed Gules.

Blazon keywords: Or, One, Chevron, Gules, Charged, Three, Crescent, Argent, Between, Cross, Flory, Supporter (animal), Supporter, Two, Lion, Rampant, Langued and Armed.

Style keywords: Outlined in sable, Pointed, Illuminated and Rough.

Classification: Personal, Created and Coat of arms.

Bearer: Rica II, Nick Allen.

Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or. Crest: Upon a helm with a wreath Or, Azure and Gules, a demi-pegasus Argent issuant from flames of fire Gules, fimbriated Or. Mantling: dexter Azure doubled Or, sinister Gules doubled Or. Supporters: Two lions rampant guardant Or, langued Gules, the one at dexter grasping in his sinister forepaw a quill Argent, the one at sinister grasping in his dexter forepaw a rolled scroll Argent, bearing a wax seal Gules, inscribed with the letters «MB» Sable. Warcry above the crest «Epimeleia Heautou». Motto: «Officium otium cum dignitate».

Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.

Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure, Embattled, Crest, Upon (wreath), Helm, Wreath, Demi, Pegasus, Issuant, Flame, Fimbriated, Mantling, Dexter, Sinister, Doubled, Supporter, Lion rampant guardant, Langued, Grasping, Forepaw, Quill, Rolled scroll, Inscribed, Letter, War cry, Above and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa, Coat of arms and Seal.

Bearer: Fernando Marán Bié.

Azure, a plough share points downward Argent between, upon a base enarched Vert, two bell towers Argent, port and window Sable.

This schema shows in 3 steps how I emblazon its coat of arms following the rule of 1/3 of the width of the coat of arms.

Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.

Style keywords: Ogee, Outlined in sable, Freehand, Outlined and Plain tincture.

Classification: Civic, Interpreted, Coat of arms and Schema.

Bearer: Csernely.

Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.

Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, Cannon, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.

Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.

Classification: Personal, Interpreted, Coat of arms and Schema.

Bearer: Lanzagorta Escutia, Miguel Francisco.

Quarterly: 1 Sable, an «o» Or; 2 and 3 Or, two Wolves passant, in pale Sable; 4 Sable, an «XI» Or. Crest: Upon a helm, with a wreath Or and Sable, a cross of Burgundy Gules, charged with three open books Argent, 1 and 2, leathered Sable, inner Gules, garnished Or, charged with twelve numbers «100 100 111 110 011 000 011 001 001 001 011 11» Azure, two in each page. Mantling: Sable doubled Or. Motto: «In principio erat Verbum» Argent over a scroll Azure, fimbriated Or.

Escudo cuartelado: 1^o de sable, una «o» de oro; 2^o y 3^o de oro, dos lobos pasantes, en palo de sable; 4^o de sable, un «XI» romano de oro. Timbrado de un yelmo, adornado de dos lambrequines de sable doblados oro, un burelete de oro y sable, cimado de una cruz de Borgoña de gules, cargada de tres libros abiertos de plata, 1 y 2, de tapas de sable, guardas de gules, filos de oro, cargados de doce números «100 100 111 110 011 000 011 001 001 001 011 11» de azur, dos en cada hoja. Lema: «In principio erat Verbum» de plata sobre una filacteria de azur, perfilada de oro.

Image of one of the web pages of the members belonging to The Heraldry Society where their coats of arms are shown, in this case mine with its blazon written in English, which can be consulted at http:;//TheHeraldrySociety.com/membersarms/antoniosalmeron.htm

New website design

Categories: Technology, Socioeconomic, Created, Personal, Semi-circular, Illuminated, Outlined in the field tincture, Freehand, Quarterly, Or, Sable, One, Letter, Two, Wolf, Passant, In pale, Number, Gules, Argent, Azure, Crest and mantling, Helm, Mantling, Wreath, Crest, On, Charged, Disordered, Cross, Cross of Burgundy, Cross couped, Book, Open, Motto, Scroll and Fimbriated.

Root: The Heraldry Society.

Heraldry videos

• Heraldic panther on the arms of the residential neighborhood of Centro, Val'Quirico, Tlaxcala, Mexico.
• Giclee for the arms of Carmela Mazzacuva, Marquise of Montebello, emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle designed by him emblazoned by me.
• The legal wafer of KZA Music Services of Laird Sky emblazoned by me in the certificate of his music academy.
• Heraldic document for the coat of arms of Lucas Cruz's family.
• The pennon of the residential village of Centro, Val’Quirico, Tlaxcala, Mexico, designed and emblazoned by me.
• ANPC - Egmont Overture This video shows how I emblazon the coat of arms of the ANPC of Spain.
• This video shows the coat of arms of Juan Lanzagorta Vallín designed by him and emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle emblazoned by me step by step.
• This video shows how I emblazon the coat of arms of Richard Arthur Brinnhard.
• Heraldic standard of Rudolf Juchter van Bergen Quast emblazoned by me.

Heraldic channel

My heraldic channel @antoniosheraldry at TikTok is tiktok.com/@antoniosheraldry.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.

Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2^nd and 3^rd quarters.

Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Trastámara, House of.

This portrait, attributed by the seller to Frans Pourbus the Younger, was described on the market as that of a Venetian lady holding a «Venetian Lace Fan» and was said to come from a private collection in Florence, Italy. More precisely, its sales title was «Portrait of a Lady with a Venetian Lace Fan c.1595, Remarkable condition 1597».

From a heraldic point of view, the work presents, as a significant element, a coat of arms of oval shape painted on the column accompanying the figure. Oval forms are often associated with the shields of married women; if this late-sixteenth-century shield originated, for example, in England, one could be more confident that there is a relationship between the oval shape of the shield and the lady depicted. Originating in Italy, and more specifically in Venice, this oval shape may have been chosen either because the sitter was a woman or simply as a matter of fashion, since in that period and region oval shields can also be found in ecclesiastical contexts and used by men, the oval then being regarded as a form more architectural and artistic than combative.

I became aware of this painting because I was asked by a university whether I could identify the coat of arms on the column. The identification of coats of arms in historical painting is a slow, uncertain task and, in most cases, an unproductive one. It may require hours, days, weeks or even years, and often does not lead to definitive results. For this reason, I generally try to avoid this type of research.

In this particular case, I was unable to identify it. However, coats of arms, once seen, remain in visual memory; that is precisely what they are designed to do. Twenty months later, while casually reviewing a series of heraldic records published by the Italian heraldist, «Vittorio|Gifra», one of them caught my attention at an unconscious level. I continued moving through the series, but an unmistakable sense arose that something relevant had been overlooked, which led me to go back and examine the entry again with care. At that moment, the lady with the Venetian fan and the coat of arms painted on the column of the portrait immediately came to mind.

The consulted entry stated verbatim: «Stemma famiglia #VOGANZI. @voganzi Arma: d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro. A.S.Mi. Reg. 0002: stemmario Marco Cremosano - 1673; [...] et anco di diverse Famiglie d’Italia, Vol. II°, p. n°333, posizione, 3^ fila e 3° stemma da sx a dx. [Cfr.: Archinto: «de #VOGANZA de Venetia» (I 13 V a)]. Vittorio Gifra. Lun01-12-2025».

Indeed, it had been found: the coat of arms on the column belongs to the Voganzi family of Venice, whose arms are, in Italian «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro» ~ in English «Azure, two tibiae proper in saltire, between four fleurs de lis Or» ~ in Castilian «escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro».

I then proceeded to document the finding and inform the interested parties.

In the Archinto, the form «Voganza» appears, referring to a specific individual or to the nominal origin of the lineage, in the singular; for example, «una dama de la casa Voganza». By contrast, in the stemmario by Marco Cremosano the form «Voganzi» is recorded, which corresponds to the plural commonly used to designate the collective body of members of the Voganza family. Taking into account that only about 70 years elapsed between the portrait (1597) and the stemmario (1673), it is plausible that at the time the painting was made the surname could already appear as «Voganzi» or in a very similar form. Although surnames do evolve over time, the interval considered is not one of centuries, but of 7 decades.

My most important doubt in this identification concerns the colour of the field; when I first saw it, I hesitated between sable and azure. It seemed too light to be sable, I thought; it could be azure, but it is not very azure, so in my notes I left it as: «either sable or azure».

When I depict elements in saltire, I usually give precedence to the bend over the bend sinister, so my natural inclination would be to place the tibia bendwise above the tibia in bend sinisterwise. In this case, however, I have placed the tibia bend sinisterwise above, in order to remain consistent with the coat of arms on the column. In any event, this is merely an artistic detail, with no relevance from the standpoint of heraldic description, which is the same in both cases.

Categories: Identification, Interpreted, Watercolor, Outlined in sable, Illuminated, Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.

200th Pope of the Church, from 1362 to 1370. «Urbanus V», born Guillaume de Grimoard, was born in Le Pont-de-Montvert, in the Languedoc.

Gules, a chief dancetty of four full points Or.

Escudo de gules, un jefe encajado de cuatro piezas enteras de oro.

Papal coat of arms interpreted with: a round-topped shield; the field in plain Gules; the chief indented, illuminated in metal Or, and outlined in Sable; and the whole design in hammered metal.

[Rietstap, J. B.; 1861] blazons it as Grimoard «de gueules, au chef émanché de quatre pièces d'or».

Blazon keywords: Gules, Chief, Dancetty, Or, Three and Two.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Religious and Papal States.

Bearer: Urban V.

Or, a port Or, with jambs, enarched lintel, and two open leaves, upon a three-step stairway Azure.

Escudo de oro, una puerta con jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de azur, aclarada de oro.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the lineages Uschiolo and Ustiolo, emblazoned by me following the blazon published by Vittorio Gifra in Italian: «Arma: d’oro, alla porta di due ante a timpano arcuato d’azzurro, scalinata di tre pezzi del medesimo e aperta del campo».

Blazon keywords: Or, Azure, One, Two, Three, Port, Arched, Enarched, Upon, Step, Stairway and Port and windows.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Uschiolo and Ustiolo, lineages.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised respectively by a crescent Argent and a mullet Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».

It has been interpreted by me, illuminated with lights and shadows, contoured in Sable, with an oval outer contour and with a texturized finishing.

The arms of Vittoria Pompili and Alessandra Pompili were presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included their coats of arms shown together with their blazons unified. They are from Italy. Their arms were registered by Dr Charles A. Gauci, Chief Herald of Arms of Malta (registers R0038 and R0039), and painted by me. The standard displayed below is that of their father, Grant G0066, from which both coats of arms derive through the appropriate marks of cadency.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Cadency, Crescent, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.

Style keywords: Outlined in sable, Illuminated and Oval.

Classification: Personal, Interpreted, Boa and Slide.

Bearer: Pompili, Vittoria.

Blazon of the lineage Voganzi in Venice

Azure, two tibiae proper in saltire, between four fleurs de lis Or

Escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro.

Illuminated and watercolor.

The blazon in Italian is «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro».

Blazon keywords: Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.

Style keywords: Watercolor, Outlined in sable and Illuminated.

Classification: Personal, Lineage, Interpreted and Coat of arms.

Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules.

Escudo de sable, un cabrio de plata con tres puntas de lanza de gules; en jefe, dos cabezas de unicornio arrancadas de plata, cabelladas y acornadas de oro, lampasadas de gules; en punta, una pila de oro, saliente del cabrio, cargada de una cabeza de unicornio de sable, lampasada de gules.

Illuminated and a watercolor finishing.

Note that it is a pile bacause it does not touch the border of the shield.

Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One and Pile.

Style keywords: Outlined in sable, Pointed, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Wright, Charles F. M..