In base

Azure, on waves of the sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or. Supporter behind the shield: A linden eradicated Sable, leaved Vert, fructed Or.

Coat of arms devised by me, illuminated with lights and shadows, with a pointed external shape and with a freehand finishing.

Blazon keywords: Azure, Argent, Or, Gules, Sable, Vert, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book, Clasped, Supporter (thing), Supporter, Behind the shield, Linden, Tree, Eradicated, Leaved, Fructed, Motto and Scroll.

Style keywords: Illuminated, Pointed and Freehand.

Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.

Bearer: Strategy Department of Consultoria.IO.

Registered by The International Register of Arms, 28^th of July of 2015, Registration umber 0344, Volume 2.

Categories: Armorial roll, Vert, Party per chevron, Or, In chief, Sackbut, Fesswise, In base, Thistle, Seeded and Purpure.

Root: The Armorial Register.

Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent. The shield is surrounded by an annulet Argent inscribed in chief with the motto «Linaje Lanzagorta Otxoa» and in base with «2Ð3H · Iker · 1985» Sable.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.

Blazon keywords: Vert, Argent, Or, One, Two, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief, Adze, Surrounded, Annulet, Fimbriated, Inscribed, In base and Motto (identification).

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Lanzagorta Ochoa, Iker.

Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced. The shield is surrounded by an annulet Argent inscribed in chief with the motto «Linaje Lanzagorta Otxoa» and in base with «3Ð3H · Ángeles · 1987» Sable.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.

Blazon keywords: Argent, Sable, Azure, One, Chevron, Ouroboros, Armed, Langued, Interlaced, Surrounded, Annulet, Fimbriated, Inscribed, In chief, In base and Motto (identification).

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Lanzagorta Ochoa, Ixai.

Azure, a sun in splendour, irradiated of sixteen ears of wheat Or. The shield is surrounded by an annulet Argent inscribed in chief with the motto «Linaje Lanzagorta Otxoa» and in base with «4Ð5H · Ángeles · 1984» Sable.

Arms emblazoned by me, in flat tinctures, outlined in Sable, with an oval outer contour and with a texturized finishing.

Coat of arms of María de los Ángeles Carrillo Padilla designed by her and her her father-in-law Juan Lanzagorta Vallín, and emblazoned by me with an oval shape.

Blazon keywords: Azure, Or, One, Sixteen, Sun in splendour, Irradiated, Ear of wheat, Wheat, Surrounded, Annulet, Fimbriated, Inscribed, In chief, In base and Motto (identification).

Style keywords: Outlined in sable, Plain tincture and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Carrillo Padilla, María de los Ángeles.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a label of three-point for difference. Crest: Upon a helm befitting his degree as the heir to a Barony issuant from a crown of Noble above the shield, with a wreath Or and Azure, a demi-lion Azure, issuant from a crown of Baron, langued Gules, wings displayed, armed, crowned with an ancient coronet, and grasping in its claws by its lowest point a mullet of six points Or. Mantling: Azure doubled Or. Motto: «Per audacia ad astra».

R0033, Chief Herald of Arms of Malta's register of Antonio Pompili's arms, whose full achievement has been emblazoned by me for such register. These arms have been included in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 175] as shown in the photograph of the image.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Debruised, Label of three points, Cadency, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Crown of Baron, Above the shield, Wreath, Demi, Lion, Langued, Winged, Displayed, Armed, Crowned, Ancient coronet, Grasping, Claw, Mantling, Doubled and Cross.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Pompili, Antonio.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper. Motto above the arms: «Del Fabbro Universidad» Gules.

Escudo de azur, flanqueado curvo de plata: en jefe, un libro abierto de oro, hojado de plata; en punta, un roble arrancado de plata, frutado de oro; en cada flanco, una antorcha de sinople, encendida al natural. Divisa sobre el escudo: «Del Fabbro Universidad» de gules.

Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finish.

Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed, Proper, Motto (identification) and Above the shield.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Escutcheon Argent, in base a trimount, in chief a pair of open pliers bend sinisterwise proper.

Heraldic device emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.

G0076, Chief Herald of Arms of Malta's grant of Claes Zangenberg's badge, whose heraldic badge has been emblazoned by me.

Blazon keywords: Argent, One, Escutcheon, In base, Trimount, In chief, Open, Pair of pliers, Bend sinisterwise and Proper.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Zangenberg, Claes.

Azure, upon a sea in base an anchor palewise Or entwined by a dolphin Argent; chapé ployé Gules, two fleurs de lis Or.

Escudo de azur, sobre un mar moviente de la punta, un ancla puesta en palo de oro entrelazada de un delfín de plata; cortinado curvilíneo de gules, dos flores de lis de oro.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.

G0087, Chief Herald of Arms of Malta's grant of Germano Catanzaro arms, whose coat of arms has been emblazoned by me. The English «chapé» is «cortinado» in Castilian, and the English «chapé ployé» is «cortinado curvilíneo» in Castilian; both English terms are of French origin. «Chapé» and «chapé ployé» must issue from the upper edge of the chief. If the division issues from the centre of the shield and is curved, in English it is termed «party per chevron ployé» and in Castilian «mantelado en punta curvilíneo».

Blazon keywords: Azure, Or, Argent, Gules, One, Two, Upon, Sea, In base, Anchor, Palewise, Interlaced, Dolphin, Chapé ployé and Fleur de lis.

Style keywords: Colour on colour, Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Catanzaro, Germano.

City of Ceuta, Spain, Africa

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1.

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta

Illuminated and a leather finishing.

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three and In base.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Spain.

Bearer: Ceuta.

Party per chevron Gules and barry wavy Argent and Azure, in chief two Dogwood flowers (Cornus Florida) proper, in base a Cross of Saint Chad Gules. Motto: «Ich Mache Rechte».

Escudo de gules, mantelado en punta fajado ondado de plata y azur, en jefe dos flores de cornejo florido (Cornus Florida) al natural y en punta una cruz de san Chad de Mercia de gules. Lema: «Ich Mache Rechte».

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.

Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Krouse, Chad Michael.

Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules. The shield is surrounded by the Golden Fleece.

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.

Arms of Charles, Holy Roman Emperor, emblazoned by me. In English heraldry, the term supporters is used in a general sense, whether the supporters are animals, inanimate objects, plants or human figures. There is no strict terminological distinction based on the nature of the supporting figures. In Castilian heraldic tradition, by contrast, a more precise terminology is employed. The term «soportes» is used when the supporters are animals, «sostenes» when they are objects (such as columns or weapons) or plants (such trees), and «tenantes» when the figures supporting the coat of arms are human in form. In addition, inanimate supporters are relatively common in Castilian heraldry, whereas they are much rarer in English heraldry. There is also a difference in blazoning practice in the case of columns. In English, the shaft of the column is treated as the primary element, and the tinctures of the base and capital are then specified. In Spanish, the approach is the reverse: the column is described as a whole, stating its main tincture first, and then specifying that it is shafted in another metal. For example in this case: «Supporters: two columns Argent, capital and base Or» ~ «Sostenes: dos columnas de oro, fustadas de plata».

Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Two, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed, Scroll, Surrounded and Collar.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Charles V, Holy Roman Emperor.

Or, a roe deer springing Gules, in base a triple mount Vert.

Escudo de oro, un corzo brincante de gules, en punta un monte de tres peñas de sinople.

Tongues out

This is a reflection on tongues protruding in animals in heraldry. I will rely on the representations in [Fox-Davies, A. C.; 1909], which include numerous depictions of animals in a wide range of heraldic attitudes.

In heraldry, tigers [Fox-Davies, A. C.; 1909; figures 322–325], lions, wolves, bears, etc., are commonly shown with their tongues out. These are heraldic beasts and carnivores.

However, the fox [Fox-Davies, A. C.; 1909; figures 343–345] is not shown with its tongue out. It is classified as a heraldic beast and is also carnivorous.

The boar is an omnivore, a heraldic beast, and is depicted with its tongue out [Fox-Davies, A. C.; 1909; figures 353–358].

From this, it’s clear that having the tongue out is not uniformly associated with being a heraldic beast or being carnivorous.

On the other hand, [Fox-Davies, A. C.; 1909; figures 446–449] classifies eagles as birds, not beasts. They are carnivorous and shown with their tongues out.

Dolphins, which are carnivorous fish, are also depicted with tongues protruding [Fox-Davies, A. C.; 1909; figures 479–480].

Some heraldists claim that herbivores are never shown with their tongues out.

But donkeys, mules, and especially horses —all herbivores— can indeed be shown with tongues out. For example, [Fox-Davies, A. C.; 1909; figures 360 and 362] depict horses with tongues out, though figure 361, where the horse is running, does not. In no case are horses classified as heraldic beasts.

[Fox-Davies, A. C.; 1909; figures 368 and 370] show the talbot, the mythical heraldic dog, with its tongue out when rampant or passant, but not when standing or seated. This might suggest that a protruding tongue is related to dynamic postures. However, we saw in the previous paragraph that a running horse isn’t necessarily drawn that way.

The bull [Fox-Davies, A. C.; 1909; figures 375–376] is not depicted with its tongue out. Nevertheless, I do paint bulls with tongues protruding. And although bulls are herbivores, I defend the heraldic bull as one of the most beastly figures in heraldry.

Stags never appear with tongues out in any of their postures [Fox-Davies, A. C.; 1909; figures 379–386], nor do other cervids [Fox-Davies, A. C.; 1909; figures 387–390] as the roe deer of this coat of arms.

Rams, sheep, lambs, and goats also do not [Fox-Davies, A. C.; 1909; figures 395–403].

The badger, like the fox, is carnivorous [Fox-Davies, A. C.; 1909; figure 409], yet also lacks a protruding tongue.

In conclusion, a protruding tongue cannot be consistently associated with heraldic beasts or carnivores. Nor can the absence of a tongue be linked solely to herbivores or to peaceful postures. For instance, lions are always shown with tongues out, even in their calmest attitudes [Fox-Davies, A. C.; 1909; figures 304–309].

Ultimately, it is up to the heraldic artist to decide whether to depict the tongue, depending on what they want to express. Greater aggression, motion, or liveliness may justify a protruding tongue. As a symbol of liveliness and agility, in this case, but perhaps not in others, I paint this roe deer with its tongue hanging out.

Credits: Stephan Urs Breu is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount and Vert.

Style keywords: Outlined in sable, Semi-circular and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Rehberger, Alena.

Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Motto environing the columns and behind the shield: «Plus Ultra» Or over a scroll Gules.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.

Arms of the Kingdom of Spain emblazoned by me. On the arrangement of the crowns: a) Royal Decree 1511/1977, of 21 January, enacted during the so-called Transition and approving the Regulations on Flags and Standards, Guidons, Insignia and Distinctive Signs, states: «Rule No. 2. Coat of Arms of Spain… Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one…». b) The subsequent Law 33/1981, of 5 October, regulating the current coat of arms of Spain, likewise states: «…Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one». c) The term «superado» in the heraldic dictionaries in which it appears refers, as a synonym, to «surmontado». d) The definitions of «surmontado» include: «a charge which, at its upper part, has another above it but without touching it», «also said of superado», and «a figure that bears another above it, but without touching it». In light of a), b), c) and d), the two crowns should therefore be painted not touching the columns. However, in the illustrative drawing contained in Royal Decree 1511/1977 the crowns do touch the columns, contradicting its own wording, although in heraldry, when in doubt, the written blazon always prevails; and in most official representations the crowns do indeed touch the columns. Nevertheless, this personal interpretation of both the coat of arms of Spain and of the proper way to write its blazon, where the lateral crowns do not touch the columns, and then I decide that, following the same criterion, the central crown should not touch the shield either, so the result differs from the official version. The expression «waves Azure or blue and Argent», which appears both in the 1977 official definition and in the 1981 one, presents a double peculiarity: it combines the heraldic term «Azure» with the everyday term «blue», and it is also offered as an optional blazon, giving two alternatives, that the waves be only Azure, as I have painted them, or Azure and Argent; optional blazons are extremely rare and, in my view, perhaps not very advisable.

Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Two, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Imperial crown, Dexter, Sinister, Motto, Environed, Behind the shield and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Civic, Kingdom of Spain, Interpreted, Boa and Coat of arms.

Bearer: Spain, Kingdom of.

Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; an inescutcheon Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or.

The Commoners’ Certification of Arms for the House of Potts of Wentworth with its arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Inescutcheon, In pretence, In chief and In base.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Potts of Wentworth, House of.

Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or. Crest: A ribbon Azure doubled Argent.

The Commoners’ Certification of Arms for Kimberley Ann Potts of Stountenburg, a heraldic heiress, with her arms emblazoned by me.

Blazon keywords: Gules, Argent, Or, Azure, Six, One, Fleur de lis, In chief, Between, In fess, In base, Bordure, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Potts, Kimberley Ann.

Gules, a rose between in chief a key wards to dexter facing downwards, in base a key wards to sinister facing downwards Argent

The Commoners' Certification of Arms for Francisco Domingo Larrosa Gil with his coat of arms emblazoned by me. Alternative blazon used in the certification: Gules, a rose between two keys fesswise Argent, that in chief with wards to dexter, that in base with wards to sinister.

Blazon keywords: Gules, Argent, One, Rose, Between, In chief, Key, Dexter, Point upwards, In base, Point downwards and Sinister.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Larrosa Gil, Francisco Domingo.

Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.

Escudo partido: 1^o de gules, en punta un castillo de oro, aclarado de azur y mazonado de sable; 2^o de plata, en punta un león rampante de gules, coronado de oro; brochante sobre la partición una letra psi de gules; una filiera de oro.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finishing.

Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, where I was stationed during my military service. These arms were designed by my lieutenant colonel and friend Miguel Angel Nuñez Amador, and in this image, they have been emblazoned by me. The Crepsi was a pioneer in its functions: a) the identification of soldiers at psychological risk, among tens of thousands of soldiers, using advanced information systems, including Artificial Intelligence (an area where I contributed during my service in 1989), and b) the evaluation and individualized attention of soldiers at risk through mobile units. The Crepsi has provided trained personnel and methods that are being used for the psychological care of troops deployed to conflict zones and for the psychological care of civilians in massive humanitarian disasters such as terrorist attacks or plane crashes with hundreds of affected people.

Design rationale

The psi letter of psychology and the arms of the Central Military Region: Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. These two fields, in turn, Gules and Argent, charged with a castle triple-towered and a crowned lion, originate from the Kingdom of Castile and León. The diminished bordure is for difference.

Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Military, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Crepsi.

Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Crest: Upon helm Argent, barred Or a barred helm Or, a crown of Count. Mantling: On the dexter Vert doubled Or and on the sinister Gules doubled Or.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.

Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. «Crescent reversed» means that the points of the crescent are directed toward the base of the shield.

Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed, Mullet, Crest, Helm, Barred, Crown of Count, Crown, Mantling, Dexter and Doubled.

Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Onida, Gian Carlo.

Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent. Crest: Upon a helm with a wreath Or, Azure and Gules, five ostrich feathers Argent, Azure, and Gules. Mantling: On the dexter Gules doubled Argent and on the sinister Azure doubled Argent.

Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a rough finish.

Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship, Full sail, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Mantling, Dexter, Doubled and Sinister.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Dukat, family of Milos.

Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Crest: Upon a helm with a wreath Argent and Sable, a unicorn's head Argent, erased Gules, horned and crined Or, langued gules, charged upon the neck with three spears' heads cheveronwise Gules. Mantling: Sable doubled Argent.

Illuminated and a watercolor finishing, and the mantling and the wreath diapered with Chinapieria.

«An unicorn's head Argent, erased Gules» means that the unicorn's head are metal Argent, but the jagged edge of its base are gules.

Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile, Crest and mantling, Helm, Mantling, Wreath, Charged and Neck.

Style keywords: Outlined in sable, Pointed, Illuminated, Watercolor and Chinapieria.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Wright, Charles F. M..

Party per pale: 1 Vert, a compass rose Argent between, in chief a coronet Or, in base a Taino sun Or; 2 Sable, a Taino sun Or between, in chief a coronet Or, in base a compass rose Argent; overall a spear Or, headed Argent. Crest: A lynx couchant proper, langued Azure.

Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

Blazon keywords: Vert, Sable, Or, Argent, Azure, One, Party per pale, Compass rose, Between, In chief, Ancient coronet, Crown, In base, Sun, Overall, Spear, Shafted, Crest, Lynx, Couchant, Proper and Langued.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Cruz, family of Lucas.

Party per chevron Argent and Sable, two wings Gules, in base a compass rose Argent; on a chief Sable, three mullets Argent. Crest: Upon a wreath Argent and Sable, an eagle displayed Sable, armed and beaked Gules.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finishing.

Blazon keywords: Argent, Gules, Sable, One, Two, Three, Party per chevron, Wing, In base, Compass rose, Chief, Mullet, Crest, Wreath, Eagle, Displayed, Armed and Beaked.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Reed Jr., family of Roy L..

Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure. Crest: Upon a helm with a wreath Or and Azure, a cross of Lorraine patty Or. Mantling: Azure doubled Or. Motto: «Marche dans ta voie avec Dieu».

Arms designed by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me.

Design rationale

The leopards symbolize the family’s origin in Falaise, Normandy, as well as the nobility of heart to help those in need; their raised claw represents the ardor in striving to accomplish the proposed undertakings; their gaze forward stands for sincerity and honesty in daily actions; their walking in pair conveys the enduring unity of the family; and the gold of their skin reflects the purity of the soul, mirrored along the path of life. The Norman drakkar sailing westward symbolizes both the family’s journey to America in search of a new horizon and the quest for knowledge in science, technology, cosmology, theology, and the Universe itself. The oak acorns represent the Breton branch of the family and embody strength, perseverance, chivalry, kindness, loyalty, sacrifice, and faith. The motto proclaims that God may be our Master, Companion, and Guide, the Light along the path, and the Shield against adversity in life’s journey. The Cross of Lorraine honors Saint Joan of Arc, who bore it upon her standard.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise, Upon (wreath), Helm, Wreath, Cross of Lorraine, Patriarchal cross, Cross couped, Patty, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Normand Delfin, Jacques William.

Sable, a kapok tree eradicated and fructed between in base two lozenges Argent. Crest: Upon a helm with a wreath Argent and Sable, a dove grasping in its beak a mullet Argent. Mantling: Sable doubled Argent. Motto: «Antequam Glorificetur Humiliatur» Sable, with initial letters Gules, over a scroll Argent.

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a rough finish.

Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base, Lozenge, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Dove, Grasping, Beak, Mullet, Mantling, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Oyervides Ochoa, Luis Gerardo.

Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.

Coat of arms of Marilena Marinanza, Italy, emblazoned by me. These arms have been requested by her husband Andrea Tamburelli Lanzara di Pietragavina.

Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Marinanza, Marilena.

Design ideas

The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.

One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.

Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.

Gules, a fess vair between four water-bougets Or, two in chief and two in base.

Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.

Water-bouget

In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».

There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.

In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».

Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Interpreted, Schema and Coat of arms.

My heraldic Discord wall is The Discord Roll of Arms # Antonio.

Categories: Technology, Social networks, Party per pale, Vert, One, Compass rose, Argent, Between, In chief, Ancient coronet, Crown, In base, Sun in splendour, Or, Sable, Overall (line of division), Spear, Shafted, Helm, Mantling, Doubled, Wreath, Lynx, Couchant, Proper, Langued, Azure, Motto and Giclée.

Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules. The shield is surrounded by the Maestranza de Caballería de Castilla.

Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged, Crossbow, Surrounded and Decoration.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Anaya, Ernesto Juan.

Publication of my interpretation of the arms of His Majesty King Felipe VI with the Order of the Garter on the blog Twelve Lineages of Soria with the following text: Magnificent interpretation of the coat of arms of H.M. the King of Spain, with the Order of the Garter, made by the prestigious heraldist and member of the International Heraldry Society, Mr. Antonio Salmerón Cabañas.

Categories: Link, Or, Four, Pale, Gules, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Vert, Closed royal crown, Crown, Inescutcheon, Fleur de lis, Bordure, Enté, In base, Pomegranate, Proper, Seeded (pomegranate), Slipped and Leaved.

Root: Twelve Lineages of Soria.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Scheme of the arms of Fernando Durán Cabral de Melo e Alpoim y Ayala-Schiaffino. These arms have been certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León. Both the scheme and the arms have been emblazoned by me. This illustration shows this coat of arms and, around it, the coats of arms that compose it, arranged radially so as to make their integration into the greater shield visible; these are the arms of the Durán, Alpoim, Cabral, and Melo lineages, together with the central inescutcheon, which is the coat of arms of the House of Noronha, which quarters Portugal differenced by a baston Sable and the House of Trastámara.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, Fernando.

Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finish.

Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms have been emblazoned by me for this grant.

Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Spiteri Debono, Myriam.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a crescent Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an oval external shape and with a freehand finish.

R0039, Chief Herald of Arms of Malta's register of Vittoria Pompili's arms, Italy, whose full achievement has been emblazoned by me for such register.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Crescent, Cadency, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.

Style keywords: Outlined in sable, Illuminated, Oval and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Vittoria.

Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a crown of Noble. Mantling: Azure doubled Or. Motto: «Guallini».

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.

R0067, Chief Herald of Malta's register of the arms of Mario Antonio Guallini. These arms have been emblazoned by me for such register.

Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet, Disordered, Upon (wreath), Helm, Wreath, Crown of Noble, Crown, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Guallini, Mario Antonio.

Azure, in chief a label Or, and in base a fleur de lis Argent.

Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].

Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Gangoiti, lineage.

Tierced pallwise inverted Azure, Gules, and Sable; overall a chevron between, in the dexter of the chief, a mullet of six points, in the sinister of the chief a pair of scales, and in base an open book Or.

Terciado en perla invertida de azur, gules y sable; brochante sobre el todo un cabrio acompañado, en la diestra del jefe, de una estrella de seis puntas, en la siniestra del jefe, de una balanza, y en la punta, de un libro abierto todo de oro.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.

Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me.

Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book and Book.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Gittel Bas Reuven, Malka.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma]. Crest: A crown of Noble. Motto: «Biche délicate».

Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.

G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose full achievement has been emblazoned by me for such grant.

The arms of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and information about her grant.

Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet, In orle, Crest and mantling, Crown of Noble, Crown, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.

Classification: Personal, Interpreted, Coat of arms, Latin language and Slide.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert. Crest: Upon a helm, befitting the husband’s degree, with a wreath Or and Gules, an arm vambraced proper grasping a cross tau of olive wood in pale proper. Mantling: Gules doubled Or. Motto: «Fac maiora ne ulla facies».

G0093, Chief Herald of Arms of Malta's grant for the arms of Alessandro Giannelli and Mariana von Atzingen Gorga. These arms have been emblazoned by me for such grant. The image shows a composition of the coat of arms painted by me alongside the same coat of arms as published in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 102], «The Register of Arms, Volume 1 (2019–2024)».

Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base, Trimount, Crest, Upon (wreath), Helm, Wreath, Arm vambraced, Grasping, Cross tau, In pale, Mantling, Doubled and Motto.

Style keywords: Colour on colour, Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.

Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent. Crest: A helm befitting his degree with a mantle Gules lined Or, pleated in chief at both dexter and sinister, and bearing an Adelskrone held in its place by two men Sable, vested with feather skirts Gules, each standing on the shield, and holding in his outer hand a diagonally placed tournament spears, headed Argent, and issuant from the Adelskrone, between two elephants' trunks, the one at dexter Or, the one at sinister Gules, two ostrich feathers in saltire, the one bendwise Argent, and the one bend sinisterwise Sable.

This is the coat of arms of Johann Anton Freiherr von Quast. The image above shows the historical illustration as it appears in the «Freiherren-Diploma Johann Anton Freiherr von Quast, 1790, Bayerisches Hauptstaatsarchiv, Königlich-Bayerisches Heroldsamt, Bd. 20-1 nr. 26, Opvallend zijn de onmiskenbare verwijzingen naar het verblijf in de West», which can be consulted on the website juchtervanbergenquast.wordpress.com and below is my current interpretation of this coat of arms. In heraldry there are two kinds of tinctures: colours, for example Gules, Azure, and Sable, and metals, Or and Argent. There is also a heraldic rule of tinctures that states not colour on colour and not metal on metal. The vambraced arm was originally Azure over a Gules field, which is colour on colour and against the rule. I corrected it with the family’s permission by changing the vambraced arm to Argent, so now it is metal Argent on colour Gules, which is correct, and Argent is a good tincture for armory. For this reason, I also used Argent for the helm and for the tips of the tournament spear. The flags also show colour on colour, but they are decorative details and not important, and changing their colours would alter the ship’s nationality, which must remain as it is. It is possible that the Azure we now see originated from the fact that the arm vambraced , the spearheads, and the helm were originally depicted as iron or proper and that over the course of time this natural greyish tone gradually turned into Azure.

Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced, Talon, Crest, Helm, Mantle, Sinister, Lined, Crown, Male figure, Vested, Feather, Skirt, Upon, Hand, Spear, Issuant, Trunk (elephant), Ostrich feather, In saltire, Bendwise and Bend sinisterwise.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Interpreted, Boa, Collage and Flag.

Bearer: Quast, Johann Anton Freiherr von.

Argent, in base three bars wavy Azure, overall, an oak eradicated Vert, fructed Or, to its dexter a cauldron suspended from a branch, and in front of its trunk a boar passant Sable.

Escudo de plata, en punta tres burelas ondadas de azur, brochante sobre el todo, un roble arrancado de sinople, frutado de oro, a su diestra una caldera pendiente de una rama y atravesado a su tronco un jabalí pasante, ambos de sable.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Coat of arms emblazoned by me for the book by Professor Francisco Idareta Goldaracena titled «From Yraeta to Idareta: An Approach to the Origins of the Lineage and Its Evolution from Cestona to Navaz between the 14^th and 20th Centuries», [Idareta Goldaracena, F.; 2022; cover].

Blazon keywords: Azure, Argent, Vert, Or, Sable, Three, One, In base, Bar, Wavy, Overall, Oak, Tree, Eradicated, Fructed, Dexter, Cauldron, Suspended, Branch, In front (tree), Trunk, Boar and Passant.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Idareta Goldaracena, Francisco.

Azure, a pall couped Argent, its three arms charged with «es» Azure, within a triangle reversed Argent, its three arms charged with «no es» Azure, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre», in sinister chief, charged with «el Hijo», in base, charged with «el Espítiru», and one on the fess point, charged with «Dios» Azure; in chief a label of three points Argent.

Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de azur, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de azur, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre», en la siniestra del jefe, cargado con «el Hijo», en la punta, cargado con «el Espítiru» y uno sobre el corazón, cargado con «Dios» todo de azur; en jefe un lambel de tres pendientes de plata.

Imaginary coat of arms that I have interpreted with: a semicircular (round) base; its field illuminated in Azure; the rest illuminated in Argent and outlined in Sable; its letters in plain Azure ink; and the set with a rough finish.

Drawing a parallel between the coat of arms of Navarre that [[Menéndez Pidal de Navascués, F.; 1974]] transcribes for its original coat of arms as «Gules, a closed and pommetty carbuncle Or with an emerald...» I have characterized the pearl on the coat of arms as closed.

This is the imaginary coat of arms of the Holy Trinity with a label added for difference to the Son, to Jesus Christ.

Blazon keywords: Without divisions, Azure, One, Pall, Couped, Argent, Three, Charged, Letter, Within, Triangle, Reversed, Four, Plate, In the dexter chief, In the sinister chief, In base, In the fess point, Cadency and Label of three points.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Religious, Interpreted, Imaginary and Coat of arms.

Imaginary bearer: Jesus Christ.

Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or.

Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems leather.

These arms were designed by Felipe Trujillo Jimenez as a derivation of the primitive arms of Pons and Peneque lineages. The Pons lineage has canting arms: «Or, a three arch bridge issuant from base and throughout Sable». The blazon of the ancient arms of Paneque lineage is: «Azure, five fleurs de lis Or, in base two bars Argent».

Credits:

• Felipe Trujillo Jiménez is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess and Wavy.

Style keywords: Pointed, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Pons Paneque, Jonathan.

Party per pale Azur and Argent: a chevron between in chief a dressage horse salient, and in base three waves of the sea all counterchanged.

Escudo partido de azur y plata: un cabrio surmontado de un caballo de doma saltante y en punta tres ondas del mar, todo del uno al otro.

Coat of arms created with the following form: a pointed base; the field, the horse, the chevron and the sea are enamelled in plain Azure and Argent; the ordinary, chevron, and the 2 charges, horse and sea, are outlined of the field; the horse, in all its representations, is evirated, although this is something I have decided not to blazon; and the shield has a rough finish.

Canting arms

There are not many examples canting arms for 2 surnames, this is an example designed by me in Castilian: a dressage horse [called in Castilian «caballo de DOMA»], and [a conjunction that in Castilian is «y», that sounds «I»] a chevron [in Castilian «CAbrio»] over a sea [in Castilian «MAR»] in 2 pieces broken [in Castilian «ROTO»]. All the previous capital letters together sound «DOMA·I·CA MAR·ROTO» and the 2 surnames of the owner are DOMAICA MAROTO.

Women's arms

The arms of Juana María Domaica Maroto were presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). This presentation included her coat of arms together with the blazon text, and with its symbolism.

Blazon keywords: Azure, Argent, Party per pale, One, Horse, Chevron, Sea, Counterchanged, Above, Salient, Throughout and In base.

Style keywords: Illuminated, Outlined in the field tincture, Rough and Pointed.

Classification: Coat of arms, Canting, Created and Personal.

Bearer: Domaica Maroto, Juana María.

Argent, a stag springing, in base an acorn leaved and slipped proper, on a chief invected Gules, a sabre fesswise, point sinister proper, debruised by a rose Or, leaved Vert. Motto: «Iustitia per Ministerium» Sable, with initial letters Gules, over a scroll Argent.

Escudo de plata, un ciervo brincante, en punta una bellota frutada y hojada al natural; en un jefe acanalado de gules un sable puesto en faja, alterado al natural, resaltado de una rosa de oro, hojada de sinople. Lema: «Iustitia per Ministerium» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.

Blazon keywords: Argent, Gules, Or, Vert, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised, Rose, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Knox, Kelly Kathleen.

Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent.

Escudo de azur, un castillo partido de plata y oro, mazonado de sable, aclarado de azur, acompañado en jefe de dos fajas ondadas de plata, y en en punta de dos fajas ondadas de plata.

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finishing.

The arms of Kevin Larkin from Ireland and Spain, designed and emblazoned by me. Blazon in French: «D'azur à la tour partie d'argent et d'or, donjonnée de trois tourelles, maçonnée de sable, ouverte et ajourée du champ, accompagnée en chef et en pointe de deux jumelles ondées d'argent».

Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy and In base.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Larkin, Kevin.

Gules, a chevron, between in chief two fleurs de lis Or, and in base an escallop Argent. Motto: «Praemium Honor».

Escudo de gules, un cabrio de oro, acompañado en jefe de dos flores de lis de oro, y en punta de una venera de plata. Lema: «Praemium Honor».

Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finishing.

Blazon keywords: Gules, Or, Argent, One, Two, Chevron, Between, In chief, Fleur de lis, In base, Escallop and Motto.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Merante Critelli, Luigi.

Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper. Motto: «Live your Magic».

Credits: SkyL.designer and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout, Proper and Motto.

Style keywords: Outlined in sable, Pointed, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms and English language.

Bearer: Sparkles, Marie Unicorn.

The way of affirming by affirming.

Tierced per pale: 1 Vert, a mullet of eight points Or; 2 Gules, a potent Argent, in chief a mullet of eight points, in base a crescent Or; 3 Azure, a crescent Or.

Escudo terciado en palo: 1^o de sinople, una estrella de ocho puntas de oro; 2^o de gules, una potenza de plata, en jefe una estrella de ocho puntas, en punta un creciente ambos de oro; 3^o de azur, un creciente de oro.

Imaginary coat of arms of Logic made in the following way: with the semicircular (round) base shape; the field in plain colour Vert, Gules, and Azure; its 5 figures outlined in Sable and illuminated in metals Or and Argent; and made with a raised-stroke effect.

Blazon keywords: Tierced per pale, Vert, Gules, Azure, Mullet, Crescent, Or, Potent, Argent, In chief, In base and Motto (identification).

Style keywords: Illuminated, Outlined in sable and Freehand.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Logic.

Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable. Motto: «Primi entis» Sable, with initial letters Gules, over a scroll Argent.

International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 10], ISBN 978-1-8381483-0-0. The coat of arms of Nilda Ernestina Lucca de Anaya, designed by her son Ernesto Juan Anaya and emblazoned by me appears in this volume, while her son’s badge can be seen next to it on page 11, also painted by me.

Credits:

• Ernesto Juan Anaya is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Categories: Collage, Photographic, Art, Religious, Interpreted, Outlined in sable, Illuminated, Pointed, Coat of arms, Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Freehand, Crest and mantling, Galero, Cord, Tassel, Latin language, Scroll, Charged and Motto.

Root: Lucca de Anaya, Nilda Ernestina.

Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo cuartelado: 1^o y 4^o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2^o y 3^o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.

Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.

Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Noronha, House of.

Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.

Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.

Style keywords: Outlined in sable, Illuminated, Watercolor, Ogee, Double pointed and Testa di cavallo.

Classification: Religious, Created and Coat of arms.

Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.

Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.

Escudo adiestrado: 1^o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2^o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.

Design rationale

These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem. Following [Petra Sancta, S.; 1634; pages 417–418], in seventeenth-century academic emblematics the staff symbolizes the road understood as an intellectual journey, proper to a traveller who appears humble yet is rich in knowledge, while the gourd, which may seem empty, represents the wisdom preserved within it and from which learning ultimately emerges.

Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Peregrina Corona, Dolores.

Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or.

Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems leather.

This coat of arms was augmented with the Royal drum of the kingdom of Bunyoro-Kitara.

Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief and In base.

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Gummersbach, Peter Ferdinand.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a mullet Argent for difference.

Escudo de azur, dos tenazas de plata, en cada flanco del jefe dos estrellas de seis puntas de oro y en la punta un pino silvestre (Pinus sylvestris) arrancado al natural [concesión G0066]; brisado de una estrella de plata.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an oval external shape and with a freehand finishing.

R0038, Chief Herald of Arms of Malta's register of Alessandra Pompili's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper and Cadency.

Style keywords: Outlined in sable, Illuminated, Oval and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Alessandra.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper.

Escudo de azur, dos tenazas de plata, en cada flanco del jefe dos estrellas de seis puntas de oro y en la punta un pino silvestre (Pinus sylvestris) arrancado al natural.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.

G0066, Chief Herald of Arms of Malta's grant of Andrea Pompili's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Azure, Argent, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated and Proper.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Andrea.

Azure, two chevronels Argent between in chief below a baronial coronet for difference two mullets of six points Or, and in base a Scots pine eradicated proper.

Escudo de azur, dos tenazas de plata, en cada flanco del jefe dos estrellas de seis puntas de oro surmontadas de una corona de barón y en la punta un pino silvestre (Pinus sylvestris) arrancado al natural.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a rhombus outer contour and with a freehand finish.

G0099, Chief Herald of Arms of Malta's grant of Lia Pompili née Segatto's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Crown of Baron, Crown, Mullet, In base, Scots pine, Tree, Eradicated and Proper.

Style keywords: Outlined in sable, Illuminated, Rhombus and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Lia.

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, tres en jefe, uno en cada flanco y dos en punta

Illuminated and a leather finishing.

This coat of arms can be seen in [Avilés, T. de; XVI; página 16], [Bergshammars; 1440; page 4], [Lutzelbourg, N. de; 1530; page 37], and in [Gourdon de Genouillac, H.; 1889; page 247].

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Three, In chief, One, In each flank and In base.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Portugal.

Bearer: Portugal.

Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or. Crest: Upon a helm issuant from a crown of Noble above the shield a with a wreath Argent and Gules, a Cirneco dell’Etna hound passant proper, gorged of a collar of meanders motifs Azure and Argent. Mantling: Gules doubled Argent. Motto: «Pete ex Animo Sapientiam».

G0053, Chief Herald of Arms of Malta's grant of Giovanni de Bella's arms, whose coat of arms has been emblazoned by me. The image shows a composition of the coat of arms painted by me alongside the same coat of arms as published in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 65], «The Register of Arms, Volume 1 (2019–2024)».

Blazon keywords: Gules, Argent, Or, Azure, One, Two, Three, Fess, Between, In chief, Eight-pointed cross, Cross couped, Mullet, In base, Bendlet, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Dog, Gorged, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Bella, Giovanni de.

Party per chevron Azure and Or, in chief a fleur de lis Argent, in base four pallets Gules.

Escudo de azur, en jefe una flor de lis de plata, mantelado en punta de oro cargado de cuatro palos de gules.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a triangular curved external shape and with a metal and iridescent finishing.

The coat of arms of Ignasi Pujol was designed by him based on the ancient arms of the Pujol lineage and refined and emblazoned by me. In the English blazon, I used the term «pallet», which is the diminished pale, and in the Castilian blazon, I used the term «palo». However, in Castilian, the term «vara», which is a diminished pale, could have been used, writing «cuatro varas de gules» in the same style as it was written in English «four pallet Gules».

Blazon keywords: Azure, Argent, Or, Gules, One, Party per chevron, In chief, Fleur de lis, In base, Pallet and Pale.

Style keywords: Outlined in sable, Illuminated, Triangular curved and Metal and iridescent.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pujol, Ignasi.

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Motto: «Liberty Thru Industry».

Escudo de azur, dos flechas alzadas en sotuer acompañadas de, en jefe un creciente, en punta un libro abierto de todo de oro, hojado de plata inscrito de «Domus Virtus Felicitas» de sable. Lema: «Liberty Thru Industry.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

My heraldic channel on Satellite was https://satellite.earth/@as, but sadly, this social network didn't evolve properly.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Crest: Upon a helm, with a wreath Or, Vert, and Azure a falcon rising Or, langued Gules. Mantling: dexter Azure doubled Or, sinister Vert doubled Or.

Signet ring engraved in mirror and red wax seal impression, based on the design of the coat of arms of Jesús Angueira Duro from Galicia, created by him and me, and painted by me.

Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Falcon, Rising, Langued, Mantling, Dexter, Doubled and Sinister.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.

Classification: Personal, Created, Boa, Seal, Collage and Photographic.

Bearer: Angueira Duro, Jesus.

Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet» Sable, with initial letters Gules, over a scroll Argent.

Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.

Classification: Personal, Created, Boa, Sealed arms and Heraldic document.

Bearer: Luchoro and Darryn Carlo, Roberto.

Sable, a sun in splendour Or in the dexter chief, and a dexter hand couped at the wrist proper pointing thereto in the sinister base, and per chevron Argent three brach hound's heads couped Azure, 1 and 2. Motto: «Di Droimíní e Delle Alpi» Sable, with initial letters Gules, over a scroll Argent.

Heraldic device designed by me, highlighted with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a sealed finishing.

The arms of John Brady from Ireland, designed, emblazoned, and sealed by me. To write here his blazon I follow an Irish style.

Blazon keywords: Sable, Or, Argent, Azure, One, Three, Party per chevron, Dexter, Chief, Sun in splendour, Sinister, Hand, Couped, Wrist, Bendwise, Proper, In base, Brach hound, Dog, Head, Disordered and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Sealed.

Classification: Personal, Created, Boa, Sealed arms and Heraldic document.

Bearer: Brady, John.

Party per chevron Vert and Or, in chief a sackbut fesswise Or, in base a thistle slipped and leaved proper.

Escudo de sinople, mantelado en punta de oro, en jefe un sacabuche de oro puesto en faja, en punta un cardo de sinople, florido de púrpura.

Illuminated, freehand finishing, and the inner of the thistle is outlined in the metal Or of its field.

Note the different way of writing the blazon in English and Castilian, «...a thistle slipped and leaved proper» ~ «...un cardo de sinople, florido de púrpura».

Blazon keywords: Vert, Party per chevron, Or, In chief, Sackbut, Fesswise, In base, Thistle, Leaved, Slipped and Proper.

Style keywords: Freehand, Outlined in sable, Outlined in the field tincture, Illuminated and Pointed.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Sky, Laird.

Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.

Escudo de oro, una faja ajedrezada de plata, cargada de una cola de armiño, y azur, acompañada en jefe de dos cruces patadas de gules, en base de un cardo al natural; una filiera de azur.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.

Coat of arms of Reverend John Stuart, XVIII century, emblazoned by me.

Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Stuart, John.

Objectives and activities

The Heraldry Society of Scotland ~ «The Heraldry Society of Scotland», was founded in 1977. Its objectives are to promote the study of heraldry and to encourage its correct use both in Scotland and abroad.

The HSS (acronym for The Heraldry Society of Scotland) encourages those who have a coat of arms and those who intend to adopt their own arms to become members of the society and also encourages to join all those interested in Scottish heraldry, therefore the HSS admits and has members from all over the world.

The HSS holds active and regular meetings throughout the year and organizes conferences and visits to places of historical and heraldic interest, both within Scotland and in other countries.

Online content

They also maintain and update a website, whose domain is Heraldry-Scotland.co.uk, with interesting and abundant reading material, among which their list of online armorials with blazons in English stands out, among which the following armorials can be highlighted:

• Sir David Lindsay's Armorial from 1542, with 504 coats of arms and identification letters «DL», from «DL001» to «DL504». Includes imaginary coats of arms, for example, that of «DL011» of Hector of Troy which it imagines as «Sable, two lions combatant Or», which [Avilés, J.; 1725a; page 7] blazons with a Gules field, this difference would allow tracing the sources of each author, which would be interesting as it is, moreover, imaginary.
• Hamilton Armorial, from 1560, with 82 coats of arms they say, although only 79 appear, and identification letters «HM», from «HM001» to «HM079», where for example, «HM001» is the arms of Scotland «Or, a lion rampant Gules armed and langued Azure within a double tressure flory counter-flory Gules» and «HM026» is the insignia of Scotland «Or, a lion rampant within a double tressure flory counter-flory Gules».
• Queen Mary's Roll from 1562, with 204 coats of arms and identification letters «QM». from «QM001» to «QM204».
• Forman's Armorial from 1563, with 258 coats of arms they say, although only 247 appear, and identification letters «FAL», that is, from «FAL001», the arms of Scotland, to «FAL247».
• Slains Armorial from 1565, with 712 coats of arms they say, although only 638 appear, and identification letters «SL», that is, from «SL001» to «SL638».
• Armorial of Sir David Lindsay of the Mount, Secundus from 1599, with 285 coats of arms and identification letters «DLS».
• Seton Armorial from 1599, with 422 coats of arms and identification letters «SN», from «SN001» to «SN422».
• Dunvegan Armorial estimated to be around 1600, with 282 coats of arms they say, although only 52 appear, and identification letters «DV», only 2 digits and without leading zeros, from «DV1» to «DV52».
• Kings and Nobilities Arms, 2^nd volume from 1638, with 111 coats of arms and identification letters «KNB», from «KNB001», the arms of the King of Scotland, to «KNB111».
• Nisbet's A System of Heraldry published in 1722, with 2,608 coats of arms, according to my count, and which I reference as [Nisbet, A.; 1722], 1^st edition and [Nisbet, A.; 1816], for a later one that I have available. On the same page appears the blazon of Alexander Nisbet himself, in entry 1,926 according to my calculations, as «Argent, three boars' heads erased Sable within a bordure invected Gules», that is, «Argent: three boars' heads erased Sable; a bordure invected Gules» where «invected» ~ «acanalado» as opposed to «engrailed» ~ «angrelado».

I also find very interesting, for example, their pages on the basic principles of heraldic design, written by Doctor Patrick Barden.

Categories: Institution, Interpreted, Socioeconomic, Illuminated, Outlined in sable, Iridescent (nacar), Freehand, Semi-circular, Coat of arms, Without divisions, Azure, Saltire, Argent, Thistle, Couped (tree), In chief, In base, Inescutcheon and Gules.

Heraldry videos

• Heraldic panther on the arms of the residential neighborhood of Centro, Val'Quirico, Tlaxcala, Mexico.
• Giclee for the arms of Carmela Mazzacuva, Marquise of Montebello, emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle designed by him emblazoned by me.
• The legal wafer of KZA Music Services of Laird Sky emblazoned by me in the certificate of his music academy.
• Heraldic document for the coat of arms of Lucas Cruz's family.
• The pennon of the residential village of Centro, Val’Quirico, Tlaxcala, Mexico, designed and emblazoned by me.
• ANPC - Egmont Overture This video shows how I emblazon the coat of arms of the ANPC of Spain.
• This video shows the coat of arms of Juan Lanzagorta Vallín designed by him and emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle emblazoned by me step by step.
• This video shows how I emblazon the coat of arms of Richard Arthur Brinnhard.
• Heraldic standard of Rudolf Juchter van Bergen Quast emblazoned by me.

Heraldic channel

My heraldic channel @antoniosheraldry at TikTok is tiktok.com/@antoniosheraldry.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Illuminated and a rough finishing.

Blazon keywords: Gules, Cross, Or, Lily, Flower, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base, Two hands clasped, Motto and Motto (identification).

Style keywords: Rough, Outlined in sable, Illuminated and Pointed.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Trading Pro School.

Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.

Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2^nd and 3^rd quarters.

Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Trastámara, House of.

Azure, a chevron in base ensigned by a pelican in her piety Argent, vulned Gules, in base a mullet of eight points Argent. Motto: «Finis amoris ut duo unum fiant» Sable over a scroll Argent doubled Azure.

Escudo de azur, un cabrio en punta sosteniendo un pelícano en su piedad, desplegado de plata, ensangrentado de gules, en punta una estrella de ocho puntas de plata. Lema: «Finis amoris ut duo unum fiant» de sable sobre una filacteria de plata doblada de azur.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a parchment finish.

Coat of arms of Yaroslav Pototsky emblazoned by me under his directions. In some heraldic traditions, as in this case, it is the pelican that feeds its young with the blood from its chest; in other traditions, it is the heron. In all, it is a mystical symbol of supreme sacrifice.

Blazon keywords: Azure, Argent, Gules, Sable, One, Chevron, In base, Pelican in her piety, Pelican, Vulned, Mullet, Motto and Doubled.

Style keywords: Outlined in sable, Illuminated, Pointed and Parchment.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pototsky, Yaroslav.