Fernández-Xesta y Vázquez, E.; 2014b

Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-09-9, ISBN number immediately following its print edition, Legal Deposit M. 193-2014, deposit number immediately following its print edition, Madrid, 2014.

---

Also published in physical print format as [Fernández-Xesta y Vázquez, E.; 2014a] with a print run of 100 numbered and signed copies by the author.

---

Bibliographical reference of century XXI.

The author is Fernández-Xesta y Vázquez, Ernesto.

Bibliographical reference mentioned in the following article:

• Fernández-Xesta y Vázquez, E.; 2014a

External resource:

• Digital record in the National Library of Spain.

Fernando García-Mercadal y García-Loygorri, «Penas, Distinciones y Recompensas: Nuevas Reflexiones en torno al Derecho Premial», [Emblemata; 2010; pages 205-235], Volume 16^th, Aragonesa de Emblemática Magazine, ERAE, Fernando El Católico Institution, ISSN 1137-1056, Zaragoza, 2010.

---

Bibliographical reference of century XXI.

Classification: Article.

Author: García-Mercadal y García-Loygorri, Fernando.

External link:

• Paper at Emblemata.

Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.

Escudo adiestrado: 1^o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2^o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.

Arms designed by me, in flat tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.

Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.

Design rationale

These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem.

---

Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Peregrina Corona, Dolores.

Azure, a moon with human face environed by nine concentric annulets Argent.

The coat of arms of María Asunción de León González designed by Juan Lanzagorta Vallín and myself outlined by me.

---

Blazon keywords: Azure, Argent, One, Nine, Moon, With human face, Environed, Concentric and Annulet.

Style keywords: Outlined, Outlined in sable and Rounded trapezoid.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: María Asunción de León González.

Azure, a moon with human face environed by nine concentric annulets Argent.

Coat of arms designed by me, in flat tinctures, outlined in Sable, with a rounded trapezoidal external shape and with a texturized finishing.

The coat of arms of María Asunción de León González designed by Juan Lanzagorta Vallín and myself emblazoned by me.

---

Blazon keywords: Azure, Argent, One, Nine, Moon, With human face, Environed, Concentric and Annulet.

Style keywords: Outlined in sable, Plain tincture and Rounded trapezoid.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: María Asunción de León González.

Azure, a moon with human face environed by nine concentric annulets Argent.

Escudo de azur, una luna figurada circundada de nueve anilletes concéntricos, todo de plata.

Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a freehand finishing.

---

Blazon keywords: Azure, Argent, One, Nine, Moon, With human face, Environed, Concentric and Annulet.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: María Asunción de León González.

[Gules, a bend-fess Or], [Azure, a demi-bend-fess Or], and [Sable, a fess-demi-bend Or]

[Escudo de gules, una banda-faja de oro], [Escudo de azur, una semibanda-faja de oro] y [Escudo de sable, una faja-semibanda de oro]

The image shows three shields ending in an ogee arch and painted in plain tinctures.

I place «demi» at the beginning to signify that the first portion of the ordinary remains while the terminal portion is omitted; conversely, I place «demi» at the end to signify that the final portion is present while the initial portion is absent.

---

Categories: Bend-fess, Demi-bend-fess and Fess-demi-bend.

[Gules, a demi-pale-fess Argent], [Azure, a pale-demi-fess Argent], [Vert, a demi-fess-pale Argent], and [Sable, a fess-demi-pale Argent]

[Escudo de gules, un semipalo-faja de plata], [Escudo de azur, un palo-semifaja de plata], [Escudo de sinople, una semifaja-palo de plata] y [Escudo de sable, una faja-semipalo de plata]

The image shows four shields ending in an ogee arch and painted in plain tinctures.

I place «demi» at the beginning to signify that the first portion of the ordinary remains while the terminal portion is omitted; conversely, I place «demi» at the end to signify that the final portion is present while the initial portion is absent. In this way, a «demi-fess-pale» indicates that on the dexter side appears the dexter half of the fess, that is, its beginning, then follows the complete pale, and, finally, nothing continues beyond that point: the fess does not resume.

---

Categories: Demi-pale-fess, Pale-demi-fess, Fess-demi-pale and Demi-fess-pale.

Continue with: Gorges, Ralph de.