Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-08-2, ISBN number immediately preceding its digital edition, Legal Deposit M. 192-2014, deposit number immediately preceding its digital edition, Madrid, 2014.
Also published in digital PDF format on CD-ROM as [Fernández-Xesta y Vázquez, E.; 2014b] with a print run of 1000 copies.
Bibliographical reference of century XXI.
Classification: Castilian language.
The author is Fernández-Xesta y Vázquez, Ernesto.
Bibliographical reference mentioned in the following article:
External link:
Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-09-9, ISBN number immediately following its print edition, Legal Deposit M. 193-2014, deposit number immediately following its print edition, Madrid, 2014.
Also published in physical print format as [Fernández-Xesta y Vázquez, E.; 2014a] with a print run of 100 numbered and signed copies by the author.
Bibliographical reference of century XXI.
The author is Fernández-Xesta y Vázquez, Ernesto.
The following article cites this bibliographic reference:
External resource:
Fernando García-Mercadal y García-Loygorri, «Penas, Distinciones y Recompensas: Nuevas Reflexiones en torno al Derecho Premial», [Emblemata; 2010; pages 205-235], Volume 16th, Aragonesa de Emblemática Magazine, ERAE, Fernando El Católico Institution, ISSN 1137-1056, Zaragoza, 2010.
Bibliographical reference of century XXI.
Classification: Article.
The author is García-Mercadal y García-Loygorri, Fernando.
External link:
Registered by The International Register of Arms, 16th December 2024, Registration number 0712, Volume 4.
Category: Armorial roll.
External link:
Root: The Armorial Register.
Conference by Francisco Domingo Larrosa Gil, «The Administration House of the Pious Foundations of Cardinal Belluga y Moncada in the Town o f Dolores», sponsored by the University of Alicante, Archbishop Loazes Chair, Orihuela University Venue, coordinated by Dr. Gregorio Canales Martínez, Academic Coordinator of the Chair.
The main objective of the conference was to analyze and identify the coats of arms present on the façade of the former Administration House of the Pious Foundations of Cardinal Belluga y Moncada, located in the town of Dolores, Alicante. Through a historical and heraldic approach, the evolution of the property and changes in its ownership were detailed. Initially, the arms of the first Count of Pinohermoso, Juan Nepomuceno Mariano Roca de Togores y Escorcia, 1752–1794, who acquired the building after its disentailment, were identified. His coat of arms, featuring the cross of the Order of Malta, confirms his connection to this order as a Knight of the Sovereign Military and Hospitaller Order of St. John of Jerusalem, Rhodes, and Malta. This emblem does not appear in subsequent armorial bearings of holders of this title, securing its identification as belonging to the building's first noble owner. The transition of the property from its original association with Cardinal Belluga y Moncada to the House of the Marquisate of Rafal was then highlighted, possibly acquired by Antonia María de Heredia y Rocamora, 8th Marchioness of Rafal, or her son, Vicente Melo de Portugal y Heredia, 9th Marquis of Rafal, between the late 18th and early 19th centuries. Subsequently, the property was sold in 1927 to a merchant known as Don Juan del Arroz and, finally, demolished in 1960.
In the image, two photos of armorial stones from the Roca-Togores lineage and two delineations made by me, extracted from these armorial stones, which were presented during the conference.
Sable, a tyger rampant Argent; a bordure Argent charged with eight crosses crosslet fitchy Sable.
Escudo de sable, un tigre heráldico rampante de plata; una bordura de plata cargada de ocho cruces recrucetadas, fijadas de sable.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finishing.
Coat of arms of the Lord of South Clifton emblazoned by me. In heraldry, there are two types of tigers with specific names in both English and Castilian: the «tyger» in English I call «tigre heráldico» in Castilian, and the «tiger» in English I refer to as «tigre» in Castilian, omitting the Bengal qualifier that some authors use for the natural tiger. According to [Fox-Davies, A. C.; 1909; page 191, figures 322-325], the differences between these two representations are significant. The «tyger», or «tigre heráldico», is a fantastical animal, created from the imagination of medieval artists who were unfamiliar with the real animal but knew of its existence through distant descriptions. This heraldic tyger has a body resembling that of the natural tiger, but with a mane like that of a lion, a tufted tail, and a peculiar head that looks more like a wolf than a natural tiger. Additionally, it lacks the characteristic stripes of the Bengal tiger. Recall that the heraldic panther is also an example of a fantastical animal, breathing fire from its nose and ears and covered in colorful spots. On the other hand, the natural «tiger», identified as the «Bengal tiger» by [Fox-Davies, A. C.; 1909; page 191, figures 324-325], appears in heraldry later and is a more realistic depiction of the animal as it exists in nature.
Blazon keywords: Sable, Argent, One, Eight, Tyger, Rampant, Bordure, Charged and Cross crosslet fitchy.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: South Clifton, Lord of.
Sable, a tyger rampant Argent; a bordure Argent charged with eight crosses crosslet fitchy Sable. Motto: «Acta Non Verba» over a scroll Argent doubled Gules.
Escudo de sable, un tigre heráldico rampante de plata; una bordura de plata cargada de ocho cruces recrucetadas, fijadas de sable. Lema: «Acta Non Verba» sobre una filacteria de plata doblada de gules.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finish.
Coat of arms of the Lord of South Clifton emblazoned by me.
Blazon keywords: Sable, Argent, Gules, One, Eight, Tyger, Rampant, Bordure, Charged, Cross crosslet fitchy, Motto, Scroll and Doubled.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: South Clifton, Lord of.
Sigue por: Crest and mantling of the Lord of South Clifton.
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Ermine spot, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Moon, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Tyger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Water-bouget, Comb, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Mermaid, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Watercolor, Pointed, Armorial roll, Article, Bibliography, Boa, Bordure, Charged, Upon (wreath), Crest, Crown, Crown of Knight, Cross, Cross crosslet fitchy, Affronty, Outlined in sable, Doubled, Doctor, Coat of arms, Scroll, Lined, Personal, Gules, Illuminated, Interpreted, Mantling, Motto, Castilian language, Eight, Patty, Argent, Rampant, Sable, Issuant, Century XXI, South Clifton, Lord of, The Armorial Register, Tyger, One and Helm.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.