Emblemata; 1996

Baron of Valdeolivos Emblematic Chair, of the Fernando el Catolico Institution, of the Centre of Scientific Research (C. S. I. C.) and of the Government of Zaragoza, «Emblemata», Volume 2^nd, Emblemata Aragonese Magazine about Emblems (E. R. A. E.), 396 pages, 89 pictures, ISSN 1137-1056, Legal deposit Z.3.937 1996, printed by the Cooperativa de Artes Gráficas Librería General, Zaragoza, 1996.

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Bibliographical reference of century XX.

Classification: Magazine and Castilian language.

Author: Cátedra de Emblemática Barón de Valdeolivos.

External resource:

• Abstract in the Fernando el Catolico Institution.

Baron of Valdeolivos Emblematic Chair, of the Fernando el Catolico Institution, of the Centre of Scientific Research (C. S. I. C.) and of the Government of Zaragoza, «Emblemata», Volume 1^st, Emblemata Aragonese Magazine about Emblems (E. R. A. E.), 419 pages, 44 pictures, ISSN 1137-1056, Legal deposit Z.3.937 1996, printed by the Cooperativa de Artes Gráficas Librería General, Zaragoza, 1995.

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Bibliographical reference of century XX.

Classification: Magazine and Castilian language.

The author is Cátedra de Emblemática Barón de Valdeolivos.

External link:

• Abstract in the Fernando el Catolico Institution.

Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-08-2, ISBN number immediately preceding its digital edition, Legal Deposit M. 192-2014, deposit number immediately preceding its digital edition, Madrid, 2014.

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Also published in digital PDF format on CD-ROM as [Fernández-Xesta y Vázquez, E.; 2014b] with a print run of 1000 copies.

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Bibliographical reference of century XXI.

Classification: Castilian language.

The author is Fernández-Xesta y Vázquez, Ernesto.

The following articles cite this bibliographic reference:

• Fernández-Xesta y Vázquez, E.; 2014b
• García-Mercadal y García-Loygorri, F.; 2015

External resource:

• Digital record in the National Library of Spain.

Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-09-9, ISBN number immediately following its print edition, Legal Deposit M. 193-2014, deposit number immediately following its print edition, Madrid, 2014.

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Also published in physical print format as [Fernández-Xesta y Vázquez, E.; 2014a] with a print run of 100 numbered and signed copies by the author.

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Bibliographical reference of century XXI.

Author: Fernández-Xesta y Vázquez, Ernesto.

Here are the articles quoting this reference:

• Fernández-Xesta y Vázquez, E.; 2014a
• García-Mercadal y García-Loygorri, F.; 2015

External resource:

• Digital record in the National Library of Spain.

Fernando García-Mercadal y García-Loygorri, «Penas, Distinciones y Recompensas: Nuevas Reflexiones en torno al Derecho Premial», [Emblemata; 2010; pages 205-235], Volume 16^th, Aragonesa de Emblemática Magazine, ERAE, Fernando El Católico Institution, ISSN 1137-1056, Zaragoza, 2010.

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Bibliographical reference of century XXI.

Classification: Article.

The author is García-Mercadal y García-Loygorri, Fernando.

External link:

• Paper at Emblemata.

Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or.

Arms painted by me, in plain tinctures, outlined in Sable, and with a texturized finish.

Coat of arms of Amber Martinez, California, designed by her, improved by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me.

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Blazon keywords: Or, Azure, Four, Two, One, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point and Estoile.

Style keywords: Outlined in sable, Plain tincture and Corset.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Martinez, Amber.

Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or.

Escudo palado de cuatro piezas de armiños y oro, brochante sobre el todo dos flores de lis en faja de azur; entado en punta de azur, una estrella ondada de oro.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, and with a watercolor finishing.

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Blazon keywords: Or, Azure, Four, Two, One, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point and Estoile.

Style keywords: Outlined in sable, Illuminated, Corset and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Martinez, Amber.

Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or. Motto: «Miseris Succurrere Disco».

Escudo palado de cuatro piezas de armiños y oro, brochante sobre el todo dos flores de lis en faja de azur; entado en punta de azur, una estrella ondada de oro. Lema: «Miseris Succurrere Disco».

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, and with a watercolor finishing.

Coat of arms of Amber Martinez, California, designed by her, improved by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me. In general, when the dividing lines are diagonal, whether straight or curved, the traditional French terminology is preferred in English. When the dividing lines extend from chief to base and are straight, «Chaussé» ~ «Calzado» designates a partition in the form of a «V», whereas «Chapé» ~ «Cortinado» designates a partition in the form of a caret «^». When these same partitions are drawn with curved lines, the French adjective «ployé», meaning curvilinear, is added, giving «Chaussé ployé» ~ «Calzado curvilíneo», in the form of a «V», and «Chapé ployé» ~ «Cortinado curvilíneo», in the form of a caret «^», following the terminology proposed by [Sanz Lacorte, J.; 2007]. A second family of partitions originates at the centre of the shield. When their dividing lines are straight, the English terms «Party per chevron reversed» ~ «Mantelado en jefe» are used for a partition in the form of a «V» extending from the chief to the centre, whereas «Party per chevron» ~ «Mantelado en punta» designates a partition in the form of a caret «^» extending from the centre to the base, this latter being by far the most common of the partitions described here. When these central partitions are instead drawn with curved lines, the French terminology is again adopted: «Enté en chef» ~ «Entado en jefe» for a curvilinear partition in the form of a «V» extending from the centre towards the chief; «Enté en point» ~ «Entado en punta» for a curvilinear partition in the form of a caret «^» extending from the centre towards the base; «Enté en chef enhanced» ~ «Entado en jefe alzado» when the upper enté begins above the centre, approximately in the upper third of the shield, still forming a «V»; and «Enté en point abased» ~ «Entado en punta caído» when the lower enté begins below the centre, still forming a caret «^». As an additional distinction, «Chapé throughout» ~ «Capa» forms a straight caret «^», touching the chief and descending approximately to the middle of the flanks, whereas «Chapé ployé throughout» ~ «Capa curvilínea» has the same general arrangement and also forms a caret «^», but with curved lines. According to [Cadenas y Vicent, V. de; 2002; page 85], «entés» originate from the centre of the shield; when «Enté en chef» ~ «Entado en jefe» begins in the upper third of the shield it is described as «Enté en chef enhanced» ~ «Entado en jefe alzado», whereas when «Enté en point» ~ «Entado en punta» begins in the lower third it is described as «Enté en point abased» ~ «Entado en punta caído». Nevertheless, heraldic practice does not always follow this theoretical distinction. For example, the pomegranate representing the Kingdom of Granada in the arms of Spain is almost universally blazoned as «Enté en point» ~ «Entado en punta», although it is neither described as «Enté en point abased» ~ «Entado en punta caído» nor usually depicted as issuing from the exact centre of the shield, but rather from a noticeably lower position.

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Blazon keywords: Or, Azure, Four, Two, One, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point, Estoile and Motto.

Style keywords: Outlined in sable, Illuminated, Corset and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Martinez, Amber.

Continue with: Crown of Amber Martinez.