Jorge A. Vera-Ortiz, «Linaje emeritense de don Juan Antonio de Vera y Zúñiga, un pícaro conde genealogista y una creencia muy arraigada», Bulletin No. 257 of the Argentine Institute of Genealogical Sciences, pages 27 to 50, Buenos Aires, November-December 2009.
This article examines the lineage of Don Juan Antonio de Vera y Zúñiga, a count whose life and genealogical work are marked by both wit and controversy. The author, Jorge A. Vera-Ortiz, analyzes how deeply rooted beliefs about the lineage of this figure have influenced the historical perception of his legacy. In this way, from 1617 to 1635, the accumulation of studies that appeared exalting the lineage of the Count of La Roca is astonishing. These works were sometimes published under the names of well-known authors and genealogists, and sometimes under less familiar names, but many authors assume that these works were part of the fertile imagination of Juan Antonio de Vera y Zúñiga himself, who published them under pseudonyms to give them greater authority. The book [Mogrovejo de la Cerda, J.; 1636] would be an example of this practice.
Bibliographical reference of century XXI.
Classification: Article and Castilian language.
Author: Vera-Ortiz, Jorge A..
Bibliographical reference mentioned in the following article:
External resource:
Internal resources: A digital and partial transcription of this article..
Miguel de Cervantes Saavedra, «El Ingenioso Hidalgo Don Quijote de la Mancha», edition with illustrations by Gustavo Doré, engravings by H. Pisan, in 2 volumes, printed by Imprenta y Librería Religiosa y Científica del Heredero de Don Pablo Riera, Robador Street, 24 and 26, Barcelona, 1875.
The original edition of «El Ingenioso Hidalgo Don Quijote de la Mancha» was published in 1605, with the second part released in 1615.
This 1875 edition is notable for its elaborate illustrations by Gustavo Doré, a renowned French artist, and the detailed engravings by H. Pisan. The illustrations add a rich visual element to Cervantes' classic text, making this edition a significant artistic interpretation of the original work.
«—That knight you see over there with the yellow arms», Or,
«who bears on his shield a crowned lion,
bowed at the feet of a maiden,
is the valiant Laurcalco,
lord of the Silver Bridge;
the other with the golden flowered arms,
who bears on his shield three silver crowns on a blue field,
is the feared Micocolembo, grand duke of Quirocia;
the other with giant limbs,
who stands to his right hand,
is the never fearful Brandabarbarán de Boliche,
lord of the three Arabias,
who comes armed with that serpent's hide and
bears on his shield a door, which, according to legend,
is one of the doors of the temple that Samson destroyed when
he avenged himself on his enemies with his death.
But turn your eyes to the other side and
you will see before and in front
of the other army the always victorious and never defeated
Timonel of Carcajona, prince of New Biscay,
who comes armed with quartered arms,
blue, green, white, and yellow, and bears on his shield
a golden cat on a tawny field,
with an inscription that says «Miau»,
which is the beginning of his lady's name, who,
as they say, is the incomparable Miulina,
daughter of the duke Alfeñiquén of Algarve;
the other who presses down the back of that powerful steed,
who bears arms as white as snow and a shield white and
without any charges, is a novice knight, of French nation,
named Pierres Papín, lord of the baronies of Utrique;
the other who strikes the flanks with the iron-shod heels
of that painted and swift zebra and bears
the blue vair arms,
is the powerful duke of Nerbia, Espartafilardo del Bosque,
who bears as a charge on his shield an asparagus plant,
with an inscription in Castilian that says: «Tracks my fate».
And in this way, he went on naming many knights
from one and the other squadron that he imagined,
and to each of them, he gave
arms, colors, charges, and mottos on the spot,
driven by the imagination of his never-before-seen madness, and,
without stopping, he continued saying...».
Bibliographical reference of century XVII.
Classification: Castilian language and In black and white.
Author: Cervantes Saavedra, Miguel de.
Bibliographic reference mentioned in the following articles:
José Luís Patricio Vicente de Pando Villarroya, Doctor in Information Sciences by the Complutense University of Madrid, «Historical Sciences, Heraldic Terms», on-line publication, in the domine dictionariesdigitales.net registered on 11th of January of 2006.
The release date is taken from Archive.org, checking when this «Heraldic Glossary» appeared for the first time in the record log series.
It originally contains 676 heraldic terms without illustrations and 694 definitions. p>
Bibliographical reference of century XXI.
Classification: Dictionary and Castilian language.
The author is de Pando Villarroya, José Luís Patricio Vicente.
External link:
Jesús Sanz Lacorte, «Glosario Heráldico», on-line publication, in the domine armoria.info registered on July of 2004, about 2,650 heraldic terms, more than 2,350 illustrations, 288 pages, estimated size, designed by Bcdreams.com, Barcelona, 28th of May of 2007.
The release date is taken from Archive.org, checking when this «Heraldic Glossary» appeared for the first time in the record log series.
It contains more than 2,350 illustrations, in color and in black and white, outlined drawings, color shields and photographs. Some of the shields outlined in black and white belong to [Académie internationale d'héraldique; 1952], for example the following pictures:
Bibliographical reference of century XXI.
Classification: Dictionary and Castilian language.
Author: Sanz Lacorte, Jesús.
External resources:
Internal resources: SanzLacorteJ2007.ArmoriaGlosario.pdf.
Quarterly: 1 and 4 Azure, five Bezants in saltire; 2 and 3 Or, three hearts Gules ordered.
Escudo cuartelado: 1o y 4o de azur, cinco bezantes de oro en sotuer; 2o y 3o de oro, tres corazones de gules ordenados.
Interpreted coat of arms: with a semi-circular shape; illuminated with metal or and colors azure and gules; outlined with sable; and a freehand finish.
Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules and Ordered.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Fernández-Cortés y Fonseca, Javier.
Quarterly: 1 and 4 Azure, five Bezants in saltire; 2 and 3 Or, three hearts Gules ordered.
Watercolor finishing
Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules and Ordered.
Style keywords: Watercolor, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Fernández-Cortés y Fonseca, Javier.
Escudo cuartelado: 1o y 4o de azur, cinco bezantes de oro en sotuer; 2o y 3o de oro, tres corazones de gules ordenados. Lema: «Tan fuerte como valiente y leal es Cortés».
Acabado a trazo alzado
Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules, Ordered and Motto.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Fernández-Cortés y Fonseca, Javier.
Sigue por: Javier Fernández-Cortés y Fonseca, motto.
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Ermine spot, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Moon, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Tyger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Water-bouget, Comb, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Mermaid, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Watercolor, Article, Azure, Bezant and plate, Bezant, Bibliography, Five, Heart, Quarterly, Outlined in sable, Dictionary, In black and white, In saltire, Coat of arms, Fernández-Cortés y Fonseca, Javier, Genealogy, Personal, Gules, Illuminated, Interpreted, Motto, Castilian language, Semi-circular, Ordered, Or, Century XVII, Century XXI, Freehand and Three.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.