Enflamed

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper. Motto above the arms: «Del Fabbro Universidad» Gules.

Escudo de azur, flanqueado curvo de plata: en jefe, un libro abierto de oro, hojado de plata; en punta, un roble arrancado de plata, frutado de oro; en cada flanco, una antorcha de sinople, encendida al natural. Divisa sobre el escudo: «Del Fabbro Universidad» de gules.

Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a iridescent finish.

---

Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed, Proper, Motto (identification) and Above the shield.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Azure, two quills in saltire Argent, in chief an ancient coronet Or. Crest: Upon a wreath Or and Azure, a demi-lynx regardant Or, caped Azure, maintaining in dexter a lantern Azure, enflamed proper. Motto: «Да Живее Знаећето!».

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

The coat of arms of Dario Postolovski, Macedonia, emblazoned by me.

---

Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown, Crest, Upon (wreath), Wreath, Demi, Lynx, Regardant, Caped, Grasping, Dexter, Lantern, Enflamed, Proper and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Postolovski, Dario.

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblema, un escusón, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.

Its focus on heraldic art, along with its foundation in 1987, makes it a pioneering institution in this field on a global scale.

The Society of Heraldic Arts enjoys significant international recognition among heraldic artists, designers, and craftsmen, and its website is heraldic-arts.com.

Its members cover the full range of activities within heraldry for individuals, personal heraldry, public and private entities, socioeconomic heraldry, as well as municipalities, regions, etc., governance heraldry.

The Society of Heraldic Arts used to publish a quarterly magazine called «The Heraldic Craftsman», which was sent to all its members, but it is no longer in publication. The Society also provides advice on the correct use of heraldry to enhance corporate and personal identity.

---

Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Throughout (all sides).

Root: Society of Heraldic Arts.

Quarterly: 1 Argent, a bend Gules, overall a lion rampant Azure; 2 Azure, three crowns in pale Or; 3 Azure semé of bezants; 4 Argent, a salamander fesswise Azure, spotted Or, enflamed Or and Gules. Crest: Upon a wreath Argent and Azure, a rooster Gules, beaked and membered Or. The shield is surrounded by two oak branches Vert, fructed Or, tied with a ribbon Gules. Motto: «Quid Pro Quo».

Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.

---

Blazon keywords: Argent, Gules, Azure, Or, Vert, One, Three, Two, Quarterly, Bend, Overall, Lion, Rampant, Crown, In pale, Semé, Bezant, Salamander, Fesswise, Spotted, Enflamed, Crest, Upon (wreath), Wreath, Rooster, Beaked, Membered, Surrounded, Oak, Tree, Branch, Fructed, Tied, Ribbon and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Sanchez-Esteban, family.

Gules, a cross Argent charged with four ermine spots in cross Sable, in the dexter of the chief a lion’s head erased Or. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a chapeau Gules turned up ermine, a demi-lion, double queued Or, grasping in its dexter paw a pennon Gules, bearing a canton Azure, charged with a saltire Argent. Mantling: Gules doubled Argent. War cry above the crest: «ΑΛΑΛΑ ΑΛΑΛΑ». Motto: «Mieux vaut s’user que rouiller». Supporters: Two knights in three-quarter armour affronty proper, each holding with his outer hand a spear Argent bearing a banner, the dexter Sable, a panther rampant guardant Argent, incensed Or, collared, pendent therefrom a bell Azure, the sinister a banner barry of six Or and Azure, a canton Ermine, terraced Vert semé of Maltese Rock Centaury (Cheirolophus crassifolius) slipped proper.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.

G0116, Chief Herald of Arms of Malta's grant for the arms of Andrew Ronald McMillan Bell of Auchinreoch, United Kingdom. These arms have been emblazoned by me for such grant. The English term «terraced», sometimes used in blazon, is equivalent to the term «compartment». In Castilian blazon we use the term «terrazado», in this case as an element outside the shield, while «terrazado» also exists inside the shield in base.

---

Blazon keywords: Gules, Argent, Sable, Or, Azure, Vert, One, Four, Six, Cross, Charged, Ermine, In cross, Dexter, Chief, Lion, Head, Erased, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Chapeau, Demi, Double queued, Grasping, Canton, Saltire, War cry, Above the crest, Motto, Supporter (human form), Supporter, Knight, Affronty, Proper, Spear, Panther, Rampant, Guardant, Enflamed, Collar, Suspended, Bell, Barry, Compartment, Semé and Slipped.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms, Pennon, Flag and Banner of arms.

Bearer: McMillan Bell of Auchinreoch, Andrew Ronald.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma].

Escudo partido: 1^o de gules, una barra de oro, en punta un triángulo de plata cargado de un Sagrado Corazón de Jesús al natural, brochante sobre el todo un escusón de oro cargado de una banda de azur cargada de cinco fusos puestos en palo de plata [de Adriaensen]; 2^o de azur, una cierva sentada al natural, surmontada de una flor de lis de plata, rodeada de doce estrellas en orla de oro [concesión de Borbón-Parma].

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a rhombus external shape and with a freehand finish.

G0084: the coat of arms of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen, of France, as granted by the Chief Herald of Arms of Malta and emblazoned by me for this grant. These are not marital arms in which one part represents her husband and the other her own family. Both parts of the coat of arms belong to her in her own right: the dexter part derives from the Adriaensen family, her maiden name, while the sinister part comes from a grant by Bourbon-Parma. In the Malta Government Gazette, this legal-heraldic status is expressly described by the words «in her own right». The relevance of this clarification may vary from one heraldic jurisdiction to another. In some jurisdictions, women have historically had fewer opportunities to bear and transmit arms in their own right, and there are now efforts to move towards greater equality in entitlement, display and inheritance. In other heraldic jurisdictions, a woman bearing arms in her own right has long been established and is regarded as entirely normal. Even so, a coat of arms divided per pale can sometimes suggest marital arms at first glance, since impalement is so strongly associated with marriage in many heraldic traditions.

---

Blazon keywords: Gules, Or, Argent, Azure, One, Five, Twelve, Party per pale, Bend sinister, In base, Triangle, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Mullet and In orle.

Style keywords: Outlined in sable, Illuminated, Rhombus and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.

Escudo partido: 1^o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2^o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.

G0093: the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga, of Italy, as granted by the Chief Herald of Arms of Malta and emblazoned by me for this grant. In the 2^nd quarter, a trimount color Vert can be seen on a field color Gules, that is, color on color. In many heraldic traditions, a trimount color Vert should not be placed on a field color Gules. However, this is not universal; for example, the arms of Slovakia display a trimount color Azure on a field color Gules. There are other differences between heraldic traditions: in Polish heraldry, for instance, Sable is not regarded as a color but as a neutral tincture, neither metal nor color, and may therefore be placed upon color Gules. These arms, granted by the Chief Herald of Arms of Malta to Alessandro Giannelli and Mariana von Atzingen Gorga, belong to an Italian marriage, and similar combinations can be found in the Italian heraldic tradition. One example is the arms of the family of Prince Giuseppe Tomasi di Lampedusa, author of the novel on which Luchino Visconti's film Il Gattopardo is based. The heraldic beast that gave its name to both the novel and the film is itself shown above a trimount color Vert on a field color Azure: «D'azzurro al leopardo d'oro, illeonito, sostenuto da un monte di tre cime di verde cucito». The heraldic term «cucito», literally «sewn», equivalent to the French heraldic term «cousu», also in English, indicates precisely that a color has been placed upon another color. Some heraldists use this term and others do not. I personally like to use it because it makes clear that one is fully aware of the breach of this rule. In this case, for this particular blazon, I have followed more closely the terminology published for the grant in The Malta Government Gazette and have therefore not used the term «cousu» in the text of the blazon.

---

Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.

Style keywords: Colour on colour, Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.

I am the administer of the Facebook group Heraldic Artists Appreciation Society.

Welcome

Rules of the group

Society of Heraldic Arts, SHA, anuncios

Advertisements to promote the Society of Heraldic Arts among heraldic artists of this Facebook group.

---

Categories: Technology, Social networks, Diapered, Ermine, Blacksmith, Anvil, Hammer, Clarion, Lozengy, Estoile, Grand collar, Golden fleece, Inescutcheon, Enflamed, In orle, Flame, Irradiated, Line and Throughout (all sides).

Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules charged with eight crosses botonny Argent.

Escudo de plata, pendiente del jefe una lampara de aceite de tres cabezas de león arrancadas y aladas de sinóple; una bordura de gules cargada de ocho cruces botonadas de plata.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a watercolor finishing.

The coat of arms of Peter Iacobucci designed by him and, following David Lavery's directions, emblazoned by me.

---

Blazon keywords: Argent, Vert, Gules, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged and Cross botonny.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Iacobucci, Peter.

The first badge of Kimberly Louise Severson designed by her and emblazoned by me. I have painted 3 heraldic badges for Kimberly Louise Severson: the first featuring 2 Easter lilies and Aslan's paw print, the second featuring a cross bottony, and the third, rather than a heraldic badge, depicting her earliest personal emblem with a harp and other elements. This is her earliest personal emblem. The photograph shows the development of a painted harp created for Kimberly Louise Severson. The translucent tracing paper shows successive hand-drawn stages in the development of the artwork, while the finished digital rendering appears above in its final painted form. The image documents the progression from the hand-drawn drawings to the completed artwork.

---

Blazon keywords: Gules, Azure, Or, Argent, One, Letter, Incense burner, Censer, Enflamed, Harp and Bordure.

Style keywords: Outlined in sable, Illuminated and Square.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Severson, Kimberly Louise.

Design rationale

Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.

This is the coat of arms of the Congregacion del Oratorio de San Felipe Neri of Alcala de Henares, «Congregatio Oratorii Sancti Philippi Nerii - Complutum», designed and emblazoned by me following their ideas and directions.

It is based on their original seal and other elements of the Oratory:

• the cap from the altar,
• the flaming heart from the carved wood of the candelabrum of the Chapel of Saint Philip Neri, and
• the layout and composition from the grey cast iron of the pulpit.

---

Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Religious, Created, Coat of arms and Photographic.

Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.

Emblem of the Royal Spanish Academy

Emblemb Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or.

Emblema de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro.

Painted by me with a raised-stroke finish, with an oval shape and with a thin golden edge around it which is purely ornamental.

The Royal Spanish Academy, also known by its acronym RAE, is made up of 46 full members, all elected for life to occupy seats designated by letters of the Spanish alphabet.

In addition to the full members, the Royal Spanish Academy also has corresponding members and other associated members, which completes its structure as the main regulatory institution of the Spanish language.

---

Categories: Institution, Interpreted, Socioeconomic, Oval, Illuminated, Outlined in sable, Freehand, Emblem, Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules and Or.

Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 22^nd edition, Espasa Calpe, Madrid, 2001.

---

The DRAE's latest edition, the 23^rd, is from October 2014, but the current online version corresponds to the 22^nd edition with amendments incorporated until 2012.

This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española, with its crucible over a bonfire and its motto around it.

---

Bibliographical reference of century XXI.

Classification: Dictionary and Castilian language.

The author is Royal Spanish Academy.

Bibliographical reference mentioned in the following article:

• Cavalry Regiment Alcantara, royal crown

External resource:

• Real Academia Española: Diccionario.

Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 23^rd edition, Espasa Calpe, Madrid, 2014.

---

This bibliographic reference of the DRAE is illustrated with one of my interpretations of the emblem of the Real Academia Española. Oval emblem with its crucible over a bonfire, surmounted by a closed Royal crown and its motto «Limpia, fija y da esplendor», around the emblem in letters of Or on Azure.

---

Bibliographical reference of century XXI.

Classification: Dictionary and Castilian language.

Author: Royal Spanish Academy.

Here are the articles quoting this reference:

• Loubet del Bayle, Jean-Christophe
• Lozengy 5x6 and 6x7

External resource:

• Real Academia Española: Diccionario.

Alonso Zamora Vicente, «Historia de la Real Academia Española», Real Academia Española, Espasa Calpe, Madrid, 1999.

---

This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española. It is an oval emblem in Argent, with its crucible, also in Argent, over a bonfire of Gules and Or and surrounded by its flames, surmounted by a closed Royal crown with 8 arches, 5 of which are visible, and its motto, as originally written «Limpia, fixa, y da esplendor», around it.

---

Bibliographical reference of century XX.

Classification: Castilian language.

The author is Zamora Vicente, Alonso.

Bibliographical reference mentioned in the following article:

• Royal Spanish Academy, emblem

External link:

• Real Academia Española.