Sejant

[Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent]; [Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules]; [Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced]; [Azure, a sun in splendour, irradiated of sixteen ears of wheat Or]; [Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent]; [Or, four bell towers issuant from base Gules, windows Or]; [Or, a sun in splendour party per pale Azure and Argent, its rays Azure; a bordure Azure]; [Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable]; [Argent, a multi-rose, which is a rose charged with ten roses conjoined in orle Rose, barbed Vert, seeded Or; a bordure Azure]; and [Or, an eagle displayed Azure].

Poster with the coats of arms of the members of the Lanzagorta Otxoa family, from Jalisco, Mexico, all designed by their bearers and by Juan Lanzagorta Vallín and emblazoned and signed by me, exhibited at the 5^th International Congress of Genealogy and Heraldry (5^th ICGHV), Vilnius. The 5^th ICGHV was held at the historic National Museum - Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas. This family armorial composition presents ten personal coats of arms, each one created for a specific member of the family, while preserving a shared visual and heraldic language. The arms are those of Iker Lanzagorta Ochoa, Teresa Otxoa Magaña, Ixai Lanzagorta Ochoa, María de los Ángeles Carrillo Padilla, Itziar Lanzagorta Ochoa, Alejandra Espeja Amieva, the youngest granddaughter of Jon Lanzagorta Vallín, Juan Lanzagorta Vallín himself, the eldest granddaughter of Jon Lanzagorta Vallín, and Andrés Cruz Carballo.

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Blazon keywords: Vert, Argent, Or, One, Two, Azure, Sable, Gules, Sixteen, Four, Rose, Ten, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief, Adze, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed, Udder, Chevron, Ouroboros, Langued, Interlaced, Sun in splendour, Irradiated, Ear of wheat, Wheat, Semé, Mullet, Voided, Conjoined, Bell tower, Issuant from base, Port and windows, Party per pale, Ray of the sun, Bordure, Masoned, Wolf, Combatant, Charged, In orle, Barbed, Seeded, Eagle and Displayed.

Style keywords: Outlined in sable, Plain tincture, Semi-circular, Oval, Ogee, Rhombus and Rounded trapezoid.

Classification: Personal, Interpreted, Boa and Photographic.

Bearer: Lanzagorta Vallín, Juan.

Quarterly Or and Argent, overall a peacock in his splendour proper. Crest: Upon a wreath Or and Azure, a god Garuda sejant Or, crowned and vested azure.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finish.

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Blazon keywords: Argent, Or, Azure, One, Quarterly, Overall, Peacock, In his splendour, Proper, Crest, Upon (wreath), Wreath, Garuda, Sejant, Crowned and Vested.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Valecha, Ajay Gopal.

Quarterly Or and Argent, overall a peacock in his splendour proper. Crest: Upon a helm with a wreath Or and Azure, a god Garuda sejant Or, crowned and vested azure. Mantling: Azure doubled Or. Motto: «Acquiescere et Miserescere».

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finish.

Coat of arms of Ajay Gopal Valecha granted by the College of Arms, and emblazoned by me. Grant of arms and crest for Ajay Gopal Valecha of the City of Westminster, issued by Garter and Clarenceux Kings of Arms, dated 2^nd November 2020, reference 183/76.

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Blazon keywords: Argent, Or, Azure, One, Quarterly, Overall, Peacock, In his splendour, Proper, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Garuda, Sejant, Crowned, Vested, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Valecha, Ajay Gopal.

Argent, a lion sejant erect Purpure.

Escudo de plata, un león sentado de púrpura.

Imaginary coat of arms of King Fernando II of León, which I have developed based on his seal and the arms of his successor, with: the shape of the coat of arms is semi-circular; the field enameled in flat argent; the lion enameled in purpure and illuminated; and the whole rendered with a watercolor finish.

For this imaginary coat of arms I have chosen a representation of the lion in a posture similar to that of the great seal appearing in [Fernando II de León; 1167], which is sejant ~ «sentado» in Castilian, although beginning to rise «sejant erect».

It should be noted that we are in a pre-heraldic period where the possible attitudes of the lion were not yet clearly defined, although several of them are already anticipated in the great seals of Fernando II, as can be seen, for example, passant in [Fernando II de León; 1181] and in other attitudes in the photographs of [Martín Fuertes, J. A.; 2002].

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Blazon keywords: Without divisions, Argent, Lion, Purpure and Sejant.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.

Classification: Interpreted, Imaginary, Coat of arms and Kingdom of León.

Imaginary bearer: Ferdinand II of Leon.

Born in 1137, King of León from 1157 to 1188, died in Benavente on January 22, 1188.

Round seal, a lion sejant. Circular motto: «Signum Fernandi Regis Hispanorum».

Sello rodado, un león sentado. Divisa circular: «Signum Fernandi Regis Hispanorum».

Existing seal interpreted by me as follows: the shape of the seal is circular; the legend is written within an outer black border; inside, a seated lion, not so much rampant and even less passant; the whole rendered in flat sable ink; and the result glazed with azure ink.

I use the term "legend" for its identifying purpose regarding King Fernando II of León; note that among the terms motto, legend, device, and war cry, all referring to texts in the blazon, different nuances and meanings can be found.

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Blazon keywords: Without divisions, One, Lion, Sejant and Motto (identification).

Style keywords: Round, Plain tincture and Sealed.

Classification: Interpreted, Personal, Seal and Kingdom of León.

Bearer: Ferdinand II of Leon.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma]. Crest: A crown of Noble. Motto: «Biche délicate».

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a rhombus external shape and with a freehand finishing.

G0084: the coat of arms of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen, of France, as granted by the Chief Herald of Arms of Malta and emblazoned by me for this grant. In this case, my way of drafting the blazon in English and in Castilian is not exactly the same. In English, when a tincture is specified after several charges or ordinaries that have not yet been assigned one, that tincture applies to all the preceding elements concerned; here, Or applies both to the bend sinister and to the inescutcheon. In Castilian, on the other hand, I do not need to state expressly that the inescutcheon lies over the bend sinister. The bend sinister crosses the centre of the shield, while the inescutcheon, approximately one third of the width of the field, is itself placed centrally. A heraldic artist will therefore understand that the inescutcheon necessarily lies over the bend sinister. By its size and position, it cannot cover the triangle or the Sacred Heart of Jesus, which are placed in base. In the blazon, I specify in square brackets the origin of each part of the arms. In this case, the two halves have different origins: the dexter half is familial, indicated as «[for Adriaensen]», while the sinister half derives from a specific grant, indicated as «[granted by Bourbon-Parma]». I use these notes to distinguish clearly between inherited family arms and arms originating in a particular grant.

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Blazon keywords: Gules, Or, Argent, Azure, One, Five, Twelve, Party per pale, Bend sinister, In base, Triangle, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Mullet, In orle, Crown of Noble, Crown and Motto.

Style keywords: Outlined in sable, Illuminated, Rhombus and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma].

G0084: the coat of arms of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen, of France, as granted by the Chief Herald of Arms of Malta and emblazoned by me for this grant. The image combines a photograph of a drawing of a doe sejeant along with her coat of arms, both painted by me. The figures, especially natural charges, are drawn by my hand. I trace them directly in black ink, without preliminary pencil sketches, using strokes as long as possible and trying not to lift the pen, with fine technical pens and without passing twice over the same line. This method produces long, flowing lines that seem to move freely around the figure, but it has one obvious disadvantage: mistakes and retracing are difficult to conceal. When something goes wrong, I usually prefer to complete the whole figure first, so that I can assess the final result and identify any difficult points that may arise towards the end of the drawing. I then draw the entire figure again on a fresh sheet of translucent tracing paper, using the previous version only as a visual guide. It is quite normal for me to repeat this process several times until I obtain a result that satisfies me. This doe is particularly characteristic of my way of drawing natural figures. Curiously, unlike its final appearance in the coat of arms and unlike my usual working orientation, I originally drew it facing the sinister side of the shield and later reversed it digitally before incorporating it into the arms. If the errors are small, however, I do not redraw the whole figure by hand. This may be the case when a line has gone slightly beyond another instead of stopping at it, when my hand has fallen a little short, or when a stroke has wandered away from where I intended it to go. In this photograph, for example, a small imperfection of this kind can be seen on the front leg close to the hoof. Once the drawing has been digitized, I correct these minor defects digitally. Curiously, this cleaning stage usually takes me longer than the original hand drawing. Contrary to what one might expect, at least in my own way of working, the manual part of the process is considerably faster than the digital one.

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Blazon keywords: Gules, Or, Argent, Azure, One, Five, Twelve, Party per pale, Bend sinister, In base, Triangle, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Mullet and In orle.

Style keywords: Outlined in sable, Illuminated and Rhombus.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or. Crest: Upon a helm lined Gules, its bevor charged with a Latin cross patty and pierced with a Latin cross, and with a wreath Argent and Gules, a dexter winged forepaw Or, grasping an escutcheon quarterly: 1 Azure, a god Garuda sejant Argent; 2 Gules, a castle triple-towered Or, masoned Sable; 3 Argent, six pallets Gules; 4 Azure, five plates. Mantling: Gules doubled Argent. Motto: «Audacia,Veritas et Libertas».

Coat of arms of the family of Rui J. Vaz, US, designed by him and emblazoned by me. The image shows the arms with and without the motto, with and without the scroll, and 4 different ways of painting the scroll to see how it harmonizes more with the tilted shield, with the last one being chosen.

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Blazon keywords: Azure, Gules, Argent, Or, One, Six, Five, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Quarterly, Garuda, Sejant, Castle, Triple-towered, Masoned, Pallet, Plate, Mantling, Doubled, Motto and Scroll.

Style keywords: Tilted shield, Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Vaz, Rui J..

Coat of arms of the family of Rui J. Vaz, US, designed by him and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or. Crest: Upon a helm lined Gules, its bevor charged with a Latin cross patty and pierced with a Latin cross, and with - a wreath Argent and Gules, a dexter winged forepaw Or, grasping an escutcheon quarterly: 1 Azure, a god Garuda sejant Argent; 2 Gules, a castle triple-towered Or, masoned Sable; 3 Argent, six pallets Gules; 4 Azure, five plates. Mantling: Gules doubled Argent.

Escudo partido de azur y gules, brochante sobre el todo un león rampante de plata, alado de oro, teniendo en su garra diestra una espada alzada de oro. Timbrado de un yelmo forrado de gules, su babera cargada de una cruz latina patada y perforada de una cruz latina, y adornado de dos lambrequines de gules doblados de plata, un burelete de plata y gules, cimado de una garra alada de oro teniendo un escudete cuartelado: 1 de azur, un dios Garuda sentado de plata; 2 de gules, un castillo de oro, mazonado de sable; 3 de plata, seis palos de gules; 4 de azur, cinco bezantes de plata. -

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Blazon keywords: Azure, Gules, Argent, Or, One, Six, Five, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Bevor, Charged, Latin cross patty, Pierced, Latin cross, Wreath, Escutcheon, Quarterly, Garuda, Sejant, Castle, Triple-towered, Masoned, Pallet, Plate, Mantling and Doubled.

Style keywords: Outlined in sable, Plain tincture, Semi-circular and Leather.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Vaz, Rui J..

My heraldic channel at Telegram is t.me/s/AntoniosHeraldry.

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Categories: Technology, Social networks, Argent, Or, Azure, One, Quarterly, Overall, Peacock, In his splendour, Proper, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Garuda, Sejant, Crowned, Vested and Mantling.

Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules.

The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and emblazoned by me. This image combines a photograph of a hand-drawn she-wolf and the heraldic achievement featuring a she-wolf ululant sejant on a chequey crescent, beneath a moon with human face, all drawn and painted by me.

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Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed and Udder.

Style keywords: Outlined in sable, Illuminated and Oval.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Otxoa Magaña, Teresa.

Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules.

Arms painted by me, in flat tinctures, contoured in Sable, with an oval outer contour and with a texturized finishing.

The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and emblazoned by me. Blazon written in Italian by Vittorio Gifra, «Arma: d'azzurro, alla luna figurata d'argento posta in capo, accompanata in punta da un crescente montante scaccato di nero e d'argento; alla lupa di nero sul tutto, seduta su esso crescente, armata e mammellata di rosso».

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Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed and Udder.

Style keywords: Outlined in sable, Plain tincture and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Otxoa Magaña, Teresa.