Adrian Ailes, «The Origins of the Royal Arms of England: Their Development to 1199», foreword by Rodney Dennys, includes 27 black and white illustrations, Graduate Centre for Medieval Studies, Reading University, 126 pages, ISBN 07-049077-6-3, Reading, Berkshire, 1982.
An article reviewing this book is: Brigitte Bedos Rezak, Archives nationales de Paris and Metropolitan Museum of Art, «The Origins of the Royal Arms of England, their Development to 1199 by Adrian Ailes», Speculum, volume 60, number 2, pages 373-376, Medieval Academy of America, Cambridge, Massachusetts, April of 1985.
Bibliographical reference of century XX.
Author: Ailes, Adrian.
The following article cites this bibliographic reference:
External resource:
Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.
Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».
Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argudo of Guipuzcoa, lineage.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Crest and mantling, Helm, Mantling, Dexter, Doubled, Sinister, Wreath, One, Arm, Armed, Nascent, Grasping, Sword, Between, Two, Wing, Conjoined in fess, Decoration, Suspended and Base (lower 1/3).
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales García y Bustamante, Carlos.
[ Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or ] alternatively [ Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or ].
Arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finishing.
Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis, Palewise, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Horse, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Nelson, Matthew.
Edward IV King of England and Lord of Ireland, «The Armorial of Edward IV», «The Edward IV Roll», armorial in the form of a roll about 6 meters long, created to celebrate the coronation of Edward IV as the first King of England from the House of York and illustrated, probably, by different artists, 1461.
The image illustrating this reference corresponds to the banner, which is number 27 in the 2nd column, the final one of this armorial. This banner is held by a white deer, which was a personal badge of King Richard II of England, and also, two white deer were the supporters of his shield. The reason for the inclusion of this white deer might be to contribute to the legitimization of Edward IV as king.
It is notable that in row 25 of the 2nd column of this armorial there is a banner with the arms of the shield of Castilla y León, probably because Edward IV, like his predecessors, claimed their throne. In this version of the shield of Castilla y León:
This shield of Castilla y León also appears:
Bibliographical reference of century XV.
Author: Edward IV of England.
Bibliographic reference mentioned in the following articles:
External resources:
Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.
Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finishing.
The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.
Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: España Herranz, Angel.
Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert. Crest: Upon a helm, befitting the husband’s degree, with a wreath Or and Gules, an arm vambraced proper grasping a cross tau of olive wood in pale proper. Mantling: Gules doubled Or. Motto: «Fac maiora ne ulla facies».
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.
G0093, Chief Herald of Malta's grant for the arms of Alessandro Giannelli and Mariana von Atzingen Gorga. These arms have been emblazoned by me for such grant.
Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base, Trimount, Upon (wreath), Helm, Wreath, Arm vambraced, Grasping, Cross tau, In pale, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.
Party per pale: 1 Vert, a Castle triple-towered Argent; 2 Gules, two bezants in pale Or.
I have interpreted this coat of arms with a semi-circular shape; tintures or, argent, vert and gules; outlined with sable; and a freehand finish.
The blazon in Italian is the following «scudo partito nel primo di verde al castello di argento a tre torri, nel secondo di rosso a due bisanti di oro in palo».
Blazon keywords: Party per pale, Vert, One, Castle, Argent, Gules, Two, Bezant and plate, Bezant and In pale.
Style keywords: Semi-circular, Freehand and Outlined in sable.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Giaimo di Prizzi, Carmen.
Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or. Crest: Upon a helm with a wreath Argent and Sable, a demi-man proper, wearing a beret Vert, grasping in his dexter hand a commando dagger point upwards Or, hilted and pommelled Sable. Mantling: Sable doubled Argent. Motto: «Liberare oppressos». Motto above the crest: «Follow me». Suspended from the shield the cross of the Most Venerable Order of the Hospital of Saint John of Jerusalem.
Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Male figure, Demi, Proper, Beret, Vert, Grasping, Hand, Dexter, Motto, Suspended from the shield and Decoration.
Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms, Latin language and English language.
Bearer: Power, Guy Harold.
Cecil Humphery-Smith, FHS - Fellow of The Heraldry Society, «Why three Leopards?», Coat of Arms, COA, An Heraldic Quarterly Magazine, issue 126, The Heraldry Society, Baldock, Hertfordshire, summer of 1983.
The coat of arms illustrating this bibliographic reference is that of the Kingdom of England, which was also that of the queen of Castile Leonor Plantagenet.
Bibliographical reference of century XX.
Author: Humphery-Smith, Cecil.
Here are the articles quoting this reference:
External resource:
Internal resources: HumpherySmithC1983.3Leopards.docx.
[ Gules, a castle triple towered Or, port and windows Azure, masoned Sable ] accolé with [ Gules, three lions, passant, guardant, in pale Or, armed and langued Azure ].
[ Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable ] acolado de un [ escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur ].
Arms of the King and Queen of Castile interpreted with: the escutcheons' shapes pointed and rounded; the field of each shield, the castle, and the three leopards enamelled in flat tints of Gules and metal Or, with windows, claws, and tongues in Azure; and the whole composition finished with a raised line technique.
[Medél, R.; 1846; page 38] provides a heraldic description of the leopard.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows and Masoned.
Style keywords: Pointed and rounded, Plain tincture, Outlined in sable, Tilted shield and Freehand.
Classification: Interpreted, Personal, Accolé arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.
Bearer: Leonor Plantagenet.
Or, a holm oak eradicated Vert, fructed Or, in front of its trunk two boars passant, in pale Sable.
Ancient arms of the lineage Peraza of Cantabria emblazoned by me with 2 approaches: one with the boars outlined in Sable and the other with the boars outlined in Or, matching the metal of the field.
Blazon keywords: Or, Vert, Sable, Holm oak, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.
Style keywords: Outlined in sable, Outlined in the field tincture, Illuminated and Semi-circular.
Classification: Personal, Lineage, Interpreted, Compare, Boa and Coat of arms.
Bearer: Peraza of Cantabria, lineage.
Arnold Rabbow, «The Origin of the Royal Arms of England - a European Connection», Coat of Arms, COA, An Heraldic Quarterly Magazine, número 186, The Heraldry Society, Baldock, Hertfordshire, verano de 1999.
This bibliographical reference is illustrated wit the coat of arms of the Kingdom of England interpreted by me with the with a semi-circle shape.
Bibliographical reference of century XX.
The author is Rabbow, Arnold.
Bibliographical reference mentioned in the following article:
External link:
Internal resources: RabbowA1999.OriginRoyalArmsEnglandEuropeanConnection.docx.
This tartan has more black and yellow because these are the color Sable-black and metal Or-yellow of my coat of arms. Also, it has the other two colors Gules-red and Azure-blue, and one metal Argent-grey of my crest.
Over the black background, its main visual structure is a thin red line, a thick yellow line, and a thin red line because of the flag of Spain.
It is mostly symmetrical tartan because I am a heraldic artist and I love the symmetry and geometry. But there is a bit of asymmetry, two thin lines grey and blue, to break the uniformity.
It is based in the 5 first terms (1, 2, 3, 5, 8) of the Fibonacci sequence (1, 1, 2, 3, 5, 8, 13, 21, 34...). This sequence is intimately connected with the golden ratio, 1.61803... that I use frequently in my designs. But for the thread count, I multiple the Fibonacci sequence by 6 to obtain more than 5 inches, then I use the numbers 6=(1x6), 12=(2x6), 18=(3x6), 30=(5x6), and 48=(8x6).
Blazon keywords: Quarterly, Or, Sable, One, Letter, Two, Wolf, Passant, In pale and Number.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Freehand.
Classification: Tartan, Created and Personal.
Bearer: Salmerón Cabañas, Antonio.
Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.
Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Lanzagorta Escutia, Miguel Francisco.
Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent.
Escudo partido: 1o de plata, un árbol moviente de la punta de morado; 2o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata.
Coat of arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.
The coat of arms of the Hacienda de Triana, Val’Quirico, Tlaxcala, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me.
Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief and Arch.
Style keywords: Illuminated, Chasuble and Watercolor.
Classification: Socioeconomic, Interpreted, Boa and Coat of arms.
Bearer: Triana, Hacienda de.
Purpure, three dragons passant, in pale Argent; a bordure Gules, eight saltires couped Or.
Escudo de púrpura, tres dragones pasantes, en palo de plata; una bordura de gules, ocho sotueres de oro.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems watercolor.
Coat of arms of Trujillo Jimenez brothers, Claudia, Alberto and Felipe, designed by Fernando Martinez Larrañaga, and emblazoned by me.
Credits: Fernando Martínez Larrañaga is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Without divisions, Purpure, Three, Dragon, Passant, In pale, Argent, One, Bordure, Gules, Eight, Saltire and Or.
Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Trujillo Jiménez, Hermanos.
Party per pale: 1 Azure, an angel Argent, crowned, crined and vested Or holding an open book Argent; 2 Or, three horses' heads couped, in pale Sable.
I had the honor of being commissioned to design and paint the coat of arms of the Val'Quirico Equestrian Center, in Tlaxcala state, Mexico.
Their facilities are finished and operational, they are magnificent, I have excited to see their photographs.
Blazon keywords: Party per pale, Azure, One, Angel, Argent, Crowned, Crown, Crined, Vested, Or, Charged, Book, Open, Three, Head, Horse, Sable, Couped and In pale.
Style keywords: Freehand, Illuminated, Rounded, Outlined in the field tincture and Outlined in sable.
Classification: Photographic, Created and Socioeconomic.
Bearer: Club Ecuestre Val'Quirico.
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Label and Suspended.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, C. M..
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Cantoned and Martlet.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, M. P..
Water, Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Camellia, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Ermine spot, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Lotus flower, Hop cone, Puffin, Ash, Rooster, Claw, Talon, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Moon, Hand, Apple, Apple tree, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Tyger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Pair of scales, Ship, Beret, Grenade, Ecclesiastical cap, Arm vambraced, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Church, Oil lamp, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Water-bouget, Comb, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Mermaid, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Between, Watercolor, Armed, Azure, Bibliography, Boa, Bordure, Overall, Wreath, Five, Created, Cross, Four, Outlined in sable, Outlined in the field tincture, Dexter, Doubled, Two, In pale, In saltire, Coat of arms, Fleur de lis, Personal, Gules, Illuminated, Interpreted, Chief, Mantling, Langued, Motto, Leopard, Semi-circular, Or, Party per pale, Passant, Argent, Without divisions, Kingdom of England, Hurt, torteau, pellet, pomme and golpe, Hurt, Sable, Century XX, Vert, Grasping, Crest and mantling, Freehand, Three, One and Helm.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.