Isadora von Haimb

Argent, a rose Gules, barbed Vert; a bordure Azure. Motto: «Das Blut erinnert, was die Krone vergisst» Sable, over a scroll Argent doubled Azure.

Escudo de plata, una rosa de gules, hojada de sinople; una bordura de azur. Lema: «Das Blut erinnert, was die Krone vergisst» de sable, sobre una filacteria de plata doblada de azur.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.

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Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Rose, Barbed, Bordure, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: von Haimb, Isadora.

Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.

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Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: von Haimb, Isadora.

Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent. Motto: «Das Blut erinnert, was die Krone vergisst» Sable, over a scroll Argent doubled Azure.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.

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Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling, Doubled, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: von Haimb, Isadora.

Azure chapé Argent, in dexter an Indian ringneck parrot proper, in sinister a Japanese red chrysanthemum proper, in base an atom Argent.

Escudo de azur cortinado de plata: 1^o, una cotorra india de Kramer al natural; 2^o, un crisantemo japonés al natural; 3^o, un átomo de plata.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, and with a watercolor finish.

Coat of arms of Ria Persad, from Trinidad and Tobago (birth), India and Japan (ancestry), and USA (residence). Her coat of arms has been designed by her, by Rudolph Juchter van Bergen Quast of the Netherlands, and by Kevin D. Couling of the United Kingdom, resident in New Zealand, and painted by me, from the Kingdom of Spain.

Design rationale

Mathematician and astrophysicist from Harvard and Princeton Universities, as well as a classical musician, she represents a woman of the world—scientific and with diverse roots, who expresses her identity through a symbolic language of her own creation. Her design and execution are the result of an international team, in service of an equally international woman, and reflect a path of evolution toward which heraldry is advancing. The Kramer parrot (Psittacula krameri, Indian Ringneck) is shown in its natural colour. It is her favourite animal and at the same time evokes her Indian heritage. The red chrysanthemum, painted in a Japanese style, refers to her Japanese ancestry. The atom symbolises her education and professional career in the field of science. Blue, which dominates the whole, is her favourite colour.

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Blazon keywords: Azure, Argent, One, Chapé, Dexter, Parrot, Proper, Sinister, Chrysanthemum, Base and Atom.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted, Design rationale, Boa, Coat of arms, India and Japan.

Bearer: Persad, Ria.

Azure chapé Argent, in dexter an Indian ringneck parrot proper, in sinister a Japanese red chrysanthemum proper, in base an atom Argent. Crest: A crown of Marquise.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finish.

Coat of arms of Ria Persad, Mathematics and Astrophysics at Harvard University and Princeton University, designed by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me.

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Blazon keywords: Azure, Argent, One, Chapé, Dexter, Parrot, Proper, Sinister, Chrysanthemum, Base, Atom, Crest, Crown of Marquis and Crown.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted, Boa, Coat of arms, India and Japan.

Bearer: Persad, Ria.

Azure chapé Argent, in dexter an Indian ringneck parrot proper, in sinister a Japanese red chrysanthemum proper, in base an atom Argent.

It has been interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a texturized finish.

The arms of Ria Persad was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and the design rationale. She is from Trinidad and Tobago (birth), India and Japan (ancestry), and USA (residence). Her coat of arms has been designed by her, by Rudolph Juchter van Bergen Quast of the Netherlands, and by Kevin D. Couling of the United Kingdom, resident in New Zealand, and painted by me, from the Kingdom of Spain.

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Blazon keywords: Azure, Argent, One, Chapé, Dexter, Parrot, Proper, Sinister, Chrysanthemum, Base and Atom.

Style keywords: Outlined in sable and Illuminated.

Classification: Personal, Interpreted, Boa, Slide, India and Japan.

Bearer: Persad, Ria.

The July 2025 edition of Ireland’s Genealogical Gazette, the monthly newsletter of the Genealogical Society of Ireland, is now available online.

My lecture «Women and Arms: Contemporary coats of arms for women worldwide», delivered for the Royal Association of Hidalgos of Spain, has been featured on page 4 of Ireland's Genealogical Gazette (Volume 20, Number 7, July 2025), the official publication of the Genealogical Society of Ireland.

The article highlights my presentation on the relationship between women and heraldry, as well as my longstanding commitment to the principle of equality in the assumption, inheritance and enjoyment of coats of arms.

The Gazette also refers to the reforms promoted by the late Brendan O’Donoghue, Chief Herald of Ireland from 1997 to 2003, who ensured that the provisions of the «Equal Status Act» were applied to heraldic services in Ireland.

Particular mention is made of the cases of the arms of Margaret Byrne and Kathleen Kane, two Irish armigerous women discussed during the lecture.

I am grateful to the Genealogical Society of Ireland and Ireland's Genealogical Gazette for this recognition, which represents an important international acknowledgement of my work in support of a more inclusive and equitable approach to heraldry.

You can read the Gazette here: familyhistory.ie/gazette.

Luis Valero de Bernabé y Martín de Eugenio, «The Castles in Heraldry», Cuadernos de Ayala, issue 103, pages 26 and 27, Segovia, July–September 2025.

This article presents a series of current castle coats of arms, the first of them corresponds to my interpretation of the Castilian castle, which is described in this article in a similar way to how I paint it, which makes me extremely pleased.

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Bibliographical reference of century XXI.

Classification: Article, In color and Castilian language.

Author: Valero de Bernabé y Martín de Eugenio, Luis.

Internal resources: CAyala.103.Castillo.Castilian.pag.26-27.pdf Complete journal.

Continue with: Marcio Vieira Nastri, plain tincture.