Canting arms

Separador heráldico
Escudo de Castilla y León

Castile and Leon

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

This coat of arms can be seen in [Bergshammars; 1440; page 2], in [Lutzelbourg, N. de; 1530; page 35], and in [Tewkesbury; Century XVII; folio 25v].


Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.

Style keywords: Semi-circular and Plain tincture.

Classification: Interpreted, Civic, Coat of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castile and Leon.

Separador heráldico

Pendón de Castilla y León

Banner Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Banner Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Pendón cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Pendón interpretado por mí como: un rectángulo de proporción entre su ancho y su alto de 5x6; el campo está esmaltado de tintas planas gules y plata; los 2 castillos y los 2 leones están iluminados; el león y su corona están delineados del campo; el castillo está mazonado de sable; y el conjunto tiene un acabado apergaminado.

Puede consultarse en el armorial para la coronación de [Eduardo IV de Inglaterra; 1461; columna 2, fila 25] un pendón de estas características, la razón de ello era la aspiración de Eduardo IV a este reino, aspiración procedente de sus predecesores.

Este armorial fue realizado por diferentes artistas y al que le correspondió hacer el pendón de Castilla y León parece que pintó los leones de oro, si bien este oro no es tan amarillo como el que esmalta los castillos, castillo que tienen 2 ventanas mínimas y una puerta aclarada de azur. Por esta diferencia de tonos entre leones y castillos cabría plantearse la hipótesis de una degradación de un esmalte púrpura original en un ocre.

Al comienzo del armorial también aparecen estos leones en una representación ecuestre de Eduardo IV donde un tono rosa podría recordar a un púrpura original y, por tanto, apoyar la hipótesis de la degradación.

Finalmente, hay una tercera aparición de estos leones en otro pendón que combina las armas de Castilla y León con las de Inglaterra. Donde el color de los leones es más parecido al del pendón que al de la representación ecuestre.


Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.

Style keywords: Illuminated, Rectangular and Old parchment.

Classification: Interpreted, Civic, Flag, Banner of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castilla y León.

Separador heráldico
Escudo de Castilla y León

The coat of arms of Rodelo lineage from Galicia in 3 steps

Gules, six wagon-wheels Or, 2, 2, and 2.

Gules, six wagon-wheels Or, 2, 2, and 2.


Blazon keywords: Gules, Six, Wagon-wheel and Or.

Style keywords: Outlined in sable, Plain tincture, Illuminated, Freehand and Pointed.

Classification: Lineage, Interpreted, Canting, Coat of arms and Schema.

Bearer: Rodelo lineage from Galicia.

Separador heráldico
Escudo de Castilla y León

Family of Paul and Kari Herndon

Argent, a heron volant Azure, beaked and membered between three escallops Sable. Motto: «Sic itur ad astra».

Argent, a heron volant Azure, beaked and membered between three escallops Sable. Motto: «Sic itur ad astra».

Escudo de plata, una garza volante de azur, picada y membrada, acompañada de tres veneras todo de sable. Lema: «Sic itur ad astra».

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a rough finish.

Design rationale

The name «heron» matchs with their family name is Herndon. This is why they are called canting arms, where an element in the coat of arms resembles or sounds like the name of the bearer. For the same reason, in Spanish heraldry, some García family coats of arms feature a heron, «garza» in Spanish. The motto «Sic itur ad astra» comes from Virgil's Aeneid IX 641, where it is spoken by Apollo to Aeneas's young son Iulus, and it translates to «Thus one journeys to the stars».


Blazon keywords: Argent, Azure, Sable, One, Three, Heron, Volant, Beaked, Membered, Between, Escallop and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Canting, Interpreted, Boa and Coat of arms.

Bearer: Herndon, family of Paul and Kari.

Separador heráldico
Escudo de Castilla y León

Poumola, lineage of Catalonia

Gules, a millstone Argent.

Blazon of the Poumola lineage of Catalonia.

Gules, a millstone Argent.

Escudo de gules, una piedra de molino de plata.

Illuminated and a watercolor finishing with shadow in the hole.

It blazon is describe in [Cadenas y Vicent, V. de; 1987; page 1429], [García Carraffa, A.; García Carraffa, A.; 1968; volume 3, page 358], and [Ferrer i Vives, F.; 1995; volume 2, page 362].

In this case, my theory is that this coat of arms is an example of «canting arms». «Canting arms» use a word or words of the surname or inside the surname to make the coat of arms. The surname Poumola is from Catalonia, we can split the surname into 2 parts «pou-mola», in Catalonian language a) «pou» means «well» and b) «mola» means «millstone» ~ «cadascuna de les dues pedres de forma circular que componen el molí», [GDLC; 1998], and this could be the reason of the symbolism of this coat of arms. «Canting» in heraldry means «talking» or «chatting», in Spanish «canting arms» is translated as «armas parlantes». Some heralds call «canting» to this creative technic.


Blazon keywords: Without divisions, Gules, One, Millstone and Argent.

Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.

Classification: Interpreted, Lineage and Canting.

Separador heráldico
Escudo de Castilla y León

Marcio Vieira Nastri, hand-drawn

NastriMarcio 36 HandDrawn jpg

Heraldic badge of Marcio Vieira Nastri designed by him and emblazoned by me. It is a canting badge. The image combines a photograph of a drawing of a ribbon shaped like an «M», together with his badge, both painted by me. The insignia of Marcio Vieira Nastri features a «vieira», a escallop in Portuguese and Spanish, alluding to his surname Vieira. It also includes ribbons, since his surname Nastri means ribbons in Italian; they are Sanguine doubled Or, as in his mantling. The ribbons embrace the scallop in such a way that they resemble a capital M, for his name Marcio.


Blazon keywords: Or, Sanguine, Escallop and Ribbon.

Style keywords: Outlined in sable and Illuminated.

Classification: Personal, Canting, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Nastri, Marcio Vieira.

Separador heráldico
Escudo de Castilla y León

Barbaro Jonathan Lopez Linares

Azure, a wolf's head caboshed Argent, in chief three monstrances in fess proper. Motto: «Fiat Voluntas Tua».

Azure, a wolf's head caboshed Argent, in chief three monstrances in fess proper. Motto: «Fiat Voluntas Tua».

Escudo de azur, una cabeza de frente de lobo de plata, acompañada en jefe de tres custodias en faja al natural. Lema: «Fiat Voluntas Tua».

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a rounded trapezoidal outer contour and with a watercolor finish.

Coat of arms of Barbaro Jonathan Lopez Linares, Cuba, designed by him and emblazoned by me. These are canting arms, as the main charge of the coat of arms is a wolf ~ lupus ~ Lope ~ Lopez. In heraldry, beasts are usually depicted in an aggressive attitude, for example, with gaping jaws, protruding tongue, and visible fangs; in this case, it was the armiger’s wish that his wolf should not display such an aggressive expression; in my interpretation, I deliberately avoided those features of ferocity and instead sought to give the wolf a dignified and imposing look, one that inspires respect rather than open aggressiveness.


Blazon keywords: Azure, Argent, One, Three, Wolf, Head, Caboshed, In chief, Monstrance, Proper and Motto.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.

Classification: Personal, Interpreted, Canting, Boa and Coat of arms.

Bearer: Lopez Linares, Barbaro Jonathan.

Separador heráldico
Escudo de Castilla y León Áncora de oro y la divisa enlace.

Heraldic blog of David B. Appleton

David B. Appleton, his armorial coat of arms, canting arms

Appleton Studios

David B. Appleton studies, researches, teaches, and writes about heraldry, and through his blog, he shares his heraldic knowledge with us, as well as through publications and presentations.

David B. Appleton is open to questions from his readers and provides advice on heraldic topics in which he specializes.

His blog is Blog.AppletonStudios.com and his website is AppletonStudios.com, from which he offers his services related to the world of heraldry, its dissemination, and knowledge.

Since 2009, David B. Appleton's heraldic blog has been an endless source of knowledge, images, ideas, curiosities, original reflections, and links to heraldic sites selected by him.

Heraldry: Musing on an esoteric topic

David B. Appleton stands out for his continuous analysis of all types of heraldic manifestations, which he finds everywhere, in the world we live in: from those we have inherited from ancient times to the fiercely current, from books to cinema, from fashionable clothing to urban furniture, from east to west and north to south, including those that appear in logos and emblems, those using traditional techniques and those created or disseminated through new technologies, on ships, sports cars, and airplanes, on porcelain, facades, and stained glass, on television, on t-shirts and coins, in auctions and universities, in comics and sports, etc. with a systematic publication rhythm, more than 2 posts per week, nothing heraldic escapes the record and genuine analysis of David B. Appleton on Blog.AppletonStudios.com, which I highly recommend.


Categories: Link, Interpreted, Personal, Coat of arms, Without divisions, Freehand, Soft metal, Illuminated, Outlined in sable, Canting, Heraldry and heralds, Argent, Azure, Gules, Vert, Chevronel, Between, Apple, Slipped and Leaved.

External links:

Root: Appleton, David B..

Separador heráldico
Escudo de Castilla y León Libro abierto, hojas de plata, filo de oro, guardas de gules, tapas de sable.

Vega, P. J. de; 1702

Surname of Let, folio 6, National Library of Spain

Pedro José de Vega, «Compendio de la Maior Parte Ð los Blassones, Armas, e Ynsignias Ð las Ylustres Casas, Familias, y Apellidos del Reyno Ð Navarra i Parte Ð la Provincia de Gvipvzcoa, Segvn las Vsan y Traen los Svccesores Ðellas» ~ «Compendium of the Greater Part of the Blazons, Arms, and Insignias of the Illustrious Houses, Families, and Surnames of the Kingdom of Navarre and Part of the Province of Guipuzcoa, As Used and Carried by Their Successors», manuscript in 2 volumes, Volume I, catalog number MSS/7835 V.1, and Volume II, catalog number MSS/7836 V.2, in the National Library of Spain, 1702.


As stated on the title page, the Field Master «Pedro Ioseph Ð Vega» was a native of the Kingdom of Navarre, deputy of the Kingdom of Navarre from 1688 to 1691, governor of the provinces of Cotabamba and Parinacochas in Peru, written as «governador», and gentleman of the «Voca de su Majestad» (His Majesty's Voice).


Bibliographical reference of century XVIII.

The author is Vega, Pedro José de.

External resource:

 

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