Tomáš Kleisner, «Amat Victoria Curam: The Device of Archduke Matthias on his Medals», Studia Rudolphina, issue 9, pages 87-99, bulletin of the Research Center for Visual Arts and Culture in the Age of Rudolf II (Research Center for Graphic Arts and Culture in the Age of Rudolf II, founded in January 2000), from the Institute of Art History, Academy of Sciences of the Czech Republic. edited by Lubomír Konecný and Beket Bukovinská, published by Artefactum, ISBN 978-80-86890-27-2, ISSN 1213-5372, Prague, 2009.
The article reviews the use of the motto «Amat victoria curam» by Archduke Matthias on his medals and coats of arms, which he used as early as 1579, at the age of 22.
Regarding the origin of the motto «Amat victoria curam», Tomáš Kleisner refers us to the verses of [Catullus, C. V.; Century I B.C.; poem LVII, verse 16].
Bibliographical reference of century XXI.
The author is Kleisner, Tomáš.
External links:
Internal resources: KleisnerT2009.AmatVictoriaCuram.Original.pdf original and KleisnerT2009.AmatVictoriaCuram.Resumen.pdf summary.
My artistic evolution can be classified into three 3 major phases, each of them marked by the influence of a particular school. These three stages, in turn, made their own contributions to my current heraldic production:
Luis Valero de Bernabé y Martín de Eugenio, «El Hombre en la Heráldica», 2012.
I received this article directly from the author, to whom I am grateful for his kind submission. I consider it a preliminary and preparatory work for his later article [Valero de Bernabé, L.; 2012b; pages 24-27].
Bibliographical reference of century XXI.
The author is Valero de Bernabé y Martín de Eugenio, Luis.
Internal resources: ValeroBernabeL2012.ElHombreEnLaHeraldica.RevistaHidalgos.pdf article personally sent to me by the author.
Luis Valero de Bernabé y Martín de Eugenio, «Las Figuras Humanas en la Heráldica», Magazine of the Real Asociación de Hidalgos de España, «La Gacetilla de Hidalgos de España», number 530, pages 24, 25, 26 y 27. Madrid, Spring 2012.
Bibliographical reference of century XXI.
The author is Valero de Bernabé y Martín de Eugenio, Luis.
The following article cites this bibliographic reference:
External resource:
Internal resources: ValeroBernabeL2012.530.RevistaCompleta.pdf.
F. S. Stych, University of Sheffield, «The Flow Chart Method and Heraldic Enquiries» RQ, volume 6, number 4, pages 169-174, published by American Library Association, Chicago, summer of 1967.
This article describes, using a flowchart, a method to identify the holder of a coat of arms. This method is applicable to the armories of the United Kingdom, as it follows their heraldic norms and most important sources. One of the target readers of the article are librarians who, finding coats of arms in books, plates, ex libris, etc., need to classify them.
The most notable aspect of the article is the 1967 flowchart, which is shown in the image above. This image has been extracted, cleaned, and enhanced from the original diagram contained at the end of the article. Note that some functions appear repeated within the scheme, such as, «Check families listed in Anson, etc. in Burke's General Armory. Arms found?» which, in turn, is represented with a task rectangle, when it really is a rectangle containing a question, a bifurcation, which should be a diamond «Arms found?», that is, it has been represented by a rectangle what should have been represented by a rectangle and a diamond. This same issue occurs in other processes and is probably due to not complicating the flowchart further.
Bibliographical reference of century XVIII.
The author is Stych, F. S..
The copyright of the images, drawings, compositions or accompanying texts displayed on this site Blason.es, or in its associated heraldry domains, and which are the product of the creation of new coats of arms or the interpretation of already existing coats of arms corresponds to its author Antonio Salmerón Cabañas who is, in turn, the proprietor Blason.es.
The copyright of each work is protected by its corresponding registration of intellectual property. Antonio Salmerón Cabañas is also the author of propiedad intelectual.
Antonio Salmerón Cabañas is also the author of:
all of which is protected and protected by the laws of intellectual and industrial property.
It is not allowed to copy, use or reproduce these images, drawings, compositions or texts without the express authorization of the author and, more importantly, always respecting the rights of the holders of the coats and blasons as specified in the article called ownership of blazons and coats of arms.
Kevin MacLeod (Incompetech.com) is the author of the musical compositions of some videos. He has the generosity to license it through «Creative Commons: By Attribution 3.0» (CreativeCommons.org/licenses/by/3.0/) and both here and in the credits of all these videos this generosity is attributed. Although this license permits modification of the work, these soundtracks are the originals of Kevin MacLeod.
The wonderful fonts shown in Blason.es and some of its documents in PDF format have the rights of Dr. Marianne Steinbauer (Pia-Frauss.de) who personally authorized me to use them, from here my most sincere gratitude.
They can also be found in Blason.es and in its associated heraldry domains images and compositions that contain parts or clippings of armorials, heraldic books, or heraldic pieces with centuries of antiquity and, therefore, already in public domain. p>
In addition to the copyrights mentioned in the previous sections, The following list shows the credits of the coats of arms, photographs or other heraldic objects that appear in some articles of Blason.es.
Although this list does not intend to be exhaustive, I try to maintain it the most updated and complete as possible and I will be happy to make the inclusions or appropriate modifications that are communicated to me.
Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by J. MackEuen, Edinburgh, 1722.
This is the very 1st edition of this book and I consult the edition [Nisbet, A.; 1816].
Bibliographical reference of century XVIII.
The author is Nisbet, Alexander.
Here are the articles quoting this reference:
External resource:
Sigue por: Nisbet, A.; 1816.
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Invected, Disclaimer, Erased, Artist, Bibliography, Bordure, Head, Tusked, Gules, Boar, Langued, Legal notice, Argent, Without divisions, Sable, Century XIX, Century XVIII and Century XXI.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.