Point upwards

Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper. Motto: «Alyahya» in letters Gules upon a scroll Argent.

Escudo cortado angrelado y partido: 1^o de plata, un pergamino al natural inscrito con los nombres del linaje en letras de sable; 2^o de gules, una palmera sostenida por dos alfanjes alzados, en sotuer todo de oro; 3^o de sinople, un creciente sumado de una estrella de diez puntas ambos de oro; 4^o de plata, un minarete naciente de la punta al natural. Divisa: «Alyahya» en letras de gules sobre una filacteria de plata.

Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.

This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. These arms exemplify how modern heraldry operates on a global scale, the process involved several countries: a design originating in Italy following the instructions of the armiger in Saudi Arabia, revised by experts in the Netherlands and the United Kingdom, and rendered by me in Spain, it serves as an example of international collaboration within the field. In English I use the word «motto», but in Spanish I usually use the word «lema»; however, when the text identifies the armiger, as in this case, I use the word «divisa».

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Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret, Issuant from base and Motto (identification).

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alyahya, Abdulelah.

Registry of the Ministry of the Interior number 606.877.

Anpc.seal

Sello ovalado que contiene un [ escudo con una Justicia, en su diestra una espada, alzada y en su siniestra una balanza. Timbrado de una corona real abierta ]. Las divisas y los lemas rodean el sello.

I have created the seal of the National Association of Criminology Experts and Experts in Forensic Sciences for the Courts of Justice, based on its previous seal and derived from its emblem.

The shield of the seal and the emblem has the female figure of Justice. In Spanish heraldry, as demonstrated in [Valero de Bernabé, L.; 2012a; page 3] and in [Valero de Bernabé, L.; 2012b; page 25 and 26], it has a 13 times lower occurrence, 93% versus 7%, than the male figure.

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Blazon keywords: Without divisions, Female figure, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Motto (identification) and Motto.

Style keywords: Oval and Semi-circular.

Classification: Seal, Created and Socioeconomic.

Bearer: ANPC.

Gerard J. Brault, professor of French and Medieval Studies at Pennsylvania State University, «Rolls of Arms of Edward I, 1272-1307, Volume I and Volume II», is a set of 2 volumes, 1,104 pages, size 24.4 x 17.2 cm, with 3 color illustrations and 8 black and white illustrations, published by Boydell Press, Aspilogia series, ISBN 9780851156699, Suffolk, United Kingdom, May 1, 1997.

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Another annotated edition exists from February 21, 2008, also published by Boydell Press.

The starting hypothesis of this book is that at the beginning of the second half of the 13th century, the use of coats of arms increased, this increase led to the appearance of the first armorials in which the names of their holders were recorded along with the descriptive blazon of their armory, and painted shields could be included.

From the Middle Ages, about 350 armorials have survived, of which 130 come from England, and they are a unique source for identifying many medieval figures, their titles, and their possessions. This book analyzes 17 of these armorials, such as the so-called [Marshal, L.; 1295; The Lord Marshal's Roll], which includes the coat of arms of William de Colebrand that illustrates this bibliographic reference.

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Bibliographical reference of century XX.

The author is Brault, Gerard J..

Here are the articles quoting this reference:

• Colebrand, William de
• Marshal, L.; 1295

External link:

• Boydell and Brewer.

Or, on a pile issuant from the base Gules a sword point upwards Argent.

Escudo de oro, una pira de gules cargada de una espada alzada de plata.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].

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Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Burr, lineage.

Alternative coat of arms for the heraldry and its categories.

Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.

Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a metallic finish.

These arms are one of the alternatives created during the process of developing a coat of arms for the categories of heraldry.

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Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.

Style keywords: Illuminated, Outlined in sable and Watercolor.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Categories of heraldry.

Willame de Colebraund ~ William de Colebrand.

Gules, three Swords Argent, erect, in fess.

Escudo de gules, tres espadas de plata, alzadas, en faja.

Interpreted coat of arms with a free hand finish.

Coat of arms included in [Marshal, L.; 1295; coat of arms number 461], also in [Brault, G. J.; 1997], and time ago in Brian Timms, but not now.

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Blazon keywords: Without divisions, Gules, Three, Sword, Argent, Point upwards and In fess.

Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted and Personal.

Bearer: Colebrand, William de.

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

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Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed and Proper.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Martin S. J. Goldstraw, «The Heraldic Visitations of Cheshire 1533 to 1580», published by Martin S. J. Goldstraw, 338 pages, Cheshire, 22 August 2013.

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Recreation by Martin S. J. Goldstraw of the book [Rylands, J. P.; 1882].

The coat of arms that illustrates this bibliographic reference is that of the book's author.

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Bibliographical reference of century XXI.

Author: Goldstraw, Martin S. J..

The following article cites this bibliographic reference:

• Rylands, J. P.; 1882

Martin S. J. Goldstraw, «The Heraldic Visitations of Cheshire 1613», published by Martin S. J. Goldstraw, 335 pages, Cheshire, 24 August 2013.

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Recreation by Martin S. J. Goldstraw of the book [Armytage, G. J.; Rylands, J. P.; 1909].

This bibliographic reference is illustrated with the coat of arms of the book's author.

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Bibliographical reference of century XXI.

Author: Goldstraw, Martin S. J..

The following article cites this bibliographic reference:

• Armytage, G. J.; Rylands, J. P.; 1909

Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or.

Escudo de plata, dos flechas alzadas en sotuer de sable, barbadas y empenadas de Gules, brochante una daga de comando alzada en palo de gules, guarnecida y pomelada de sable; en un jefe centellado de sable, un lambel de tres pendientes de oro.

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Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points and Or.

Style keywords: Pointed, Outlined in sable and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Power, Guy Harold.

In Castile, a coat of arms quarterly does not necessarily signify inheritance. This schema illustrates two practices: a) Quarterings can represent the mother in the 1^st and 4^th quarters and the father in the 2^nd and 3^rd, highlighting the prominence given to the maternal line by placing it in the most visible quarters. b) Quarterings can also include personal symbols and concepts, like canting arms, for example, «Manuel» =«mano» + «ala» = «hand» + «wing», combined with ancestral arms. This flexibility reflects Castilian heraldic traditions, where arms are not strictly marshalled by inheritance. The inclusion of maternal arms in the 1^st and 4^th quarters highlights how Castilian heraldry often elevates maternal heritage, differing from some other heraldic traditions. The previous commentary emphasizes the creative freedom in Castile, where quartering could incorporate personal symbols or canting arms without the constraints of inheritance or dominium. This flexibility aligns with Castilian culture, allowing heraldry to reflect personal identity, not just dynastic ties. Notably, the arms of Infante Enrique's use of a cross flory demonstrates this creative freedom, showcasing the ability to innovate within heraldry even in royal contexts. While this might seem unconventional compared to other heraldic systems, it is deeply rooted in Castilian tradition. All coats of arms in this schema have been emblazoned by me.

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Blazon keywords: Argent, Purpure, Gules, Or, Azure, Sable, One, Quarterly, Lion, Rampant, Armed, Langued, Castle, Triple-towered, Port and windows, Masoned, Bordure, Compony, Eagle, Cross flory, Cross couped, Party per pale, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards and Hilted.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Kingdom of Castile and Leon, Interpreted, Design rationale, Schema, Boa and Coat of arms.

Bearer: Manuel of Castile, Infante.

Azure semé of moons with human face Argent, a sword point upwards Gules, the sinister of its blade debruised by a moon with human face Argent both bend sinisterwise.

Escudo de azur sembrado de lunas figuradas de plata, una espada alzada de gules, la siniestra de su hoja resaltada de una luna figurada de plata ambas puestas en barra.

Coat of arms depicted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.

The coat of arms of María Labarrieta N. designed by Juan Lanzagorta Vallín and emblazoned by me.

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Blazon keywords: Azure, Argent, Gules, One, Semé, Moon, With human face, Sword, Point upwards, Sinister, Debruised and Bend sinisterwise.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Labarrieta N, María.

Gules, a rose between in chief a key wards to dexter facing downwards, in base a key wards to sinister facing downwards Argent.

Escudo de gules, una rosa acompañada en jefe de una llave con el dentado hacia la diestra y abajo, en punta de una llave con el dentado hacia la siniestra y abajo, todo de plata.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.

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Blazon keywords: Gules, Argent, One, Rose, Between, In chief, Key, Dexter, Point upwards, In base, Point downwards and Sinister.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Larrosa Gil, Francisco Domingo.

Quarterly: 1 Azure, a dexter hand appaumée Argent; 2 Gules, a sword point upwards between, in the dexter, a cross patty, and, in the sinister, a Maltese cross Or; 3 Gules, three plough shares affronty, downwards, and disordered Or; 4 Azure, an eagle claw, couped Argent; an inescutcheon Or charged with a fleur de lis Azure.

Escudo cuartelado: 1^o de azur, una mano diestra apalmada de plata; 2^o de gules, una espada alzada acompañada, a la diestra, de una cruz patada y, a la siniestra, de una cruz de Malta, todo de oro; 3 de gules, tres rejas de arado de frente, bajadas y desordenadas de oro; 4 de azur, una garra de águila, cortada, bajada de plata; un escusón de oro cargado de una flor de lis de azur.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.

Coat of arms of Laurent Liu-Lecomble designed by him and emblazoned by me.

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Blazon keywords: Azure, Argent, Gules, Or, One, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Liu-Lecomble, Laurent.

Lord Marshal, «The Lord Marshal's Roll», deposited in the Society of Antiquaries of London, code ms664, volume 1, ff 19-25, contains 565 painted shields, of which 42 are blank and 48 do not have the name of their associated holder, dated 1295.

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This armorial contains the systematic error of representing, in many of its registered shields, the metal gold as metal silver, and some of its shields are not easy to decipher. Therefore, this armorial cannot be considered a completely reliable and definitive source of certain coats of arms.

[Brault, G. J.; 1997] is a good reference for the analysis of this armorial and in Brian Timms you can see a current interpretation of the coats of arms recorded in it, among them the shield of William de Colebrand that illustrates this bibliographic reference.

At the beginning of the second half of the 13th century, the use of coats of arms increased, this increase led to the appearance of the first armorials in which the name of their holders was recorded along with the blazon describing their coats of arms, possibly including the painted shields.

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Bibliographical reference of century XIII.

The author is Marshal, Lord.

Here are the articles quoting this reference:

• Brault, G. J.; 1997
• Colebrand, William de
• Savoy, Duchy of

External resource:

• Boydell and Brewer.

Argent, on a chevron Gules three feathers Argent, between three swords erect Gules. Motto: «Ab Initio Goostrey».

This is the coat of arms of Martin Goldstraw emblazoned by me over his family tartan. This tartan was designed by Don Smith and is registered in the Scottish Register of Tartans, 2002.

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Blazon keywords: Without divisions, Argent, Gules, Chevron, Charged, Sword, Point upwards, Ordered, Between, Quill and Motto.

Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Personal, Cheshire County and Tartan.

Bearer: Goldstraw, Martin S. J..

Party per fess: 1 Gules, five swords erect, in fess Argent; 2 Vairy Or and Gules.

Escudo cortado: 1^o de gules, cinco espadas alzadas, en faja de plata; 2^o verado de oro y gules.

Coat of arms that I have created with: a pointed base of the shield; the first field enamelled with flat Gules ink; the second field enamelled with flat Or ink; the swords and the vairy are illuminated; and the whole has received a watercolor finish.

Symbolism

There are 6 swords erect to defend the vairy of truth and, no matter how much time passes, they will not relent until the truth prevails.

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Blazon keywords: Party per fess, Gules, Or, Argent, Five, Sword, Vairy, Point upwards and In fess.

Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.

Classification: Created, Personal and Coat of arms.

Bearer: Martos García, Juan Carlos.

Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. This coat of arms has been emblazoned by me. I have written the blazon in English and Castilian in a structured way to observe the parallelism between both forms. Someone asked me a interesting question about the first quarter: «Why is the lion overlapping the fess (i.e., colour on colour)?» This was my answer: I had no choice in the design, since each quarter represents one of her ancestral lineages, and the Chief Herald of Arms of Malta provided the precise blazon for each of them. My work was to paint the coat of arms according to those official instructions. In the case of the lion, it overlaps slightly because it is shown walking upon the fess. And importantly, the rule of tincture does not apply to tiny details. A well-known example is the lions of the arms of the Kingdom of England, whose claws are color Azure over a color Gules field. In this case, the lion’s claws and the underside of its paws are color Gules over an color Azure fess, perfectly acceptable for such small elements.

Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit].

Terciado en palo: 1o de oro, una faja de azur cargada de un león pasante de gules teniendo una espada alzada de plata [de Spiteri]; 2o de azur, un árbol arrancado al natural, terrazado de sinople, soportado a la siniestra de un hombre al natural, vestido de un taparrabos de plata, teniendo en su siniestra una lanza alzada de oro, en jefe tres estrellas de seis puntas en faja de oro [de Debono]; 3o de gules, una alianza moviente de los flancos de carnación, vestida de plata, teniendo una daga alzada de plata, guarnecida de oro, en jefe tres estrellas de seis puntas en faja de oro, en punta una ramita de olivo puesta en faja al natural [de Zammit].

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Blazon keywords: Or, Azure, Gules, Argent, Vert, One, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree and Fesswise.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Spiteri Debono, Myriam.

Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.

Escudo adiestrado: 1^o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2^o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.

Design rationale

These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem. Following [Petra Sancta, S.; 1634; pages 417–418], in seventeenth-century academic emblematics the staff symbolizes the road understood as an intellectual journey, proper to a traveller who appears humble yet is rich in knowledge, while the gourd, which may seem empty, represents the wisdom preserved within it and from which learning ultimately emerges.

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Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Peregrina Corona, Dolores.

Azure, two arrows in saltire points upward, the arrow bendwise Or, the arrow bend sinisterwise Argent, overall a double vajra per saltire Or and Argent charged with a bezant per saltire curved Or and Argent.

Escudo de azur, dos flechas alzadas en sotuer, la flecha puesta en banda de oro, la flecha puesta en barra de plata, brochante sobre el todo una vajra doble cuartelada en sotuer de oro y plata cargada de un bezante cuartelado en sotuer curvilíneo de oro y plata.

Coat of arms interpreted and emblazoned by me with different shapes and a freehand finishing.

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Blazon keywords: Azure, Two, Arrow, Point upwards, In saltire, Bendwise, Or, Bend sinisterwise, Argent, Overall, One, Double vajra, Quarterly per saltire, Charged, Bezant and plate and Curved.

Style keywords: Outlined in sable, Illuminated, Freehand, Rounded, Ogee and Pointed.

Classification: Interpreted and Coat of arms.

Bearer: Rage from Discord.