Born on August 15, 1171, in Zamora and died on September 24, 1230, in Sarria, Lugo.
Argent, a lion rampant Purpure, armed and langued Gules.
Escudo de plata, un león rampante de púrpura, armado y lampasado de gules.
Arms of the king of León interpreted by me as follows: the escutcheon is in a semi-circular arch; the field and the lion have been enameled and illuminated; and the ensemble has a watercolor finish.
This coat of arms of León can be seen, among many other places, for example, in [Argote de Molina, G.; 1588; chapter XLII].
Blazon keywords: Without divisions, Argent, Purpure, Gules, One, Lion, Rampant, Armed and Langued.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of León.
Bearer: Alfonso IX of Leon.
County of Cheshire, visitation of 1663.
Party per bend sinister: 1 Or, three martlets Sable; 2 Sable, three martlets Or.
Escudo tajado: 1o de oro, tres marletas de sable; 2o de sable, tres marletas de oro.
Coat of arms interpreted with: a rounded base; the field illuminated in Or and Sable; the martlets outlined of the field and illuminated in Sable and Or; and the whole with a leather finish.
A coat of arms recorded in [Adams, A.; 1941] which Cheshire Heraldry blazons as follows: «Per bend sinister Or and Sable, six martlets counterchanged», note that no specific arrangement is specified for the martlets.
There is also an entry for «Allen de Brindley» in [Armytage, G. J.; Rylands, J. P.; 1909], but it only records the family tree without specifying the coat of arms.
Blazon keywords: Party per bend sinister, Or, Sable and Martlet.
Style keywords: Rounded, Illuminated, Outlined in the field tincture and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Allen de Brindley.
This video visualizes the ANPC emblem and the blazon, step by step, of the shield it contains. The typography used belongs to Dr.a Marianne Steinbauer and the soundtrack is «Egmont Overture Opus 84» by Ludwig van Beethoven performed by the «Musopen Symphony».
Credits:
Blazon keywords: Without divisions, Gules, Argent, Or, Female figure, One, Justice, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Crest, Open royal crown, Crown, Motto (identification) and Motto.
Style keywords: Watercolor, Illuminated, Shaded, Semi-circular and Outlined in the field tincture.
Classification: Video, Created and Socioeconomic.
Bearer: ANPC.
Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess.
Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja.
Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé and Tulip.
Style keywords: Soft metal, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.
Classification: Coat of arms, Created and Personal.
Bearer: Quesada Valles, Bartolomé.
Sable, three dexter hands turned up, and appaumée Argent.
Escudo de sable, tres manos diestras levantadas y apalpadas de plata.
Coat of arms interpreted based on blazon and explanations of [Avilés, J.; 1725a; pages 34 y 35 y sheet 2 figure 38].
Blazon keywords: Without divisions, Sable, Three, Hand, Dexter, Argent, Turned up, Appaumée and Ordered.
Style keywords: Semi-circular, Plain tincture, Outlined in the field tincture and Soft metal.
Classification: Interpreted, Personal and Kingdom of France.
Bearer: Baudry en Francia.
Val'Quirico Equestrian Club
Party per pale: 1 Azure, an angel Argent, crowned, crined and vested Or holding an open book Argent; 2 Or, three horses' heads couped, in pale Sable.
Coat of arms I created with: the shape rounded; its two fields was painted with color Azur and metal Or; the figures was painted with metals Or and Argent and color Sable; the angel is outlined in color Sable; the heads of the horses are outlined from the metal of the field; and the whole picture has a finished of spot inks and free hand.
Blazon keywords: Party per pale, Azure, One, Angel, Argent, Crowned, Crown, Crined, Vested, Or, Charged, Book, Open, Three, Head, Horse, Sable, Couped and In pale.
Style keywords: Freehand, Plain tincture, Rounded, Outlined in the field tincture and Outlined in sable.
Classification: Created and Socioeconomic.
Bearer: Club Ecuestre Val'Quirico.
Banner quarterly of sixteen: 1, 6, 11, and 16 Azure, three fleurs de lis Or; 2, 5, 12, and 15 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure; 3, 8, 9, and 14 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 4, 7, 10, and 13 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Pendón cuartelado de dieciseis: 1o, 6o, 11o y 16o de azur, tres flores de lis de oro; 2o, 5o, 12o y 15o de gules, tres leopardos en palo de oro, armados y lampasados de azur; 3o, 8o, 9o y 14o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4o, 7o, 10o y 13o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
Banner interpreted by me as follows: its shape preserves the 5x6 proportions of a shield; the field is enamelled with flat tinctures Gules and Azure; the castles, fleurs-de-lis, and leopards are outlined in Sable; but the lions are outlined in their field; and the finish of the banner is watercoloured.
I have interpreted it from a simplification of the banner appearing in [Edward IV of England; 1461; row 27, 1st column, final banner], which reflects Edward IV’s aspirations to the throne of Castile and León. In that armorial, this banner is held by a «White Lion of March», which was the personal badge of Edward IV.
Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant and Crowned.
Style keywords: Rectangular, Illuminated, Outlined in sable, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.
Bearer: Edward IV of England.
Argent, a lion sejant erect Purpure.
Escudo de plata, un león sentado de púrpura.
Imaginary coat of arms of King Fernando II of León, which I have developed based on his seal and the arms of his successor, with: the shape of the coat of arms is semi-circular; the field enameled in flat argent; the lion enameled in purpure and illuminated; and the whole rendered with a watercolor finish.
For this imaginary coat of arms I have chosen a representation of the lion in a posture similar to that of the great seal appearing in [Fernando II de León; 1167], which is sejant ~ «sentado» in Castilian, although beginning to rise «sejant erect».
It should be noted that we are in a pre-heraldic period where the possible attitudes of the lion were not yet clearly defined, although several of them are already anticipated in the great seals of Fernando II, as can be seen, for example, passant in [Fernando II de León; 1181] and in other attitudes in the photographs of [Martín Fuertes, J. A.; 2002].
Blazon keywords: Without divisions, Argent, Lion, Purpure and Sejant.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Imaginary, Coat of arms and Kingdom of León.
Imaginary bearer: Ferdinand II of Leon.
And Count of Touraine and Maine, Duke of Normandy, and founder of the Plantagenet dynasty.
Azure, six lions rampant Or, 3, 2 and 1.
Escudo de azur, seis leones rampantes de oro, 3, 2 y 1.
Existing armories interpreted by me as follows: the shield's shape is pointed; the field has been enameled in flat azure; the 6 lions are illuminated; and the entire composition has a watercolor finish.
When blazoning these 6 lions, considering that in heraldry the natural arrangement of elements is from more in chief to fewer in base, it would suffice to specify nothing more than «or and rampant». However, adding their arrangement «3, 2, and 1» can aid the reader, as done by [Avilés, J.; 1725b; page 124] and [Avilés, J.; 1780b; page 142] when blazoning the arms of Alfonso Enrique de Vick, writing «sable, and six bezants or, three, two, and one», meaning 6 ordered elements. In these sequences of number arrangements, I prefer to write Arabic numerals rather than words because, at times, the sequences can be long.
Blazon keywords: Without divisions, Azure, Six, Lion, Or, Rampant and Three, two and one.
Style keywords: Pointed, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Coat of arms and House of Plantagenet.
Bearer: Godfrey V, Count of Anjou.
Thus they celebrated the funeral rites of Hector, tamer of horses. Homer, Iliad.
Sable, two lions combatant Or.
Escudo de sable, dos leones rampantes, afrontados de oro.
Imaginary coat of arms interpreted as follows: the mouth is a semicircular arch; the field enameled in flat Sable color; its 2 figures are outlined with the field tincture and illuminated in Or metal; and the set has a pearly finish.
Coat of arms interpreted from the imaginary blazon described in «Sir David Lindsay's Armorial», from the year 1542, where its blazon code «DL011» corresponds to Hector of Troy and which describes it as follows: «Sable, two lions combatant Or». Note the difference from the one described by [Avilés, J.; 1725a; page 7] which states that its field is Gules, «of red».
Says [Parsons, R. J.; 1989; paragraph 30], in one of the most beautiful descriptions of the lion that I have read, that the heraldic lion, as is the case with many other beasts, is very different from the lion in Nature. The lion in heraldry is the abstract expression of attributes such as nobility, strength, power, ferocity, courage, and vital energy. For example:
Given this description of the heraldic lion, gifted to us by Robert John Parsons, every heraldic artist with critical capacity cannot help but ask themselves whether their lions are capable of expressing this range of attributes.
Blazon keywords: Without divisions, Sable, Lion, Or and Combatant.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Iridescent (nacar).
Classification: Interpreted, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Hector of Troy.
Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, within an annulet Or, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre» Sable, in sinister chief, charged with «el Hijo» Sable, in base, charged with «el Espítiru» Sable, and one on the fess point, charged with «Dios» Sable.
Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, dentro de un anillo de oro, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre» de sable, en la siniestra del jefe, cargado con «el Hijo» de sable, en la punta, cargado con «el Espítiru» de sable y uno sobre el corazón, cargado con «Dios» de sable.
Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in watercolor Azure; the rest in heavily beaten metal, outlined of the field and illuminated in Argent, except for the annulet which is illuminated in Or; and its letters all in plain Gules ink.
The circular crown when it is large and in the middle of the shield [Cadenas y Vicent, V. de; 1975] is called an annulet. [Avilés, J.; 1780a; pages 296 and 297] calls it annulet or small annulet depending on its size, if it is large an annulet and if it is small a small annulet. In English and French heraldry it is called «cyclamor» and hence the expression «cyclamor annulet» can also be found.
This annulet is my aesthetic contribution to this imaginary coat of arms as it is normally not represented with this annulet.
In other interpretations the words «non est» go on a bordure or on an orle, the latter being the case blazoned, for example, [Husenbeth, F. C.; 1882; 2nd appendix] in the following way: «Gules, an orle and pall Argent, conjoined and surmounted of four plates, occupying the dexter and sinister chief and the base and fess points respectively; the first inscribed Pater, the second Filius, and the third Spiritus Sanctus, the centre Deus; the connecting portions of the orle between them having the words non est, and those of the pall est».
Blazon keywords: Without divisions, Azure, Cyclamor, Pall, Closed, Argent, Charged, Bezant and plate, Or, Dexter, Sinister, Chief, Base (lower 1/3) and Heart.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Watercolor and Hard metal.
Classification: Religious, Interpreted, Imaginary and Coat of arms.
Imaginary bearer: Holy Trinity.
Hard work, patience, justice, and loyalty.
Party per pale: 1 Or, a badger rampant Sable; 2 Sable, a badger rampant, regardant Or.
Escudo partido: 1o de oro, un tejón rampante de sable; 2o de sable, un tejón rampante, contornado de oro.
Imaginary arms of the student House Hufflepuff at Hogwarts School of Witchcraft and Wizardry, made with the following differential characteristics compared to other representations: the mouth of the coat of arms is rounded; the shield is party per pale; the field and the badgers are enameled in flat tinctures of Sable and Or; the badgers, facing Dexter and Sinister, are outlined by the field; and the whole is finished with a raised-stroke effect.
This imaginary coat of arms of the Hufflepuff House at Hogwarts has been interpreted without taking much into account other of the multiple realizations that have been produced and disseminated.
Blazon keywords: Party per pale, Or, Sable, Badger, Rampant and Regardant.
Style keywords: Rounded, Plain tincture, Outlined in the field tincture and Freehand.
Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.
Imaginary bearer: Hufflepuff at Hogwarts.
Party per fess: 1 Azure, a Athenian owl Argent, contourné, in chief; 2 Argent, an oak Azure, eradicated, in base; overall a saltire counterchanged.
Escudo cortado: 1o de azur, una lechuza al estilo ateniense, contornada de plata, en jefe; 2o de plata, un roble de azur, arrancado, en punta; brochante sobre el todo un sotuer del uno al otro.
Existing coat of arms which I have interpreted in the following way: the semicircular (round) base; the fields enameled in Azur color and Argent metal flat; the saltire reduced to 2/3 of its traditional width, that is, to 2/9 of the width of the shield, to leave more space for the figures, but without becoming a flanque of 1/9 of the width of the shield; the figures illuminated in Argent and Azure and outlined in the field; and with a watercolor finish.
For the tree, in this case an oak with its acorns and sinuous-edged leaves, whose roots are visible, I use the term arrancado following [Avilés, J.; 1780a; page 28 and figure 12] when blazoning Vernade in France which says that «trae de gules, y un Árbol arrancado de oro, acostado de dos Estrellas de lo mismo».
In English, the equivalent term for arrancado is «eradicated», from the French «arraché».
Blazon keywords: Party per fess, Azure, Argent, Saltire, Overall, Counterchanged, Barn owl, Regardant, Tree, Oak and Erased.
Style keywords: Watercolor, Illuminated and Outlined in the field tincture.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Andreou, Kimon.
Party per chevron Vert and Or, in chief a sackbut fesswise Or, in base a thistle slipped and leaved proper. Crest: Upon a helm, with a wreath Or and Vert, a bluethroat (Luscinia svecica) proper. Mantling: Vert doubled Or. Motto above the crest: «Less Is More».
Illuminated, an irisdiscent finishing, and the inner of the thistle is outlined in the metal Or of its field.
Blazon keywords: Vert, Party per chevron, Or, In chief, Sackbut, Fesswise, In base, Thistle, Leaved, Slipped, Proper, Motto, Crest and mantling, Helm, Mantling, Wreath and Crest.
Style keywords: Iridescent (nacar), Outlined in sable, Outlined in the field tincture, Illuminated and Pointed.
Classification: Personal, Interpreted, Grant of arms, Heraldic document and Coat of arms.
Bearer: Sky, Laird.
Ancient arms of the lineage Peraza of Cantabria emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Or, Vert, Sable, Holm oak, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.
Style keywords: Outlined in the field tincture, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Peraza of Cantabria, lineage.
Norsk Heraldisk Forening, in English, Nordic Heraldry Society, was founded on February 27, 1969, at the National Archives in Oslo, with the aim of promoting the study and knowledge of heraldry through meetings, lectures, excursions, and other dissemination methods, and additionally, to become an advisory body to resolve issues in matters of heraldry, flags, personal coats of arms, etc. Its first president was Dr. Philos Herman L. Løvenskiold.
Since then, these have remained the objectives of the Norsk Heraldisk Forening, and its membership count has remained between 150 and 200 members, and it cooperates with the Nordic Heraldry Society, «Societas Heraldica Scandinavica».
The website's address is Heraldikk.no, its content is available in both Norwegian and English, and they work systematically to expand it and provide greater and better information to both its members and those interested in heraldry.
Alex Maxwell Findlater described it in English, including its crest, in an article that was on their previous website under the title «About the society», as follows: «Gules issuant from base two battle-axes addorsed Argent shafted Or overall at the nombril point an escutcheon Or; for Crest between two axes of the arms a panache of three peacock feathers proper; Mantling Gules doubled Or». But given that «shafted» applies to weapons with a shaft and «hafted» to weapons with a handle, in the case of axes, I use «hafted» although both terms correspond to the Spanish «fustado».
Note how the axes are described as battle-axes, just as in the blazon of the Norwegian coat of arms, where its lion holds a battle-axe.
Coat of arms I attempted to interpret in the Norwegian style, all in flat tinctures, without Sable outlines, lighting or shading, and only with a simple rough finish.
Categories: Institution, Interpreted, Socioeconomic, Semi-circular, Plain tincture, Outlined in the field tincture, Rough, Coat of arms, Without divisions, Gules, Axe, Argent, Hafted, Or, Addorsed, Issuant from base, Overall, At the nombril and Escutcheon.
Of the twelve lineages of Noblemen, the tenth is that of Qasqante; they bear as arms a shield Or and, on the shield, an eagle Sable, which is black, as it is now painted.
Or, an Eagle displayed Sable.
Escudo de oro, un águila de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the eagle outlined in the colour of the field and illuminated in Sable; and finished in highly-hammered metal.
Based on the tenth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Cascante» it can also be consulted in [Vega, P. J. de; 1702; folio 10 of the manuscript].
Blazon keywords: Without divisions, Or, Eagle and Sable.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Qasqante of Navarre.
Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or. Motto: «Prior tempore potior iure»
Escudo de plata, una estrecha patada de gules, cantonada de cuatro estrellas de ocho puntas de azur; en un jefe de sable, un elefante pasante de oro. Lema: «Prior tempore potior iure»
Coat of arms of the RIAG interpreted with: a pointed base; the field illuminated in Argent; the chief illuminated in Sable; the motto illuminated in Argent with letters in Sable; the narrow cross illuminated in Gules; the 4 eight-pointed stars illuminated in Azure; the cross and the stars outlined in Sable; the elephant illuminated in Or and outlined of the field; the motto outlined in Sable, written in the same colour and illuminated in Argent; and the whole with a rough finish.
[Avilés, J.; 1780a; página 113] writes «Paté, se dice de las Cruces, cuyos extremos se ensanchan un poco. Viene esta voz de la latina patula, cosa extendida, ó dilatada», and in this way uses the term «Cruz paté», instead of cruz patada, in [Avilés, J.; 1780a; páginas 60, 91, 92, 127 y 297]. In the blazon at escueladeheraldica.es/armorial-riag-pagina-1 the term «crus estrecha paté de gules» is also used, although I have preferred to use in this blazon the equivalent expression «una estrecha patada de gules».
Its Latin motto «Prior tempore potior iure» means that whoever comes first in time has more right than whoever comes after, and naturally refers to the concept of registration, since, in general, the person who registers a coat of arms first has more right to defend its ownership than the person who registers the same coat of arms after the first.
Blazon keywords: Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant, Or and Motto.
Style keywords: Pointed, Illuminated, Outlined in sable, Outlined in the field tincture and Parchment.
Classification: Socioeconomic.
Bearer: Registro Internacional de Armas Gentilicias.
This tartan has more black and yellow because these are the color Sable-black and metal Or-yellow of my coat of arms. Also, it has the other two colors Gules-red and Azure-blue, and one metal Argent-grey of my crest.
Over the black background, its main visual structure is a thin red line, a thick yellow line, and a thin red line because of the flag of Spain.
It is mostly symmetrical tartan because I am a heraldic artist and I love the symmetry and geometry. But there is a bit of asymmetry, two thin lines grey and blue, to break the uniformity.
It is based in the 5 first terms (1, 2, 3, 5, 8) of the Fibonacci sequence (1, 1, 2, 3, 5, 8, 13, 21, 34...). This sequence is intimately connected with the golden ratio, 1.61803... that I use frequently in my designs. But for the thread count, I multiple the Fibonacci sequence by 6 to obtain more than 5 inches, then I use the numbers 6=(1x6), 12=(2x6), 18=(3x6), 30=(5x6), and 48=(8x6).
Blazon keywords: Quarterly, Or, Sable, One, Letter, Two, Wolf, Passant, In pale and Number.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Freehand.
Classification: Tartan, Created and Personal.
Bearer: Salmerón Cabañas, Antonio.
With the aim of aiding in the study and perpetuation of heraldry in the United States and abroad.
Sable, a lion rampant Or, armed and langued Gules, crowned Or, holding in the dexter a baton flory Or.
Escudo de sable, un león rampante de oro, armado y lampasado de gules, coronado de oro, teniendo en su diestra un cetro flordelisado de oro.
I interpret its coat of arms with: a Spanish base in semicircular (round) form; the field illuminated in Sable; the lion, its crown and its baton outlined of the field, shaded and illuminated in Or, except the claws and tongue which are Gules; and the whole with a lightly beaten metal finish.
The baton ends in a fleur-de-lis, hence it is blazoned as «flory» and according to [Avilés, J.; 1780a; página 93] «flordelisadas, se dice de las Cruces, cuyos brazos se terminan en flores de Lis».
For a time I distinguished between «flordelisadas» and «florenzadas» crosses depending on the artistic style of the termination, but over time I found that the difference was, precisely, more artistic than heraldic, so I decided to use the term flordelisada in a general way.
Some authors consider them different terms and others equivalent. If they are considered equivalent then florenzadas ~ flordelisadas and, therefore, «cetro florenzado» ~ «cetro flordelisado». In English one says «flory» ~ «flordelisado» and it can also be found written as «fleury» ~ «floretty» ~ «florenté», for example, [The Heraldry Society; 2013; página 6] uses the term «flory» to describe the very arms of The Heraldry Society when it blazons them as «Quarterly Azure and Gules a Lion's Face crowned with an Ancient Crown Or within a Tressure flory on the outer edge of the same».
Blazon keywords: Without divisions, Sable, Lion, Or, Rampant, Armed, Langued, Gules, Crown, Open royal crown, Crowned, Dexter, Grasping, Scepter and Flory.
Style keywords: Illuminated, Outlined in the field tincture, Shaded, Soft metal and Semi-circular.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The American College of Heraldry.
Quarterly: 1 Sable, an «o» Or; 2 and 3 Or, two Wolves passant, in pale Sable; 4 Sable, an «XI» Or. Crest: Upon a helm, with a wreath Or and Sable, a cross of Burgundy Gules, charged with three open books Argent, 1 and 2, leathered Sable, inner Gules, garnished Or, charged with twelve numbers «100 100 111 110 011 000 011 001 001 001 011 11» Azure, two in each page. Mantling: Sable doubled Or. Motto: «In principio erat Verbum» Argent over a scroll Azure, fimbriated Or.
Escudo cuartelado: 1o de sable, una «o» de oro; 2o y 3o de oro, dos lobos pasantes, en palo de sable; 4o de sable, un «XI» romano de oro. Timbrado de un yelmo, adornado de dos lambrequines de sable doblados oro, un burelete de oro y sable, cimado de una cruz de Borgoña de gules, cargada de tres libros abiertos de plata, 1 y 2, de tapas de sable, guardas de gules, filos de oro, cargados de doce números «100 100 111 110 011 000 011 001 001 001 011 11» de azur, dos en cada hoja. Lema: «In principio erat Verbum» de plata sobre una filacteria de azur, perfilada de oro.
Image of one of the web pages of the members belonging to The Heraldry Society where their coats of arms are shown, in this case mine with its blazon written in English, which can be consulted at TheHeraldrySociety.com/membersarms/antoniosalmeron.htm
Categories: Technology, Socioeconomic, Created, Personal, Semi-circular, Illuminated, Outlined in the field tincture, Freehand, Quarterly, Or, Sable, One, Letter, Two, Wolf, Passant, In pale, Number, Gules, Argent, Azure, Crest and mantling, Helm, Mantling, Wreath, Crest, On, Charged, Disordered, Cross, Cross of Burgundy, Cross couped, Book, Open, Motto, Scroll and Fimbriated.
Root: The Heraldry Society.
Azure semé of millrinds Or; on a dexter canton Or, a lion rampant Purpure, armed and langued Gules.
Escudo de azur sembrado de anillas de molino de oro; en un cantón diestro de oro, un león rampante de púrpura, armado y lampasado de gules.
This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone.
Blazon keywords: Azure, Semé, Millrind, Or, One, Canton, Dexter, Lion, Rampant, Purpure, Armed, Langued and Gules.
Style keywords: Pointed, Outlined in sable, Outlined in the field tincture and Plain tincture.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Lincoln's Inn, The Honourable Society of.
Vert, an inescutcheon Argent; overall a compass rose Sable and Or. Motto: «De jure».
Escudo de sinople, un escusón de plata; brochante sobre el todo, una rosa de los vientos de sable y oro. Lema: «De jure».
I have interpreted this coat of arms with: a Spanish base, that is, semicircular (round); the field and the inescutcheon in plain green and Argent; the compass rose illuminated in Sable and Or and outlined in Sable; and the whole with a parchment finish.
Blazon keywords: Without divisions, Vert, Inescutcheon, Argent, Surmounted, Overall (deprecated), Compass rose, Sable, Or and Motto.
Style keywords: Illuminated, Outlined in the field tincture, Parchment and Semi-circular.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The International Heraldry Society.
Emblem Azure, Saint Michael, grasping in his dexter hand a spear, point downward, and in his sinister hand bearing a coat of arms, upon a dragon Argent.
Emblema de azur, un Arcángel Miguel, teniendo en su diestra una lanza, con la punta hacia abajo y en su siniestra un escudo, sostenido por un dragón, todo de plata.
Two tinctures emblem interpreted as follows: an oval shape with a 5x6 proportion; the field illuminated in Gules, unlike its original colour; all its charges illuminated in Argent and outlined in the colour of the field; and the finish is marble-like.
The IESE Business School, where I studied, is the business school of the University of Navarre.
I also have the honour of having collaborated for years with the University of Navarre.
Blazon keywords: Without divisions, Gules, Male figure, Angel, Archangel, Argent, Grasping, Dexter, Spear, Point downwards, Sinister, Upon and Dragon.
Style keywords: Oval, Illuminated, Outlined in the field tincture and Marmoreal.
Classification: Interpreted, Socioeconomic, Education, Emblem and Kingdom of Navarre.
Bearer: University of Navarra.
182nd Pope of the Church, from 1261 to 1264. «Urbanus IV», born Jacques Pantaleon of Court-Palais, was born in Troyes, France.
Quarterly: 1 and 4 Azure, a fleur de lis Or; 2 and 3 Argent, a rose Gules.
Escudo cuartelado: 1o y 4o de azur, una flor de lis de oro; 2o y 3o de plata, una rosa de gules.
Coat of arms of Urban IV with: a pointed and rounded shield shape; the field in plain Azure and Argent enamels; the figures outlined in the field, shaded and illuminated in Or and Gules; and with a watercolor finish.
Blazon keywords: Quarterly, Azure, One, Fleur de lis, Or, Argent, Rose and Gules.
Style keywords: Ogee, Illuminated, Shaded, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban IV.
202nd Pope of the Church, from 1378 to 1389. «Urbanus VI», named Bartolomeo Prignano, born in Itri, near Naples, in the Lazio region.
Or, an eagle displayed Azure.
Escudo de oro, un águila de azur.
Papal coat of arms interpreted with: a pointed mouth; the field in flat tincture of metal Or; the eagle illuminated in Azure, shaded and outlined in the color of the field; and the whole with a rough finish.
Blazon keywords: Without divisions, Or, One, Eagle and Azure.
Style keywords: Pointed, Illuminated, Outlined in the field tincture, Shaded and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban VI.
Or, on a bend Sable, a spear of the first, steeled Argent.
Escudo de oro, una banda de sable, cargada de una lanza de plata, fustada oro.
Coat of arms interpreted by me with: a semicircular (round) base; the field and bend illuminated in Or and Sable; the lance is a tournament one, similar to other Shakespeare coats of arms, which I have illuminated in Argent and Or and outlined from the field; and finished with a lightly hammered metal effect.
In this version of his blazon in English I have written «steeled Argent», which is how some authors write it, while in another article I have specified it as «headed Argent».
In the figure that is charged upon the bend of this interpretation of the shield, I recreate a tournament lance, which is the type usually used to represent the arms of William Shakespeare. Note that the blazon of his shield only indicates «a Spear» ~ «una lanza», so it could equally be the type of lance used by infantry or light cavalry. However, English tradition usually employs, for William Shakespeare, a tournament lance, both for the one charged on the bend and for the one held by the falcon on his crest.
Blazon keywords: Without divisions, Or, Sable, Argent, Bend, Bendwise, Spear and Charged.
Style keywords: Soft metal, Outlined in the field tincture and Illuminated.
Classification: Interpreted, Personal, Coat of arms, Canting and Literature.
Bearer: Shakespeare, William.
Atom, Crescent, Diamond, Emerald, Estoile, Goutte, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Terrestrial globe, Trimount, Water and Wave.
Acorn, Apple, Apple tree, Ash, Bluebonnet, Bunch, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Eguzki-lore, Elm, Fleur de lis, Flower, Gourd, Grape, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Black grouse, Blackbird, Boar, Brach hound, Bull, Cat, Cow, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Gazelle, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Monkey, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Swan, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deers' attires, Shoulder, Sprig, Stag's massacre, Stags' attires, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
Ace of spades, Anchor, Anvil, Arch, Arm vambraced, Armillary sphere, Arrow, Axe, Baton of Herald, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Carbuncle, Castle, Cauldron, Celtic Trinity knot, Celtic trefoil knot, Chain, Chess rooks, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Comedy mask, Compass rose, Conductor's baton, Cord, Covered cup, Crossbow, Crossed staff, Crozier, Crucible, Cuffed, Cup, Cutlass, Cyclamor, Dagger, Displayed scroll, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Maunch, Menorah, Millrind, Millstone, Millwheel, Minaret, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Pair of pliers, Pair of scales, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rolled scroll, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scepter, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Tragedy mask, Trident, Trumpet, Turret, Two-handed sword, Wagon-wheel, Water-bouget, Wheel, Winnowing fan and With a turret.
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Sea-lion, Trinity, Triton, Unicorn, Winged hand and Wyvern.
Open, Watercolor, Iridescent (nacar), Parchment, Pointed, Armed, Azure, Overall, Wreath, Charged, Crest, Crown, Crowned, Created, Quarterly, Outlined in sable, Outlined in the field tincture, Dexter, Two, In pale, Coat of arms, Personal, Gules, Illuminated, Imaginary, Interpreted, Chief, Langued, Motto, Lion, Semi-circular, Soft metal, Or, Passant, Argent, Without divisions, Purpure, Rampant, Rounded, Religious, Sable, Sinister, Vert, Socioeconomic, Shaded, Plain tincture, Freehand, Three and One.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.