Uhagón y Guardamino, F. R.; 1904

Francisco Rafael Uhagón y Guardamino, I Marqués de Laurencín, Director de la Real Academia de la Historia, Caballero de la Orden de Calatrava, «Libro de la Cofradía de Caballeros de Santiago de la Fuente, Fundada por los Burgaleses en Tiempo de Don Alfonso XI» noticia bibliográfica, publicada en la Revista de Archivos, Bibliotecas y Museos, impresa por la Tipográfica de la Revista de Archivos, Bibliotecas y Museos, calle de Olid 8, Madrid, 1904.

This article provides a bibliographical account of the illuminated manuscript [Cofradía de Santiago; Century XIV].

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Bibliographical reference of century XX.

Classification: Article, Castilian language and In black and white.

Author: Uhagón y Guardamino, Francisco Rafael.

External resource:

• Digital Library of Castile and Leon.

Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Motto: «Onida» in Sable letters over a scroll Argent doubled Or.

Escudo de oro, un árbol arrancado al natural, acompañado en punta de un creciente ranversado de plata y una estrella de gules. Divisa: «Onida» en letras de sable sobre una filacteria de plata doblada de oro.

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a watercolor finishing.

Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. In Castilian heraldry, the default number of points of a star is 6. In English heraldry, the default number of points of a star is 5. For this reason, in this case I specify six points in English, but I do not do so in Castilian.

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Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed and Mullet.

Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Onida, Gian Carlo.

Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Motto: «Onida» in Sable letters over a scroll Argent doubled Or.

Escudo de oro, un árbol arrancado al natural, acompañado en punta de un creciente ranversado de plata y una estrella de gules. Divisa: «Onida» en letras de sable sobre una filacteria de plata doblada de oro.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finishing.

Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. In Castilian when the scroll placed beneath the shield bears the name, surname, or an identifying designation of the armiger, I refer to it as a «divisa».

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Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed, Mullet, Motto (identification) and Scroll.

Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Onida, Gian Carlo.

Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Crest: Upon helm Argent, barred Or a barred helm Or, a crown of Count. Mantling: On the dexter Vert doubled Or and on the sinister Gules doubled Or.

Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.

Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. «Crescent reversed» means that the points of the crescent are directed toward the base of the shield.

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Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed, Mullet, Crest, Helm, Barred, Crown of Count, Crown, Mantling, Dexter and Doubled.

Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Onida, Gian Carlo.

Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Crest: Upon helm Argent, barred Or a barred helm Or, a crown of Count. Mantling: On the dexter Vert doubled Or and on the sinister Gules doubled Or. Motto: «Onida» in Sable letters over a scroll Argent doubled Or.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finish.

Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. «Crescent reversed» means that the points of the crescent are directed toward the base of the shield. The crescent of these arms is a historical charge Argent placed on a field Or; metal over metal, in Italian heraldic terminology this is described as «cucito» ~ in French and English «cousu» ~ in Spanish «cosido». In Castilian heraldry it is not necessary to specify the number of points of the mullet, since the default value is 6. In English heraldry it is mandatory to specify «mullet of six points», as the default number of points is 5. An «eradicated tree» implies visible roots.

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Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed, Mullet, Crest, Helm, Barred, Crown of Count, Crown, Mantling, Dexter, Doubled, Motto (identification) and Scroll.

Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Onida, Gian Carlo.

Publication of my heraldic artwork on the blog Twelve Lineages of Soria under the following headline: Coat of arms for the residential town of Abundanttia, State of Tlaxcala, Mexico, work by Dr. Antonio Salmerón Cabañas.

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Categories: Link, Civic, United Mexican States, Freehand, Or, Gules, Vert, Mural crown, Crown, Beetle, Trimount and Motto (identification).

Root: Twelve Lineages of Soria.

Publication of my heraldic artwork on the blog Twelve Lineages of Soria under the following headline: Coat of arms for the residential town of Centro de Val’Quirico, State of Tlaxcala, Mexico, work by Dr. Antonio Salmerón Cabañas.

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Categories: Link, Civic, United Mexican States, Freehand, Or, Sable, Gules, Argent, Mural crown, Crown, Party per bend, Panther and Rampant.

Root: Twelve Lineages of Soria.

Jorge A. Vera-Ortiz, «Linaje emeritense de don Juan Antonio de Vera y Zúñiga, un pícaro conde genealogista y una creencia muy arraigada», Bulletin No. 257 of the Argentine Institute of Genealogical Sciences, pages 27 to 50, Buenos Aires, November-December 2009.

This article examines the lineage of Don Juan Antonio de Vera y Zúñiga, a count whose life and genealogical work are marked by both wit and controversy. The author, Jorge A. Vera-Ortiz, analyzes how deeply rooted beliefs about the lineage of this figure have influenced the historical perception of his legacy. In this way, from 1617 to 1635, the accumulation of studies that appeared exalting the lineage of the Count of La Roca is astonishing. These works were sometimes published under the names of well-known authors and genealogists, and sometimes under less familiar names, but many authors assume that these works were part of the fertile imagination of Juan Antonio de Vera y Zúñiga himself, who published them under pseudonyms to give them greater authority. The book [Mogrovejo de la Cerda, J.; 1636] would be an example of this practice.

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Bibliographical reference of century XXI.

Classification: Article and Castilian language.

The author is Vera-Ortiz, Jorge A..

The following article cites this bibliographic reference:

• Mogrovejo de la Cerda, J.; 1636

External resource:

• Version available online.

Internal resources: A digital and partial transcription of this article..

Continue with: Cervantes Saavedra, M. de; 1605.