King of Castile from 1158 to 1214.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable. Crest: An open royal crown Or.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable. Timbrado de una corona real abierta.
Arms of the king, as interpreted by me, as follows: the shield's shape is pointed and rounded; the field is enameled Gules; the castle is outlined in Sable; and the whole composition features a watercolor finish.
In [Valero de Bernabé, L.; 2009a; page 1] the author specifies the main characteristics of the «Castilian royal castle», which can be summarized as: «with three towers, the middle one taller, and the two flanking it identical», «each tower crowned with three battlements», «one to three doors and one or two pointed windows on each tower», and «masoned and battlemented», as also noted by the same author in [Valero de Bernabé, L.; 2009b; page 33].
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Crest, Open royal crown and Crown.
Style keywords: Pointed and rounded, Plain tincture, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Alfonso VIII of Castile.
Gonzalo Argote de Molina, «Nobleza de Andalucía», dedicated to King Philip II of Spain, with about 500 coat of arms engraved, printed by Fernando Díaz, Seville, 1588.
There are other editions, for example, the edition by Francisco López Vizcaíno, 799 pages, Jaen, 1867, or facsimile edition by Riquelme y Vargas Ediciones SL, Jaén, 1991, my copy is the number 1268.
Bibliographical reference of century XVI.
Classification: De bibliotheca, Castilian language and In black and white.
The author is Argote de Molina, Gonzalo.
Here are the articles quoting this reference:
External links:
Internal resources: ArgoteMolinaG1588.22.NoblezaAndalucia.Madrid.pdf is the edition of the year 1588 in PDF digital format, ArgoteMolinaG1588.23.Bne.Baja.resolucion.R10805.pdf is the edition of the year 1588 in PDF digital format and low resolution, ArgoteMolinaG1588.24.Bne.Alta.resolucion.R26842.pdf is the edition of the year 1588 in PDF digital format and hight resolution, ArgoteMolinaG1588.25.NoblezaAndalucia.1867.pdf is the edition of the year 1866 in PDF digital format for Adobe Reader only and a facsimile edition as a physical book on paper.
Baron of Valdeolivos Emblematic Chair, of the Fernando el Catolico Institution, of the Centre of Scientific Research (C. S. I. C.) and of the Government of Zaragoza, «Emblemata», Volume 6th, Emblemata Aragonese Magazine about Emblems (E. R. A. E.), 419 pages, 124 pictures, ISSN 1137-1056, Legal deposit Z.3.937 1996, printed by the Cooperativa de Artes Gráficas Librería General, Zaragoza, 2000.
Bibliographical reference of century XX.
Classification: Magazine and Castilian language.
Author: Cátedra de Emblemática Barón de Valdeolivos.
External resources:
Internal resources: Emblemata2000.Volumen06.pdf.
Antonio Salmerón Cabañas, «Chinapieria», trademark registered in the Office for Harmonisation in the Internal Market (OHIM) of the European Union, with presentation number 008189151 and registration date on 7th of December of 2009.
The trademark «Chinapieria» refers to a special type of pen drawing, usually done automatically, with the mind in a special state of abstraction, formed by various types of volutes, traces in the form of leaves, stems and very stylized flowers, growths that emulate fractal behaviors, random tours, etc. as they are shown in the image that this article illustrates.
El term «chinapieria» is a creation of my mother, Henar Cabañas Martín.
The first time I searched for this term on the internet, long before registering it, I was surprised that there was not a single occurrence.
Bibliographical reference of century XXI.
Author: Salmerón Cabañas, Antonio.
Bibliographical reference mentioned in the following article:
Category: Intellectual property.
Luis Valero de Bernabé y Martín de Eugenio, «Los Castillos en la Heráldica», Magazine of the Real Asociación de Hidalgos de España, «La Gacetilla de Hidalgos de España», number 524, pages 32, 33 and 34. Madrid, October, November and December 2009.
Bibliographical reference of century XXI.
The author is Valero de Bernabé y Martín de Eugenio, Luis.
Bibliographic reference mentioned in the following articles:
External resource:
Internal resources: ValeroBernabeL2009.520.RevistaCompleta.pdf.
José Antonio Vivar del Riego, Diplomado en Genealogía Heráldica y Nobiliaria, «El Blasón Escrito: La Historia de los Libros de Heráldica», lecture, 31st of May of 2007.
Bibliographical reference of century XXI.
Author: Vivar del Riego, José Antonio.
External link:
Internal resources: VivarDelRiegoJA2007.HistoriaLibrosHeraldica.pdf.
For some years the concept of «personal brand» has been expanded, a concept that, moreover, is powered by the internet.
The idea of personal branding is based on producing, developing, transmitting and protecting the image and idea that we offer from ourselves to others, both in direct, indirect, physical contact and in the one we offer through of, for example, social networks. Personal branding helps us as professionals by offering our services and products, such as business people, in our social relationships and even in the job seeking
This concept of personal branding tells us that not only do we have to improve and empower ourselves as individuals or as professionals, but it is also convenient for others to perceive and retain it, in order to differentiate ourselves and achieve better achievements in our social relations, business and professional.
Our personal brand is elaborated step by step, in which the details are important and we must also ensure that the impression we make is lasting in time.
For this reason, our own coat of arms can be an ideal complement to our personal brand, which, managed with intelligence, is, unlike other elements, lasting in time and can improve and raise the level of our personal relationships.
The most natural way to incorporate our coat of arms to our personal brand is not to wait for the coat of arms to provide it automatically, but it is through a positive feedback loop where our good work and professionalism dignify it and returns it to us disclosing it permanently.
Sigue por: Plastic execution, a phase with three activities.
Water, Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Ermine spot, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Lotus flower, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Moon, Hand, Apple, Apple tree, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Tyger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Pair of scales, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Church, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Water-bouget, Comb, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Mermaid, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Port and windows, Watercolor, Alfonso VIII of Castile, Pointed and rounded, Artist, Azure, Bibliography, Castle, Crest, Crown, Open royal crown, De bibliotheca, Outlined in sable, In black and white, Coat of arms, Personal, Gules, Interpreted, Castilian language, Lineage, Masoned, Or, Without divisions, Intellectual property, Kingdom of Castile, Magazine, Sable, Century XVI, Century XX, Century XXI, Plain tincture, Your arms and One.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.