Luis Valero de Bernabé y Martín de Eugenio, «Los Castillos en la Heráldica Española», 2009.
I received this article directly from the author, to whom I am grateful for his kind submission. I consider it a preliminary and preparatory work for the article [Valero de Bernabé, L.; 2009b; pages 32-34] published later.
Bibliographical reference of century XXI.
The author is Valero de Bernabé y Martín de Eugenio, Luis.
Here are the articles quoting this reference:
Internal resources: ValeroBernabeL2009.ElCastilloEnLaHeraldicaEspañola.pdf.
Luis Valero de Bernabé y Martín de Eugenio, «El Lobo, singularidad de la heráldica hispana», Magazine of the Real Asociación de Hidalgos de España, «La Gacetilla de Hidalgos de España», number 524, pages 20, 21 and 22. Madrid, 2010.
Bibliographical reference of century XXI.
Author: Valero de Bernabé y Martín de Eugenio, Luis.
Bibliographical reference mentioned in the following article:
External resource:
Internal resources: ValeroBernabeL2010.Gacetilla.524.El.Lobo.RevistaHidalgos.Pags20.22.pdf paper in the pages 20, 21 and 22 and ValeroBernabeL2010.524.RevistaCompleta.pdf.
Index of bibliographical references, mainly of heraldry, arranged alphabetically by authors:
Académie internationale d'héraldique:
Cervantes Saavedra, Miguel de:
Cátedra de Emblemática Barón de Valdeolivos:
de Pando Villarroya, José Luís Patricio Vicente:
Durasov, Vladimir Alexandrovich:
Fernández-Xesta y Vázquez, Ernesto:
García-Mercadal y García-Loygorri, Fernando:
González Echegaray, Maria del Carmen.:
Labandeira Fernández, Amancio:
Martínez de Aguirre Aldaz, Javier:
Mayoralgo y Lodo, José Miguel de:
Menéndez Pidal de Navascués, Faustino:
Messía de la Cerda y Pita, Luis:
Márquez de la Plata, Vicenta María:
Riesco de Iturri, Miren Begoña:
Tejero de Rojas y Sandoval, Juan Francisco:
Toral y Fernández de Peñaranda, Enrique:
Uhagón y Guardamino, Francisco Rafael:
Valero de Bernabé y Martín de Eugenio, Luis:
Vivar del Riego, José Antonio:
Ramon Medél, «The Spanish Blazon or Heraldic Science, Coats of Arms of the Different Kingdoms into which Spain has been divided, and of the Noble Families thereof», work adorned with 40 lithographed plates, printer J. Guerrero, Conde del Asalto Street 73, Barcelona, 1846.
The author's name «Ramon Medél» is written as the author himself writes it and not «Ramón Medel» as it is written in other bibliographies.
Bibliographical reference of century XIX.
The author is Medél, Ramon.
Internal resources: MedelR1846.BlasonEspañolCienciaHeraldica.pdf.
I introduce my heraldic style and coats of arms in pinterest.com/blasones with the following description: «My style as a heraldic artist is clear, simbolic and methodic. Clear because my work searches pieces which transmit energy and vital force to the owner, I think that a coat of arms should be a source of light and joy and an expression of freedom. Symbolic because coats of arms must be a representation of its bearer, his/her ideals, motivations, history and anything he/she might want to display. Methodical because heraldic art is founded on a science, the so called science of heraldry».
The blazons in English are in the following Pinterest's board: pinterest.com/blasones/heraldry-coats-of-arms.
Categories: Technology and Social networks.
Root: Pinterest.
Gustavo Adolfo Bécquer (Gustavo Adolfo Domínguez Bastida), «The Mount of the Souls», published for the first time in the newspaper El Contemporáneo, along with 16 more legends, on November 7, 1862.
It was also edited a year after his death in his book titled «Rhymes and Legends», whose first edition of 1871 was prefaced by Rodríguez Correa and it was initially published in 2 volumes and later in 3 volumes.
The edition used in Blason.es is the one titled «Legends», edited by Ediciones aContracorriente, ISBN 978-84-939129-0-1, Madrid, 2011.
Bibliographical reference of century XIX.
Author: Bécquer, Gustavo Adolfo.
External link:
Five college degrees from four different universities and a long experience serving patrons from different cultures and traditions is the base of my heraldic practice. My wide range of knowledge and broad praxis are factors of my exuberant creativity. With a blend of strict adherence to tradition whilst hand drawing and an artistic combination of digital imaging procedures, I astoundingly «brings symbols to life».
My artistic style combines hand and digital process and could be drawn with 3 terms: clear, symbolic and methodical.
Clear because his creations transmit energy and vital force to the owner, he believe that a coat of arms should be a source of light and joy and an expression of freedom.
Symbolic because a coat of arms must be a representation of its bearer, his/her ideals, goals, motivations or history.
Finally, my heraldic creation methodology is founded on the science of heraldry and is a guarantee of a professional work.
Sigue por: Contact data.
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Port and windows, Azure, Bibliography, Castle, Contact, Doctor, Gules, Masoned, Or, Pinterest, Without divisions, Social networks, Kingdom of Castile, Sable, Century XIX, Century XXI, Technology, One and Index.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.