Dimidiation vs. impalement, comparative schema

Dimidiation~dimidiated vs impalement~impaled.

Blazons

• Azure, a lozenge Argent.
• Argent, a fleur de lis Azure.
• Dimidiated: 1 Azure, a lozenge Argent; 2 Argent, a fleur de lis Azure.
• Party per pale: 1 Azure, a lozenge Argent; 2 Argent, a fleur de lis Azure.

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Blazon keywords: Dimidiated, Party per pale, Azure, One, Lozenge, Argent and Fleur de lis.

Style keywords: Outlined in sable.

Classification: Schema and Coat of arms.

Baron of Valdeolivos Emblematic Chair, of the Fernando el Catolico Institution, of the Centre of Scientific Research (C. S. I. C.) and of the Government of Zaragoza, «Emblemata», Volume 7^th, Emblemata Aragonese Magazine about Emblems (E. R. A. E.), 496 pages, 199 pictures, ISSN 1137-1056, Legal deposit Z.3.937 1996, printed by the Cooperativa de Artes Gráficas Librería General, Zaragoza, 2001.

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Bibliographical reference of century XXI.

Classification: Magazine and Castilian language.

The author is Cátedra de Emblemática Barón de Valdeolivos.

External resources:

• Abstract in the Fernando el Catolico Institution.
• Index in the Fernando el Catolico Institution.

Internal resources: Emblemata2001.Volumen07.pdf.

Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.

TheHeraldrySociety.com was founded by John P. Brooke-Little, MA, FHS in 1947.

Its objetives are to increase and extend interest in and knowledge of heraldry, armory, chivalry, genealogy and allied subjects.

I am member of The Heraldry Society since 2014. As member, my coat of arms appears in their web site in the following address TheHeraldrySociety.com/membersarms/antoniosalmeron.htm.

Plain tincture and lights and shadows

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Categories: Institution, Interpreted, Socioeconomic, Pointed, Illuminated, Outlined in sable, Freehand, Coat of arms, Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.

Juan del Bosque, «Libro de Armería del Reino de Navarra», which is currently missing and whose subsequent copy, commissioned in 1572, is kept in the Royal and General Archive of Navarre, estimated year of creation 1540.

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The origin of this armorial dates back to 1527, when the Navarrese Courts requested that the Royal Council and the Chamber of Comptos ~ Chamber of Accounts and Fiscal Control, record in a book the coats of arms of the kingdom of Navarre starting with that of the king of Navarre and the houses and lineages of the so-called «ricoshombres», Almorrabides, Guebara, Aybar, Baztanes, Urroz, Lete, Subiça, Rada, Vidaurre, Qasqante, Monteagudo, and Mauleón, also including the coats of arms of other manors, houses, valleys, towns, and nobles [Valverde Ogallar, P. B.; 2001; page 326].

According to [Martinena Ruiz, J. J.; 1982; page 35] the book was compiled around the year 1540, and this is the date I use for referencing this armorial.

This first manuscript created by Juan del Bosque was taken by the royal visitor Hernán Suárez de Toledo, under the pretext of taking it to Emperor Charles V, despite being requested back by the Navarrese Courts, it was never returned and was definitively lost. The armorial that has come down to us is a recreation commissioned in 1572 [Valverde Ogallar, P. B.; 2001; page 327].

According to [Menéndez Pidal de Navascués, F.; 1974; page 19] the recreation of this armorial was carried out based on certifications, such as those from the herald Azcárraga, and notes and partial copies of the stolen book, like the copy kept in the monastery of Leyre.

Another noteworthy bibliographic reference about this armorial, in addition to those previously mentioned, is [Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001].

The image illustrating this bibliographic reference is the coat of arms of the king of Navarre, which I recreated based on the illustration in this armorial, on its first folio according to the numbering given to it in 1613.

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Bibliographical reference of century XVI.

Author: Bosque, Juan del.

Bibliographic reference mentioned in the following articles:

• Martinena Ruiz, J. J.; 1982
• Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001
• Menéndez Pidal de Navascués, F.; 1974
• Menéndez Pidal de Navascués, F.; 1985
• Menéndez Pidal de Navascués, F.; Martínez de Aguirre, J.; 2000

Founded in the year 1987, it is the first organisation of its kind in the world

Azure, an inescutcheon Argent, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Or.

Escudo de azur, un escusón de plata, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todas de oro.

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First versions

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The Society of Heraldic Arts is an international organization founded in 1987, committed to the promotion and preservation of heraldic art. The society brings together artists, craftsmen, and enthusiasts who work in various forms of heraldic expression, from painting and sculpture to calligraphy and jewelry. With members worldwide, the SHA encourages the exchange of knowledge and skill development through exhibitions, publications, and events.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Semi-circular, Coat of arms, Azure, Inescutcheon, Argent, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line, Throughout (all sides) and Or.

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblema, un escusón, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.

Its focus on heraldic art, along with its foundation in 1987, makes it a pioneering institution in this field on a global scale.

The Society of Heraldic Arts enjoys significant international recognition among heraldic artists, designers, and craftsmen, and its website is heraldic-arts.com.

Its members cover the full range of activities within heraldry for individuals, personal heraldry, public and private entities, socioeconomic heraldry, as well as municipalities, regions, etc., governance heraldry.

The Society of Heraldic Arts used to publish a quarterly magazine called «The Heraldic Craftsman», which was sent to all its members, but it is no longer in publication. The Society also provides advice on the correct use of heraldry to enhance corporate and personal identity.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Throughout (all sides).

Root: Society of Heraldic Arts.

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I am a member as a heraldic artist of the Society of Heraldic Arts having passed their artistic selection tests.

Probably, I have had the honor of being the first Spanish artist accepted within it and, perhaps, the first of all in the Spanish-speaking world.

Within the Society of Heraldic Arts, there are two different classes of members:

• those who are professionals in the various expressive forms of heraldic art, such as:
  • heraldic painting and drawing and, as a heraldic artist, I am a member within this category,
  • calligraphy,
  • ex libris engraved or delineated,
  • illustration and illumination of documents,
  • heraldic craftsmen of stone, wood, glass, or plaster.
  • heraldic jewelry and seal making, etc.
• and those who:
  • aspire to become professionals in heraldic art, or
  • are passionate about heraldry without necessarily practicing heraldic art.

Sigue por: Martinena Ruiz, J. J.; 1982.