Liu-Lecomble, Laurent

Quarterly: 1 Azure, a dexter hand appaumée Argent; 2 Gules, a sword point upwards between, in the dexter, a cross patty, and, in the sinister, a Maltese cross Or; 3 Gules, three plough shares affronty, downwards, and disordered Or; 4 Azure, an eagle claw, couped Argent; an inescutcheon Or charged with a fleur de lis Azure.

Escudo cuartelado: 1^o de azur, una mano diestra apalmada de plata; 2^o de gules, una espada alzada acompañada, a la diestra, de una cruz patada y, a la siniestra, de una cruz de Malta, todo de oro; 3 de gules, tres rejas de arado de frente, bajadas y desordenadas de oro; 4 de azur, una garra de águila, cortada, bajada de plata; un escusón de oro cargado de una flor de lis de azur.

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.

Coat of arms of Laurent Liu-Lecomble designed by him and emblazoned by me.

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Blazon keywords: Azure, Argent, Gules, Or, One, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Liu-Lecomble, Laurent.

Heraldic device devised by me, illuminated with lights and shadows, contoured in Sable, and with a leather finish.

This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.

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Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Created, Boa, Standard and Flag.

Bearer: Liu-Lecomble, Laurent.

Miguel de Salazar y Mendoza, chronicler and chaplain of honor to Philip IV, «Formulario de armas», copied by Manuel Antonio Brochero in 1730, manuscript in the National Library of Spain, 11 volumes, volume 1 with 876 pages, call number MSS/11442, volume 2 with 378 pages, call number MSS/11443, volume 3 with 455 pages, call number MSS/11444, volume 4 with 392 pages, call number MSS/11445, volume 5 with 543 pages, call number MSS/11446, volume 6 with 455 pages, call number MSS/11447, volume 7 with 484 pages, call number MSS/11448, volume 8 with 309 pages, call number MSS/11449, volume 9 with 325 pages, call number MSS/11450, volume 10 with 302 pages, call number MSS/11451, volume 11 with 467 pages, call number MSS/11452, totaling approximately 5986 pages, 31 x 21 centimeters, circa 1640.

Dates of the original and copies

In Una Modesta Aportación Española, Juan Cartaya Baños writes that the original Formulario de Armería by Miguel de Salazar y Mendoza can be dated to around 1640, and that is the year I use to catalog it. He mentions that there is a 1739 copy that belonged to the King of Arms Zazo y Rosillo. In the National Library of Spain, there are three copies: this copy made by Manuel Antonio Brochero, titled Formulario de Armería, in 11 volumes, dated by the BNE to the year 1730; another smaller copy made by Tomás Francisco Monleón y Ramiro, titled Nobiliario o Formulario de Armería, with 980 pages, dated by the BNE to the year 1739; and another even smaller copy, titled Formulario de Armería, with 404 pages, dated by the BNE to the 18^th century.

Indexes and searches

There are indexes in all the volumes, these indexes are alphabetically ordered by the initial letter of the lineage name, but within each letter, the lineages are not strictly ordered, that is, they attempt to follow the order but there are some discrepancies, so you have to go through the entire letter to find the sought lineage. Next to the lineage name on the right, a number appears to locate it within that volume. Therefore, to ensure a thorough search, you need to review the indexes of all 11 volumes. For example, the Salazar lineage can be found in volume 1, in volume 2, in volume 4, etc. This mechanism, though somewhat challenging, allows for searches.

In the 2 images above, which are at the beginning of this section, you can see an example of a search, first, a page from the index of volume 3, dedicated to the letter S, where at the beginning of its second column, you can see the name of the Salmerón lineage, with the number 313 to its right. In the second image, you can see, from volume 3, the page with the number 313 at the top left, with the coat of arms of the Salmerón lineage described but not painted, which is similar to the one that appears in [Salazar y Mendoza, M. de; 1654; volume 5, page 196].

Coat of arms drawings

This armorial contains in volume 1, after the index, an introduction to the organization of coats of arms in quarters, spanning 12 pages and 7 black and white drawings.

Among the lineage descriptions, blank spaces are left, seemingly intended for drawing the coat of arms, many of these spaces are only outlined with the outer edge of a shield ending in a semicircular arch. The most complete coats of arms are those smaller ones that illustrate some lineages in black and white, mainly in the margins, as shown in the previous images. The spaces seem to be more systematically placed in the first volumes, with an average of 2 spaces per page, than in the later volumes.

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Bibliographical reference of century XVII.

Classification: Manuscript, Armorial roll, Castilian language and In black and white.

The author is Salazar y Mendoza, Miguel de.

Bibliographical reference mentioned in the following article:

• Salazar y Mendoza, M. de; 1654

External resources:

• National Library of Spain, Formulario de Armeria, 11 volumes, copy from 1730.
• National Library of Spain, Nobiliario o Formulario de Armeria, 980 pages, copy from 1739.
• National Library of Spain, Formulario de Armeria, 404 pages, copy from the 18^th century.

Internal resources: SalazarMendozaM1640.Tomo.01.pdf volume 1 in PDF format, SalazarMendozaM1640.Tomo.02.pdf volume 2 in PDF format, SalazarMendozaM1640.Tomo.03.pdf volume 3 in PDF format, SalazarMendozaM1640.Tomo.04.pdf volume 4 in PDF format, SalazarMendozaM1640.Tomo.05.pdf volume 5 in PDF format, SalazarMendozaM1640.Tomo.06.pdf volume 6 in PDF format, SalazarMendozaM1640.Tomo.07.pdf volume 7 in PDF format, SalazarMendozaM1640.Tomo.08.pdf volume 8 in PDF format, SalazarMendozaM1640.Tomo.09.pdf volume 9 in PDF format, SalazarMendozaM1640.Tomo.10.pdf volume 10 in PDF format and SalazarMendozaM1640.Tomo.11.pdf volume 11 in PDF format.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.

Coat of arms of Julio Hector Aspe designed by him and me, and emblazoned by me in 3 steps: outlined, plain color and metal, and lights and shadows.

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Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.

Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Ogee Triple-Pointed.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.

Coat of arms of Julio Hector Aspe designed by him and me, and outlined by me.

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Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.

Style keywords: Outlined and Ogee Triple-Pointed.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.

Arms devised by me, in plain tinctures, contoured in Sable, with an ogee triple-pointed outer contour and with a texturized finishing.

Coat of arms of Julio Hector Aspe designed by him and me, and emblazoned by me.

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Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.

Style keywords: Outlined in sable, Plain tincture and Ogee Triple-Pointed.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.

Escudo de azur, una trompeta puesta en barra de oro, resaltada de una pez hauriante de plata, resaltado de un espada puesta en banda bajada de oro, todos acompañados de dos flores de lis en faja de plata.

Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed outer contour and with a watercolor finishing.

Coat of arms of Julio Hector Aspe designed by him and me, and emblazoned by me.

Design rationale

The three archangels Raphael, Michael, and Gabriel represent protection with the sword, healing with the fish, and the proclamation with the trumpet, between two fleurs de lis symbolizing the Virgin Mary.

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Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

Sigue por: Julio Hector Aspe, structured and parallel blazons.