Grenville, Thomas
Sir Thomas Grenville II, c. 1453 - c. 1513, Knight of the Most Honourable Military Order of the Bath.
Gules, three Clarions Or.
Illuminated and watercolor finishing.
The clarion is the cadency mark of a ninth daughter in Canadian heraldry.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Watercolor, Outlined in sable and Illuminated.
Classification: Interpreted and Kingdom of England.
Bearer: Grenville, Thomas.
Thomas Grenville, stone coat of arms
Coat of arms of Thomas Grenville sculpted in St Mary's Church, Bideford, Devon, United Kingdom.
Gules, three Clarions Or.
On a field of gules, three clarions of gold can be seen in the dexter canton of the base of the main shield of [Tewkesbury; Century XVII; folio 24r] and on 8 other coats of arms in this armorial.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Freehand, Plain tincture and Illuminated.
Classification: Interpreted, Kingdom of England and Photographic.
Bearer: Grenville, Thomas.
Thomas Grenville, painting schema
The painting of the coat of arms of Thomas Grenville in 3 steps tracing, tincture and illumination.
Gules, three Clarions Or.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Freehand, Plain tincture and Illuminated.
Classification: Interpreted, Kingdom of England and Schema.
Bearer: Grenville, Thomas.
Thomas Grenville, 1453-1513
Lord of the manors of Stowe in the parish of Kilkhampton in Cornwall and of Bideford in Devon, and Sheriff of Cornwall.
Gules, three Clarions Or.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Iridescent (nacar), Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted and Kingdom of England.
Bearer: Grenville, Thomas.
Hiltmann, T.; Hablot, L.; et alii; 2018
Torsten Hiltmann, Laurent Hablot, Marc Gil, Matteo Ferrari, Luisa Gentile, Oliver Fearon, Andreas H. Zajic, Martin Roland, Steen Clemmensen, Radu Lupescu, Anne-Sophie Bessero-Lagarde, Tanja Jones, Alessandro Savorelli and Jean-Christophe Blanchard, «Heraldic Artists and Painters in the Middle Ages and Early Modern Times», colection Heraldic Studies, volume 1, 236 pages, with illustrations and photographs in black and white and color, edition with some articles in English and other in French, dimensions 16.90 x 2.00 x 24.40 centimeters, edited by Torsten Hiltmann and Laurent Hablot, publication funded by the Volkswagen Foundation, by the 4th Section of the EA SAPRAT (Ecole Pratique des Hautes Etudes-Paris Sciences et Lettres) and by the CESCM (Centre d’Études Supérieures de Civilisation Médiévale de Poitiers), published by Jan Thorbecke Verlag, ISBN 978-3799512534, Ostfildern, Germany, 2018.
The content of this book is as follows:
Introduction
«Arms and Art in the Middle Ages; Approaching the Social and Cultural Impact of Heraldry by its Artisans and Artists», article in English, pages 11-23, Torsten Hiltmann, Munich, Germany.
«Art, Esthétique et Productions Héraldiques au Moyen Âge; Considération Générales», article in French, pages 24-40, Laurent Hablot, Paris, France.
The artist
«Peinture d’Armoiries, une Activité Parmi d’Autres du Peintre Médiéval?», article in French, pages 43-55, Marc Gil, Lille, French Flanders, France.
«Au Service de la Commune; Identité et Culture des Peintres Héraldistes dans les Villes Italiennes aux XIIIème–XIVème Siècles», article in French, pages 56-75, Matteo Ferrari, Poitiers, France.
«Artistes, Hérauts et Héraldique de Part et d’Autre des Alpes Occidentales», article in French, pages 76-94, Luisa Gentile, Turin, Italy.
Conception
«As Yt Ys Made; Gender and Description in Plans for Armorial Displays by the English Gentry c. 1460–1500», article in English, pages 97-112, Oliver Fearon, York, United Kingdom.
«The Influence of Beneficiaries on the Artistic Make-up of Imperial Grants of Arms or: How Do Heraldic Images Get into Late Medieval Charters?», article in English, pages 113-132, Andreas H. Zajic, Vienna, Austria.
Specific supports and contexts
«Medieval Grants of Arms and their Illuminators», article in English, pages 135-155, Martin Roland, Vienna, Austria.
«Armorials as Commercial Ventures?», article in English, pages 156-166, Steen Clemmensen, Farum, Denmark.
«Heraldic Commissions in an Architectural Context; Case Studies from Transylvania», article in English, pages 167-178, Radu Lupescu, Cluj-Napoca, Romania.
«Les Auteurs des Pompes Funèbres Héraldiques à la Renaissance; Artistes de Renom, Associations de Peintres et Ateliers Spécialisés», article in French, pages 179-189, Anne-Sophie Bessero-Lagarde, Paris, France.
Individual artists and their work
«Vivified Heraldry; On Pisanello’s Medallic Imagery», article in English, pages 193-206, Tanja Jones, Tuscaloosa, Alabama, United States.
«L’Héraldique des Della Robbia à Florence entre Abstraction et Naturalisme», article in French, pages 207-221, Alessandro Savorelli, Florence, Italy.
«Georges Gresset, Peintre et Héraut d’Armes des ducs de Lorraine, 1523–1559», article in French, pages 221-235, Jean-Christophe Blanchard, Nancy, France.
Bibliographical reference of century XXI.
Classification: English language, French language and Black and white and color illustrations.
The names of the authors are:
- Hiltmann, Torsten.
- Hablot, Laurent.
- Gil, Marc.
- Ferrari, Matteo.
- Gentile, Luisa.
- Fearon, Oliver.
- Zajic, Andreas H..
- Roland, Martin.
- Clemmensen, Steen.
- Lupescu, Radu.
- Bessero-Lagarde, Anne-Sophie.
- Jones, Tanja.
- Savorelli, Alessandro.
- Blanchard, Jean-Christophe.
External link:
Internal resources: Paper book.
Salmerón Cabañas, A.; 2017b
Antonio Salmerón Cabañas, «Coat of arms and heraldic creation between January 2017 and November 2017», paintings registered in the Intellectual Property Registry of Madrid, 116 pages with 474 color illustrations of coats of arms and other heraldic objects, request code M-008097/2017, Madrid, 18th of December of 2017.
In this collection, I showcase a range of my unique heraldic designs, each embodying a distinct narrative and artistic vision. My works demonstrate my expertise in blending traditional heraldry with contemporary aesthetics, highlighting my commitment to preserving the artistry of heraldry while infusing it with modern creativity.
Bibliographical reference of century XXI.
Author: Salmerón Cabañas, Antonio.
Registration and coats of arms of the 2nd page
Coat of arms of the pages 113 and 114
Coat of arms of the pages 115 and 116
Sigue por: Burke, B.; 1989.
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Language
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Categories of heraldry
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Divisions of the field
- Without divisions
- Party per pale
- Party per fess
- Party per bend sinister
- Tierce
- Tierce sinister
- Tierced per bend
- Quarterly
- Quarterly per saltire
- Gyronny
- Party per fess, the chief per pale
- Party per pale, the sinister per fess
- Party per fess, the base per pale
- Party per pale, the dexter per fess
- Party per chevron
- Enté en point
- Flanched
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Metals
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Colours
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Furs
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Other tinctures
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Ordinaries and sub-ordinaries
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Diminutives of the ordinaries
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Other charges
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Charges from Nature
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
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Artificial charges
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
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Immaterial charges
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
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External elements
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Heraldic creations
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References
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Formats
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Keywords on this page
Riddle, Watercolor, Iridescent (nacar), Bibliography, Clarion, Outlined in sable, Doctor, In black and white, Black and white and color illustrations, Schema, Photographic, Grenville, Thomas, Gules, Illuminated, Imaginary, Interpreted, French language, English language, Lineage, Soft metal, Or, Without divisions, Intellectual property, Kingdom of England, Sable, Century XX, Century XXI, Plain tincture, Tower, Freehand and Three.