Crest, mantling and motto of Julio Hector Aspe

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent. Crest: Upon a helm lined Gules with a wreath Or and Azure, a paschal lamb regardant Argent, nimbed Or, supporting a staff Or, flying a flag Argent charged with a cross Gules. Mantling: Azure doubled Or. Motto: «Quis ut Deus».

Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a watercolor finishing.

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Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis, In fess, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Paschal lamb, Regardant, Nimbed, Grasping, Shafted, Charged, Cross, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.

Classification: Personal, Created, Boa, Coat of arms and Flag.

Bearer: Aspe, Julio Hector.

Miguel de Salazar y Mendoza, chronicler and chaplain of honor to Philip IV, «Nobiliario de armas», with contributions from Lázaro Díez del Valle and others, manuscript in the National Library of Spain, 7 volumes, volume 1 with 1084 pages, call number MSS/12599, volume 2 with 926 pages, call number MSS/12600, volume 3 with 762 pages, call number MSS/12601, volume 4 with 614 pages, call number MSS/12602, volume 5 with 784 pages, call number MSS/12603, volume 6 with 1106 pages, call number MSS/12604, and volume 7 with 998 pages, call number MSS/12605, total approximately 6274 pages, 22 x 16 centimeters, by various authors with handwriting from different hands, 1654.

Dates and years

In volume 1, page 66, the year 1498 appears first, there are many years written on many pages, often related to events or positions held by the bearers of the described coats of arms. These are years from the 14^th century onward. In the different volumes, there are also, though much less frequently, some dates with day, month, and year.

It is notable that, on that same page 66 of volume 1, on the last written line on the right, there appears what seems to be a signature, followed by the preposition «a» which is used in a formal sense to indicate the date on which a document is drafted or signed, and a specific date. It can be seen in the first image at the beginning of this section where « = Silva y Salazar. a 27 de abril de 1654 = » is highlighted in larger and darker font. However, only the second surname in «Silva y Salazar» matches that of the author «Miguel de Salazar y Mendoza», so it would be the signature of a different person or possibly a relative who worked for the author.

As I have mentioned, throughout this volume and the entire armorial, there are other years, generally earlier and some later than 1654. For example, in the 17^th century, and specifically in this volume 1, on page 222, midway down on the right, the years 1697 and 1698 appear; on page 334, at the bottom right, I believe the year 1644 can be seen; on page 343, at the bottom right, the year 1638 appears.

To establish a reference year, I set it as 1654, only to have a temporal reference, even though this date appears signed by someone other than the author, on a note of paper smaller in size than the rest of the pages, this note talks about Ariño and is inserted just before the page dedicated to the coat of arms of the Ariño lineage. In any case, as can be observed and given the large number of pages, its writing must have extended over decades, and by several hands and authors, hence the appearance of later annotations such as 1697 and 1698.

The National Library of Spain dates it between 1601 and 1800, which is a very broad range of years.

Miguel de Salazar y Mendoza, was a chronicler and chaplain of honor to Philip IV who reigned from 1621 to 1665, he was the author of the «Formulario de Armeria» which some date to circa 1640, and of which there is a copy from 1739 that belonged to the King of Arms Zazo y Rosillo, also in the National Library of Spain.

Indexes and searches

There is a deteriorated index of all volumes at the beginning of volume 1, this index is alphabetically ordered by the initial letter of the lineage, but within each letter, the lineages are not strictly ordered, so one must read through the entire letter to find the sought lineage. Within each letter, there is an organization by volumes from 1 to 7, next to the name of the lineage on the right appears a number, and with that volume and number, the written coat of arms can be located. This mechanism, with some difficulty, allows for searches.

For example, in the 2 previous images, which are at the beginning of this section, you can see, first, a page from the index which is one of the pages dedicated to the letter S, in its section dedicated to volume 5, at the end of the 3^rd column, you can see the name of the Salmerón lineage, with the number 196 to its right. In the second image, you can see, from volume 5, the page with the number 196 at the top right, with the coat of arms of the Salmerón lineage described, but not painted, and is similar to the description in [Salazar y Mendoza, M. de; 1640; volume 3, page 313].

Drawings of coats of arms

This armorial contains, in the first 43% of volume 1, coats of arms with a crest, helmet, mantling, and plume, in the final 57% of volume 1 and in the rest of the volumes from 2 to 7, only the coats of arms without a crest.

The drawn coats of arms are always finished with a rounded arch. The coats of arms without a crest are always in a vertical position. The coats of arms with a crest are tilted toward the dexter (heraldic right), which is the left from the observer’s point of view, and both the coat of arms and the helmet, the mantling, and the plume, these arms with its crest are pre-printed, for this, 2 different plates were used, which can be distinguished because one has a plume of 4 feathers and the other has a plume of 5 feathers, as can be seen in the 2 first images before this section.

The external shape of the arms without a crest and the interior of all the coat of arms arms in this armorial, are drawn in pen. As illustrated in the third image before this section: most of the coats of arms drawings are blank; some are only sketched; others have incomplete quarters; and some are more advanced; but none have tinctures. Only the tree in the Aznar lineage coat of arms in volume 1, page 66, is painted in vert (green), so I categorize this armorial as created in black and white. At the beginning of volume 1, it is noteworthy that among the initiated arms, there frequently appears a tree as the main charge.

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Bibliographical reference of century XVII.

Classification: Manuscript, Armorial roll, Castilian language and In black and white.

The author is Salazar y Mendoza, Miguel de.

Bibliographical reference mentioned in the following article:

• Salazar y Mendoza, M. de; 1640

External resource:

• Biblioteca Digital Hispánica: Nobiliario de armas.

Internal resources: 7 volumes in PDF format. SalazarMendozaM1654.Tomo.1.pdf tomo 1 in PDF format, SalazarMendozaM1654.Tomo.2.pdf tomo 2 in PDF format, SalazarMendozaM1654.Tomo.3.pdf tomo 3 in PDF format, SalazarMendozaM1654.Tomo.4.pdf tomo 4 in PDF format, SalazarMendozaM1654.Tomo.5.pdf tomo 5 in PDF format, SalazarMendozaM1654.Tomo.6.pdf tomo 6 in PDF format and SalazarMendozaM1654.Tomo.7.pdf tomo 7 in PDF format.

[ Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable ] alternatively [ Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent ].

Escudo partido: 1^o de oro, en la diestra de la punta tres marletas en palo de sable; 2^o de gules, en la siniestra del jefe tres marletas en palo de plata; brochante sobre el todo una banda del uno al otro cargada de tres flores de lis puestas en palo, la primera de plata, la segunda partida de plata y sable y la tercera de sable.

Arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.

Coat of arms of Matthew Nelson designed by him and me and emblazoned by me.

Design rationale

This design combines elements and tinctures from the arms of his lineages: Luttrell, Anglo-Irish, and Nelson from Ireland, along with personal details. The bend, martlets, Or, and Sable are from Luttrell. The fleurs-de-lis Argent, Sable, and per pale Argent and Sable are from Nelson. As personal elements, the layout includes the letter N from his surname, and the color Gules.

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Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis and Palewise.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Nelson, Matthew.

[ Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or ] alternatively [ Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent. Crest: Upon a helm with a wreath Or and Gules, a demi-horse Sable. Mantling: Gules doubled Or ].

Arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finishing.

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Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis, Palewise, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Horse, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Nelson, Matthew.

Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.

Coat of arms designed by me, in flat tinctures, outlined in Sable, and with a texturized finishing.

Coat of arms of Angel España Herranz designed by him and me, and emblazoned by me.

Design rationale

The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.

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Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.

Style keywords: Outlined in sable and Plain tincture.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: España Herranz, Angel.

Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.

Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.

Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finishing.

Design rationale

The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.

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Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: España Herranz, Angel.

Francisco Piferrer, «Treatise on Heraldry and Blazonry», illustrated by José Asensio y Torres, 292 pages, revised, corrected, and expanded by the same author, printed by Antonio Espinosa, Madrid, 1858.

Francisco Piferrer was a 19^th-century Spanish writer and historian, specialized in heraldry and genealogy. He was a prominent figure in the dissemination of nobiliary and heraldic history in Spain. Among his most notable works is this «Treatise on Heraldry and Blazon» published in 1858, a fundamental work that is still considered a reference in the field today. His work is valued for its meticulous documentation and for laying the foundations for other heraldic studies in Spain.

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Bibliographical reference of century XIX.

Classification: De bibliotheca, Castilian language and In black and white.

Author: Piferrer, Francisco.

External resources:

• University of Granada, book record.
• University of Granada, original scanned PDF, under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.

Internal resources: PiferrerF1858.22.TratadoHeraldicaBlason.UGr.B-014-074_2.pdf is the 1858 edition scanned into a digital PDF format by the University of Granada and A facsimile edition as a physical book on paper.

Sigue por: Herndon, family of Paul and Kari.