Party per fess, fimbriated Gules: 1st Azure, two royal drums in fess Argent, stringed Or, each charged with a bar Sable; 2nd Vert, a monkey statant Argent; overall a fess tierced per fess Azure, Gules, and Vert, fimbriated Argent; overall an inescutcheon Gules, fimbriated Argent.
Escudo cortado, perfilado de gules: 1o de azur, dos tambores reales en faja de plata, cordados de oro, cargados cada uno con una burela de sable; 2o de sinople, un mono parado de plata; brochante sobre la partición una faja terciada en faja de azur, gules y sinople, perfilada de plata; brochante sobre el todo un escusón de gules, perfilado de plata.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a vesica piscis external shape and with a leather finishing.
This is the traditional coat of arms of the Royal Abahinda Clan of the Ankore Kingdom (1478), Uganda, renewed by them under the supervision of Crowned Prince Tugume Salim, and emblazoned by me.
Blazon keywords: Gules, Azure, Argent, Or, Sable, Vert, One, Two, Party per fess, Fimbriated, Drum, In fess, Stringed, Charged, Monkey, Statant, Overall (line of division), Fess, Tierced per fess, Overall and Inescutcheon.
Style keywords: Outlined in sable, Illuminated, Vesica piscis and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Abahinda Clan, Royal.
Ackerson and Akers lineages.
Sable, a Bend between three Acorns Or.
Illuminated and freehand finishing.
The coat of arms of Ackerson and Akers lineages emblazoned by me and extracted from [Burke, B.; 1989].
Unless the blazon specifies another layout, when a bend is between three charges, this charges are ordered, two in the chief and one in the base, as the three acorns do in this case.
[Rietstap, J. B.; 1861] escribe el blasón de «Ackers ou Akers» como «de sable, à une bande d'or, acc. de trois glands du mesme».
Blazon keywords: Sable, Bend, Between, Three, Acorn, Or and Ordered.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Interpreted.
Ackhurst lineage.
Argent, on a Bend Sable three Acorns Or.
Illuminated and freehand finishing.
The coat of arms of Ackhurst lineage emblazoned by me and extracted from [Burke, B.; 1989].
Unless the blazon specifies another direction, the charges in a bend follow the direction of their bend, as the acorns do in this case.
Blazon keywords: Argent, Bend, Sable, Three, Acorn, Or and Bendwise.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Interpreted.
186th Pope of the Church, only 40 days in 1276. «Hadrianus V», born Ottobuono de Fieschi, was born in Genoa.
Bendy of six Azure and Argent.
Escudo bandado de seis piezas de azur y plata.
Papal coat of arms interpreted by me with: a shield with a rounded arch top; the field in plain tincture of Argent; the bands illuminated in Azure and outlined in Sable; and the whole in an elevated line style.
The blazon in French is «Bandé d'azur et d'argent de six pièces».
The banding is defined in [Avilés, J.; 1725a; page 40] and [Avilés, J.; 1780a; page 45] as the shields and also, the chiefs, fesses, pales, and figures, such as animals, etc., that are «covered and filled with bands in equal number, with as many of metal as of color».
Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Adrian V.
Gules, a cross flory voided Or; within a bordure Gules with eight saltires couped Or.
Escudo de gules, una cruz hueca flordelisada de oro; bordura de gules, ocho sotueres de oro.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.
Ancient arms of Alarcon of Cantabria emblazoned by me.
Blazon keywords: Argent, Sable, Or, Gules, Three, Cross, Flory, Voided, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alarcon of Cantabria, lineage.
Blazon of the Albero lineage of Aragon.
Vair ancient.
Escudo de veros antiguos.
Illuminated and with a glass finish.
It can be consulted in [Cadenas y Vicent, V. de; 1987; page 62].
[Friar, S.; 1987; pages 157-158] says of the veros: «originates from the fur of a species of squirrel... which was popular in the Middle Ages as a lining for the garments of those not entitled to wear ermine. The animal was blue-grey on the back and white underneath. By sewing a number of these pelts together, with white and blue-grey alternating,... one which easily translated into the stylized armorial form of Vair and its variants».
Blazon keywords: Vair ancient.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Purpure, three dragons passant, in pale Argent; a bordure Gules, eight saltires couped Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Without divisions, Purpure, Three, Dragon, Passant, In pale, Argent, One, Bordure, Gules, Eight, Saltire, Or, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Trujillo Jiménez, Hermanos.
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, three anchors Or, 2 and 1.
Escudo cortado: 1o de sable, tres estrellas de plata de ocho puntas, 1 y 2; 2o de azur, tres anclas de oro, 2 y 1.
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Sable, Argent, Azure, Or, Three, Party per fess, Mullet, Disordered, Anchor and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Alborán, Sea of.
Gules, on a trimount issuant from the base Or, a port Gules, with canopy roof, jambs, enarched lintel, and two open leaves, upon a three-step stairway Oro.
Escudo de gules, un monte de tres peñas moviente de la punta sumado de una puerta con tejadillo, jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de oro, aclarada de gules.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of Albrecht Dürer, 1471-1528, emblazoned by me based on the woodcut titled «Coat of Arms of Albrecht Dürer» made by Albrecht Dürer himself in 1523 on a sheet measuring 35.1 × 26.1 cm belonging to The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952, held at the Metropolitan Museum of New York, and on the work titled «Marriage Coat of Arms of the Families Duerer and Holper. Verso of the Albrecht Dürer the Elder portrait», dated 1490; Albrecht Dürer the Elder, 1427–1502, was his father.
The Dürer family coat of arms is an example of canting arms. Their family origin traces back to Ajtós, Hungary, a name which means «door» or «doorman» in Hungarian. Upon settling in Nuremberg, the family Germanized their surname to «Türer», derived from «Tür», meaning «door», and later to Dürer. This is the reason of the main charge of these arms.
Blazon keywords: Gules, One, Two, Three, On, Trimount, Issuant from base, Port, Canopy roof, Arched, Enarched, Upon, Step, Stairway and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Albrecht Dürer.
Blazon of the Aldam lineage of England.
Azure, a ray of the sun bendwise, issuant from the dexter chief Or.
Escudo de azur, un rayo de sol puesto en banda, naciente de la diestra del jefe de oro.
Illuminated with lights and shadows and with a freehand finish.
Described in [Burke, B.; 1989; page 9, column 1, entry 11].
Blazon keywords: Without divisions, Azure, One, Ray of the sun, Bendwise, Nascent, Dexter, Chief and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.
Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Alea Capital.
Or, four bell towers issuant from base Gules, windows Or.
Coat of arms of Alejandra Espeja Amieva designed by Juan Lanzagorta Vallín and outlined by me.
Blazon keywords: Or, Gules, Four, Bell tower, Issuant from base and Port and windows.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Espeja Amieva, Alejandra.
Bordure engrailed and bordure invected.
Painting inspired in [Nisbet, A.; 1816; page 21, pictures 1 and 2], but with the 3 boar's heads of Alexander Nisbet within the 2nd bordure invected.
Blazon writen by the College of Arms for the coat of arms of Michael John Huxley-Evans «Per fess nebuly Sable and Ermine in chief a Rose Argent barbed and seeded proper within a wreath of Thorns Or in base three Boar's Heads erased Sable armed Or.», but to differentiate from the «armed» of the claws, I prefer «tusked» to «armed» for the defenses/tusks of the boar's heads.
Blazon keywords: Bordure, Invected, Engrailed, Head and Boar.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Nisbet, Alexander.
Born on August 15, 1171, in Zamora and died on September 24, 1230, in Sarria, Lugo.
Argent, a lion rampant Purpure, armed and langued Gules.
Escudo de plata, un león rampante de púrpura, armado y lampasado de gules.
Arms of the king of León interpreted by me as follows: the escutcheon is in a semi-circular arch; the field and the lion have been enameled and illuminated; and the ensemble has a watercolor finish.
This coat of arms of León can be seen, among many other places, for example, in [Argote de Molina, G.; 1588; chapter XLII].
Blazon keywords: Without divisions, Argent, Purpure, Gules, One, Lion, Rampant, Armed and Langued.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of León.
Bearer: Alfonso IX of Leon.
Azure, a cross flory voided Argent; a bordure Gules charged with sixteen saltires couped Or.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a texturized finishing.
Alfonso Sánchez de Perella, first mayor of Burgos emblazoned by me. He appears as the [Cofradía de Santiago; Century XIV; 4th knight, 1st of the page 21 V], from this 14th century Book of the Brotherhood of Knights of Santiago de la Fuente. This was a brotherhood founded by the Burgos citizens at the time of King Alfonso XI of Castilla, 1311-1350. In the book, there are 14 saltires instead of 16, as it appears that one is missing on the sinister side of the base, and there are 4 in the chief instead of 5.
Blazon keywords: Azure, Argent, Gules, Or, One, Sixteen, Cross, Flory, Voided, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sánchez de Perella, Alfonso.
King of Castile from 1158 to 1214.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable. Crest: An open royal crown Or.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable. Timbrado de una corona real abierta.
Arms of the king, as interpreted by me, as follows: the shield's shape is pointed and rounded; the field is enameled Gules; the castle is outlined in Sable; and the whole composition features a watercolor finish.
In [Valero de Bernabé, L.; 2009a; page 1] the author specifies the main characteristics of the «Castilian royal castle», which can be summarized as: «with three towers, the middle one taller, and the two flanking it identical», «each tower crowned with three battlements», «one to three doors and one or two pointed windows on each tower», and «masoned and battlemented», as also noted by the same author in [Valero de Bernabé, L.; 2009b; page 33].
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Crest, Open royal crown and Crown.
Style keywords: Ogee, Plain tincture, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Alfonso VIII of Castile.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the King Alfonso X of Castile, 1221–1284, 1st son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The order of the quarters is first the castle of his grandmother, Queen Berenguela of Castile, and second the lion of his grandfather, King Alfonso IX of León; however, the other day I discovered that on the map by [Martineau du Plessis, D.; 1700; volume II, illustration 30, page 126], in the shield framed between parallels 37 and 36 and meridians 21 and 22, the lion occupies the 1st quarter and the castle the 2nd quarter; that is, their order appears reversed.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Alfonso X of Castile.
County of Cheshire, visitation of 1663.
Party per bend sinister: 1 Or, three martlets Sable; 2 Sable, three martlets Or.
Escudo tajado: 1o de oro, tres marletas de sable; 2o de sable, tres marletas de oro.
Coat of arms interpreted with: a rounded base; the field illuminated in Or and Sable; the martlets outlined of the field and illuminated in Sable and Or; and the whole with a leather finish.
A coat of arms recorded in [Adams, A.; 1941] which Cheshire Heraldry blazons as follows: «Per bend sinister Or and Sable, six martlets counterchanged», note that no specific arrangement is specified for the martlets.
There is also an entry for «Allen de Brindley» in [Armytage, G. J.; Rylands, J. P.; 1909], but it only records the family tree without specifying the coat of arms.
Blazon keywords: Party per bend sinister, Or, Sable and Martlet.
Style keywords: Rounded, Illuminated, Outlined in the field tincture and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Allen de Brindley.
Of the twelve lineages of Noblemen, it is the first, and they bear as arms, on a golden field, three pales Azure.
Or, three Pallets Azure.
Escudo de oro, tres palos de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.
Based on the first coat of arms of the «ricoshombres» of Navarre in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Los Almorauides» it can also be consulted in [Vega, P. J. de; 1702; folio 1 of the manuscript].
Blazon keywords: Without divisions, Or, Three, Pale and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Almorrabides of Navarre.
Known as the Wise, King of Castile and Leon from 1252 to 1284.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Armories of the Wise King of Castile interpreted by me with the following characteristics: the external shape of the coat of arms ends in an ogee arch; the field, the 2 castles, and the 2 lions are outlined and enameled in flat colors; and the texture seems fabric.
This coat of arms, but with a pointed external shape, can be seen in the 2nd part of the so-called armorial [Wijnbergen; 1265; cuat of arms number 1,289], with the title «Le roy Despaingne», which in this context is understood to refer to Castilla y León.
The 2nd part of this armorial was made between 1270 and 1285 and, being Alphonse X king of Castile and Leon from 1252 to 1284, it is to Him that the title «Le roy Despaingne» seems to refer.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed and Langued.
Style keywords: Ogee, Plain tincture, Outlined in sable and Fabric.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Alphonse X of Castile.
Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules.
Escudo de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the lineage Alpoim. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Alpoim are in the 2nd quarter.
Blazon keywords: Azure, Argent, Or, Gules, One, Crescent, Reversed, In the dexter chief, Fleur de lis and Bordure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Alpoim, lineage.
Vert, two scythes in saltire Argent; on a chief Argent, three cornflowers Azure, seeded Argent.
Escudo de sinople, dos guadañas de plata en sotuer; el jefe de plata, tres flores de aciano de azur, botonadas de plata.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a leather finish.
The coat of arms of Yuri Alexander Altnau designed by Christopher Altnau and emblazoned by me.
Blazon keywords: Vert, Argent, Azure, One, Three, Scythe, In saltire, Chief, Cornflower, Flower and Seeded.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Altnau, Yuri Alexander.
Party per pale: 1 Or, a Georgian dancer proper; 2 Gules, a church Or, ports and windows Azure.
Escudo partido: 1o de oro, un bailarín georgiano al natural; 2o de gules, una iglesia de oro, aclarada de azur.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Coat of arms of Graziano Alu designed by Angelo Musa and emblazoned by me. The blazon in Italian is «Arma: Partito: 1o d'oro, un ballerino georgiano al naturale; 2o di rosso, una chiesa d'oro, finestrata e portata d'azzurro».
Blazon keywords: Or, Gules, Azure, One, Party per fess, Male figure, Proper, Church and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alu, Graziano.
Blazon of the Amancier lineage of Genevois, Haute-Savoie, France.
Gules, three bars per pale Or and Azure.
Illuminated and a freehand finishing.
Its French blazon «de gueules, à trois fasces parties d'or et d'azur» can be found at [Rietstap, J. B.; 1861; page 40].
Any fess party per pale of metal and color or color and metal will always have a metal on metal or color on color conflict whether the field of the coat of arms is color or metal. There isn't conflict if the field of the coat of arms is also party per pale with metal under the color of the fess and with color under the metal of the fess or if the field is fur.
Blazon keywords: Without divisions, Gules, Three, Fess, Party per pale, Or and Azure.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Argent, a chevron between three crosses flory Sable.
Escudo de plata, un cabrio acompañado de tres cruces flordelisadas todo de sable.
Illuminated with lights and shadows and with a freehand finish.
The coat of arms of Anderson of Erbury emblazoned by me in 4 ways: 1) tricking using abbreviations, 2) hatching using lines, 3) plain tinctures, and 4) lights and shados. It is a preliminary artwork for the arms of Nick Allen Rica II.
Blazon keywords: Without divisions, Argent, One, Chevron, Between, Three, Cross flory, Cross couped and Sable.
Style keywords: Freehand, Outlined in sable, Illuminated, Pointed, Tricking, Hatching and Plain tincture.
Classification: Interpreted, Kingdom of Scotland and Schema.
Bearer: Anderson of Erbury.
Azure, two barbels addorsed Argent. Behind the shield an eight-pointed cross patty Gules.
Blazon keywords: Azure, Two, Barbel, Addorsed, Argent, Behind the shield, One, Eight-pointed cross, Cross couped and Gules.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Montbard, André de.
Blazon of the André lineage of France.
Gules, a millstone Or.
Escudo de gules, una piedra de molino de oro.
Illuminated and a watercolor finishing with shadow in the hole.
For its better identification, I have painted the millstone with the ring that fixes it to its axis. This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone. Millrinds may appear on coats of arms independently of millstones. Another heraldic element related to the previous ones is the millwheel, which is a toothed gear that is part of the mill mechanism but should not be confused with the millstone that grinds the grain.
Blazon keywords: Without divisions, Gules, One, Millstone and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
It has been emblazoned by me, illuminated with lights and shadows, contoured in Sable, and with a freehand finish.
G0066, Chief Herald of Arms of Malta's grant of Andrea Pompili's standard, whose heraldic standard has been emblazoned by me. Structure: coat of arms; badge; 1st line of the motto «Per audacia»; crest; 2nd line of the motto «Ad astra»; four mullets of six points party per fess Or and Azure, 2 and 2.
Blazon keywords: Azure, Argent, Gules, Or, Vert, Two, One, Four, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Crest, Upon (wreath), Wreath, Demi, Lion, Langued, Winged, Displayed, Armed, Crowned, Ancient coronet, Crown, Grasping, Claw, Motto, Dexter, Paw, Branch and Laurel.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Boa, Standard and Flag.
Bearer: Pompili, Andrea.
Party per pale: 1 per fess indented perlong Or and Azure overall on a fess Azure a mullet Or, and on a chief cousu Or an eagle displayed, a crown Or above [for Tamburelli]; 2 Azure, a lion rampant Or supporting a lance palewise Argent, in chief three mullets Or [for Lanzara]. Crest: Upon a helm, with visor bars Or, lined Gules, with a wreath Or and Azure, a crown of an Italian Count. Mantling: Azure doubled Or.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a texturized finishing.
Coat of arms of Count Andrea Tamburelli Lanzara di Pietragavina, registered under number R0018 by the Chief Herald of Arms of Malta and emblazoned by me for said registration.
Blazon keywords: Or, Azure, Sable, Argent, One, Three, Party per pale, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Lion, Rampant, Grasping, Spear, Point upwards, Crest, Upon (wreath), Helm, Barred, Lined, Wreath and Crown of Count.
Style keywords: Outlined in sable, Illuminated, Ogee and Cousu.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Tamburelli Lanzara di Pietragavina, Andrea.
Or, an eagle displayed Azure.
Arms painted by me, in plain tinctures, contoured in Sable, with a rounded trapezoidal external shape and with a texturized finishing.
The coat of arms of Andrés Cruz Carballo designed by his father-in-law Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Or, Azure, One, Eagle and Displayed.
Style keywords: Outlined in sable, Plain tincture and Rounded trapezoid.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Cruz Carballo, Andrés.
National Association of Criminology Experts and Experts in Forensic Sciences for the Courts of Justice.
Azure, a Female representing Justice Argent, clothed Or, holding in the dexter hand a Sword Argent, garnished Or, and in the sinister hand Pair of Scales Or. Crest: An open royal crown Or. Motto: «ANPC».
Escudo de gules, una Justicia de plata, vestida de oro, en su diestra una espada de plata, alzada, guarnecida de oro y en su siniestra una balanza de oro. Timbrado de una corona real abierta. Divisa: «ANPC».
Coat of arms that I have organized based on a previous idea from the ANPC, in the following way: the mouth of the shield is rounded and is outlined at double my usual thickness; the whole is enamelled in gules, argent and or, illuminated, outlined in sable and with a watercolor finish; and to separate the letters of the motto a dot «·» is used at mid-height.
[Cadenas y Vicent, V. de; 1975; page 119 and following] dedicates its chapter 7 to «representative heraldry» and, within it, its first section to «professional heraldry», to which this coat of arms belongs according to his classification, and defines it as that which «corresponds to and reflects... all the emblems of the different professions, professional associations, societies where people with the same hobbies or pastimes are grouped». The other 3 categories that, together with «professional heraldry», make up «representative heraldry» are «industrial», «sport» and «tourism».
Personally, I follow my own heraldic classification, which follows to some extent [Cadenas y Vicent, V. de; 1975], in which the coats of arms of associations like the ANPC are classified within what I call socioeconomic heraldry.
Blazon keywords: Without divisions, Gules, Argent, Or, Female figure, One, Justice, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Crest, Open royal crown, Crown and Motto (identification).
Style keywords: Watercolor, Illuminated, Shaded, Semi-circular and Outlined in the field tincture.
Classification: Coat of arms, Created and Socioeconomic.
Bearer: ANPC.
Coats of arms emblazoned by me with a shapes ended with semi-circular arches, illuminated, and with a leather finishing.
My designs with roses and a cross patty for the coat of arms of Antonio José Gómez Morillo, the design chosen to continue working was that of the 2nd row and 3rd column.
Blazon keywords: Argent, One, Cross patty, Cross couped, Gules, Charged, Double rose, Barbed, Seeded, Between and Four.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Created and Coat of arms.
Bearer: Gómez Morillo, Antonio José.
1525-1581.
Lozengy Or and Azure, on a pale Gules, three estoiles Or.
Escudo losanjado oro y azur, en un palo de gules, tres estrella ondadas de oro.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; the pale illuminated in Gules and outlined in Sable; the estoiles illuminated in Or and outlined in Sable; and the whole with a raised-stroke effect.
Blazon keywords: Lozengy, Or, Azure, Pale, Gules, Charged and Estoile.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Antrobus, Thomas.
Canting arms, apple ~ appleton.
Argent, two chevronels Azure between three apples Gules, slipped and leaved Vert.
Escudo de plata, dos tenazas de azur acompañadas de tres manzanas de gules, talladas y hojadas de sinople.
Coat of arms interpreted by me with: a round-bottomed shield shape; the field in flat tincture metal Argent; the figures outlined in Sable and illuminated in Azure, Gules, and Vert; and all with a rough finish.
A summary of the heraldic blog of David B. Appleton can be found among my recommended links on the heraldic universe.
Blazon keywords: Without divisions, Argent, Azure, Gules, Vert, Chevronel, Between, Apple, Slipped and Leaved.
Style keywords: Rough, Illuminated and Outlined in sable.
Classification: Interpreted, Personal, Coat of arms, Canting and Heraldry and heralds.
Bearer: Appleton, David B..
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Recreated coat of arms of Aragón in the following manner: the escutcheon shape is pointed and rounded; the field is rendered in flat Or; the pallets are illuminated; and the whole has a parchment-like finish.
This rendition of the coat of arms is based on [Portolés, J.; Molino, M. del; 1590].
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Ogee, Illuminated and Parchment.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.
Bearer: Aragon.
Azure, a lion rampant Argent, in chief a mullet of four points Or; a bordure Gules charged with eight saltires couped Or.
Escudo de azur, un león rampante de plata, surmontado de un lucero de oro; una bordura de gules cargada de ocho sotueres de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
These are the ancient arms of the lineage Araneta emblazoned by me. They are from the Basque Country and there is a branch in the Philippines. This star is known as mullet of four points.
Blazon keywords: Azure, Argent, Or, Gules, One, Eight, Lion, Rampant, Mullet of four points, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Araneta, lineage.
Or, an oak tree proper, fructed Or, with a boar supporting it Sable; on a chief Gules, three eagles displayed Or.
Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; en un jefe de gules, tres águilas de oro.
Escudo interpretado por mí, en tinturas planas, delineado de sable, con un contorno exterior medio punto y con un terminado texturizado.
Coat of arms of Manuel Maria Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Chief, Gules, Three and Eagle.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Aras Quirce, Manuel Maria.
Gules, a cross vair ancient.
Escudo de gules, una cruz de veros antiguos.
Coat of arms that I have interpreted as follows: the shield has a semicircular (round) base; the field is in flat tincture of Gules; the ancient vair, rounded or of the old form, which are always Argent and Azure, are illuminated and outlined in Sable; and the whole of the hereditary coat of arms has a raised-stroke drawing.
Este escudo puede encontrarse en el libro del propio [Argote de Molina, G.; 1588; páginas 14 y 168], en la página 14 en grande, con cimera y rodeado de otros escudos de menor tamaño y en la página 168 de menor tamaño, con yelmo y lambrequines. En ambos casos el trazado de los veros es antiguo, redondeados, y en estas interpretaciones así los he reflejado.
Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair ancient.
Style keywords: Freehand, Illuminated and Outlined in sable.
Classification: Interpreted, Personal, Coat of arms and Heraldry and heralds.
Bearer: Argote de Molina, Gonzalo.
Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.
Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».
Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argudo of Guipuzcoa, lineage.
Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it.
Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.
Coat of arms of the lineage Argüello of Extremadura emblazoned by me. Its blazon may be found in the books [Atienza y Navajas, J. de; 1959; page 171] and [Cadenas y Vicent, V. de; 1987; page 167], where it is described as Vert with its acorns and roots Or. In this rendition, I have interpreted the holm oak as proper, but also fructed and eradicated Or.
Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Tree, Proper, Fructed, Eradicated, Goat and Supporting.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argüello of Extremadura, lineage.
Quarterly: 1 Azure, a cross Or; 2 Vert, a saltire Or; 3 Vert, a bend sinister Or; 4 Azure, a fess Or.
Escudo cuartelado: 1o de azur, una cruz de oro; 2o de sinople, un sotuer de oro; 3o de sinople, una barra de oro; 4o de azur, una faja de oro.
Imaginary coat of arms that I have created featuring: a semicircular external shape; a field enamelled with flat azure and green inks; all pieces in metal Or, outlined in Sable and illuminated; and the entire design finished with a watercolor effect.
This coat of arms symbolizes the fundamental area of mathematical science, whose object of study is numbers and the elementary operations that can be performed with them: addition, subtraction, multiplication, and division.
Blazon keywords: Quarterly, Azure, Vert, Or, Cross, Saltire, Bend sinister and Fess.
Style keywords: Illuminated, Outlined in sable and Watercolor.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Arithmetic.
Or, a wolf passant Gules; on a chief Gules, three bells Or. Crest: Upon a helm with a wreath Or and Gules, a demi-wolf Gules supporting with both paws an armillary sphere Or. Mantling: Gules doubled Or. Motto: «Varia vivendi cupidus».
The coat of arms of Jean-Christophe Loubet del Bayle. The image combines a photograph of a drawing of an armillary sphere along with his arms, both painted by me.
Blazon keywords: Or, Gules, One, Three, Wolf, Passant, Chief, Bell, Crest, Upon (wreath), Helm, Wreath, Demi, Supporting, Paw, Armillary sphere, Mantling, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Loubet del Bayle, Jean-Christophe.
Paly of six Gules and Argent; overall, a fess Or charged with a lance Gules. Crest: Upon a helm with a wreath Argent and Gules, an arm vambraced, bendwise Argent, grasping, bend sinisterwise, a bow Gules, cord Or, and an arrow point sinister Argent. Mantling: Gules doubled Argent. Motto: «Inter Primos».
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a chasuble outer contour and with a freehand finishing.
Canting arms of Rex Lancefield emblazoned by me under the directions of his descendant Erik Paul Arnelien. My interpretation is based on a painting of this coat of arms, c. XIX, somewhat deteriorated by handling and the passage of time and also includes two Nordic scrolls, one on each side. I consider these two Nordic scrolls on either side of the coat of arms an external decoration as an artistic detail; therefore, they are not part of the blazon of the arms.
Blazon keywords: Gules, Argent, Or, Six, One, Paly, Overall, Fess, Charged, Spear, Crest, Upon (wreath), Helm, Lined, Wreath, Arm, Vambraced, Bendwise, Grasping, Bend sinisterwise, Bow, Cord, Arrow, Point sinister, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Chasuble and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lancefield, Rex.
Or, a eagle displayed Sable.
Arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Coat of arms of the Arrano Beltza, the black eagle, emblazoned by me. Historically, it is associated with the Kingdom of Navarre and its king, Sancho VII the Strong, 1154-1234, although there is no definitive documentary evidence that it was used as an official coat of arms.
Blazon keywords: Or, Sable, One, Eagle and Displayed.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Arrano Beltza.
Kingdom of Sweden.
Gules, a grenade Or.
Escudo de gules, una bomba de oro.
Illuminated with lights and shadows and with a iridescent and metallic finish.
Blazon keywords: Without divisions, Gules, One, Grenade and Or.
Style keywords: Metal beaten, Iridescent (nacar), Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Military and Kingdom of Sweden.
Bearer: Artillery Combat School of the Swedish Army.
Gules, three lozenges Or.
Escudo de gules, tres losanjes de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Coat of arms of the lineages Asuncion and de la Asuncion emblazoned by me.
Blazon keywords: Gules, Or, Three and Lozenge.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Asuncion and de la Asuncion, lineages.
Blazon of the Avelar lineage of Portugal.
Or, three bars Gules charged each one with three mullets of six points Argent.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 127].
Blazon keywords: Without divisions, Or, Three, Fess, Gules, Charged, Mullet and Argent.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Of the twelve lineages of Noblemen, they are the third great and ancient barony, where the first King of Aragon had his mother; they make a shield of Or without any mixture of colour or device, but a field of gold as painted in this shield.
Or.
Escudo de oro.
A coat of arms that leaves little room for interpretation, which I have recreated with: a semicircular (round) base; the field in flat Or; and finished in highly-hammered metal.
Based on the third coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Aybar» it can also be consulted in [Vega, P. J. de; 1702; folio 3 of the manuscript].
Blazon keywords: Without divisions and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Aybar of Navarre.
Azure, a Celtic trefoil knot with two acorns pendant from each end; a bordure Or.
Heraldic device painted by me, illuminated with lights and shadows, contoured in Sable, with a circular outer contour and with a leather finish.
The badge of the Genealogical Society of Ireland, GSI, emblazoned by me.
Blazon keywords: Azure, Or, One, Celtic trefoil knot, Acorn and Bordure.
Style keywords: Outlined in sable, Illuminated, Round and Leather.
Classification: Socioeconomic, Interpreted, Boa and Badge.
Bearer: Genealogical Society of Ireland.
A lozenge Or, charged with a fox rampant, guardant, holding in its dexter paw a federschwert bend sinisterwise proper, within a bordure Vert.
Heraldic device painted by me, illuminated with lights and shadows, outlined in Sable, and with a rough finish.
Heraldic badge of Jason Landers Northam from Illinois, emblazoned by me. The federschwert, feder sword, or «feather sword» translated from German, is a training sword developed in the late 15th century and used during the 16th century in Renaissance fencing schools. Its design allowed safe and realistic practice, reducing the risk of serious injuries while preserving the handling of a real sword. Today it remains in use within Historical European Martial Arts, combining historical fidelity with safety.
Blazon keywords: Or, Vert, One, Lozenge, Fox, Rampant, Guardant, Federschwert, Sword, Proper, Within and Bordure.
Style keywords: Outlined in sable, Illuminated and Rough.
Classification: Personal, Interpreted, Boa and Badge.
Bearer: Northam, Jason Landers.
Perched upon a lotus flower Argent a peacock in his splendour proper.
Heraldic device painted by me, illuminated with lights and shadows, contoured in Sable, and with a watercolor finishing.
This is the heraldic badge of Ajay Gopal Valecha granted by the College of Arms and emblazoned by me. Grant of standard and badge for Ajay Gopal Valecha of the City of Westminster, issued by Garter and Clarenceux Kings of Arms, dated 8th February 2022.
Blazon keywords: Argent, One, Perched, Lotus flower, Flower, Peacock, In his splendour and Proper.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Boa and Badge.
Bearer: Valecha, Ajay Gopal.
Gules, a cross vair.
Escudo de gules, una cruz de veros.
Coat of arms interpreted with: a semicircular (round) base; the field in flat tincture of Gules; the vair illuminated and outlined in Sable; and the whole with a roughened finish.
The commune of Bailleul is located in the district of Dunkirk, in the Nord department, in the Nord–Pas-de-Calais region of France.
The coat of arms of Bailleul, called «Belle» in Flemish, is similar to that of the heraldist Gonzalo Argote de Molina, differing in that the commune’s arms bear vair, while the heraldist’s arms bear rounded vair in the ancient style.
Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Civic, Coat of arms and Kingdom of France.
Bearer: Bailleul, commune of.
Quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 chequey Or and Sable.
Escudo cuartelado en sotuer: 1o y 4o de oro, cuatro palos de gules; 2o y 3o ajedrezado de oro y sable.
Arms interpreted with: a lozenge-shaped shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.
Balaguer is the capital of the comarca of La Noguera in the province of Lleida. It was the capital of the county of Urgell under Ponce I of Urgell.
The quartering per saltire, which could also be called quartered in cross, is defined in English as «per saltire», [The Heraldry Society; 2013; page 8].
This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 15].
Blazon keywords: Quarterly per saltire, Pale, Chequey, Or, Gules and Sable.
Style keywords: Tiled, Plain tincture and Hard metal.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.
Bearer: Balaguer, municipality of.
By joining the points Pp at the base with Ps at the sinister and Pd at the dexter with Pj at the chief of the figure I can construct a bar more quickly.
If b and h are the width and height of the shield and b/3 the bar width, then the angle â of the bar is the arctangent of h/b, the angle ô = 90o-â is complementary to â, the adjacent side to ô is half the bar width, b/6, and the hypotenuse, horizontal Gules at the base, which determines the position of point Pp is equal to the adjacent side divided by the cosine of ô, that is, b/6 / cosine of ô, which can be approximated by 2b/9 with an error of 2.4%, an error that in heraldic art is admissible.
The angle ê = ô = 90o-â is complementary to â, its opposite side is also half the bar width and the hypotenuse, vertical Vert at the dexter, which determines the position of point Pd is equal to the opposite side divided by the sine of ê, that is, b/6 / sine of ê, which can be approximated by 2h/9 with an error of 2.4%.
The calculation of its position at the chief is equivalent to that of point Pp with the same approximation of 2b/9, horizontal Gules at the chief.
The calculation of its position at the sinister is equivalent to that of point Pd and can be approximated by 2h/9, vertical Vert at the sinister.
Blazon keywords: Bend sinister.
Style keywords: Freehand and Semi-circular.
Classification: PDF and Schema.
Azure, a wolf's head caboshed Argent, in chief three monstrances in fess proper. Motto: «Fiat Voluntas Tua».
Escudo de azur, una cabeza de frente de lobo de plata, acompañada en jefe de tres custodias en faja al natural. Lema: «Fiat Voluntas Tua».
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a rounded trapezoidal external shape and with a watercolor finish.
Coat of arms of Barbaro Jonathan Lopez Linares, Cuba, designed by him and emblazoned by me. These are canting arms, as the main charge of the coat of arms is a wolf ~ lupus ~ Lope ~ Lopez. In heraldry, beasts are usually depicted in an aggressive attitude, for example, with gaping jaws, protruding tongue, and visible fangs; in this case, it was the armiger’s wish that his wolf should not display such an aggressive expression; in my interpretation, I deliberately avoided those features of ferocity and instead sought to give the wolf a dignified and imposing look, one that inspires respect rather than open aggressiveness.
Blazon keywords: Azure, Argent, One, Three, Wolf, Head, Caboshed, In chief, Monstrance, Proper and Motto.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.
Classification: Personal, Interpreted, Canting, Boa and Coat of arms.
Bearer: Lopez Linares, Barbaro Jonathan.
Bendy sinister of seven.
Escudo, tres barras.
Blazon keywords: Without divisions and Bend sinister.
Style keywords: Ogee and Freehand.
Classification: Schema.
Gules, on a trimount issuant from the base Argent a bighorn sheep salient Or, horned Argent.
The coat of arms of the Barrio Alto of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. This image combines a photograph of my hand-drawn bighorn sheep salient with the corresponding heraldic arms, all designed, drawn, and painted by me.
Blazon keywords: Gules, Or, Argent, One, On, Trimount, Issuant from base, Bighorn sheep, Salient and Horned.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Civic, Created, Boa, Hand-drawn, Collage and Photographic.
Bearer: Barrio Alto of Mon'Tarena.
Argent, a bend Azure charged with a jaguar rampant Argent, spotted Azure. Motto: «Barrio Bajo» Sable with initial letters Gules over a scroll Argent.
Escudo de plata, una banda de azur cargada de un jaguar rampante de plata, manchado de azur. Divisa: «Barrio Bajo» de sable, con iniciales de gules, sobre una filacteria de plata.
Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a chasuble external shape and with a watercolor finish.
The coat of arms of the Barrio Bajo of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. In this case, the tinctures Azure and Argent have been adjusted to match the official colour palette of Mon'Tarena.
Blazon keywords: Argent, Azure, Sable, Gules, One, Bend, Charged, Jaguar, Rampant, Spotted, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Barrio Bajo of Mon'Tarena.
Party per pale Azure and Argent, a hummingbird volant bendwise counterchanged. Motto: «Barrio del Artista» Sable with initial letters Gules over a scroll Argent.
Escudo partido de azur y plata, un colibrí volante puesto en banda del uno al otro. Divisa: «Barrio del Artista» de sable, con iniciales de gules, sobre una filacteria de plata.
Arms devised by me, highlighted with lights and shadows, outlined in Sable, with a chasuble external shape and with a watercolor finish.
The coat of arms of the Barrio del Artista of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. In this case, the tinctures Azure and Argent have been adjusted to match the official colour palette of Mon'Tarena.
Blazon keywords: Argent, Azure, Sable, Gules, One, Party per pale, Hummingbird, Volant, Bendwise, Counterchanged, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Barrio del Artista of Mon'Tarena.
Bartholomew de Yattendon ~ Bartholomeu de Loctringdene.
Gyronny Argent and Sable.
Jironado de plata y sable.
Included in [Vincent, MS; 1285; number 88] also known as [St. George's Roll; 1285; number 88].
Blazon keywords: Gyronny, Argent and Sable.
Style keywords: Pointed, Plain tincture, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Bartolomé de Yattendon.
Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess.
Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja.
Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé and Tulip.
Style keywords: Soft metal, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.
Classification: Coat of arms, Created and Personal.
Bearer: Quesada Valles, Bartolomé.
Delineation, ratios and angles of a basic chevron.
Frente a los que denomino cabrio clásico y cabrio abierto, este se traza por el simple cruce de una banda y una barra.
Produce un desigual reparto de los espacios vacíos del campo, amplio por encima, escaso por debajo. Dependiendo del diseño que se haya que realizar, esto puede ser una ventaja o un inconveniente.
Por ejemplo, en este caso del escudo de Juan de Ladbrooke, no hay cargas ni figuras para las que habilitar espacio, sólo es un cabrio de armiños, por lo que esta forma de diseño puede ser adecuada y, más aún, si se desea un clara y patente representación del azur.
Sobre cómo se calculan los 50,2o del ángulo de este cabrio, empleando el arcotangente de 6/5, puede consultarse el artículo que lleva por título esquema de una banda y una barra.
Blazon keywords: Without divisions, Chevron and Ermine.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Juan de Ladbrooke.
Sable, three dexter hands turned up, and appaumée Argent.
Escudo de sable, tres manos diestras levantadas y apalpadas de plata.
Coat of arms interpreted based on blazon and explanations of [Avilés, J.; 1725a; pages 34 y 35 y sheet 2 figure 38].
Blazon keywords: Without divisions, Sable, Three, Hand, Dexter, Argent, Turned up, Appaumée and Ordered.
Style keywords: Semi-circular, Plain tincture, Outlined in the field tincture and Soft metal.
Classification: Interpreted, Personal and Kingdom of France.
Bearer: Baudry en Francia.
Of the twelve lineages of Noblemen, it is the fourth, and they bear as arms a chessboard, that is, a field chequy Argent and Sable, which is black, in the same form and design as this shield is now painted.
Chequey Argent and Sable.
Escudo ajedrezado de plata y sable.
Coat of arms recreated with: a semicircular (round) base; the field in flat Argent; the chequy or checky pattern illuminated in Sable; and finished in highly-hammered metal.
Coat of arms based on the fourth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613], but, unlike the original, adjusting the height of each square to its width so that they are perfect squares, since in Juan del Bosque’s version—actually in its copy, because the original was stolen—they appear somewhat narrow and elongated. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Baztan» it can also be consulted in [Vega, P. J. de; 1702; folio 4 of the manuscript], although in this case the numbering is not clearly legible; it is the folio following 3, preceding the one also numbered 4 but marked with a letter B, which in turn is followed by folio 6, the number 5 being missing — though not folio 5, which would be 4B.
Baztanes and the Valley of Baztan are mentioned in [Garaycoa Raffo, L.; 2011; pages 8, 29, 30, 33, 37, and 38].
The geometric construction of this coat of arms can be found in [Messía de la Cerda y Pita, L.; 1990; page 108].
Blazon keywords: Without divisions, Or, Chequey and Sable.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Baztanes of Navarre.
Or, an eagle displayed Sable.
Escudo de oro, un águila de sable.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the Queen Beatrice of Swabia, 1205–1235, baptized as Elisabeth, wife of King Ferdinand III of Castile, 1199–1252. The eagle Sable on an Or field is a distinctive symbol of the Holy Roman Empire. This coat of arms has been emblazoned by me.
Blazon keywords: Or, Sable, One and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Beatrice of Swabia.
Barry wavy Argent and Azure; on a chief wavy Murrey, three sea-lions sejant-erect in fess Or.
Escudo fajado ondado de plata y azur; en un jefe ondado de morado, tres leones marinos sentados y erguidos en faja de oro.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
G0144, Chief Herald of Arms of Malta's grant of the coat of arms of Brian Andrew Beck, USA. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Azure, Murrey, Or, Three, Barry, Wavy, Chief, Sea-lion, Sejant-erect and In fess.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Beck, Brian Andrew.
Gyronny Azure and Argent, a Sun in splendour between three Ancient coronets Or.
Illuminated and metal finishing.
Blazon keywords: Gyronny, Azure, Argent, Sun in splendour, Between, Three, Ancient coronet, Crown and Or.
Style keywords: Metal beaten, Outlined in sable and Illuminated.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Bedgood, Alvin J..
197th Pope of the Church, from 1334 to 1342. «Benedictus XII», born Jacques Fournier, was born in Saverdun, in the south of Occitania.
Argent, a bordure Gules.
Escudo de plata, una bordura de gules.
Papal coat of arms interpreted with: a round-topped shield; the field in plain Argent; the bordure outlined in Sable and illuminated in Gules; and the whole design in raised outline.
Blazon keywords: Without divisions, Argent, One, Bordure and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Benedict XII.
247th Pope of the Church, from 1740 to 1758. «Benedictus XIV», named Prospero Lorenzo Lambertini, born in Bologna.
Or, three pallets Gules.
Escudo de oro, tres palos de gules.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the pales outlined in Sable and illuminated in Gules enamel; and the whole with a raised stroke finish.
Blazon keywords: Without divisions, Or, Three, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Benedict XIV.
Born in 1179 in Segovia and died on November 8, 1246 in the Monastery of Las Huelgas in Burgos.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.
Arms of the Queen of Castile, as interpreted by me: the shape of the shield is rounded; the field and the castle have been enamelled and illuminated; and the whole composition features a watercolor finish.
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Berenguela of Castile.
Party per pale Or and Gules.
Arms painted by me, in plain tinctures, outlined in Sable, with an ogee external shape and with a texturized finish.
The coat of arms of the city of Bergamo, Lombardy, emblazoned by me.
Blazon keywords: Or, Gules and Party per pale.
Style keywords: Outlined in sable, Plain tincture and Ogee.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Bergamo.
Argent, a bear rampant Sable, langued and armed Gules.
Escudo de plata, un oso rampante de sable, lampasado y armado de Gules.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a rounded trapezoidal outer contour and with a freehand finishing.
The coat of arms of the city of Berlin emblazoned by me.
Blazon keywords: Argent, Sable, Gules, One, Bear, Rampant, Langued and Armed.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Berlin.
Or, a chief Gules. Behind the shield a cross patty Gules.
Blazon keywords: Or, Chief, Gules, Behind the shield, One, Cross patty and Cross couped.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Tremelay, Bernard de.
Berry of Molland, Devonshire.
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
It is possible that an English-speaking herald would have blazoned it as «Or, three bars Gules.» using the term «bars» instead of «fesses», just as in Castilian one sometimes uses the term «barras» instead of «palos», perhaps because these terms were not completely settled from the outset.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Berry of Molland.
Blazon equivalent to: Clement V.
Barry of four per pale counterchanged Or and Gules.
Escudo contrafajado de cuatro piezas de oro y gules.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and with a freehand finishing.
Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Blanchefort, Bertrand de.
From 1992 to 1998
Azure, a bendlet Argent between six fleurs de lis Or.
Illuminated with lights and shadows and with a metallic and iridescent finish.
Coat of arms of Stephen Tvrtko I (circa 1338-1391) of the House of Kotromanic and 1st King of Bosnia and it was also the coat of arms of Bosnia and Herzegovina from 1992 to 1998.
The bendlet is a diminutive of the bend. It is a diminished bend, narrower, and typically reduced to 1/2 (as in this case) or to 1/3 of the width of a normal bend. This piece is called «cotiza» in Castilian, «cotice» in French, and «cotissa» in Italian. Remember that the width of the bend is usually 1/3 of the width of the coat of arms, therefore the width of the bendlet is between 1/3 * 1/2 = 1/6 and 1/3 * 1/3 = 1/9 of the width of the coat of arm.
Stephen Tvrtko I of Bosnia, from the House of Kotromanic, was a vassal of Louis I of Hungary. Louis I or Louis of Anjou, known as «the Great», from the Royal House of Anjou-Sicily, of the Capetian Dynasty, hence his coat of arms's 2nd quarter is seeded with fleur de lis, a feature also present in his father Charles I's arms, known as Charles Robert or Caroberto of Anjou. The Kotromanic family had in their coat of arms fleur de lis Or on a Azure field as a symbol of subordination to the Hungarian royal family.
Blazon keywords: Azure, One, Bendlet, Argent, Six, Fleur de lis and Or.
Style keywords: Metal beaten, Iridescent, Outlined in sable, Illuminated and Pointed.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Bosnia and Herzegovina.
Azure, a bend between six covered cups Or.
Escudo de azur, una banda acompañada de seis copas todo de oro.
Illuminated with lights and shadows and with a freehand finish.
Around 1155, Beatrix de Villers married Richard le Boteler Pincerna, who became the 4th Baron of Warrington. The heir of Beatrix and Richard took the surname «le Boteler» and ruled the Warrington region, bearing arms Azure, a bend between six covered cups Or.
In Castilian, a «copa» has a lid and is referred to as a «covered cup» in English. When it doesn't have a lid, it's called a «cup» in English and a «cáliz» or «copón» in Castilian, the latter being a less preferred term for me. In English, the term «chalice» is also used, especially if it's adorned with gemstones, although that's more of an artistic license.
Naipes Heraclio Fournier is a renowned Spanish playing card manufacturer based in Villareal de Álava. The countless hours I have spent holding its cards in my hands are incalculable, whether playing with friends, opponents, or performing magic tricks. Its influence on my heraldic artwork is significant. For instance, in this covered cup.
The following image shows my covered cup and my two interpretations of his arms: 1) the most commonly viewed, and 2) my alternative layout.
Blazon keywords: Without divisions, Azure, One, Bend, Between, Six, Covered cup and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Kingdom of England.
Bearer: Boteler of Warrington.
Azure, three annulets interlaced Or.
Illuminated, with a watercolor finishing and with a pointed shape.
You can found it at [Avilés, J.; 1725a; page 76 and illustration 177]], and at [Avilés, J.; 1780a; page 85 and illustration 177]].
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Azure, three annulets interlaced Or.
Escudo de azur, tres anilletes entrelazados de oro.
Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Azure, a fess chequey Gules and Argent.
Escudo de azur, una faja ajedrezada de gules y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the lineage Boyd of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Azure, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Boyd of Scotland, lineage.
Flag «Roger de Flor», Paratroopers I, assigned to the «Almogávares» VI Paratrooper Brigade of the Spanish Army.
Argent, a fleur de lis Gules.
Escudo de plata, una flor de lis de gules.
Coat of arms interpreted with: a semicircular (round) base; a fleur de lis outlined in Sable and illuminated in Gules; and an overall lightly-hammered metal finish.
Blazon keywords: Without divisions, Argent, Gules and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Military, Army and Navy and Coat of arms.
Bearer: BPAC I.
«Roger de Lauria»,' 2nd Paratrooper Battalion, part of the «Almogávares» VI Parachute Brigade of the Spanish Army.
Argent, three bendlets sinister Azure.
Escudo de plata, tres barras de azur.
For this interpretation, I have used: an exterior shape ending in a semicircular arch; my usual angle of 50.2o = arctan(6/5), as tangent = opposite side / adjacent side; a division similar to that used by the Spanish Army for this coat of arms, which relies on dividing the height of the shield into 4 segments; and for the whole, a finish of lightly hammered metal
Blazon keywords: Without divisions, Argent, Azure and Bend sinister.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Military and Army and Navy.
Bearer: BPAC II.
Party per chevron Sable and Argent, in the dexter of the chief a sun in splendour Or, pointed from the sinister by a dexter hand couped at the wrist, bendwise proper, in base three Brach hounds' heads couped Azure, 1 and 2.
Escudo de sable, mantelado en punta de plata, en la diestra del jefe un sol de oro, apuntado desde la siniestra por una mano diestra puesta en banda de carnación, en la punta tres cabezas de perro braco de azur, 1 y 2.
Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a watercolor finishing.
The coat of arms of John Brady from Ireland, designed and emblazoned by me. To write his blazon here I use my usual style.
Blazon keywords: Sable, Or, Argent, Azure, One, Three, Party per chevron, Dexter, Chief, Sun in splendour, Sinister, Hand, Couped, Wrist, Bendwise, Proper, In base, Brach hound, Dog, Head and Disordered.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Brady, John.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.
Escudo cuartelado: 1o y 4o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3o de azur, un arpa de oro cordada de plata.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
These are arms of the British Monarchy emblazoned by me.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: British Monarchy.
Quarterly Or and Argent, overall a cross Gules, cantoned by: in 1 and 4, a lion rampant Gules, armed and langued Azure; in 2 and 3, a black grouse perched proper.
Escudo cuartelado de oro y plata; brochante sobre la partición, una cruz plena de gules cantonada: en 1o y 4o, de un león rampante de gules, armado y lampasado de azur; en 2o y 3o, de un gallo lira posado al natural.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a watercolor finish.
Coat of arms of Albert de Bruijn emblazoned by me. Note that the black grouse in this coat of arms is characterized by two tail feathers recalling a lyre; the term in heraldry «moorcock» denotes a heraldic black grouse, a conceptual representation, sometimes depicted with the tail formed by two pointed feathers; finally, the capercaillie is larger and its tail is less distinctive; in this case, it is a black grouse proper.
Blazon keywords: Or, Argent, Gules, Azure, One, Quarterly, Overall (line of division), Cross, Cantoned, Lion, Rampant, Armed, Langued, Black grouse, Perched and Proper.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bruijn, Albert de.
Banner Azure, three crowns in bend, bendwise Or.
Pendón de azur, tres coronas en banda, puestas en banda de oro.
Banner interpreted by me as follows: the field is enameled in plain Azure ink; the three crowns are outlined in Sable and illuminated in Or; and on old parchment.
Banner recreated from [Edward IV of England; 1461; row 13, 1st column].
Blazon keywords: Without divisions.
Style keywords: Rectangular, Illuminated, Outlined in sable and Crystalline.
Classification: Interpreted, Imaginary, Flag, Banner of arms, Kingdom of England and Criterion.
Imaginary bearer: Brutus of Britain.
Gules, a Royal drum of Bunyoro-Kitara proper.
Escudo de gules, un tambor real de Bunyoro-Kitara al natural.
Coat of arms emblazoned by me with a visica piscis shape, illuminated, and with a leather finishing.
Bunyoro Kitara is a Bantu kingdom located in Western Uganda. Its history begun in the 13th century. This kindowm is ruled by the King called Omukama of Bunyoro-Kitara. Now it is a subnational monarchy.
Blazon keywords: Without divisions, Gules, One, Drum, Royal and Proper.
Style keywords: Vesica piscis, Outlined in sable, Illuminated and Leather.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Bunyoro-Kitara.
Or, on a pile issuant from the base Gules a sword point upwards Argent.
Escudo de oro, una pira de gules cargada de una espada alzada de plata.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Burr emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 388].
Blazon keywords: Or, Gules, Argent, One, Pile issuant from base, Charged, Sword and Point upwards.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Burr, lineage.
Argent, two goats in pale Purpure, horned Sable.
Escudo de plata, dos cabras en palo de púrpura, acornadas de sable.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of the lineage Cabral. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Cabral are in the 3rd quarter.
Blazon keywords: Argent, Purpure, Sable, Two, Goat, In pale and Horned.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Cabral, lineage.
Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Escudo cuartelado: 1o de azur sembrado de flores de lis de oro; 2o y 3o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Personal, Army and Navy and Kingdom of France.
Bearer: Cerda, Carlos de la.
Party per pale: 1 Vert, a Castle triple-towered Argent; 2 Gules, two bezants in pale Or. For crest a crown of baroness. Lema: «In Fide et Devotione».
I have interpreted this coat of arms with a semi-circular shape; metals or, argent, colors vert and gules; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Vert, One, Castle, Argent, Gules, Two, Bezant and plate, Bezant, In pale, Crown and Motto.
Style keywords: Semi-circular, Freehand and Outlined in sable.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Giaimo di Prizzi, Carmen.
Party per saltire: 1 Or, two quill pens in fess Azure; 2 and 3 Gules, a paintbrush point upwards Or; 4 Or, a mullet of six points voided, interlaced Azure. Crest: Above the shield, a griffin segreant Or, langued, supporting with both paws the Messianic Seal of Jerusalem Azure.
Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finishing.
Blazon keywords: Or, Gules, Azure, One, Two, Quarterly per saltire, Quill, In fess, Paintbrush, Point upwards, Mullet, Voided, Interlaced, Crest, Above the shield, Griffin, Segreant, Langued, Supporting, Paw and Messianic Seal of Jerusalem.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Nelson, Carrie.
Party per pale: 1 Argent, an elm eradicated Vert; 2 Gules, a castle with an embattled tower Or.
Arms painted by me, in flat tinctures, outlined in Sable, with an ogee outer contour and with a texturized finish.
This is the coat of arms of the village of Casas del Olmo, Castilla-La Mancha, emblazoned by me following its original blazon from 2004.
Blazon keywords: Argent, Vert, Gules, Or, One, Party per pale, Elm, Tree, Eradicated, Castle, Embattled, Tower and Crest.
Style keywords: Outlined in sable, Plain tincture and Ogee.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Casas del Olmo.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
This coat of arms can be seen in [Bergshammars; 1440; page 2], in [Lutzelbourg, N. de; 1530; page 35] and in [Tewkesbury; 17th century; folio 25v].
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.
Style keywords: Semi-circular and Plain tincture.
Classification: Interpreted, Civic, Coat of arms, Kingdom of Castile and Leon and Canting.
Bearer: Castile and León.
A Castle Or, triple towered, embattled, port and windows Azure, and masoned Sable.
Un castillo de oro, aclarado de azur, mazonado de sable.
Some of the characteristics of the Castilian castle are specified in the coat of arms in English, for example, «triple towered, embattled», but they are omitted in the Spanish blason, because the Spanish blason considered that the Castilian castle can not be otherwise. These local characteristics, that decades ago were not necessary to specify, could begin to have to be in this global and interconnected heraldic world. [Valero de Bernabé, L.; 2009a] describe the different characteristics between the Castilian, the French, and the English castles among others.
Blazon keywords: Castle, Or, Port and windows, Azure, Masoned and Sable.
Style keywords: Freehand.
Classification: Schema.
Disperse like the sun clears the clouds in your path.
Argent, a cross of Alcantara. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «Hoec nubila tollunt obstantia sicut sol».
Escudo de plata, una cruz de Alcántara. Timbrado de una corona real cerrada. Lema: «Hoec nubila tollunt obstantia sicut sol».
Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in metal Argent; the cross of Alcantara is outlined in Sable and illuminated in Vert; the royal crown is closed, outlined in Sable and illuminated with the metal Or, Argent for the pearls, Azure and Or for the orb, Gules and Vert for the gems, Gules for the inner cloth, and Sable for the visible hollow at its base; and the whole has a slightly hammered metal finish.
The Latin motto «Hoec nubila tollunt obstantia sicut sol» is often translated as «Ride like the sun, disperses the clouds in its path». I would like to offer the following observations on this translation:
Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped, Cross, Crest, Closed royal crown, Crown and Motto.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Military, Army and Navy and Coat of arms.
Bearer: Alcantara, Cavalry Regiment.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. Motto: «Región Militar Centro» over a scroll Or.
Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, also called 1st Military Region, where I serve. I interpreted and emblazoned now this coat of arms with a semi-circular ended shape.
Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant, Crowned, Motto (identification) and Scroll.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.
Bearer: Central Military Region.
City of Ceuta, Spain, Africa
Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1.
Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three and In base.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic, Interpreted and Kingdom of Spain.
Bearer: Ceuta.
Party per chevron Gules and barry wavy Argent and Azure, in chief two Dogwood flowers (Cornus Florida) proper, in base a Cross of Saint Chad Gules. Motto: «Ich Mache Rechte».
Escudo de gules, mantelado en punta fajado ondado de plata y azur, en jefe dos flores de cornejo florido (Cornus Florida) al natural y en punta una cruz de san Chad de Mercia de gules. Lema: «Ich Mache Rechte».
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.
Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Krouse, Chad Michael.
Motto: Stand and Be Counted
Gules fretty Argent; on a chief wavy Bleu celeste, a rising sun Or.
Escudo de gules fretado de plata; en un jefe ondado de celeste, un sol saliente de oro.
Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a iridescent finishing.
The sun used to be emblazoned with a human face, with its eyes, mouth, and nose, but in all the interpretations that I know of this blazon, the sun appears without a human face.
Blazon keywords: Without divisions, Gules, Fretty, Argent, One, Chief, Wavy, Bleu celeste, Sun, Issuant and Or.
Style keywords: Iridescent, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted.
Bearer: Charles Dunne, Chas.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent. Crest: A crown proper. The shield is surrounded by the Most Noble Order of the Garter.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a metal and iridescent finishing.
Coat of arms of His Majesty King Charles III emblazoned by me. The Most Noble Order of the Garter, founded by Edward III in the 14th century, is Great Britain's oldest and most prestigious order of chivalry. It symbolises honour and loyalty, and its members are chosen by the Sovereign in recognition of their exceptional public service. Its distinctive emblem, a dark blue garter bearing the motto «Honi soit qui mal y pense» ~ «Shame on him who thinks evil of it». Its central insignia features the figure of St George and the Dragon, and its membership is strictly limited to 24 Companion Knights, in addition to the Sovereign and the Prince of Wales.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp, Stringed, Tudor crown, Closed royal crown, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal and iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Charles III of the United Kingdom.
Banner Azure, three fleurs de lis Or.
Pendón de azur, tres flores de lis de oro.
Banner interpreted as follows: rectangular in shape with a 5x6 proportion; the field enamelled in flat Azure; the three fleurs-de-lis illuminated in Or and outlined in Sable; and the whole piece finished with an aged parchment effect.
Starting in 1376, the field sown with fleurs-de-lis was replaced by only three fleurs-de-lis. This change took place during the reign of Charles V of France (1338–1380, King of France from 1364 to 1380).
Edward III Plantagenet (1312–1377, King of England from 1327 to 1377) had incorporated the semé of fleurs-de-lis into his arms as a sign of his claim to the French throne, and Henry IV of England (1367–1413, King of England from 1399 to 1413) again changed the semé into three fleurs-de-lis in his own arms.
These three fleurs-de-lis remained in the royal arms of England until George II (1683–1760, King from 1727 to 1760).
They remained in the royal arms of the French kings until their prohibition during the so-called «Hundred Days», that is, from March 20, 1815, the date of Napoleon’s return to Paris from his exile in Elba, until June 28, 1815, the date of the Second Restoration of Louis XVIII as King of France, when they were reinstated. Finally, after the Revolution of 1830, Louis Philippe I of Orléans decreed their abolition by Order of February 10, 1831.
This banner is a recreation of the one appearing in the armorial [Edward IV of England; 1461; row 23, column 2], although in that armorial the banner seems to be associated with Louis IX of France, perhaps because of the prestige of the saintly King of France, whose arms bore a semé of fleurs-de-lis rather than three.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Rectangular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of France and House of Valois.
Bearer: Charles V of France.
Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol].
Escudo cortado: 1o partido: 1o cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro [de León]. 2o cuartelado: 1o de oro, cuatro palos de gules [de Aragón]; 2o cuartelado en aspa: 1o y 4o de oro, cuatro palos de gules; 2o y 3o de plata, un águila de sable [de Aragón-Sicilia]. 3o de plata, una cruz potenzada cantonada de cuatro crucetas de oro [de Jerusalén]. 4o de gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople [de Navarra]. Entado en punta de plata, una granada al natural, tajada de gules, tallada y hojada de sinople [de Granada]. 2o cuartelado: 1o de gules, una faja de plata [de Austria]; 2o de azur sembrado de flores de lis de oro, una bordura componada de plata y gules [de Borgoña moderna]; 3o bandado de oro y azur, una bordura de gules [de Borgoña antigua]; 4o de sable, un león rampante de oro, armado y lampasado de gules [de Brabante]; sobre el todo un escusón partido: 1o de oro, un león rampante de sable, armado y lampasado de gules [de Flandes]; 2o de plata, un águila de gules, coronada, armada, picada, lampasada y membrada de oro, cargada en las alas con dos tallos trebolados todo de oro [del Tirol].
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a metal beaten finishing.
Arms of Charles, Holy Roman Emperor, emblazoned by me.
Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled and Stem.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Charles V, Holy Roman Emperor.
King of France from 1429 to 1461.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a mother-of-pearl effect.
This coat of arms is based on the one appearing in the armorial [Ingeram, H.; 1459; page 34, 1st shield], under the inscription «küng von franckrich» (franckrich ~ Frankreich ~ France).
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Charles VII of France.
Azure, a sword erect Or, between three garbs Or, 2 and 1.
Escudo de azur, una espada alzada de oro, acompañada de tres gavillas de trigo de oro, 2 y 1.
Coat of arms interpreted with: a rounded base; the field illuminated in Azure; the motto and charges illuminated in Or and outlined in Sable; and the whole with a leather texture.
In England, Wales and Ireland, the term «heraldic visitations» ~ «visitas heráldicas» referred to the inspection tours carried out by the officers of the kings of arms, or even by the kings of arms themselves, with the aim of recording and sanctioning the family trees and coats of arms of the nobility, the counties and the bourgeoisie who bore them.
These journeys took place mainly between the year 1530 and the year 1688. The results of these inspections were recorded in books that could be considered a roll or heraldic census of the upper classes. For this reason, and since then, these records have been a valuable source of information for historians, genealogists and heraldists.
The County of Cheshire received the following «heraldic visitations»:
Blazon keywords: Without divisions, Azure, Or, Sword, Point upwards, Between, Wheat, Garb and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Civic and Cheshire County.
Bearer: Cheshire, County of.
Party per fess: 1 Azure, an acorn leaved and slipped Or, between two ravens addorsed and regardant Argent; 2 Vert, a stag's massacre Or. Crest: Upon a helm lined Purpure with a wreath Or and Azure, a comedy mask bendwise Vert conjoined in fess with a tragedy mask bend sinisterwise Azure. Mantling: Azure doubled Or. Supporters: Upon two bunches of grapes Purpure, leaved Vert, and slipped Or, one on each side, two cats rampant Argent in the dexter and Sable in the sinister.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a watercolor finish.
Blazon keywords: Azure, Or, Argent, Vert, Purpure, Sable, One, Two, Party per fess, Acorn, Leaved, Slipped, Between, Raven, Addorsed, Regardant, Stag's massacre, Crest, Upon (wreath), Helm, Lined, Wreath, Comedy mask, Bendwise, Conjoined in fess, Tragedy mask, Bend sinisterwise, Mantling, Supporter (thing), Supporter, Supporter (animal), Bunch, Grape, Cat, Rampant, Dexter and Sinister.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Edwards, Christopher.
Delineation, ratios and angles of a classic chevron.
Blazon keywords: Without divisions and Chevron.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Adan de Creeting.
195th Pope of the Church, from 1305 to 1314. «Clemens V», born Bertrand de Got, born in Villandraut, in the southwest of France, was the first pope to reside in Avignon in a stable manner.
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Papal coat of arms interpreted with: a rounded triangular top; the field in plain Or enamel; the bars illuminated in Gules and outlined in Sable; and with a heavily hammered metal finish.
Blazon keywords: Without divisions, Or, Three, Fess and Gules.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Religious and Papal States.
Bearer: Clement V.
Blazon equivalent to: Fernández de Córdoba y Carrillo, Diego.
246th Pope of the Church, from 1730 to 1740. «Clemens XII», named Lorenzo Corsini, born in Florence and rests in St. John Lateran.
Bendy of six Gules and Argent; over all a fess Azure.
Escudo bandado de seis piezas de gules y plata; brochante sobre el todo una faja de azur.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Argent; the fess and the bands outlined in Sable and illuminated in Gules and Azure; and the whole with a textured finish.
All are ordinaries, including the three bands and the fess, and since the blazon specifies that the fess is overall on the bands, therefore, it is not the Gules bands that are overall on the Azure fess, and they should be painted underneath.
Blazon keywords: Without divisions, Bendy, Six, Gules, Argent, Surmounted, Overall (deprecated), One, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Clement XII.
Grandson of Blanche of Castile, 6th son of Saint Louis IX, founder of the House of Bourbon, husband of Beatrice of Burgundy, Lady of Bourbon.
Azure semé of fleurs de lis Or, a bend Gules.
Escudo de Azur sembrado de flores de lis de oro, banda gules.
Coat of arms that I have interpreted with:: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lys illuminated in Or; the bend illuminated in Gules; the whole is outlined in Sable; and the freehand drawing.
Blazon keywords: Without divisions, Azure, Or, Semé, Fleur de lis, Bend and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Bourbon.
Bearer: Clermont, Robert of.
Or, six fleurs de lis, three, two, one, five Gules and one in the middle of the chief Azure.
Escudo de oro, seis flores de lis ordenadas, tres, dos y una, cinco de gules y una de azur en el centro del jefe.
Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, Six, Fleur de lis, Ordered, Three, two and one, Five, Gules, One, Azure and In the middle of the chief.
Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Elias.
Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.
Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.
Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.
Style keywords: Outlined in sable, Semi-circular and Plain tincture.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Coulot, Fabian.
Willame de Colebraund ~ William de Colebrand.
Gules, three Swords Argent, erect, in fess.
Escudo de gules, tres espadas de plata, alzadas, en faja.
Interpreted coat of arms with a free hand finish.
Coat of arms included in [Marshal, L.; 1295; coat of arms number 461], also in [Brault, G. J.; 1997], and time ago in Brian Timms, but not now.
Blazon keywords: Without divisions, Gules, Three, Sword, Argent, Point upwards and In fess.
Style keywords: Pointed, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Colebrand, William de.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.
The Commoners' Certification of Arms for Bradlee Tatym LaRue Botkin with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Botkin, Bradlee Tatym LaRue.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules.
The Commoners' Certification of Arms for Britania Anastoshia Korÿn McCoy with her arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered and Langued.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: McCoy, Britania Anastoshia Korÿn.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent.
The Commoners' Certification of Arms for Corey Scott Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Lasco, Corey Scott.
Quarterly: 1 Gules, a chevron Argent, between three fleurs de lis Or; 2 Or, five mullets in saltire Gules; 3 Argent, four escutcheons in cross Azure, each charged with nine plates, those in flank with points to center, overall a carbuncle and orle of knotted cords Purpure debruised by the center escutcheon; 4 Sable, on a mount issuant from the base Vert, a tower Argent, port, windows and masoned sable, between two wolves Or supporting it; enté en point Or, three bars wavy Gules. Crest: Upon a helm, with a wreath Argent and Gules, on an ancient coronet Or, a falcon Argent, jessed Gules, langued Azure, armed, beaked and belled Or. Mantling: Gules doubled Argent. Motto: «Progrediendo Laborando Efficiendo Vinces».
This is the Commoners' Certification of Arms for Hugo Frazão Coutinho with his full achievement emblazoned by me.
Blazon keywords: Or, Gules, Argent, Azure, Purpure, Sable, Vert, One, Two, Three, Four, Five, Nine, Quarterly, Chevron, Between, Fleur de lis, Mullet, In saltire, Escutcheon, In cross, Charged, Plate, In each flank, Center, Overall, Carbuncle, Orle, Knotted, Cord, Debruised, Mount, Issuant, Base, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Bar, Wavy, Crest, Upon (wreath), Helm, Wreath, Ancient coronet, Crown, Falcon, Jessed, Langued, Armed, Beaked, Belled, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Frazão Coutinho Dias, Hugo.
Argent, four leaves of silver-leaved whitebeam (Sorbus Aria Lutescens) in saltire, stems interlaced Vert, on a chief Gules, three crosses of Saint Brigid Argent. Motto: «Family is Everything» Sable, with initial letters Gules, over a scroll Argent.
Classification: Personal, Interpreted, Certification, Heraldic document and English language.
Bearer: Kane, Kathleen.
Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or. Crest: A ribbon Azure doubled Argent.
The Commoners’ Certification of Arms for Kimberley Ann Potts of Stountenburg, a heraldic heiress, with her arms emblazoned by me.
Blazon keywords: Gules, Argent, Or, Azure, Six, One, Fleur de lis, In chief, Between, In fess, In base, Bordure, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Potts, Kimberley Ann.
Azure, a saltire Argent between in chief an escallop Or, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure Or. Crest: A ribbon Azure doubled Argent.
The Commoners' Certification of Arms for Konstånz Chantal Leóné Potts with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Escallop, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Potts, Konstånz Chantal Leóné.
Gules, a rose between in chief a key wards to dexter facing downwards, in base a key wards to sinister facing downwards Argent
The Commoners' Certification of Arms for Francisco Domingo Larrosa Gil with his coat of arms emblazoned by me. Alternative blazon used in the certification: Gules, a rose between two keys fesswise Argent, that in chief with wards to dexter, that in base with wards to sinister.
Blazon keywords: Gules, Argent, One, Rose, Between, In chief, Key, Dexter, Point upwards, In base, Point downwards and Sinister.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Larrosa Gil, Francisco Domingo.
Per fess, the base per pale: 1 Or, an eagle displayed Sable; 2 Gules, a sun in splendour Or; 3 Or, an increscent Gules; all within a bordure Sable, charged with eight fleurs de lis Or. Motto: «Virtus Nobilitatis Fidelitas» Sable, with initial letters Gules over a scroll Argent.
The Commoners' Certification of Arms for Vitéz László Gábor from Hungary with his coat of arms designed by him and emblazoned by me.
Blazon keywords: Or, Sable, Gules, Argent, One, Eight, Party per fess, the base per pale, Eagle, Displayed, Sun in splendour, Increscent, Bordure, Fleur de lis, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: László Gábor.
Gules, two castles triple-towered Or, port and windows Azure, masoned Sable, in chief, seven mullets Argent, 4 and 3.
Coat of arms interpreted by me, in plain tinctures, outlined in Sable, with a semi-circular external shape and with a texturized finishing.
Coat of arms of the Comunidad de Madrid emblazoned by me. In English heraldry, the default number of points for the mullet is five unless otherwise specified. Therefore, if a blazon mentions a mullet without further detail, the artist must depict it with five points. Conversely, in Castilian heraldry, stars are conventionally represented with six points by default. When a five-pointed mullet appears in an English blazon, it is mandatory to specify the number of points in the Castilian version of the blazon, as in this case.
The castles derive from Castile, and the 7 mullets come from the bordure of the city of Madrid; they represent the stars of the Plough, the 7 brightest stars of Ursa Major. This coat of arms was adopted by the Comunidad de Madrid on December 23, 1983. Regarding the symbolism of this coat of arms, José Manuel Huidobro told me: «Each star has five points representing the five provinces surrounding Madrid: Ávila, Segovia, Guadalajara, Cuenca, and Toledo. The castles embody the most characteristic symbol of Castile. Both neighboring communities, Castilla-La Mancha and Castilla y León, display them in their coats of arms. The fact that they are paired symbolizes the Community of Madrid’s claim to serve as a link between the two Castiles». He includes the coat of arms of the Comunidad de Madrid in his book [Huidobro Moya, J. M.; 2024; page 214].
Blazon keywords: Gules, Or, Azure, Argent, Two, Seven, Castle, Triple-towered, Port and windows, Masoned, In chief and Mullet.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Madrid, Comunidad de.
The cottise is the bend diminished to 1/2 or 1/3 of its width, depending on the author.
If the bend width is 1/3 of the shield width b, then that of the cottise is 1/2 x b/3 = b/6. From a bend I can, for example, draw on it the vertical V1-V2 and divide it by Thales into 4 segments, assigning the 2 central ones to the cottise, drawing its sides parallel to the bend. When dividing by 2, an even number, no segment remains centred. Therefore, I divide by 4, double of 2, and group the 2 central segments. The width of each segment is 1/4 x b/3 = b/12 and the 2 central ones sum b/12 + b/12 = b/6.
If the diminution is to 1/3 of the bend width, then the cottise width is 1/3 x b/3 = b/9. From the previous bend I can follow the same process, drawing on the bend the vertical line V1-V2 and dividing it by Thales. In this second case it is divided by 3 which, being odd, leaves one of the segments centred and it is not necessary to divide by double as in the first case. To finish constructing this cottise it suffices to draw through the ends of the central segment 2 lines parallel to the bend of which this cottise is a diminution.
Blazon keywords: Bendlet and Bend.
Style keywords: Freehand and Pointed.
Classification: PDF and Schema.
Depending on the author, the counter-cottise is the bar diminished to 1/2 or 1/3 of its width.
If b is the shield width, b/3 that of the bar, then that of the counter-cottise is 1/2 x b/3 = b/6. On a bar I can draw the vertical V1-V2 and divide it by Thales into 4 segments, assigning the 2 central ones to the counter-cottise with sides parallel to the bar. The width of each segment is 1/4 x b/3 = b/12 and the 2 central ones sum b/12 + b/12 = b/6.
If the diminution is to be 1/3 of the bar width, then the counter-cottise width is 1/3 x b/3 = b/9. From the same previous bar I can repeat the process, drawing on the bar the vertical line V1-V2 and dividing it by Thales, in this case, into 3 segments, assigning the central segment to the counter-cottise with sides also parallel to those of its bar.
Blazon keywords: Bendlet sinister and Bend sinister.
Style keywords: Freehand and Pointed.
Classification: PDF and Schema.
Lozengy Or and Gules.
Escudo losanjado oro y gules.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Lozengy, Or and Gules.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Craon, Robert de.
Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.
Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, emblazoned by me, where I was stationed during my military service. In the image: 1988, the original mold (1) with which the first 6 coats of arms were made; one of them is now in my office (2); the design of the badge for the 1st meeting of veterans (3), all of which were designed and made by my lieutenant colonel and friend Miguel Angel Nuñez Amador; and finally, the coat of arms of Crepsi emblazoned by me (4).
Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Military, Interpreted, Compare, Boa and Coat of arms.
Bearer: Crepsi.
Quarterly: 1 Argent, a dolphin haurient Azure; 2 Azure, a sunflower Or; 3 Azure, on a closed book Or a diamond Azure; 4 Argent, a lark Azure. Crest: Upon a helm with a wreath Argent and Azure a quetzal perched in a tree branch proper, leaved Or. Mantling: Azure doubled Argent.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.
Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond, Lark, Crest, Upon (wreath), Helm, Wreath, Quetzal, Perched, Tree, Branch, Proper, Leaved and Mantling.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ruiz Porras, Antonio.
Azure, issuant from base a frog's head and from flanks its forelegs in chevron Or, in chief a mullet of seven points Argent. Crest: Upon a helm with a wreath Or and Azure, a demi-frog erect Or, grasping with its forelegs an apple and a closed book Azure. Mantling: Azure doubled Or.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of Arturo Taborda, Venezuela, emblazoned by me.
Blazon keywords: Azure, Or, Argent, One, Seven, Issuant from base, Frog, Head, Flank, Foreleg, In chevron, In chief, Mullet, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Erect, Grasping, Apple, Closed book, Book, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Taborda, Arturo.
Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or. Crest: Upon a helm, with a wreath Or, Azure, Gules, and Vert, a sun in splendour Or. Mantling: Azure, Gules, and Vert doubled Or.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.
Coat of arms of Dr. Tariq Abbasi MBE FRSA designed by Vittorio Gifra and emblazoned by me.
Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé, Fleur de lis, Crest, Upon (wreath), Helm, Wreath, Sun in splendour, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Abbasi, Tariq.
Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Crest: Upon helm Argent, barred Or a barred helm Or, a crown of Count. Mantling: On the dexter Vert doubled Or and on the sinister Gules doubled Or.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.
Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. «Crescent reversed» means that the points of the crescent are directed toward the base of the shield.
Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed, Mullet, Crest, Helm, Barred, Crown of Count, Crown, Mantling, Dexter and Doubled.
Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Onida, Gian Carlo.
Gules, a lion rampant Or, charged with a pallet gemel chequey Argent and Sable. Crest: Upon a helm with a wreath Or and Gules, a demi-dragon Or, supporting with its sinister a goldfinch speaking proper. Mantling: Gules doubled Or.
Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Blazon keywords: Gules, Or, Argent, Sable, One, Lion, Rampant, Charged, Pallet, Gemel, Chequey, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Dragon, Perched, Sinister, Goldfinch, Speaking, Proper, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Pérez de Bartolome, Ignacio.
Or, a peacock’s head erased Azure, beaked Argent, between in dexter an increscent Azure and in sinister a rose Azure, barbed and seeded Argent. Crest: Upon a helm with a wreath Or and Azure, a peacock in his splendour proper. Mantling: Azure doubled Or.
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Blazon keywords: Or, Azure, Argent, One, Peacock, Head, Erased, Beaked, Dexter, Increscent, Sinister, Rose, Barbed, Seeded, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, In his splendour and Mantling.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Hatsis, Mark Antony.
Sable, a tyger rampant Argent; a bordure Argent charged with eight crosses crosslet fitchy Sable. Crest: Upon a helm affronty lined Gules, issuant from a crown of Knight, a cross patty Gules. Mantling: Sable doubled Argent.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finish.
Blazon keywords: Sable, Argent, Gules, One, Eight, Tyger, Rampant, Bordure, Charged, Cross crosslet fitchy, Crest, Upon (wreath), Helm, Affronty, Lined, Issuant, Crown of Knight, Crown, Cross, Patty, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: South Clifton, Lord of.
Or, a roe deer springing Gules, in base a triple mount Vert. Crest: Upon a helm affronty, with a wreath Or and Vert, two roe deers' attires barry of four Gules and Or. Mantling: Vert doubled Or.. Motto: «Carpe diem».
Credits:
Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount, Vert, Crest and mantling, Helm, Mantling, Wreath, Crest, Two, Roe deer' attire, Barry, Four and Motto.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms, Latin language and Photographic.
Bearer: Rehberger, Alena.
Argent, a double tressure flory Sanguine, overall a raven (Corvus corax) volant saltirewise proper. Crest: A conductor's baton fesswise proper. Motto: «Liberté, Beauté, Vérité, Amour».
Arms interpreted by me, highlighted with lights and shadows, with a pointed outer contour and with a rough finishing.
Blazon keywords: Argent, Gules, Sable, One, Double tressure, Flory, Overall, Raven, Volant, Saltirewise, Proper, Crest, Conductor's baton, Fesswise and Motto.
Style keywords: Illuminated, Pointed and Rough.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Thompson, Alton.
Vert, a chevron, between three cross-crosslets; on a chief Argent, three griffins statant Gules, beaked and armed Or. Crest: Upon a helm, with a wreath Argent and Gules, a griffin's head couped Gules, beaked Or. Mantling: Gules doubled Argent. Motto: «Silentium est aureum».
Blazon keywords: Vert, One, Chevron, Between, Three, Cross-crosslet, Cross couped, Chief, Argent, Griffin, Statant, Gules, Beaked, Armed, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Head, Party per fess and Motto.
Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Berry, Austin Charles.
Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Crest: Upon a helm with a wreath Argent and Sable, a unicorn's head Argent, erased Gules, horned and crined Or, langued gules, charged upon the neck with three spears' heads cheveronwise Gules. Mantling: Sable doubled Argent. Motto: «Ad rem».
Illuminated and a watercolor finishing, and the mantling and the wreath diapered with Chinapieria.
Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile, Crest and mantling, Helm, Mantling, Wreath, Charged, Neck and Motto.
Style keywords: Outlined in sable, Pointed, Illuminated, Watercolor and Chinapieria.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Wright, Charles F. M..
Azure, two quills in saltire Argent, in chief an ancient coronet Or. Crest: Upon a wreath Or and Azure, a demi-lynx regardant Or, caped Azure, maintaining in dexter a lantern Azure, enflamed proper. Motto: «Да Живее Знаећето!».
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
The coat of arms of Dario Postolovski, Macedonia, emblazoned by me.
Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown, Crest, Upon (wreath), Wreath, Demi, Lynx, Regardant, Caped, Grasping, Dexter, Lantern, Enflamed, Proper and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Postolovski, Dario.
Sable, a dolphin naiant Or; a chief embattled Vert, fimbriated Or. Crest: Upon a helm, with a wreath Or and Vert, a cornish chough speaking proper, his dexter foot grasping the point of a mullet Gules. Mantling: Vert doubled Or. Motto: «Siempre Adelante».
Blazon keywords: Sable, Dolphin, Naiant, Or, Chief, Embattled, Vert, Fimbriated, Crest and mantling, Helm, Mantling, Wreath, Crest, Speaking, Proper, Grasping, Mullet, Gules and Motto.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms and Castilian language.
Bearer: Shorey, David Ryan.
Azure, a carbuncle of twelve rays Argent; on a chief Or, a hop cone Vert between two apples Gules, slipped and leaved Vert. Crest: Upon a helm, with a wreath Argent and Azure, an eagle displayed Or, langued Gules, holding in his dexter talon an hourglass bendwise proper. Mantling: Azure doubled Argent. Motto: «Omnia tempus habent».
Blazon keywords: Azure, Carbuncle, Twelve, Argent, Chief, Or, Hop cone, Flower, Vert, Between, Two, Apple, Gules, Slipped, Leaved, Crest and mantling, Helm, Mantling, Wreath, Crest, Eagle, Langued, Grasping, Hourglass, Bendwise, Proper and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Created, Coat of arms and Latin language.
Bearer: Sales, Robert Edward.
Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or. Crest: Upon a helm with a wreath Argent and Sable, a demi-man proper, wearing a beret Vert, grasping in his dexter hand a commando dagger point upwards Or, hilted and pommelled Sable. Mantling: Sable doubled Argent. Motto: «Liberare oppressos». Motto above the crest: «Follow me».
Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Male figure, Demi, Proper, Beret, Vert, Grasping, Hand, Dexter and Motto.
Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms, Latin language and English language.
Bearer: Power, Guy Harold.
Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable, in chief two pairs of gouttes Or. Crest: Upon a wreath Or and Azure, a raven's head Sable, charged upon the neck with three gouttes, 1 and 2, and holding in its beak an annulet Or.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a leather finish.
Blazon keywords: Azure, Sable, Or, One, Two, Three, Party per fess, Overall, Four-towered, Castle, Port and windows, In chief, Pair, Goutte, Crest, Wreath, Raven, Head, Charged, Neck, Grasping, Beak and Annulet.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Rawson, Seth.
Tierced per fess: 1 Sable, seven mullets Argent arranged as the Plough of Ursa Major; 2 Azure; 3 Sanguine, a demi-sun issuant from base Or. Crest: Upon a wreath Or and Sanguine, a raven proper.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
Blazon keywords: Sable, Azure, Sanguine, Argent, Or, Seven, One, Tierced per fess, Mullet, Plough of Ursa Major, Demi, Sun, Issuant from base, Crest, Upon (wreath), Wreath, Raven and Proper.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Nastri, Marcio Vieira.
Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper.
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed and Proper.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romero, Reynaldo.
Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper. Crest: Upon a helm in profile, barred Or, lined Gules, with a wreath Or and Vert, a palm tree Or. Mantling: Gules doubled Or and Vert doubled Argent. Motto: «Alyahya» in letters Gules upon a scroll Argent.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.
This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. These arms exemplify how modern heraldry operates on a global scale, the process involved several countries: a design originating in Italy following the instructions of the armiger in Saudi Arabia, revised by experts in the Netherlands and the United Kingdom, and rendered by me in Spain, it serves as an example of international collaboration within the field. In an ordinary, I distinguish between engrailed and invected from the ordinary's point of view; for instance, I define a bordure as invected if, from the interior of the bordure, the edge appears invected (meaning the arcs appear concave); conversely, I say a bordure is engrailed if the arcs appear convex from its interior point of view; in this specific case, regarding a line of division, I describe it as engrailed because, from the perspective of the base of the coat of arms, the arcs of the partition line appear convex [Nisbet, A.; 1816; page 21, pictures 1 and 2].
Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret, Issuant from base, Crest, Upon (wreath), Helm, Wreath and Motto (identification).
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alyahya, Abdulelah.
Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent. Motto: «Das Blut erinnert, was die Krone vergisst» Sable, over a scroll Argent doubled Azure.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.
Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling, Doubled, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: von Haimb, Isadora.
Argent, a demi-savage issuant from the base Carnation, crined, bearded and vested Tenné, wreathed of leaves Vert, holding in his dexter a close book, bookmarked Gules, garnished, on its cover a mortar with pestle Or, in his sinister an oak club Tenné, leaved and fructed Vert; a chief wavy Gules. Crest: Upon a helm lined Gules with a wreath Argent and Gules, an oak couped Tenné, leaved and fructed Vert, its trunk charged with a mullet Argent. Mantling: Gules doubled Argent. Motto: «Forza · Onore · Saggezza» Gules, over a scroll Argent doubled Gules.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of Maximilian Silvestri emblazoned by me. In Castilian, I prefer to use the term «almirez» instead of «mortero», as the latter can also refer to a weapon or even a type of cap in heraldic terminology. The word «almirez» has a unique meaning and comes from the Hispano-Arabic «almihrás» or «almihráz», which derives from Classical Arabic «mihras».
Blazon keywords: Argent, Or, Gules, One, Demi, Savage, Carnation, Issuant, Base, Crined, Bearded, Vested, Tenné, Wreathed, Leaf, Grasping, Dexter, Closed book, Book, Bookmark, Garnished, Mortar, Pestle, Club, Leaved, Fructed, Chief, Wavy, Crest, Upon (wreath), Helm, Lined, Wreath, Mantling, Doubled, Oak, Tree, Charged, Trunk, Mullet, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Silvestri, Maximilian.
Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent. Crest: Upon a helm with a wreath Or, Azure and Gules, five ostrich feathers Argent, Azure, and Gules. Mantling: On the dexter Gules doubled Argent and on the sinister Azure doubled Argent. Motto: «Esfuerzo y Perseverancia» Sable, with initial letters Gules, over a scroll Argent.
Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a rough finishing.
Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship, Full sail, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Mantling, Dexter, Doubled, Sinister and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Dukat, family of Milos.
Party per pale: 1 Sable, a tower with a turret Argent; 2 Argent, a wyvern erect Sable. Crest: Upon a helm with a wreath Argent and Sable, five ostrich feathers alternately Sable shafted Argent, and Argent shafted Sable. Mantling: Sable doubled Argent. Motto: «Res non verba».
Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
The crest, mantling motto and coat of arms of the Ormazabal Lazaro family, designed by them and me, and emblazoned by me.
Blazon keywords: Sable, Argent, One, Party per pale, Tower, With a turret, Wyvern, Erect, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Alternately, Shafted, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Ormazabal-Lazaro, family.
Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or. Crest: Upon a helm with a wreath Or, Azure and Gules, a demi-pegasus Argent issuant from flames of fire Gules, fimbriated Or. Mantling: dexter Azure doubled Or, sinister Gules doubled Or. Warcry above the crest «Epimeleia Heautou». Motto: «Officium otium cum dignitate».
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.
Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure, Embattled, Crest, Upon (wreath), Helm, Wreath, Demi, Pegasus, Issuant, Flame, Fimbriated, Mantling, Dexter, Sinister, Doubled, War cry, Above and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernando Marán Bié.
Party per pale Gules and Vert; overall a mermaid proper, holding in her dexter a sword Argent, hilted Or, and in her sinister a comb Or.
Escudo partido de gules y sinople; brochante sobre la partición una sirena al natural, teniendo en su diestra una espada de plata, guarnecida de oro, y en su siniestra un peine de oro.
Coat of arms designed by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finishing.
Coat of arms of The Knights of Cristina designed under her directions and emblazoned by me.
Blazon keywords: Gules, Vert, Argent, Or, One, Party per pale, Overall, Mermaid, Proper, Grasping, Dexter, Sword, Hilted, Sinister and Comb.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Cristina, The Knights of.
A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem
Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Schema.
Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or. Crest: A crown of a Baroness of the Serene Princely House of Saint-Marc in the capacity of dynastic heirs of the former Haitian Empire, issuant three ostrich feathers Argent shafted Or. Motto: «Miseris Succurrere Disco».
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a corset external shape and with a watercolor finishing.
Coat of arms of Amber Martinez, California, designed by her, improved by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me. The motto «Miseris succurrere disco» originates from Virgil's «Aeneid», [Virgil, P.; Century I B.C.; book I, verse 630], numbered as verses 630-631 in some editions. The complete sentence is «Non ignara mali, miseris succurrere disco», commonly translated as «Not being unacquainted with suffering, I learn to help those who suffer» or «Knowing suffering myself, I have learned to come to the aid of the unfortunate». These words are spoken by Queen Dido of Carthage as she welcomes Aeneas and his shipwrecked Trojans. Offering them refuge and protection, Dido explains that she herself has experienced exile and hardship after fleeing Tyre following the murder of her husband. Her own experience of suffering has taught her compassion and empathy for those enduring misfortune, making this passage one of the most enduring literary expressions of charity, hospitality, and solidarity with people in distress.
Blazon keywords: Or, Azure, Argent, Four, Two, One, Three, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point, Estoile, Crest, Crown of Baron, Crown, Issuant and Ostrich feathers.
Style keywords: Outlined in sable, Illuminated, Corset and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Martinez, Amber.
Gules, a lion rampant Or, langued and armed Vert; a bordure Azure charged with six escallops Argent. Crest: A crown. Moto: «Vade Fortis Anime».
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.
Blazon keywords: Gules, Or, Vert, Azure, Argent, One, Six, Lion, Rampant, Langued, Armed, Bordure, Charged, Escallop, Crown and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sendat, Jean-Philippe.
Quarterly: 1 Or, a lion rampant, facing sinister Sable, armed and langued Gules; 2 and 3 Gules, an anchor proper; 4 Or, a lion rampant Sable, armed and langued Gules; overall, a pile issuant from base Azure charged with a mount proper issuant from water issuant from base Argent, in chief, a mullet of six points Or. Crest: A crown of untitled nobility.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finishing.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Six, Quarterly, Lion, Rampant, Facing sinister, Armed, Langued, Anchor, Proper, Overall, Pile issuant from base, Charged, Mount, Issuant, Water, Issuant from base, In chief, Mullet, Crest, Crown of Noble and Crown.
Style keywords: Outlined in sable, Illuminated, Bull's hide and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Stiebel, Amitay Edward von.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent. Crest: A closed royal crown Or.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
The coat of arms of Castilla-La Mancha was adopted in 1983, it is a recent design. This coat of arms is equal to the flag of Castilla-La Mancha officially approved in 1980 and designed by Ramón José Maldonado y Cocat. The 1st quarter represents Castilla and the 2nd quarter the great plane of La Mancha.
Blazon keywords: Gules, Argent, Or, Azure, Sable, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Crest, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Castilla-La Mancha.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; and the whole debruised by a label of three points Azure. Crest: A Crown of Prince. The shield is surrounded by the Golden Fleece.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.
This is my interpretation of the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias (as heiress to the Crown of Castile), Princess of Girona (as heiress to the Crown of Aragon), and Princess of Viana (as heiress to the Kingdom of Navarre), with the Collar of the Distinguished Order of the Golden Fleece. Her coat of arms is that of her father, the King, charged with a label Azure and surmounted by the crown of a princess with four pearl diadems, three visible.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency, Label of three points, Crown of Prince, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Leonor Princess of Asturias.
Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.
Coat of arms of Marilena Marinanza, Italy, emblazoned by me. These arms have been requested by her husband Andrea Tamburelli Lanzara di Pietragavina.
Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Marinanza, Marilena.
Argent, a cross Gules; a bordure compony of fifteen sections: 1, 6, and 11 Argent, a pomegranate seeded, slipped and leaved proper; 2, 7, and 12 Or, an eagle displayed Sable; 3, 8, and 13 Gules, a castle triple-towered Or, port and windows Gules, masoned Sable; 4, 9, and 14 Argent, a lion rampant Gules, crowned Or; 5, 10, and 15 Or, four pallets Gules. Crest: A closed royal crown.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finishing.
Coat of arms of the city of Almeria, Andalusia, emblazoned by me. The island of Alboran is geographically part of Africa, but politically it belongs to the city of Almeria. As a result, Almeria is one of the few cities in the world that spans two continents: Europe and Africa.
Blazon keywords: Argent, Gules, Or, Sable, Vert, One, Four, Fifteen, Cross, Bordure, Compony, Pomegranate, Slipped, Leaved, Proper, Eagle, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Almeria, city of.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules; a bordure compony of sixteen sections: eight Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable, eight Or, an eagle displayed Sable. Crest: An open royal crown.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a metal beaten finish.
Coat of arms of the Infanta Berenguela of Castile, 1228–1279, 5th daughter of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The coat of arms of Infanta Berenguela of Castile, besides being beautiful, has always seemed to me the epitome of the Castilian arms: quartered, bearing Leon and Castile, and surrounded by a bordure compony with castles. This coat of arms has been emblazoned by me.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Sixteen, Eight, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Bordure, Compony, Eagle, Crest, Open royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Berenguela of Castile, Infanta.
Azure, a terraze in base Or, overall a gazelle springing Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family bendwise.
De azur terrazado de oro, brochante sobre el todo una gacela brincante de plata, acollarada de una cadena extendida hacia la siniestra de oro unida a la cruz de la familia Cruz puesta en banda.
Coat of arms of Rosalía Cruz Carballo designed by Juan Lanzagorta Vallín and refined and emblazoned by me. In heraldry, a gazelle springing represents a broader and more dynamic leap than a gazelle salient, since in the springing attitude none of the hooves touch the ground, whereas in the salient attitude the hind legs, usually held close together, remain grounded while propelling the body upward. The English heraldic term «springing» is commonly used to describe a quadruped depicted in mid-leap, with all four legs clear of the ground, since there is no fully established Castilian translation for this heraldic attitude, I translate it as «brincante». The broad and energetic leap of the gazelle reflects Rosalía’s sporting spirit, vitality, and fondness for running and overcoming obstacles. The gazelle bears around its neck the cross designed by Jon Lanzagorta for his co-father-in-law, Mr. Cruz, her father. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or.
Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Springing, Collared, Chain, Sinister, Conjoined, Cross couped and Bendwise.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Cruz Carballo, Rosalia.
Azure, a plough share points downward Argent between, upon a base enarched Vert, two bell towers Argent, port and window Sable.
Escudo de azur, una reja de arado bajada de plata acompañada de dos campanarios de plata, aclarados de sable, terrazados de sinople.
Coat of arms emblazoned by me with a shape endend with an ogee arch, illuminated, and with a freehand finishing.
Csernely is a village in Borsod-Abaúj-Zemplén county in Hungary.
The official description, not the blazon, is: «...in the blue field of a shield standing on its snout two silver-coloured church towers with onion-shaped cupolas and crosses on their peaks are rising on a green hill. Between them a silver ploughshare is floating with its point upside down...».
The official description use the word «hagymakupolás» in Hungarian. The official text is «Csernely címere: Csücsköstalpú pajzs kék mezejében zöld halmon két ezüst színu, hagymakupolás templomtorony emelkedik, ...», but the cupolas painted by them do not seem the classic «onion-shaped cupolas».
Notice the mount color Vert over a field color Azure, not uncommon in this heraldic tradition.
Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.
Style keywords: Ogee, Outlined in sable, Freehand and Illuminated.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Csernely.
Party per fess Or and Gules dancetty of three full points and two half upwards.
Escudo cortado, encajado de tres piezas enteras y dos medias.
[Avilés, J.; 1780a; page 79], on the appropriate dimensions for outlining an indented shield, he explains that «encaxadas» or «emanchadas» refers to «the partitions of the shield, whose pieces fit into each other in the shape of thick and long triangles, which are regularly one-third of the length», that is, of the width of the shield for parted shields, «or of the height of the shield», that is, the height for fess shields, as in this example, «depending on the direction in which these figures are placed in the parted, fess, bend, and cut shields, etc. but being a Chief, they have half the base and the rest as point; and if it were a Fess, it is formed of alternating triangles, which fill it completely».
[Avilés, J.; 1780a; page 80], on which of the two components of an indented shield acts as the field and which as the piece, he clarifies that «the field of the partition is understood as the one occupying the upper part of the shield, with the lower part at the base considered the piece».
[Avilés, J.; 1780a; page 80], on how the blazon of an indented shield should be drafted, he establishes that «the number of whole and half triangles must be specified when there is more than one, and likewise, the direction in which the partitions are in the parted, fess, etc.», illustrating it with 2 examples that can also be seen in [Avilés, J.; 1725a; plate 8, illustrations 157 and 158].
Blazon keywords: Party per fess, Dancetty, Three and Two.
Style keywords: Semi-circular.
Classification: Schema.
Sable, upon three bars wavy a four arch bridge Or, masoned Sable, throughout. Motto: «Patiens Quia Aeternus».
Escudo de sable, un puente de cuatro ojos de oro, mazonado de sable, moviente de los flancos, sostenido por tres burelas ondadas de oro. Lema: «Patiens Quia Aeternus».
Coat of arms devised by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.
The symbols represent resilience over time, a bridge over the passage of waters. The design is simple and conceptual, a coat of arms without lines of divisions, and with only two tinctures, the color Sable of the field and the metal Or of the bridge and the waves of water. The motto «Patiens quia aeternus» ~ «Patient because eternal» comes from Augustine of Hippo and reinforces the meaning of this coat of arms.
Blazon keywords: Sable, Or, Three, Four, Upon, Wavy, Bar, Arch, Bridge, Masoned, Throughout and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: García Martínez, Daniel.
A dexter arm embowed, garbed in a maunch Gules, holding in its hand carnation, a quill bend sinisterwise Argent, shafted Or.
G0143, Chief Herald of Arms of Malta's grant for the crest of Daniel John Bugeja, Malta. Hand-drawn delineation by me, showing the granted crest. It should be borne in mind that in heraldry there is no fixed or inherent symbolic meaning attached to charges; any symbolic value, where it exists, derives from the intention of the original bearer or the creator of the arms. Nevertheless, heraldic tradition has preserved historical explanations for the origin of certain charges. In this respect, [Wade, W. C.; 1898; pages 115-116] notes that the lady’s sleeve, of very ancient form, entered heraldry through the custom of knights attending tournaments wearing their ladies’ sleeves as «gages d’amour», and that, in adopting this charge, the knight could symbolically declare: «por el honor de mi dama».
Blazon keywords: Gules, Argent, Or, One, Dexter, Arm, Embowed, Vested, Maunch, Grasping, Quill and Bend sinisterwise.
Style keywords: Outlined in sable and Illuminated.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Bugeja, Daniel John.
Azure, fretty raguly Or.
Escudo de azur, un fretado ecotado de oro.
Coat of arms interpreted with: a semicircular (round) base; the field in plain Azure tincture, shaded by the fretty and with a raised-stroke finish; and the lattice of cut branches outlined in Sable and illuminated in beaten gold metal.
The arms of David Robert Wooten, as he himself recounts on his website davidwooten.com were registered on 6 November 1992, with number 1,073, in The American College of Heraldry, an institution of which he is a platinum patron. The registered blazon was «Azure, fretty raguly Or», with fretty ~ fretado and raguly ~ ecotado, which in English I have also seen written as knotted.
Of his complete achievement I have here limited myself to interpreting his shield and his motto «Melior nullo nullus melior» which can be translated from Latin as «no soy mejor que nadie, pero nadie es mejor que yo»
Blazon keywords: Without divisions, Azure, Fretty, Raguly and Or.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated, Shaded, Freehand and Metal beaten.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Wooten, David Robert.
Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper.
Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.
Coat of arms of Del Fabbro Universidad, Tlaxcala, Mexico, designed and emblazoned by me.
Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed and Proper.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Socioeconomic, Created, Boa and Coat of arms.
Bearer: Del Fabbro Universidad.
County of Cheshire, The Vale Royal, 1656.
Sable, a crozier Or, between three garbs Or.
Escudo de sable, un báculo de oro, acompañado de tres gavillas de trigo de oro.
Coat of arms interpreted with: a rounded base; the field illuminated in Sable; the crozier illuminated in Or, facing right on the shield and outlined in Sable; the garbs illuminated in Or and outlined in Sable; and the whole with a leather texture.
A coat of arms recorded in [King, D.; 1656] which in Cheshire Heraldry is blazoned as follows: «Sable a crozier in pale between three garbs Or».
As a curiosity, it can be observed that in [King, D.; 1656] and in Cheshire Heraldry, the croziers ~ báculos are depicted with their head facing left on the shield, whereas, in general, it is more common to represent them facing right; for my interpretation I have chosen this latter arrangement.
Since the three garbs are arranged in the usual heraldic manner, it is possible to omit the expression «2 y 1» or «ordered», though it may also be included to avoid any doubt.
Blazon keywords: Without divisions, Sable, Or, Crozier, Between, Wheat, Garb and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Religious and Cheshire County.
Bearer: Delacres, Abbey of.
The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.
One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.
Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.
Gules, a fess vair between four water-bougets Or, two in chief and two in base.
Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.
In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».
There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.
In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».
Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.
Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Interpreted, Schema and Coat of arms.
Dimidiation~dimidiated vs impalement~impaled.
Blazon keywords: Dimidiated, Party per pale, Azure, One, Lozenge, Argent and Fleur de lis.
Style keywords: Outlined in sable.
Classification: Schema and Coat of arms.
Party per fess, the chief per pale: 1 Or; 2 Gules; 3 Argent.
Party per pale, the sinister per fess: 1 Argent; 2 Or; 3 Gules.
Party per fess, the base per pale; 1 Argent; 2 Gules; 3 Or.
Per per pale, the dexter per fess: 1 Gules; 2 Or; 3 Argent.
Medio partido y cortado: 1o de oro; 2o de gules; 3o de plata.
Partido y medio cortado: 1o de plata; 2o de oro; 3o de gules.
Cortado y medio partido: 1o de plata; 2o de gules; 3o de oro.
Medio cortado y partido: 1o de gules; 2o de oro; 3o de plata.
In the illustration:
Each blazon is made up of 2 parts:
Remarks to the description of the division of the field:
Remark to the description of the 3 quarters:
Blazon keywords: Party per fess, the chief per pale, Party per pale, the sinister per fess, Party per fess, the base per pale, Party per pale, the dexter per fess, Or, Gules and Argent.
Classification: Schema.
Gules, a stag's head caboshed Argent, attired Or, between its attires a dexter hand appaumée, couped at the wrist; on a bordure Argent eight camellias Gules, seeded Or. Crest: Upon a helm with a wreath Argent and Gules, a gamecock, armed, crested and bearded Gules, the neck Argent, beaked, membered and the head Or, supporting with its dexter talon a closed book Sable, leaved Or, garnished Argent. Motto: «Meliores Quotidie».
This is the coat of arms of Donnie Thompson emblazoned by me. The image combines a photograph of a drawing of a closed book along with his coat of arms, all painted by me.
Blazon keywords: Gules, Argent, Or, One, Eight, Stag, Head, Caboshed, Attired, Between, Dexter, Hand, Appaumée, Couped, Wrist, Bordure, Camellia, Seeded, Crest, Upon (wreath), Helm, Wreath, Rooster, Armed, Crested, Bearded, Neck, Beaked, Membered, Grasping, Talon, Closed book, Book, Leaved, Garnished, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Thompson, Donnie.
Argent, a tetrahedron Azure, pierced by a sword bendwise, point downwards Or, garnished Azure.
Heraldic device depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
G0102, Chief Herald of Arms of Malta's grant for the coat of arms of Dr. James Patrick Howard II, USA. This coat of arms has been emblazoned by me over his personal tartan registered in the Scottish Register of Tartans.
Blazon keywords: Argent, Azure, Or, One, Tetrahedron, Geometric solid, Pierced, In bend, Sword, Point downwards and Garnished.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Howard II, Dr. James Patrick.
There are several methods to draw a pointed coat of arms, for example, the method of [The Heraldry Society; 2013; page 7]. There are also several pointed coat of arms with the ratio 5/6 between its width b and its height h.
The previous illustation shows my method to draw a 5/6 pointed coat of arms. The center Cd of the dexter arc is 17h/36 = 17b/30 from the top of the shield and its radious is 13h/24 = 13b/20, or what is the same, its diameter is 13h/12 = 13b/10.
The position of the Cs of the sinister arc and its construction is symmetric to the dexter arc with respect to the vertical axis, as shown in the following illustration.
Style keywords: Freehand and Pointed.
Classification: PDF and Schema.
Or, an atom triple-orbited Gules; on a chief Gules, a falcon displayed and jessed Or
Illuminated and a watercolor finishing.
Jessed means with jesses, the thongs by which bells are fastened to the legs of a falcon.
The falcon use to be belled and jessed, with bells and leather strips on the legs. The attributes used to be citted in the blazon when its tincture is different that the main element to which it belongs. In this case, its leather strips are Or, the same tincture than the falcon Or, but I decided to blazoned it «a falcon displayed and jessed Or» to denote jessed but not belled.
Other falcons are also hooded.
Credits: Rudolf Juchter van Bergen Quast is the designer of the coat of arms.
Blazon keywords: Or, One, Atom, Three, Orbital, Gules, Chief, Falcon and Jessed.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Emirate of Dubai and Coat of arms.
Bearer: Dubai Office of the European Chamber of Digital Commerce.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or.
Escudo cuartelado: 1o de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules [de Durán]; 2o de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules [de Alpoim]; 3o de plata, dos cabras en palo de púrpura, acornadas de sable [de Cabral]; 4o de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro [de Melo]; un escusón de azur, cinco flores de lis de oro.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.
Arms of the cadet branches of Fernando Durán Cabral de Melo e Alpoim, certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León, and emblazoned by me.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate and Inescutcheon.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.
Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules.
Escudo de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineage Durán. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Durán are in the 1st quarter.
Blazon keywords: Gules, Or, Azure, Argent, One, Six, Eight, Pale, Upon, Wave, Bordure, Charged, Lion, Head and Erased.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán, lineage.
Blazon of the Duran lineage of Andalucia, Extremadura, and Aragon.
Gules, a lion passant Or; a bordure Or charged with eight lions’ heads erased Gules.
Escudo de gules, un león leopardado de oro; una bordura de oro, cargada de ocho cabezas de león arrancadas de gules.
Illuminated and with a glass finish.
Blazon keywords: Gules, Lion passant, Or, One, Bordure, Charged, Eight, Head and Erased.
Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Argent, a lion passant Gules, grasping a Celtic cross Sable in its dexter forepaw, on a chief Vert, a mural crown with five visible oak leaves Argent.
Escudo de plata, un león pasante de gules, teniendo en su diestra una cruz celta se sable, en un jefe de sinople, una corona mural con cinco hojas de roble visibles de plata.
Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a watercolor finish.
Blazon keywords: Argent, Gules, Sable, Vert, One, Five, Lion, Passant, Grasping, Celtic cross, Dexter, Forepaw, Chief, Mural crown, Crown, Oak, Tree and Leaf.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Durkan, John Paul.
Argent, a tree eradicated proper, in chief an escallop reversed Gules, between two flies pilewise proper. Crest: A galero Sable with two cords, one on each side, each with six tassels Gules. Motto: «No Fear In Love». Behind the shield, the cross of the Holy Sepulchre of Jerusalem. The shield is surrounded by the cross of a Knight Commander of the Holy Sepulchre of Jerusalem.
The image shows a photograph of the Times of Malta newspaper announcing and presenting the lecture on Ecclesiastical Heraldry delivered by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. The lecture was highly interesting, and I was honoured that Dr. Charles A. Gauci included 28 illustrations of ecclesiastical heraldry that I had painted under his guidance. The illustration beneath the newspaper headline depicts the arms of Monsignor John Muscat, Commander of the Equestrian Order of the Holy Sepulchre of Jerusalem, emblazoned by me, which I have included alongside the photograph for easier identification.
Blazon keywords: Argent, Gules, One, Two, Six, Tree, Eradicated, Proper, In chief, Escallop, Between, Fly, Pilewise, Crest, Galero, Cord, Tassel, Motto, Behind the shield, Cross, Surrounded and Decoration.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Religious, Interpreted, Boa, Photographic, In color, English language and Collage.
Bearer: Muscat, John.
Edmund de Bassingbourne ~ Edmund de Bassingburnn.
Gyronny Or and Azure.
Jironado de oro y azur.
Included in [Vincent, MS; 1285; number 82] also known as [St. George's Roll; 1285; number 82].
Blazon keywords: Gyronny, Eight, Or and Azure.
Style keywords: Pointed, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Edmundo de Bassingbourne.
The one with the Cross on his back ~ Crouchback (1245–1296)
Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.
Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.
He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».
In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.
The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.
The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edmund Plantagenet.
First Prince of Wales from 1301 to 1307, King of England and Lord of Ireland from 1307 to 1327.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth rounded; the field illuminated Gules; the figures illuminated in Or and Azure, outlined in Sable, and the third leopard slightly smaller; and the whole finished with a plastered effect.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Rounded, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward II of England.
Banner Quarterly: 1 and 4 Azure, three fleurs de lis Or; 2 and 3 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Pendón cuartelado: 1o y 4o de azur, tres flores de lis de oro; 2o y 3o de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Banner interpreted by me as follows: with the proportions of 5x6, like a shield; the field is coloured in flat tinctures Gules and Azure; the fleurs-de-lis and the leopards are outlined in Sable and illuminated in Or; and the banner’s finish resembles fabric.
Its design follows [Edward IV of England; 1461; row 27, 2nd column, final banner]:
Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued and In pale.
Style keywords: Rectangular, Illuminated, Outlined in sable and Fabric.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.
Bearer: Edward IV of England.
King of England and Lord of Ireland from 1272 to 1307.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted with the following features: the mouth is semicircular (round); the field enamelled in a flat tint of Gules; the three leopards illuminated in the metal Or and the colour Azure, outlined in Sable, and the leopard closest to the base has a different shape and size; and the whole finished with a fabric-like texture.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Fabric.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward I of England.
Quarterly: 1 and 4 Argent, a wolf rampant Sable; 2 and 3 Gules, a garb Or.
Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems leather.
Blazon keywords: Quarterly, Argent, One, Wolf, Rampant, Sable, Gules, Garb and Or.
Style keywords: Rounded, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Gräupl, Edwin.
Or, three bars Azure; the base Gules.
Escudo de oro, tres burelas de azur; la punta de gules.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Egado emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 635].
Blazon keywords: Or, Azure, Gules, Three, Bar and Base (lower 1/3).
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Egado, lineage.
Or, a Billiard 8 ball proper.
Escudo de oro, una bola 8 de billar al natural.
Blazon keywords: Without divisions, Or, One, Non-classic artifact and Proper.
Style keywords: Semi-circular, Crystalline, Soft metal, Outlined in sable and Illuminated.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Bola 8.
Coat of arms of Elijah R. emblazoned by me, with the blazon written in English and Castilian in a structured layout that brings out the close parallelism between the two heraldic languages.
Blazon keywords: Azure, Argent, Or, One, Two, In chief, Lozenge, Between, Stag's attire, In pile, Issuant, Cup, Crest, Upon (wreath), Wreath, Sun, Cloud, Debruised, Demi, Stag, Attired and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: R., Elijah.
Azure, a bend sinister raguly between, in dexter chief, a Celtic cross, in sinister base, a sword point downwards Argent. Motto: «Per Iustitiam Victoria» Sable, with initial letters Gules, over a scroll Argent.
Escudo de azur, una barra ecotada acompañada, en la diestra del jefe, de una cruz celta y, en la siniestra de la punta, de una espada bajada todo de plata. Lema: «Per Iustitiam Victoria» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Blazon keywords: One, Bend sinister, Raguly, Between, Dexter, Chief, Celtic cross, Sinister, Base (lower 1/3), Sword, Point downwards, Argent and Motto.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Rough.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Reyes, Elijah.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent. Crest: A crown proper. The shield is surrounded by the Most Noble Order of the Garter.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me. The Most Noble Order of the Garter, founded by Edward III in the 14th century, is Great Britain's oldest and most prestigious order of chivalry. It symbolises honour and loyalty, and its members are chosen by the Sovereign in recognition of their exceptional public service. Its distinctive emblem, a dark blue garter bearing the motto «Honi soit qui mal y pense» ~ «Shame on him who thinks evil of it». Its central insignia features the figure of St George and the Dragon, and its membership is strictly limited to 24 Companion Knights, in addition to the Sovereign and the Prince of Wales.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp, Stringed, Saint Eduard crown, Closed royal crown, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Elizabeth II of the United Kingdom.
Argent, a tower with a turret Gules, port and windows Argent, masoned Sable. Crest: A mural crown Or. Supporters: Two palm fronds Vert issuant from an escallop reversed Or. Motto: «Disce et Aspirant» Sable over a scroll Or.
It has been depicted by me, highlighted with lights and shadows, with a semi-circular outer contour and with a leather finish.
The heraldic emblem of the Academia de Letras e Artes da Guiné-Bissau, ALAB, designed by Joseph Crews and emblazoned by me. The motto «Disce et Aspira» is a Latin phrase meaning «Learn and Aspire»
Blazon keywords: Argent, Gules, Sable, Or, One, Two, Tower, Turret, Port and windows, Masoned, Crest, Mural crown, Crown, Supporter (thing), Supporter, Palm frond, Issuant, Escallop, Motto and Scroll.
Style keywords: Illuminated, Semi-circular and Leather.
Classification: Socioeconomic, Interpreted, Boa and Emblem.
Bearer: Academia de Letras e Artes da Guiné-Bissau.
Gules, three lions passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
These are arms of the Kingdom of England emblazoned by me.
Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: England, Kingdom of.
Credits:
Blazon keywords: Or, Azure, Bendlet, Martlet, In pale, Sun in splendour, Crest and mantling, Helm, Mantling, Wreath, Crest, Supporter (animal), Supporter, Lion rampant guardant, Dexter, Sinister, Armed, Langued, The fangs, The eyes and Motto.
Classification: Video, Created, Personal, Catalogue and Heraldic document.
Bearer: Fernández Marqués, Enrique.
Count of Urgell, Viscount of Àger, deceased in 1243.
Chequey Or and Sable.
Escudo ajedrezado de oro y sable.
Arms interpreted with: a pointed and rounded shield shape; the chequey pattern enamelled in flat Or and Sable; and a heavily beaten metal finish.
Ermengol IX held the county for a very short time, as he died shortly after the death of his father Ponce I of Urgell, in that same year of 1243.
This coat of arms can be found at [Costa i Cases, P.; Century XVIII; page 34].
Blazon keywords: Chequey, Or and Sable.
Style keywords: Ogee, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Ermengol IX of Urgell.
Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules.
It has been depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
The coat of arms of Ernesto Juan Anaya designed by him and emblazoned by me over his personal tartan registered in the Scottish Register of Tartans. What makes this tartan special is its asymmetric design, unusual and, to my eye, particularly appealing.
Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged and Crossbow.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Anaya, Ernesto Juan.
Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.
Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.
Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.
Coat of arms of Angel España Herranz designed by him and me, and emblazoned by me.
The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.
Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: España Herranz, Angel.
Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent
Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Personal and Interpreted.
Bearer: Espinosa, Diego.
Papa número 207 de la Iglesia, de 1431 a 1447. «Eugenius IV», de nombre Gabriele Condulmer, nació en Venecia.
Azure, a bend Argent.
Escudo de azur, una banda de plata.
Escudo papal que he interpretado con: la boca apuntada; el campo de tinta plana de azur; la banda iluminada de azur y delineada de sable; y el conjunto acuarelado.
Blazon keywords: Without divisions, Azure, One, Bend and Argent.
Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Eugene IV.
Azure, five fleurs de lis Or. War cry above the shield: «:Notra:Dama:Dallpoy:» Or.
Escudo de azur, cinco flores de lis de oro. Grito sobre el escudo: «:Notra:Dama:Dallpoy:» de oro.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a metal beaten finish.
«Armas antigas» ~ ancient arms of family d’Alpoim, originally from France, emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me according to his instructions and based, except for the cry, on descriptions from armorials such as «Nobiliário da Ilha Terceira» by Eduardo de Campos de Castro de Azevedo Soares, «Pedatura Lusitana», on the noble families of Portugal, by Cristóvão Alão de Morais, the chapter «O Solar dos Alpoins» by A. Nogueira Gonçalves, or «Armaria Portuguesa» that describes it in Portuguese «De azul, cinco flores de lis de oiro. T.: ... o grito Nostre Dame de Puy» and also in French «D'azur à cinq fleurs-de-lis d'or. C.: ... le cri, Nostre Dame de Puy, en lettres d'or». In this version, the text of the cry «:Notra:Dama:Dallpoy:» is based on a d’Alpoim's armorial stone and represents a Portuguese evolution of the original French cry «Notre Dame du Puy», which is the name of the Cathedral of Le Puy-en-Velay, France.
Blazon keywords: Azure, Or, Five, Fleur de lis, War cry and Above the shield.
Style keywords: Outlined in sable, Illuminated and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: d’Alpoim, family.
Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox proper, grasping dexter four ears of wheat Or. Mantling: Azure doubled Argent. Motto: «Ignis Aurum Probat».
The crest, mantling and coat of arms of the family Milian. It was created and emblazoned by me with a 2:2:3 ratio. The ratio I most commonly use for the crest, helm, and shield is approximately 2:2:3, where 2 represents the height of the crest, 2 represents the height of the helm, and 3 represents the height of the shield.
Blazon keywords: Or, Azure, Argent, One, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar, Wavy, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Ear of wheat, Wheat and Mantling.
Style keywords: Ratio, Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Milian, family.
Argent, a heron volant Azure, beaked and membered between three escallops Sable.
Canting arms of the family of Paul and Kari Herndon, based on the arms of their lineage. The image combines a photograph of a drawing of a heron volant and a heron volant Azure, beaked and membered Sable, along with his coat of arms, all painted by me.
Blazon keywords: Argent, Azure, Sable, One, Three, Heron, Volant, Beaked, Membered, Between and Escallop.
Style keywords: Outlined in sable, Plain tincture, Illuminated and Pointed.
Classification: Personal, Canting, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Herndon, family of Paul and Kari.
Party per chevron Argent and Sable, two wings Gules, in base a compass rose Argent; on a chief Sable, three mullets Argent. Motto: «Vitam Aeternam» Sable, with initial letters Gules, over a scroll Argent, doubled Gules.
Escudo de plata, dos medios vuelos de gules, mantelado en punta de sable, cargado de una rosa de los vientos de plata; el jefe de sable, tres estrellas de cinco puntas de plata. Lema: «Vitam Aeternam» de sable, con letras iniciales de gules, sobre una filacteria de plata, doblada de gules.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.
Blazon keywords: Argent, Gules, Sable, One, Two, Three, Party per chevron, Wing, In base, Compass rose, Chief, Mullet, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Reed Jr., family of Roy L..
Quarterly: 1 Argent, an oak eradicated Vert, fructed Or; 2 Azure, a tower with a turret Or, port and windows Azure, masoned Sable; 3 Azure, a hound passant Argent, spotted Sable; 4 Argent, a cross Gules.
Coat of arms of the family Simon-Faus. The image combines photographs of a drawing of an oak tree eradicated and a drawing of a hound passant, along with their coat of arms, all created by me.
Blazon keywords: Argent, Vert, Or, Azure, Sable, Gules, One, Quarterly, Oak, Tree, Eradicated, Fructed, With a turret, Port and windows, Masoned, Dog, Passant, Spotted and Cross.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Created, Boa, Hand-drawn, Collage and Photographic.
Bearer: Simon-Faus, family.
Or, six fleurs de lis Azure, 3, 2, and 1.
Escudo de oro, seis flores de lis de azur, 3, 2 y 1.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of Alessandro Farnese, 1545–1592, emblazoned by me. In 1956, the fourth Tercio of the Spanish Legion was created and named Tercio Alessandro Farnese in his honor. The coat of arms of that Tercio features the arms of the Farnese in its central inescutcheon, although with its 6 fleurs de lis arranged in orle.
Blazon keywords: Or, Azure, Six and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Farnese, Alessandro.
Argent, a lion sejant erect Purpure.
Escudo de plata, un león sentado de púrpura.
Imaginary coat of arms of King Fernando II of León, which I have developed based on his seal and the arms of his successor, with: the shape of the coat of arms is semi-circular; the field enameled in flat argent; the lion enameled in purpure and illuminated; and the whole rendered with a watercolor finish.
For this imaginary coat of arms I have chosen a representation of the lion in a posture similar to that of the great seal appearing in [Fernando II de León; 1167], which is sejant ~ «sentado» in Castilian, although beginning to rise «sejant erect».
It should be noted that we are in a pre-heraldic period where the possible attitudes of the lion were not yet clearly defined, although several of them are already anticipated in the great seals of Fernando II, as can be seen, for example, passant in [Fernando II de León; 1181] and in other attitudes in the photographs of [Martín Fuertes, J. A.; 2002].
Blazon keywords: Without divisions, Argent, Lion, Purpure and Sejant.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Imaginary, Coat of arms and Kingdom of León.
Imaginary bearer: Ferdinand II of Leon.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules.
A symbolic image representing, through 3 coats of arms, the creation of the coat of arms of the King Ferdinand III the Saint from the arms of Alfonso IX, King of León, and Berenguela, Queen of Castile. The shapes of all three shields are rounded; all their components are illuminated; and the whole composition features a watercolor finish.
Ferdinand III the Saint was the son of Alfonso IX of León and Berenguela of Castile. During his reign, the crowns of Castile and León were united forever. When, in 1230, Ferdinand III succeeded his father, he adopted a quarterly coat of arms, placing his mother's arms, the castle, in the 1st and 4th quarters, and his father's arms, the lion, in the 2nd and 3rd quarters. His goal was likely to achieve balance between the two kingdoms and to give his coat of arms a greater sense of continuity over time compared to impaled arms. The coat of arms of Ferdinand III the Saint was the first quarterly shield in history, and the idea spread into the heraldry of Spain and other kingdoms, such as Aragon-Sicily, Brabant, England, Navarre, and Bohemia.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.
Style keywords: Semi-circular, Illuminated, Tilted shield and Watercolor.
Classification: Interpreted, Personal, Accolé arms, Family tree, Genealogical, Kingdom of Castile, Kingdom of León and Kingdom of Castile and Leon.
Bearer: Ferdinand III of Castile.
Quarterly: 1 Or, a lion rampant Gules; 2 Gules, a fleur de lis Or; 3 Gules, a sun of May Or; 4 Or, a cross of Bolnisi Gules.
Escudo cuartelado: 1o de oro, un león rampante de gules; 2o de gules, una flor de lis de oro; 3o de gules, un sol de mayo de oro; 4o de oro, una cruz de Bolnisi de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a chasuble external shape and with a texturized finish.
Coat of arms of Silvio Fernández Carrizo emblazoned by me.
Blazon keywords: Or, Gules, One, Quarterly, Lion, Rampant, Fleur de lis, Sun of May, Cross of Bolnisi and Cross couped.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernández Carrizo, Silvio.
Marshal of Castile, first Lord of Baena and plenipotentiary ambassador to the court of Portugal (1355–1435).
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Coat of arms del que fue mariscal de Castilla interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat metal Or; its three fesses illuminated in Gules y outlined in Sable; y el conjunto con un plastered finish.
He served under the kings John I of Castile, Henry III of Castile, and John II of Castile.
These three bars of the Fernández de Córdoba lineage are found, for example, in the first quarter of the coat of arms of Gonzalo Fernández de Córdoba y Enríquez de Aguilar, known as *El Gran Capitán*.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Illuminated, Outlined in sable, Semi-circular and Gesso.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Fernández de Córdoba y Carrillo, Diego.
Blazon equivalent to: Berry of Molland.
Or, three bars Gules.
De oro, tres fajas de gules.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of Gonzalo Fernandez de Cordoba, 1453–1515, known as «The Great Captain», emblazoned by me. The Tercio Great Captain, 1st of the Spanish Legion, is named in honour of Gonzalo Fernandez de Cordoba, and the coat of arms of the unit bears a central inescutcheon with the arms of «The Great Captain».
Blazon keywords: Or, Gules, Three and Fess.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernandez de Cordoba, Gonzalo.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias]. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or. Suspended from the shield, the insignia of the Equestrian Order of the Maestranza of Castile.
Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony, Vair, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry and Mantling.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, Fernando.
Cheshire, visitation of 1613.
Argent, on a bend Azure three garbs Or, bendwise.
Escudo de plata, una banda de azur cargada de tres gavillas de trigo de oro, puestas en banda.
Coat of arms interpreted as follows: with a rounded base; the field and the bend illuminated in Or and Azure; the garbs outlined in Sable and illuminated in Or; and with a leather texture.
A coat of arms recorded in [Armytage, G. J.; Rylands, J. P.; 1909] and in [Goldstraw, M. S. J.; 2013b], blazoned as «Argent, on a bend Azure, three garbs Or».
It is the norm in heraldry that charges upon a bend are arranged bendwise, so since the three garbs are disposed in this way it is possible to omit the expression «bendwise», though it may also be included to avoid any doubt, as I have done in this instance.
Blazon keywords: Without divisions, Or, Azure, Bend, Charged, Wheat, Garb, In bend and Bendwise.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Fitton de Carden, Clutton and Chester.
Outlines and proportions of a flanched design at one-third.
This is my standardized way of delineating curved flanches, so that they remain tangent to a pale and, therefore, the width of both curved flanches and the space between them is equal to one third of the base. Some draw the flanches using circles, but I believe they look better as two half-ovals, which together would form a complete oval, with the height equal to that of the shield and the width two thirds of the base of the shield, that is, one third for each of the flanches, as in the figures illustrating this article. However, it should be noted that, depending on the charges, the separation distance may be adjusted.
The «flanqueado curvo» corresponds to «flanched» in English, since for them the curved form is the default. [Avilés, J.; 1725b; page 92, figure 197] calls it «flanqueado en óvalo».
The «flanqueado apuntado» formed by 2 opposed triangles I call «pointed flanched» in English, as I have not found a better term. [Avilés, J.; 1725b; page 92, figure 198] calls it «flanqueado en sotuer», but what he draws in his book actually corresponds to a «cuartelado en sotuer» since the two points of the flanking meet at the center of the coat of arms.
«Flanqueado» without adjectives corresponds in Castilian to an «adiestrado» as opposed to a «siniestrado», and I refer to it in English as «flanked by two pales» having found no better translation.
Blazon keywords: Flanched.
Style keywords: Semi-circular.
Classification: Criterion and Schema.
Bearer: Oschoven of the Rhin.
Leader of the almogávares in the service of the Crown of Aragon, born in Brindisi, southeast Italy, in 1266, and assassinated in Adrianople, European Turkey, in 1305.
Argent, a fleur de lis Gules.
Escudo de plata, una flor de lis de gules.
Coat of arms interpreted with: the pointed and rounded form; the field in flat Argent; the fleur de lis illuminated in Gules and outlined in Sable; and an overall rough finish.
Blazon keywords: Without divisions, Argent, Gules and Fleur de lis.
Style keywords: Ogee, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Personal, Army and Navy and Coat of arms.
Bearer: Flor, Roger de.
The framed Commoners' Certification of Arms for Tomasz Arkadiusz Grzeszkowiak from Poland, with his arms designed by Tomasz Steifer and his arms, standard and badge emblazoned by me.
Blazon keywords: Gules, Vert, Sable, Or, Argent, One, Three, Base, Enarched, Overall, Latin cross patty, Cross patty fitchy, Cross couped, Piercing, Head, Serpent, Nowed, Facing sinister, Langued, Crest, Upon (wreath), Helm, Affronty, Wreath, Ostrich feathers, Alternately, Paschal lamb, Nimbed, Grasping, Shafted, Charged, Cross and Motto.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Photographic, Certification, Heraldic document, Standard, Flag and Badge.
Bearer: Grzeszkowiak, Tomasz Arkadiusz.
From the House of Valois-Angoulême and with the motto: Nutrisco et extinguo.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the three fleurs-de-lis outlined in Sable and illuminated in Or; and finished with a plaster texture.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Pointed, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Francis I of France.
Or, an oak tree proper, fructed Or, with a boar supporting it Sable; the whole debruised by a label of four points Azure with the second point Argent.
Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; brisado de un lambel de cuatro pendientes de azur, el segundo pendiente de plata.
Coat of arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.
Coat of arms of Francisca Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Cadency, Label, Four, Azure and Argent.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Francisca Aras Quirce.
Gules, three lozenges Or; a bordure lozengy Gules and Or. Motto: «Integritas Virtus Gratia» Sable, with initial letters Gules, over a scroll Argent.
Escudo de gules, tres losanjes de oro; una bordura losanjada de gules y oro. Lema: «Integritas Virtus Gratia» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
Blazon keywords: Gules, Or, Argent, Sable, One, Three, Lozenge, Lozengy, Bordure, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Lasuncion Patus, Francisco Javier.
Party per fess: 1 Or, a tower Gules between in chief a crescent and a mullet of eight points Azure; 2 Azure, three demi-horses courant in bend sinister nascent from the ends of three bars wavy issuant from sinister Argent. Crest: A crown of the Soberana y Muy Noble Orden de la Granada. The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.
It has been interpreted by me, highlighted with lights and shadows, contoured in Sable, with a rounded external shape and with a texturized finishing.
This is the coat of arms of Francisco-José Bermejo Fernández-Briceño designed by Ignacio Koblischek and emblazoned by me for the Roll of Arms of the Soberana y Muy Noble Orden de la Granada.
Blazon keywords: Or, Azure, Gules, Argent, One, Three, Party per fess, Tower, Between, In chief, Crescent, Mullet, Demi, Horse, Courant, In bend sinister, Nascent, Bar, Wavy, Issuant, Sinister, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated and Rounded.
Classification: Personal, Interpreted, Boa, Armorial roll and Castilian language.
Bearer: Bermejo Fernandez-Briceño, Francisco Jose.
Chequey of fifteen Or and Gules. Crest: A galero with two cords, one on each side, each with twenty two tassels, 1, 3, 4, 5, 4, 5, Gules. Behind the shield a crossed staff Or.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a parchment finishing.
Coat of arms of Francisco Ximenez de Cisneros, 1436-1517, better known as the Cardinal Cisneros, with his galero, cords and tassels based on the engrave on his Polyglot Bible printed in 1514-1517. The number of rows was 6 (not 5) and the tassels engraved per row was 1, 3, 4, 5, 4, 5 in each side (not 1, 2, 3, 4, 5). I emblazoned it following the comments of Francisco Domingo Larrosa Gil about the number of rows and tassels of the galero in the centuries before XIX..
Blazon keywords: Or, Gules, Fifteen, Two, Twenty-two, One, Three, Four, Five, Chequey, Crest, Galero, Cord, Tassel, Behind the shield and Crossed staff.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.
Classification: Religious, Interpreted, Boa and Coat of arms.
Bearer: Ximénez de Cisneros, Francisco.
Blazon of the Freitas lineage of Portugal.
Gules, five mullets of six points Or.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 123].
Blazon keywords: Without divisions, Gules, Five, Mullet and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Party per pale Vert and Sable, a sun in splendour Or issuant from the dexter chief. Motto: «Da Pacem Domine».
Escudo partido de sinople y sable, un sol de oro moviente de la diestra del jefe. Lema: «Da Pacem Domine».
Arms designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finish.
Canting arms of the French family of Fr. Marc Vernoy designed by him and me and emblazoned by me. A field Vert and Sable ~ Vert Noir ~ Vernoy. French blazon by Hyacinthe de Keranrouë: Parti de sinople et de sable, au soleil d'or mouvant de l'angle dextre. Devise: «Da Pacem Domine».
Blazon keywords: Vert, Sable, Or, One, Party per pale, Sun in splendour, Issuant, Dexter, Chief and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Vernoy, French family of Fr. Marc.
Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert. Crest: Upon a helm, befitting the husband’s degree, with a wreath Or and Gules, an arm vambraced proper grasping a cross tau of olive wood in pale proper. Mantling: Gules doubled Or. Motto: «Fac maiora ne ulla facies».
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.
G0093, Chief Herald of Arms of Malta's grant for the arms of Alessandro Giannelli and Mariana von Atzingen Gorga. These arms have been emblazoned by me for such grant.
Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base, Trimount, Upon (wreath), Helm, Wreath, Arm vambraced, Grasping, Cross tau, In pale, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.
Gules, a cross Argent charged with four ermine spots in cross Sable, in the dexter of the chief a lion’s head erased Or. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a chapeau Gules turned up ermine, a demi-lion, double queued Or, grasping in its dexter paw a pennon Gules, bearing a canton Azure, charged with a saltire Argent. Mantling: Gules doubled Argent. War cry above the crest: «ΑΛΑΛΑ ΑΛΑΛΑ». Motto: «Mieux vaut s’user que rouiller». Supporters: Two knights in three-quarter armour affronty proper, each holding with his outer hand a spear Argent bearing a banner, the dexter Sable, a panther rampant guardant Argent, incensed Or, collared, pendent therefrom a bell Azure, the sinister a banner barry of six Or and Azure, a canton Ermine, terraced Vert semé of Maltese Rock Centaury (Cheirolophus crassifolius) slipped proper.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
G0116, Chief Herald of Arms of Malta's grant for the arms of Andrew Ronald McMillan Bell of Auchinreoch, United Kingdom. These arms have been emblazoned by me for such grant. The English term «terraced», sometimes used in blazon, is equivalent to the term «compartment». In Castilian blazon we use the term «terrazado», in this case as an element outside the shield, while «terrazado» also exists inside the shield in base.
Blazon keywords: Gules, Argent, Sable, Or, Azure, Vert, One, Four, Six, Cross, Charged, Ermine, In cross, Dexter, Chief, Lion, Head, Erased, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Chapeau, Demi, Double queued, Grasping, Canton, Saltire, War cry, Above the crest, Motto, Supporter (human form), Supporter, Knight, Affronty, Proper, Spear, Panther, Rampant, Guardant, Enflamed, Collar, Suspended, Bell, Barry, Compartment, Semé and Slipped.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa, Coat of arms, Pennon, Flag and Banner of arms.
Bearer: McMillan Bell of Auchinreoch, Andrew Ronald.
Gules, a beaver erect Or, armed and tailed Argent, bearing on his dexter shoulder a sword Argent, hilted Or; on a chief embattled of Renaissance crenellations Or three fleurs de lis Azure. Crest: Upon a helm with a wreath Or, Azure, and Gules a beaver issuant, crowned and winged Or, armed and tailed Argent, holding a pole Or flying a long swallow-tailed flag per fess Azure and Gules, overall a double cross patty fitchy Or. Mantling: On the dexter Azure doubled Or and on the sinister Gules doubled Or. Behind the shield: A cross of St. Barachiel Or. Motto: «Si vis pacem para bellum» Or over a scroll Azure doubled Or.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finishing.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Beaver, Erect, Armed, Tailed, Grasping, Dexter, Shoulder, Sword, Hilted, Chief, Embattled, Fleur de lis, Crest, Helm, Wreath, Issuant, Crowned, Winged, Swallow-tail, Party per fess, Overall, Patriarchal cross, Cross couped, Patty, Fitchy, Mantling, Doubled, Sinister, Behind the shield, Cross of Saint Barachiel, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.
Bearer: Bobor, Jan.
Argent, a cross calvary Gules, in the dexter of the chief a fleur de lis Azure. Crest: Upon a helm befitting his degree, with a wreath Argent and Gules, a dove rising Argent bearing in its beak a sprig of shamrock proper. Mantling: Gules doubled Argent. Motto: «In Faith and Charity». Suspended from the shield the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.
G0105, Chief Herald of Arms of Malta's grant for the arms of John Anthony Wright, Ireland. These arms have been emblazoned by me for such grant.
Blazon keywords: Argent, Gules, Azure, One, Cross calvary, Dexter, Chief, Fleur de lis, Crest, Upon (wreath), Helm, Wreath, Dove, Rising, Beak, Sprig, Shamrock, Proper, Mantling, Doubled, Motto, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Wright, John Anthony.
Azure, two chevronels Argent between in chief below a baronial coronet for difference two mullets of six points Or, and in base a Scots pine eradicated proper. Crest: A crown of noble. Motto: «Per audacia ad astra». Suspended from the shield the cross of Dame of Grace and Devotion of the Sovereign Military Order of Malta.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a rhombus external shape and with a freehand finish.
G0099, Chief Herald of Arms of Malta's grant of Lia Pompili née Segatto's arms, Italy, whose full achievement has been emblazoned by me for such grant.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Crown of Baron, Crown, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Crest, Crown of Noble, Motto, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated, Rhombus and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Lia.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a label of three-point for difference. Crest: Upon a helm befitting his degree as the heir to a Barony issuant from a crown of Noble above the shield, with a wreath Or and Azure, a demi-lion Azure, issuant from a crown of Baron, langued Gules, wings displayed, armed, crowned with an ancient coronet, and grasping in its claws by its lowest point a mullet of six points Or. Mantling: Azure doubled Or. Motto: «Per audacia ad astra».
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
R0033, Chief Herald of Arms of Malta's register of Antonio Pompili's arms, whose full achievement has been emblazoned by me for such register.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Debruised, Label of three points, Cadency, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Crown of Baron, Above the shield, Wreath, Demi, Lion, Langued, Winged, Displayed, Armed, Crowned, Ancient coronet, Grasping, Claw, Mantling, Doubled and Cross.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Antonio.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a crescent Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an oval external shape and with a freehand finish.
R0039, Chief Herald of Arms of Malta's register of Vittoria Pompili's arms, Italy, whose full achievement has been emblazoned by me for such register.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Crescent, Cadency, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.
Style keywords: Outlined in sable, Illuminated, Oval and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Vittoria.
Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a wreath Argent and Gules, two arms embowed proper, vested Sable, cuffed Or, holding aloft a winnowing fan reversed Or. Mantling: Gules doubled Argent. Motto: «Ora et Labora». Supporters: Two lions passant, tails addorsed Sable, armed and langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.
G0129, Chief Herald of Arms of Malta's grant for the arms of Markus Hermann Frank, USA. These arms have been emblazoned by me for such grant.
Blazon keywords: Gules, Argent, Or, Sable, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between, Fleam, Addorsed, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Wreath, Arm, Embowed, Proper, Vested, Cuffed, Grasping, Mantling, Doubled, Motto, Supporter (animal), Supporter, Lion, Passant, Tail addorsed, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Frank, Markus Hermann.
Party per fess Argent and Or, in chief twenty one fleurs de lis Sable, 8, 7, and 6, in base, a stag passant Gules attired proper, holding in its mouth a sprig Vert, gorged with a wreath Argent and Or. Crest: Upon a helm befitting his degree, with a wreath Or and Gules, an eagle displayed facing sinister Gules. Mantling: Gules doubled Or. Motto: «Souviens Toi De Vivre».
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.
G0130, Chief Herald of Arms of Malta's grant for the arms of Michael Twist, Malta. These arms have been emblazoned by me for such grant.
Blazon keywords: Argent, Sable, Or, Gules, Vert, Twenty-one, One, Party per fess, In chief, Fleur de lis, Stag, Passant, Attired, Grasping, Sprig, Gorged, Wreath, Crest, Upon (wreath), Helm, Eagle, Facing sinister, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Twist, Michael.
Party per pale: 1 Argent, a lion's forelegerased, bendwise proper, grasping a Latin cross bend sinisterwise Gules charged in chief with eight bezants in cross, 4 and 4, in the dexter chief, a decrescent bend sinisterwise Azure; 2 Gules, a lion rampant proper debruised by a bend Argent charged with three suns in splendour Gules, on a chief Or an eagle displayed Sable; on a chief Azure a sun in splendour Or. Crest: A helm issuant from a crown of Noble above the shield. Mantling: Azure doubled Argent. Motto: «Sol omnibus lucet» Azure over a scroll Argent doubled Azure.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Arms of the registration R0032 painted for the Office of the Chief Herald of Arms of Malta by me. This coat of arms has no crest, in accordance with the express wish of the armiger, and was registered without one.
Blazon keywords: Argent, Gules, Or, Azure, Sable, One, Eight, Three, Party per pale, Lion, Foreleg, Erased, Bendwise, Proper, Grasping, Latin cross, Bend sinisterwise, Charged, In chief, Bezant, In cross, Dexter, Chief, Decrescent, Rampant, Debruised, Bend, Sun in splendour, Eagle, Displayed, Crest, Helm, Issuant, Crown, Above the shield, Mantling, Doubled, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Zampetti, Paolo Maria B.C.
Azure, in chief a label Or, and in base a fleur de lis Argent.
Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].
Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Gangoiti, lineage.
Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma].
Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.
G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose coat of arms has been emblazoned by me.
The image combines a photograph of a drawing of a doe sejeant along with her coat of arms, both painted by me.
Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet and In orle.
Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.
Classification: Personal, Interpreted, Coat of arms, Hand-drawn, Collage and Photographic.
Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.
Imaginary blazon of Sir Gawain, knight of the Round Table.
Gules, a mullet voided, interlaced Or.
Illuminated and a freehand finishing.
This five-pointed mullet, depicted as a pentangle, is the symbol Sir Gawain bears on his coat of arms according to the poem «Sir Gawain and the Green Knight» which reads: «Thenne they shewed hym the schelde, that was of schyre goules Wyth the pentangel depaynt of pure golde hwes. He braydez hit by the bauderyk, aboute his hals kestes, That bisemed the segge semlyly fayre. And quy the pentangel apendez to that prynce noble I am entent yow to telle, thof tary hyt me schulde: Hit is a syngne that Salamon set sumquyle In bytoknyng of trawthe, bi tytle that hit habbez, For hit is a figure that haldez fyve poyntez, And vche lyne vmbelappez and loukez in other, And ayquere hit is endelez; and Englych hit callen Oueral, as I here, the endeles knot».
However, in [Anonymous; 1490a; folio 54 verso], which is a French armorial of imaginary heraldry about the «chevaliers de la Table ronde», Sir Gawain, identified in this text as «Messire Gauvain», is depicted with a «shield argent, a double-headed eagle or, beaked, membered and armed azure», unlike the English tradition, which as we have seen, represents him with the pentacle described in the poem «Sir Gawain and the Green Knight».
Blazon keywords: Without divisions, Gules, One, Mullet, Or, Voided and Interlaced.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Imaginary.
Imaginary bearer: Gawain, Sir.
Gules, a Saint George nimbed Or, riding a Horse trampling upon a crawling Dragon, Argent.
Interpreted coat of arms: with a rounded and pointed shape; illuminated with metals or and argent and color gules; outlined with sable; and a Watercolor finish.
Blazon keywords: Without divisions, Gules, Saint George, Nimbed, Or, Horse, Dragon and Argent.
Style keywords: Ogee, Illuminated, Outlined in sable and Watercolor.
Classification: Coat of arms, Interpreted, Civic and State of Georgia.
Bearer: Georgia.
Or, a eagle displayed Sable, beaked, langued, armed and membered Gules.
Escudo de oro, un águila de sable, picada, lampasada, armada y membrada de gules.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.
Coat of arms for the Federal Republic of Germany emblazoned by me.
Blazon keywords: Or, Sable, Gules, One, Eagle, Displayed, Beaked, Langued, Armed and Membered.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Germany, Federal Republic of.
Gules, a chevron Or.
Escudo de gules, un cabrio de oro.
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
Arms of Gilbert des Essarts, France, emblazoned by me. Gilbert des Essarts was married to Marguerite Damartin, their alliance, marriage, took place in 1279, the tomb of Gilbert des Essarts and Marguerite Damartin is located in the chapel of la Poutiere, where the burial place of the house of Essarts is situated.
Blazon keywords: Gules, Or, One and Chevron.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Kingdom of France, Interpreted, Boa and Coat of arms.
Bearer: Gilbert des Essarts.
Tierced pallwise inverted Azure, Gules, and Sable; overall a chevron between, in the dexter of the chief, a mullet of six points, in the sinister of the chief a pair of scales, and in base an open book Or.
Terciado en perla invertida de azur, gules y sable; brochante sobre el todo un cabrio acompañado, en la diestra del jefe, de una estrella de seis puntas, en la siniestra del jefe, de una balanza, y en la punta, de un libro abierto todo de oro.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.
Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me.
Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book and Book.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Gittel Bas Reuven, Malka.
County of Cheshire.
Sable, three crescents Argent.
Escudo de sable, tres crecientes de plata.
Coat of arms of the County of Cheshire interpreted as follows: the base of the shield is rounded; the field is illuminated in Sable; the crescents are illuminated in Argent and outlined in Sable; and the whole is given a raised-stroke finish.
As «Gleyve de High Ligh» this coat of arms appears in [Rylands, J. P.; 1882] and [Goldstraw, M. S. J.; 2013a] and as «Gleave de High Lea» in [Armytage, G. J.; Rylands, J. P.; 1909], [Adams, A.; 1941] and [Goldstraw, M. S. J.; 2013b].
Blazon keywords: Without divisions, Sable, Argent, Crescent and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Gleave de High Lea.
Sanguine semy of nails Or.
Escudo de sanguíneo sembrado de clavos de oro.
Coat of arms interpreted and emblazoned by me with a pointed shape, illuminated, and with a freehand finishing.
Blazon keywords: Without divisions, Sanguine, Semé, Nail and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted and Kingdom of Denmark.
Bearer: Globe, Richard.
And Count of Touraine and Maine, Duke of Normandy, and founder of the Plantagenet dynasty.
Azure, six lions rampant Or, 3, 2 and 1.
Escudo de azur, seis leones rampantes de oro, 3, 2 y 1.
Existing armories interpreted by me as follows: the shield's shape is pointed; the field has been enameled in flat azure; the 6 lions are illuminated; and the entire composition has a watercolor finish.
When blazoning these 6 lions, considering that in heraldry the natural arrangement of elements is from more in chief to fewer in base, it would suffice to specify nothing more than «or and rampant». However, adding their arrangement «3, 2, and 1» can aid the reader, as done by [Avilés, J.; 1725b; page 124] and [Avilés, J.; 1780b; page 142] when blazoning the arms of Alfonso Enrique de Vick, writing «sable, and six bezants or, three, two, and one», meaning 6 ordered elements. In these sequences of number arrangements, I prefer to write Arabic numerals rather than words because, at times, the sequences can be long.
Blazon keywords: Without divisions, Azure, Six, Lion, Or, Rampant and Three, two and one.
Style keywords: Pointed, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Coat of arms and House of Plantagenet.
Bearer: Godfrey V, Count of Anjou.
Argent, on a chevron Gules three feathers Argent, between three swords erect Gules, 2 and 1.
Escudo de plata, un cabrio de gules cargado d tres plumas de plata, acompañado de tres espadas de gules, alzadas, 2 y 1.
Coat of arms interpreted with: a rounded base; the field illuminated in Argent; the chevron outlined in Sable, illuminated in Gules, with a wider angle than usual, one might say in the Cheshire style; the feathers illuminated in Argent and outlined in Sable; the swords outlined in Sable and illuminated in Gules; and the whole with a leather finish.
Martin S. J. Goldstraw was born in Leek, a town in the rural area of North Staffordshire, known as the «queen of the moors». His interest in the heraldry of the County of Cheshire began when he discovered that the origins of his surname Goldstraw lay in the surname and village of Goostrey in the County of Cheshire.
Martin S. J. Goldstraw writes that for him heraldry is something addictive, to which he was already devoted during his university years and in which he continues to work well into this third millennium. He is the author of the coats of arms presented on the website of Cheshire Heraldry and author of books on the heraldry of the County of Cheshire.
Blazon keywords: Without divisions, Argent, Gules, Chevron, Charged, Sword, Point upwards, Ordered, Between and Quill.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Goldstraw, Martin S. J..
Azure, a lynx couchant Or.
Escudo de azur, un lince tumbado de oro.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Gomel~Homyel, Belarus, emblazoned by me. This is preparatory artwork for the crest of the coat of arms of the family of Lucas Cruz.
When Gomel was part of the Grand Duchy of Lithuania, its coat of arms did not feature a lynx. After the city became part of the Russian Empire in 1772, Empress Catherine II granted Gomel in 1775 to Field Marshal Pyotr Rumyantsev-Zadunaisky, who transferred the administrative centre to the nearby town of Novaya Belitsa. That town was granted a new coat of arms on 16 August 1781, already featuring a lynx, with the decree explaining its inclusion "because there are many of these animals in the vicinity of this town." In 1852, Prince Ivan Fyodorovich Paskevich restored Gomel as the district's administrative centre, bringing with it the arms of Novaya Belitsa, which were officially adopted as the coat of arms of Gomel on 23 December 1855.
Blazon keywords: Azure, Or, One, Lynx and Couchant.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Gomel.
Quarterly: 1 and 4 Gules, a Castle triple towered Or, port, windows and masoned Sable; 2 and 3 Or, thirteen Torteaus, three, three, three, three, and one.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado y mazonado de sable; 2o y 3o de oro, trece roeles de gules, cuatro, cinco y cuatro.
I have interpreted this coat of arms with a pointed and rounded shape; tintures gules, or and sable; outlined with sable; and a watercolor finish.
The blazon in Spanish specifies the number of elements in each column and the blazon in English specifies the number of elements in each row.
Blazon keywords: Quarterly, Gules, One, Castle, Or, Port and windows, Masoned, Sable, Thirteen and Torteau.
Style keywords: Ogee, Watercolor and Outlined in sable.
Classification: Interpreted, Personal and Coat of arms.
Bearer: González López, Manel.
Azure, four concentric annulets Argent.
Escudo de azur, cuatro anilletes concéntricos de plata.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a freehand finishing.
The coat of arms of Ralph de Gorges emblazoned by me.
Blazon keywords: Azure, Argent, Four, Moon, With human face, Environed, Concentric and Annulet.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Gorges, Ralph de.
Argent, upon a base barry wavy of six Argent and Sable, a trimount Sable.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finish.
The coat of arms of Gozo, Republic of Malta, emblazoned by me.
Blazon keywords: Argent, Sable, One, Six, Upon, Base, Barry, Wavy and Trimount.
Style keywords: Outlined in sable, Illuminated, Bull's hide and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Gozo.
It has been painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
G0113, Chief Herald of Arms of Malta's grant of Randy David Lee Xavier Potts's standard, it has been emblazoned by me. The two differences between the heraldic standard assumed by Randy Potts and the heraldic standard granted by the Chief Herald of Arms of Malta are that the bald eagle is blazoned proper, in consonance with the coat of arms, and that the dragon is blazoned armed and langued Gules, in consonance with the crest. This heraldic standard has been included in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 175]. Structure: Coat of arms; Badge; 1st line of the motto «In Honorem»; Crest; 2nd line of the motto «Victoria»; Badge.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Proper, Crest, Sun, Nascent, Debruised, Dragon, Passant, Armed, Langued, Motto, Annulet and Flory.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa, Standard, Flag and Badge.
Bearer: Potts, Randy David Lee Xavier.
Azure, a seagull volant Argent, carrying in its feet a sheaf of tobacco proper, bound Gules.
Arms painted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finishing.
The coat of arms of Gregorio Lanzagorta Llaguno, harbor of San Blas, and cigar maker in Nayarit, Mexico. This coat of arms was designed by Juan Lanzagorta Vallín and painted by me. Proper tinctures can be placed on both color and metal fields. For proper tinctures, the heraldic rule of tincture of colors and metals does not apply. However, contrast remains essential. For instance, an emerald proper on a Vert-green field is heraldically correct, but the green of the emerald will render it nearly invisible against the green field. While it's technically correct, it's best avoided. The following blazon is a heraldic joke regarding this principle «Argent, a polar bear proper», it's heraldically correct, but all white.
Blazon keywords: Azure, Argent, Gules, One, Seagull, Volant, Grasping, Foot (palmiped), Sheaf of tobacco, Proper and Bound.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Gregorio Lanzagorta Llaguno.
184th Pope of the Church, from 1271 to 1276. «Gregorius X», born Teobaldo Visconti, was born in Piacenza and convened the 14th Ecumenical Council, known as the Second Council of Lyon.
Azure, a chief embattled Or.
Escudo de azur, el jefe almenado de oro.
Papal coat of arms interpreted by me with: a pointed and rounded shield shape; the field in plain Azure; the chief embattled, illuminated in metal Or and outlined in Sable; and the whole with a marbled finish.
My first version of the blazon in English was «Azure, a chief Or, embattled», but Michael McCartney suggested that it was more correct as «Azure, a chief embattled Or».
Blazon keywords: Without divisions, Azure, Chief, Or and Embattled.
Style keywords: Ogee, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted, Religious and Papal States.
Bearer: Gregory X.
François Grimaldi ~ Francisco Grimaldi ~ Francesco Grimaldi.
Fusilly Argent and Gules.
Escudo fusado de plata y gules.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Argent; the fusils illuminated in Gules, outlined in Sable; the fusilly of proportion 3 x 5; and the whole with a raised-stroke effect.
Unlike how I have blazoned it here, this coat of arms can be found blazoned in [Arco y García, F. del; 1996b; page 10] as «Fusilly Argent and Gules».
He was the Genoese leader of the Guelphs who conquered the so-called Rock of Monaco on January 8, 1297, at night. To enter his fortress and have the gates opened for him, he dressed as a Franciscan monk along with his cousin Rainier I, Lord of Cagnes, and thus entered with his group of armed men. That is why the coat of arms of the Principality of Monaco has as supporters 2 Franciscan monks unsheathing their swords.
Francesco Grimaldi had no children, so after his death in 1309, he was succeeded by his cousin Rainier I, with whom he entered Monaco, and it is from Rainier I that the Grimaldi family and the Princes of Monaco who have governed the Principality ever since descend.
Blazon keywords: Fusilly, Argent and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Grimaldi, François.
You might belong in Gryffindor, Where dwell the brave. It is their daring, nerve and chivalry that set Gryffindors apart.
Party per pale Gules and Or, overall a lion rampant counterchanged.
Escudo partido de gules y oro, un león rampante del uno al otro.
Imaginary arms of Gryffindor House made with the following characteristics: the mouth of the imaginary coat of arms is rounded; the shield is party per pale; the field is enameled in flat tinctures of Gules and Or; the lion is illuminated in Or and Gules and outlined in Sable; and the whole is finished with a raised-stroke effect.
The initial quote, next to the Hufflepuff coat of arms, is taken from [Rowling, J. K.; 1997] and corresponds to «You might belong in Gryffindor, Where dwell the brave at heart, Their daring, nerve and chivalry Set Gryffindors apart».
This imaginary coat of arms of the Gryffindor House at Hogwarts School of Witchcraft and Wizardry has been interpreted without taking much into account other of the multiple realizations that have been produced and disseminated.
Blazon keywords: Party per pale, Or, Gules, Lion, Rampant and Counterchanged.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.
Imaginary bearer: Gryffindor at Hogwarts.
Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2.
Escudo de plata, un monte de tres peñas de sinople, moviente de la punta, surmontado de las letras «GVA» unidas de Sable; en un jefe de azur, tres estrellas de ocho puntas de oro, 1 y 2.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
R0067, Chief Herald of Malta's register of the coat of arms of Mario Antonio Guallini. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet and Disordered.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Guallini, Mario Antonio.
Argent, a fess dancetty of four points Gules.
Escudo de plata, una faja encajada de cuatro piezas de gules.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
G0138, Chief Herald of Arms of Malta's grant of the coat of arms of the municipality of Gudja, Malta. This coat of arms has been emblazoned by me and has been published in the Malta Government Gazette, number 21486, page 10730, with the blazon «Argent a fess dancetty of four points counterdancetty of three points all Gules».
Blazon keywords: Argent, Gules, Four, Fess and Dancetty.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Gudja, municipality of.
Of the twelve lineages of Noblemen, it is the second, descendant of Álava, the very ancient and powerful one, in which some served under Navarre, and others under the kings of Castile; they bear for arms and insignia, on a field Gules, which is red, five poplar-leaves (panelas) Argent, in the form and design in which this shield is painted.
Gules, five Poplar-leaves Argent, inverted.
Escudo de gules, cinco panelas de plata.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.
Interpretation based on the second coat of arms of the «ricoshombres» of Navarre from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the accompanying text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
The «panela» is a figure typical of Spanish heraldry [Valero de Bernabé, L.; 2007; page 11]. It is a leaf shaped like a heart with its stalk pointing upward. It could be a leaf of a tree such as, for example, the poplar, although there is no certainty that it is specifically that tree.
With first appearances prior to heraldry on Hispano-Roman tombstones, the «panela» is of Alavese origin, [Menéndez Pidal de Navascués, F.; 1985; page 474], spreading through the Basque-Navarrese region and from there throughout Spain, with the peculiar name «panela», which was initially called «pannella», [Valverde Ogallar, P. B.; 2001; page 532] derived from «pan», [Real Academia Española; 2001].
In the heraldry of other countries, leaves from different trees are used as heraldic symbols, but usually with the stalk pointing downward; therefore I transcribe in this blazon «panelas» ~ «Poplar-leaves, inverted».
[Menéndez Pidal de Navascués, F.; 1985; page 474] states that the «panela» is a natural figure equivalent to the linden leaf in German heraldry, with the stalk downward, and to the water-lily leaf in French heraldry, with the stalk upward; but since these are such different plants, I do not find it suitable to use linden, and even less water-lily, in the English transcription of this Navarrese blazon.
Under the title «Surname of Guebara» it can be consulted in [Vega, P. J. de; 1702; folio 2 of the manuscript].
Blazon keywords: Without divisions, Gules, Poplar leaf and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Guebara of Navarre.
Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or.
Escudo partido: 1o de azur, un águila de oro, cargada en su pecho con un tambor real del Reino de Bunyoro-Kitara al natural; 2o de oro, una faja de gules, cargada con una rosa de plata, botonada de oro, acompañada de dos flores de lis de azur, una en el jefe y otra en la punta.
Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems watercolor.
Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief and In base.
Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Gummersbach, Peter Ferdinand.
Azure, a cinquefoil Argent, seeded Gules.
Illuminated, with a watercolor finishing and with a pointed shape.
Blazon keywords: Without divisions, Azure, One, Cinquefoil, Argent, Seeded and Gules.
Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Civic, Kingdom of France and Coat of arms.
Bearer: Haguenau.
Argent, an apple tree, the base of its trunk forming a cross crosslet Azure, fructed Gules.
Escudo de plata, un manzano con la punta del tronco en forma de cruz recrucetada de Azur, frutado de gules.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a iridescent finishing.
Blazon keywords: Argent, Azure, Gules, One, Apple tree, Tree, Base, Trunk, Cross, Crosslet, Cross couped and Fructed.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Halkosaari, Heikki.
Cheshire, 1533-1580.
Azure, on a chevron Or, a martlet Gules, between three garbs Or.
Escudo de azur, un cabrio de oro, cargado de una marleta de gules, acompañado de tres gavillas de trigo de oro, 2 y 1.
Coat of arms interpreted by me as follows: with a rounded base; the field illuminated in Azure; the chevron, with a wide angle in the Cheshire style, is illuminated in Or; the garbs are illuminated in Or and all outlined in Sable; the martlet is also outlined in Sable, but illuminated in Gules; and with a leather texture.
Recorded in [Rylands, J. P.; 1882], [Goldstraw, M. S. J.; 2013a] blazons it as «Azure, on a chevron between three garbs Or, a martlet Gules for difference». The expression «...a martlet Gules for difference» means that the martlet has been added to the arms of a son who is not the eldest, to differentiate his shield from that of his father and his elder brother.
Blazon keywords: Without divisions, Azure, Or, Gules, Chevron, Charged, Wheat, Garb, Ordered, Between and Martlet.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Hatton de Woodhouse.
Thus they celebrated the funeral rites of Hector, tamer of horses. Homer, Iliad.
Sable, two lions combatant Or.
Escudo de sable, dos leones rampantes, afrontados de oro.
Imaginary coat of arms interpreted as follows: the mouth is a semicircular arch; the field enameled in flat Sable color; its 2 figures are outlined with the field tincture and illuminated in Or metal; and the set has a pearly finish.
Coat of arms interpreted from the imaginary blazon described in «Sir David Lindsay's Armorial», from the year 1542, where its blazon code «DL011» corresponds to Hector of Troy and which describes it as follows: «Sable, two lions combatant Or». Note the difference from the one described by [Avilés, J.; 1725a; page 7] which states that its field is Gules, «of red».
Says [Parsons, R. J.; 1989; paragraph 30], in one of the most beautiful descriptions of the lion that I have read, that the heraldic lion, as is the case with many other beasts, is very different from the lion in Nature. The lion in heraldry is the abstract expression of attributes such as nobility, strength, power, ferocity, courage, and vital energy. For example:
Given this description of the heraldic lion, gifted to us by Robert John Parsons, every heraldic artist with critical capacity cannot help but ask themselves whether their lions are capable of expressing this range of attributes.
Blazon keywords: Without divisions, Sable, Lion, Or and Combatant.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Iridescent (nacar).
Classification: Interpreted, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Hector of Troy.
Henry II Plantagenet, King of England, Duke of Normandy, Duke of Aquitaine, Count of Anjou, Count of Maine, and Count of Nantes.
Gules, a lion rampant Or.
Escudo de gules, un león rampante de oro.
Existing arms interpreted by me as follows: the shield's shape is pointed; the field has been enamelled in flat Gules; the lion in Or has been outlined in Sable; and the whole composition has a rough texture finish.
It is believed that Henry I was the first King of England to have a coat of arms, featuring a single lion rampant, but no documentary evidence has yet been found [Rabbow, A.; 1999; paragraph 8].
[Ailes, A.; 1982; page 62] argues that Henry II may have used three different versions of his arms featuring a) a single lion rampant, b) two leopards, and c) three leopards. However, it remains unclear whether these versions were used sequentially over time or concurrently. For this interpretation, I have chosen the version with the lion rampant.
Blazon keywords: Without divisions, Gules, One, Lion, Or and Rampant.
Style keywords: Pointed, Plain tincture, Outlined in sable and Rough.
Classification: Interpreted, Coat of arms, Personal, House of Plantagenet and Kingdom of England.
Bearer: Henry II of England.
King of England, Lord of Ireland and Duke of Aquitaine from the year 1216 to the year 1272
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth of the shield is semicircular (round); its field has been enamelled in a flat tint of Gules; its leopards are illuminated in Or and Azure and outlined in Sable; and the whole has a finish of aged parchment.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Henry III of England.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a cross flory Purpure.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, una cruz flordelisada de púrpura.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Henry of Castile, 1230–1303, 6th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. He bore his father's arms, replacing the lion Purpure of the Kingdom of León with a cross flory Purpure, likely due to his close association with the Order of Calatrava, whose emblem is a cross flory Gules. However, he retained the metal Argent field in the 2nd and 3rd quarters and the lion's purpure color, suggesting this was more of a conceptual change than a quartering by alliance with the Order of Calatrava.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Cross flory and Cross couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Henry of Castile, Infante.
Party per pale: 1 Vert, a compass rose Argent between, in chief a coronet Or, in base a Taino sun Or; 2 Sable, a Taino sun Or between, in chief a coronet Or, in base a compass rose Argent; overall a spear Or, headed Argent. Crest: Upon a helm with a wreath Or and Vert, a lynx couchant proper, langued Azure. Mantling: Vert doubled Or. Motto: «Numquam reside».
Heraldic document for the coat of arms of family of Lucas Cruz (UK, Puerto Rico, Belarus, US Army). The pages have a heraldic frame with the elements of their coat of arms. This document and all its illustrations have been emblazoned by me.
Blazon keywords: Vert, Sable, Or, Argent, Azure, One, Party per pale, Compass rose, Between, In chief, Ancient coronet, Crown, In base, Sun, Overall, Spear, Shafted, Crest, Helm, Wreath, Lynx, Couchant, Proper, Langued, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Created, Boa, Catalogue, Heraldic document and Frame.
Bearer: Cruz, family of Lucas.
Barry of six, Argent and Azure, a pile throughout, counterchanged. Crest: Upon a helm with a wreath Argent and Azure, upon a trimount Gules, an eagle wings addorsed and inverted Azure, the head and tail Argent, nimbed and grasping a closed book Or. Mantling: Azure doubled Argent.
These are the arms of Herbert Leo Buffenbarger, designed by his son John Alan Francis Buffenbarger, and emblazoned by me. As shown in the image diagram, I have used a 2:2:3 ratio between the height of the crest, the height of the helm, and the height of the shield.
Blazon keywords: Argent, Azure, Gules, Or, One, Six, Three, Barry, Counterchanged, Pile, Throughout (chief base), Chaussé, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Upon, Trimount, Eagle, Wing, Addorsed, Head, Tail, Nimbed, Grasping, Closed book, Book and Mantling.
Style keywords: Ratio, Outlined in sable, Illuminated and Jousting.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Buffenbarger, Herbert Leo.
Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, within an annulet Or, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre» Sable, in sinister chief, charged with «el Hijo» Sable, in base, charged with «el Espítiru» Sable, and one on the fess point, charged with «Dios» Sable.
Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, dentro de un anillo de oro, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre» de sable, en la siniestra del jefe, cargado con «el Hijo» de sable, en la punta, cargado con «el Espítiru» de sable y uno sobre el corazón, cargado con «Dios» de sable.
Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in watercolor Azure; the rest in heavily beaten metal, outlined of the field and illuminated in Argent, except for the annulet which is illuminated in Or; and its letters all in plain Gules ink.
The circular crown when it is large and in the middle of the shield [Cadenas y Vicent, V. de; 1975] is called an annulet. [Avilés, J.; 1780a; pages 296 and 297] calls it annulet or small annulet depending on its size, if it is large an annulet and if it is small a small annulet. In English and French heraldry it is called «cyclamor» and hence the expression «cyclamor annulet» can also be found.
This annulet is my aesthetic contribution to this imaginary coat of arms as it is normally not represented with this annulet.
In other interpretations the words «non est» go on a bordure or on an orle, the latter being the case blazoned, for example, [Husenbeth, F. C.; 1882; 2nd appendix] in the following way: «Gules, an orle and pall Argent, conjoined and surmounted of four plates, occupying the dexter and sinister chief and the base and fess points respectively; the first inscribed Pater, the second Filius, and the third Spiritus Sanctus, the centre Deus; the connecting portions of the orle between them having the words non est, and those of the pall est».
Blazon keywords: Without divisions, Azure, Cyclamor, Pall, Closed, Argent, Charged, Bezant and plate, Or, Dexter, Sinister, Chief, Base (lower 1/3) and Heart.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Watercolor and Hard metal.
Classification: Religious, Interpreted, Imaginary and Coat of arms.
Imaginary bearer: Holy Trinity.
Royal and imperial German dynasty.
Quarterly Argent and Sable.
Escudo cuartelado de plata y sable.
Illuminated with lights and shadows and with a watercolor finish.
Blazon keywords: Quarterly, Argent and Sable.
Style keywords: Watercolor, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted.
Bearer: House of Hohenzollern.
Quarterly: 1 and 4 Gules, a lion rampant, double queued Argent, armed, langued, and crowned Or; 2 Azure, a letter «G» Or; 3 Azure, a coronet trefoiled Or
Escudo cuartelado: 1o y 4o de gules, un león rampante, de cola horquillada de plata, armado, lampasado y coronado de oro; 2o de azur, una letra «G» de oro; 3o de azur, una corona trebolada de oro
This coat of arms is illuminated with lights and shadows and has a finish like glass.
The Hradec Králové Region is an administrative unit of the Czech Republic. It is located in the historical region of Bohemia. Its capital is Hradec Králové, whose Latin name is «Gradicium», hence its old name «Gradec». The letter «G» seen in both the coat of arms of the Hradec Králové Region and the coat of arms of its capital originates from this historical name. The lion rampant Anrgent, double queued and crowned in the 1st and 4th quarters is the symbol of Bohemia, and it also appears in the 1st and 4th quarters of the coat of arms of the Czech Republic. «Králové» means «of the queen» in Czech and there is a trefoiled crown in the 3rd quarter
Blazon keywords: Quarterly, Gules, One, Lion, Rampant, Tail, Double queued, Argent, Armed, Langued, Crowned, Or, Azure, Letter, Coronet trefoiled, Ancient coronet, Crown and Trefoiled.
Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic and Interpreted.
Bearer: Hradec Králové Region.
Hard work, patience, justice, and loyalty.
Party per pale: 1 Or, a badger rampant Sable; 2 Sable, a badger rampant, regardant Or.
Escudo partido: 1o de oro, un tejón rampante de sable; 2o de sable, un tejón rampante, contornado de oro.
Imaginary arms of the student House Hufflepuff at Hogwarts School of Witchcraft and Wizardry, made with the following differential characteristics compared to other representations: the mouth of the coat of arms is rounded; the shield is party per pale; the field and the badgers are enameled in flat tinctures of Sable and Or; the badgers, facing Dexter and Sinister, are outlined by the field; and the whole is finished with a raised-stroke effect.
This imaginary coat of arms of the Hufflepuff House at Hogwarts has been interpreted without taking much into account other of the multiple realizations that have been produced and disseminated.
Blazon keywords: Party per pale, Or, Sable, Badger, Rampant and Regardant.
Style keywords: Rounded, Plain tincture, Outlined in the field tincture and Freehand.
Classification: Interpreted, Imaginary, Coat of arms and Harry Potter saga.
Imaginary bearer: Hufflepuff at Hogwarts.
Gules, on a trimount issuant from the base Vert, a talbot rampant Argent, collared Or, between two mullets in bend sinister Or.
Escudo de gules, un monte de tres peñas moviente de la punta de sinople sumado de un talbot rampante de plata, acollarado de oro, acompañado de dos estrellas en barra de oro.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finishing.
This is the coat of arms of Moritz Hunzinger emblazoned by me.
Blazon keywords: Gules, Vert, Argent, Or, One, Three, Two, On, Trimount, Talbot, Rampant, Collared, Between, Mullet and In bend sinister.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Hunzinger, Moritz.
Cheshire, 1613, 1663 and Vale-Royal.
Azure, a chevron Or, between three lozenges Or.
Escudo de azur, un cabrio de oro, acompañado de tres losanges de oro, dos y uno.
Coat of arms interpreted with: a rounded base; the field and chevron illuminated in Azure and Or respectively; the lozenges in plain Or enamel and outlined in Sable; and with a leather finish.
In [Goldstraw, M. S. J.; 2013b] it is blazoned as «Azure, a chevron between three lozenges Or» and includes a crest blazoned as «Crest: An eagle with wings expanded Sable, beaked Or», which is not represented here.
Blazon keywords: Without divisions, Azure, Or, Chevron, Between, Lozenge and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Hyde de Norbury.
Quarterly: 1 and 4 Or, four pallets Gules; 2 and 3 Gules, two bezants in pale.
Escudo cuartelado: 1o y 4o de oro, cuatro palos de gules; 2o y 3o de gules, dos bezantes en palo de oro.
Coat of arms of IESE interpreted by me as follows: the shield has a semicircular (round) base; the field is illuminated in flat tinctures Or and Gules; the eight pales and the four bezants are illuminated in Gules and Or; and the whole coat of arms has a beaten metal finish.
IESE was founded in 1958 under the name Institute of Higher Business Studies, it is the business management school of the University of Navarra and is currently known as IESE Business School.
Blazon keywords: Quarterly, Gules, Or, Pale, Bezant and plate and In pale.
Style keywords: Semi-circular, Illuminated and Metal beaten.
Classification: Interpreted, Socioeconomic, Education and Coat of arms.
Bearer: IESE.
Argent, a lion rampant guardant Vert, armed and langued Gules; on a chief Gules, a mullet of six points voided, interlaced Argent between two hearts Or.
Escudo de plata, un leopardo leonado de sinople, armado y lampasado de gules; un jefe de gules cargado de una estrella de seis puntas, hueca y entrelazada de plata acompañada de dos corazones de oro.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a texturized finishing.
The coat of arms of Yishay Ifrah emblazoned by me. Alternative blazon: «Argent, a lion rampant guardant Vert, armed and langued Gules; a chief Gules charged with a star of David Argent between two hearts Or».
Blazon keywords: Argent, Vert, Gules, Or, One, Two, Lion rampant guardant, Armed, Langued, Chief, Charged, Star of David, Mullet, Voided, Interlaced, Between and Heart.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ifrah, Yishay.
Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent.
The coat of arms of Iker Lanzagorta Ochoa, designer, and manufacturer of wooden furniture. This coat of arms has been designed by him, his father Juan Lanzagorta Vallín, and me, and outlined by me.
Blazon keywords: Vert, Argent, Or, One, Two, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief and Adze.
Style keywords: Ratio, Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Iker.
Azure, three crowns Or, in bend sinister, bendwise.
Escudo de azur, tres coronas de oro, en barra, puestas en banda.
Crown with the main axis being the vertical and central axis of symmetry and which is usually placed palewise.
Blazon keywords: Without divisions, Azure, Or, Crown, In bend sinister and Bendwise.
Style keywords: Semi-circular, Outlined in sable and Watercolor.
Classification: Criterion.
Bearer: In and wise.
Quarterly: 1 and 4 Gules, a hand Carnation, embowed, vambraced and winged Or, holding a sword point upwards Argent, hilted Or; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules. Crest: An open royal crown.
Arms interpreted by me, in flat tinctures, contoured in Sable, with an ogee external shape and with a texturized finish.
Coat of arms of the Infante Manuel of Castile, 1234–1283, 7th son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me with plain colors and metals.
Blazon keywords: Gules, Or, Argent, Purpure, One, Quarterly, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards, Hilted, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.
Style keywords: Outlined in sable, Plain tincture and Ogee.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Manuel of Castile, Infante.
180th Pope of the Church, from 1243 to 1254. «Innocentius IV», born Sinibaldo dei Fieschi, was born in Manarola in northwest Italy.
Bendy of six Azure and Argent.
Escudo bandado de seis piezas de azur y plata.
Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; bands illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.
In the bendy pattern, the tinctures are named starting from the one located at the dexter base of the shield and following an ascending sequence towards the sinister chief, although the most orthodox approach is to have only 2 tinctures, being one color and one metal.
It is said that it is not necessary to specify the number of bands when there are precisely 6, as in this case, and that it should be specified when there are, for example, 4 or 8. I have chosen to specify it for greater clarity of the blazon.
About the bendy pattern and the need to specify or not specify the number of its pieces, [Avilés, J.; 1725a; pages 40 and 41] and [Avilés, J.; 1780a; pages 45 and 46] say that it is «composed of four, six, or eight bends; in such a way that there are as many colors as metals, always specifying the number four and eight bands when blazoning, and not the one composed of six, as it is understood thus, without declaring the number of pieces» and without agreeing with it, and by its wording I believe that he is not entirely in agreement either, he adds «the reason that may exist for not specifying the number of six bends (although the authors do not express it) is that as the bend is one-third of the shield; and having six pieces, or six bends, the resulting number is doubled, as if the three parts were divided, which implies that the shield is filled with three bends; and taking the denomination of the figure infers, that the bendy is of six pieces: which does not happen with this equality in those of four and eight, requiring other proportions and consequently it becomes necessary to specify their number», therefore, note that the bendy of 6 does not follow the proportions of the bend, nor do those of 4 or 8, the only differential property of the one of 6 is being a multiple of 3, being 1/3 the width of the bend.
Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Innocent IV.
Azure, a harp Or, stringed Argent
Escudo de azur, un arpa de oro, cordada de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, One, Harp, Or, Stringed and Argent.
Style keywords: Leather, Outlined in sable, Illuminated and Ogee.
Classification: Civic, Republic of Ireland, Interpreted and Coat of arms.
Bearer: Ireland.
Israel~ישראל.
Azure, a Menorah between two olive branches Argent; in base the legend
«ישראל» Argent.
Interpreted coat of arms: with a rounded and pointed shape; illuminated with metal argent and color azur; outlined with sable; and a Watercolor finish.
Blazon keywords: Without divisions, Azure, One, Menorah, Argent, Accosted, Two, Branch, Olive tree, Tree and Motto (identification).
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Coat of arms, Interpreted, Civic and State of Israel.
Bearer: Israel.
Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent.
Coat of arms emblazoned by me, in plain tinctures, contoured in Sable, with an oval outer contour and with a texturized finish.
The coat of arms of Itziar Lanzagorta Ochoa designed by her and her father Juan Lanzagorta Vallín, and emblazoned by me with an oval shape.
Blazon keywords: Argent, Azure, One, Semé, Mullet, Voided, Interlaced and Conjoined.
Style keywords: Outlined in sable, Plain tincture and Oval.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Itziar.
Azure, a terraze in base Or, overall a gazelle statant Argent accompanied in honour point by the cross of the Cruz family.
De azur terrazado de oro, brochante sobre el todo una gacela parada de plata acompañada en el punto de honor por la cruz de la familia Cruz.
Coat of arms of Juan Pablo Íñiguez Cruz designed by Juan Lanzagorta Vallín and refined and emblazoned by me. Whereas the gazelles in the arms of his mother Rosalía Cruz Carballo and sister Julia Íñiguez Cruz were depicted as female, in this case the intention was to represent a male gazelle. For this reason longer horns have been painted and the male sex has been explicitly depicted. In heraldry, the representation of the male sex is common and almost generalized in certain heraldic beasts, especially in animals of strong or combative character such as lions, wolves, or bulls. In more stylized and elegant animals, such as stags or gazelles, such representation is more variable and depends largely on artistic, symbolic, and compositional criteria. In this particular case, I chose to depict it. The gazelle is accompanied by the cross that Jon Lanzagorta designed for his co-father-in-law, Mr. Cruz, the grandfather of Juan Pablo. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or. Note that the cross is itself a canting symbol, since it is the «cross» ~ «cruz» of the Cruz family. The honour point is a position within the coat of arms located on its central vertical axis, above the center of the shield and below the middle of the chief.
Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Salient, At the honour point and Cross couped.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Íñiguez Cruz, Juan Pablo.
Azure, a terraze in base Or, overall a gazelle salient Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family.
De azur terrazado de oro, brochante sobre el todo una gacela saltante de plata, acollarada de una cadena extendida hacia la siniestra de oro unida a la cruz de la familia Cruz.
Coat of arms of Julia Íñiguez Cruz designed by Juan Lanzagorta Vallín and refined and emblazoned by me. In heraldry, a gazelle «salient» ~ «saltante» represents a more restrained and less dynamic leap than a gazelle «springing» ~ «brincante», since in the salient attitude the hind legs, usually held close together, remain grounded while propelling the body upward, whereas in the springing attitude all four legs are depicted clear of the ground in mid-leap. The gazelle, like that of her mother Rosalía Cruz Carballo, bears around its neck the cross designed by Jon Lanzagorta for his co-father-in-law, Mr. Cruz, her grandfather. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or.
Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Salient, Collared, Chain, Sinister, Conjoined and Cross couped.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Íñiguez Cruz, Julia.
Azure, a bend Or. Behind the shield an eight-pointed cross patty Gules.
Blazon keywords: Azure, One, Bend, Or, Behind the shield, Eight-pointed cross, Cross couped and Gules.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Molay, Jacques de.
James de Sutton ~ James de Sottone, le Fitz.
Ermine, a canton Sable.
Escudo de armiños, un cantón de sable.
Included in [Vincent, MS; 1285; number 599] also known as [St. George's Roll; 1285; number 599].
Blazon keywords: Without divisions, Ermine, One, Canton and Sable.
Style keywords: Semi-circular and Illuminated.
Classification: Interpreted and Personal.
Bearer: Jaime de Sutton.
King of Aragon, Valencia and Majorca, Count of Barcelona, Count of Urgell, Lord of Montpellier and known as the Conqueror
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms interpreted by me as follows: the escutcheon shape is semicircular; the field is rendered in flat Or with a watercolored effect; and the pallets are illuminated and finished with a crystalline texture.
A semicircular-shaped shield of Aragon can be seen, for instance, in [Argote de Molina, G.; 1588; chapter XLII].
This shield, but with a pointed base, appears in the second part of the armorial [Wijnbergen; 1265; shield no. 1,293], under the title «Le roy Darragon». This second part was compiled between 1270 and 1285 and, since James I was king of Aragon from 1213 to 1276, it could refer to him; although it might also refer to his son Peter III, the Great, who succeeded James I in 1276.
This coat of arms is also the arms of Aix-en-Provence, granted to that French city, according to tradition, by Alfonso II of Aragon [Aix-en-Provence; 1351], grandfather of James I, the Conqueror.
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Watercolor and Crystalline.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: James I of Aragon.
Known as the Unfortunate, Count of Urgell, Viscount of Àger, Baron of Fraga, Antillón and Alcolea de Cinca (1380–1433).
Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.
Escudo dimidiado: 1o de oro, cuatro palos de gules; 2o ajedrezado de oro y sable.
Arms interpreted with: a shield shape of convex-sided triangles; the tinctures of the pallets and the chequey are flat gold, gules and sable; and the whole design has a heavily hammered metal finish.
James II of Urgell, 1380–1433, known as the Unfortunate, Count of Urgell, Viscount of Àger, and Baron of Fraga, Antillón and Alcolea de Cinca, was one of the main claimants to the throne after the death of Martin I of Aragon. His rejection of the Compromise of Caspe led to his defeat and imprisonment.
Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.
Style keywords: Triangular curved, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: James II of Urgell.
Or, a cross of Calatrava. Crest: An open royal crown Or.
Escudo de oro, una cruz de Calatrava. Timbrado de una corona real abierta.
Coat of arms interpreted as follows: the shield's shape is a semicircular arch; the field is illuminated in metal Or; the cross of Calatrava is outlined in Sable and illuminated in Gules; the royal crown is open, outlined in Sable and illuminated in metal Or, pearls in Argent, gemstones in Gules and Vert, and the visible base hollow in Sable; and the entire piece has a slightly hammered metal finish.
The municipality of Jamilena belongs to the La Campiña region and is the smallest in the province of Jaén. I have depicted its coat of arms with an open royal crown, but representations with a closed royal crown can also be found.
The origin of the cross of Calatrava in its heraldic coat of arms dates back to the year 1525 when Emperor Charles V issued several decrees from Toledo to build a convent for nuns in Jamilena. For the construction of this convent, stones from the Muslim castle, which was reformed and occupied by the Order of Calatrava, were used.
Blazon keywords: Without divisions, Or, Cross of Calatrava, Cross couped, Cross, Crest, Open royal crown and Crown.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Civic and Coat of arms.
Bearer: Jamilena.
Gules, a fess chequey Azure and Argent.
Escudo de gules, una faja ajedrezada de azur y plata.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Janovsti of Janovic of Czechia. It is also the coat of arms of the lineage Klenovsky of Klenove of Czech. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Janovsti of Janovic of Czechia, lineage.
Blazon equivalent to: Lindsay of Scotland, lineage.
Escudo cuartelado: 1o y 4o de azur, cinco bezantes de oro en sotuer; 2o y 3o de oro, tres corazones de gules ordenados. Lema: «Tan fuerte como valiente y leal es Cortés».
Acabado a trazo alzado
Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules, Ordered and Motto.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Fernández-Cortés y Fonseca, Javier.
Party per fess, 1 Gules, a stag rampant, issuant from base proper, in the dexter chief a Maltese cross Argent; 2 Azure, a mullet of seven points Argent. Crest: Upon a helm befitting his degree issuant from a crown of Noble above the shield, with a wreath Argent and Gules, a demi-lion Gules, crowned Or, grasping in its paws a swallow-tailed pennon lozengy Gules and Argent, shafted Sable. Mantling: Gules doubled Argent. Motto: «Per Aquas Ad Futurum». Suspended from the shield, the cross of Knight of Magistral Grace of the Sovereign Military Order of Malta.
G0131, augmentation of G0042, Chief Herald of Arms of Malta's grant for the arms of Jay Geoffrey De Graaf, Australia. The augmentation consists of the addition of a Maltese cross Argent in the dexter chief. This augmentation of the grant G0042 has been published in the Government Gazette of Malta, Volume 2, No. 20,240, dated 14th February 2023, on pages 1265–1266, in both Maltese and English. These arms have been emblazoned by me for such grant. In the image, the arms appear photographed by the grantee himself, Jay Geoffrey De Graaf.
Blazon keywords: Gules, Azure, Argent, Or, One, Party per fess, Stag, Rampant, Issuant from base, Proper, In the dexter chief, Eight-pointed cross, Cross couped, Mullet, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Demi, Lion, Crowned, Grasping, Paw, Swallow-tail, Lozengy, Shafted, Mantling, Motto, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Grant of arms, Heraldic document, Collage, Photographic, Pennon and Flag.
Bearer: Graaf, Jay Geoffrey De.
Coat of arms of Jean Mortes from Brittany, France, emblazoned by me with a heater shape, and with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Azure, Or, Sable, Argent, Purpure, One, Tower, Embattled, Masoned, Overall, Lion, Rampant and Barry.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Mortés, Jean.
Quarterly: 1 Azure, a lion rampant Or; 2 Argent, a falcon rising, grasping in its paws a serpent Sable; 3 Or, a tower Azure, port, windows, and masoned Sable; 4 Gules, a fox passant Or; a chief Gules semé of mullets Argent.
Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems leather.
General Jean-Baptiste Bessières, Dukes of Istrie, and Marshal of the Empire.
Blazon keywords: Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five and Base (lower 1/3).
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Bessières, Jean-Baptiste.
Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Motto: «Nolite Conformari Huic Saeculo» Sable, with initial letters Gules, over a scroll Argent.
Escudo partido de sinople y azur, brochante sobre el todo una espada puesta en faja de plata, guarnecida de oro, acompañada en jefe de un hórreo de oro, y en punta de una venera de plata acompañada de dos hojas de roble en pila de oro. Lema: «Nolite Conformari Huic Saeculo» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.
Per pale Vert and Azure represents the fields of Galicia facing the sea, with its «horreo» ~ granary and the oak leaves as symbols of Galician nature and of the values of strength and nobility of the bearer. The escallop symbolises the Holy Catholic Faith and traditional and conservative values. The sword represents Justice and the bearer’s studies in Law, as well as strength and worth. The bearer’s motto, «Nolite conformari huic saeculo» ~ «Be not conformed to this world», taken from the Epistle of the Apostle Saint Paul to the Romans, chapter 12, verse 2, expresses his personal view of life.
Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Angueira Duro, Jesus.
Schema for an imaginary coat of arms that will have the following characteristics: its base will be semicircular (round); it will contain a closed pearl charged with four bezants; and it will be differenced by a label of three points, which being three is normal, its number will not be specified in the blazon.
The way to elaborate a label can be found in [Avilés, J.; 1780a; page 248] who writes that «it is made of a fillet, which is the ninth part of the latitude of the Chief with three points in the form of a Carpenter's wedge, or of badly formed triangles, which united to it without separation of lines, fall twice as much, as the fillet is wide, the two being placed at its ends, and one in its middle, its ordinary situation being in the middle of the length of the Chief itself, without reaching the edges of the Shield».
In [Avilés, J.; 1780a; pages 248 and 249] it is said that «the simple Label is always of three points», as is the case at hand, «but having 4, 5, or 6, which is the greatest number found, it is necessary to specify it», although in [Avilés, J.; 1780a; page 114] he seems to consider that the maximum is five as he writes «Points, it is said of three, four and up to five points of the Labels».
Blazon keywords: Without divisions, Pall, Closed, Charged, Bezant and plate, Dexter, Sinister, Chief, Base (lower 1/3), Heart and Label.
Style keywords: Semi-circular.
Classification: Religious, Schema, Interpreted and Imaginary.
Imaginary bearer: Jesus Christ.
John de Octon ~ Joan de Okinton.
Or, three cinquefoils Gules.
Escudo de oro, tres quinquefolios de gules.
Included in [Vincent, MS; 1285; number 620] also known as [St. George's Roll; 1285; number 620].
Blazon keywords: Without divisions, Or, Three, Cinquefoil, Gules and Ordered.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Juan de Octon.
This is the coat of arms of Johann Anton Freiherr von Quast that was painted in the Freiherren diploma that was issued in 1790. I have written the text of the blazon for this coat of arms in English and in Castilian in a structured way, to highlight the parallelism between both forms.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa, Coat of arms and Flag.
Bearer: Quast, Johann Anton Freiherr von.
Sir John Berry, Admiral of the Royal Navy
Or, three fesses Gules.
Escudo de oro, tres fajas de gules.
Coat of arms interpreted as follows: the top of the shield is pointed; its field has been painted in flat Or; its fesses have been outlined in Sable and illuminated in Gules; and the whole set has a pearly finish.
The arms of John Berry, and therefore those of Berry of Molland, are equivalent to those of Pope Clement V and to the Castilian arms of Diego Fernández de Córdoba y Carrillo.
Blazon keywords: Without divisions, Or, Fess and Gules.
Style keywords: Pointed, Illuminated, Outlined in sable and Iridescent (nacar).
Classification: Interpreted, Personal and Army and Navy.
Bearer: Berry, John.
Joan de Beauchamp ~ John de Beauchamp.
Vair.
Escudo de veros.
Interpreted coat of arms, the shape of the shield is triangular and curved plain tinctures metal Argent and color Azure, outlined in sable; and a free hand finishing.
Included in [Vincent, MS; 1285; number 64] also known as [St. George's Roll; 1285; number 64].
Blazon keywords: Without divisions, Vair, Argent and Azure.
Style keywords: Triangular curved, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Juan de Beauchamp.
John Lackland ~ Juan sin Tierra ~ Sans-Terre.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Existing arms interpreted as follows: the mouth of the coat of arms is semicircular (round); the field has been enamelled in a flat tint of Gules; the three leopards are outlined in Sable and illuminated in Or and Azure; and the whole is executed with a raised-stroke effect.
Regarding this version of the shield of John I, [Humphery-Smith, C.; 1983] writes that «Richard's younger brother John... bore two lions because he was a junior member of the Plantagenet line», thus showing his belonging to a second level of the ruling family, although, after his brother Richard I of England, he not only ended up being king but it was also his line of succession that continued to reign in England.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: John I of England.
Juan le Sturmy ~ Joan le Strumi ~ John le Sturmy.
Gules, a chevron Argent, between three Mullets Argent.
Escudo de gules, un cabrio de plata, acompañado de tres estrellas de cinco puntas de plata.
Included in [Vincent, MS; 1285; number 664] also known as [St. George's Roll; 1285; number 664].
Blazon keywords: Without divisions, Gules, One, Chevron, Argent, Between, Three and Mullet.
Style keywords: Pointed, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Juan le Sturmy.
Blazon equivalent to: Howel Ap Rhys.
Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.
The coat of arms of Reverend John Stuart, XVIII century, emblazoned by me in 3 approaches: 1) Classic bordure: Using a bordure with a width equal to 1/6 of the coat of arms' base. In the image, this is marked with texts and lines in Vert. Notice that the squares in columns 2 and 8 are split by the inner border of the bordure, which is unfortunate as it disrupts the design. 2) Diminished bordure: Using a narrower bordure with a width equal to 2/3 of the classic bordure, corresponding to 1 square of the fess chequey. In the image, this is marked with texts and lines in Gules. This approach avoids splitting any squares, allows for larger figures, and is my preferred solution. In England, diminished bordures, often simply blazoned as bordure, are more common than in Castile. 3) Without squares splitted: Retaining the classic bordure but shifting the fess chequey 1/2 square to either dexter or sinister to prevent splitting squares. However, this sacrifices the symmetry of the design. This last adjustment was used in the hatchment of Reverend John Stuart in St. George's Cathedral, Kingston, Ontario, 1785.
Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.
Style keywords: Ratio, Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Stuart, John.
187th Pope of the Church, from 1276 to 1277. «Johannes XXI», born Pedro Julião, also known as Pedro Hispano, born in Lisbon, Portugal.
Quarterly: 1 and 4 Argent, three crescents Gules; 2 and 3 Sable, two pallets Or.
Escudo cuartelado: 1o y 4o de plata, tres crecientes de gules; 2o y 3o de sable, dos palos de oro.
Coat of arms with: a shield with a pointed and rounded top; the field in plain Argent and Sable; the figures outlined in Sable and illuminated in Gules and Or; and the whole in an elevated line style.
John XXI should have actually been John XX, but Cardinal Pedro Julião, upon being elected pope, decided to skip the number XX and called himself John XXI, with the aim of correcting what was believed to be a historical error, which in the end was not so.
This historical error consisted of the belief in the existence of 2 popes named John XIV, as seemed to be deduced from the records of the «Liber Pontificalis». They were therefore referred to as: the 1st John XIV and the 2nd John XIV bis.
By skipping the number XX, John XXI believed he was correcting this historical error. But the reality is that there was only one Pope John XIV, the same pope with 2 entries in the «Liber Pontificalis», the 1st entry during the time of his pontificate in freedom and the 2nd entry for the time he exercised his pontificate in prison, imprisoned by his enemy, the so-called «antipope» Boniface VII, who, in turn, managed to occupy the papal throne twice, separated by a decade, in 974 and in 984, somewhat like a double «antipope».
Therefore, John XXI, instead of correcting a historical error, made one, and for this reason, there is no Pope John XX in all of history, nor can there ever be one.
Blazon keywords: Quarterly, Argent, Three, Crescent, Gules, Ordered, Sable, Two, Pale and Or.
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: John XXI.
Or, a sun in splendour party per pale Azure and Argent, its rays Azure; a bordure Azure.
Escudo de oro, un sol partido de azur y plata, sus rayos de azur; una bordura de azur.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a rhombus outer contour and with a watercolor finish.
Blazon keywords: Or, Azure, Argent, One, Sun in splendour, Party per pale, Ray of the sun and Bordure.
Style keywords: Outlined in sable, Illuminated, Rhombus and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jon, youngest granddaughter of.
Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or.
Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems leather.
These arms were designed by Felipe Trujillo Jimenez as a derivation of the primitive arms of Pons and Peneque lineages. The Pons lineage has canting arms: «Or, a three arch bridge issuant from base and throughout Sable». The blazon of the ancient arms of Paneque lineage is: «Azure, five fleurs de lis Or, in base two bars Argent».
Credits: Felipe Trujillo Jiménez is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess and Wavy.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Pons Paneque, Jonathan.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un lambel de gules.
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Easton Michael Jones designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jones, Easton Michael.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a crescent Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un creciente de gules.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Rhettlee Cooper Jones designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jones, Rhettlee Cooper.
This is the coat of arms of Jose Manuel Gutierrez Benitez designed by him and me and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Three, Four, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head and Caboshed.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Gutiérrez Benítez, Jose Manuel.
Argent, a Mexican cedar tree eradicated proper, fructed Or, its trunk charged with the letters «JML» Or, branded with a branding iron.
The coat of arms of Jose Maria Lanzagorta Aras designed by grand nephew Juan Lanzagorta Vallín and emblazoned by me. He was a cattle rancher and built the «hacienda» known as «Cedro Viejo» in Veracruz. The Mexican cedar tree (Cedrela salvadorensis) is different from the cedar of the Pinaceae family.
Blazon keywords: Argent, Or, One, Mexican cedar tree, Tree, Eradicated, Proper, Fructed, Trunk, Charged, Branding iron and Letter.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Aras, José María.
Azure, a chief wavy and barry wavy of twelve Azure and Argent debruised and interlaced by a fish urinant Argent.
Coat of arms of Juan Bautista Lanzagorta Escutia designed by Juan Lanzagorta Vallín and emblazoned by me. The image shows in 3 steps how I emblazoned it.
Blazon keywords: Azure, Argent, One, Twelve, Chief, Wavy, Barry, Debruised, Interlaced, Fish and Urinant.
Style keywords: Ratio, Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Escutia, Juan Bautista.
[ Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent ] accolé with [ Or, an eagle displayed bendy Azure and Argent ].
Arms depicted by me, in plain tinctures, contoured in Sable, and with a texturized finish.
These are the coats of arms of the marriage Lanzagorta-Escutia, both designed by Juan Lanzagorta Vallín and emblazoned by me. This image shows the arms of Juan Lanzagorta Aras accolé with those of María Dolores Escutia Sánchez.
Blazon keywords: Azure, Or, Argent, Three, One, Party per pale, Bendy, Wavy, Overall, Fish, Naiant, In pale, Eagle and Displayed.
Style keywords: Outlined in sable and Plain tincture.
Classification: Personal, Interpreted, Boa, Coat of arms and Accolé arms.
Bearer: Lanzagorta-Escutia, marriage.
Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent.
Coat of arms of Juan Lanzagorta Aras designed by Juan Lanzagorta Vallín and outlined by me.
Blazon keywords: Azure, Or, Argent, Three, Party per pale, Bendy, Wavy, Overall, Fish, Naiant and In pale.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Aras, Juan.
Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable.
Coat of arms of Juan Lanzagorta Vallin designed by him and outlined by me. The image illustrates my working process in 3 steps: 1) outlined, 2) flat colors and metal, and 3) lights and shadows. I have never painted a field masoned sable. The chevron Azure symbolizes the firmament seen through an open hole in the masoned wall, like a window open to the sky.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf and Combatant.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Ogee.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Vallín, Juan.
Credits:
Blazon keywords: Party per pale, Azure, Argent, One, Horse, Chevron, Sea, Counterchanged, Above, Salient, Throughout, In base, Crest and mantling, Helm, Mantling, Wreath, Crest and Motto.
Style keywords: Illuminated and Pointed.
Classification: Video, Frame, Catalogue, Heraldic document, Created and Personal.
Bearer: Domaica Maroto, Juana María.
Gules, three Leopards faces Or, the whole within a Border Or with two Bars Gules.
Escudo de gules, tres cabezas de leopardo de oro; una bordura de oro con dos burelas de gules.
Interpreted coat of arms: with a pointed shape; illuminated with metal or and color gules; outlined with sable; and a freehand finish.
Blazon keywords: Gules, Three, Head, Leopard, Or, Ordered, Bordure, Two and Bar.
Style keywords: Freehand, Pointed, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.
Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.
Coat of arms of Julio Hector Aspe designed by him and me, and emblazoned by me in 3 steps: outlined, plain color and metal, and lights and shadows.
Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Ogee Triple-Pointed.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Aspe, Julio Hector.
Argent, a stag springing, in base an acorn leaved and slipped proper, on a chief invected Gules, a sabre fesswise, point sinister proper, debruised by a rose Or, leaved Vert. Crest: Upon a wreath Argent and Gules, a bald eagle displayed proper. Motto: «Iustitia per Ministerium» Sable, with initial letters Gules, over a scroll Argent.
It has been designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a texturized finish.
The arms of Kelly Kathleen Knox was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and the design rationale. She is PhD, a retired military officer of the US Army and Air Force, primarily serving in medical and humanitarian roles, who served in two wars, was honored with the Meritorious Service Medal with one Oak Leaf Cluster, among other distinctions, and was inducted into the Ohio Veterans Hall of Fame. Her arms were designed by her and me and emblazoned by me.
Blazon keywords: Argent, Gules, Or, Vert, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised, Rose, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Displayed, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Created, Boa and Slide.
Bearer: Knox, Kelly Kathleen.
Gyronny Azure and Argent, on a hurt, a triquetra Argent; a bordure Sable; a canton quarterly: 1 and 4 gyronny Azure and Argent, on a hurt, a triquetra Argent; a bordure Sable; 2 quarterly Azure and Argent, in the 1st quarter, a pelican in her piety Or; 3 Argent chapé ployé Vert semé of crosses clechy Argent, on a chief Sable, three Chi Rho symbols Or.
It has been interpreted by me, illuminated with lights and shadows, outlined in Sable, with a square external shape and with a rough finish.
The banner of arms of Kimberly Louise Severson designed by her and emblazoned by me. In this interpretation of the banner of arms, the banner is shown mounted on a pole. The upper end of the pole has been ornamented with an element derived from the heraldic badge, namely Aslan's paw print. This is, however, purely an artistic and decorative feature and does not form part of the heraldic description, that is, the blazon.
Blazon keywords: Azure, Argent, Sable, Vert, One, Three, Gyronny, Hurt, Celtic Trinity knot, Knot, Bordure, Quarterly, Pelican, Chapé, Curved, Semé, Cross clechy, Chief and Chi-Rho symbol.
Style keywords: Outlined in sable, Illuminated, Square and Rough.
Classification: Personal, Interpreted, Boa, Banner of arms and Flag.
Bearer: Severson, Kimberly Louise.
Party per fess: 1 Azure, a Athenian owl Argent, contourné, in chief; 2 Argent, an oak Azure, eradicated, in base; overall a saltire counterchanged.
Escudo cortado: 1o de azur, una lechuza al estilo ateniense, contornada de plata, en jefe; 2o de plata, un roble de azur, arrancado, en punta; brochante sobre el todo un sotuer del uno al otro.
Existing coat of arms which I have interpreted in the following way: the semicircular (round) base; the fields enameled in Azur color and Argent metal flat; the saltire reduced to 2/3 of its traditional width, that is, to 2/9 of the width of the shield, to leave more space for the figures, but without becoming a flanque of 1/9 of the width of the shield; the figures illuminated in Argent and Azure and outlined in the field; and with a watercolor finish.
For the tree, in this case an oak with its acorns and sinuous-edged leaves, whose roots are visible, I use the term arrancado following [Avilés, J.; 1780a; page 28 and figure 12] when blazoning Vernade in France which says that «trae de gules, y un Árbol arrancado de oro, acostado de dos Estrellas de lo mismo».
In English, the equivalent term for arrancado is «eradicated», from the French «arraché».
Blazon keywords: Party per fess, Azure, Argent, Saltire, Overall, Counterchanged, Barn owl, Regardant, Tree, Oak and Erased.
Style keywords: Watercolor, Illuminated and Outlined in the field tincture.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Andreou, Kimon.
Banner gules, three crowns in pale Or.
Pendón de gules, tres coronas en palo de oro.
Imaginary banner of Arthur of Britain interpreted in the following way: rectangular shape; maintaining the 5x6 proportion of a shield; the field enameled with flat color Gules; the crowns illuminated Or and outlined in Sable; and with an old parchment finish.
This banner can be found in [Edward IV of England; 1461; row 15, 2nd column].
In the article [Scott-Giles, C. W.; 1965; paragraph 8, figure 2nd] you can consult both this organization and other variants of King Arthur's coat of arms.
Blazon keywords: Without divisions, Gules, Or, Crown, In pale and Palewise.
Style keywords: Rectangular, Illuminated, Outlined in sable, Old parchment and Ogee.
Classification: Interpreted, Imaginary, Flag, Banner of arms and Kingdom of England.
Imaginary bearer: Arthur of Britain.
Metal Or over metal Argent.
Argent, a cross potent cantoned of four crosslets potent Or.
Escudo de plata, una cruz potenzada cantonada de cuatro cruces potenzadas todas de oro.
Illuminated with lights and shadows and with a freehand finish.
Perhaps the most classic example of non-compliance with the heraldic rule of tinctures having metal Or over metal Argent. In [Galdiano L.; Century XVII; folio 6], you can see a version of the arms of Jerusalem with the field in Gules, which would indeed follow the rule of tinctures as it is metal on color.
Blazon keywords: Without divisions, Argent, One, Cross potent, Cross couped, Cantoned, Four and Or.
Style keywords: Freehand, Outlined in sable, Illuminated, Semi-circular and Metal on metal.
Classification: Interpreted and Civic.
Bearer: Kingdom of Jerusalem.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon].
The image shows the coat of arms of the Kingdom of Spain and, surrounding it, the coats of arms that compose it, arranged radially in order to make their integration into the greater arms visually explicit, there are the arms of Castile, Leon, Aragon, Navarre, and Granada, together with the central inescutcheon of the reigning dynasty.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered and Bordure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Civic, Kingdom of Spain, Interpreted, Schema, Boa and Coat of arms.
Bearer: Spain, Kingdom of.
Argent, a cross Azure. Behind the shield a cross patty Gules.
Classification: Religious, Military, Knights Templar, Interpreted, Doctor, Article, Castilian language and Black and white and color illustrations.
Bearer: Hérail, Gilbert.
Partido de dos y cortado de lo mismo: en cada cuartel una paloma del color del cuartel que le precede: 1o de gules, una paloma de oro; 2o de plata; 3o de sinople; 4o de oro; 5o de azur; 6o de oro; 7o de púrpura; 8o de plata; y 9o de sable.
Coat of arms of Ignacio Koblischek, founder and director of the RIAG, interpreted as follows: with a semicircular (round) base; the quarters in plain Gules, Azure, Vert, Sable and Purpure and plain Or and Argent metals; the doves outlined in Sable and illuminated in Gules, Azure, Vert, Purpure, Or and Argent; and the whole with a raised-stroke finish.
The blazon appearing in this article comes from its original wording as published in the RIAG on page 2 of the armorial with registration number 50/2006.
Blazon keywords: Quarterly, Gules, Azure, Vert, Sable, Purpure, Or, Argent and Dove.
Style keywords: Semi-circular, Freehand, Illuminated and Outlined in sable.
Classification: Heraldry and heralds, Interpreted, Personal and Coat of arms.
Bearer: Koblischek Zaragoza, Ignacio.
Or, the symbol of the Royal House of Kupang Sable.
Escudo de oro, el símbolo de la Casa Real de Kupang de sable.
Coat of arms emblazoned by me with a pointed shape, also called heater, illuminated, and its finishing is that seems watercolor.
Blazon keywords: Without divisions, Or, One, Symbol and Sable.
Style keywords: Pointed, Outlined in sable, Illuminated and Watercolor.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Kupang, Royal House of.
Vert, an eagle displayed Argent, beaked, langued, membered and armed Gules; on a chief wavy Argent, three plantain plants issuant from the line of division Vert.
Coat of arms of Kurth Mayrl, of Austrian origin, and in charge of banana plantations in San Blas, Nayarit, Mexico. This coat of arms has been designed by Juan Lanzagorta Vallín and outlined by me.
Blazon keywords: Vert, Argent, Gules, One, Three, Eagle, Displayed, Beaked, Langued, Membered, Armed, Chief, Wavy, Plantain plant, Issuant and Line of division.
Style keywords: Outlined.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Mayrl, Kurth.
Azure semé of moons with human face Argent, a sword point upwards Gules, the sinister of its blade debruised by a moon with human face Argent both bend sinisterwise.
Escudo de azur sembrado de lunas figuradas de plata, una espada alzada de gules, la siniestra de su hoja resaltada de una luna figurada de plata ambas puestas en barra.
Coat of arms depicted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
The coat of arms of María Labarrieta N. designed by Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Azure, Argent, Gules, One, Semé, Moon, With human face, Sword, Point upwards, Sinister, Debruised and Bend sinisterwise.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Labarrieta N, María.
Party per chevron Vert and Or, in chief a sackbut fesswise Or, in base a thistle slipped and leaved proper. Crest: Upon a helm, with a wreath Or and Vert, a bluethroat (Luscinia svecica) proper. Mantling: Vert doubled Or. Motto above the crest: «Less Is More».
Illuminated, an irisdiscent finishing, and the inner of the thistle is outlined in the metal Or of its field.
Blazon keywords: Vert, Party per chevron, Or, In chief, Sackbut, Fesswise, In base, Thistle, Leaved, Slipped, Proper, Motto, Crest and mantling, Helm, Mantling, Wreath and Crest.
Style keywords: Iridescent (nacar), Outlined in sable, Outlined in the field tincture, Illuminated and Pointed.
Classification: Personal, Interpreted, Grant of arms, Heraldic document and Coat of arms.
Bearer: Sky, Laird.
Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced.
Escudo de plata, un cabrio de sable y un uróboros de azur, armado y lampasado de sable, entrelazados.
Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.
The coat of arms of Ixai Lanzagorta Ochoa, designed by him, his father, Juan Lanzagorta Vallín, and me, and emblazoned by me.
Blazon keywords: Argent, Sable, Azure, One, Chevron, Ouroboros, Armed, Langued and Interlaced.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Ixai.
D'or à un arbre arraché de sinople, accosté à dextre de la lettre capitale «D» et à senestre de la lettre capitale «L» du même, et une étoile d'azur posée au canton dextre de la pointe.
Or, a tree eradicated Vert between a capital letter «D» and a capital letter «L» Sable, in the dexter of the base a mullet Azure.
Illuminated with lights and shadows and with a leather finish.
Blazon keywords: Without divisions, Or, One, Tree, Erased, Vert, Between, Letter, Sable, Canton, Dexter, Base (lower 1/3), Mullet, Five and Azure.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a crescent Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un creciente de gules.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Hudson Hayes Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Hudson Hayes.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a label Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un lambel de gules.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of Ryker Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Crescent and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Ryker Scott.
Azure, three lightning flashes in pall Or, debruised by a unicorn's head couped Argent, the eyes Azure; a bordure Or charged with eight fleurs de lis Azure.
Coat of arms emblazoned by me, in plain tinctures, contoured in Sable, with a pointed external shape and with a texturized finish.
This is the coat of arms of László Linett Regina designed by her and emblazoned by me. The traditional Hungarian order has been preserved, with the family name, László, appearing before the given names, Linett Regina.
Blazon keywords: Azure, Or, Argent, Three, One, Eight, Lightning flash, In pall, Debruised, Unicorn, Head, Couped, The eyes, Bordure and Fleur de lis.
Style keywords: Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: László Linnet Regina.
Blazon keywords: Without divisions, Gules, Or, Warren hound, Dog, Base, Base (lower 1/3), Dancetty, Heart and Motto (identification).
Style keywords: Illuminated and Outlined in sable.
Classification: Created, Socioeconomic, Catalogue, Heraldic document, Frame and Coat of arms.
Bearer: Latidos Podencos.
Azure, five flies in saltire Or.
Escudo de azur, cinco moscas puestas en sotuer de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
This is the coat of arms of the lineage Laydin emblazoned by me, as described in [Cadenas y Vicent, V. de; 1987; page 989], whose blazon is equivalent to that of the Zendreros lineage, also described in [Cadenas y Vicent, V. de; 1987; page 1941].
Blazon keywords: Azure, Or, Five, Fly and In saltire.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Laydin, lineage.
Gules, a castle triple-towered Or, masoned Sable, issuant from its port a dragon passant Vert, in chief a pelican in her piety Argent, vulned Gules.
Escudo de gules, un castillo de oro, mazonado de sable y saliendo por su puerta un dragón pasante de sinople, en jefe un pelícano desplegado de plata, la piedad de gules.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Lazaro of Aragon emblazoned by me.
Blazon keywords: Gules, Or, Vert, Argent, One, Castle, Triple-towered, Masoned, Issuant (port), Dragon, Passant, In chief, Pelican in her piety and Pelican.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lazaro of Aragon, lineage.
Blazon of the lineage Lazcano in the Canary Islands.
Vert, nine Poplar leaves ordered, in chief a «T» letter Or.
Illuminated and leather finishing.
It can be consulted at [Chaparro D'Acosta L.; 1979; página 251].
Blazon keywords: Without divisions, Vert, Letter, Poplar leaf, Or and Nine.
Style keywords: Leather, Outlined in sable and Illuminated.
Classification: Interpreted.
[ Gules, a lion rampant Or, ] accolé with [ Gules, a lion passant, guardant Or ].
[ Escudo de gules, un león rampante de oro, ] acolado de un [ escudo de gules, un leopardo de oro].
Existing arms interpreted by me as follows: both coat of arms are rotated ±30o; their shapes are pointed; the field of each coat of arms has been enamelled in flat Gules; the lion and the leopard in Or are outlined in Sable; and the whole composition of both arms has a rough texture finish.
Examples of accolated coat of arms (written as «accolé» in the 18th century) can be seen in [Avilés, J.; 1780a; pages 24 and 25 and plate 1: figures 1 and 2].
Blazon keywords: Without divisions, Gules, One, Lion, Or, Rampant and Leopard.
Style keywords: Pointed, Plain tincture, Outlined in sable, Tilted shield and Metal beaten.
Classification: Interpreted, Personal, Accolé arms, Duchy of Aquitaine, Kingdom of France and Kingdom of England.
Bearer: Leonor de Aquitania.
Princess of England and Queen Consort of Castile from 1170 to 1214.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure. Crest: An open royal crown Or.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur. Timbrado de una corona real abierta.
Armorial bearings of the queen interpreted by me as follows: the shape of the shield is pointed and rounded; both the field, the three leopards, and the open royal crown have been enamelled with flat tints of gules and metal or, with details in azure, vert, and metal argent; the three leopards and the crown are outlined in sable; and the whole composition has a watercolor finish.
She was the daughter of Henry II of England and Eleanor of Aquitaine, wife of Alfonso VIII of Castile, and mother of 10 children documented in historical records, with her eldest daughter being Queen Berenguela of Castile.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Crest, Open royal crown and Crown.
Style keywords: Ogee, Plain tincture, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.
Bearer: Leonor Plantagenet.
Of the twelve lineages of Noblemen, the sixth is that of Lete, from which descended Don Juan Corbarán de Let: they bear as arms, on a field Or, three pots shaped like cauldrons, slightly elongated, as painted in this shield.
Or, three Fleshpot Sable.
Escudo de oro, tres potes de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the three pots illuminated in Sable with vertical, but not horizontal symmetry; and finished in highly-hammered metal.
It is not easy to find in English a similar figure:
Coat of arms based on the sixth of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading this article is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Although I have not found any reference about it, it could be considered that originally they might have been canting arms and that these three «potes» could have been milk pots, in reference to their bearers «Lete».
Under the title «Surname of Let» it can also be consulted in [Vega, P. J. de; 1702; folio 6 of the manuscript], although the number has been altered, possibly having been a 5 and perhaps interpreted as an 8, it is deduced by being placed after folio 7.
Blazon keywords: Without divisions, Or, Clay pot and Sable.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal, Kingdom of Navarre and Canting.
Bearer: Lete of Navarre.
Gules, a fess chequey Azure and Argent.
Escudo de gules, una faja ajedrezada de azur y plata.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a parchment finishing.
Coat of arms of the lineage Lindsay of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lindsay of Scotland, lineage.
Blazon equivalent to: Janovsti of Janovic of Czechia, lineage.
Gules, a fess chequey Azure and Argent, in chief three mullets of five points Argent.
Escudo de gules, una faja ajedrezada de azur y plata, en jefe tres estrellas de cinco puntas de plata.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Lindsay of the Byres. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess, Chequey, In chief and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lindsay of the Byres, lineage.
Gules, an eagle displayed Or.
Arms depicted by me, in flat tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Coat of arms of the lineage Baldovino from Venecia. From Jean-Baptiste Rietstap, «Armorial général», 1st edition, 1861, [Rietstap, J. B.; 1861; P1 CXII B, row 7, column 7].
Blazon keywords: Gules, Or, One, Eagle and Displayed.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Baldovino from Venecia, lineage.
Argent, three bars Sable; within a bordure countercompony Or and Gules.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Ceballos of Cantabria emblazoned by me. 2 versions for the same blazon.
Blazon keywords: Argent, Sable, Or, Gules, Three, Bar, Bordure and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ceballos of Cantabria, lineage.
Or, a holm oak eradicated Vert, fructed Or, in front of its trunk two boars passant, in pale Sable.
Arms painted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Ancient arms of the lineage Peraza of Cantabria emblazoned by me. Around the year 1235, the solar house of Peraza was established in the Carriedo Valley, Cantabria. From this house descended Fernando de Peraza, Castellan and Governor of the Old Fortress of Aguilar in the land of Campo, Judicial District of Villalón, Valladolid, and another Fernando Ibárjez de Peraza, Lieutenant Governor of the Castle of Zurita, on the banks of the Zurita, after it was reconquered by King Alfonso VIII. The Peraza family connected with the Great House of Ayala and adopted the surname Peraza de Ayala.
Blazon keywords: Or, Vert, Sable, Holm oak, Tree, Eradicated, Fructed, In front (tree), Trunk, Boar, Passant and In pale.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Peraza of Cantabria, lineage.
Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable. Motto: «Laus · Virtutis · Actio».
Escudo cortado de azur y sable, brochante sobre la partición un castillo de cuatro torres de oro, aclarado de sable. Lema: «Laus · Virtutis · Actio».
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee triple-pointed external shape and with a leather finishing.
Blazon keywords: Azure, Sable, Or, One, Party per fess, Overall, Four-towered, Castle, Port and windows and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rawson, lineage.
Gules, three wolves' heads erased Argent.
Coat of arms painted by me, in flat tinctures, contoured in Sable, with a rounded trapezoidal external shape and with a texturized finishing.
Arms of the lineage Robertson of Struan, of the chief of the Clan Donnachaidh, also known as Clan Robertson, Scotland, emblazoned by me.
Blazon keywords: Gules, Argent, Three, Wolf, Head and Erased.
Style keywords: Outlined in sable, Plain tincture and Rounded trapezoid.
Classification: Personal, Kingdom of Scotland, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Robertson of Struan, lineage.
Gules, two chevronels, in chief three mullets Argent. Motto: «Semper Supra».
Escudo de gules, dos tenazas de plata, en jefe tres estrellas todo de plata. Lema: «Semper Supra».
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finish.
Blazon keywords: Gules, Argent, Two, Three, Chevronel, In chief, Mullet and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rothstein, lineage.
Or, three lion’s paws erect and erased Or, 2 and 1, each grasping a Madonna lily Argent.
Arms interpreted by me, in plain tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finishing.
Coat of arms of the lineage Terraza of Aragon, emblazoned by me following the instructions of Enrique de Alzaga Aliena.
Blazon keywords: Azure, Or, Argent, Three, One, Lion, Paw, Erect, Erased, Ordered, Grasping, Madonna lily, Flower and Lily.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Terraza of Aragon, lineage.
Guilaberto Lloscós y Soldevilla was grand prior of the Order of Saint John from 1449 to 1460.
Argent, a bull salient Gules within a bordure gyronny Argent and Sable.
Escudo de plata, un toro saltande de gules; bordura jironada de plata y sable.
Illuminated and parchment finishing.
He also known as Guilaberto Loscós y Soldevilla, and his coat of arms can be consulted at [García Carraffa, A.; García Carraffa, A.; 1968; volume II, page 407], who does not depict this bull with its tongue out.
The Lloscós lineage resided on the island of Mallorca and succeeded in the position of royal procurator of the island. Lázaro Lloscós was the procurator of the island in 1332, his son Mateo Lloscós was in 1392 and his grandson Mateo Lloscós was too. Mateo Lloscós helped King Alonso V of Aragon, the Magnanimous, with the expenses of the Naples campaign in 1435 and, therefore, the king donated the town of Bañalbufar and the title of baron. Mateo Lloscós was the father of Guilaberto Lloscós y Soldevilla grand prior of the Order of Saint John.
This bordure presents a dual characteristic. It could be considered a bordure compony because it is composed of a series of segments, in this case, eight. However, since the sides of these segments are not perpendicular to the bordure, but are angled in such a way that all their extended lines would converge at the exact center of the coat of arms, it structurally resembles the division known as gyronny. It is for this reason that, despite its compony appearance, I specifically designate it as a bordure gyronny.
This is a reflection on the tongue out in animals in heraldry. I will rely on the representations found in [Fox-Davies, A. C.; 1909], as it contains numerous representations of animals in the most diverse heraldic attitudes.
In heraldry, tigers [Fox-Davies, A. C.; 1909; figures 322-325], lions, wolves, the bear, etc., are usually represented with the tongue out; they are heraldic beasts and they are carnivores.
However, the fox in [Fox-Davies, A. C.; 1909; figures 343-345] is not painted with the tongue out. It is classified as a heraldic beast and, moreover, it is carnivorous.
The boar is omnivorous, it is a heraldic beast and it is painted with the tongue out, as is done in [Fox-Davies, A. C.; 1909; figures 353-358].
From the above, there is no uniform association between the tongue out and being a heraldic beast or a carnivore.
On the other hand, [Fox-Davies, A. C.; 1909; figures 446-449] classifies eagles as birds, not as beasts; they are carnivorous and are represented with the tongue out. And the dolphin is a fish, it is carnivorous and is also represented with the tongue out [Fox-Davies, A. C.; 1909; figures 479-480].
There are heraldists who say that herbivores are not painted with the tongue out.
But donkeys, mules, and especially the horse are herbivores and they can be seen represented with the tongue out. For example, [Fox-Davies, A. C.; 1909; figures 360 and 362] paints the horse with the tongue out, and in figure 361, with the horse running, he does not paint the tongue out. In no case does he classify it as a heraldic beast.
[Fox-Davies, A. C.; 1909; figures 368 and 370] paints the talbot, the mythical dog of heraldry, with the tongue out rampant and passant; but in more restful attitudes, such as standing and seated, he does not paint it with the tongue out. This could indicate that, when it is calm, it does not put the tongue out. But in the previous paragraph we have seen that he does not paint the horse running with the tongue out, and a horse running is not calm.
The bull [Fox-Davies, A. C.; 1909; figures 375-376] is not painted with the tongue out. However, I paint the bull with the tongue out and, although herbivorous, I claim the fighting bull as one of the most beastly figures of heraldry.
The stag does not carry the tongue out in any of its attitudes in [Fox-Davies, A. C.; 1909; figures 379-386], and other cervids [Fox-Davies, A. C.; 1909; figures 387-390] do not either.
Rams, sheep, lambs, goats [Fox-Davies, A. C.; 1909; figures 395-403] also do not carry the tongue out.
The badger is carnivorous [Fox-Davies, A. C.; 1909; figure 409]; as with the fox, it is carnivorous and does not carry the tongue out.
Therefore, in general, the tongue out cannot be fully associated either with heraldic beasts or with carnivores, just as not carrying the tongue out cannot be associated with herbivores or with calm attitudes. For example, the lion always carries the tongue out, even in its calmest attitudes [Fox-Davies, A. C.; 1909; figures 304-309].
The conclusion is that it is left to the discretion of the heraldic artist to paint or not to paint the tongue out, depending on what he wishes to express. For example, greater aggressiveness, greater movement, or liveliness could be associated with the tongue out.
Blazon keywords: Argent, One, Bull, Salient, Gules, Bordure, Gyronny and Sable.
Style keywords: Parchment, Outlined in sable and Illuminated.
Classification: Personal and Interpreted.
Bearer: Lloscós y Soldevilla, Guilaberto.
Argent, five wolves passant Sable; a bordure Azure, charged with eight saltires couped Or.
Escudo de plata, cinco lobos pasantes de sable; una bordura de azur, cargada de ocho aspas de oro.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of María Lobo, Lady of the House of Alvito. This coat of arms has been emblazoned by me. The arms are traditionally associated with the Lobo family of Alvito and are documented in Castilian and Portuguese heraldic and genealogical sources. These arms were equally used by other members of the House of Alvito, such as Ruy Dias Lobo and his descendants. I have emblazoned this coat of arms at the request of Fernando Durán Cabral de Mello d’Alpoim, as he counts the Lobo lineage of Alvito among his ancestors. It is not necessary to say the arrangement of the wolves which is in saltire, that is, 2, 1 and 2, since it is the default arrangement in heraldry for 5 equal charges.
Blazon keywords: Argent, Sable, Azure, Or, Five, Eight, Wolf, Passant, Bordure, Charged, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lobo, María.
| Party per pale: 1 quarterly: 1 Azure, a lion rampant Or, 2 Argent, a falcon rising, grasping in its paws a serpent Sable, 3 Or, a tower Azure, port, windows, and masoned Sable, 4 Gules, a fox passant Or, a chief Gules semé of mullets Argent; 2 Orange, a mullet of six points voided, interlaced Sable. | Escudo partido: 1o cuartelado: 1o de azur, un león rampante de oro, 2o de plata, un halcón azorado, teniendo en sus garras una sierpe ambos de sable, 3o de oro, una torre de azur, aclarada y mazonada de sable, 4o de gules, una raposa pasante de oro, un jefe de gules sembrado de estrellas de cinco puntas de plata; 2o de anaranjado, una estrella de seis puntas, hueca y entrelazada de sable. |
|
Las anteriores son dos formas de visualizar los blasones estructurados en paralelo, la primera mediante una imagen y la segunda mediante una combinación de dos textos y una imagen.
Blazon keywords: Party per pale, Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five, Base (lower 1/3), Orange, Six, Voided and Interlaced.
Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Coat of arms and Structured and parallel blazons.
Bearer: Correa, Lorena.
Saint Louis, King of France (1214-1270), son of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted by me as follows: the shield has a semicircular (round) base; the field is enamelled in flat Azure; the fleurs-de-lis are outlined in Sable and illuminated in Or; and finished with a watercolor effect.
Toward the end of his reign, the armorial called [Wijnbergen; 1265] was created, whose first part is devoted to recording his coat of arms [Wijnbergen; 1265; shield no. 1], which was also that of his father Louis VIII, husband of Blanche of Castile, and the coats of arms of those who were his vassals.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Louis IX of France.
There are 2 rhombuses in heraldry: the lozenge and the fusil. I like to represent the lozenge, which is a less elongated rhombus than the fusil, as a square with its 2 diagonals placed one vertically and the other horizontally. Lozengy and fusilly consist of filling the entire space with lozenges, in the first case, or with fusils, in the second case, joined 4 by 4 at their corners.
[Avilés, J.; 1780a; page 25] writes «Fusils, Lozenges, and Mascles can be accolados, when they touch with their flanks; and to be so called, the entire Shield must not be filled with these figures, because in that case it would be called Fusilly, or Fuselado and Lozengy.».
In this case, two lozengy schemata of lozenges are presented with their 4 angles at 90o, the first 5 wide by 6 high, which is exact because the angles are 90o and it matches the 5x6 dimensions of the coat of arms and the second 6 wide by 7 high, which may be more suitable for shields that resemble the structure of per pale of three.
In [Cadenas y Vicent, V. de; 1987] one can see written both «losange» with «g» and «losanje» with «j», although the occurrences of «losange» with «g» are more than double those of «losanje» with «j».
In [Royal Spanish Academy; 2014] only the term «losange» with «g» is recorded, it says it comes from the French «losange» and defines it as «a rhombus figure placed so that one of the acute angles is at the base and its opposite at the top.».
Blazon keywords: Lozengy and Lozenge.
Style keywords: Semi-circular.
Classification: Schema.
Comparison between lozengy of 5x6 lozenges and 6x7 lozenges based on the coats of arms of Thomas de Warbrentone and of Pierre de Forcade. It can be observed that, for example, in the case where there is a central pale of Gules, this fits better over the metal Or in the lozengy of smaller lozenges, the 6x7 one, than in the lozengy of larger lozenges, the 5x6 one.
Blazon keywords: Lozengy and Lozenge.
Style keywords: Semi-circular.
Classification: Schema.
171st Pope of the Church, from the year 1181 to the year 1185. «Lucius III», born Ubaldo Allucinoli, was born in Lucca in northwest Italy.
Lozengy Argent and Azure.
Escudo losanjado de plata y azur.
Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; checky or squares illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.
Blazon keywords: Without divisions, Lozengy, Argent and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Religious and Papal States.
Bearer: Lucius III.
Gules, a chevron, between in chief two fleurs de lis Or, and in base an escallop Argent. Motto: «Praemium Honor».
Escudo de gules, un cabrio de oro, acompañado en jefe de dos flores de lis de oro, y en punta de una venera de plata. Lema: «Praemium Honor».
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finishing.
Blazon keywords: Gules, Or, Argent, One, Two, Chevron, Between, In chief, Fleur de lis, In base, Escallop and Motto.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Merante Critelli, Luigi.
The coat of arms of Luis Gerardo Oyervides Ochoa, Mexico, designed and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
| Sable, a kapok tree eradicated and fructed between in base two lozenges Argent. | Escudo de sable, una ceiba arrancada, frutada y acompañada en punta de dos losanjes todo de plata. |
![]() |
Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base and Lozenge.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Oyervides Ochoa, Luis Gerardo.
Vert, a chevron Argent between three linden sprigs, three-leaved, enarched bend sinisterwise Or.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a rounded trapezoidal outer contour and with a texturized finishing.
Coat of arms of Lukas Podlipny, Slovakia, emblazoned by me. These are canting arms, in Slovak, «lipa» ~ linden tree, and the surname Podlipný would mean «under the linden tree», «pod» ~ under, «lip-» ~ linden, hence the arched linden sprigs in the coat of arms. The image shows in 2 stages how I painted it: 1) delineation of the shield, including the calculation of a broad chevron so that the linden sprigs have enough space, since, as has been seen, they are a principal element of these canting arms, and delineation of the 3 linden sprigs, slightly different from each other to fit the shape of its space; 2) finished shield with highlights and shading.
Blazon keywords: Vert, Argent, Or, One, Three, Chevron, Between, Linden, Tree, Sprig, Leaved, Enarched and Bend sinisterwise.
Style keywords: Outlined in sable, Illuminated and Rounded trapezoid.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lukas Podlipny.
Blazon of the Malvin de Montazet lineage of Languedoc, France.
Azure, three mullets Argent, 2 and 1.
Illuminated and a freehand finishing.
Its French blazon «d'azur, à trois étoiles d'argent, 2 et 1» can be found at [Rietstap, J. B.; 1861; page 140].
Blazon keywords: Without divisions, Azure, Three, Mullet, Argent and Ordered.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Or semé of millrinds Azure, a chief dancetty of two full points upwards Purpure pierced twice of the field billetwise throughout.
Escudo de oro sembrado de anillas de molino de azur; un jefe encajado de tres piezas, una completa y dos medias, de púrpura y perforado de dos billetes movientes del jefe a la punta.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a watercolor finish.
The coat of arms of Baz Manning emblazoned by me. John Basil Edward, known as Baz Manning, was commissioned to make the coat of arms for King Felipe VI of Spain as a member of the Most Noble Order of the Garter, which is now displayed among the many shields in St. George's Hall, Windsor Castle. I had the honor of assisting him with this project, which, although my contribution was small, was incredibly meaningful to me. Baz graciously acknowledged my assistance, stating that my detailed insights on the Spanish royal arms have been included in the records of the Order of the Garter for the Windsor Castle archive and the Heraldry Society.
Blazon keywords: Or, Azure, Purpure, One, Two, Three, Semé, Millrind, Chief, Dancetty, Pierced, Billet and Throughout (chief base).
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Manning, Baz.
Quarterly: 1 and 4 Gules, a fess Azure; 2 and 3 Or, a fess dancetty Argent.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems leather.
Blazon keywords: Quarterly, Gules, One, Fess, Azure, Or, Dancetty and Argent.
Style keywords: Colour on colour, Metal on metal, Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Beninger, Manuel.
R0037, registration by the Chief Herald of Arms of Malta of the coat of arms of Manuel Ladrón de Guevara e Isasa. This coat of arms was emblazoned by me, with the blazon set out in English and Castilian in a structured format to show the parallelism between the two versions.
Blazon keywords: Gules, Or, Argent, Azure, Three, Five, One, Eight, Party per pale, Quarterly, Bendlet, Fimbriated, Charged, Ermine spot, Poplar leaf, In saltire, Overall, Inescutcheon, Grenade, Issuant, Sea, Wavy, Castle, Triple-towered, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Ladrón de Guevara e Isasa, Manuel.
Quarterly: 1 per pale: 1 Argent, a madrone tree (Arbutus unedo) Vert, fructed Gules; 2 Azure, a tower Argent; 2 Vert, on a wall Or, masoned Sable, by five archers Argent in shooting stance; 3 barry wavy Azure and Argent, three caravels in pale Or, sails and pennons Argent charged with crosses Gules, between two flanches Vert; 4 Azure, a tower Argent, port and windows Azure, masoned Sable, between two lozenges Or, each charged with four pallets Gules, in chief four towers in fess Or, port and windows Gules, masoned Sable. Motto: «Pro Deo et Patria». Supporters: Two knights in full plate armor Argent, lined Gules.
Escudo cuartelado: 1o partido: 1o de plata, un madroño de sinople, frutado de gules, 2o de azur, una torre de plata; 2o de sinople: una muralla de oro, mazonada de sable, sumada de cinco arqueros de plata en disposición de disparar; 3o fajado ondado de azur y plata, tres carabelas en palo de oro, con velas y gallardetes de plata, cargados de cruces de gules, flanqueado curvo de sinople; 4o de azur, una torre de plata, aclarada de azur, mazonada de sable, acompañada de dos losanges de oro, cargados de cuatro palos de gules, en jefe cuatro torres en faja de oro, aclaradas de gules, mazonadas de sable. Lema: «Pro Deo et Patria». Por tenantes dos caballeros con armadura completa de plata, forrada de gules.
Arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Blazon keywords: Argent, Vert, Azure, Or, Gules, One, Five, Three, Four, Two, Quarterly, Party per pale, Madrone tree, Tree, Fructed, Tower, Masoned, On, Wall, Archer, In shooting stance, Barry, Wavy, Caravel, Ship, In pale, Sail, Charged, Cross, Between, Flanched, Port and windows, Lozenge, Pallet, Motto, Supporter (human form), Supporter, Knight, Full plate armor and Lined.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa, Coat of arms, Pennon and Flag.
Bearer: Novo Dabrio, Manuel.
Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages. Motto: «Evangelium Annutiata».
Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas. Lema: «Evangelium Annutiata».
Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Religious, Created, Boa and Coat of arms.
Bearer: Eschenlauer, Marc.
Party per chevron Gules and Vert, overall a chevron ermine between, in the dexter of the chief a dexter hand apaumée couped at the wrist, in the sinister of the chief a key palewise, ward to dexter chief, and in base a boar passant Argent. Motto: «To Thine Own Self Be True» Sable, with initial letters Gules, over a scroll Argent.
International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 131], ISBN 978-1-8381483-0-0. The coat of arms of Margaret Byrne from Ireland emblazoned by me appears in this volume.
Categories: Collage, Photographic, Art, Personal, Interpreted, Outlined in sable, Pointed, Coat of arms, Party per chevron, Gules, Vert, Overall, One, Chevron, Ermine, Between, Dexter, Chief, Hand, Appaumée, Party per fess, Wrist, Sinister, Key, Palewise, Key ward, Base (lower 1/3), Boar, Passant, Argent, Illuminated, Leather, English language, Motto and Scroll.
Root: Byrne, Margaret.
Azure, a moon with human face environed by nine concentric annulets Argent.
Escudo de azur, una luna figurada circundada de nueve anilletes concéntricos, todo de plata.
Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a freehand finishing.
Blazon keywords: Azure, Argent, One, Nine, Moon, With human face, Environed, Concentric and Annulet.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: María Asunción de León González.
Azure, a sun in splendour, irradiated of sixteen ears of wheat Or.
This is the coat of arms of María de los Ángeles Carrillo Padilla. This coat of arms has been designed by her and her father-in-law Juan Lanzagorta Vallín. This drawing corresponds to the initial phase of the delineation, in which the relative dimensions are established. The outline has been drawn by me in an oval shape.
Blazon keywords: Azure, Or, One, Sixteen, Sun in splendour, Irradiated, Ear of wheat and Wheat.
Style keywords: Ratio, Outlined and Oval.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Carrillo Padilla, María de los Ángeles.
Or, an eagle displayed bendy Azure and Argent.
Coat of arms emblazoned by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Coat of arms of María Dolores Escutia Sánchez designed by Juan Lanzagorta Vallín and emblazoned by me. In the case of a bendy field like that of this eagle, it is not immediately clear whether it should be blazoned as bendy Azure and Argent, or rather as bendy Argent and Azure. I have followed the criterion of starting to list the tinctures from the dexter chief, that is, from the upper part of the eagle’s dexter wing, and therefore I blazon it as bendy Azure and Argent.
Blazon keywords: Or, Azure, Argent, One, Eagle, Displayed and Bendy.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Escutia Sánchez, María Dolores.
Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper. Motto: «Live your Magic».
Credits:
Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout, Proper and Motto.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms and English language.
Bearer: Sparkles, Marie Unicorn.
Or, a fess chequey Gules and Argent.
Escudo de oro, una faja ajedrezada de gules y plata.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a metal beaten finishing.
Coat of arms of the lineage Mark of Germany. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Mark of Germany, lineage.
Or, a fess chequey Gules and Argent.
Escudo de oro, una faja ajedrezada de gules y plata.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.
Coat of arms of the County of Mark, Germany. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Mark, County of.
Or, three pallets Vair.
Arms interpreted by me, in flat tinctures, outlined in Sable, with an ogee outer contour and with a texturized finish.
The coat of arms of the Marquis Prato di Arnesano, requested by Andrea Tamburelli Lanzara di Pietragavina and painted by me. Vair is a fur, and furs are repetitive combinations of a metal and a color. In the case of vair, the metal is Argent and the color is Azure. Because they simultaneously include both a metal and a color, furs are exempt from the rule of tincture, as they would inevitably violate it, either through their metal or color component. In this coat of arms, the pallets of vair lies on a field of metal Or, and it might be thought that the metal Argent in the vair breaks the rule. However, as mentioned, the rule of tincture does not apply to furs due to their dual nature.
Blazon keywords: Or, Three, Pale and Vair.
Style keywords: Outlined in sable, Plain tincture and Ogee.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Prato di Arnesano, Marquis.
Party per fess: 1 Gules, five swords erect, in fess Argent; 2 Vairy Or and Gules.
Escudo cortado: 1o de gules, cinco espadas alzadas, en faja de plata; 2o verado de oro y gules.
Coat of arms that I have created with: a pointed base of the shield; the first field enamelled with flat Gules ink; the second field enamelled with flat Or ink; the swords and the vairy are illuminated; and the whole has received a watercolor finish.
There are 6 swords erect to defend the vairy of truth and, no matter how much time passes, they will not relent until the truth prevails.
Blazon keywords: Party per fess, Gules, Or, Argent, Five, Sword, Vairy, Point upwards and In fess.
Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.
Classification: Created, Personal and Coat of arms.
Bearer: Martos García, Juan Carlos.
Blazon of the Mascarenhas lineage of Portugal.
Gules, three bars Or.
Illuminated and a freehand finishing.
It can be found at [Cró, J. do; 1509; page 77].
Blazon keywords: Without divisions, Gules, Three, Fess and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of Portugal.
Cheshire, 1613 and Vale-Royal.
Argent, a chevron Sable, between three lozenges Sable.
Escudo de plata, un cabrio de sable, acompañado de tres losanges de sable, dos y uno.
Coat of arms interpreted as follows: the base of the personal shield is rounded; the field is illuminated in Argent; the chevron is illuminated in Sable; the 3 lozenges are enamelled in plain Sable and outlined in the same colour; and the whole has a leather finish.
It appears in [Goldstraw, M. S. J.; 2013b] blazoned as «Argent, a chevron between three lozenges Sable».
Blazon keywords: Without divisions, Argent, Sable, Chevron, Between, Lozenge and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Massey de Sale.
Cheshire, 1533-1580.
Quarterly: 1 and 4 Gules, three escallops Argent; 2 and 3 Or.
Escudo cuartelado: 1o y 4o de gules, tres veneras de plata; 2o y 3o de oro.
Coat of arms interpreted with: a rounded base; the field illuminated in Gules and Or; the escallops, that is the scallop shells of the pilgrim, outlined in Sable and illuminated in Argent; and the whole in leather.
[Goldstraw, M. S. J.; 2013a] blazons it as follows: «Quarterly, Gules and Or, in 1 and 4 three escallops Argent».
Blazon keywords: Quarterly, Gules, Or, Argent, Escallop and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Massy de Tatton.
Of the twelve lineages of Noblemen, the twelfth bears as insignia and arms, on a shield Or, a rampant lion Gules, as painted in this shield.
Or, a Lion Gules, rampant.
Escudo de oro, un león de gules, rampante.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the lion illuminated in Gules and outlined in the colour of the field, that is, in Or metal; and the whole finished in highly-hammered metal.
Coat of arms interpreted from the last of the shields of the Navarrese «ricoshombres» illustrated in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the text preceding the blazon taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
I consider these to be canting arms, and that this «lion» Gules refers to its bearers «Mauleón».
Under the title «Surname of Mauleon», without an accent on the letter «o», it can be consulted in [Vega, P. J. de; 1702; folio 12 of the manuscript].
Blazon keywords: Without divisions, Or, Lion, Gules and Rampant.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal, Kingdom of Navarre and Canting.
Bearer: Mauleón of Navarre.
Or, a stag trippant Gules, attired Azure; a bordure Azure charged with eight saltires couped Argent.
Escudo de oro, un ciervo pasante de gules, acornado de azur; una bordura de azur cargada con ocho sotueres de plata.
Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a parchment finishing.
Blazon keywords: Without divisions, Or, One, Stag, Tripant, Gules, Attired, Azure, Bordure, Charged, Eight, Saltire and Argent.
Style keywords: Parchment, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Coat of arms.
Bearer: McCartney, Michael.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a crescent Gules.
Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un creciente de gules.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.
The coat of arms of Evander Graham Wylder McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McCoy, Evander Graham Wylder.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a label Gules.
Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un lambel de gules.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
The coat of arms of Sebastian Artemis Cole McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McCoy, Sebastian Artemis Cole.
Gules, a double cross throughout Or cantoned by six plates, a bordure Or.
Escudo de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the lineage Melo. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Melo are in the 4th quarter.
Blazon keywords: Gules, Or, Argent, One, Six, Double cross throughout, Cantoned, Plate and Bordure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Melo, lineage.
Cheshire, 1613.
Argent, a bend Sable, between two lions' heads ereased Sable, langued Gules.
Escudo de plata, una banda de sable, acompañada de dos cabezas de león de sable, lampasadas de gules.
Coat of arms interpreted with: a rounded base; the field and the bend illuminated in Argent and Sable; the charges in plain Sable and Gules tinctures, outlined in Sable; and the whole in leather.
[Goldstraw, M. S. J.; 2013b] blazons it as «Argent, a bend between two lions' heads ereased Sable», this being the first coat of arms I interpreted from the County of Cheshire.
While in Castilian one uses the plural for the heads and the singular for the lion, that is, one writes «dos cabezas de león», in English one uses the plural for both the heads and the lions, that is, one writes «two lions' heads» and, therefore, the «s» of the Saxon genitive is omitted and only the apostrophe is written. This usage is general, for example:
Except in cases where the term is used in English as if it were an adjective, for example «two Catherine wheels» ~ «dos ruedas de Santa Catalina», which are the wheels used to martyr her, or «three wagon wheels» ~ «tres ruedas de carro».
Blazon keywords: Without divisions, Argent, Sable, Gules, Bend, Head and Lion.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Meoles de Meoles.
Coat of arms of Michael W. Morgan, UE, emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. He is the eldest son of Commander Stephen T. Morgan.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Label of three points.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Morgan, Michael W..
The way of affirming by affirming.
Tierced per pale: 1 Vert, a mullet of eight points Or; 2 Gules, a potent Argent, in chief a mullet of eight points, in base a crescent Or; 3 Azure, a crescent Or.
Escudo terciado en palo: 1o de sinople, una estrella de ocho puntas de oro; 2o de gules, una potenza de plata, en jefe una estrella de ocho puntas, en punta un creciente ambos de oro; 3o de azur, un creciente de oro.
Imaginary coat of arms of Logic made in the following way: with the semicircular (round) base shape; the field in plain colour Vert, Gules, and Azure; its 5 figures outlined in Sable and illuminated in metals Or and Argent; and made with a raised-stroke effect.
Blazon keywords: Tierced per pale, Vert, Gules, Azure, Mullet, Crescent, Or, Potent, Argent, In chief, In base and Motto (identification).
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Logic.
Chequey of fifteen Or and Azure; a bordure compony of sixteen sections, eight gules, a castle triple-towered Or, port and windows Azure, masoned Sable, eight Argent, a lion rampant Purpure, crowned Or, armed and langued Gules.
Escudo ajedrezado de quince piezas de oro y azur; una bordura componada de dieciséis compones, ocho de gules, un castillo de oro, aclarado de azur, mazonado de sable, ocho de plata, un león rampante de púrpura, coronado de oro, armado y lampasado de gules.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Coat of arm of the municipality of Moguer, Andalusia, emblazoned by me.
Blazon keywords: Or, Azure, Gules, Argent, One, Fifteen, Sixteen, Eight, Chequey, Bordure, Compony, Section, Charged, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Moguer, municipality of.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 vair ancient.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de veros antiguos.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the municipality of Monroy, Caceres, emblazoned by me with vair ancient. I have painted it using vair ancient, as I wish to illustrate with this coat of arms a reflection on the Virgin of the Sagrario of Plasencia, Caceres, dating from the mid-13th century, and on the forty-four coats of arms made of gilded silver sheet that adorn it, featuring lions, castles, and rounded vair ~ vair ancient, these may be associated with the lords of Monroy, a lineage of considerable importance in the town of Plasencia during the Late Middle Ages, can be seen in The Virgin of the Sagrario of Plasencia and the Monroy vair.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Vair ancient.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Monroy, municipality of.
Of the twelve lineages of Noblemen, the eleventh is the house of Monteagudo; they bear as arms a shield Or, and in the middle a fess Gules, in the manner in which this shield is painted.
Or, a fess Gules.
Escudo de oro, una faja de gules.
Coat of arms interpreted as follows: a semicircular (round) base; the field enamelled in flat Or; the fess outlined in Sable and illuminated in Gules; and the whole finished in highly-hammered metal.
Interpreted from the eleventh coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Monteagudo» this blazon can be consulted in [Vega, P. J. de; 1702; folio 11 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Monteagudo of Navarra.
Coat of arms of the Armored Cavalry Regiment Montesa No. 3, RCAC-3, in 2016.
Or, a cross of Montesa.
Escudo de oro, una cruz de Montesa.
Coat of arms interpreted as follows: the shape of the shield is a semi-circular arch; the field has been illuminated in metal Or; the cross of Montesa is outlined in Sable and illuminated in Gules and Sable; and the whole has a raised line finish.
Blazon keywords: Without divisions, Or, Cross of Montesa, Cross couped and Cross.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Military, Army and Navy and Coat of arms.
Bearer: Montesa, Cavalry Regiment.
Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a crescent Argent.
Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un creciente de plata.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finishing.
Coat of arms of Eóin S. Morgan, UE, emblazoned by me. He is the youngest son of Commander Stephen T. Morgan, and as such, his cadency mark is a crescent, the heraldic difference traditionally assigned to a second son.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Crescent.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Morgan, Eóin S..
Or, six fleurs de lis in orle, five Gules and one in chief Azure. Motto: «Vade Plvs Vltra»
The motto can be in any language. However, as a coat of arms is meant to last for eternity, living languages evolve, and the original meaning of the motto may be misinterpreted by future generations. For example, some words may eventually acquire unfortunate or inappropriate meanings over time. The advantage of dead languages, such as Latin, over living ones is that they do not evolve, and the meaning of the motto remains more resistant to the passage of time.
Credits:
Categories: Criterion, Art, Interpreted, Personal, Semi-circular, Soft metal, Outlined in sable, Coat of arms, Or, Six, Fleur de lis, Orle, Five, Gules, One, Azure, In chief and Motto.
Root: Yñigo-Genio, Rolando.
Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules. Motto around the shield: «Linaje Lanzagorta Otxoa · Bizkaia · México» Sable over a scroll Argent.
Coat of arms painted by me, in flat tinctures, contoured in Sable, with an oval external shape and with a texturized finishing.
The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and emblazoned by me.
Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed, Udder, Within, Motto (identification) and Scroll.
Style keywords: Outlined in sable, Plain tincture and Oval.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Otxoa Magaña, Teresa.
Party per fess, the base per pale: 1 Or, a hurt; 2 Gules and 3 Argent, over both a cross of Malta counterchanged.
Coat of arms of the municipality of Candasnos, Huesca, designed by Valeriano Labara Ballestar, approved by the Government of Aragon. In [Labara Ballestar, V. C.; 2019; page 341] it states, «the Maltese cross, with its tinctures counterchanged, aims to highlight the town's history, which has been secularly linked to the Royal Monastery of Sijena». The Royal Monastery of Santa María de Sijena is a 12th-century monastery located in Huesca, commissioned by Queen Sancha of Castile, the consort of Alfonso II of Aragon. Established as a monastery for Hospitaller nuns, its construction began around 1183 and it was consecrated in 1188 by Bishop Ricardo of Huesca. Although it was a double monastery housing both nuns and friars, it was governed by prioresses from the very beginning. It has been an honor for me to outlined this version for Valeriano Labara.
Blazon keywords: Or, Azure, Gules, Argent, One, Party per fess, the base per pale, Hurt, Eight-pointed cross, Cross couped and Counterchanged.
Style keywords: Outlined and Outlined in sable.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Candasnos, municipality of.
Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant, Counterchanged (side-by-side), Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Bendel, Nathaniel.
Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert.
Escudo gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Gules; the chains and the emerald illuminated in Or and Vert and outlined in Sable; and the whole executed with a raised-stroke finish.
This coat of arms, except for the emerald, corresponds to the blazon written in [Avilés, J.; 1780a; page 412 and figure 260] which says «Gules, a chain placed in orle, cross, and saltire Or, which some blazon differently», leaving me, as a reader, curious to know what that other way he refers to might be.
Then, [Avilés, J.; 1780a; pages 412–413] writes his version of the origin of the arms, saying that «...it was borne by Sancho VIII, called the Strong, and twenty-first King of Navarre, in the year 1212, for the battle of Las Navas de Tolosa in Sierra Morena ...given to him by the King of Castile, Don Alfonso IX, whose aid he had joined...», which we would say Alfonso VIII of Castile, «the one of Las Navas».
Blazon keywords: Without divisions, Gules, One, Chain, Orlewise, Crosswise, Saltirewise, Or, Charged, In the fess point, Emerald and Vert.
Style keywords: Freehand, Illuminated and Outlined in sable.
Classification: Interpreted, Civic and Coat of arms.
Bearer: Navarre.
Party per pale Or and Gules, on a bend counterchanged three fleur de lis palewise counterchanged Argent and Sable between six martlets, 3 and 3 in pale, counterchanged Sable and Argent.
Escudo partido: 1o de oro, en la diestra de la punta tres marletas en palo de sable; 2o de gules, en la siniestra del jefe tres marletas en palo de plata; brochante sobre el todo una banda del uno al otro cargada de tres flores de lis puestas en palo, la primera de plata, la segunda partida de plata y sable y la tercera de sable.
Arms devised by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.
Coat of arms of Matthew Nelson designed by him and me and emblazoned by me. Alternative blazon: «Party per pale: 1 Or, in the dexter of the base three martlets in pale Sable; 2 Gules, in the sinister of the chief three martlets in pale Argent; overall a bend counterchanged charged with three fleurs de lis palewise, the first Argent, the second per pale Argent and Sable, and the third Sable».
This design combines elements and tinctures from the arms of his lineages: Luttrell, Anglo-Irish, and Nelson from Ireland, along with personal details. The bend, martlets, Or, and Sable are from Luttrell. The fleurs de lis Argent, Sable, and per pale Argent and Sable are from Nelson. As personal elements, the layout includes the letter N from his surname, and the color Gules.
Blazon keywords: Or, Sable, Gules, Argent, One, Three, Party per pale, Dexter, Base, Martlet, In pale, Sinister, Chief, Overall, Bend, Counterchanged, Counterchanged (side-by-side), Charged, Fleur de lis and Palewise.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Nelson, Matthew.
Nicolás Malmains ~ Nicholas Malmains ~ Nicol Malemeins.
Gules, three dexter hands turned up, and appaumée Ermine.
Escudo de gules, tres manos diestras levantadas y apalpadas de armiños.
Included in [Vincent, MS; 1285; number 622] also known as [St. George's Roll; 1285; number 622].
Blazon keywords: Without divisions, Gules, Three, Hand, Dexter, Ermine, Turned up, Appaumée and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Nicolás Malmains.
The King of Navarre, at the time of his new and solemn coronation, is raised and lifted up as King by the hands of twelve barons of the greatest and oldest houses of the said Kingdom, and these are the twelve Noblemen who are named on the other side, with their blazons and coats of arms.
Interpretation and composition of 13 coats of arms that I have created with a parchment-like finish.
A free interpretation, for example, without the central crown over the arms of Navarre, with a different title, written «Navarra» and not «Nabarra», etc., based on the principal plate of [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with texts taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
«Ricohombre», written together, currently means «title that formerly belonged to the highest nobility of Spain», [Real Academia Española; 2001].
Its plural «ricoshombres» is the most commonly used form, but «ricohombres» is also correct and used; and in [Bosque, J. del; 1540] it is written separately, and «honbre» with an «n» before the «b», that is, «ricos honbres».
Blazon keywords: Without divisions, Party per bend, Azure, Gules, Or, Argent, Sable, Vert, Eagle, Chequey, Cross flory, Cross couped, Fess, Chief, Lion, Pale, Poplar leaf, Clay pot and Rampant.
Style keywords: Semi-circular and Old parchment.
Classification: Interpreted and Kingdom of Navarre.
Bearer: Noblemen of Navarre.
Norman de Darcy ~ Norman Darcy ~ Norman de Arci.
Argent, three cinquefoils Gules.
Escudo de plata, tres quinquefolios de gules.
Included in [Vincent, MS; 1285; number 230] also known as [St. George's Roll; 1285; number 230].
Blazon keywords: Without divisions, Argent, Three, Cinquefoil, Gules and Ordered.
Style keywords: Triangular curved, Illuminated, Shaded, Outlined in sable and Fabric.
Classification: Interpreted and Personal.
Bearer: Norman de Darcy.
Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure.
Escudo de azur, en punta tres burelas ondadas de plata sumadas de un barco normando de oro con vela de plata; en un jefe de gules, dos leopardos de oro, armados y lampasados de azur; una bordura de plata cargada de ocho bellotas puestas en banda de azur.
Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.
Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me. The terms «Norman ship» has been chosen instead of other possible names for this type of vessel in order to create a reference to the surname «Normand» of the armiger, whose family descends from Normandy.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn and Bendwise.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Normand Delfin, Jacques William.
Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo cuartelado: 1o y 4o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2o y 3o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.
Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.
Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Noronha, House of.
Gules, two axes addorsed Argent, hafted Or, issuant from the base; overall, at the nombril, an escutcheon Or.
Escudo de gules, dos hachas adosadas de plata, fustadas de oro, movientes de la punta; brochante sobre el todo, en el ombligo, un escudete de oro.
Interpretation I have made with the following characteristics: the escutcheon is semicircular, in the classic Castilian style; its field is illuminated with the tincture gules; its 2 axes and escutcheon are outlined in sable and illuminated with the metal Or, and the axe heads in Argent; and the execution is in a raised line style.
The term «hafted» in English is specifically used for weapons with handles, such as axes and hammers. This refers to the part of the weapon where the user grips, which is typically made of wood or metal and is essential for wielding the weapon effectively. The haft is integral to the weapon's function, providing the necessary leverage and control during use.
On the other hand, «shafted» is a term used in English for weapons with a shaft, which is a longer, slender part of the weapon, as seen in spears, arrows, and sometimes in lances. The shaft is usually the primary structural component, providing the length and reach, while also serving as the backbone of the weapon.
In both cases, the term indicates that this part of the weapon is of a different tincture from the rest of the figure.
In Castilian, however, both «hafted» and «shafted» translate to «fustadas», which broadly refers to a similar concept where the handle or shaft is of a different color than the head or blade.
Then, I prefer using «hafted» when referring to axes and hammers due to the specificity of the term in English.
This contrasts with the term «guarnezidas» ~ «hilted», which is used for swords, indicating a different color for the guard or hilt, rather than for the shaft or handle.
For the arrangement of the axes in relation to each other, the one on the dexter facing dexter, the one on the sinister facing sinister, I use the term «addorsed» as it is the most common, but I previously used «back to back», which is said of «two animals, rampant, with their backs against each other, each facing the opposite flank. Two keys are also described as back to back when they are positioned with the bits outward, each to its side; the same applies to sickles, or scythes and generally to all long objects that have two faces, like two axes...» [Avilés, J.; 1780a; page 98], this being the case for the axes in this shield.
«Dalla» is a synonym for «scythe» used in and originating from Aragon and Navarra, [Real Academia Española; 2001].
In the English blazon, «adosadas», «de espaldas», is rendered as «addorsed», from the French «adossé», which is said, for example, when «two animals turned back to back» and some also use «endorsed».
Blazon keywords: Without divisions, Gules, Axe, Argent, Hafted, Or, Addorsed, Issuant from base, Overall, At the nombril and Escutcheon.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: Norsk Heraldisk Forening.
Party per pale: 1 Vair; 2 Sable, a barn owl Argent, the eyes Sable, beaked and armed Or.
Escudo partido: 1o de veros; 2o de sable, una lechuza de plata, encendida de sable, picada y armada de oro.
Blazon keywords: Party per pale, Argent, Azure, Vair, Sable, Or, Barn owl, The eyes, Beaked and Armed.
Style keywords: Rounded, Illuminated, Outlined in sable and Parchment.
Classification: Created, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Odysseus of Ithaca.
Delineation, ratios and angles of an open chevron.
Blazon keywords: Without divisions and Chevron.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Howel Ap Rhys.
Design rationale
Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.
This is the coat of arms of the Congregacion del Oratorio de San Felipe Neri of Alcala de Henares, «Congregatio Oratorii Sancti Philippi Nerii - Complutum», designed and emblazoned by me following their ideas and directions.
It is based on their original seal and other elements of the Oratory:
Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Religious, Created, Coat of arms and Photographic.
Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.
Order of Cavalry of Alcantara
A cross of Alcantara.
Una cruz de Alcántara.
Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Vert; and a heavily beaten metal finish.
The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical account of the foundation of the Order of Alcantara, states that, according to Alonso de Torres y Tapia, Prior of Alcantara and a 17th-century chronicler, it was founded in 1156, by Don Suero Fernández Barrientos along with other knights from Salamanca, in Pereiro near the River Coa, under the name of the Order of Saint Julian of Pereiro and during the reign of Ferdinand II of León.
Regarding the emblem of the Order of Cavalry of Alcantara, [Avilés, J.; 1780b; treatise IV, chapter V, page 340, figure 102], reusing the same figure 102 as for the Order of Calatrava, says «In the past, the Order of Alcantara displayed on its Standard the Gules Straps of Calatrava», remember that due to the commandery of the city of Alcantara, they had to assume some dependency on that of Calatrava, «next to a Pear tree in Vert on a field of Or, which was the insignia of the Order of Pereiro, due to the conformity with which these two Orders lived; but upon changing their Habit, the Pope» Eugene IV «granted them the green Cross», Vert, «in the manner they wear it today, differing from that of Calatrava only in color».
Blazon keywords: Cross of Alcantara, Cross couped and Cross.
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Religious, Military and Emblem.
Bearer: Alcantara, Order of.
Order of Chivalry of Calatrava
A cross of Calatrava.
Una cruz de Calatrava.
Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a heavily beaten metal finish.
The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical review of the foundation of the Order of Calatrava, states that it was founded during the reign of Sancho III of Castile in the 12th century.
After the Templars withdrew from the defense of the town, King Sancho III proposed in Toledo and later confirmed in Almazán, in January 1158, the perpetual donation of the town of Calatrava to Raymond, then Abbot of the Cistercian monastery of Fitero, who, together with the former soldier Diego Velázquez, committed to defending it from attacks by the Almohads. For this mission, they received financial support from the Archbishop of Toledo, Juan, and from Toledo itself, thus managing to form an army of more than 20,000 men.
Regarding the emblem of the Order of Chivalry of Calatrava [Avilés, J.; 1780b; treatise IV, chapter IV, page 338, figure 102] it states «the Seal was always a red cross with blue straps, and the Banner originally bore a black Cross; but today they use the red cross florety, bordered with eight circles, placed side by side, and joined at the center, formed by a cord that emerges from the leaves of the flower, which Benedict XIII gave (while recognized in Spain) and which is the Commandery that the Knights of this Order wear on their chest today, or hanging from a red ribbon on a gold medal; that is, on a field of Or a cross of Gules».
Blazon keywords: Cross of Calatrava, Cross couped and Cross.
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Religious, Military and Emblem.
Bearer: Calatrava, Order of.
Party per fess: 1 Gules, a cross patty Argent; 2 Or, four pallets Gules.
Escudo cortado: 1o de gules, una cruz patada de plata; 2o de oro, cuatro palos de gules.
Already existing arms interpreted by me in the following manner: the mouth of the coat of arms is rounded in shape; the field has been enameled with Gules and Or flat tinctures; its cross patty and its 4 pales are illuminated; and the whole has received a crystalline finish.
The redemptive mission of the Order of Mercy, founded by Peter Nolasco on August 10, 1218, is represented by a cross Argent, a symbol of innocence and purity, on a field Gules, of blood ready to be shed, and the pales Gules, symbols of love and charity, on a field Or, are an expression of nobility and goodness.
Blazon keywords: Party per fess, Gules, Or, Argent, Cross, One, Cross patty, Cross couped and Pale.
Style keywords: Rounded, Illuminated, Outlined in sable and Crystalline.
Classification: Interpreted, Religious and Coat of arms.
Bearer: Our Lady of Mercy, Order of.
Order of Chivalry of Saint Mary of Montesa and Saint George of Alfama.
A cross of Montesa.
Una cruz de Montesa.
Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a highly hammered metal finish.
The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical review of the founding of the Order of Montesa, states that it was created in 1317, at the request of James II, King of Aragon, through a bull issued by Pope John XXII.
About the emblem of the Order of Chivalry of Montesa [Avilés, J.; 1780b; treatise IV, chapter VI, page 342, figure 103], it states that «the Ensign of the Knights of Montesa is a plain red Cross», gules, «plain, which they wear on their Capitular Mantles, or hanging from a red ribbon on the chest over a gold oval; that is, on a field of gold a plain cross of gules (different from how the Masters wore it)» and, therefore, it describes the first emblem of the Order of Montesa and not the one they wear now, which is that same plain cross of gules charged on a cross like that of the Order of Calatrava or like that of the Order of Alcantara, but in Sable instead of Gules or Vert.
Blazon keywords: Cross of Montesa, Cross couped and Cross.
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Religious, Military and Emblem.
Bearer: Montesa, Order of.
Order of Chivalry of Santiago
A cross of Saint James.
Una cruz de Santiago.
Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a heavily hammered metal finish.
The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical account of the foundation of the Order of Santiago, describes three different points of view:
Regarding the emblem of the Order of Chivalry of Santiago, [Avilés, J.; 1780b; treatise IV, chapter II, page 328, plate 25, figure 100] states «the Commandery of this Order was always a red Sword» (gules ~ red), «in the form of a Cross, just as the guards of the ancient Swords that its Knights and Commanders carried on their white Mantles, and today also on the chest in the same manner, hanging from a red ribbon on a gold medal; that is, in a field of Or, a Cross of Gules».
Blazon keywords: Cross of Saint James, Cross couped and Cross.
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Religious, Military and Emblem.
Bearer: Santiago, Order of.
Or, a tower Gules, embattled, masoned and with a turret Sable.
Escudo de oro, una torre de gules, almenada, mazonada y donjonada de sable.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Ormazabal of the Basque Country emblazoned by me.
Blazon keywords: Or, Gules, Sable, One, Tower, Embattled, Masoned and With a turret.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Ormazabal of the Basque Country, lineage.
Vert, a bend sinister Argent.
Escudo de sinople, una barra de plata.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Orrantia of the Basque Country emblazoned by me.
Blazon keywords: Vert, Argent, One and Bend sinister.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Orrantia of the Basque Country, lineage.
Or, a pile Gules.
Escudo de oro, una pila de gules.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the lineage Osona emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 1325].
Blazon keywords: Or, Gules, One and Pile.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Osona, lineage.
Gules, three fleur de lis Or.
Escudo de gules, tres flores de lis de oro.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
Coat of arms of the lineage Patus emblazoned by me.
Blazon keywords: Gules, Or, Three and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Patus, lineage.
Party per pale Argent and Gules, a mermaid with swan wings for arms counterchanged.
Escudo partido de plata y gules, una sirena con alas de cisne por brazos del uno al otro.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a tiled external shape and with a watercolor finish.
As explained by RegretedEagle9, the arms are canting of her surname, Pekny, which in Czech means «beautiful». For this reason the design combines two traditional symbols of beauty: a mermaid and a swan. The tinctures Argent and Gules refer to her Polish roots.
Blazon keywords: Argent, Gules, One, Party per pale, Mermaid, Swan, Winged, Arm and Counterchanged.
Style keywords: Outlined in sable, Illuminated, Tiled and Watercolor.
Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Pekny, Helen.
Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.
Escudo adiestrado: 1o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.
Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.
Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.
These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem. Following [Petra Sancta, S.; 1634; pages 417–418], in seventeenth-century academic emblematics the staff symbolizes the road understood as an intellectual journey, proper to a traveller who appears humble yet is rich in knowledge, while the gourd, which may seem empty, represents the wisdom preserved within it and from which learning ultimately emerges.
Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Peregrina Corona, Dolores.
Azure chapé Argent, in dexter an Indian ringneck parrot proper, in sinister a Japanese red chrysanthemum proper, in base an atom Argent.
Escudo de azur cortinado de plata: 1o, una cotorra india de Kramer al natural; 2o, un crisantemo japonés al natural; 3o, un átomo de plata.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, and with a watercolor finish.
Coat of arms of Ria Persad, from Trinidad and Tobago (birth), India and Japan (ancestry), and USA (residence). Her coat of arms has been designed by her, by Rudolph Juchter van Bergen Quast of the Netherlands, and by Kevin D. Couling of the United Kingdom, resident in New Zealand, and painted by me, from the Kingdom of Spain.
Mathematician and astrophysicist from Harvard and Princeton Universities, as well as a classical musician, she represents a woman of the world—scientific and with diverse roots, who expresses her identity through a symbolic language of her own creation. Her design and execution are the result of an international team, in service of an equally international woman, and reflect a path of evolution toward which heraldry is advancing. The Kramer parrot (Psittacula krameri, Indian Ringneck) is shown in its natural colour. It is her favourite animal and at the same time evokes her Indian heritage. The red chrysanthemum, painted in a Japanese style, refers to her Japanese ancestry. The atom symbolises her education and professional career in the field of science. Blue, which dominates the whole, is her favourite colour.
Blazon keywords: Azure, Argent, One, Chapé, Dexter, Parrot, Proper, Sinister, Chrysanthemum, Base and Atom.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Design rationale, Boa, Coat of arms, India and Japan.
Bearer: Persad, Ria.
Azure, on four bars wavy Argent a barbel bendwise Or and a three arch bridge Or, masoned Sable, throughout, supporting a elm couped Argent leaved Or, between, in dexter a tower Or, port and windows Azure, mazoned Sable, and in sinister three escutcheon Or, 2 and 1.
Escudo de azur, en punta cuatro burelas ondadas de plata sumadas de un barbo puesto en banda de oro y un puente de tres ojos moviente de los flancos de oro, mazonado de sable, sosteniendo una olma nurida de plata, hojada de oro, acompañada a su diestra de una torre de oro, aclarada de azur, mazonada de sable y a su siniestra de tres escudetes de oro, 2 y 1.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Argent, Or, Azure, Sable, One, Three, On, Bar, Wavy, Barbel, Bendwise, Bridge, Masoned, Throughout, Upon, Elm, Tree, Couped (tree), Leaved, Tower, Port and windows, Escutcheon and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Pesquera de Ebro.
Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules, charged with eight crosses botonny Argent. Crest: A galero with two cords, one on each side, each with a tassel Sable.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a parchment finish.
Blazon keywords: Argent, Vert, Gules, Sable, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged, Cross botonny, Crest, Galero, Cord and Tassel.
Style keywords: Outlined in sable, Illuminated, Pointed and Parchment.
Classification: Religious, Interpreted, Boa and Coat of arms.
Bearer: Iacobucci, Peter.
Count of Urgell, Viscount of Àger, Baron of Entença, Antillón, and Alcolea de Cinca (1340–1408).
Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.
Escudo dimidiado: 1o de oro, cuatro palos de gules; 2o ajedrezado de oro y sable.
Arms interpreted with: the escutcheon in a pointed and rounded shape; the tinctures of the pales and the chequey rendered in flat inks Or, Gules, and Sable; and the whole finished with a highly hammered metal effect.
Peter II of Urgell (1340–1408), Count of Urgell, Viscount of Àger, and Baron of Entença, Antillón, and Alcolea de Cinca, was a prominent figure of 14th-century Catalan nobility and grandson of Alfonso IV of Aragon.
Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.
Style keywords: Ogee, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Peter II of Urgell.
And II of Valencia and of Ampurias, I of Mallorca and Sardinia, and III of Barcelona.
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms of this king of Aragon interpreted by me as follows: the escutcheon shape is curved triangular; the field and the 4 pallets are rendered in flat tinctures Or and Gules; and the whole shield has a watercolored finish.
This curved triangular shape of the escutcheon is inspired by the shield shown in the lower central part of a document issued by the king himself [Pedro IV de Aragón; 1353].
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Triangular curved, Illuminated and Watercolor.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Peter IV of Aragon.
Azure, in chief three keys in bend, fesswise, to dexter, facing downwards Or, in base an open book Argent, garnished Or, the pages inscribed «Ad usum per artes» Gules.
Illuminated and a leather finishing.
This is the coat of arms of the Universidad Peñafort of Mexico. It is a Law university and its name came from Raymond of Penyafort (XIII century) who compiled the Decretals of Gregory IX, which mostly remained in use until 1917, and that is why it is the patron saint of lawyers. The symbols Raymond of Penyafort are a key and a book. This coat of arms has been designed and emblazoned by me.
Blazon keywords: Azure, Three, Key, Or, In chief, In bend, Fesswise, Book, Open and Motto.
Style keywords: Leather, Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Peñafort, Universidad.
Philip Daubeny ~ Philip Daubeney.
Gules, a fess of five fusils Argent, in chief three mullets Or.
Escudo de gules, una faja de cinco fusos de plata, en jefe tres estrellas de oro.
Coat of arms interpreted in the following manner: the shape of the base is semicircular; the field is illuminated in Gules; the fusils outlined in Sable and illuminated in metal Argent; the fess is 5 fusils in length; the 3 mullets in chief of 5 points, outlined in Sable and illuminated in metal Or; and the whole with an iridescent finish.
This post corresponds to the English post number 61 in the same series.
Blazon keywords: Gules, Fusil, Argent, In fess, Mullet, Or and In chief.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted and Personal.
Bearer: Daubeny, Philip.
King of France from 1270 to 1285, grandson of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a parchment effect.
During his reign, it is believed that the second part of the armorial [Wijnbergen; 1265] was completed, which ends with the coats of arms of several kings, many of them European, beginning this series with the coat of arms of the King of France himself, [Wijnbergen; 1265; shield no. 1,288], which has served as the inspiration for the one recreated here.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Pointed, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Philip III of France.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Or, an eagle displayed Sable.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de oro, un águila de sable.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Philip of Castile, 1231–1274, 7th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me and can be consulted in [Messía de la Cerda y Pita, L.; 1990; page 146] with the field Or in the 2nd and 3rd quarters. He bears a quarterly shield combining the first quarter of his father’s arms, Castile, with his mother’s arms. Among all his siblings, he is the one who most closely combines the arms of both parents.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Philip of Castile, Infante.
Argent, an oak eradicated Vert, fructed Or, to its dexter a cauldron, and in front of its trunk a boar passant Sable.
The image shows the interior of the book «From Yraeta to Idareta: An Approach to the Origins of the Lineage and Its Evolution from Cestona to Navaz between the 14th and 20th Centuries», written by Francisco Idareta Goldaracena. On the displayed page, a reconstruction of a historical coat of arms associated with the House of Yraeta is presented, together with its bibliographic reference and contextualization within the study. In the foreground, the version of the arms painted by me is included, [Idareta Goldaracena, F.; 2022; page 129].
Blazon keywords: Argent, Vert, Or, Sable, One, Oak, Tree, Eradicated, Fructed, Dexter, Cauldron, In front (tree), Trunk, Boar and Passant.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa, Collage, Photographic and Doctor.
Bearer: Idareta Goldaracena, Francisco.
Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.
Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms, which I emblazoned for grant G0134, are shown here together with two photographs of the grant’s cover and the page displaying the coat of arms.
Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Collage and Photographic.
Bearer: Spiteri Debono, Myriam.
Gules, three bees Or; a chief azure, an eagle displayed Or.
Escudo de gules, tres abejas de oro; un jefe de azur, un águila de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.
This is the coat of arms of Jean-Eudes Pierra emblazoned by me. Blazon in Italian by Massimo Ghirardi «Di rosso, a tre api d'oro, al capo cucito d'azzurro carico dell'aquila pure d'oro». Blazón in French by Michel Froger «De gueules à trois mouches à miel d'or, 2 et 1; au chef cousu d'azur à l'aigle éployée d'or».
Blazon keywords: Gules, Azure, Or, Three, One, Bee, Ordered, Chief and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee, Cousu and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pierra, Jean-Eudes.
Pierre de Forcade ~ Pierre de La Forcade.
Lozengy Or and Azure, a pale Gules.
Escudo losanjado oro y azur, un palo de gules.
Coat of arms interpreted in the following manner: the shape of the base is semicircular; the field of plain metal tint Or; the lozenges with their 4 equal angles, outlined in Sable and illuminated in Azure; the lozengy of 6 lozenges wide by 7 lozenges high; the pale outlined in Sable and illuminated in Gules; and the whole with a marble finish.
He was born at the beginning of the 15th century, served Gaston IV of Foix as a man-at-arms and, as such, participated in the conquest of the cities of Blaye and Bourg and, in 1439, fought against the English troops near Saint-Sever in Les Landes, southwest of France.
Blazon keywords: Lozengy, Or, Azure, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted and Personal.
Bearer: La Forcade, Pierre de.
225th Pope of the Church, from 1566 to 1572. «Pius V», named Antonio Michele Ghislieri, was canonized in 1712.
Bendy of six Gules and Or.
Escudo bandado de seis piezas de gules y oro.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Or; the bands outlined in Sable and illuminated in Gules; and the whole with a rough finish.
I have also seen this coat of arms described as «a shield banded of six pieces of Or and Gules».
Blazon keywords: Without divisions, Bendy, Six, Gules and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Pius V.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a mullet Argent for difference.
Escudo de azur, dos tenazas de plata, en cada flanco del jefe dos estrellas de seis puntas de oro y en la punta un pino silvestre (Pinus sylvestris) arrancado al natural [concesión G0066]; brisado de una estrella de plata.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an oval outer contour and with a freehand finish.
R0038, Chief Herald of Arms of Malta's register of Alessandra Pompili's arms, whose coat of arms has been emblazoned by me.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper and Cadency.
Style keywords: Outlined in sable, Illuminated, Oval and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Alessandra.
Count of Urgell, Viscount of Àger, deceased in 1243.
Chequey Or and Sable.
Escudo ajedrezado de oro y sable.
Arms interpreted with: a shield shaped as a triangle with curved sides; the chequey pattern in flat metal Or and colour Sable; and a heavily beaten metal finish.
[Avilés, J.; 1780a; page 286] states that he will call «Chequey those ordinaries composed of these small squares, which alternate between metal and colour, or vice versa, just like the boards of those Games.» and he also writes regarding the usual number of panes that «it must have six ranks or rows of these squares, though it is not necessary to specify their number, or at least the shield must include more than fifteen panes; it is only required, to properly blazon it, to always observe the first square, which is in the chief dexter; so that, if this is Or, and the one that follows is Gules, it is said to be Chequey Or and Gules, and so with other colours and metals.»
Although Ponce initially proclaimed himself count of the county of Urgell without sufficient rights, the death of the legitimate heiress and his agreements and assistance to king James I of Aragon enabled him to legalise his title. During this process, the capital of the county ceased to be the municipality of Balaguer only to eventually become it once again.
Blazon keywords: Chequey, Or and Sable.
Style keywords: Triangular curved, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Ponce I of Urgell.
Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, and with a freehand finishing.
Coat of arms of the Kingdom of Portugal with 7 castles and 5 plates in each escutcheon since 1481. This coat of arms has been emblazoned by me. From 3 elements onwards, in English, I usually specify the distribution by rows. In this way I write 3, 2 and 2, whereas in Spanish I usually specify the distribution by columns, writing 3, 1 and 3. In both cases the total must be the same; in this case, 7 castles. In Portuguese these escutcheons are known as «quinas».
Blazon keywords: Argent, Azure, Gules, Or, Five, Seven, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle and Triple-towered.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Portugal.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent.
Escudo de azur, un sotuer de plata acompañado en jefe de un cardo de oro, florido de plata, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; una bordura jironada de treinta y seis piezas de azur y plata.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finishing.
The coat of arms of Köryn Alexandria Konstånz Potts designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure and Gyronny.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Köryn Alexandria Konstånz.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or; overall a rose Gules, leaved and seeded Or.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura de oro; brochante sobre el todo una rosa de gules, hojada y botonada de oro.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finishing.
The coat of arms of Tiana Rose Lee Robidoux Potts designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Overall, Rose, Leaved and Seeded.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Tiana Rose Lee.
Blazon of the Poumola lineage of Catalonia.
Gules, a millstone Argent.
Escudo de gules, una piedra de molino de plata.
Illuminated and a watercolor finishing with shadow in the hole.
It blazon is describe in [Cadenas y Vicent, V. de; 1987; page 1429], [García Carraffa, A.; García Carraffa, A.; 1968; volume 3, page 358], and [Ferrer i Vives, F.; 1995; volume 2, page 362].
In this case, my theory is that this coat of arms is an example of «canting arms». «Canting arms» use a word or words of the surname or inside the surname to make the coat of arms. The surname Poumola is from Catalonia, we can split the surname into 2 parts «pou-mola», in Catalonian language a) «pou» means «well» and b) «mola» means «millstone» ~ «cadascuna de les dues pedres de forma circular que componen el molí», [GDLC; 1998], and this could be the reason of the symbolism of this coat of arms. «Canting» in heraldry means «talking» or «chatting», in Spanish «canting arms» is translated as «armas parlantes». Some heralds call «canting» to this creative technic.
Blazon keywords: Without divisions, Gules, One, Millstone and Argent.
Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.
Classification: Interpreted, Lineage and Canting.
Or, two lions passant, guardant in pale Azure, armed Sable, langued Gules; in a base dovetailed Azure, two oak branches, leaved, fructed in pile Or.
Escudo de oro, dos leopardos en palo de azur, armados de sable, lampasados de gules; en una punta encajada de colas de milano dos ramas de roble, hojadas y frutadas en pila de oro.
Arms designed by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
Coat of arms of the Promet family and they company Promet Restoration, Seattle, Washington, USA. Promet Restoration is a company founded and owned by the Promet family. This coat of arms has been designed by Dakota Promet and me, and emblazoned by me.
Blazon keywords: Or, Azure, Gules, Two, Leopard, In pale, Langued, Armed, Base, Dovetailed, Oak, Tree, Branch, Leaved, Fructed and In pile.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Promet, family.
Party per pale: 1 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or. Crest: An open royal crown. Behind the shield a cross of Alcantara.
Escudo partido: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro. Timbrado de una corona real abierta. Acolada detrás del escudo una cruz de Alcántara.
Civic coat of arms interpreted by me as follows: the shield of arms has a semicircular (round) base; the quarters are enameled and illuminated in the tinctures Argent and Gules; the castle, the lion, the Cross of Alcántara and the crown are illuminated; the lion and its crown are outlined in the colour of the field; the open royal crown, the Cross of Alcántara and the castle are outlined in Sable; the Cross of Alcántara is fimbriated Or; and the whole has a watercolor finish.
In [Medél, R.; 1846; plate 35, illustration 5] one can see his interpretation of the Cross of Alcántara.
Blazon keywords: Argent, Purpure, Gules, Or, Azure, Party per pale, Castle, Lion, Port and windows, Masoned, Rampant, Armed, Langued, Crowned, Crest and mantling, Crown, Open royal crown, Behind the shield, Cross, Cross of Alcantara and Cross couped.
Style keywords: Semi-circular, Illuminated and Watercolor.
Classification: Interpreted, Civic and Coat of arms.
Bearer: Cáceres, Province of.
A unicorn salient, quarterly per saltire Or and Sable. Motto: «ASC» bendwise Sable, between the hoofs.
Badge created with: the unicorn and the motto painted with flat color sable and metal or; and the whole set with an old parchment finish.
The original design of this badge, along with other coats of arms and heraldic pieces, is registered as intellectual property in [Salmerón Cabañas, A.; 2015a; page 9]. Additionally this badge with a Unicorn per saltire Or and Sable, is used as what the Intellectual Property Registry calls a «pseudonym without anonymity» to sign documents.
Blazon keywords: Quarterly per saltire, Sable, Or, Unicorn, Salient, Motto (identification), Bendwise and Hoof.
Style keywords: Old parchment.
Classification: Badge, Created and Personal.
Bearer: Salmerón Cabañas, Antonio.
Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or. Crest: Upon a helm issuant from a crown of Noble above the shield a with a wreath Argent and Gules, a Cirneco dell’Etna hound passant proper, gorged of a collar of meanders motifs Azure and Argent. Mantling: Gules doubled Argent. Motto: «Pete ex Animo Sapientiam».
G0053, Chief Herald of Arms of Malta's grant of Giovanni de Bella's arms, whose coat of arms has been emblazoned by me. The image shows a composition of the coat of arms painted by me alongside the same coat of arms as published in the book [Gauci, C. A.; Cassar, R. M.; 2025; 65], «The Register of Arms, Volume 1 (2019–2024)».
Blazon keywords: Gules, Argent, Or, Azure, One, Two, Three, Fess, Between, In chief, Eight-pointed cross, Cross couped, Mullet, In base, Bendlet, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Dog, Gorged, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Collage and Photographic.
Bearer: Bella, Giovanni de.
Party per chevron Azure and Or, in chief a fleur de lis Argent, in base four pallets Gules.
Escudo de azur, en jefe una flor de lis de plata, mantelado en punta de oro cargado de cuatro palos de gules.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a triangular curved external shape and with a metal and iridescent finishing.
The coat of arms of Ignasi Pujol was designed by him based on the ancient arms of the Pujol lineage and refined and emblazoned by me. In the English blazon, I used the term «pallet», which is the diminished pale, and in the Castilian blazon, I used the term «palo». However, in Castilian, the term «vara», which is a diminished pale, could have been used, writing «cuatro varas de gules» in the same style as it was written in English «four pallet Gules».
Blazon keywords: Azure, Argent, Or, Gules, One, Party per chevron, In chief, Fleur de lis, In base, Pallet and Pale.
Style keywords: Outlined in sable, Illuminated, Triangular curved and Metal and iridescent.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pujol, Ignasi.
Of the twelve lineages of Noblemen, the tenth is that of Qasqante; they bear as arms a shield Or and, on the shield, an eagle Sable, which is black, as it is now painted.
Or, an Eagle displayed Sable.
Escudo de oro, un águila de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the eagle outlined in the colour of the field and illuminated in Sable; and finished in highly-hammered metal.
Based on the tenth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Cascante» it can also be consulted in [Vega, P. J. de; 1702; folio 10 of the manuscript].
Blazon keywords: Without divisions, Or, Eagle and Sable.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Qasqante of Navarre.
The rule of tincture, «metal should not be put on metal, nor color on color», is the most famous rule of the heraldry. In the divisions of the field, for example, party per fess, party per pale, quartered, etc., the tinctures are beside each other, not one on top of the other, because the divisions are not charges, so the rule of tincture does not apply. Although as a rule of aesthetics may be useful in the case of divisions.
Blazon keywords: Quarterly, Argent, Gules and Or.
Style keywords: Freehand, Outlined in sable, Plain tincture and Illuminated.
Classification: Schema.
Of the twelve lineages of Noblemen, the eighth is that of Rada; they bear as arms a shield Or with a flory cross Vert, in the same manner as painted in this shield.
Or, a Cross flory Sinople.
Escudo de oro, una cruz flordelisada de sinople.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the flory cross outlined in Sable and illuminated in Vert enamel; and finished in highly-hammered metal.
Based on the eighth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Rada» it can also be consulted in [Vega, P. J. de; 1702; folio 8 of the manuscript].
Blazon keywords: Without divisions, Or, Cross flory, Cross couped and Vert.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Rada of Navarre.
Barry of ten Argent and Azure, overall a double-headed eagle displayed Sable, nimbed, beaked, and membered Or, grasping in each claw an elephant's tusk proper, and charged on its breast with a double vajra Argent.
Escudo fajado de diez piezas de plata y azur, brochante sobre el todo un águila bicéfala de Sable, nimbada, picada y membrada de oro, teniendo en cada garra un colmillo de elefante al natural y su pecho cargado de una vajra doble.
Coat of arms interpreted and emblazoned by me with different shapes and finishings.
Blazon keywords: Without divisions, Barry, Ten, Argent, Azure, Overall, One, Eagle, Double-headed, Sable, Nimbed, Beaked, Membered, Or, Grasping, Claw, Tusk, Elephant, Proper, Chest, Charged and Double vajra.
Style keywords: Outlined in sable, Illuminated, Freehand, Rough, Rounded, Ogee and Pointed.
Classification: Interpreted and Coat of arms.
Bearer: Rage from Discord.
Or, four pallets Gules.
Escudo de oro, cuatro palos de gules.
Coat of arms of the Count of Barcelona interpreted by me with the following features: the escutcheon shape is semicircular; the field is rendered in flat Or; the pallets are illuminated; and the whole has been given a heavily beaten metal finish.
[Menéndez Pidal de Navascués, F.; 1988; page 537] tells us that, unlike other more territorial emblems, «from his earliest seal the pallets appear on the shield of the equestrian figures on both sides, and in line with this configuration the emblem is inherited, without distinction, by his three sons and all his grandsons... it seems one must conclude that the emblem had a familial, not territorial, character from the very beginning».
Blazon keywords: Without divisions, Or, Four, Pale and Gules.
Style keywords: Semi-circular, Illuminated and Hard metal.
Classification: Interpreted, Personal, Coat of arms and County of Barcelona.
Bearer: Ramon Berenguer IV, Count of Barcelona.
Ralph de Albini ~ Rauf de Albini.
Gules, a fess of five fusils Argent.
Escudo de gules, una faja de cinco fusos de plata.
Coat of arms interpreted in the following manner: the shape of the base is semicircular; the field is illuminated in Gules; the fusils outlined in Sable and illuminated in metal Argent; the fess is 5 fusils in length; and the whole with an iridescent finish.
I tend to blazon «Gules, a fess of five fusils Argent» ~ «Escudo de gules, una faja de cinco fusos de plata» which, as the piece called a fess touches the edges of the shield and is a unit, means the fusils touch the edges of the shield and touch each other, forming a single fess of 5.
While in the blazon «Gules, five fusils in fess Argent.» ~ «Escudo de gules, cinco fusos en faja de plata» the fusils neither touch each other nor the edges of the shield; this second blazon tells us that the fusils are «in fess» ~ «en faja», it does not tell us that they are forming a fess.
Blazon keywords: Gules, Fusil, Argent and In fess.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted and Personal.
Bearer: Daubeny, Rauf.
Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or. Motto: «Prior tempore potior iure»
Escudo de plata, una estrecha patada de gules, cantonada de cuatro estrellas de ocho puntas de azur; en un jefe de sable, un elefante pasante de oro. Lema: «Prior tempore potior iure»
Coat of arms of the RIAG interpreted with: a pointed base; the field illuminated in Argent; the chief illuminated in Sable; the motto illuminated in Argent with letters in Sable; the narrow cross illuminated in Gules; the 4 eight-pointed stars illuminated in Azure; the cross and the stars outlined in Sable; the elephant illuminated in Or and outlined of the field; the motto outlined in Sable, written in the same colour and illuminated in Argent; and the whole with a rough finish.
[Avilés, J.; 1780a; página 113] writes «Paté, se dice de las Cruces, cuyos extremos se ensanchan un poco. Viene esta voz de la latina patula, cosa extendida, ó dilatada», and in this way uses the term «Cruz paté», instead of cruz patada, in [Avilés, J.; 1780a; páginas 60, 91, 92, 127 y 297]. In the blazon at escueladeheraldica.es/armorial-riag-pagina-1 the term «crus estrecha paté de gules» is also used, although I have preferred to use in this blazon the equivalent expression «una estrecha patada de gules».
Its Latin motto «Prior tempore potior iure» means that whoever comes first in time has more right than whoever comes after, and naturally refers to the concept of registration, since, in general, the person who registers a coat of arms first has more right to defend its ownership than the person who registers the same coat of arms after the first.
Blazon keywords: Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant, Or and Motto.
Style keywords: Pointed, Illuminated, Outlined in sable, Outlined in the field tincture and Parchment.
Classification: Socioeconomic.
Bearer: Registro Internacional de Armas Gentilicias.
Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable.
Credits: Ernesto Juan Anaya is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Crest and mantling, Galero, Cord and Tassel.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Religious, Interpreted and Coat of arms.
Bearer: Lucca de Anaya, Nilda Ernestina.
Or, a fess wavy Azure between, in chief three torteaus, and a trimount issuant from the base Vert; within a bordure Gules charged with nine mullets of four points Or.
Escudo de oro, una faja ondada de azur acompañada, en jefe, de tres roeles de gules y, moviente de la punta, de un monte de tres peñas de sinople; bordura de gules cargada de nueve luceros de oro.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finish.
Blazon keywords: Or, Azure, Gules, Vert, Sable, One, Three, Nine, Fess, Wavy, Between, In chief, Torteau, Trimount, Issuant from base, Within, Bordure, Charged and Mullet of four points.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Reyes Zelaya, Geremias.
Azure fretty Or.
Escudo de azur fretado de oro.
Blazon keywords: Without divisions, Azure, Fretty and Or.
Style keywords: Semi-circular, Illuminated, Outlined in sable, Shaded, Freehand and Hard metal.
Classification: Interpreted and Personal.
Bearer: Ricardo de Mandeville.
Vert, a pall raguly Or between three leopards' faces Or. Crest: Upon a wreath Or and Vert, on a coronet Or a leopard's face Or between two wings Sable. Motto: «Inter feros» in letters Sable within a scroll Argent.
Escudo de sinople, una perla ecotada de oro entre tres cabezas de leopardo de oro. Timbrado de un burelete de oro y sinople surmontado de una corona de oro surmontada de una cabeza de leopardo de oro acompañada de dos medios vuelos de sable. Lema: «Inter feros» de sable sobre una filacteria de plata.
Freehand finishing.
Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard, Crest and mantling, Wreath, Above, Crown, Between, Two, Wing, Sable and Motto.
Style keywords: Illuminated, Freehand, Pointed and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Stowe, Richard Allen.
Or, six annulets Gules, 3, 2, and 1.
Escudo de oro, seis anilletes de gules, ordenados 3, 2 y 1.
Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two and One.
Style keywords: Outlined in sable, Semi-circular and Tricking.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Richard, Richard.
Lionheart ~ Corazón de León ~ Cœur de Lion.
Escudo de gules, dos leones de oro, afrontados, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth drawn as a semicircular (round) base; the field enamelled in a flat tint of Gules; the two lions outlined in the colour of the field and illuminated in Or and Azure; and the whole finished with a watercolour effect.
He was born in 1157, being the third of eight children of Henry II of England and Eleanor of Aquitaine, elder brother of Eleanor Plantagenet. He was king of England between 1189 and 1199, although he spent much of his life far from it; in fact, during his ten-year reign, he was on English soil only twice, which together did not amount even to six months. He died in 1199 in Normandy.
In 1198, during the Battle of Gisors, he supposedly used, as watchword or as motto, the expression «Dieu et mon Droit ~ God and my right». This phrase refers to his refusal to bow before Emperor Henry VI, since by his rank Richard acknowledged only God as superior. Later, Henry V of England adopted it as his motto, and since then it has been used by the British monarchy.
According to [Humphery-Smith, C.; 1983], Richard the Lionheart was the first English king who can be proved to have borne arms, although some of his predecessors may also have had them. He bases his statement on the existence of two seals of Richard I: on one, Richard bears a shield with a rampant lion, and on the other there already appear the three lions that are the forerunners of the arms of England. The use of this second seal does not imply that he stopped using the first.
In contrast, there are also British authors who maintain that his shield actually bore two affronted lions; this hypothesis is based on the lion on his first seal facing to sinister. That latter hypothesis is the one interpreted in this shield, remaining a purely artistic interpretation and without my entering into a complex and open discussion about how, when, and why the three leopards, «leones pasantes ~ lions passant» for the English, appeared —a discussion in which there are various alternatives— ranging from the combination of his hereditary arms to the wish to have more lions than his younger brother, who would later be King John I of England, to possible influences from other European realms.
This version of Richard I’s shield is similar to the imaginary shield of Hector of Troy, Gules with two lions Or affronté, which is a term used when «two things are placed facing each other, like two Lions, two Dogs, or other animals that look at one another» [Avilés, J.; 1725a; page 32].
Blazon keywords: Without divisions, Gules, Lion, Or, Combatant, Armed, Langued and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Richard I of England.
Argent, on a cross Gules five fleurs de lis Or.
Escudo de oro, una cruz de gules cargada de cinco flores de lis de oro.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Ancient arms of the lineage Rivas of Aragon emblazoned by me. Alternative blazon: «Argent, a cross Gules charged with five fleurs de lis Or».
Blazon keywords: Argent, Gules, Or, One, Five, Cross, Charged and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rivas of Aragon, lineage.
Roberto de Malet ~ Robert de Malet
Argent, three buckles Sable.
Escudo de plata, tres hebillas de sable.
Included in [Vincent, MS; 1285; number 595] also known as [St. George's Roll; 1285; number 595].
Blazon keywords: Without divisions, Argent, Three, Buckle, Sable and Ordered.
Style keywords: Triangular curved, Illuminated and Freehand.
Classification: Interpreted and Personal.
Bearer: Roberto de Malet.
Quarterly: 1 and 4 Vert, a crescent within eight mullets in lozenge Or; 2 and 3 Azure, a chain fesswise throughout between three fleurs de lis, 2 and 1, all the links and fleurs de lis per pale Or and Argent; an inescutcheon Azure, bearing a crown of count, charged with an eagle displayed within a bordure Or. Crest: A crown of Baron. Behind the shield the cross of a Knight of Justice of the Most Venerable Order of the Hospital of Saint John of Jerusalem.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.
G0067, Chief Herald of Malta's grant of Robert George Alexander Balchin's arms, whose full achievement has been emblazoned by me for such grant.
Blazon keywords: Quarterly, Vert, One, Crescent, Eight, Mullet, In lozenge, Or, Azure, Chain, Fesswise, Throughout, Between, Three, Fleur de lis, Ordered, Party per pale, Argent, Inescutcheon, Crest and mantling, Crown of Count, Crown, Charged, Eagle, Bordure, Crown of Baron, Behind the shield and Cross.
Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Balchin, Robert George Alexander.
Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable.
Arms devised by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.
These are the matrimonial and family arms of Darryn Carlo and Roberto Luchoro emblazoned by me.
Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf and Passant.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Luchoro and Darryn Carlo, Roberto.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or ; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro ; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finish.
The coat of arms of Makayla Danée Robidoux designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Heart.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Robidoux, Makayla Danée.
Gules, six wagon-wheels Or, 2, 2, and 2.
Escudo de gules, seis ruedas de carro de oro, 3 y 3.
Coat of arms emblazoned by me with a pointed ended shape, illuminated, and with a freehand finishing.
Another alternative way of writing this same blazon is the following: «Gules, six wagon-wheels Or, arranged in two pallets».
Blazon keywords: Gules, Six, Wagon-wheel and Or.
Style keywords: Outlined in sable, Illuminated, Freehand and Pointed.
Classification: Lineage, Interpreted, Canting and Coat of arms.
Bearer: Rodelo lineage from Galicia.
The 2nd Battalion of the Parachute Brigade of the Spanish Army bears its name and its coat of arms.
Argent, three bendlets sinister Azure.
Escudo de plata, tres barras de azur.
For the interpretation of this coat of arms, I have used: a rounded mouth; the angle I use most often, for example in bends, bendlets, bends sinister, or bendlets sinister, which is 50.2o, resulting from calculating the arctangent of 6/5, that is, the opposite side 6 divided by the adjacent side 5; with a division of the main diagonal into 7 equal parts, resulting from crossing this diagonal with the 6 lines that will form the edges of the 3 bend sinisters; and for the whole, a finish of lightly hammered metal.
Blazon keywords: Without divisions, Argent, Azure and Bend sinister.
Style keywords: Rounded, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Personal and Army and Navy.
Bearer: Lauria, Roger de.
Azure, on a pale Argent, between two lions combatant Or, armed and langued Gules, three chevronels Sable.
Escudo de azur, un palo de plata, cargado de tres tenazas de sable, acostado de dos leones afrontados de oro, armados y lampasados de gules.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.
The coat of arms of Catherine de Romanet emblazoned by me. Blazon in French: «D'azur, au pal d'argent chargé de trois chevrons de sable et accosté de deux lions affrontés d'or, armés et lampassés de gueules». Alternative blazon: «Azure, a pale Argent, charged with three chevronels Sable, between two lions combatant Or, armed and langued Gules».
Blazon keywords: Azure, Argent, Sable, Or, Gules, One, Three, Two, Pale, Charged, Chevronel, Between, Lion, Combatant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romanet, Catherine de.
Emblem, two two-handed swords in saltire Argent, hilted Or. Crest: A royal crown Or.
Emblema, dos mandobles en sotuer de plata, guarnecidos de oro. Timbrado de una corona real.
Emblem interpretation with: the two-handed swords placed along the diagonals of an imaginary rectangle, with a 5x6 proportion, like a shield, that is, with angles of 50.2°, between the axis of the two-handed swords and the imaginary base of the emblem, unlike the original emblem where the two-handed swords are on the diagonals of a square, therefore with angles of 45°; the two-handed swords and the closed royal crown are outlined in Sable, illuminated and the whole with a raised-stroke execution.
This emblem of the Royal Association of Hidalgos of Spain has 2 two-handed swords that, unlike usual swords, due to their great length and weight, their fencing must be two-handed, hence their name.
The Spanish word «mandoble» comes from «mano doble», meaning «double hand», and refers to a sword wielded with both hands, the equivalent of the English «two-handed sword».
It is known that they are two-handed swords because the 2 that appear in the emblem have a crescent or crossguard in their iron. This crescent is called in Castilian «falsaguarda» and also «ganchos de parada» and its functionality is to protect from the slashes that the opponent could give close to the blade of the two-handed sword.
Blazon keywords: Two-handed sword, Argent, Hilted, Or, In saltire, Crest, Closed royal crown and Crown.
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Socioeconomic and Emblem.
Bearer: Royal Association of Hidalgos of Spain.
Royal Council of the Orders of Chivalry, of Santiago, Calatrava, Alcantara, and Montesa.
Emblem quarterly per saltire: 1, a cross of Saint James; 2, a cross of Calatrava; 3, a cross of Alcantara; 4, a cross of Montesa.
Emblema cuartelado en sotuer: 1o, una cruz de Santiago; 2o, una cruz de Calatrava; 3o, una cruz de Alcántara; 4o, una cruz de Montesa.
Interpretation of the emblem of the Royal Council with: its four crosses outlined in Sable, illuminated in Gules, Vert, and Sable; and a heavily hammered metal finish.
There is another version of this emblem of the Royal Council with the crosses of its four orders of Santiago, Calatrava, Alcantara, and Montesa outlined in Or instead of Sable.
Blazon keywords: Cross, Quarterly per saltire, Cross of Saint James, Cross couped, Cross of Calatrava, Cross of Alcantara and Cross of Montesa.
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Socioeconomic and Emblem.
Bearer: Royal Council of the Orders of Chivalry.
Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «Limpia, fixa, y da esplendor» Or over a scroll Azure.
Escudo de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro. Timbrado de una corona real cerrada. Lema: «Limpia, fixa, y da esplendor» de oro sobre una filacteria de azur.
Interpretation made from the Royal Academy emblem: transforming it into a semicircular-based shield, instead of its oval shape; with its motto on a scroll beneath the base, instead of surrounding it; keeping the closed royal crown in its place; with everything illuminated except the field which is in plain color; and the whole outlined in sable and with a parchment-like finish.
In this interpretation, on the Argent field, the Gules fire of the bonfire completely surrounds the Argent crucible, to avoid the metal Argent on the same.
To write the blazon for this coat of arms I use the heraldic term «llameante». Therefore, I do not follow [Avilés, J.; 1780a; page 82 and figure 163] when he writes «...y un Fénix de gules sobre una hoguera encendida de lo mismo.». He uses this example to illustrate the 2 fundamental uses of the term «encendido» which is said when «the Eyes of animals... are of a different color» and «also of a burning Bush and the same for a Torch, when the flame is of a different tincture».
Blazon keywords: Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules, Or, Closed royal crown, Crown, Motto, Scroll and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: Royal Spanish Academy.
Ermine papelonny, a lion rampant guardant Gules, armed and langued Azure.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems leather.
Credits: Felipe Trujillo Jiménez is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Without divisions, Ermine, Papelonny, One, Lion rampant guardant, Gules, Armed, Langued and Azure.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Arjona Berrocal, Rubén.
Ermine, a lion rampant double queued Or, armed and langued Gules; a chief Gules, three castles triple-towered Or, port and windows Azure, masoned Sable. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Without divisions, Ermine, One, Lion, Rampant, Tail, Double queued, Or, Armed, Langued, Gules, Chief, Three, Castle, Port and windows, Azure, Masoned, Sable, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: González Lara, Rubén.
Coat of arms of the family of Rui J. Vaz, US, designed by him and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Azure, Gules, Argent, Or, One, Six, Five, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Bevor, Charged, Latin cross patty, Pierced, Latin cross, Wreath, Escutcheon, Quarterly, Garuda, Sejant, Castle, Triple-towered, Masoned, Pallet, Plate, Mantling and Doubled.
Style keywords: Outlined in sable, Plain tincture, Semi-circular and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Vaz, Rui J..
Azure, a cross ermine fimbriated Or, between four fleurs de lis Argent, each enfiled in a crown Or.
Escudo de azur, una cruz de armiños, perfilada de oro, acompañada de cuatro flores de lis de plata, cada una enfilada de una corona de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.
G0128, Chief Herald of Arms of Malta's grant of the coat of arms of Jean-Yves, de Sainte Croix de la Sabliere, UK. This coat of arms has been emblazoned by me.
Blazon keywords: Azure, Or, One, Four, Cross, Ermine, Fimbriated, Between, Fleur de lis, Enfiled and Crown.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sainte Croix de la Sabliere, Jean-Yves de.
Azure, a bend Argent between, in chief a sword point upwards Argent, hilted Or, in base a pair of scales Or. Crest: Upon a helm with a wreath Argent and Azure, an owl Argent, grasping with its dexter talon an escutcheon bendwise quarterly Gules and Argent. Mantling Azure doubled Argent. Motto: «Ex Homine Lex, Ex Deo Iustitia» Sable, over a scroll Or charged at its center with a mullet of five points Argent, irradiated of thirty rays Or. Suspended from the shield the cross of Knight of Merit of the Constantinian Order.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finishing.
Blazon keywords: Azure, Argent, Or, Gules, One, Thirty, Bend, Between, Sinister, Chief, Sword, Point upwards, Hilted, Dexter, Base, Pair of scales, Crest, Upon (wreath), Helm, Wreath, Owl, Grasping, Talon, Escutcheon, Quarterly, Mantling, Doubled, Motto, Scroll, Mullet, Irradiated, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Buttaro, Salvatore.
Son of Alfonso X of Castile and Violant of Aragon.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or. Crest: An open royal crown Or.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro. Timbrado de una corona real abierta.
Arms of the king interpreted by me as follows: the shield of arms has a rounded (semicircular) base; the quarters are in flat tinctures Argent and Gules; the castles, lions and crown are illuminated; the castles and lions are shaded; and the whole has a parchment finish.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Crest, Open royal crown and Crown.
Style keywords: Rounded, Illuminated and Parchment.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Sancho IV of Castile.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo partido: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata, un león rampante de púrpura, armado y lampasado de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the Infante Sancho of Castile, 1233–1261, 8th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. Unlike his siblings, he does not use a quarterly shield but rather impaled arms of Castile and Leon.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Sancho of Castile, Infante.
Party per fess wavy Azure and Argent in chief a dolphin and in base three escallops counterchanged.
Escudo cortado ondado: 1o de azur, un delfín nadante; 2o de plata, tres veneras de azur.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.
The coat of arms of Lory Santiago-Vazquez emblazoned by me.
Blazon keywords: Azure, Argent, One, Three, Party per fess, Wavy, Dolphin, Naiant and Escallop.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Santiago-Vazquez, Lory.
Gules, a cross Argent.
Escudo de gules, una cruz de plata.
Coat of arms of the House of Savoy and the Duchy of Savoy, which I have interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat tincture Gules; the cross is illuminated in Argent; and the whole coat of arms is rendered with a raised-stroke effect.
This coat of arms is both familial and political, for it is also the coat of arms of the French departments of Savoy and Haute-Savoie, both belonging to the Rhône-Alpes region.
The cross in this shield is an honourable ordinary, for it is a full cross, the result of combining a fess and a pale. This full cross is wide and reaches the edges of the shield and is therefore large enough to bear charges. For this reason these ordinaries are called “honourable,” because they may be honoured with additional charges. In English heraldry they are known as «ordinaries», [The Heraldry Society; 2013; page 11].
This coat of arms is recorded in the armorial [Marshal, L.; 1295; shield number 32] together with the text «Le Counte de Sauveys, Gules a cross argent, Amadeus V, Comte de Savoie».
Blazon keywords: Without divisions, Gules, Argent and Cross.
Style keywords: Semi-circular, Illuminated and Freehand.
Classification: Interpreted, Personal, Coat of arms and House of Savoy.
Bearer: Savoy, Duchy of.
Proporciones de una bordura y una filiera, una filiera es una bordura con su ancho disminuido en 2/3.
In heraldry, a diminished bordure is a diminished bordure. In the design, it is typically drawn at 2/3 the width of a standard bordure. Since the width of a standard bordure is usually 1/6 of the coat of arms' width, a diminished bordure calculated this way would be 1/9 of the coat of arms' width.
However, diminished bordures can also be found with a width of 1/2 that of a standard bordure, in other words, 1/12 of the coat of arms' width, or 1/3 that of a standard bordure, that is to say, 1/18 of the coat of arms's width.
The so-called bordure of pieces usually has a width of 1/2 that of a standard bordure, which is 1/12 of the coat of arms's width.
Blazon keywords: Without divisions, Bordure and Diminished bordure.
Style keywords: Semi-circular.
Classification: Schema and Coat of arms.
Bearer: Categories of heraldry.
This is a structural diagram composed of four rows and nine columns, where the coats of arms are positioned at the vertices of a grid of equilateral triangles. The side of each triangle is 4/3 the height of the coat of arms. This geometric framework allows for the creation of a symmetrical genealogical chart with the coats of arms of the House of Potts of Wentworth.
Style keywords: Ratio, Outlined and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa, Family tree and Genealogical.
Bearer: Potts of Wentworth, House of.
Proportions and angle of a bend and a bend sinister.
The proportion of a coat of arms is 5/6,
The tangent of the angle between the base of the shield and the diagonal of the bend is calculated as the opposite side divided by the adjacent side, that is, 6 divided by 5 which is 1.2 = 6/5.
If I wish to know the angle, I must apply the inverse function of the tangent, which is the arctangent. Therefore, the angle is arctangent(6/5) = arctangent(1.2) = 50.194o, which in radians is 0.876, and I usually round it to 50.2o.
The complementary angle to 50.2o is 39.8o (90o - 50.2o = 39.8o), which is the angle formed between the diagonal of the bend sinister and the dexter side of the shield.
Depending on the artist, on his style or, in other cases, on the need to organize the space within the shield, angles of 45o can also be used, corresponding to the diagonal angle of a square.
Blazon keywords: Without divisions, Bend and Bend sinister.
Style keywords: Semi-circular.
Classification: Schema and Coat of arms.
Bearer: Zúñiga y Guzmán, Álvaro de.
Proportions of the cross and its similarity with the pale.
This schema shows two coats of arms, the first with the proportion scheme of a pale, the second with the proportion scheme of a cross, and allows us to observe the common proportions between a pale and a cross.
Blazon keywords: Without divisions, Pale and Cross.
Style keywords: Semi-circular.
Classification: Schema and Coat of arms.
Bearer: Saboya, Ducado de.
Or, a lion rampant Gules, armed and langued Azure; a double tressure flory counterflory Gules.
Illuminated and a leather finishing.
Blazon keywords: Or, One, Lion, Gules, Armed, Langued, Azure, Double tressure, Flory and Counterflory.
Style keywords: Freehand, Outlined in sable, Illuminated and Rectangular.
Classification: Civic, Kingdom of Scotland, Interpreted, Banner of arms and Flag.
Bearer: Scotland.
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, a ship in full sail Or.
Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Coat of arms of the Sea of the Mediterrean designed and emblazoned by me as imaginary heraldry. This coat of arms is one of my very first heraldic designs.
Blazon keywords: Sable, Argent, Azure, Or, Three, Eight, One, Party per fess, Mullet, Disordered, Ship and Full sail.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Mediterranean, Sea of the.
Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent. Motto: «Fortificado por el Sol».
Heraldic device designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a sealed finishing.
The arms of Kevin Larkin from Ireland and Spain, designed, emblazoned, and sealed by me.
The creation of these arms has been guided by Kevin Larkin's life journey, connecting Ballinasloe, Dublin, London, and Alicante. Drawing inspiration from the heraldry of Ballinasloe, the armiger's hometown, and Alicante, his current residence, the design reflects significant elements from both places. Ballinasloe's arms feature a triple-towered castle, symbolizing the O Ceallaigh's historic stronghold and the area's legal traditions. Similarly, Alicante's arms prominently display a triple-towered castle, making it a natural unifying element for the design. The wavy lines represent the River Suck and River Shannon in Ireland above, and the Mediterranean Sea below. Adopting a traditional Spanish style for the arms aligns with Mr. Larkin's life in Spain, embracing its rich heraldic heritage and distinctive artistic symbolism.
Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy, In base and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.
Classification: Personal, Created, Design rationale, Boa, Sealed arms and Heraldic document.
Bearer: Larkin, Kevin.
Argent, a wolf passant Gules, a chief dancetty Azure. Motto: «Barrio de los Quereres» Sable with initial letters Gules over a scroll Argent.
The coat of arms of the Barrio de los Quereres of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me, and emblazoned, dated, signed and sealed by me.
Blazon keywords: Argent, Azure, Gules, Sable, One, Wolf, Passant, Chief, Dancetty, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Civic, Created, Boa, Sealed arms and Heraldic document.
Bearer: Barrio de los Quereres of Mon'Tarena.
Argent, flanched Gules crusilly of cross-crosslets Argent, overall a bear rampant regardant Sable, armed and langued Azure, charged with a key and a sword in saltire Argent, hilted Or, the key debruised by the sword.
Coat of arms of Sean Shriner, designed by The Armorial Register, and revised and emblazoned by me. The image combines a very first version of the bear, which in later versions evolved into a fiercer heraldic beast, with the coat of arms both painted by me.
Blazon keywords: Argent, Gules, Sable, Azure, Or, Flanched, Semé, Cross-crosslet, Cross couped, Overall, Bear, Rampant, Regardant, Armed, Langued, Charged, Key, Sword, In saltire, Hilted and Debruised.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Shriner, Sean.
Simon de Croome ~ Simon de Crombe.
Argent, a Chevron Gules, on a Chief Gules, three escallops Argent, in fess.
Escudo de plata: un cabrio de gules; el jefe de azur, tres veneras de plata, en faja.
Included in [Vincent, MS; 1285; number 623] also known as [St. George's Roll; 1285; number 623].
The 3 escallops are in the chief then the description «in fess» are not really needed.
Blazon keywords: Without divisions, Argent, One, Chevron, Gules, Chief, Three, Escallop and In fess.
Style keywords: Semi-circular, Plain tincture, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Simón de Croome.
Simon de Vere ~ Simon de Ver.
Gules, three cinquefoils Argent.
Escudo de gules, tres quinquefolios de plata.
Included in [Vincent, MS; 1285; number 85] also known as [St. George's Roll; 1285; number 85].
Blazon keywords: Without divisions, Gules, Three, Cinquefoil, Argent and Ordered.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Simón de Vere.
Simon FitzSimon ~ Simon le FizSimon.
Gules, three chess rooks Ermine.
Escudo de gules, tres roques de armiños.
Included in [Vincent, MS; 1285; number 224] also known as [St. George's Roll; 1285; number 224].
Blazon keywords: Without divisions, Gules, Three, Chess rooks, Ermine and Ordered.
Style keywords: Semi-circular, Illuminated and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Simón FitzSimon.
Sir Robert Knollys ~ Sir Robert Knolles (1325-1407).
Gules, on a chevron Argent three roses Gules, barbed Vert, and seeded Or.
Escudo de gules, un cabrio de plata cargado de tres rosas de gules, barbadas de sinople y botonadas de oro.
Coat of arms interpreted with: the rounded form; the field illuminated in Gules; the chevron illuminated in Argent metal and outlined in Sable; the roses illuminated in Gules, Vert and Or and outlined in Sable; and the whole with a raised-stroke effect.
Sir Robert Knollys was an English man-at-arms who was born in the County of Cheshire in 1325 and died in Sculthorpe, Norfolk, in 1407, and whose military career was framed within the Hundred Years' War between England and France.
Blazon keywords: Without divisions and Gules.
Style keywords: Rounded, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Kingdom of England and Army and Navy.
Bearer: Knollys, Robert.
Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.
This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and painted by me in 2 steps. In the 1st row is the selected version of her coat of arms, and in the 2nd row is an alternative version; both are based on the same structure and concepts. The blazon for the alternative version is as follows, note that the only change is the arrangement of the two palm fronds, from pile reversed to pile: «Azure, between two palm fronds in pile a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules».
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond, In pile reversed and In pile.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Vega Lanzagorta, Sister Esperanza.
Argent, three lozenges Sable; on a chief wavy Azure, three snowflakes Argent.
Escudo de plata, tres losanjes de sable; en un jefe ondeado de azur, tres copos de nieve de plata.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finish.
Coat of arms of Jon Sneddon emblazoned by me.
Blazon keywords: Argent, Sable, Azure, Three, Lozenge, Chief, Charged, Wavy, Snowflake and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sneddon, Jon.
Zurich, Switzerland.
Argent, an eagle displayed Gules, crowned, langued, membered and armed, charged on its chest with a mullet of six points voided, and interlaced Or.
Escudo de plata, un águila de gules, coronada, lampasada, membrada y armada, cargada en su pecho de una estrella de seis puntas, hueca y entrelazada todo de oro.
Illuminated with lights and shadows and with a iridescent finish.
Another version of this blazon «Argent, a eagle displayed Gules, crowned, langued, membered and armed, charged on its chest with a star of David Or».
Blazon keywords: Without divisions, Argent, One, Eagle, Gules, Crowned, Langued, Membered, Armed, Charged, Mullet, Six, Base (lower 1/3), Voided, Interlaced and Or.
Style keywords: Iridescent (nacar), Outlined in sable, Illuminated and Pointed.
Classification: Personal and Created.
Bearer: Sosa-Garcia, Rodolfo.
Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.
Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Granada, Soberana y Muy Noble Orden de la.
Azure, a palm tree eradicated, between in sinister a lion rampant supporting it Or, in dexter three millwheels, 2 and 1, and in chief a crescent Argent.
Escudo de azur, una palmera arrancada, acompañada a la siniestra de un león rampante empinado a ella ambos de oro, a la diestra de tres ruedas de molino, 2 y 1, y en jefe un creciente todo de plata.
Coat of arms emblazoned by me with a shape endend with an ogee arch, illuminated, and with a parchement finishing.
Blazon keywords: Azure, One, Palm tree, Tree, Erased, Between, Sinister, Lion, Rampant, Supporting, Or, Dexter, Three, Millwheel, Ordered, In chief, Crescent and Argent.
Style keywords: Ogee, Outlined in sable, Illuminated and Parchment.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Spanò, Diego Pantaleone.
Heraldic device painted by me, highlighted with lights and shadows, contoured in Sable, and with a leather finishing.
The standard of Brady Brim-DeForest emblazoned by me following his directions. Structure: coat of arms; crest; motto 1st line «un cran»; badge; motto 2nd line «plus»; crest; motto 3rd line «loin»; badge.
Blazon keywords: Gules, Or, Argent, Azure, Two, One, Party per chevron, Acorn, Slipped, Base, Fleur de lis, Crest, Wreath, Demi, Lion, Armed, Langued, Grasping, Paw, Charged, Cross, Patty, Motto, Oak, Tree and Branch.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Boa, Standard, Flag and Pennon.
Bearer: Brim-DeForest, Brady.
Heraldic device designed by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.
This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.
Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Created, Boa, Standard and Flag.
Bearer: Liu-Lecomble, Laurent.
Heraldic device devised by me, highlighted with lights and shadows, outlined in Sable, and with a leather finish.
This is the standard of Rick Kasparek designed by him and me and emblazoned by me. A little detail, the fringes form the initial letter of his name. Structure: coat of arms; badge; motto, 1st line «Honoris»; crest; motto, 2nd line «Causa»; badge.
Blazon keywords: Sanguine, Argent, Or, Gules, One, Three, Eight, Lion, Rampant, Double queued, Tufted, Langued, Grasping, Paw, Key, Fesswise, Interlaced, In chief, Mullet, Tressure, Sea-griffin, Erect, Membered, Beaked, Nimbed, Dorsal fin, Tail fin, Talon, Motto, Griffin, Segreant, Armed, Winged, Rose, Slipped, Leaved and Proper.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Created, Boa, Standard and Flag.
Bearer: Kasparek, Rick.
Argent, a fess Gules between two Lions passant Azure, langued Gules.
I have interpreted this coat of arms with a semi-circular shape; tintures argent, gules, and azure; outlined with sable; and a iridiscent finishing.
Blazon keywords: Argent, One, Fess, Gules, Between, Two, Lion passant, Azure and Langued.
Style keywords: Semi-circular, Iridescent (nacar) and Outlined in sable.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Stauffenberg, Claus von.
Party per fess: 1 Argent, a rose Gules, barbed and seeded proper; 2 Gules, two swords in saltire Argent, hilted Or. Supporters: Two bears Sable, the eyes, pizzled, langued, armed and gorged Gules, terraced Vert.
Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Seeded, Two, Sword, In saltire, Hilted, Or, Proper, Terrace in base, Supporter (animal), Supporter, Bear, Sable, The eyes, Pizzled, Langued, Armed and Collared.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Breu, Stephan Urs.
Or, a fess chequey Azure and Argent.
Escudo de oro, una faja ajedrezada de azur y plata.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a rough finishing.
Coat of arms of the lineage Stewart of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Stewart of Scotland, lineage.
Azure, on a wavy sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or.
Escudo de azur, en punta un mar ondado de plata sumado de un barco con remos de oro, con vela y gallardete de plata; en un jefe de plata, un libro cerrado y brochado de oro, tapas de gules.
Arms designed by me, highlighted with lights and shadows, with a pointed outer contour and with a watercolor finishing.
The coat of arms of the Strategy Department of Consultoria.IO designed by them and me and emblazoned by me. Consultoria.IO is a consulting firm specialized in scale-up e-commerce stores.
Blazon keywords: Azure, Argent, Or, Gules, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book and Clasped.
Style keywords: Illuminated, Pointed and Watercolor.
Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.
Bearer: Strategy Department of Consultoria.IO.
Of the twelve lineages of Noblemen, the seventh is Subiça, and bears as arms a shield Or, with a chief Sable at the upper part of the shield, in the same manner as painted in this one.
Or; a chief Sable.
Escudo de oro; el jefe de sable.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or metal; the chief in flat Sable; and the whole finished in highly-hammered metal.
Coat of arms based on the seventh of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613]. The text heading it is taken from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Cubiza» these armorial bearings can be consulted in [Vega, P. J. de; 1702; folio 7 of the manuscript].
Blazon keywords: Without divisions, Or, Chief and Sable.
Style keywords: Semi-circular, Plain tincture and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Subiça of Navarre.
Or, on a chevron, between three crosses flory Gules, three crescents Argent. Supporters: Two Lions rampant Or, langued and armed Gules. Motto: «Fides et pietas».
Blazon keywords: Or, One, Chevron, Gules, Charged, Three, Crescent, Argent, Between, Cross, Flory, Supporter (animal), Supporter, Two, Lion, Rampant, Langued, Armed and Motto.
Style keywords: Outlined in sable, Pointed, Illuminated and Rough.
Classification: Personal, Created, Coat of arms and Latin language.
Bearer: Rica II, Nick Allen.
Blazon of the Talbot lineage of England.
Escudo de gules, un león rampante dentro de una bordura angrelada todo oro.
Gules, a lion rampant within a bordure engrailed Or.
Illuminated with lights and shadows and with a freehand finish.
[Rietstap, J. B.; 1861] writes it in French as «de gueules, au lion d'or, à la bordure engrelée du même». y [Burke, J.; 1836; volume 3, pages 359-360] writes it in English as «Gu. a lion rampant, within a bordure engr. or».
Blazon keywords: Without divisions, Gules, One, Lion, Rampant, Within, Bordure, Engrailed and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Party per fess indented perlong Or and Azure overall on a fess Azure a mullet Or; on a chief cousu Or an eagle displayed, a crown Or above.
Escudo cortado encajado de oro y azur, brochante sobre la partición una faja de azur cargada de una estrella de cinco puntas de oro; en un jefe cosido de oro, un águila surmontada de una corona ambas de sable.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
The ancient arms of the family Tamburelli, Lords of Pietra Gravina, as used by Don Eugenio Ugo Augusto Tamburelli, emblazoned by me. These arms have been requested by Andrea Tamburelli Lanzara di Pietragavina. There are heraldists who consider the chief to be an ordinary, and therefore a metal chief on a metal field violates the rule of tincture, which prohibits metal on metal, I share this view. Others understand the chief as a division of the field, and thus a metal chief may appear next to a metal field without breaking the rule. For this reason, in these cases, I use the term «cousu» not as a heraldic attribute or a justification, but rather as a signal that, depending on whether the chief is seen as an ordinary or a field division, this arrangement may or may not be problematic. It also serves to show that I am fully aware of the issue. In Italy, and this is an Italian coat of arms, there are numerous arms with an eagle displayed Sable over a chief Or, which clearly corresponds to the imperial arms, «Or, an eagle displayed Sable». These chiefs have their origin in the Guelph and Ghibelline conflicts, the papacy against the empire, with the Ghibellines, supporters of the Holy Roman Empire, frequently adopting the so-called «capo dell'Impero», a chief Or with an eagle Sable, as a symbol of their allegiance to the Emperor. Many of these «capo dell'Impero» resulted metal on metal.
Blazon keywords: Or, Azure, Sable, One, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown and Above.
Style keywords: Outlined in sable, Illuminated, Ogee, Freehand and Cousu.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Tamburelli, family.
Cheshire, 1613.
Quarterly: 1 and 4 Argent, a crescent Sable; 2 and 3 Gules, a crescent Argent.
Cuartelado: 1 y 4 de plata, un creciente de sable; 2 y 3 de gules, un creciente de plata.
Coat of arms interpreted with: a rounded base for the personal shield; the field illuminated in Argent and Gules; the crescent moons, as charges, two in plain Sable, another two in plain Argent metal and, all four, outlined in Sable; and the whole in leather.
[Goldstraw, M. S. J.; 2013b] describes it with the following blazon: «Quarterly Argent and Gules, in the first and fourth a crescent Sable, in the second and third a crescent of the first.» and adds «Crest: A greyhound sejant Argent, collared and tied by a line Gules to an oak tree Proper fructed Or», a crest which I have not represented here.
Blazon keywords: Quarterly, Argent, Gules, Crescent and Sable.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Tatton de Wythenshawe.
Azure, a cross of Burgundy Or; an inescutcheon Or, six fleurs de lis in orle Azure.
Escudo de azur, una cruz de Borgoña de oro; un escusón de oro, seis flores de lis en orla de azur.
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the Tercio Alessandro Farnese, 4th of the Spanish Legion, emblazoned by me. In honor of Alessandro Farnese, the central inescutcheon bears in orle the 6 fleurs de lis of the Farnese family.
Blazon keywords: Azure, Or, One, Six, Cross of Burgundy, Cross couped, Inescutcheon, Fleur de lis and In orle.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Tercio Alessandro Farnese.
Gules, a cross of Burgundy Or; an inescutcheon Or, three bars Gules.
Escudo de gules, una cruz de Borgoña de oro; un escusón de oro, tres fajas de gules.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.
Coat of arms of the Tercio Great Captain, 1st of the Spanish Legion, emblazoned by me. The inescutcheon represents the coat of arms of Gonzalo Fernandez de Cordoba, 1453-1515, known as «The Great Captain». During the Italian campaigns in the late 15th and early 16th centuries, especially during the wars of Naples, Gonzalo Fernandez de Cordoba reformed the Spanish army, adapting it to the new conditions of Renaissance warfare. He created a flexible tactical system based on the combination of pikemen, inspired by the Swiss; «espingarderos», forerunners of the arquebusiers; and «espadas» or shock troops, this combination would form the foundation of the future «Tercios».
Blazon keywords: Gules, Or, One, Three, Cross of Burgundy, Cross couped, Inescutcheon, Bar and Fess.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Tercio Great Captain.
Countess of Urgell, Viscountess of Ager, Lady of Alcolea de Cinca, died in 1327.
Dimidiated: 1 Or, four pallets Gules; 2 chequey Or and Sable.
Escudo dimidiado: 1o de oro, cuatro palos de gules; 2o ajedrezado de oro y sable.
Arms interpreted with: a round-bottom shield; all tinctures in flat Or, Gules, and Sable; and a heavily beaten metal finish.
A dimidiated coat of arms is the result of combining two shields of arms by taking the dexter half of the first and the sinister half of the second.
Dimidiation was used in the 13th and 14th centuries to combine, for instance, the arms of two families.
Its blazoning method does not consist of describing what appears in each of the resulting quarters, but rather, by stating from the beginning that it is dimidiated, describing the original coats of arms. Thus, in this particular case of the arms of Teresa of Entenza, it is not stated that there are only two pallets in the first quarter, but that it is dimidiated and has four pallets, so the reader must know that from the four pallets, only the first two are visible due to the dimidiation.
This method of dimidiating the arms of predecessors results in very beautiful and original designs, but depending on the charges and figures involved, in other cases the result may be unrecognisable or even absurd.
Blazon keywords: Dimidiated, Pale, Chequey, Or, Gules and Sable.
Style keywords: Semi-circular, Plain tincture and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Aragon.
Bearer: Teresa of Entenza.
An eight-pointed cross Azure, cantoned by four fleurs de lis in saltire Argent, conjoined thereto, ensigned by the monogram «RC» Argent and by a crown of fleurs de lis Argent lined Azure.
I thank the Ordo Equestris Reginae Caeli, oerc.eu, , for appointing me an Honorary Knight (Eques H. C.). It is an honor for me. My special thanks to David Pérez Álvarez.
Blazon keywords: Order, Decoration, Azure, Or, Argent, One, Four, Eight-pointed cross, Cross couped, Cantoned, Fleur de lis, In saltire, Conjoined, Monogram, Crown and Lined.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Boa, Certification and Heraldic document.
Bearer: Ordo Equestris Reginae Caeli.
Azure, a saltire between, in chief and in base, two thistle couped Argent; an inescutcheon Gules.
Escudo de azur, un sotuer acompanado, en jefe y en punta, de dos cardos de nuridos todo de plata; un escusón de gules.
Coat of arms interpreted with the following characteristics: the shape of its shield is semicircular; the field is a flat tint of Azure; the two thistles and the saltire are illuminated of the metal Argent and outlined in Sable; the inescutcheon is illuminated of the colour Gules and, also, outlined in Sable; and the whole with a mother-of-pearl finish with a raised stroke.
The English term «inescutcheon» corresponds to our Spanish term «escusón». It is called an inescutcheon when there is only one and it is placed in the abyss of the shield.
The English term «escutcheon» corresponds to our Spanish term «escudete». It is used when there are several, for example, 3. Although in this case there is only one, this is the term used in the official blazon of this coat of arms, as will be seen below.
This coat of arms of The Heraldry Society of Scotland was registered and granted ~ «granted» on 7th September 1977, by «The Court of the Lord Lyon», which is the official college of arms for Scotland, lyon-court.com, with the following blazon: «Azure, on a saltire argent between two thistles slipped argent, one in chief and one in base, an escutcheon gules» and it contains 2 thistles, which is the national flower of Scotland, and a saltire Argent on an Azure field, like the flag of Scotland.
The usual way of representing the thistle ~ «thistle» in Castile is with its roots visible, it is called «arrancado». In this case the stem is cut and its roots are not visible, it is called «slipped» ~ «nurido».
Blazon keywords: Without divisions, Azure, Saltire, Argent, Thistle, Couped (tree), In chief, In base, Inescutcheon and Gules.
Style keywords: Illuminated, Outlined in sable, Iridescent (nacar), Freehand and Semi-circular.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The Heraldry Society of Scotland.
With the aim of aiding in the study and perpetuation of heraldry in the United States and abroad.
Sable, a lion rampant Or, armed and langued Gules, crowned Or, holding in the dexter a baton flory Or.
Escudo de sable, un león rampante de oro, armado y lampasado de gules, coronado de oro, teniendo en su diestra un cetro flordelisado de oro.
I interpret its coat of arms with: a Spanish base in semicircular (round) form; the field illuminated in Sable; the lion, its crown and its baton outlined of the field, shaded and illuminated in Or, except the claws and tongue which are Gules; and the whole with a lightly beaten metal finish.
The baton ends in a fleur-de-lis, hence it is blazoned as «flory» and according to [Avilés, J.; 1780a; página 93] «flordelisadas, se dice de las Cruces, cuyos brazos se terminan en flores de Lis».
For a time I distinguished between «flordelisadas» and «florenzadas» crosses depending on the artistic style of the termination, but over time I found that the difference was, precisely, more artistic than heraldic, so I decided to use the term flordelisada in a general way.
Some authors consider them different terms and others equivalent. If they are considered equivalent then florenzadas ~ flordelisadas and, therefore, «cetro florenzado» ~ «cetro flordelisado». In English one says «flory» ~ «flordelisado» and it can also be found written as «fleury» ~ «floretty» ~ «florenté», for example, [The Heraldry Society; 2013; página 6] uses the term «flory» to describe the very arms of The Heraldry Society when it blazons them as «Quarterly Azure and Gules a Lion's Face crowned with an Ancient Crown Or within a Tressure flory on the outer edge of the same».
Blazon keywords: Without divisions, Sable, Lion, Or, Rampant, Armed, Langued, Gules, Crown, Open royal crown, Crowned, Dexter, Grasping, Scepter and Flory.
Style keywords: Illuminated, Outlined in the field tincture, Shaded, Soft metal and Semi-circular.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The American College of Heraldry.
Gules, on a fess invected Argent, a lioness Azure, armed, langued and the udders Gules.
The coat of arms of María Concepción Vallín de Lanzagorta designed by son Juan Lanzagorta Vallin and emblazoned by me. The image illustrates my process in 3 steps: 1) outlined, 2) plain colors and metal, and 3) lights and shadows Note: the argent is diapered of lace.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Gules, One, Fess, Invected, Argent, Charged, Lioness, Azure, Armed, Langued and Udder.
Style keywords: Semi-circular, Outlined in sable, Diapered, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Vallín de Lanzagorta, María Concepción.
Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.
Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, Cannon, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.
Style keywords: Semi-circular, Outlined in sable and Outlined.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Lanzagorta Escutia, Miguel Francisco.
Or, three puffins proper.
Blazon keywords: Without divisions, Or, Three, Puffin and Proper.
Style keywords: Pointed, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Hartemink, Ralf.
Vair.
Blazon keywords: Vair.
Style keywords: Outlined in sable, Illuminated, Semi-circular, Plain tincture and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Vichiers, Renaud de.
It has been interpreted by me, illuminated with lights and shadows, outlined in Sable, with a rhombus external shape and with a texturized finishing.
Coat of arms of the eldest granddaughter of Jon. It has been designed by her and Juan Lanzagorta Vallín, and emblazoned by me using a lozenge shape. This coat of arms has been presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture) together with the blazon, and with the design rationale presented orally during the lecture.
Blazon keywords: Argent, Rose, Vert, Or, Azure, One, Ten, Charged, Conjoined, In orle, Barbed, Seeded, Bordure and Ribbon.
Style keywords: Outlined in sable, Illuminated and Rhombus.
Classification: Personal, Interpreted, Boa and Slide.
Bearer: Jon, eldest granddaughter of.
Argent, a stag trippant Gules, attired and hoofed Sable, standing on a terrace in base Vert charged with a fess Or; on a chief Sable, three geese volant contourné Argent.
La imagen combina una fotografía de un dibujo de un ganso volante alterado y su escudo de armas ambos pintados por mí.
Blazon keywords: Argent, One, Stag, Tripant, Gules, Attired, Hoofed, Sable, Terrace in base, Base, Vert, Charged, Fess, Or, Chief, Three, Goose, Volant and Facing sinister.
Style keywords: Outlined in sable and Pointed.
Classification: Personal, Interpreted, Coat of arms, Hand-drawn, Collage and Photographic.
Bearer: McCarthy, Eugene.
The coat of arms of The Heraldry Society emblazoned by me in 4 steps: 1) ratios, 2) delineation, 3) plain tincture, and 4) lights and shadows. Blazon: Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.
Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.
Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Freehand.
Classification: Interpreted, Socioeconomic, Coat of arms and Schema.
Bearer: The Heraldry Society.
Azure semé of millrinds Or; on a dexter canton Or, a lion rampant Purpure, armed and langued Gules.
Escudo de azur sembrado de anillas de molino de oro; en un cantón diestro de oro, un león rampante de púrpura, armado y lampasado de gules.
This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone.
Blazon keywords: Azure, Semé, Millrind, Or, One, Canton, Dexter, Lion, Rampant, Purpure, Armed, Langued and Gules.
Style keywords: Pointed, Outlined in sable, Outlined in the field tincture and Plain tincture.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Lincoln's Inn, The Honourable Society of.
Vert, an inescutcheon Argent; overall a compass rose Sable and Or. Motto: «De jure».
Escudo de sinople, un escusón de plata; brochante sobre el todo, una rosa de los vientos de sable y oro. Lema: «De jure».
I have interpreted this coat of arms with: a Spanish base, that is, semicircular (round); the field and the inescutcheon in plain green and Argent; the compass rose illuminated in Sable and Or and outlined in Sable; and the whole with a parchment finish.
Blazon keywords: Without divisions, Vert, Inescutcheon, Argent, Surmounted, Overall (deprecated), Compass rose, Sable, Or and Motto.
Style keywords: Illuminated, Outlined in the field tincture, Parchment and Semi-circular.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The International Heraldry Society.
Thomas de Warbrentone ~ Thomas de Warbleton.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted in the following manner: the shape of the base is a semicircular arch; the field has been enameled with plain metal tint Or; the lozenges with their 4 rectangular and equal angles, are outlined in Sable and illuminated in Azure; the lozengy is 6 lozenges wide by 7 lozenges high, which can also be indicated as 7 lozenges in length by 7 lozenges in latitude; and the whole has received a marble finish.
Lozengy is defined by [Avilés, J.; 1780a; page 101] as «it is said of the Shield and pieces covered with lozenges».
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted and Personal.
Bearer: Warbleton, Thomas de.
Thomas de Warbleton ~ Thomas de Werblintone.
Lozengy Or and Azure.
Escudo losanjado de oro y azur.
Included in [Vincent, MS; 1285; number 245] also known as [St. George's Roll; 1285; number 245].
Blazon keywords: Without divisions, Lozengy, Or and Azure.
Style keywords: Semi-circular, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Tomás de Warbleton.
Coat of arms of Thomas Grenville sculpted in St Mary's Church, Bideford, Devon, United Kingdom.
Gules, three Clarions Or.
On a field of gules, three clarions of gold can be seen in the dexter canton of the base of the main shield of [Tewkesbury; Century XVII; folio 24r] and on 8 other coats of arms in this armorial.
Blazon keywords: Without divisions, Gules, Three, Clarion and Or.
Style keywords: Freehand, Plain tincture and Illuminated.
Classification: Interpreted, Kingdom of England and Photographic.
Bearer: Grenville, Thomas.
Thomas FitzThomas ~ Thomas le FizThomas.
Lozengy Argent and Gules.
Escudo losanjado de plata y gules.
Included in [Vincent, MS; 1285; number 245] also known as [St. George's Roll; 1285; number 245].
Blazon keywords: Without divisions, Lozengy, Argent and Gules.
Style keywords: Semi-circular, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Tomás FitzThomas.
Tomás Roscelyn Thomas ~ Roscelyn ~ Thomas Rocelin.
Gules, three buckles Argent.
Escudo de gules, tres hebillas de plata.
Included in [Vincent, MS; 1285; number 595] also known as [St. George's Roll; 1285; number 595].
Blazon keywords: Without divisions, Argent, Three, Buckle, Sable and Ordered.
Style keywords: Triangular curved, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Tomás Roscelyn.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. The shield is surrounded by the Golden Fleece.
Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finishing.
This is my interpretation of the coat of arms of His Majesty King Felipe VI of Spain, bearing the Collar of the Distinguished Order of the Golden Fleece.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Felipe VI of Spain.
Illuminated and a rough finishing.
Blazon keywords: Gules, Cross, Or, Lily, Flower, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base, Two hands clasped, Motto and Motto (identification).
Style keywords: Rough, Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Trading Pro School.
Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.
Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2nd and 3rd quarters.
Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Trastámara, House of.
Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent.
Escudo partido: 1o de plata, un árbol moviente de la punta de morado; 2o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata.
Coat of arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.
The coat of arms of the Hacienda de Triana, Val’Quirico, Tlaxcala, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me.
Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief and Arch.
Style keywords: Illuminated, Chasuble and Watercolor.
Classification: Socioeconomic, Interpreted, Boa and Coat of arms.
Bearer: Triana, Hacienda de.
Quarterly of four in four: 1 and 11 Azure, chaussé Argent; 2 and 12 Azure, contre-embrassé Argent; 3 and 9 Argent, chaussé Azure; 4 and 10 Argent, contre-embrassé Azure; 5 and 15 Azure, embrassé Argent; 6 and 16 Azure, chapé Argent; 7 and 13 Argent, embrassé Azure; 8 and 14 Argent, chapé Azure.
Escudo partido de cuatro y cortado de lo mismo: 1o y 11o de azur, calzado de plata; 2o y 12o de azur, contraembrazado de plata; 3o y 9o de plata, calzado de azur; 4o y 10o de plata, contraembrazado de azur; 5o y 15o de azur, embrazado de plata; 6o y 16o de azur, cortinado de plata; 7o y 13o de plata, embrazado de azur; 8o y 14o de plata, cortinado de azur.
Imaginary coat of arms created for aesthetic purposes with: a rounded base; its fields enameled with plain tinctures Argent and Azure; the charges that accompany them, those that form the chapé, chaussé, embrassé, and contre-embrassé, outlined in Sable and illuminated in Argent and Azure; and the whole shield has received a beaten metal finish.
[Avilés, J.; 1725a; pages 47 and 48] tells us about the chaussé that «se entiende cuando el Escudo está dividido en forma de Chevron ranversado», that is, inverted, «de modo, que llegue con su punta a lo bajo de la del Escudo, y las piezas, que le acompañan, hacen la acción de calzar, subiendo de lo bajo a lo alto; de cuya forma toma el nombre, suponiéndole siempre por campo el espacio, que hay entre las dos líneas de dichas piezas» and gives as an example Pomponne in Burgundy whose coat of arms is «de plata, calzado de gules» which is shown in [Avilés, J.; 1725a; ilustración 78].
Blazon keywords: Quarterly, Chapé, Chaussé, Embrassé, Contre-embrassé, Argent and Azure.
Style keywords: Rounded, Illuminated, Outlined in sable and Metal beaten.
Classification: Imaginary.
Imaginary bearer: Triangulation.
Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.
Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.
Coat of arms interpreted as follows: with a semicircular (round) base; the field and the chief in the flat tinctures Purpure and Azure, with a lightly-hammered metal finish; and the four charges outlined in Sable, shaded, illuminated, and with a very hammered metal finish.
I hold the University Specialist degree in Real Estate Management and Administration, awarded by the Department of Private Law of the University of Burgos. These studies are structured over three academic years and are pursued online in combination with periods of traditional classes in the summers and on-site examinations during the winters. This was my first long-term online training experience.
Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable, Soft metal and Hard metal.
Classification: Interpreted, Socioeconomic and Education.
Bearer: Burgos, University of.
Vert, a Latin cross, raguly, issuant from its sinister a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or.
Coat of arms of Ugnius Mikučionis-Vizgirda, emblazoned and signed by me, employing a 2/3 width-to-height ratio, exhibited at the 5th International Congress of Genealogy and Heraldry (5th ICGHV). The 5th ICGHV was held at the historic National Museum - Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas.
Blazon keywords: Vert, Or, One, Latin cross, Raguly, Issuant, Sinister, Leaved, Branch, Environed and Debruised.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa and Photographic.
Bearer: Mikučionis-Vizgirda, Ugnius.
Trident~Tryzub.
Azure, a Tryzub Or.
Interpreted coat of arms: with a rounded and pointed shape; illuminated with metals or and color azure; outlined with sable; and a Watercolor finish.
Blazon keywords: Without divisions, Azure, Trident and Or.
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Coat of arms, Interpreted, Civic and State of Ukraine.
Bearer: Ukraine.
Emblem Azure, Saint Michael, grasping in his dexter hand a spear, point downward, and in his sinister hand bearing a coat of arms, upon a dragon Argent.
Emblema de azur, un Arcángel Miguel, teniendo en su diestra una lanza, con la punta hacia abajo y en su siniestra un escudo, sostenido por un dragón, todo de plata.
Two tinctures emblem interpreted as follows: an oval shape with a 5x6 proportion; the field illuminated in Gules, unlike its original colour; all its charges illuminated in Argent and outlined in the colour of the field; and the finish is marble-like.
The IESE Business School, where I studied, is the business school of the University of Navarre.
I also have the honour of having collaborated for years with the University of Navarre.
Blazon keywords: Without divisions, Gules, Male figure, Angel, Archangel, Argent, Grasping, Dexter, Spear, Point downwards, Sinister, Upon and Dragon.
Style keywords: Oval, Illuminated, Outlined in the field tincture and Marmoreal.
Classification: Interpreted, Socioeconomic, Education, Emblem and Kingdom of Navarre.
Bearer: University of Navarra.
Universidad de Politécnica de Madrid
Azure, in base an open book Argent, in chief a sun in splendour Or. Crest: An open royal crown. Motto: «Technica impendi nationi».
Escudo de azur, un libro abierto de plata surmontado de un sol de oro. Timbrado de una corona real abierta. Lema: «Technica impendi nationi».
Coat of arms interpreted with: a semicircular (round) base; the field and charges are illuminated in the tinctures Azure and the metals Argent and Or, all outlined in Sable; it differs from other versions of this coat of arms in that the rays of the sun are Or instead of black, that the text over the two pages of the book can be read, and also that the three words of the motto are separated by a small dot; and the whole is watercolored.
UPM was founded in 1971 with the integration of the Higher Technical Schools of the Higher Polytechnic Institute to which the University Schools were added in 1972. It is the first university where I studied and the one from which I have the honor of holding a doctorate.
Blazon keywords: Without divisions, Azure, Argent, Or, Book, Sun in splendour, Crest and mantling, Crown, Open royal crown and Motto.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Socioeconomic and Education.
Bearer: Technical University of Madrid.
182nd Pope of the Church, from 1261 to 1264. «Urbanus IV», born Jacques Pantaleon of Court-Palais, was born in Troyes, France.
Quarterly: 1 and 4 Azure, a fleur de lis Or; 2 and 3 Argent, a rose Gules.
Escudo cuartelado: 1o y 4o de azur, una flor de lis de oro; 2o y 3o de plata, una rosa de gules.
Coat of arms of Urban IV with: a pointed and rounded shield shape; the field in plain Azure and Argent enamels; the figures outlined in the field, shaded and illuminated in Or and Gules; and with a watercolor finish.
Blazon keywords: Quarterly, Azure, One, Fleur de lis, Or, Argent, Rose and Gules.
Style keywords: Ogee, Illuminated, Shaded, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban IV.
200th Pope of the Church, from 1362 to 1370. «Urbanus V», born Guillaume de Grimoard, was born in Le Pont-de-Montvert, in the Languedoc.
Gules, a chief dancetty of four full points Or.
Escudo de gules, un jefe encajado de cuatro piezas enteras de oro.
Papal coat of arms interpreted with: a round-topped shield; the field in plain Gules; the chief indented, illuminated in metal Or, and outlined in Sable; and the whole design in hammered metal.
[Rietstap, J. B.; 1861] blazons it as Grimoard «de gueules, au chef émanché de quatre pièces d'or».
Blazon keywords: Gules, Chief, Dancetty, Or, Three and Two.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban V.
202nd Pope of the Church, from 1378 to 1389. «Urbanus VI», named Bartolomeo Prignano, born in Itri, near Naples, in the Lazio region.
Or, an eagle displayed Azure.
Escudo de oro, un águila de azur.
Papal coat of arms interpreted with: a pointed mouth; the field in flat tincture of metal Or; the eagle illuminated in Azure, shaded and outlined in the color of the field; and the whole with a rough finish.
Blazon keywords: Without divisions, Or, One, Eagle and Azure.
Style keywords: Pointed, Illuminated, Outlined in the field tincture, Shaded and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban VI.
Chequey Or and Sable.
Escudo ajedrezado de oro y sable.
Arms interpreted with: a round-topped shield shape; the chequey pattern in flat metal Or and colour Sable; and a heavily beaten metal finish.
[Avilés, J.; 1780a; page 33] writes about the application of the chequey pattern to shields, ordinaries and charges: «chequey is said of the shield, the principal ordinaries, and even some animals, such as eagles, lions, and other charges, when they are composed of alternating square pieces in the fashion of a chessboard.» On the minimum number of panes he generally specifies that «for a shield to be called chequey, it must have at least twenty chessboard panes; because if it has only nine, it is called equipoll; and if it has fifteen, it is said to be of fifteen panes of chequey» and for its application to ordinaries that «other ordinaries, such as bends, fesses, etc., must have at least two rows of chequey to be considered chequey, otherwise they would be called compony.»
Blazon keywords: Chequey, Or and Sable.
Style keywords: Semi-circular, Plain tincture and Hard metal.
Classification: Interpreted, Civic, Coat of arms and Kingdom of Aragon.
Bearer: Urgell, County of.
De los doce linajes de Ricos Hombres el quinto es la buena villa de Urroz, la torre blanca; y goza en armas un escudo partido por medio, de lo alto ata baxo, a manera de banda, desta forma e deuisas que en este escudo está de presente pintado.
Party per bend: 1 Gules; 2 Argent.
Escudo tronchado: 1o de gules; 2o de plata.
Coat of arms with poco margen for the interpretación con: la base of semicircular (round); el field of tintas planas of Gules and Argent; y con a finish of metal muy batido.
Coat of arms basado in the 5o of los «ricoshombres» of Navarra de [Bosque, J. del; 1540; folio 1o of the numeración of 1613]. El texto previo a su blasón está extraído of the transcripción realizada por [Martinena Ruiz, J. J.; 1982; páginas 122 and 123].
Bajo the título «Apellido of Vrroz» también puede consultarse en [Vega, P. J. de; 1702; folio 4B of the manuscrito], estando the 4 in the esquina superior izquierda and the B in the base of the coat of arms. Este folio tendría that estar numerado with a 5.
Blazon keywords: Party per bend, Gules and Sable.
Style keywords: Semi-circular, Plain tincture and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Urroz of Navarre.
Or, a port Or, with jambs, enarched lintel, and two open leaves, upon a three-step stairway Azure.
Escudo de oro, una puerta con jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de azur, aclarada de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineages Uschiolo and Ustiolo, emblazoned by me following the blazon published by Vittorio Gifra in Italian: «Arma: d’oro, alla porta di due ante a timpano arcuato d’azzurro, scalinata di tre pezzi del medesimo e aperta del campo».
Blazon keywords: Or, Azure, One, Two, Three, Port, Arched, Enarched, Upon, Step, Stairway and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Uschiolo and Ustiolo, lineages.
Party per pale: 1 Azure, an angel Argent, crowned, crined and vested Or holding an open book Argent; 2 Or, three horses' heads couped, in pale Sable. Crest: Upon a wreath Or and Azur, an owl's head couped at the shoulders Or, beaked Argent.
Escudo partido: 1o de azur, un ángel de plata, coronado, cabellado y vestido de oro cargado con un libro de plata abierto; 2o de oro, tres cabezas de caballo cortadas, en palo de sable. Timbrado de un burelete de oro y azur cimado de un búho naciente de oro, picado de plata.
Freehand finish.
Blazon keywords: Party per pale, Azure, One, Angel, Argent, Crowned, Crown, Crined, Vested, Or, Charged, Book, Open, Three, Head, Horse, Sable, Couped, In pale, Crest and mantling, Wreath, Owl, Nascent and Beaked.
Style keywords: Watercolor, Illuminated, Rounded, Outlined in the field tincture and Outlined in sable.
Classification: Created and Socioeconomic.
Bearer: Club Ecuestre Val'Quirico.
Blazon of the Vera lineage of Aragon.
Vair ancient, a bordure gules charged with eight saltires couped Or.
Escudo de veros antiguos, una bordura de Gules cargada de ocho sotueres cortados de oro.
Illuminated and with a glass finish.
It can be consulted in [Mogrovejo de la Cerda, J.; 1636; cover].
[Friar, S.; 1987; pages 156-157] says of the vair: «originates from the fur of a species of squirrel... which was popular in the Middle Ages as a lining for the garments of those not entitled to wear ermine. The animal was blue-grey on the back and white underneath. By sewing a number of these pelts together, with white and blue-grey alternating,... one which easily translated into the stylized armorial form of Vair and its variants».
Blazon keywords: Vair ancient, One, Bordure, Gules, Charged, Eight, Saltire, Party per fess and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Coat of arms.
Chequey Or and Azure.
Escudo ajedrezado de oro y azur.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the County of Vermandois, France, emblazoned by me.
Blazon keywords: Or, Azure and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Vermandois, County of.
Cheshire, 1533-1580.
Or, on a fess Azure, three Garbs Or.
Escudo de oro, una faja de azur, cargada de tres gavillas de trigo de oro.
Coat of arms interpreted with: a rounded base; the field, fess and garbs outlined in Sable and illuminated in Or and Azure; and the shield in leather.
In [Goldstraw, M. S. J.; 2013b] for «Sir Raulfe de Vernon ye old». the following blazon is recorded: «Or, on a fesse Azure three garbs of the field».
Background on the bearer of this coat of arms:
Blazon keywords: Without divisions, Or, Azure, Fess, Charged, Wheat, Garb and In fess.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon the Elder, Sir Raulfe.
Cheshire, 1533-1580.
Or, a fess Azure.
Escudo de oro, una faja de azur.
Coat of arms with a basic interpretation based on: a rounded base; the field and its fess illuminated in Or and Azure and outlined in Sable; and the shield in leather.
In [Goldstraw, M. S. J.; 2013b] for «Vernon, baron of Shubbroc, bulgo Shipbroke» ~ Shipbrook, the following blazon is recorded: «Or, a fesse Azure».
Blazon keywords: Without divisions, Or, Azure and Fess.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon, Baron of Shubbroc.
Blazon equivalent to: Vidaurre de Navarra.
Cheshire, 1533-1580.
Or, a bend Azure.
Escudo de oro, una banda de azur.
Coat of arms interpreted with: a rounded base; the field and the bend illuminated in Or and Azure and outlined in Sable; and the shield with a leather finish.
In [Goldstraw, M. S. J.; 2013b] for «Sir Ralfe Vernon». the following blazon is recorded: «Or, a bend Azure».
Blazon keywords: Without divisions, Or, Azure and Bend.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon, Sir Ralfe.
Of the twelve lineages of Noblemen, the ninth is Vidaurre, who bears as arms a shield Or and, in the middle, a fess Azure, in the same manner as this shield is now painted.
Or, a fess Azure.
Escudo de oro, una faja de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the fess illuminated in Azure and outlined in Sable; and the whole finished in highly-hammered metal.
Interpreted from the ninth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Vidaurre» this coat of arms can be consulted in [Vega, P. J. de; 1702; folio 9 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Vidaurre of Navarre.
Blazon equivalent to: Vernon, barón de Shubbroc.
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief and Fleur de lis.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales García y Bustamante, Carlos.
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Label and Suspended.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, C. M..
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Cantoned and Martlet.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, M. P..
Blazon of the Vilardi lineage of Italy.
Argent, on a pile issuant from the base Azure a saltire Or.
Escudo de plata, una pira de azur cargada de un sotuer de oro.
Illuminated and a free hand finishing.
[Cadenas y Vicent, V. de; 2002; page 138] says that the a pile issuant from the base is «a triangle whose base issues from the base of the shield, being a third of its width», but when it is painted in [Cadenas y Vicent, V. de; 2002; page 268, figure 279] along with the pile the width of the base of both isosceles triangles is 2/3 of the width of the shield. I think the width of 2/3 is, in these 2 cases, better than 1/3 width, because with 1/3 there is not enough room for charges, as shown in the figure below.
There are scholars who say that the pile issuant from the base must not touch the upper edge of the shield and others that its tip should be in the center of the chief. In the previous image, the pile issuant from the base of the 1st shield fulfills the first affirmation, and in the 2nd shield, its tip is in the center of the chief.
I have the doubt if it should not be a saltire raguly.
Blazon keywords: Without divisions, Argent, One, Pile issuant from base, Azure, Charged, Saltire and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Italian Republic.
Or, a badger rampant Sable.
Escudo de oro, un tejón rampante de sable.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
Blazon keywords: Or, Sable, One, Badger and Rampant.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Villauriz Álvarez, José Manuel.
The image shows 6 of my interpretations of his arms.
Paly of six Azure and Or; over all a bend Azure.
Blazon keywords: Paly, Six, Azure, Or, Surmounted, Overall (deprecated) and Bend.
Style keywords: Semi-circular, Parchment, Plain tincture, Freehand, Illuminated, Pointed, Metal beaten, Triangular curved, Iridescent (nacar), Ogee, Crystalline, Rounded, Watercolor and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Gifra, Vittorio.
Blazon of the lineage Voganzi in Venice
Azure, two tibiae proper in saltire, between four fleurs de lis Or
Escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro.
Illuminated and watercolor.
The blazon in Italian is «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro».
Blazon keywords: Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.
Style keywords: Watercolor, Outlined in sable and Illuminated.
Classification: Personal, Lineage, Interpreted and Coat of arms.
Arms of von Harten Family
Azure, three plates, 1 and 2. Crest: Upon a helm affronty, crowned Or, three ostrich feathers Azure, Argent and Azure. Mantling: Azure doubled Argent.
Blazon keywords: Azure, Three, Bezant and plate, Argent, Disordered, Crest and mantling, Helm, Affronty, Mantling, Crowned, Or, Crest and Quill.
Style keywords: Outlined in sable, Rounded trapezoid, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Harten, von.
Baron Walker of Worcester
Party per pale Sable and Or semé of portcullises and three turreted towers all counterchanged.
Escudo partido de sable y oro sembrado del uno al otro de rastrillos y torres tridonjonadas.
Illuminated with lights and shadows and with a metallic finish.
Coat of arms of Peter Edward Walker, Baron Walker of Worcester, emblazoned by me in 4 steps, notice that it is a double semé.
Blazon keywords: Party per pale, Sable, Or, Semé, Counterchanged, Portcullis, Tower, With a turret, Three and Turret.
Style keywords: Soft metal, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted and Schema.
Bearer: Walker, Peter Edward.
Cheshire, 1533-1580.
Gules, a chevron Argent between three martlets Argent.
Escudo de gules, un cabrio de plata, acompañado de tres marletas de plata, 2 y 1.
Coat of arms interpreted with: a rounded base; the field and chevron illuminated in Gules and Argent; the martlets illuminated in Argent and outlined in Sable; and with a leather texture.
In [Goldstraw, M. S. J.; 2013b] the following blazon is recorded: «Gules, a chevron between three martlets Argent».
Blazon keywords: Without divisions, Gules, Argent, Chevron, Between, Martlet and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Walkington of the County of Cheshire.
Thomas de Warbleton ~ Thomas de Warbrentone.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; and the whole with a raised-stroke effect.
Can be found in [Heralds' Roll, T.; 1280; shield number 647], in [St. George's Roll; 1285; shield number 245] and in [Charles' Roll; 1285; shield number 360].
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Warbrentone, Thomas de.
Party per bend sinister Or and Gules, a clenched gauntlet Sable.
Escudo tajado de oro y gules; brochante sobre la partición un guantelete de sable, puesto en palo.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a rough finishing.
Blazon keywords: Party per bend sinister, Or, Gules, Surmounted, Gauntlet, Sable and Palewise.
Style keywords: Pointed, Outlined in sable, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Wilkins, Tim.
Guillermo Bardolf ~ William Bardolf ~ Willem Bardulf.
Azure, three cinquefoils Or.
Escudo de azur, tres quinquefolios de or.
Included in [Vincent, MS; 1285; number 223] also known as [St. George's Roll; 1285; number 223].
Blazon keywords: Without divisions, Azure, Three, Cinquefoil, Or and Ordered.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Guillermo Bardolf.
William de Ferrers, Earl of Derby ~ Cunte de Ferrers.
Vairy Or and Gules.
Escudo verado de oro y gules.
Interpreted coat of arms, the shape of the shield is triangular and curved plain tinctures metal Or and color Gules, outlined in sable; and a free hand finishing.
Included in [Vincent, MS; 1285; number 17] also known as [St. George's Roll; 1285; number 17].
Blazon keywords: Without divisions, Vairy, Or and Gules.
Style keywords: Triangular curved, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Guillermo de Ferrers.
William de Handsacre ~ William de Hondeshacre.
Ermine, three chess rooks Gules.
Escudo de armiños, tres roques de gules.
Included in [Vincent, MS; 1285; number 469] also known as [St. George's Roll; 1285; number 469].
Blazon keywords: Without divisions, Ermine, Three, Chess rooks, Gules and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Guillermo de Handsacre.
Or, on a bend Sable, a spear Or, steeled Argent. Motto: «Non sanz droict»
Escudo de oro, una banda de sable, cargada de una lanza de plata, fustada oro. Lema: «Non sanz droict».
Coat of arms interpreted with: a semicircular (round) base; field and bend in flat tinctures Or and Sable; a lance with a broad and long iron illuminated in Argent; shaft illuminated in Or; motto in Sable upon a scroll of Argent; and the whole finished with a parchment effect.
Its motto in French «Non sanz droict» means «Not without right» and it is considered a canting (speaking) arm by the pun Spear ~ Shakespeare.
Blazon keywords: Without divisions, Or, Sable, Argent, Bend, Bendwise, Spear and Charged.
Style keywords: Parchment and Illuminated.
Classification: Interpreted, Personal, Coat of arms, Canting and Literature.
Bearer: Shakespeare, William.
Azure, a chevron in base ensigned by a pelican in her piety Argent, vulned Gules, in base a mullet of eight points Argent.
Arms depicted by me, in plain tinctures, contoured in Sable, with a pointed outer contour and with a texturized finishing.
Coat of arms of Yaroslav Pototsky emblazoned by me under his directions. As Elliot Nesterman explained to me: «In English blazon a pelican in her piety describes the entire scene, pelican piercing its breast with nest, chicks, etc. The act of piercing its breast is called vulning. An animal wounded with blood drops showing is described as vulned. A pelican in her piety Argent, vulned Gules».
Blazon keywords: Azure, Argent, Gules, One, Chevron, In base, Pelican in her piety, Pelican, Vulned and Mullet.
Style keywords: Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pototsky, Yaroslav.
Or, a double rose Gules and Argent, barbed Vert, and seeded Or within six fleurs de lis in orle, five Gules and one in chief Azure.
Coat of arms interpreted with a semi-circular shape; metals or and argent and colors gules, sinople and azur; the delineation is color sable; and a freehand finish.
Credits:
Blazon keywords: Or, Double rose, Gules, Argent, Barbed, Vert, Seeded, Six, Fleur de lis, Orle, Five, One, Azure and In chief.
Style keywords: Semi-circular, Freehand and Outlined in sable.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Noelia.
Or, on a pile issuant from base Vert between two maunches Gules a displayed scroll Argent with seal pendant proper.
Escudo de oro, en una pira de sinople acompañada de dos mangas de gules, un pergamino abierto de plata, con un sello de lacre pendiente al natural.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.
G0076, Chief Herald of Arms of Malta's grant of Claes Zangenberg's arms, whose coat of arms has been emblazoned by me. The Castilian «pila» I render in English as «Pile issuant from base», following [Académie internationale d'héraldique; 1952; figure 121]. Friar [Friar S.; 1987; page 15] writes it as «Pile reversed issuant from the base», but in [Friar S.; 1987; page 250], when transcribing a grant of the College of Arms of London, he uses «Pile issuant from the base». Other authors also refer to it simply as «Pile reversed». I prefer «Pile issuant from base».
Blazon keywords: Or, Vert, Gules, Argent, One, Two, Pile issuant from base, Between, Maunch, Displayed scroll, Suspended and Proper.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa, Coat of arms and Seal.
Bearer: Zangenberg, Claes.
Or, on a pile issuant from base Vert between two maunches Gules a displayed scroll Argent with seal pendant proper, the whole debruised by a label of three points Sable
Escudo de oro, en una pira de sinople acompañada de dos mangas de gules, un pergamino abierto de plata, con un sello de lacre pendiente al natural; brisado de un lambel de tres pendientes de sable.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.
R0047, Chief Herald of Arms of Malta's register of Olivia Zangenberg's arms, whose coat of arms has been emblazoned by me.
Blazon keywords: Or, Vert, Gules, Argent, Sable, One, Two, Pile issuant from base, Between, Maunch, Displayed scroll, Suspended, Cadency, Proper and Label of three points.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa, Coat of arms and Seal.
Bearer: Zangenberg, Olivia.
Blazon of the Zuzaeta lineage of the Basque Country.
Azure, five mullets Or.
Illuminated and a freehand finishing.
The default arrangement is in saltire, which is why I do not specify it, but if one wished to do so, it could be written as «Azure, five mullets Or in saltire».
Blazon keywords: Without divisions, Azure, Five, Mullet and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Lineage.
Atom, Cloud, Crescent, Decrescent, Diamond, Emerald, Estoile, Goutte, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Terrestrial globe, Trimount, Water and Wave.
Acorn, Apple, Apple tree, Ash, Bluebonnet, Bunch, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Easter lily, Eguzki-lore, Elm, Fleur de lis, Flower, Gourd, Grape, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Madrone tree, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Scots pine, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Black grouse, Blackbird, Boar, Brach hound, Bull, Cat, Cow, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Gazelle, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Monkey, Mountain bluebird, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Swan, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Footprint, Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deer' attire, Shoulder, Sprig, Stag's attire, Stag's massacre, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
Ace of spades, Adze, Anchor, Anvil, Arch, Archer, Arm vambraced, Armillary sphere, Arrow, Axe, Baton of Herald, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Caravel, Carbuncle, Castle, Cauldron, Celtic Trinity knot, Celtic trefoil knot, Censer, Chain, Chess rooks, Chi-Rho symbol, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Comedy mask, Compass rose, Conductor's baton, Cord, Covered cup, Crossbow, Crossed staff, Crozier, Crucible, Cuffed, Cup, Cutlass, Cyclamor, Dagger, Displayed scroll, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Full plate armor, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Incense burner, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Maunch, Menorah, Millrind, Millstone, Millwheel, Minaret, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Paintbrush, Pair of pliers, Pair of scales, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rolled scroll, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scepter, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Tragedy mask, Trident, Trumpet, Turret, Two-handed sword, Two-man cross-cut saw, Wagon-wheel, Wall, Water-bouget, Wheel, Winnowing fan and With a turret.
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Sea-lion, Trinity, Triton, Unicorn, Winged hand and Wyvern.
Port and windows, Between, Watercolor, Proper, Pointed, Armed, Azure, Boa, Bordure, Wreath, Charged, Crest, Ogee, Crown, Created, Quarterly, Outlined in sable, Dexter, Two, In chief, In base, Coat of arms, Mullet, Fleur de lis, Personal, Gules, Illuminated, Interpreted, Chief, Langued, Motto, Lion, Lineage, Masoned, Semi-circular, Or, Party per pale, Leather, Argent, Without divisions, Civic, Rampant, Sable, Vert, Plain tincture, Freehand, Three, One and Helm.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.